Sidewalk Signs Quotes

It is growing up different. It is extreme hypersensitivity. It is a bottomless pit of feeling you're failing, but three days later, you feel you can do anything, only to end the week where you began. It is not learning from your mistakes. It is distrusting people because you have been hurt enough. It is moments of knowing your pain is self inflicted, followed by blaming the world. It is wanting to listen, but you just can’t anymore because your life has been to full of people that have judged you. It is fighting to be right; so for once in your life someone will respect and hear you for a change. It is a tiring life of endless games with people, in order to seek stimulus. It is a hyper focus, so intense about what bothers you, that you can’t pay attention to anything else, for very long. It is a never-ending routine of forgetting things. It is a boredom and lack of contentment that keeps you running into the arms of anyone that has enough patience to stick around. It wears you out. It wears everyone out. It makes you question God’s plan. You misinterpret everything, and you allow your creative mind to fill the gaps with the same old chains that bind you. It narrows your vision of who you let into your life. It is speaking and acting without thinking. It is disconnecting from the ones you love because your mind has taken you back to what you can’t let go of. It is risk taking, thrill seeking and moodiness that never ends. You hang your hope on “signs” and abandon reason for remedy. It is devotion to the gifts and talents you have been given, that provide temporary relief. It is the latching onto the acceptance of others---like a scared child abandoned on a sidewalk. It is a drive that has no end, and without “focus” it takes you nowhere. It is the deepest anger when someone you love hurts you, and the greatest love when they don't. It is beauty when it has purpose. It is agony when it doesn’t. It is called Attention Deficit Disorder.

They were in love! Carla wore her hair up and Andrew saw everything as a sign. They spent an entire afternoon sitting side by side in a coffee shop, taking more meaning than necessary from the world around them. A man wearing boxing gloves walked down the sidewalk in front of them and they took that to mean they would be together forever.

My happy wagon is almost empty, Leo. Only five pebbles left. Happywise, I’m operating on only 25 percent capacity. Remember when I first showed my wagon to you? How many pebbles were in it then? Seventeen? And then I put another in, remember? I never told you this, but before I went to bed that night, after we kissed for the first time on the sidewalk outside my house, I put in the last two pebbles. Twenty. Total happiness. For the first time ever. It stayed that way until I painted that big sign on a sheet and hung it outside the school for all the world to see…

She did not have time to wonder about his being late. He died bent over the sidewalk sign that stood out in front of the hardware store... He had not even had time to get into the store...

Traveling across the United States, it's easy to see why Americans are often thought of as stupid. At the San Diego Zoo, right near the primate habitats, there's a display featuring half a dozen life-size gorillas made out of bronze. Posted nearby is a sign reading CAUTION: GORILLA STATUES MAY BE HOT. Everywhere you turn, the obvious is being stated. CANNON MAY BE LOUD. MOVING SIDEWALK ABOUT TO END. To people who don't run around suing one another, such signs suggest a crippling lack of intelligence. Place bronze statues beneath the southern California sun, and of course they're going to get hot. Cannons are supposed to be loud, that's their claim to fame, and - like it or not - the moving sidewalk is bound to end sooner or later. It's hard trying to explain a country whose motto has become You can't claim I didn't warn you. What can you say about the family who is suing the railroad after their drunk son was killed walking on the tracks? This pretty much sums up my trip to Texas.

And the City, in its own way, gets down for you, cooperates, smoothing its sidewalks, correcting its curbstones, offering you melons and green apples on the corner. Racks of yellow head scarves; strings of Egyptian beads. Kansas fried chicken and something with raisins call attention to an open window where the aroma seems to lurk. And if that's not enough, doors to speakeasies stand ajar and in that cool dark place a clarinet coughs and clears its throat waiting for the woman to decide on the key. She makes up her mind and as you pass by informs your back that she is daddy's little angel child. The City is smart at this: smelling and good and looking raunchy; sending secret messages disguised as public signs: this way, open here, danger to let colored only single men on sale woman wanted private room stop dog on premises absolutely no money down fresh chicken free delivery fast. And good at opening locks, dimming stairways. Covering your moans with its own.

Either peace or happiness, let it enfold you. When I was a young man I felt these things were dumb, unsophisticated. I had bad blood, a twisted mind, a precarious upbringing. I was hard as granite, I leered at the sun. I trusted no man and especially no woman... I challenged everything, was continually being evicted, jailed, in and out of fights, in and out of my mind... Peace and happiness to me were signs of inferiority, tenants of the weak, an addled mind. But as I went on...it gradually began to occur to me that I wasn't different from the others, I was the same... Everybody was nudging, inching, cheating for some insignificant advantage, the lie was the weapon and the plot was empty... Cautiously, I allowed myself to feel good at times. I found moments of peace in cheap rooms just staring at the knobs of some dresser or listening to the rain in the dark. The less I needed the better I felt... I re-formulated. I don't know when, date, time, all that but the change occured. Something in me relaxed, smoothed out. I no longer had to prove that I was a man, I didn’t have to prove anything. I began to see things: coffee cups lined up behind a counter in a cafe. Or a dog walking along a sidewalk. Or the way the mouse on my dresser top stopped there with its body, its ears, its nose, it was fixed, a bit of life caught within itself and its eyes looked at me and they were beautiful. Then...it was gone. I began to feel good, I began to feel good in the worst situations and there were plenty of those... I welcomed shots of peace, tattered shards of happiness... And finally I discovered real feelings of others, unheralded, like lately, like this morning, as I was leaving for the track, I saw my wife in bed, just the shape of her head there...so still, I ached for her life, just being there under the covers. I kissed her in the forehead, got down the stairway, got outside, got into my marvelous car, fixed the seatbelt, backed out the drive. Feeling warm to the fingertips, down to my foot on the gas pedal, I entered the world once more, drove down the hill past the houses full and empty of people, I saw the mailman, honked, he waved back at me.

We didn't finish that dance." "Here?" "Why not?" Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up. "Do you hear that?" I aked. Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?" I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music." Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing." "Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me. She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing. My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air. I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster. A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home. I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer. She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire. Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo. Her eyes met mine again. "So what does this mean for us?" I lowered my forehead to hers. "It means you 're mine.

Whoever had covered our sidewalk with seals and signs apparently had an ax to grind, but I wasn’t worried. Whatever they wanted, I wasn’t about to let it get to me. Nothing could feel quite so benign as a warm spring day in St. Nacho’s. So… For some unknown—and probably unknowable—reason, the Witches of Westwick were trying to freak me out. I blew out a long, thin stream of smoke and grinned. Cool. - Daniel Livingston

A city without road humps is like a world without maps.

At first I couldn't see anything. I fumbled along the cobblestone street. I lit a cigarette. Suddenly the moon appeared from behind a black cloud, lighting a white wall that was crumbled in places. I stopped, blinded by such whiteness. Wind whistled slightly. I breathed the air of the tamarinds. The night hummed, full of leaves and insects. Crickets bivouacked in the tall grass. I raised my head: up there the stars too had set up camp. I thought that the universe was a vast system of signs, a conversation between giant beings. My actions, the cricket's saw, the star's blink, were nothing but pauses and syllables, scattered phrases from that dialogue. What word could it be, of which I was only a syllable? Who speaks the word? To whom is it spoken? I threw my cigarette down on the sidewalk. Falling, it drew a shining curve, shooting out brief sparks like a tiny comet. I walked a long time, slowly. I felt free, secure between the lips that were at that moment speaking me with such happiness. The night was a garden of eyes.

On the streets today gangs of Jews, with jeering storm troopers standing over them and taunting crowds around them, on their hands and knees scrubbing the Schuschnigg signs off the sidewalks. Many Jews killing themselves. All sorts of reports of Nazi sadism, and from the Austrians it surprises me. Jewish men and women made to clean latrines. Hundreds of them just picked at random off the streets to clean the toilets of the Nazi boys. The lucky ones get off with merely cleaning cars—the thousands of automobiles which have been stolen from the Jews

But no - I was his wife, and it was my duty to share his pain as I shared his success. I walked out the front door and joined him on the sidewalk, slipping my hand into his like a thread into a needle; and together we looked up at this sign, once the embodiment of a dream, now merely a remembrance of it.

No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.

No trees in sight, just concrete Still I see Two roads twist and turn in front of me No signs, but screams Which way's reality? So you choose; yeah, you choose Maybe you lose The sidewalk paved in hitches Broken hearts not fixed by stitches But morning's coming soon No right in sight, just questions And you find There is no map to Mecca It's just life No right answer; perfect marks It's no big deal; it's just your heart Falling stars and lightning sparks This will only sting a bit We are all just Magnets for fate Stumbling, skipping, running at our pace Making choices, losing voices Making wishes for forgiveness But morning's coming soon And no matter where you sit, how fast you sip The coffee tastes the same on magnet lips "Magnets for Fate" -Electric Freakshow

On the walk back, we passed Roberta’s forbidden tattoo parlor. The storefront glass had been painted over with black paint, but the peacock sign—faded and chipped—still hung over the door. “This woman named Roberta Jaskiewicz used to live there,” I said. “She gave tattoos and sold hand-painted girlie neckties. One time my grandmother saw me over there and she—” “Shut up! Shut up! Shut up!” Dante said. He locked his eyes closed and stood frozen on the sidewalk. I waited. “What?” I said, when he opened his eyes again. “A poem was just beginning to form itself in my head. The idea was embryonic and now I’ve lost it. Thanks a lot.

That autumn, I kept coming back to Hopper’s images, drawn to them as if they were blueprints and I was a prisoner; as if they contained some vital clue about my state. Though I went with my eyes over dozens of rooms, I always returned to the same place: to the New York diner of Nighthawks, a painting that Joyce Carol Oates once described as “our most poignant, ceaselessly replicated romantic image of American loneliness”... Green shadows were falling in spikes and diamonds on the sidewalk. There is no colour in existence that so powerfully communicates urban alienation, the atomisation of human beings inside the edifices they create, as this noxious pallid green, which only came into being with the advent of electricity, and which is inextricably associated with the nocturnal city, the city of glass towers, of empty illuminated offices and neon signs.

After the dinner-and-interrogation. John stopped short on the sidewalk: The theater was gone. Instead, two gigantic clown faces grinned at him from the windows of a gleaming new restaurant. The faces were almost as large as the wide front door, painted on either side, and above them was a sign, in red and yellow neon letters: CIRCUS BABY’S PIZZA.

The greatest joy is when holding a sign saves a life.

To everyone in the foyer reading the lists, or on the sidewalks waving signs and photos of their families who’d disappeared, I said over and over again: “Everyone is dead.” If they insisted, showing me family photos, I’d calmly say: “Were there any children? Not a single child will come back.” I didn’t mince my words, I didn’t try to spare their feelings, I was used to death. I’d become as hard-hearted as the deportees who saw us arrive at Birkenau without saying a single comforting word. Surviving makes other people’s tears unbearable. You might drown in them.

Secret kabals of vegetarians habitually gather under the sign to exchange contraband from beyond the Vegetable Barrier. In their pinpoint eyes dances their old dream: the Total Fast. One of them reports a new atrocity published without compassionate comment by the editors of Scientific American: "It has been established that, when pulled from the ground, a radish produces an electronic scream." Not even the triple bill for 65˘ will comfort them tonight. With a mad laugh born of despair, one of them throws himself on a hot-dog stand, disintegrating on the first chew into pathetic withdrawal symptoms. The rest watch him mournfully and then separate into the Montreal entertainment section. The news is more serious than any of them thought. One is ravished by a steak house with sidewalk ventilation. In a restaurant, one argues with the waiter that he ordered "tomato" but then in a suicide of gallantry he agrees to accept the spaghetti, meat sauce mistake.

A scattering of pinpoint lights shows up in the blackness ahead. A town or village straddling the highway. The indicator on the speedometer begins to lose ground. The man glances in his mirror at the girl, a little anxiously as if this oncoming town were some kind of test to be met. An illuminated road sign flashes by: CAUTION! MAIN STREET AHEAD - SLOW UP The man nods grimly, as if agreeing with that first word. But not in the way it is meant. The lights grow bigger, spread out on either side. Street lights peer out here and there among the trees. The highway suddenly sprouts a plank sidewalk on each side of it. Dark store-windows glide by. With an instinctive gesture, the man dims his lights from blinding platinum to just a pale wash. A lunch-room window drifts by. ("Jane Brown's Body")

Gustavo Tiberius speaking." “It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.” “It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.” “Oh boy, there’s the Grumpy Gus I know. You miss me?” Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.” “Really.” “Yes.” “Gus.” “Casey.” “I miss you.” “I miss you too,” Gus mumbled into the phone, blushing fiercely. “Yeah? How much?” Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.” “I know what you mean,” Casey said. “The guys were saying the same thing about me.” Gus smiled. “How embarrassing for you.” “Completely. You have no idea.” “They’re going to get you packed up this week?” “Ah, yeah. Sure. Something like that.” “Casey.” “Yes, Gustavo.” “You’re being cagey.” “I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.” Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?” There was a knock on the window to the Emporium. Gus looked up. Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen. Casey wiggled his eyebrows at Gus. “Hey, man.” “Hi,” Gus croaked. “Come over here, but stay on the phone, okay?” Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal. Gus went to the window, and Casey smiled that lazy smile. He said, “Hi.” Gus said, “Hi.” “So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?” “I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close. The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.” Gus didn’t even try to stop the eye roll. “Oh my god.” “Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.” “What did?” Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?” “Yeah?” “I’m going to ask you a question, okay?” Gustavo’s throat felt very dry. “Okay.” “What was the Oscar winner for Best Song in 1984?” Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to— And then he could barely breathe. Casey’s smile wobbled a little bit. “Okay?” Gus blinked the burn away. He nodded as best he could. And Casey said, “Yeah, man. I love you too.” Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.

A white, gummy substance smeared on the club’s plate-glass window blocked a view of the interior from the sidewalk. Inside, signs on the wall read: “Tough Guys Don’t Squeal,” “Don’t Talk. This Place Is Bugged” and “The Enemy Is Listening.

The front door slammed and Dad said, “Aurora, sure you aren’t expecting a package?” I leaned back to find him army-crawling under the window in the living room. Like all dads do. “Already told you no, Rambo.” “The new mailman is back.” Dad reached up and pulled the curtains closed before standing up and peeking out. “Won’t come to the door.” “M shot a tranquillizer dart at the last guy.” Mom gave a tired look at M who shrugged unapologetically. “The fact that there’s a new one willing to be on our sidewalk is a miracle. Don’t scare him off, Clyde.” Dad tried to block me when I went for the curtains. “He won’t let me sign for your package. Demanded you come out in person.” “I’ll get my tranq gun!” M made for her room. “Don’t you dare!” Mom chased her. I swished back the curtains to get a look at the petrifying postman. “I find his interest in my teenage daughter creepy,” Dad grumbled. Oh, he had no idea.

Destroyed, that is, were not only men, women and thousands of children but also restaurants and inns, laundries, theater groups, sports clubs, sewing clubs, boys’ clubs, girls’ clubs, love affairs, trees and gardens, grass, gates, gravestones, temples and shrines, family heirlooms, radios, classmates, books, courts of law, clothes, pets, groceries and markets, telephones, personal letters, automobiles, bicycles, horses—120 war-horses—musical instruments, medicines and medical equipment, life savings, eyeglasses, city records, sidewalks, family scrapbooks, monuments, engagements, marriages, employees, clocks and watches, public transportation, street signs, parents, works of art. “The whole of society,” concludes the Japanese study, “was laid waste to its very foundations.”2698 Lifton’s history professor saw not even foundations left. “Such a weapon,” he told the American psychiatrist, “has the power to make everything into nothing.

I tense as footage of my neighborhood, my home, is shown. It’s like they picked the worst parts—the drug addicts roaming the streets, the broken-down Cedar Grove projects, gangbangers flashing signs, bodies on the sidewalks with white sheets over them. What about Mrs. Rooks and her cakes? Or Mr. Lewis and his haircuts? Mr. Reuben? The clinic? My family? Me?

We drove past a large creature with numerous limbs and eyes, then even as I watched, a crack appeared down its center. As it divided itself, I realized it had been, all along, two separate people – a runner and a dog walk woman – moving in opposite directions who for an instant happened to be passing one another. Then came a store with a sign saying ‘Eat In Take Out’ and in front of it, a lost baseball cap on the sidewalk.

The world's first sidewalks appeared around 2000 B.C. in what is now Turkey. But it was in Paris - where there are at least as many styles of wandering (flanerie, derive, errance) as there are the customary cheek kisses (la bise) - that the sidewalk became an avenue for pleasure. No need to follow the 1920s-style red METRO sign underground, or climb into the taxi with 'Parisien' on its rooftop light. From the sidewalk, the best of the city can be had for free.

The town had a faint air of benign neglect that only added to its charm: a seaside village with white clapboard buildings, seagulls wheeling overhead, uneven brick sidewalks and local shops. They passed a gas station, several old storefronts with plate-glass windows, a diner, a funeral parlor, a movie theater turned into a bookstore, and an eighteenth-century sea captain’s mansion, complete with widow’s walk. A sign out front identified it as the Exmouth Historical Society and Museum.

She remembered walking in a certain street in the West Eighties once, the brownstone fronts, overlaid and overlaid with humanity, human lives, some beginning and some ending there, and she remembered the sense of oppression it had given her, and how she had hurried through it to get to the avenue. Only two or three months ago. Now the same kind of street filled her with a tense excitement, made her want to plunge headlong into it, down the sidewalk with all the signs and theater marquees and rushing, bumping people.

There were streets, narrow and crowded with people and vehicles. Above them flashed neon lights and blinking billboards of every colour, shape and size. Some ran up the sides of buildings, others blinked on and off in store windows. In the space above the sidewalk, higher than a double-decker bus, hung flashing neon signs in bright pink, yellow, read, blue, orange, green and white. Yes, if white could be whiter than white, it was when it was in neon, Hong Mei thought. She knew Nathan Road in Kowloon was famous for its neon lights.

In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.

I took out Riptide. With the tip of the blade, I etched a message on the sidewalk: Went to Gramercy. That was another trick I’d only learned in the last month. One day when I was bored, sitting on a sidewalk while my mom shopped for clothes for her first author signing, I discovered that Riptide could sketch glowing lines on asphalt that no regular mortals could see. The markings lasted about three hours before fading away—less if it rained. It made me wonder why I’d never seen Celestial bronze graffiti around from other demigods. Maybe they’d never gotten bored enough to try it. Or maybe their weapons didn’t have a side hustle as writing utensils.

It is not, as somebody once wrote, the smell of corn bread that calls us back from death; it is the lights and signs of love and friendship. Gil Bucknam called me the next day and said that the old man was dying and would I come back to work? I went to see him, and he explained that it was the old man who was after my skin, and, of course, I was glad to come home to parablendeum. What I did not understand, as I walked down Fifth Avenue that afternoon, was how a world that had seemed so dark could, in a few minutes, become so sweet. The sidewalks seemed to shine, and, going home on the train, I beamed at those foolish girls who advertise girdles on the signboards in the Bronx.

I began a new project: a photo-essay about the Occupy Wall Street movement that was overtaking Manhattan. Inspired, I snapped hundreds of photographs, wanting to document this singular moment in New York’s pulsing body, watching people flooding the sidewalks like human rivers, converging at the green park as one ocean. I took shots of the sharpest signs and strangest masks; the angry bankers in their crisp blue button-downs; the lines of bored-faced cops, slouching with thick arms crossed. And peering through my viewfinder, I learned the skill of noticing more deeply; I felt a thrill—a new civil affinity budding in my dreams and in the brick-and-mortar city, simultaneously: that we, the people, were awakening to the truth that a bundle of twigs is inconceivably strong.

The New York sidewalk led us along a little corner park rimmed with yellow-orange and violet pansies that seemed to be smiling, their faces upturned, and past a bagel shop that smelled of sesame and salt, delicious warm air. We passed an empty wine bar with a pink chandelier, whimsical and dim inside, and a neighborhood diner with its blue neon sign huge and lit up, little white line-cook hats—the city seemed in my vision like a multifaceted gem, spectacular. I wished I could keep everything I witnessed like a photograph, to forever hold this electric aliveness. The colors of the flowers and the clothing were crisp and rosy, hyper-bright against the subdued sun-drenched pigments of the streets and the brick buildings, all seeming faded, softer than real. Pops of coral and red—a scarf, a lady’s lips—were pops of life.

Julie Seagle stared straight ahead and promised herself one thing: She would never again rent an apartment via Craigslist. The strap of her overstuffed suitcase dug into her shoulder, and she let it drop onto the two suitcases that sat on the sidewalk. It wasn’t as if she had anywhere to carry them now. Julie squinted in disbelief at the flashing neon sign that touted the best burritos in Boston. Rereading the printout of the email again did nothing to change things. Yup, this was the correct address. While she did love a good burrito, and the small restaurant had a certain charm about it, it seemed pretty clear that the one-story building did not include a three-bedroom apartment that could house college students. She sighed and pulled her cell phone from her purse. “Hi, Mom.” “Honey! I gather you made it to Boston? Ohio is missing you already. I can’t believe you’re already off at college. How is the apartment? Have you met your roommates yet?” Julie cleared her throat and looked at the flat roof of the restaurant. “The apartment is…‌airy. It has a very

Guys like him…they aren’t the flowers-and-candy type. He probably won’t take you out to a romantic dinner. I don’t see him renting a plane and having it fly a banner declaring his love for you.” Rayne giggled and nodded in agreement. “But if you pay attention, you’ll see the signs that he cares. A hand against your back. Asking if you need anything. He’ll make sure you eat before him. He’ll walk on the outside of the sidewalk, making sure you’re away from traffic. The signs will be there, but they won’t ever be the big romantic gestures most women crave.” “He wraps my wrists and ankles every morning. He took my nasty snot-filled tissues yesterday without making a big deal out of it. He let me have as much cream cheese on my bagel this morning as I wanted, even though it meant I used most of it and he only had a little bit.” Penelope nodded. “Exactly. They’ll swear until they’re dead as a doornail that they aren’t romantic, when in reality, what we see in the movies and on TV as ‘romance’ is just smoke and mirrors. I don’t know about you, but I’d much rather have their brand of romance than Hollywood’s.

In this world we were born into nothing but everything is ours: the sidewalk, the yellow markers in the road. The rain falls through the leaves and kisses us just so. What no one will ever understand is that the world belongs to orphans, everything becomes our mother. We’re mothered by everything because we know how to look for the mothering, because we know a mother might leave us and we’ll need another mother to step in and take its place. The tree mothering its shade. The restaurant door, propped slightly open, mothering its smell of cookies to us. The blinking walk sign, holding on long enough to mother us across the street. The sun mothering Noreen, warming her skin; the sidewalk mothering Aisha’s knee, kissing it when her body hits the pavement, a love strong enough to leave a mark. The rain, mothering us faster home. The hallway birds, mothering their cages. The hamster, mothering its wheel. All the mothers in the world reach out to the motherless. And beneath me, Noreen was made to mother me, my heartbeat pounding against her back, shouting so loud that it fills my entire being, you’re held, you’re held, you’re held.

Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...

The clearest signs of Hakodate's current greatness, though, can be found clustered around its central train station, in the morning market, where blocks and blocks of pristine seafood explode onto the sidewalks like an edible aquarium, showcasing the might of the Japanese fishing industry. Hokkaido is ground zero for the world's high-end sushi culture. The cold waters off the island have long been home to Japan's A-list of seafood: hairy crab, salmon, scallops, squid, and, of course, uni. The word "Hokkaido" attached to any of these creatures commands a premium at market, one that the finest sushi chefs around the world are all too happy to pay. Most of the Hokkaido haul is shipped off to the Tsukiji market in Tokyo, where it's auctioned and scattered piece by piece around Japan and the big cities of the world. But the island keeps a small portion of the good stuff for itself, most of which seems to be concentrated in a two-hundred-meter stretch in Hakodate. Everything here glistens with that sparkly sea essence, and nearly everything is meant to be consumed in the moment. Live sea urchins, piled high in hillocks of purple spikes, are split with scissors and scraped out raw with chopsticks. Scallops are blowtorched in their shells until their edges char and their sweet liquor concentrates. Somewhere, surely, a young fishmonger will spoon salmon roe directly into your mouth for the right price.

The franchise and the virus work on the same principle: what thrives in one place will thrive in another. You just have to find a sufficiently virulent business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it, and embed it in the fertile lining of a well-traveled highway, preferably one with a left-turn lane. Then the growth will expand until it runs up against its property lines. In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your hometown. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. "No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.

The trail wasn’t hard to follow. It had a pattern. An irregular patch of scattered spots that looked like spots of tar in the artificial light was interspersed every fourth or fifth step by a dark gleaming splash where blood had spurted from the wound. Now that all the soul people had been removed from the street, the five detectives moved swiftly. But they could still feel the presence of teeming people behind the dilapidated stone façades of the old reconverted buildings. Here and there the white gleams of eyes showed from darkened windows, but the silence was eerie. The trail turned from the sidewalk into an unlighted alleyway between the house beyond the rooming house, which described itself by a sign in a front window reading: Kitchenette Apts. All conveniences, and the weather-streaked red-brick apartment beyond that. The alleyway was so narrow they had to go in single file. The sergeant had taken the power light from his driver, Joe, and was leading the way himself. The pavement slanted down sharply beneath his feet and he almost lost his step. Midway down the blank side of the building he came to a green wooden door. Before touching it, he flashed his light along the sides of the flanking buildings. There were windows in the kitchenette apartments, but all from the top to the bottom floor had folding iron grilles which were closed and locked at that time of night, and dark shades were drawn on all but three. The apartment house had a vertical row of small black openings one above the other at the rear. They might have been bathroom windows but no light showed in any of them and the glass was so dirty it didn’t shine. The blood trail ended at the green door. “Come out of there,” the sergeant said. No one answered. He turned the knob and pushed the door and it opened inward so silently and easily he almost fell into the opening before he could train his light. Inside was a black dark void. Grave Digger and Coffin Ed flattened themselves against the walls on each side of the alley and their big long-barreled .38 revolvers came glinting into their hands. “What the hell!” the sergeant exclaimed, startled. His assistants ducked. “This is Harlem,” Coffin Ed grated and Grave Digger elaborated: “We don’t trust doors that open.” Ignoring them, the sergeant shone his light into the opening. Crumbling brick stairs went down sharply to a green iron grille. “Just a boiler room,” the sergeant said and put his shoulders through the doorway. “Hey, anybody down there?” he called. Silence greeted him. “You go down, Joe, I’ll light your way,” the sergeant said. “Why me?” Joe protested. “Me and Digger’ll go,” Coffin Ed said. “Ain’t nobody there who’s alive.

We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.

An unexpected sight opens in front of my eyes, a sight I cannot ignore. Instead of the calm waters in front of the fortress, the rear side offers a view of a different sea—the sea of small, dark streets and alleys—like an intricate puzzle. The breathtaking scenery visible from the other side had been replaced by the panorama of poverty–stricken streets, crumbling house walls, and dilapidated facades that struggle to hide the building materials beneath them. It reminds me of the ghettos in Barcelona, the ghettos I came to know far too well. I take a deep breath and look for a sign of life—a life not affected by its surroundings. Nothing. Down, between the rows of dirty dwellings stretches a clothesline. Heavy with the freshly washed laundry it droops down, droplets of water trickling onto the soiled pavement from its burden. Around the corner, a group of filthy children plays with a semi–deflated soccer ball—it makes a funny sound as it bounces off the wall—plunk, plunk. A man sitting on a staircase puts out a cigarette; he coughs, spits phlegm on the sidewalk, and lights a new one. A mucky dog wanders to a house, lifts his leg, and pisses on it. His urine flows down the wall and onto the street, forming a puddle on the pavement. The children run about, stepping in the piss, unconcerned. An old woman watches from the window, her large breasts hanging over the windowsill for the world to see. Une vie ordinaire, a mundane life...life in its purest. These streets bring me back to all the places I had escaped when I sneaked onto the ferry. The same feeling of conformity within despair, conformity with their destiny, prearranged long before these people were born. Nothing ever changes, nothing ever disturbs the gloomy corners of the underworld. Tucked away from the bright lights, tucked away from the shiny pavers on the promenade, hidden from the eyes of the tourists, the misery thrives. I cannot help but think of myself—only a few weeks ago my life was not much different from the view in front of my eyes. Yet, there is a certain peace soaring from these streets, a peace embedded in each cobblestone, in each rotten wall. The peace of men, unconcerned with the rest of the world, disturbed neither by global issues, nor by the stock market prices. A peace so ancient that it can only be found in the few corners of the world that remain unchanged for centuries. This is one of the places. I miss the intricacy of the street, I miss the feeling of excitement and danger melted together into one exceptional, nonconforming emotion. There is the real—the street; and then there is all the other—the removed. I am now on the other side of reality, unable to reach out with my hand and touch the pure life. I miss the street.

Please give me another chance!” Breathing hard, I waited for a light to come on, a door to open, a sign that she still loved me . . . but the house remained dark and silent. Crickets chirped. I glanced over at the girls, who seemed just as distraught as I was. They looked at each other, and then back at me. That’s when I heard a feminine voice come out of the darkness behind me. “Hey Winnie? Yeah, it’s Audrey. There’s some guy across the street yelling at the Wilsons’ house, but I think he’s talking to you.” Oh, fuck. Horrified, I spun around on my knees. A teenage couple stood under a front porch light at a home across the street. The girl was talking into her phone. “Dude,” the guy called out. “I think you’re at the wrong house.” Fuck. Me. Behind the couple, the front door opened and a barrel-chested man came storming out the front door wearing jeans, a USMC sweatshirt, and a scowl. “What’s going on out here? Who’s shouting?” “That guy over there is telling Winnie that he’s sorry and he loves her, but he’s at the wrong house,” said the girl. “I feel really bad for him.” “What?” The man’s chest puffed out further and he squinted in my direction. Then Winnie’s mom appeared on the porch, pulling a cardigan around her. “Is everything okay?” No. Everything was not okay. “Who is that guy?” her dad asked, and by his tone I could tell what he meant was, Who is that fucking idiot? “Is it Dex?” Frannie leaned forward and squinted. “Is that you, Dex?” “Yeah. It’s me.” I’d never wanted a sinkhole to open up and swallow me as badly as I did at that moment. If my kids hadn’t been there, I might have taken off on foot. Just then, a car pulled into their driveway, and my stomach lurched when Winnie jumped out of the passenger side. Her friend Ellie got out of the driver’s side and looked back and forth between Winnie and me. “Holy shit,” she said. “Dex?” Winnie started walking down the drive and stopped at the sidewalk, gaping at me kneeling in the spotlight from the streetlamp above. “What on earth are you doing?” “Hi, Winnie!” Hallie and Luna started jumping up and down and waving like mad. “Hi!” And then, because apparently there wasn’t a big enough audience, another car pulled up in front of the MacAllisters’ house, and a second teenage girl jumped out. “Bye!” she yelled, waving as the car drove off. Then she noticed everyone outside. “Oh, crap. Did I miss curfew or something?” “No,” the first teenage girl said, hopping down from the porch. “Omigod, Emmeline, this is amazing. Kyle was just leaving when this man pulled up, jumped out of his car, and starts shouting to Winnie that he loves her and he wants another chance—but he was yelling at the Wilsons’ house, not ours. Not that it mattered, because she wasn’t even here.” “Audrey, be quiet!” Winnie put her hands on her head. “Dex. What is this? Why are you on your knees?” “We told him to do that!” Hallie shouted proudly. “Because that’s what the ogre would do!

As Frank promised, there was no other public explosion. Still. The multiple times when she came home to find him idle again, just sitting on the sofa staring at the rug, were unnerving. She tried; she really tried. But every bit of housework—however minor—was hers: his clothes scattered on the floor, food-encrusted dishes in the sink, ketchup bottles left open, beard hair in the drain, waterlogged towels bunched on bathroom tiles. Lily could go on and on. And did. Complaints grew into one-sided arguments, since he wouldn’t engage. “Where were you?” “Just out.” “Out where?” “Down the street.” Bar? Barbershop? Pool hall. He certainly wasn’t sitting in the park. “Frank, could you rinse the milk bottles before you put them on the stoop?” “Sorry. I’ll do it now.” “Too late. I’ve done it already. You know, I can’t do everything.” “Nobody can.” “But you can do something, can’t you?” “Lily, please. I’ll do anything you want.” “What I want? This place is ours.” The fog of displeasure surrounding Lily thickened. Her resentment was justified by his clear indifference, along with his combination of need and irresponsibility. Their bed work, once so downright good to a young woman who had known no other, became a duty. On that snowy day when he asked to borrow all that money to take care of his sick sister in Georgia, Lily’s disgust fought with relief and lost. She picked up the dog tags he’d left on the bathroom sink and hid them away in a drawer next to her bankbook. Now the apartment was all hers to clean properly, put things where they belonged, and wake up knowing they’d not been moved or smashed to pieces. The loneliness she felt before Frank walked her home from Wang’s cleaners began to dissolve and in its place a shiver of freedom, of earned solitude, of choosing the wall she wanted to break through, minus the burden of shouldering a tilted man. Unobstructed and undistracted, she could get serious and develop a plan to match her ambition and succeed. That was what her parents had taught her and what she had promised them: To choose, they insisted, and not ever be moved. Let no insult or slight knock her off her ground. Or, as her father was fond of misquoting, “Gather up your loins, daughter. You named Lillian Florence Jones after my mother. A tougher lady never lived. Find your talent and drive it.” The afternoon Frank left, Lily moved to the front window, startled to see heavy snowflakes powdering the street. She decided to shop right away in case the weather became an impediment. Once outside, she spotted a leather change purse on the sidewalk. Opening it she saw it was full of coins—mostly quarters and fifty-cent pieces. Immediately she wondered if anybody was watching her. Did the curtains across the street shift a little? The passengers in the car rolling by—did they see? Lily closed the purse and placed it on the porch post. When she returned with a shopping bag full of emergency food and supplies the purse was still there, though covered in a fluff of snow. Lily didn’t look around. Casually she scooped it up and dropped it into the groceries. Later, spread out on the side of the bed where Frank had slept, the coins, cold and bright, seemed a perfectly fair trade. In Frank Money’s empty space real money glittered. Who could mistake a sign that clear? Not Lillian Florence Jones.

The city is tricky. The highs are so much higher, but in the lows you drop straight down again to bedrock. It helps that streets are snapped to a grid. There are also psychic boutiques and sidewalk prophets, but until you contrive your own love story set in that city, even one as warped as mine, you remain outside it, looking for signals in the white smoke that rises from under, in the sudden hot laundry smells and the LED typos of street vendors donuteasily becomes dount, ominously like don't, to my mind. There was a DOUNT sign on Second Avenue which more than once redirected my superstitious footsteps.

You can’t carry me out your front door in the middle of the day and drop me on the sidewalk!” “I wasn’t going to.” He sounded offended. “I was going to carry you to your cab.” “That’s worse!” she exclaimed, drawing a confused look from him. Good heavens, one would think he’d no idea how one got rid of a female visitor without being seen! “I can’t be seen in public looking like this, Mr. Powell. One leg of my pants is missing—and heaven knows, no respectable woman wears pants to begin with—” “You look very nice in them,” he said. She perked up at that. She didn’t think they looked so awfully bad, either. “Thank you. They’re ever so comfortable, too, and—” What was she thinking? They were drawing perilously near the front door and he still showed no signs of releasing her. “That’s beside the point! I shouldn’t be wearing them and you know it. Just as you know you can’t be seen carrying me out of your house, and no,” she answered his expression as clearly as if he’d spoken out loud, “it would not be better if you waited and carried me out tonight.

We were laughing about nothing. At one point, we stumbled upon a chapel. There was a sign that read, Fake Weddings Here. Chance stopped me in the middle of the sidewalk. The vapors of alcohol on his breath infiltrated my nostrils as he spoke close to my face. “Marry me, Princess.” “What?” “We have an illegitimate goat—a fake child together.” He laughed. “It’s only proper that we partake in a fake wedding ceremony to make you an honest woman.” “You’re insane!” “Shit, we can text a picture to Harry. How fucking awesome would that be?” His mischievous smile sent tremors of desire through me. “Come on, it’ll be fun.

When I was three or four meters away, one of them stood. The others continued to squat, watching, alert for whatever distraction was promised. I had already noted the absence of any of the security cameras that were growing more pervasive in the streets and subways with every passing year. Sometimes I have to fight the feeling that those cameras are looking specifically for me. “Oi,” the one who had stood called out. Hey. I stole a quick glance behind me to ensure that we were alone. It wouldn’t pay to have anyone see what I would do if these idiots got in my way. Without altering my pace or direction, I looked into the chinpira’s eyes, my expression obsidian flat. I let him know with this look that I was neither afraid nor looking for trouble, that I’d done this kind of thing many times before, that if he was in search of some excitement tonight the smart thing would be to find it elsewhere. Most people, especially those even loosely acquainted with violence, understand these signals, and can be relied on to respond in ways that increase their survival prospects. But apparently this guy was too stupid, or too jacked on kakuseizai. Or he might have misinterpreted my initial backward glance as a sign of fear. Regardless, he ignored the warning I had given him and started edging into my path. I recognized the procedure: I was being interviewed for my suitability as a victim. Would I allow myself to be forced out into the street and the oncoming traffic? Would I cringe and flinch in the process? If so, he would know I was a safe target, and he would then escalate, probably to real violence. But I prefer my violence sudden. Keeping him to my right, I stepped past him with my left leg, shooting my right leg through on the same side immediately after and then sweeping it backward to reap his legs out from under him in osoto-gari, one of the most basic and powerful judo throws. Simultaneously I twisted counterclockwise and blasted my right arm into his neck, taking his upper body in the opposite direction of his legs. For a split instant he was suspended horizontally over the spot where he had been standing. Then I drilled him into the sidewalk, jerking his collar up at the last instant so the back of his head wouldn’t take excessive impact. I didn’t want a fatality. Too much attention.

If she hadn't known that Mallow Island had been famous for its marshmallow candy over a century ago, Trade Street would have told her right away. It was busy and mildly surreal. The sidewalks were crowded with tourists taking pictures of old, narrow buildings painted in faded pastel colors. Nearly every restaurant and bakery had a chalkboard sign with a marshmallow item on its menu---marshmallow popcorn, chocolate milk served in toasted marshmallow cups, sweet potato fries with marshmallow dipping sauce.

And now that mulch of dead imaginings beneath the feet of Temperance ladies, union-affiliated Vaudevillians and maimed men home from Europe has contaminated the groundwater of the upstart country's nightmares. Immigrants in their illimitable difference come to seem a separate species, taciturn and fish-eyed as though risen from the ocean waves that bore them in their transport, monstrous in their self-contained communities with bitter scents and indecipherable ululations, names, unsettlingly unpronounceable ensconced at isolated farms where beaten track is naught save idle rumour stagnant families nurse grievance, dreadful secrets and deformity in solitude; pools of declined humanity entirely unconnected to society by any tributary where ancestral prejudice or misconception may become the plaint of generations. Fabled and forbidden works of Arab alchemy are handed down across years cruel and volatile, trafficked between austere and colonial homes by charitable fellowships with ancient affectations or conveyed by fevered sea-captains, fugitive Huguenots or elderly hysterics formally accused of witchcraft. Young America, a sapling power grown suddenly so tall upon its diet of nickelodeons and motorcars, has sunk unwitting roots into an underworld of grotesque notions and archaic creeds, their feaful pull discernible below the weed-cracked sidewalk. Buried and forgotten, ominous philosophies await their day with hideous patience. Well! I think that's pretty darned good for a first attempt. A little over-wrought, perhaps, and I'm not sure about the style - I can't decide if its too modern of it's too old fashioned, but perhaps that's a good sign. Of course, I guess I'll have to introduce a plot and characters at some point, but I'll wrestle with that minor nuisance when I get to it. Perhaps I could contrive to have some hobo, maybe literally a hoe-boy or travelling itinerant farm labourer who's wandering from place to place around New England in the search for work; somebody who might reasonably become involved with all the various characters I'm hoping to investigate. Being a labourer, while it would lend a feasibility to any action or exertion that I wanted in the story, wouldn't mean that my protagonist was lacking in intelligence of education: this is often economically a far from certain country for a lot of people, and there's plenty of smart fellows - maybe even an aspiring writer like myself - who've found themselves leaving their homes and families to mooch around from farm to farm in hope of some hay-baling or fruit-picking that's unlikely to materialise. Perhaps a character like that, a rugged man who is sufficiently well read to justifiably allow me a few literary flourishes (and I can't help thinking that I'll probably end up casting some imagined variant of Tom Malone) would be the kind of of sympathetic hero and the kind of voice I'm looking for. Meanwhile I yawned a moment or two back, and while I'm not yet quite exhausted to the point where I can guarantee a deep and dreamless sleep, perhaps another six or seven vague ideas for stories might just do the soporific job.

War ends at the moment when peace permanently wins out. Not when the articles of surrender are signed or the last shot is fired, but when the last shout of a sidewalk battle fades, when the next generation starts to wonder whether the whole thing ever really happened. World War II ended as war always ends -- by trailing off into nothingness and doubt. Its final monument has never been seen by mortal eyes. It's a phantom image at the edge of a rumor: an unmarked grave in the depths of the South American jungle where a weird and decrepit old man, half forgotten by the world, at last entered the lists of oblivion.

An image began to form in her mind. There were streets, narrow and crowded with people and vehicles. Above them flashed neon lights and blinking billboards of every colour, shape and size. Some ran up the sides of buildings, others blinked on and off in store windows. In the space above the sidewalk, higher than a double-decker bus, hung flashing neon signs in bright pink, yellow, red, blue, orange, green and white. Yes, if white could be whiter than white, it was when it was in neon, Hong Mei thought. She knew Nathan Road in Kowloon was famous for its neon lights. Were these streets of Kowloon that she was seeing it her head?

Now, Tom had seemed like a decent guy when we watched him during track practice, and seeing that sign on the bulletin board had given us a clue that he had a good heart, too. But it was almost as if he knew we needed more convincing. And by the time we lost him—just a few streets away from our block—we were positive he couldn’t be the same guy who had robbed Speedy Jack’s. In fact, he turned out to be the nicest, most polite, most civic-minded boy I’ve ever seen. Here’s what we saw him do: He spotted a dog wandering into the road and stopped to coax it onto the sidewalk. He helped a little old lady across the street (really!), holding his hand up to stop traffic for her. He hopped off his skateboard and bent down to tie a child’s shoe. The mother (whose arms were full of groceries) looked like she wanted to hug him. He gave directions to a motorist, nodding politely at all her questions. He picked up litter from the sidewalk and threw it into a trash can. He stopped to admire a baby in its carriage. It was while he was cooing over the baby that Sunny gave me a disgusted look. “Are we wasting our time, or what?” she asked. I giggled. “Somehow I find it hard to believe he could swat a fly, much less hold up a store.” When Tom finished with the baby, he straightened up, stepped back onto his skateboard, and zipped around a corner. We let him go. Sunny sighed. “He’ll make some girl a fine husband one day,” she said, with a straight face. Then we cracked up. We were still laughing about it a half hour later, when Jill and Maggie showed up at Sunny’s for our party-planning session. We told them all about “Saint Tom,” as we’d begun to call him.

agency, where she’d filled seemingly endless paperwork despite all the forms she’d already filled out online, and was now in proud possession of the keys to a Honda Civic. It was nine o’clock in the morning, and the sky outside was as gray as pewter, with mean little flakes of snow, not the fluffy, festive kind, drifting down on a muted grey landscape of concrete and leafless trees. Claire dumped her bag in the trunk—or the boot, she supposed, someone in England would call it. Claire had always loved her godmother Ruth’s English accent, and when she was a kid she’d quizzed Ruth on all the different British words. Pavement for sidewalk. Jumper for sweater. Rubber for eraser. The last one, of course, had caused eleven-year-old Claire to burst into muffled giggles of embarrassment and mirth. Ruth had just smiled, her eyes twinkling, sharing the admittedly immature joke. Slowly, very conscious she was driving on the other side of the road, Claire pulled onto the road, and then followed signs for the M62 and York. An hour and a half later, those mean little flakes of snow had turned thick and fluffy and white. They were beautiful, but her little car was not handling the snowy roads all that

Sometimes the wings come off the plane,” said Mayor Jacobs, “but people will accept that—if they think you’re trying to get to outer space. We were trying to do the right thing. The community was extraordinarily accepting of that. If you are terrified all the time of being excoriated in the press for some minor screwup, well, I have news for you, all progress happens in fits and starts … The space project would never have happened after the first rocket blew up if people did not accept that.” If you want to change the way people view government, “you have to change the way government views people. If you view them as a necessary evil, they won’t trust you—that is how they will view you.” But government also has to do the little things well, added Jacobs, “because they are not little—the stop signs, the curbs, the sidewalks, mowing the parks—[they are] what make people feel like they are living in a community … We have only one stock in trade—it is not building sidewalks or plowing the streets—it is trust, and if you lose that, you have nothing.

The oxytocin studies point to a dynamic, generative quality in societal trust. The molecule is both an incentive and a reward for altruism. Not only does it feel good to experience positive social signs from others—smiles, handshakes, opened doors, bargains kept, and cooperative merging in traffic—but it feels good to reinforce those feelings of trust among both friends and strangers. It works best of all when we do it face-to-face: in the kitchen, over a fence, on the sidewalk, in the agora. Distance and geometry matter, as we will see.

Let your light shine before others, so that they may see your good works and give glory to your Father in heaven.” —Matthew 5:16 (NRSV) For more than a year, I’ve dedicated an hour a day to an eight-year-old neighbor with special needs. She’s afraid of my cat, so we play outside. Last spring I stood at the bottom of the front steps and waved my hands like a choir director. “This Little Light of Mine,” she belted from the landing. Then, “Miss Evelyn, now you!” We switched roles. Later I donned her backpack, and she walked me to the bus stop. Oh, what are the neighbors thinking? On summer days, in the only available shade, we strewed the public sidewalk with puzzles and pencils. Like a gatekeeper, she asked every pedestrian, “Where are you going?” Most people smiled; everyone gave us a wide berth. In the fall, we crossed the street to collect acorns and rake leaves before the maintenance crew swooped in. Over the seasons, it’s become increasingly obvious that the neighborhood sees her need and notices our routine. Late August, as I walked around the block, a man I hardly knew handed me a bagful of school supplies “for that girl you work with.” Remembering the kindness, she and I signed a handmade Christmas card to “Mr. and Mrs. Neighbor” and slipped it inside their mail slot. A few days later I found a package at my door. “Miss Evelyn, Merry Christmas.” The signature on the card cited the house number of the strangers. I unwrapped a selection of fruits and a necklace that left me speechless: a delicate gold cross. So this is what the neighbors think. Lord, my neighborhood needs this little light of mine. Help me to let it shine. —Evelyn Bence Digging Deeper: Mt 5:13–16; Lk 8:16–17

Once the apartment was ready, Portia had begun to plan out what foods they would showcase in this little glimpse into a Glass Kitchen world. Her sisters couldn't help her with this part. Portia had let go, and dishes had come to her, all of which she wrote down and prepared to make. Then, at eight that morning, she got to work. Olivia and Cordelia served as sous-chefs; they started by making a decadent beef bourguignon. Olivia and Cordelia washed and chopped as Portia browned layer after layer of beef, bacon, carrots, and onion, folding in the beef stock and wine, then putting it in to slow bake as they dove into the remaining dishes. They opened all the windows and ran four swiveling fans Portia had bought and found that pushed the scent of the baking and cooking out onto the sidewalk. Then they had put up a fairly discreet sign in the window, hand-painted by Olivia: THE GLASS KITCHEN. Portia had gotten the idea while walking down Broadway and passing the French soap store. Scents had spilled into the street from the shop- lavender and primrose, musk and sandalwood- luring passersby inside. Portia had realized that the best way to get investors interested was to show them a version of The Glass Kitchen. The food. The aromas. She had realized, standing there on Broadway, that she needed to create a mini version of her grandmother's restaurant to lure people in.

Still, he pulled firmly at the door, knowing how it swelled and stuck in wet weather. He might have wished to see their faces once more. The face that met him was under a fireman’s helmet, lit by a flashlight held low and expertly angled. The light caught the silver needles of rain, in the air, off the rim of the black hat. It showed him a mouth and a chin and the broad shoulders under the wet rain gear without blinding him or turning the man himself into a grotesque. “I only wanted to warn you,” the man said. He moved the flashlight across his body, to the shrubs beside the steps and then to the grass and then to the weeping willow at the edge of the yard, beside the house. The streetlights were out. Following the moving beam of white light, John Keane saw the grass of his small lawn stir like a rising wave and the roots of the tree—thin as an arm, bent here and there like an elbow—breaking through. The fireman moved the light until it caught the base of the tree where a wider swath of dirt was opening like a mouth, an unhinged jaw filled with broken roots and dirt, and then it closed up again, as if with a breath. “We were driving by and saw it,” the fireman said. “That tree’s gonna fall. It’ll probably fall straight back, but you might want to get your family downstairs. Keep them to this side of the house.” He felt the wind and the rain on his bare ankles, against the hems of his thin pajama pants. He looked beyond the young fireman. In the street, there was no sign of the fire truck or car that had brought him. No coach, either. “Yes,” he said, thinking himself foolish, in his thin pajamas. “Thank you.” “There are trees down all over,” the man added. He raised his chin and in the darkness his eyes seemed as black and wet as his coat. He couldn’t have been more than twenty-five or thirty. “Take care of your family,” he said, and turned, using his flashlight to get himself down the three steps that led to the door. Squinting against the rain, John Keane watched him cross the path to the sidewalk, the circle of white light leading him, first to the right and then across the street where he might have disappeared altogether, leaving only the pale beam of his flashlight and a flashing reflection of two streaks of silver on his back, and then, as he apparently rounded the opposite corner, not even that.

Dannemora is a little town. In most of it, you wouldn’t know there was a penitentiary around at all. The town doesn’t look dirty enough, or mean enough. But the penitentiary’s there, a high long wall next to the sidewalk along the street. The sidewalk’s cracked and frost-heaved over there. On the other side, it’s cleaner and there’s half a dozen bars with neon signs that say Budweiser and Genesee. National and local beers on tap. Bill had Budweiser and I had Genesee. It tasted like beer.

Randolph gave me a sort of a pitying look. “Myths are simply stories about truths we’ve forgotten.” “So, look, I just remembered I have an appointment down the street—” “A millennium ago, Norse explorers came to this land.” Randolph drove us past the Cheers bar on Beacon Street, where bundled-up tourists were taking photos of themselves in front of the sign. I spotted a crumpled flyer skittering across the sidewalk: it had the word MISSING and an old picture of me. One of the tourists stepped on it. “The captain of these explorers,” Randolph continued, “was a son of the god Skirnir.” “A son of a god. Really, anywhere around here is good. I can walk.” “This man carried a very special item,” Randolph said, “something that once belonged to your father. When the Norse ship went down in a storm, that item was lost. But you—you have the ability to find it.” I tried the door again. Still locked.

We pass under a sign that declares WELCOME TO PIXLEY’S HIDDEN MAGICAL VILLAGE, ESTABLISHED IN 1875. I roll down the window, staring at this new world. At this hour, only a few people are strolling on the sidewalks. It’s a typical small town, with one main road that runs through, with shops and quaint restaurants. But it’s magical. Each shop looks like a world of its own, with stately brick fronts or sleek glass minimalistic buildings or quirky cottages in a rainbow of colors. And the signs take my breath away: ELIXIRS OF EUPHORIA MYSTIC HAHN’S HAVEN FOR THE OCCULT SARAH AND SUE-O’S SCONES AND SWEETS QUILL TREE FOX ART GALLERY LEON THE LION’S TOY EMPORIUM

And now that mulch of dead imaginings beneath the feet of Temperance ladies, union-affiliated Vaudevillians and maimed men home from Europe has contaminated the groundwater of the upstart country's nightmares. Immigrants in their illimitable difference come to seem a separate species, taciturn and fish-eyed as though risen from the ocean waves that bore them in their transport, monstrous in their self-contained communities with bitter scents and indecipherable ululations, names, unsettlingly unpronounceable ensconced at isolated farms where beaten track is naught save idle rumour stagnant families nurse grievance, dreadful secrets and deformity in solitude; pools of declined humanity entirely unconnected to society by any tributary where ancestral prejudice or misconception may become the plaint of generations. Fabled and forbidden works of Arab alchemy are handed down across years cruel and volatile, trafficked between austere and colonial homes by charitable fellowships with ancient affectations or conveyed by fevered sea-captains, fugitive Huguenots or elderly hysterics formally accused of witchcraft. Young America, a sapling power grown suddenly so tall upon its diet of nickelodeons and motorcars, has sunk unwitting roots into an underworld of grotesque notions and archaic creeds, their feaful pull discernible below the weed-cracked sidewalk. Buried and forgotten, ominous philosophies await their day with hideous patience. Well! I think that's pretty darned good for a first attempt. A little over-wrought, perhaps, and I'm not sure about the style - I can't decide if its too modern of it's too old-fashioned, but perhaps that's a good sign. Of course, I guess I'll have to introduce a plot and characters at some point, but I'll wrestle with that minor nuisance when I get to it. Perhaps I could contrive to have some hobo, maybe literally a hoe-boy or travelling itinerant farm labourer who's wandering from place to place around New England in the search for work; somebody who might reasonably become involved with all the various characters I'm hoping to investigate. Being a labourer, while it would lend a feasibility to any action or exertion that I wanted in the story, wouldn't mean that my protagonist was lacking in intelligence or education: this is often economically a far from certain country for a lot of people, and there's plenty of smart fellows - maybe even an aspiring writer like myself - who've found themselves leaving their homes and families to mooch around from farm to farm in hope of some hay-baling or fruit-picking that's unlikely to materialise. Perhaps a character like that, a rugged man who is sufficiently well read to justifiably allow me a few literary flourishes (and I can't help thinking that I'll probably end up casting some imagined variant of Tom Malone) would be the kind of of sympathetic hero and the kind of voice I'm looking for. Meanwhile I yawned a moment or two back, and while I'm not yet quite exhausted to the point where I can guarantee a deep and dreamless sleep, perhaps another six or seven vague ideas for stories might just do the soporific job.

It was the fire of justice that was burning through Townhouse now. The fire of justice that appeases the injured spirit and sets the record straight. The third blow was an uppercut that put me flat on the pavement. It was a thing of beauty, I tell you. Townhouse took two steps back, heaving a little from the exertion, the sweat running down his forehead. Then he took another step back like he needed to, like he was worried that if he were any closer, he would hit me again and again, and might not be able to stop. I gave him the friendly wave of one crying uncle. Then being careful to take my time so the blood wouldn’t rush from my head, I got back on my feet. —That’s the stuff, I said with a smile, after spitting some blood on the sidewalk. —Now we’re square, said Townhouse. —Now we’re square, I agreed, and I stuck out my hand. Townhouse stared at it for a moment. Then he took it in a firm grip and looked me eye to eye—like we were the presidents of two nations who had just signed an armistice after generations of discord. At that moment, we were both towering over the boys, and they knew it. You could tell from the expressions of respect on the faces of Otis and the teens, and the expression of dejection on the face of Maurice. I felt bad for him. Not man enough to be a man, or child enough to be a child, not black enough to be black, or white enough to be white, Maurice just couldn’t seem to find his place in the world. It made me want to tussle his hair and assure him that one day everything was going to be all right. But it was time to move along. Letting go of Townhouse’s hand, I gave him a tip of the hat. —See you round, pardner, I said. —Sure, said Townhouse. I’d felt pretty good when I settled the scores with the cowboy and Ackerly, knowing that I was playing some small role in balancing the scales of justice. But those feelings were nothing compared to the satisfaction I felt after letting Townhouse settle his score with me. Sister Agnes had always said that good deeds can be habit forming. And I guess she was right, because having given Sally’s jam to the kids at St. Nick’s, as I was about to leave Townhouse’s stoop I found myself turning back. —Hey, Maurice, I called. He looked up with the same expression of dejection, but with a touch of uncertainty too. —See that baby-blue Studebaker over there? —Yeah? —She’s all yours. Then I tossed him the keys. I would have loved to see the look on his face when he caught them. But I had already turned away and was striding down the middle of 126th Street with the sun at my back, thinking: Harrison Hewett, here I come.

The Ghetto muse, a wistful omen of the first sign of trouble —a subtle movement in the shadows, a rustling of dead leaves abandoned on the sidewalk, houses dotting roadsides like packed dominoes on a table or a long skein of Johncrows sweeping over your head like the second hand of a clock. A place of looming tragedy, and every day life a quest for glory, a glory that is a shifting goalpost. A battle for survival against an obscure enemy, savoring the sweetness of youth with white rum coursing down your throat and tasting regret in old age like sawdust in your mouth. Then comes the voice, shrill at times with frustration, a caterwauling of endurance or the dulcet of fortitude and meditation.

Destroyed, that is, were not only men, women, and thousands of children but also restaurants and inns, laundries, theater groups, sports clubs, sewing clubs, boys’ clubs, girls’ clubs, love affairs, trees and gardens, grass, gates, gravestones, temples and shrines, family heirlooms, radios, classmates, books, courts of law, clothes, pets, groceries and markets, telephones, personal letters, automobiles, bicycles, horses—120 war-horses—musical instruments, medicines and medical equipment, life savings, eyeglasses, city records, sidewalks, family scrapbooks, monuments, engagements, marriages, employees, clocks and watches, public transportation, street signs, parents, works of art.

SOMEWHERE ELSE. NO COUNTRYSIDE. NO beach. No pastures or barbed wire or crepe myrtles. A concrete world where he walked down a city street on a normal day with normal people up and down the sidewalks and in and out of the stores. Looking at the street signs but in a language that he didn’t understand and there was nothing distinct about this place. He walked on, looking into store windows, stepping into bars and looking around the tables, stopping at a pay phone and dialing and then ringing and ringing and no answer and hanging up and walking on. Newspaper stands and vendors selling hot dogs and a woman in a tight silver dress smoking a cigarette in front of a dress shop. A dog without a collar sniffing at a garbage can. The random honk of a car horn and he walked on, looking in the windows, looking at himself in the reflection

Noah stood beside Ella, and together they stared out at the City of Species. Though the scouts had been there only a couple weeks ago, seeing it now was like seeing it for the first time. The City of Species was part city, part forest. Each part seemed to need the other, and their bizarre marriage was breathtaking. Tall buildings were surrounded by trees whose limbs reached through their walls, splitting steel and piercing glass. Waterfalls fell from rooftops, splashing across balconies and limbs before spilling into fountains and streams, bursting into mist. Streetlights blinked beneath low-hanging branches, and ivy pinned signs to the sides of brick buildings. All types of animals passed down the winding streets. They crawled through intersections, slithered along sidewalks, hopped over hedges, and swept across the sky.

Cruising down Compton Boulevard in the Catalina, Mickey sensed the charged atmosphere of the place, an energy that said anything could happen. Young men loitered in groups on the sidewalks in baggy T-shirts and bandannas while young women strolled up and down, smirking at the men hollering after them and whistling. When traffic lights turned red, blank-faced children appeared out of the darkness under overpasses like wraiths to sell drugs to drivers. Prostitutes wobbled along the streets on high heels, many of them with the vacant gaze of the addicted, while men with hard hearts and a lust for blood watched their every move. All the while well-intentioned families who called Compton home got ground up in the giant machine of this nation, slipping further toward poverty and the tragic moment when pressing need overtakes good intentions. Even still, Compton was no longer what it once was. Ten years ago, Mickey might not have driven through it, and certainly wouldn’t have stopped and wandered around. But the homicide rate had decreased steadily since ’94, down to forty-eight murders in ’98 from a peak of eighty-seven in ’91, and small businesses were slowly but surely returning to the city. It bothered Mickey deeply that the state of California, with an economy greater than that of most countries, wouldn’t help these people, or that the federal government of the United States, the richest country in the history of the world, wouldn’t help them either, instead spending hundreds of billions of dollars per year on warfare and destruction. The people of Compton could be lifted from poverty with the signing of a bill, and it was no wonder, when you got right down to it, why so many had resorted to crime.

Los Angeles was black, full dark no stars, hills everywhere. There were long stretches of road and sidewalks, on either side neon signs, overhead street-lamps, standing in protest to the overwhelming blackness of the night. The town's lighting seemed powerless against it. Houses were darkened, some hidden on back roads, behind gates and walled gardens. No one seemed to walk anywhere at night. And yet, the city seemed alive. Not like New York, not like a live wire, a town hopped up on electricity. Los Angeles was different, like a cobra in the grass, creeping, coiling onto itself in the night...

I sit on the sidewalk with a sign. Maybe you think its humiliating, but it's only humiliating if I feel humiliated, and I don't. What did Eleanor Roosevelt say? 'No one can make you feel inferior without your consent.

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Fine, maybe you’re a bit of a Neanderthal when it comes to relationships. You’re not perfect. Great. I get it. But, Ghost, you are romantic.” When Ghost began to shake his head in denial, or disgust, Rayne wasn’t sure which, she put her hand on his knee. “Let me finish.” Waiting until he finally nodded, she continued. “You’ve paid for every single thing we’ve done today, from the taxi, to lunch, to tipping the concierge at the hotel. When we were walking to the subway station, you put yourself between the traffic and me when we were on the sidewalk. You protected me from the crowds as we got in and out of the subway. You let me sit, while you stood near me, making sure no one got too close. You even carried my suitcase from the taxi to the hotel. Seriously, Ghost, you do these things and don’t even realize you’re doing them. That is a sign of a man who knows how to treat a woman. That’s what women think is romantic. Screw flowers, they’ll just die sooner rather than later. And even if you leave without saying goodbye to a woman, I’ll bet everything I own you take very good care of her before you take off…don’t you?