Shy To Express Feelings Quotes

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Straight guys only feel three ways about girls . . . First, either they love you, and they show it by writing a song about you, like Gabriel, and asking you out, and everything is nice and fun like it should be. Second, they love you, but they’re scared of their passion for you because it’s so strong, like your boy Christopher, so they stuff it way, way down and ignore you, or do stupid things like make fun of you because they don’t know how to express it any other way, because they’re immature little babies and are too shy to, say, write a song about you. Or third, there’s something wrong with them, and they start out nice and loving and then turn around and do stupid things like sleep with other girls behind your back, like Justin Bay. But we’ll never figure out what went wrong with them, and neither will they, so it’s not worth thinking about. Okay? That’s it. The end.” Lulu Collins
Meg Cabot (Airhead (Airhead, #1))
He's holding an armful of pink tulips and wearing a hungry, focused expression. His blue eyes travel up and down over my body, and I feel almost shy under his gaze. "You're a goddess." He says it like a normal person would say, "Your dress is white.
Liz Reinhardt (Fall Guy (Youngblood, #1))
Oh,” Jace said carelessly, as if he hadn’t been waiting out here for the express purpose of seeing Simon off. He looked up, golden gaze casual, then looked away. “You.” Being too cool for school was Jace’s thing. Simon supposed he must have understood and been fond of it, once. “Hey, I figured I wasn’t going to get the chance to ask this again. You and me,” Simon said. “We’re pretty tight, aren’t we?” Jace looked at him for a moment, face very still, and then bounded to his feet and said: “Absolutely. We’re like this.” He crossed two of his fingers together. “Actually, we’re more like this.” He tried to cross them again. “We had a little bit of initial tension, as you may later recall, but that was all cleared up when you came to me and confessed that you were struggling with your feelings of intense jealousy over my—these were your words—stunning good looks and irresistible charm.” “Did I,” said Simon. Jace clapped him on the shoulder. “Yeah, buddy. I remember it clearly.” “Okay, whatever. The thing is … Alec’s always really quiet around me,” Simon said. “Is he just shy, or did I tick him off and I don’t remember it? I wouldn’t like to go away without trying to make things right.” Jace’s expression took on that peculiar stillness again. “I’m glad you asked me that,” he said finally. “There is something more going on. The girls didn’t want me to tell you, but the truth is—
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
Empaths are extremely humble; they shy away from compliments and would rather praise someone else than receive it. They express themselves with great passion and talk very candidly, which can sometimes cause offense. They are not the type of people who hide their feelings; they will open up to anyone who cares to listen.
Judy Dyer (Empath: A Complete Guide for Developing Your Gift and Finding Your Sense of Self)
Layla shuts her eyes, not wanting him to to see her looking at him. What is it about caring for another, feeling love, feeling affection, at times desire, that makes one shy? Even in front of her own husband she feels that hesitation of expression.
Fatima Farheen Mirza
He put his hands on my hips. He was shy, all of a sudden. There was a second of feeling like two teenagers who had been set up by their friends at the school disco. We exchanged a well, look at us! expression, and he tilted his head, very slightly, to kiss me. And the kiss was like—what was it like? It was like finding your favourite pair of boots under the bed. It was like finding them on the last day of your lease, the boxes already in the van, having assumed that they must have been left at an ex-lover’s house, or simply vanished by your own carelessness. Oh, these. Oh. Oh. I love these. When I finally stopped kissing him, I put my arms around his waist, and laid my head on his shoulder. My nose dug deep to find the old smell, my hands on the rough denim of his jacket. I had missed him so much, and I hadn’t even known it. “Carey,” I said. “Carey, Carey, Carey.” “Darling,” he replied. “I think you’re a bit old to call me by my last name.” And so now, everyone I love is called James.
Caroline O'Donoghue (The Rachel Incident)
Regarding beliefs and belief systems: We argue what and how we feel, rather than what we - actually - know or assume to be facts or factual evidence. Thus, it is justifiably prudent to challenge that which has been adopted or enforced by tradition. If such examination is discouraged by fearful tactics - we must not shy away from soulful searching.
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
I am grateful that the images of masculinity as a child were varied. I knew that lots of men were “macho” like my dad, but I also knew there were men like my granddad— calm, gentle, and kind. These diverse images shaped my perspective. In my childhood there were men who were not ashamed to express their love of God openly and to shed ecstatic tears. These men were renegades, rebelling against the patriarchal norm. And they were the men I was destined to love, the sensitive, soulful, shy men who were looked down upon by the patriarchy. The men who inhabited my dreams were men of feeling.
bell hooks (Communion: The Female Search for Love (Love Song to the Nation, #2))
Feeling at home anywhere on earth, and a foreigner even in the country where I was born, I consider myself an earthling, a citizen of the world. I love nature dearly and all creatures that contribute to make it what it is. I see the beauty in all expressions of life, and I see how blind so many of us still are. Our planet is remarkably abundant and there's more than enough for us all. It is greed and shortsightedness that create the illusion of scarcity. I have lived through tremendous adventures and survived only because other people risked their lives for me. Realising how interconnected and interdependent we all are, I am neither shy or embarrassed when it is time for me lean on another to ask for help. And when I have the opportunity to help another, I view it as my duty and privilege.
Yossi Ghinsberg
When your body is clear there is control. When your body is clear you can choose whom to let in. There is love everywhere. Please cradle my rabbit heart. Please navigate yourself around me well. I know too much. I can recognize darkness because he is my brother, my maker. I can drink lightness because it is the only way to survive. I can shut off my heart but that leads to evil, so I express her and revel in the nuance of blood currents, and the sacred demons. I fear and quake with my eyes darting fight or flight love or die. The lightning comes from below this time and rips out of my throat for the world to see. They all see my rabbit and I have trained her to hunt. In her perfect glory she is shy and extroverted, chaste and perverted, my sweet near-death more alive than ever. Take her. Take me while I am ripe and open, rub berries on my lips and bear fat in my hair. Tattoo me with a needle and impale me with your warmth. Heal me, fuck me, and work my heart till she beats strong and unafraid. Haunches bared, teeth sharpened, wide-eyed and aware. Hurry. I want to feel safe.
Tanya Tagaq (Split Tooth)
I don't think you should feel bad about it." I click my pen, allowing myself to look up at him. For the first time, his expression is shy, guarded. "You're allowed to feel how you feel. I don't think you should have to lie about it. Things can be great and scary at the same time.
Camryn Garrett (Off the Record)
So Mo Ran endured it, and forced himself to pick up the pieces. He told himself, It doesn’t hurt, it doesn’t hurt. This wasn’t the first time he’d lived through Chu Wanning’s death. It doesn’t hurt. It doesn’t hurt… But how could it not hurt? Over three thousand steps Chu Wanning had crawled, carrying him on his back—how could it not hurt… He’d drained his very last reserves of spiritual energy, he’d given it all to Mo Ran, how could it not hurt… He had suffered an identical injury, but so as not to burden his disciple, he had adopted a heartless expression and left on his own. How could it not hurt… And in the past life, Chu Wanning had also suffered the same injury as Shi Mei. It was just that he hadn’t said anything about it. He hadn’t said, and Mo Ran hadn’t asked. He’d roared angrily at Chu Wanning, vented endless hatred on him, flung to the ground those wontons Chu Wanning, who had yet to recover from his own injuries, had worked so hard to make for him. Before his eyes, Chu Wanning had bent down, lowered his head, and then, one by one, had picked up each wonton and thrown them away. How could it not hurt… How could it not have hurt?! He had dug out Chu Wanning’s heart! How could it have not hurt?! How could it… Mo Ran couldn’t take a step further. He stood in place for a long spell, trying to suppress these feelings, trying to rescue his calm. His entire body trembled. It hurt. He buried his face in his hands, bit down on his lip, and swallowed his sobs with the blood.
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 3)
Laura ordered a margarita, then sometimes turned her head 90 degrees, to her right, to stare outside—at the sidewalk, or the quiet street—with a self-consciously worried expression, seeming disoriented and shy in a distinct, uncommon manner indicating to Paul an underlying sensation of “total yet failing” (as opposed to most people’s “partial and successful”) effort, in terms of the social interaction but, it would often affectingly seem, also generally, in terms of existing. Paul had gradually recognized this demeanor, the past few years, as characteristic, to some degree, of every person, maybe since middle school, with whom he’d been able to form a friendship or enter a relationship (or, it sometimes seemed, earnestly interact and not feel alienated or insane). After
Tao Lin (Taipei)
One night, around the campfire after a dinner of bully-beef stew, someone opened an extra bottle of rum. ‘As it grew darker, the men began to sing, at first slightly self-conscious and shy, but picking up confidence as the song spread.’ Their songs were not the martial chants of warriors, but the schmaltzy romantic popular tunes of the time: ‘I’ll Never Smile Again’, ‘My Melancholy Baby’, ‘I’m Dancing with Tears in My Eyes’. The bigger and burlier the singer, Pleydell noted, the more passionate and heartfelt the singing. Now the French contingent struck up, with a warbling rendition of ‘Madeleine’, the bittersweet song of a man whose lilacs for his lover have been left to wilt in the rain. Then it was the turn of the German prisoners who, after some debate, belted out ‘Lili Marleen’, the unofficial anthem of the Afrika Korps, complete with harmonies: ‘Vor der Kaserne / Vor dem grossen Tor / Stand eine Laterne / Und steht sie noch davor …’ (Usually rendered in English as: Underneath the lantern, by the barrack gate, darling I remember, how you used to wait.) As the last verse died away, the audience broke into loud whistles and applause. To his own astonishment, Pleydell was profoundly moved. ‘There was something special about that night,’ he wrote years later. ‘We had formed a small solitary island of voices; voices which faded and were caught up in the wilderness. A little cluster of men singing in the desert. An expression of feeling that defied the vastness of its surroundings … a strange body of men thrown together for a few days by the fortunes of war.’ The doctor from Lewisham had come in search of authenticity, and he had found it deep in the desert, among hard soldiers singing sentimental songs to imaginary sweethearts in three languages.
Ben Macintyre (Rogue Heroes: The History of the SAS, Britain's Secret Special Forces Unit That Sabotaged the Nazis and Changed the Nature of War)
Under dark eyes rimmed with long black lashes, a mysterious grace in his movements, an expression that could somehow switch between shy and mischievous in the space of a second. But it was more than that. Many people were objectively gorgeous, but then there were those few, the stars with some undefinable quality so searingly bright that they birthed obsession. Once the world got a glimpse of them, it would move heaven and earth just to see them again
Marie Lu (Stars and Smoke (Stars and Smoke, #1))
During an hour-long conversation mid-flight, he laid out his theory of the war. First, Jones said, the United States could not lose the war or be seen as losing the war. 'If we're not successful here,' Jones said, 'you'll have a staging base for global terrorism all over the world. People will say the terrorists won. And you'll see expressions of these kinds of things in Africa, South America, you name it. Any developing country is going to say, this is the way we beat [the United States], and we're going to have a bigger problem.' A setback or loss for the United States would be 'a tremendous boost for jihadist extremists, fundamentalists all over the world' and provide 'a global infusion of morale and energy, and these people don't need much.' Jones went on, using the kind of rhetoric that Obama had shied away from, 'It's certainly a clash of civilizations. It's a clash of religions. It's a clash of almost concepts of how to live.' The conflict is that deep, he said. 'So I think if you don't succeed in Afghanistan, you will be fighting in more places. 'Second, if we don't succeed here, organizations like NATO, by association the European Union, and the United Nations might be relegated to the dustbin of history.' Third, 'I say, be careful you don't over-Americanize the war. I know that we're going to do a large part of it,' but it was essential to get active, increased participation by the other 41 nations, get their buy-in and make them feel they have ownership in the outcome. Fourth, he said that there had been way too much emphasis on the military, almost an overmilitarization of the war. The key to leaving a somewhat stable Afghanistan in a reasonable time frame was improving governance and the rule of law, in order to reduce corruption. There also needed to be economic development and more participation by the Afghan security forces. It sounded like a good case, but I wondered if everyone on the American side had the same understanding of our goals. What was meant by victory? For that matter, what constituted not losing? And when might that happen? Could there be a deadline?
Bob Woodward (Obama's Wars)
Predominantly inattentive type Perhaps the majority of girls with AD/HD fall into the primarily inattentive type, and are most likely to go undiagnosed. Generally, these girls are more compliant than disruptive and get by rather passively in the academic arena. They may be hypoactive or lethargic. In the extreme, they may even seem narcoleptic. Because they do not appear to stray from cultural norms, they will rarely come to the attention of their teacher. Early report cards of an inattentive type girl may read, "She is such a sweet little girl. She must try harder to speak up in class." She is often a shy daydreamer who avoids drawing attention to herself. Fearful of expressing herself in class, she is concerned that she will be ridiculed or wrong. She often feels awkward, and may nervously twirl the ends of her hair. Her preferred seating position is in the rear of the classroom. She may appear to be listening to the teacher, even when she has drifted off and her thoughts are far away. These girls avoid challenges, are easily discouraged, and tend to give up quickly. Their lack of confidence in themselves is reflected in their failure excuses, such as, "I can't," "It's too hard," or "I used to know it, but I can't remember it now." The inattentive girl is likely to be disorganized, forgetful, and often anxious about her school work. Teachers may be frustrated because she does not finish class work on time. She may mistakenly be judged as less bright than she really is. These girls are reluctant to volunteer for a project orjoin a group of peers at recess. They worry that other children will humiliate them if they make a mistake, which they are sure they will. Indeed, one of their greatest fears is being called on in class; they may stare down at their book to avoid eye contact with the teacher, hoping that the teacher will forget they exist for the moment. Because interactions with the teacher are often anxiety-ridden, these girls may have trouble expressing themselves, even when they know the answer. Sometimes, it is concluded that they have problems with central auditory processing or expressive language skills. More likely, their anxiety interferes with their concentration, temporarily reducing their capacity to both speak and listen. Generally, these girls don't experience this problem around family or close friends, where they are more relaxed. Inattentive type girls with a high IQ and no learning disabilities will be diagnosed with AD/HD very late, if ever. These bright girls have the ability and the resources to compensate for their cognitive challenges, but it's a mixed blessing. Their psychological distress is internalized, making it less obvious, but no less damaging. Some of these girls will go unnoticed until college or beyond, and many are never diagnosed they are left to live with chronic stress that may develop into anxiety and depression as their exhausting, hidden efforts to succeed take their toll. Issues
Kathleen G. Nadeau (Understanding Girls With AD/HD)
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.” Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.” Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady. “My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly. The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.” Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally. “Anything, my dear,” he said huskily. “I would like to-to rest before supper.” He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.” Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.” “Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.” “We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.” “The butler stared at my bosom,” Berta complained. “I saw him!” Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
Judith McNaught (Almost Heaven (Sequels, #3))
Extroverts tend to tackle assignments quickly. They make fast (sometimes rash) decisions, and are comfortable multitasking and risk-taking. They enjoy “the thrill of the chase” for rewards like money and status. Introverts often work more slowly and deliberately. They like to focus on one task at a time and can have mighty powers of concentration. They’re relatively immune to the lures of wealth and fame. Our personalities also shape our social styles. Extroverts are the people who will add life to your dinner party and laugh generously at your jokes. They tend to be assertive, dominant, and in great need of company. Extroverts think out loud and on their feet; they prefer talking to listening, rarely find themselves at a loss for words, and occasionally blurt out things they never meant to say. They’re comfortable with conflict, but not with solitude. Introverts, in contrast, may have strong social skills and enjoy parties and business meetings, but after a while wish they were home in their pajamas. They prefer to devote their social energies to close friends, colleagues, and family. They listen more than they talk, think before they speak, and often feel as if they express themselves better in writing than in conversation. They tend to dislike conflict. Many have a horror of small talk, but enjoy deep discussions. A few things introverts are not: The word introvert is not a synonym for hermit or misanthrope. Introverts can be these things, but most are perfectly friendly. One of the most humane phrases in the English language—“Only connect!”—was written by the distinctly introverted E. M. Forster in a novel exploring the question of how to achieve “human love at its height.” Nor are introverts necessarily shy. Shyness is the fear of social disapproval or humiliation, while introversion is a preference for environments that are not overstimulating. Shyness is inherently painful; introversion is not.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Earth (481-640) People with this personality type are likely to become successful leaders. You tend to be more disciplined and careful at planning tasks. Loyalty and trust are important equations in your relationships hence they prove to be your strength in hard times. You respect others and keep people united which makes people flourish under your leadership. Earth signs are efficient decision makers hence always remain firm on the step they took. Fire: (400-300) Fire people are smart enthusiastic and energetic to be around. You are very competitive and curious, and more often very passionate about your goals and desires. Trusting people with a job or any important personal task is hard hence making emotional connections are difficult for you. making friends or getting a lover, your life is full of drama and there’s always a lot happening around you. You are intelligent and always find new ways to do things Water (160-320) Water people are kind and empathetic but sensitive. And you sometimes tend to become people pleasers. being quite impulsive and always in a hurry, you make decisions haphazardly. Water people are shy and introverted while partying around with friends on a weekend would be the last thing you want to do. You dread small talk and expressing yourself to a group of people is quite a demanding job. People feel relaxed in your presence you bring out the best in them. Decision-making can be demanding and you are sometimes regretful of overthinking and hence not capable of finding a firm decision. Air: (0-160) You have quite an entrancing personality. People are naturally drawn towards you and find your company comforting and friendly. Air signs are naturally smart and quite efficient in their workplace. While using your challenges and opportunities wisely you are likely to have great careers. you are good at advising your colleagues. But being bound in a relationship sometimes doesn’t seem to help you, rather you respect open free yet intimate emotional connections. Air people who are artistic and creative always look at things from a unique lens. So now you know your element.
Marie Max House (Which Element are You?: Fire, Water, Earth or Air)
I miss Diana more than I can express. The world seems a colder place without her luminous presence. To had had Diana’s friendship, to have known her personally, has been a gift beyond comparison. She brought joy and pride and a touch of glamour to my life for years. I loved and admired her without reservation. When Patrick recognized her picture on magazine covers, I thought how incredible it was that we actually knew the beautiful, famous Diana. Best of all, we knew she was even lovelier inside. I read her letters, feeling deeply touched that she continued to care for us. Seeing her in person--warm, unpretentious, and radiant--was a thrill that lasted a long, long time. It truly was, “like being brushed by angels’ wings,” as my friend at the funeral had said. Whoever would have thought when I called for a nanny so many years ago, that magic would enter my life. My family and I watched her dazzling progress from a shy teenager to a multi-faceted and charismatic woman. She fulfilled her many roles so beautifully. Yet to me, Diana was a beloved friend, not the world-famous Princess of Wales. Behind the glamour, I saw the qualities I’d always admired in her--kindness, integrity, and grace in all she did. Above all, Diana was born to be a mother. Showing affection was as natural to her as breathing. I saw her tender care for my young son. I know she was an utterly devoted mother to her own boys, giving them unconditional love and deriving her greatest joy in life from them. I’ve wished so often that her life had been a fairytale, that Diana had been spared the pain and loneliness she suffered. But without the despair, she might not have developed the strength and humanity that reached out to people everywhere. Diana instinctively looked beyond her own problems to ease the pain and distress of others. She touched so many people in her short lifetime. I never thought it would end this way--that she would die so young. I will always remember, as the last hymn faded into silence at her funeral, the solemn tread of the soldiers’ boots--so haunting, so final--as they carried her casket through the Abbey. I couldn’t bear that she was leaving forever. For months now, I’ve searched for some solace in this tragedy. I hope that Diana’s untimely death and the worldwide mourning for her have silenced forever those who belittled her values and doubted her appeal. She rests peacefully now beyond reproach--young and beautiful. Diana, you were greater than we realized. We will never, never forget you.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
So, my true first time with a boy was like this… You can look but you cannot touch Ha- that is what I thought, I was so wrong too and it was not with him either regrettably. It was okay my heart was beating so rapidly; I thought that it was going to explode out of my chest. The silky-smooth skin ran along my body; it was like an enchanted expression of togetherness. At last, I felt as if I was loved. But I was not with the one that I loved. His brown eyes glazed- sweetly and softly into mine. I was so looking forward to this kiss and moment all my life. However, he walked with me in his arms to his bed. Then I was on his bed stripped of all forms of dignity. The lights were off, and the door was locked, and that took me back to when I was a little girl. Loving at night just holds onto me tight. The room is lit by the moonlight. When you are looking down at me is what you are seeing all right? This is maybe my special night. I cannot believe I am with a football player! I was not prepared at all for the performance of lovemaking. I had no idea what I was doing. I was thinking to myself this is not like the movies at all! Yes, all the touching was extremely steamy, like before and then again, the playing around that he did on me was more intriguing, to say the least. I was thinking that he was the sweetest guy on earth. However, all the thoughts in my mind ran fast… thoughts like should we be doing this? Yet, I am so shy and nervous my knees were knocked beforehand. Then again, this is going to be so beautiful; I had fantasized about this moment since I was a young girl. ‘Yet, I have to say to all you girls out there, to lose it when you are ready to. Please do it for you and no one else. It is about your timing, and what you choose to do, you can choose when and whom you let in!’ So, starting I felt like my tearing and breaking-in took forever, and that his pushing forward was never going to stop, love is painful in more than one way, it was so intense. Yet, it was so perfect and feels so amazing with him now sliding in and out of me. It hurt at the start, but it got more enjoyable, that is for sure. Yet also, it was like being run over by a speeding train, and I could not help but feel that he was not meant to be my first. Me being so naïve and only sixteen years of age I was so embarrassed by the fact that I was so under-experienced in sensual activities. I wanted to make the best of the moments of intimacy. I was happy to say that I got my first French kiss as well, but his soft little kiss was sweeter, the first time we kissed as I remember at that time.
Marcel Ray Duriez
Nimbly, Cass’s fingers worked through the knots while Luca watched with a mixture of surprise and admiration. “I had no idea your talents were so…varied,” he said. Cass smiled. It felt like the first smile in days. “Wait until you see me row.” And row she did. Wood ground against metal as she pulled the oars, leaning into each stroke, her muscles burning in protest as the boat moved slowly and steadily through the lagoon. She scanned the water as she rowed, looking for other craft, for boats that held soldiers, for anything out of the ordinary. But the night was a curtain of blackness, with nothing but a hazy moon to guide her. If they suddenly came upon another boat, there very well might be a crash. Luca took in each of her movements, the expression on his face suddenly making Cass feel shy. “What?” she asked. She looked down at the water, her eyes tracing the path of the wooden oar as it cut through the lagoon, before letting her gaze return to her fiancé. He was still watching her. “You’re staring.” “I was thinking that each time I feel I know you, you surprise me again.” His voice was low but full of warmth, like if he were feeling a bit stronger, he might lean over and kiss her.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Do you still remember the fire? Under the stars?” he asks, suddenly shy, and I feel innocent for the first time in a long while. “I remember what we were doing,” I reply with a small smile. A laugh escapes his lips. Then his expression turns serious. “You asked me whether or not I miss my old life,” he whispers, his voice now hoarse. “Do you know what I miss the most? That night.” My heart skips a beat, aching in sudden sadness. “And what about the girl you once sat beside, on that night? Do you miss her too?” “She is still here,” he answers. “That is why I stay.
Marie Lu (The Midnight Star (The Young Elites, #3))
We are all so careful and correct that when we feel the carefully channeled anger in a film or a book or wherever it is, it is like a fresh wind. It attracts all of our own frustrations and resentments and lets them out. We recognize that it is something real and authentic. In your expressive work, never shy away from anger but capture and channel it, letting it breathe into the work a sense of life and movement. In giving expression to such anger, you will always find an audience.
Robert Greene (The Laws of Human Nature)
Anna, did you just indirectly admit to liking me?” She drew in a swift breath and saw from his expression that while he was teasing, he was also… fishing. “Of course I like you. I like you entirely too well, and it is badly done of you to make me admit it.” “Well, let’s go from bad to worse, then, and you can tell me precisely why you like me.” “You are serious?” “I am. If you want, I will return the favor, though we have only several hours, and my list might take much longer than that.” He is flirting with me, Anna thought, incredulous. In his high-handed, serious way, the Earl of Westhaven had just paid her a flirtatious compliment. A lightness spread out from her middle, something of warmth and humor and guilty pleasure in it. “All right.” Anna nodded briskly. “I like that you are shy and honorable in the ways that count. I like that you are kind to Morgan, and to your animals, and old Nanny Fran. You are as patient with His Grace as a human can be, and you adore your brother. You are fierce, too, though, and can be decisive when needs must. You are also, I think, a romantic, and this is no mean feat for a man who spends half his days with commercial documents. Mostly, I like that you are good; you look after those who depend on you, you have gratitude for your blessings, and you don’t think enough of yourself.” Beside her, the earl was again silent. “Shall I go on?” Anna asked, feeling a sudden awkwardness. “You could not possibly pay me any greater series of compliments than you just have,” he said. “The man you describe is a paragon, a fellow I’d very much like to meet.” “See?” Anna nudged him with her shoulder. “You do not think enough of yourself. But I can also tell you the parts of you that irritate me—if that will make you feel better?” “I irritate you?” The earl’s eyebrows rose. “This should be interesting. You gave me the good news first, fortifying me for more burdensome truths, so let fly.” “You are proud,” Anna began, her tone thoughtful. “You don’t think your papa can manage anything correctly, and you won’t ask your brothers nor mother nor sisters even, for help with things directly affecting them. I wonder, in fact, if you have anybody you would call a friend.” “Ouch. A very definite ouch, Anna. Go on.” “You have forgotten how to play,” Anna said, “how to frolic, though I cannot fault you for a lack of appreciation for what’s around you. You appreciate; you just don’t seem to… indulge yourself.” “I see. And in what should I indulge myself?” “That is for you to determine,” she replied. “Marzipan has gone over well, I think, and sweets in general. You have indulged your love of music by having Val underfoot. As to what else brings you pleasure, you would be the best judge of that.” The earl turned down a shady lane lined with towering oaks and an understory of rhododendrons in vigorous bloom. “It was you,” he said. “Before Val moved in, I thought it was a neighbor playing the piano late in the evenings, but it was you. Were you playing for me?” Anna glanced off to the park beyond the trees and nodded.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
She stepped into the lamplit room. Arin looked up from where he sat. His fingers tightened around the glass in his hand. He stared. She flushed, realizing that she’d forgotten to throw a robe over her thin nightdress. Or had she forgotten? Had she not decided in some way too quick for thought that this was exactly what she’d wanted? She glanced down at the shift’s hem, which hit just below the knees. The cloth was as sheer as melted butter. Her flush deepened. She saw the expression on Arin’s face. He glanced away. “Gods,” he said, and drank. “Exactly.” That brought his gaze back. He swallowed, winced, and said, “It’s possible that I’ve lost any claim to coherent thought, but I’ve no idea what you mean.” “Those gods of yours.” His dark brows were lifted. His eyes had grown round. The glass in his hand was a tumbler, the liquid a thumb’s width high and deep green. It looked like the blood of leaves. He cleared his throat. Hoarsely, he said, “Yes?” “Did you pray to them?” “Kestrel, I am praying to them right now. Very hard, in fact.” She shook her head. “Did you pray to your”--she rummaged through her memory--“god of souls?” She was ready to believe in a supernatural reason. It would explain his power over her. He coughed, then gave a short, rasping laugh. “That god doesn’t listen to me.” He set the tumbler next to the carafe on the table. He paused, thinking. In a new, slow tone, he said, “Except perhaps now.” He dropped his cheek into an open palm and rubbed fingers into one closed eye. He nodded at the chair across the table from him. “Would you like to sit?” Now that she was here, she wasn’t sure she actually wanted to get closer to him. Her pulse had gone erratic. “I’m fine here.” “I’d really rather.” “If I make your uncomfortable, why don’t you leave?” He laughed again. “Ah, no. No, thank you. Here.” He slid the glass across the table. The remaining liquid sloshed but didn’t spill. When she sat, curious (what would the blood of leaves taste like?), he said, “You might want to try only a bit first.” “That’s not wine.” “It decidedly is not.” “What is it?” “An eastern liquor. Roshar gave it to me. He said that if you drink enough of it, the dregs start to taste like sugar. I suspect a prank.” “But you’ve no head for drink.” He looked as startled as she felt. “Of all the things, you remember that.” She had remembered something else, too, as she’d tried to sleep. She’d come to ask him about it, but the words stuck in her throat. Instead, she appraised him. “You seem clear-minded enough.” “It’s early. Still, I don’t know. This conversation feels just shy of a delusion.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Connall chuckled at her expression and immediately began to undress. Finding herself a tad shy about being nude here where anyone might see, Eva was slower to start, but once Connall went charging off to splash his way into the water, she quickly removed the rest of her clothes and hurried to follow, feeling better once she was immersed in water and therefore had regained some modesty. “Shy with me, wife?” Connall teased, moving closer to her in the water. Eva splashed at him and scoffed, “Nay, some of us just have a bit of common decency.” He
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
The word is pure magic — the most powerful gift we have as humans — and we use it against ourselves. We plan revenge. We create chaos with the word. We use the word to create hate between different races, between different people, between families, between nations. We misuse the word so often, and this misuse is how we create and perpetuate the dream of hell. Misuse of the word is how we pull each other down and keep each other in a state of fear and doubt. Because the word is the magic that humans possess and misuse of the word is black magic, we are using black magic all the time without knowing that our word is magic at all. There was a woman, for example, who was intelligent and had a very good heart. She had a daughter whom she adored and loved very much. One night she came home from a very bad day at work, tired, full of emotional tension, and with a terrible headache. She wanted peace and quiet, but her daughter was singing and jumping happily. The daughter was unaware of how her mother was feeling; she was in her own world, in her own dream. She felt so wonderful, and she was jumping and singing louder and louder, expressing her joy and her love. She was singing so loud that it made her mother’s headache even worse, and at a certain moment, the mother lost control. Angrily she looked at her beautiful little girl and said, “Shut up! You have an ugly voice. Can you just shut up!” The truth is that the mother’s tolerance for any noise was nonexistent; it was not that the little girl’s voice was ugly. But the daughter believed what her mother said, and in that moment she made an agreement with herself. After that she no longer sang, because she believed her voice was ugly and would bother anyone who heard it. She became shy at school, and if she was asked to sing, she refused. Even speaking to others became difficult for her. Everything changed in the little girl because of this new agreement: She believed she must repress her emotions in order to be accepted and loved. Whenever we hear an opinion and believe it, we make an agreement, and it becomes part of our belief system. This little girl grew up, and even though she had a beautiful voice, she never sang again. She developed a whole complex from one spell. This spell was cast upon her by the one who loved her the most: her own mother. Her mother didn’t notice what she did with her word. She didn’t notice that she used black magic and put a spell on her daughter. She didn’t know the power of her word, and therefore she isn’t to blame. She did what her own mother, father, and others had done to her in many ways. They misused the word. How
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
You are perceptive, Southby.” “Does that scare you?” “I am afraid of nothing,” he said with a touch of arrogance. “Lest a small thing like yourself that barely clears five feet. My thoughts alone can swat you away, Wildflower.” Wildflower? Jules’s heart shook, and she lowered her head to hide her expression. “Is this to be my new moniker, Your Grace?” “It suits.” Do not ask, it is unimportant. “Why does it suit?” she said, ignoring the voice of logic. “Wildflowers grows in places least expected. They are resilient, determined, some might even say unbreakable, their scent myriad and inexplicable.” Is that how you see me, Jules silently asked. She took in a breath, feeling absurdly shy. “Very well…Wolfe.
Stacy Reid (The Wolf and the Wildflower)
It was a brave thing you did, Susannah." Something unfamiliar in his eyes warmed Susannah clear through, and at the same time made her feel strangely bare. "I wasn't trying to be brave." Kit's lovely mouth lifted at the corner. "Which is what makes it brave." His expression was still difficult to read. He seemed so somber, almost shy, if she didn't know better. Humble? No, that couldn't be. But the warmth in it was unmistakable. "You'll be a little sore tomorrow." He absently reached out and kneaded her upper arm. Susannah closed her eyes to slits; the kneading felt wonderful. It was almost more intimate than a kiss, but then again, almost nothing seemed intimate in comparison to having one's hand thrust up a horse, and Susannah, at the moment, didn't care. Kit abruptly dropped her hand. She opened her eyes fully again. And they stood again quietly together for a moment, simply looking at each other. A peculiar peace stole over Susannah, a lovely, dreamy sort of fullness.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
The bathroom door opened. He turned as Lisa stepped out. Leaving the light on, she pulled the door almost closed so a little light would illuminate the room for them. Taelon turned off the overhead light and crossed to the bed. Lisa faced him on the other side of it and fiddled with the edge of her towel. “My clothes are still wet.” “Mine are, too.” “I’m thinking there’s no way this towel is going to stay around me while I sleep.” “Do you wish to sleep without it?” he asked, willing his body not to respond to just the idea of it. “Um . . .” “I can sleep on the floor.” “Hell no. Not with those wounds. You’ll sleep in the bed with me. I’m just . . . not exactly an exhibitionist.” He hesitated. “I don’t think my translator is giving me an accurate definition of that word.” Her eyebrows rose. “You have a translator?” “Yes. All members of the Aldebarian Alliance do.” She studied him curiously. “Where is it?” He pointed to his head, just behind his ear. “Embedded in my brain.” “I’m surprised the doctors at the base didn’t remove it.” “Their scans failed to detect it because it isn’t metal and appears to be part of my skull when viewed with your more primitive scanning devices.” “That’s trippy.” “That word isn’t translating at all.” She tilted her head to one side. “What did it tell you an exhibitionist is?” “A street performer.” She laughed. “When I said I’m not an exhibitionist, I meant I’m not comfortable flaunting my naked body.” She glanced down and wrinkled her nose. “Especially when it looks like this.” “You’re shy?” “More self-conscious than shy,” she admitted. “I don’t know. I guess, despite my actions earlier, I just don’t want you to see me naked.” Surprise coursed through him. “You don’t want ME to see YOU naked?” Her brow furrowed. “Yeah.” Taelon shook his head. “Lisa, you’re beautiful.” When she started to speak, he held up a hand. “I’m not saying that to put you at ease. I think you’re lovely. So much so that I’ve honestly been having a hard time keeping myself from staring at you too long.” Her lips parted in surprise. “Really?” “Yes.” He motioned to the towel at his hips. “This doesn’t exactly hide my body’s response to you, so I’ve been trying to keep my focus from drifting lower than your pretty face. You’re beautiful, Lisa. If anyone should wish to hide his body, it’s me. I’m quite a bit thinner than I used to be.” Her eyes widened. “Seriously?” She motioned to his form. “You have all that muscle.” “I used to have more. And I’m covered with all these ghastly wounds and scars because I’m too weak to regenerate. I don’t know how you can stand to look at me or manage not to grimace when you touch me. So again, I will offer to sleep on the floor.” She stared at him, unspeaking. “I won’t be offended if you don’t wish to sleep with me,” he assured her. Assuming an exaggeratedly somber expression, he rested a hand over his heart and spoke in dejected tones. “I will just be deeply, deeply hurt.” Her lips twitched, then she laughed. “You are so freaking likable.” He smiled. “I feel the same about you.” “Okay then. We’re both adults. And neither one of us is physically up to engaging in anything amorous anyway, so—” “Well,” he said with a grin, “that isn’t precisely true.” Her cheeks pinkened. “Stop making me blush!” He laughed.
Dianne Duvall (The Lasaran (Aldebarian Alliance, #1))
Luca took in each of her movements, the expression on his face suddenly making Cass feel shy. “What?” she asked. She looked down at the water, her eyes tracing the path of the wooden oar as it cut through the lagoon, before letting her gaze return to her fiancé. He was still watching her. “You’re staring.” “I was thinking that each time I feel I know you, you surprise me again.” His voice was low but full of warmth, like if he were feeling a bit stronger, he might lean over and kiss her.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Empaths are extremely humble; they shy away from compliments and would rather give praise to someone else than receive it. They express themselves with great passion and talk very candidly, which can sometimes cause offense. They are not the type of people who hide their feelings; they will open up to anyone who cares to listen.
Judy Dyer (Empath: A Complete Guide for Developing Your Gift and Finding Your Sense of Self)
I’ve been called introverted but this isn’t the correct term. I’m not shy and I don’t have a problem speaking to people. I just don’t feel the urge to express myself or expose my personal life online. Contrary to the modern movement, I actually enjoy privacy.
DJ Keem (The Kidney Stone That Wasn't: A Personal Journey Through The Diagnosis & Treatment of Renal Cancer)
Empaths are extremely humble; they shy away from compliments and would rather praise someone else than receive it. They express themselves with great passion and talk very candidly, which can sometimes cause offense. They are not the type of people who hide their feelings; they will open up to anyone who cares to listen
Judy Dyer (Empath: A Complete Guide for Developing Your Gift and Finding Your Sense of Self)