Alley Cat Quotes

We've searched our database for all the quotes and captions related to Alley Cat. Here they are! All 93 of them:

Just like an alley in New York -like every alley in the world, apparently- it smelled like cat pee.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
I have a 12:34 representational time dance. I do it at 3:33 every other Tuesday (twice a day). If you’d like to participate in my choreographed dance routine, bring a football helmet and a half empty can of tuna (keeps the stray cats away, because I perform in a gritty, grimy downtown alley).

Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
For all cats have this particularity, each and every one, from the meanest alley sneaker to the proudest, whitest she that ever graced a pontiff's pillow — we have our smiles, as it were, painted on. Those small, cool, quite Mona Lisa smiles that smile we must, no matter whether it's been fun or it's been not. So all cats have a politician's air; we smile and smile and so they think we're villains
Angela Carter (The Bloody Chamber and Other Stories)
Wait, you already know where you are?” Puck demanded as we edged toward the mouth of the alley, stepping over trash and piles of debris. “How does that work, cat?” “Most cities are very much the same, Goodfellow.” Grimalkin reached the edge of the sidewalk and peered back, waving his tail. “Trods are everywhere, if you know where to look. Also, I am a cat.” And he trotted off down the street.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
Kizzy wanted to be a woman who would dive off the prow of a sailboat into the sea, who would fall back in a tangle of sheets, laughing, and who could dance a tango, lazily stroke a leopard with her bare foot, freeze an enemy's blood with her eyes, make promises she couldn't possibly keep, and then shift the world to keep them. She wanted to write memoirs and autograph them at a tiny bookshop in Rome, with a line of admirers snaking down a pink-lit alley. She wanted to make love on a balcony, ruin someone, trade in esoteric knowledge, watch strangers as coolly as a cat. She wanted to be inscrutable, have a drink named after her, a love song written for her, and a handsome adventurer's small airplane, champagne-christened Kizzy, which would vanish one day in a windstorm in Arabia so that she would have to mount a rescue operation involving camels, and wear an indigo veil against the stinging sand, just like the nomads. Kizzy wanted.
Laini Taylor (Lips Touch: Three Times)
It's hotter than a two-peckered alley cat up in here. Humidity must be close to a hundred.
Amanda Stevens (The Restorer (Graveyard Queen, #1))
That moment - to this ... may be years in the way they measure, but it's only one sentence back in my mind - there are so many days when living stops and pulls up and sits and waits like a train on the rails. I pass the hotel at 8 and at 5; there are cats in the alleys and bottles and bums, and I look up at the window and think, I no longer know where you are, and I walk on and wonder where the living goes when it stops.
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
Dear friend now in the dusty clockless hours of the town when the streets lie black and steaming in the wake of the watertrucks and now when the drunk and the homeless have washed up in the lee of walls in alleys or abandoned lots and cats go forth highshouldered and lean in the grim perimeters about, now in these sootblacked brick or cobbled corridors where lightwire shadows make a gothic harp of cellar doors no soul shall walk save you.
Cormac McCarthy
These days, though, he was as unpredictable as an alley cat. One minute, he’s purring on your lap. The next, he’s scowling at you from the window sill, and you’re left wondering if he’s plotting your demise over there, just waiting for you to fall asleep. That’s Will.
Laura Miller
He saw Harvey and Edgar catch each other's eye as he looked off toward the strains of "Alley Cat," Jesus, hoping they'd rush it faster than the others or he'd have to get out of here. It was the only song he knew that made him want to break something.
Elmore Leonard (Stick)
After all, Sergios was not all bad. He was tough, ruthless, arrogant and selfish, but while he might have the morals of an alley cat, he had been remarkably kind to her mother.
Lynne Graham (A Deal at the Altar (Marriage by Command #2))
I shall probably be found in some gutter, icicles dangling from all of my orifices, alley cats pawing over me to draw the warmth from my last breath.
Michael LaRocca (The Last Titan)
When everything that you know and love is taken from you, the smallest, most mundane things, stuff that you normally pay no attention to, like a random alley cat passing by your window, can have a very large emotional impact.
D. Randall Blythe (Dark Days: A Memoir)
A cat came out of an alley, took a look at all the snow, and went back in. Farther on up the street a fat man, aproned and puffing, emerged from a restaurant and whiffed the cold air and gazed yearningly at the sky. As though even the dreams were up there, much too far away.
David Goodis (Of Tender Sin)
He had dreamt about a dark-haired foreign boy. This boy held the key to the undoing of their demise. He had carried his curse for too long. Time was short, the alignment was coming. The vivid dream had spoken to him about Florence. As the sun overshadowed the top of the open-air coliseum, the light briefly hit his three golden symbols. He would need to cover them before he was spotted. Glancing around, he found what he needed. He rolled through the mud until he was coated. On the outside, he was Celestial KittyCat — a black, scrappy, alley cat with a golden brand on his side. A brand of a sun, a star, and a moon all in alignment. On the inside, he was still Patrick, and his heart still yearned for CallaLyly. He scowled as he thought about the curse that was planted by a mystic from the Far East over two and a half centuries ago.
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
Magic is not always formed from words, from cauldrons brewing sides or black cats strolling down dark alleys. Some curses are manifested from desire or injustice.
Shea Ernshaw, The Wicked Deep
Let me sing the beauty of my Maggie. Legs:--the knees attached to the thighs, knees shiny, thighs like milk. Arms:--the levers of my content, the serpents of my joy. Back:--the sight of that in a strange street of dreams in the middle of Heaven would make me fall sitting from glad recognition. Ribs?--she had some melted and round like a well formed apple, from her thigh bones to waist I saw the earth roll. In her neck I hid myself like a lost snow goose of Australia, seeking the perfume of her breast. . . . She didn't let me, she was a good girl. The poor big alley cat, though almost a year younger, had black ideas about her legs that he hid from himself, also in his prayers didn't mention . . . the dog. Across the big world darkness I've come, in boat, in bus, in airplane, in train standing my shadow immense traversing the fields and the redness of engine boilers behind me making me omnipotent upon the earth of the night, like God--but I have never made love with a little finger that has won me since. I gnawed her face with my eyes; she loved that; and that was bastardly I didn't know she loved me--I didn't understand.
Jack Kerouac (Maggie Cassidy)
Well, cats live as long as dogs,” he said, “mostly, anyway.” This was a lie, and he knew it. Cats lived violent lives and often died bloody deaths, always just below the usual range of human sight. Here was Church, dozing in the sun (or appearing to), Church who slept peacefully on his daughter’s bed every night, Church who had been so cute as a kitten, all tangled up in a ball of string. And yet Louis had seen him stalk a bird with a broken wing, his green eyes sparkling with curiosity and—yes, Louis would have sworn it—cold delight. He rarely killed what he stalked, but there had been one notable exception—a large rat, probably caught in the alley between their apartment house and the next. Church had really put the blocks to that baby. It had been so bloody and gore-flecked that Rachel, then in her sixth month with Gage, had had to run into the bathroom and vomit. Violent lives, violent deaths. A dog got them and ripped them open instead of just chasing them like the bumbling, easily fooled dogs in the TV cartoons, or another tom got them, or a poisoned bait, or a passing car. Cats were the gangsters of the animal world, living outside the law and often dying there. There were a great many of them who never grew old by the fire.
Stephen King (Pet Sematary)
Sophie was like an alley cat that had been kicked so many times it didn’t trust you when you tried to feed it.
Shirtaloon (He Who Fights with Monsters 2 (He Who Fights with Monsters, #2))
Nina drank off her jam-clotted tea in three long gulps, then rose and stretched like an untidy little alley cat.
Kate Quinn (The Huntress)
Max always left immediately after supplying the food, like he was the cat's dirty secret and if its big cat-gang buddies found out it had a human on the side, it'd be laughed out of the alley.
Megan Erickson (Make it Right (Bowler University, #2))
Can we just do this recon thing?" "I can multitask," I assured him, peering into the shadows of the first alley we passed. "Cat, raccoon in Dumpster, smell of pee," I catalogued for him. " See? Now talk.
Alyxandra Harvey (Blood Moon (Drake Chronicles, #5))
What... what are you doing here?" He's shaking his head as he walks my way; a steaming coffee mug is in his hand. "What am I doing here? I live here." "Y-you do? How did I get here?" He starts to laugh. "You don't remember?" "No... I really don't." He places the mug in front of me. "You called me on your cell. I found you spaced out of your mind in an alley behind the bar. You were talking to a cat. You claimed it was your mother.
Greg Logsted (The Stuttering Tattoo)
It’s cold and clammy in the alley like White Scar Cave in the Yorkshire Dales. Dad took me when I was ten. I find a dead cat lying on the ground at the first corner. It’s gray like dust on the moon. I know it’s dead because it’s as still as a dropped bag, and because big flies are drinking from its eyes. How did it die? There’s no bullet wound or fang marks, though its head’s at a slumped angle so maybe it was strangled by a cat-strangler. It goes straight into the Top Five of the Most Beautiful Things I’ve Ever Seen. Maybe there’s a tribe in Papua New Guinea who think the droning of flies is music. Maybe I’d fit in with them. “Come along, Nathan.” Mum’s tugging my sleeve.
David Mitchell (Slade House)
Then they decided that the fleas that lived on Siamese cats would probably be more intelligent than the fleas that lived on just ordinary alley cats. It only made sense that drinking intelligent blood would make intelligent fleas.
Richard Brautigan (Trout Fishing in America / The Pill versus the Springhill Mine Disaster / In Watermelon Sugar)
I did not mean to be a Christian. I have been very clear about that. My first words upon encountering the presence of Jesus for the first time 12 years ago, were, I swear to God, “I would rather die.” I really would have rather died at that point than to have my wonderful brilliant left-wing non-believer friends know that I had begun to love Jesus. I think they would have been less appalled if I had developed a close personal friendship with Strom Thurmond. At least there is some reason to believe that Strom Thurmond is a real person. You know, more or less. But I never felt like I had much choice with Jesus; he was relentless. I didn’t experience him so much as the hound of heaven, as the old description has it, as the alley cat of heaven, who seemed to believe that if it just keeps showing up , mewling outside your door, you’d eventually open up and give him a bowl of milk. Of course, as soon as you do, you are fucked, and the next thing you know, he’s sleeping on your bed every night, and stepping on your chest at dawn to play a little push-push. I resisted as long as I could, like Sam-I-Am in “Green Eggs and Ham” — I would not, could not in a boat! I could not would not with a goat! I do not want to follow Jesus, I just want expensive cheeses. Or something. Anyway, he wore me out. He won. I was tired and vulnerable and he won. I let him in. This is what I said at the moment of my conversion: I said, “Fuck it. Come in. I quit.” He started sleeping on my bed that night. It was not so bad. It was even pretty nice. He loved me, he didn’t shed or need to have his claws trimmed, and he never needed a flea dip. I mean, what a savior, right? Then, when I was dozing, tiny kitten that I was, he picked me up like a mother cat, by the scruff of my neck, and deposited me in a little church across from the flea market in Marin’s black ghetto. That’s where I was when I came to. And then I came to believe.
Anne Lamott
You whining coward of a vampire who prowls the night killing alley cats and rats and staring for hours at candles as if they were people and standing in the rain like a zombie until your clothes are drenched and you smell like old wardrobe trunks in attics and have the look of a baffled idiot at the zoo.
Anne Rice
When I came into his presence, he was seated, and in his lap was a fat yellow cat. He told me that one of the captains had brought the beast to him, from an island beyond the sunrise. 'Have you ever seen her like?' he asked of me. And to him I said, 'Each night in the alleys of Braavos I see a thousand like him,' and the Sealord laughed, and that day I was named the first sword." Arya screwed up her face. "I don't understand." Syrio clicked his teeth together. "The cat was an ordinary cat, no more. The others expected a fabulous beast, so that is what they saw. How large it was, they said. It was no larger than any other cat, only fat from indolence, for the Sealord fed it from his own table. What curious small ears, they said. Its ears had been chewed away in kitten fights. And it was plainly a tomcat, yet the Sealord said 'her', and that is what the others saw. Are you hearing?" Arya thought about it. "You saw what was there." "Just so. Opening your eyes is all that is needing. the heart lies and the head plays tricks with us, but the eyes see true. Look with your eyes. Hear with your ears. Taste with your mouth. Smell with your nose. Feel with your skin. Then comes the thinking, afterward, and in that way knowing the truth." "Just so," said Arya, grinning.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Sunday: this satisfied procession Of definite Sunday faces; Bonnets, silk hats, and conscious graces In repetition that displaces Your mental self-possession By this unwarranted digression. Evening, lights, and tea! Children and cats in the alley; Dejection unable to rally Against this dull conspiracy. And Life, a little bald and gray, Languid, fastidious, and bland, Waits, hat and gloves in hand, Punctilious of tie and suit (Somewhat impatient of delay) On the doorstep of the Absolute.
T.S. Eliot
Dark alleys, like social networks, are romantic, because you never know what might happen while I perform there every Caturday night. Cats do know, but won't tell. So don’t even ask.
Will Advise (Nothing is here...)
Christopher Argent kept stealing disbelieving looks at Farah, his blue eyes reflecting the ambient glow like an alley cat's. Dorian understood why the man would dare in his presence. First, because Christopher Argent was an unfeeling, fearless killer-for-hire. And second, because most of the incarcerated men at Newgate had considered Dougan's Fairy some mythical creature, a sight too rare and beautiful to be beheld by a common man. Maybe even a fancy born of an imagination keen enough to take possession of the prison. To meet her was to gaze upon a fantasy realized, to remember the desperate yearnings of a lonely prisoner bereft of kindness, mercy, or beauty. To be blinded by the embodiment of all three of those things. For a man like Argent, one born to incarceration, the sight might have him reassessing some long-held cynical philosophies.
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
Mirabelle's ambition is about one-tenth of 1 percent of what would be called normal. ... She is not aware that some people fight like alley cats for desirable situations. She presents a résumé, fills out an application, waits, and finally makes a call to see if she got the job. Usually, a confused secretary will answer and say that the position had been filled weeks ago. This aimlessness in presenting herself contributes to her feeling of being adrift.
Steve Martin (Shopgirl)
A passerby discovered a toddler sitting on the chilly concrete on an alley, playing with the wrapper of a cat food container. By the time she was brought to the hospital, her limbs were blue with cold. She was a wizened little thing, too thin, made of sticks. She knew only one word, her name. Wren. As she grew, her skin retained a slight bluish cast, resembling skimmed milk. Her foster parents bundled her up in jackets and coats and mittens and gloves, but unlike her sister, she was never cold. Her lip colour changed like a mood ring, staying bluish and purple even in summer, turning pink only when close to a fire. And she could play in the snow for hours, constructing elaborate tunnels and mock-fighting with icicles, coming inside only when called. Although she appeared bony and anaemic, she was strong. By the time she was eight, she could lift bags of groceries that her adoptive mother struggled with. By the time she was nine, she was gone.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Zoe had dressed up for their meeting with Dr. Marriott in a long Indian skirt stitched with beads and tiny mirrors, a T-shirt embossed with CAT WOMAN STRIKES AGAIN! and a short-sleeved pink hoodie. To top it off, she wore a bracelet made from typewriter keys. She was sure Dr. Marriott would love it, seeing as typewriters were right up his alley.
Christine Brodien-Jones (The Glass Puzzle)
In some ways Turner had been telling Elwood’s story ever since his friend died, through years and years of revisions, of getting it right, as he stopped being the desperate alley cat of his youth and turned into a man he thought Elwood would have been proud of. It was not enough to survive, you have to live—he heard Elwood’s voice as he walked down Broadway in the sunlight or at the end of a long night hunched over the books. Turner walked into Nickel with strategies and hard-won dodges and a knack for keeping out of scrapes. He jumped over the fence on the other side of the pasture and into the woods and then both boys were gone. In Elwood’s name, he tried to find another way. Now here he was. Where had it taken him?
Colson Whitehead (The Nickel Boys)
Seconds turn into minutes and minutes into hours. It is all still the same. Or it no longer is. If I were to ask what has changed, perhaps nothing, but conceivably everything would be the befitting reply. I no longer feel the same. Loss preceded me, alienating my soul from the body. I feel I am gliding through an alley making a journey from the known towards the unknown. There is a deep abyss inside where sometime back, my heart used to beat and a noisy, rusty old machine has replaced my mind; solitarily creating useless noise. I don’t remember what day it is and since when have I been lying here. It must have been yesterday… or was it day before. I cannot recollect anything except the dull throbbing pain inside my brain. I can see the time, almost 9: 45, difficult to say which time of the day it is. The bigger hand is soon going to overshadow the smaller hand. It looks like a game of cat and mouse; the bigger hand chasing the smaller one. Anyone stronger in terms of physical appearance, money, power, fame or name tramples upon the weak ones - that is the rule of the world. There are only two possible reasons behind it, love or hate. When you love someone you want to control everything that person does and hence, sometimes, knowingly or unknowingly you squash them like melons. While on the other hand in the case of hate, there is no need to specify the reason for walking over someone like that. Hate is a strong reason in itself. I am confused as to what crushed me, was it love or hate? I somehow don’t like the sound of it – love, it in itself smells of treachery, for love is not a pure emotion. Lust and hatred are the only pure emotions. Love is camouflaged, for needs and desires. Desires – they are magical in their own way. They can be innocent. They can be monstrous. But they exist, no matter what, and many such needs and desires make us helpless slaves of the same. We hide these desires either in the realms of our mind or in the dusty corners of our hearts for we are scared…what if someone finds out what we desire. We give them identities so as to not let the real thing show. The only thing visible on the front is a mask we wear to deceive people or that’s what I thought. For I was deceived while I believed I am the deceiver. Or was I not? I debated as my mind once again tried to enter a sleep-induced trance.
Namrata (Time's Lost Atlas)
Evil is by nature fearful and superstitious; therefore it boasts. And thus boasting it succumbs, not to the power of good, but to its own inherent weakness. The premise of evil is a lie that must be compounded to be maintained, until it collapses of its own weight. Hence its downfall, though not immediate, is inevitable. This then is the true power of good: that good need exert so little to flourish, while evil must give all, and still fail.
James Hold (Out of Texas 4 : Josie and the Alley Cat)
Pick a system—any system, legal or ecclesiastical—and you’ll start to wonder at how anyone could think it was fair. And then you’ll realize it was never meant to be fair but rather was intended to protect the interests of the powerful, and then you’re wading through a swamp of cynicism and your day’s ruined. What I like about being a Druid in service to Gaia is that Gaia doesn’t judge much at all—just the theft of her own life force to kill some other part of her. That’s why she prohibits us from using our powers to directly harm others. Otherwise, she’s going to let us sort out judgment for ourselves. Why should Gaia care precisely how people once behaved in Taiwan, or about the spiritual life of a mayfly in Connecticut, or about the deviant proclivities of an alley cat in Kathmandu? She will endure so long as the life upon her keeps reproducing. The violent tides of creatures eating, shitting, and fucking each other are what keep her alive. She’s not going to impose morality on that.
Kevin Hearne (Scourged (The Iron Druid Chronicles, #10))
It takes me a while to drag him out, he's got himself stuck to the axle, and by the time I am done and stand over the body something strange has started to happen. The alley's filled with a half-dozen cats, runty little things with their ribs showing and their tails worn high like they're pointing to the moon. I stand there, breathing froth into the snowflakes and watch them gather round me, soft kitty paws, and now and then a patrol car rolls past in the distance. The cats are circling us, tails cocked at the moon, their muzzles bloodied by the tail lights' glow. They are vicious bastards, let me tell you: frost on their whiskers, eyes like cut glass, a half-dozen pairs, on me and the dead man. And then they start licking. Licking at the snow I mean, the blood in the snow, they lap it up like mother's milk. And all the while from their throats, from their whole bodies, there issues this sound, you hear it with your skin, it's like an engine running under your palm. That's when I realize they are purring, man, purring as they feed on the midget's death.
Dan Vyleta (Pavel & I)
Layover" Making love in the sun, in the morning sun in a hotel room above the alley where poor men poke for bottles; making love in the sun making love by a carpet redder than our blood, making love while the boys sell headlines and Cadillacs, making love by a photograph of Paris and an open pack of Chesterfields, making love while other men- poor folks- work. That moment- to this. . . may be years in the way they measure, but it's only one sentence back in my mind- there are so many days when living stops and pulls up and sits and waits like a train on the rails. I pass the hotel at 8 and at 5; there are cats in the alleys and bottles and bums, and I look up at the window and think, I no longer know where you are, and I walk on and wonder where the living goes when it stops.
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
As Merripen gave the ribbons to a stableman at the mews, Amelia glanced toward the end of the alley. A pair of street youths crouched near a tiny fire, roasting something on sticks. Amelia did not want to speculate on the nature of the objects being heated. Her attention moved to a group—three men and a woman—illuminated in the uncertain blaze. It appeared two of the men were engaged in fisticuffs. However, they were so inebriated that their contest looked like a performance of dancing bears. The woman’s gown was made of gaudily colored fabric, the bodice gaping to reveal the plump hills of her breasts. She seemed amused by the spectacle of two men battling over her, while a third attempted to break up the fracas. “’Ere now, my fine jacks,” the woman called out in a Cockney accent, “I said I’d take ye both on—no need for a cockfight!” “Stay back,” Merripen murmured. Pretending not to hear, Amelia drew closer for a better view. It wasn’t the sight of the brawl that was so interesting—even their village, peaceful little Primrose Place, had its share of fistfights. All men, no matter what their situation, occasionally succumbed to their lower natures. What attracted Amelia’s notice was the third man, the would-be peacemaker, as he darted between the drunken fools and attempted to reason with them. He was every bit as well dressed as the gentlemen on either side … but it was obvious this man was no gentleman. He was black-haired and swarthy and exotic. And he moved with the swift grace of a cat, easily avoiding the swipes and lunges of his opponents. “My lords,” he was saying in a reasonable tone, sounding relaxed even as he blocked a heavy fist with his forearm. “I’m afraid you’ll both have to stop this now, or I’ll be forced to—” He broke off and dodged to the side just as the man behind him leaped. The prostitute cackled at the sight. “They got you on the ’op tonight, Rohan,” she exclaimed. Dodging back into the fray, Rohan attempted to break it up once more. “My lords, surely you must know”—he ducked beneath the swift arc of a fist—“that violence”—he blocked a right hook—“never solves anything.” “Bugger you!” one of the men said, and butted forward like a deranged goat. Rohan stepped aside and allowed him to charge straight into the side of the building. The attacker collapsed with a groan and lay gasping on the ground. His opponent’s reaction was singularly ungrateful. Instead of thanking the dark-haired man for putting a stop to the fight, he growled, “Curse you for interfering, Rohan! I would’ve knocked the stuffing from him!” He charged forth with his fists churning like windmill blades. Rohan evaded a left cross and deftly flipped him to the ground. He stood over the prone figure, blotting his forehead with his sleeve. “Had enough?” he asked pleasantly. “Yes? Good. Please allow me to help you to your feet, my lord.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
And who's to say she wasn't right? After all, love is the most powerful thing in the universe; the determining factor in one's dealings on earth. Though challenged, it has never been conquered; though questioned, it has never been quieted; and though tested, it has never been stilled. Love can build up or it can tear down; make life totally fulfilling, or destroy it completely. It can alter the past, enrich the present, and change the future. With it one can face anything. Without it a person will turn his back on everything. In the presence of love all sins fade; while in its absence they magnify, stark and vivid, in all their ugliness. Yes, love can hurt, scar, and wound; but it can also heal, repair, and bind. It can open one's eyes to reality, or it can blind them completely. True love has no illusions. It sees things in a clear light and accepts them anyway. In the end, it all comes down to choice. And the only pain is when it is not returned. And the only crime is when one is blind to its offering. Only what did he know? He was, after all, just a cat.
James Hold (Out of Texas 4: Josie and the Alley Cat)
It was a miserable power struggle to break him. I don’t know if you’ve ever tried to win an argument with a cat, but good luck with that. He would slip out when we weren’t looking, settle scores in some back alley near midnight, and return two days later like Don Draper crashing through the front door after a bender. What? What are you looking at?
Sarah Hepola (Blackout: Remembering the Things I Drank to Forget)
Already evening is blotting out the city. Shadows web in the alleys on Ninth Street. The illuminated crew houses of Boathouse Row reflect in the unimpressed Schuylkill. The factory near Palmer belches filth toward New Jersey. Clouds flinch across the mackerel sky, bottoms silvered by the retreating sun.
Marie-Helene Bertino (2 A.M. at The Cat's Pajamas)
Asa looked up, drawing a deep breath, and saw that his harpy wasn't amused by his laughter. "I don't think why you find the thought of me helping with your books so funny," she said in a stiff little voice. "Or, for that matter, letting me paint you." Her mouth- the only soft part of her, as far as he could tell- trembled a bit. Well, he hadn't meant to hurt her feelings. "Don't worry about it, luv," he said, tearing off a bite of the bread with his teeth. "You'll find out soon enough when you see my books. As for the other-" he set down the piece of bread and shrugged off his coat- "do you want to start now?" That got him a wide-eyed look, and he couldn't help but grin at her, mouth obnoxiously full, as he began unbuttoning his waistcoat. Had the lady bitten off more than she could chew? "What are you doing?" she asked, her voice high and a bit panicked. He opened his eyes in mock innocence as he yanked his shirt from his breeches. "Stop that at once." "Why?" he asked curiously, his fingers still on his lifted shirt. Her gaze darted to his bared navel and then away again like that of a sweet canary frightened by an ugly alley cat. "You said you wanted me to 'model' for you.
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
scrawny alley cat of a man who couldn’t avoid trouble if it came with detour signs was going to tell Jason how to run his own personal life? It was just that the quick jab about stomping down on his emotions until they rose up and took a guy by the throat had been so damned…
Amy Lane (Constantly Cotton (The Flophouse, #2))
I speak for the mongrel, the mestizo, the half-breed, the bastard, the alley cat, the cur, the hybrid, the mule, the whore, the unforeseen strain that pounds against all the safe and disgusting doors. I speak for vitality, rough edges, torn fences, broken walls, wild rivers, sweat-soaked sheets. Who would want a world left mumbling to itself, a perfect garden with the dreaded outside, the fabled Other held at bay and the neat rows of cultures and genes safe behind some hedgerow? I dread a world that is all Iceland, the people fair, their genealogies stretching back in a dull column for a millennium, their folkways and mores and lifeways and deathways all smug and pointless. I speak for graffiti.
Charles Bowden (Blood Orchid: An Unnatural History of America)
Max grinned triumphantly and grabbed a chair, turning it so that he could sit on it backwards as he leaned close to me. “Tell me about the boyfriend who left you to drown in that car,” he urged, reaching out to touch my cheek. “Did you give him your V-card too?” A flicker of fear shuddered through me as I remembered sinking to the bottom of that river. But he’d been wrong about the V-card guess. I’d given my virginity to a wholly different asshole. “No,” I breathed. “I didn’t.” “You wanna tell the group who did then?” Max asked with a grin, his power wrapping me in thick cords and refusing to let go. In place of the fear that had been pulling at me, I felt lust building in my veins and my flesh heated at the memory of a dark room, roaming hands- Oh hell no, you psychotic asshole! I shoved all of my will into fighting off the pull of his gift and my fist snapped out with every inch of rage I was harbouring against this douchebag. My knuckles collided directly with the centre of his throat. Max fell back off of the chair with a cry of pain and hit the floor with the chair on top of him. The Siren spell was broken and I was on my feet half a second later, flames springing to life in my hands. I spared half a glance at the other Heirs but they only looked on in surprise. This was between me and Max and they weren’t going to get involved for once. “You crazy bitch,” Max wheezed, his voice strangled with pain. “I am a crazy bitch,” I agreed, glaring down at him. “And if you try that screwed up Siren shit on me ever again you’ll find out just how much of a bitch I can be.” He hissed a curse and raised a palm, throwing a wave of water at me. I unleashed the fire in my hands, throwing a torrent of power into the blow and the two Elements collided in the space between us, cancelling each other out with a hiss of steam. Max scrambled backwards, preparing a second blow and adrenaline shot through my limbs. I was outmatched here and he knew it. I may not have been able to fight him with magic but I’d grown up in the shittiest part of town and I sure as hell knew how to brawl like a cornered alley cat. Before he could cast another spell at me, I aimed a kick at his balls. Max grunted a curse as he doubled in on himself, clutching his manhood. I leaned down to speak to him in a low tone. “I’d think long and hard about trying to pull any more secrets from my lips,” I hissed. “Because some of the ones I’m keeping aren’t my own.” His eyes widened in surprise as he looked up at me. “If you tell anyone what I said when you were Song-Spelled then I’ll-” I interrupted him before he could threaten me with anything, my voice low and cold. “It won’t matter what you do to me after. Your secret will be out there. So I think you were just about to agree to keeping your leech powers to yourself.” Max scowled as he propped himself up on one arm, the pain in his balls obviously easing off. “Fine,” he spat, as if he was going to get up but I wanted to really make sure he got the point. I lifted my palms at Max as Darcy cried out in encouragement and I sent a wave of air crashing into him. It caught him in its grip and sent him flying into the air and tumbling away from me across the room. (Tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
We were not “ride or die” chicks. We were chicks who would ride away immediately and leave you to die. My friends and I were like roughneck alley cats all fighting over the same fish skeleton.
Laura Chinn (Acne)
The Dumpster had two lids, side by side, and one of them was open. I put both hands on the closed side—and something bolted up and out of the opening with a horrible screech and flew past my ear and I was absolutely paralyzed by sheer terror before I recognized it as a cat. It was tattered and filthy and beat-up, but it landed a few feet away and arched its back and spit at me in the full Halloween pose. I just looked back and for a second I thought the music had started up again in the club, until I realized the thumping was only my heartbeat. The cat turned and stalked away out of the alley, I leaned on the Dumpster and took a deep breath, and the Passenger stirred itself just enough to give me a serves-you-right chuckle. I
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
We ran to the others—it was clear Derek wasn't accepting a leisurely stroll. I took the lead so this huge guy wouldn't come barreling down on them. That wasn't the way anyone needed to wake up. It was still chaos. Derek barked orders. Chloe tried to calm him. When he didn't listen, I snapped that he wasn't helping matters. He snapped back. Ash jumped to my defense, snarling like an alley cat. Daniel intervened to mediate. Derek turned on him. Corey rushed to Daniel's side, fists ready. Rafe braced to join in if a fight broke out. It was fun.
Kelley Armstrong (The Rising (Darkness Rising, #3))
He couldn’t spot them, and the minor foot traffic on the sidewalk was not enough to hide. They must have entered a building or alley. Rather than searching all of them, he let his nose do its job. Big breath in. Filter the smells. Aha. There, up the sidewalk a few more storefronts then into an arcade. The wolves that dragged her probably hoped to hide their scent and sneak out the back. Except Hayder knew this place. He knew where the door to the alley was, thus, when the steel door swung open, he stood there, arms crossed waiting for them. “Shit, he’s here. Get back inside,” the chubby one grunted. “Oh, don’t leave on my account. I insist you stay.” And to make sure they did, he kicked the door shut. The two thugs backed away from him, the one who needed to invest in a treadmill holding Arabella, who hung limp in his grasp, before him as a shield. She was alive. However, her eyes bore a resigned expression Hayder didn’t like at all. “Baby, are you all right? Did they hurt you?” The answer was moot. At this point, he was going to punish them no matter what, violently. They’d done the unforgivable when they’d taken Arabella and scared her. However, if they’d actually hurt her, or if she cried… We’ll make them wish their mother had a headache the night they were conceived. Rawr. Her reply emerged so soft he almost missed it. “I told you this would happen. They’ll never let me be free.” How utterly convinced she seemed and miserable. Totally unacceptable. “Don’t you dare take this without a fight,” he growled. The chubby one should have spent more time on expanding his mind instead of his waistline because he showed no sense at all when he said, “Bella here knows her place, and after the next full moon, it will be on her knees, serving the new alpha of the pack.” Hell no. Hayder didn’t even think twice about it. His fist shot out, and it connected to the idiot’s nose with a satisfying crunch, and that left one wolf. An even dumber wolf that seemed to think the switchblade he’d pulled out of a pocket and waved around would really make a difference. “Are you stupid enough to think you can take me with that puny knife?” Hayder couldn’t stem the incredulity in his query. “Stay back, cat, or else. It’s silver.” Silver, which meant painful if he got sliced with it. Harder to heal, too. But a three-inch blade wasn’t going to keep Hayder away from his woman. As beta, though, he did try to give the idiot a chance. Show patience before acting, or so he’d been taught as part of those anger management courses Leo made him take. Hayder employed one of the tricks to control impulsive acts. He counted. “Three.” “I’ll cut you.” Slash. Slash. The knifeman sketched lines in the air. “Two.” “I mean it.” “One. You’re dead.” Hayder took a step forward even as the last dumb wolf took a step back, one hand clamped around Arabella’s arm. Lightning fast, Hayder shot a hand out to grab the wrist of the guy wielding the knife. This fellow had slightly faster reflexes than his pack brothers and actually managed to score a line of red across his palm. The blood didn’t bother Hayder. ’Twas but a scratch. However, the coppery scent did something to Arabella. Up snapped her head. Her nostrils flared. Her brown eyes took on a wildness. Her lips pulled back in a snarl. “Don’t. Touch. Him!” With a screech, she turned on her captor and then proceeded to go rabid on his ass. How cool.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
What I want to do and what I have to do are always fighting each other like alley cats.
Susan Vreeland (Clara and Mr. Tiffany)
Backpackers can pack much more meows than baggers. Beggars never feed stray cats as street cats are self-sustaining.
Will Advise
Sophie was smiling at the baby, who was making a determined play for the cat’s nose. Vim expected the beast to issue the kind of reprimand children remembered long after the scratches had healed, but the cat instead walked away, all the more dignified for its missing parts. “He must go terrorize mice,” Sophie said, rising with the child in her arms. “You’re telling me that cat still mouses?” Vim asked, taking the baby from her in a maneuver that was beginning to feel automatic. “Of course Pee Wee mouses.” Sophie turned a smile on him. “A few battle scars won’t slow a warrior like him down.” “A name like Pee Wee might.” She wrapped her hand into the crook of his elbow as they started across the alley. “Elizabeth gets more grief over his name than Pee Wee does.” “And rightly so. Why on earth would you inflict a feminine name on a big, black tom cat?” “I didn’t name him Elizabeth. I named him Bête Noir, after the French for black beast. Merriweather started calling him Betty Knorr after some actress, which was a tad too informal for such an animal, and hence he became Elizabeth. He answers to it now.” Vim suppressed the twitching of his lips, because this explanation was delivered with a perfectly straight face. “I suppose all that counts is that the cat recognizes it. It isn’t as if the cats were going to comprehend the French.” “It’s silly.” She paused inside the garden gate, her expression self-conscious. He stopped with her on the path, cradling the baby against his chest and trying to fathom what she needed to hear at the moment. “To the cat it isn’t silly, Sophie. To him, your kindness and care are the difference between life and death.” “He’s just a cat.” But she looked pleased with Vim’s observations. “And this is just a baby. Come.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
When angel meets Watcher, they’re like two feral cats meeting each other in an alley. They raise their feathers, making their wings look spiky and larger than before.
Susan Ee (End of Days (Penryn & the End of Days, #3))
I’m sure he’s just out roaming around. That’s what cats do. Alley cats. Although the odds of Mugsy being able to fit into most alleys is a stretch…
Russell Blake (Black Is Back (Black, #2))
She had tried to imagine him as a young Gladiator in the arena. Back then he must have been as dangerous as a lean, half-starved alley cat. Now, the alley cat had long since vanished. What stood in his stead was a scarred and even more deadly lion who carried the weight of having lived for many years in his prime.
Thea Harrison (Midnight's Kiss (Elder Races, #8))
Excerpted From Chapter One I decided staying put in the alley was preferable to keeping the dead guy company, so I went outside and lit a Lucky Strike. The night air had gotten damper and chillier during the short time I was in the warehouse, or maybe it was just me. Wisps of lacy fog were now sinking into the alley, and a skulking cat in search of dinner moved slowly along the opposite wall until he noticed me. He scurried off in a furry blur, eager to be far away from the evil invading his domain. The cat had better sense than me and I wished I could follow his example.
H.P. Oliver (Pacifica)
Daniel loved these damned hurricanes. He folded back the shutters, then opened the window. Rain hit him good. It tasted of salt and smelled of dead fish and weeds. The cat-five wind clawed through New Orleans at better than a hundred miles an hour, but back here in the alley—in a cheap one-room apartment over a po’boy shop—the wind was no stronger than an arrogant breeze. The
Robert Crais (The Sentry (Elvis Cole, #12, Joe Pike, #3))
The feeling was FEAR, she realized... but it was a new type of fear; more sincere than the jitters she felt when it rained and not as piercing as the terror of crashing cars. This fear was darker somehow... mysterious... curious like the retracted paws of an alley cat.
Jake Vander-Ark (Fallout Dreams)
There are consequences in owning an alley cat, Mr. Walker. Even one named Dog.” Lacey knew how pious she sounded. Lines of righteousness creased her face as she let herself out.
Debbie Macomber (Family Affair)
Truth is elusive. Truth avoids institutional control. Truth tugs at conventional syntax. Truth hovers at the edge of the visual field. Truth is relational. Truth lives in the library and on the subway. Truth is not two-sided; it's many-sided. Truth burrows in the body. Truth flickers. Truth comes on little cat's feet, and down back alleys. Truth doesn't always test well. Truth invites you back for another look.
Marilyn Chandler McEntyre (Caring for Words in a Culture of Lies)
Truth is elusive. Truth avoids institutional control. Truth tugs at conventional syntax. Truth hovers at the edge of the visual field. Truth is relational. Truth lives in the library and on the subway. Truth is not two-sided; it‘s many-sided. Truth burrows in the body. Truth flickers. Truth comes on little cat‘s feet, and down back alleys. Truth doesn‘t always test well. Truth invites you back for another look.
Marilyn Chandler McEntyre (Caring for Words in a Culture of Lies)
There were two colored girls in the group. Vincent paused when the group paused. He sniffed the air, actually picking up the strong, animallike scent of the bucks. It is no longer polite in the South to use that word, but few words apply as well. It is a simple fact that a Negro male is quick to excite and as thoughtless of his surroundings as a stallion or a male dog near a bitch in heat. These two colored girls must have been in heat; Vincent watched as they copulated there on the shadowy embankment, the third boy also watching until his turn came, the girls’ bare, black legs opening and closing against the bobbing haunches of the thrusting males. Vincent’s entire body surged with the need to act then, but I made him look away, wait until the boys were finished with their lust, the girls gone calling and laughing—as guiltless and guileless as sated alley cats—toward their own homes. Then I unleashed Vincent.
Dan Simmons (Carrion Comfort)
At the Alley Cat Allies conference, I sit through a very technical presentation on Tomahawk trap trip plates, postoperative temperature control, and other TNR mechanics. As the sober PowerPoint concludes, the presenter suddenly flashes a slide of an adorable feline neonate: "And this is my kitten Rex!" she says. The room explodes in squeals. It was a bit like ending a lecture on the war on drugs with a picture of a lit crack pipe—especially since there is actually some evidence that cats, like street drugs, have clinically compromised our minds.
Abigail Tucker (The Lion in the Living Room: How House Cats Tamed Us and Took Over the World)
Oaxaca 1925 You were a beautiful child With a troubled face, green eyelids And black lace stockings We met in a filthy bar You said "My name is Nada I don't want anything from you I will not take from you I will give you nothing" I took you home down alleys Splattered with moonlight and garbage and cats To your desolate disheveled room Your feet were dirty The lacquer was chipped on your fingernails We spent a week hand in hand Wandering entranced together Through a sweltering summer Of guitars and gunfire and tropical leaves And black shadows in the moonlight A lifetime ago
Kenneth Rexroth (The Complete Poems)
Once Upon a Starless Night by Maisie Aletha Smikle One starless night The dish flew away And left the spoon The spoon looked for the moon But the moon was not in tune It decided to come at noon The midnight sky wondered why The moon and the stars were not in the sky O what a moonless starless night Nothing was in sight Except the night owls and alley cats Their eyes casting shadows on the meadows Why O why moans the midnight sky Are the moon and stars gone from the sky Why O why cries the spoon Is the dish gone when there is no moon Shadows drift And the spoon makes a wish O starless night I wish For a flying dish To rest my spoon And find the moon That's out of tune And wants to come at noon An angel heard the wish And brought the dish The stars and the moon Back to the spoon
Maisie Aletha Smikle
Young bodies are beautiful, strong, flexible, and resilient. They have the fire of hope in their hearts. However, the fire can be a bit feral, like a young alley cat. It can go everywhere, in all directions, willy-nilly. It can turn all claws and spit or get nervous and run away. It pretends things that aren’t true and is afraid of showing what is true. The older cat bides their time. They have patience. They pull the fire inside and let it smoulder. They don’t waste energy on fights not worth the battle or where the casualties would be greater than the goal. They own their failures like scars, saying it would be wise to take them seriously. They are not ashamed of their loves. They value their spirit and let it grow. It’s in the eyes. The body may move less, but it has presence and power of a different sort. It is authentic.
Donna Goddard (Dance: A Spiritual Affair (The Creative Spirit Series, #1))
Avi had always thought of Felix as a pampered pedigree kitten, but the truth was, Felix was an alley cat in a rhinestone collar. He was pretty and prissy, but he was all teeth and claws.
Onley James (Mad Man (Necessary Evils, #5))
Sometimes the dogs attacked grown men, even cops, as if they wanted to die, growing bolder and more dangerous in the summer, when people stayed out after dark, and rabies began to spread. It came with warm weather, and carried by the night wind and nocturnal animals gone mad - prehistoric possums with pig eyes and needle teeth, squealing in the alleys. Rats on the sidewalks at noon, sluggish and dazed. Raccoons hissing in the nettles and high grass along polluted golf course creeks. Feral cats, bats falling from the sky, dreamy-eyed skunks staggering out of the West Hills, choking on their own tongues, their hearts shuddering with the virus they carried, an evil older than cities or civilization - messengers perhaps, sent by some brooding, wounded promise we betrayed and left for dead back when the world was still only darkness and frozen seas.
Kent Anderson (Night Dogs (Hanson #2))
A lot of people died,” Ithan growled. “Children died.” “And more will soon die in this war,” Aidas countered coolly. “Hel’s armies shall strike at your command, Bryce Quinlan.” The words dropped like a bomb. “Bullshit,” Ruhn said, face crinkling as he snarled. “You’re waiting for the right moment when we’re all at war with each other, so you’ll be able to find a way into this world at last.” “Not at all,” Aidas said. “I already know the way into this world.” He pointed with a paw to Bryce and inclined his head. “Through my lovely Bryce and the Horn on her back.” Hunt suppressed a growl at the word my as all of them looked to her. Her eyes remained fixed on Aidas, her lips a thin line. The Prince of the Chasm said, “It’s your choice in the end. It has always been your choice.” Bryce shook her head. “Allow me to get this straight: You’re here to convince me to rebel against the Asteri in front of all these people? And what—sign up with Ophion? No, thank you.” Aidas only chuckled. “You should have looked more carefully at the cats picking through the trash in the alley of Ink Street this morning. Should have picked a more discreet location to discuss the rebellion with Fury Axtar.” Bryce hissed, but said nothing as Aidas went on, “But yes—by all means, turn rebel. Help Ophion, if you need some authority to answer to. I can tell you before you undoubtedly ask, I have no information about the connection between Danika Fendyr and Sofie Renast.” Bryce growled, “I don’t even know any Ophion rebels.” Aidas stretched out his front paws, back arching. “That’s not true.” Hunt stilled as the demon yawned. “There’s one right behind you.” Bryce whirled, Hunt with her, lightning poised to strike. Cormac Donnall stood in the doorway, shadows fading from his shoulders. “Hello, Agent Silverbow,” Aidas crooned, then vanished.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
It was clear from the start that they were not like other children, therefore Susanna felt she had no choice but to set down rules. No walking in the moonlight, no Ouija boards, no candles, no red shoes, no wearing black, no going shoeless, no amulets, no night-blooming flowers, no reading novels about magic, no cats, no crows, and no venturing below Fourteenth Street. As if it were their duty, they broke the rules one by one. Franny wore black and grew night-blooming jasmine on her windowsill, Jet read every novel written by E. Nesbit and fed stray cats in the alley, and Vincent began to venture downtown by the time he turned ten.
Alice Hoffman (The Rules of Magic (Practical Magic, #0.2))
Bad Trash ( I Don't Like the Sound of That) Runs in the family R u n s in the f a m i l y- No, that's an atrocity you won't hear from me I don't like the sound of that Not lyin' in a mouse trap- I'm a mofo' sassy cat I don't clean no d i r t y rat No, not my reality Said not M Y reality- Don't shine shit in front of me and call it my reality! I don't like the sound of that Cruel intentions get tires flat I say what will shine for me I say what will bleed for me I call out the trash to me Bad trash always dies for me Clawed out my own reality The top from the back alley I don't run in the family I run far from the alley Calling all my sour soulmates- Recovering a l l e y c a ts You all clean up so good now No bad, bad trash, just LoVe pats! No bad trash, just LoVe pats
Casey Renee Kiser (Confessions of a D3AD Petal)
This is the most desperate breed there is. They are just a little too bright for the servile role of dogdom. So their loneliness is a little more excruciating, their welcomes more frantic, their desire to please a little more intense. They seem to think that if they could just do everything right, they wouldn’t have to be locked up in the silence—pacing, sleeping, brooding, enduring the swollen bladder. That’s what they try to talk about. One day there will appear a super-poodle, one almost as bright as the most stupid alley cat, and he will figure it out. He will suddenly realize that his loneliness is merely a by-product of his being used to ease the loneliness of his Owner. He’ll tell the others. He’ll leave messages. And some dark night they’ll all start chewing throats.
John D. MacDonald (Nightmare in Pink (Travis McGee, #2))
To that end, Big Farma John has petitioned the Court to read into the record a portion of an amicus (friend of the court) brief, written by the Honorable Bobby Jingoism from the great state of Alabama, where the judge ends a nearly one hundred page scathing attack on the character of Christian Cultura, by concluding, ‘Look only to the letter of the law and not to Mr. Cultura’s self-serving and hauntingly absurd spirit of the law, where it has been shown on many occasion he will stop at nothing to use his devilish charm as a scoundrel might to lure a blind alley cat off a shrimp boat.
Jerry Hurtubise J.D. (Parkinsonian Democracy - Special Edition: A Legal Fiction Advocating Diet and Exercise for Parkinson's)
I was watching myself fall back onto the classic sales approach, with its tired old script: First become likable and build rapport, then explain “features and benefits,” next do a trial close, and then fight like an alley cat to overcome all the objections the buyer has come up with.
Oren Klaff (Flip the Script: Getting People to Think Your Idea Is Their Idea)
A giant gang of kids crammed around a locker trying to look casual is almost never a good sign. It’s basically the definition of a bad omen. One you can spot from the other end of the hallway, like a black cat, or a broken mirror, or a ladder you’re not supposed to walk under, or a crack you’re not supposed to step on.
Leigh Reagan Alley (Starr of the Show (Shiny Friends Super Squad, #1))
Magic is not always formed from words, from cauldrons brewing spices or black cats strolling down dark alleys. Some curses are manifested from desire or injustice.
Shea Ernshaw (The Wicked Deep)
It’s hard to imagine two personalities less alike than the pair who shared Ulysses Maxwell’s mind. Where Lyssy was sunny and outgoing, as friendly and disingenuous as a puppy dog, Max was brooding and saturnine, with a sardonic wit and the compassion of a starving alley cat—if they hadn’t occupied the same body, he’d have strangled the cheerful little bastard years ago.
Jonathan Nasaw (When She Was Bad)
I’ll have to throw these jeans away and get new ones,” Luca said. “Unless you want these to make a pair of cut-offs?” “Your jeans would be way too big on me,” she said, not looking up from the bowl of ingredients she was mixing. “But there’s something in them for you.” She chuckled. “I bet there is.” “Naughty girl,” he said. “I mean there’s something in the pocket for you. Do you want it?” She walked over to him and held out her hand. “Sure. Whatever.” He placed a tiny charm in the palm of her hand. A heart. “It’s all yours now,” he said. “Even if you drop it, and step on it, and bend it out of shape, it’s still yours. I don’t want it back.” “You had this in your pocket?” “I’ve had it in my pocket every day for the last three months. Except one day when I thought I lost it in the washing machine, but then I found it in the filter. Don’t worry. It’s clean.” She stared at the heart and thought about all the times she’d taken the alley to work, or ducked into a store to avoid seeing Luca on the street. All the times she’d missed her chance to get Luca’s heart back. “I can understand if you don’t want my stupid heart,” he said. “If I were you, I wouldn’t take me back either, because I’m not always a fan of Luca Lowell. He doesn’t always do the right thing.” “Don’t say that.” “It’s true. If I hadn’t gotten backed into by a truck last night and hadn’t gone to the hospital, I don’t know if you ever would have brought me back to your house. Back into your life.” “My tiny house, and my tiny life.” He shrugged. “It’s big enough for me.” He stretched out on the sectional. “You’ll have a hard time kicking me out again.” “Luca, I can’t make you any promises.” “Yes, you can. You can promise to give me a second chance the next time I screw up.” “You didn’t screw up. I did. I’m the one who kicked you out.” “Then I’ll give you a second chance. I won’t be a chicken and take the alley to work so I don’t run into you.” “You did that?” “Only for about a week, until your sister busted me sneaking through the alley like a burglar, and tore me a new one.” He rubbed his beard. “You know, now that I’m thinking over my conversations with her, it’s all making sense. She must have thought Chris’s wife was my girlfriend. The two of them stop by the garage a lot, but not always together. I thought your sister was being—well, you know how she is—but now I think I understand what was really going on.” Tina looked down at the heart in her palm then at Luca. She closed her fingers around the charm. “Don’t worry,” she said. “I’m not going to drop it again.” There was a scratch at the door. Luca rolled himself along the couch, reached out with one long arm, and opened the door. Muffins strolled in like he owned the place. Luca exclaimed, “Kitty!” Muffins jumped up on the couch and started sniffing Luca’s cast. Then he meowed about dinner. Luca picked the cat up gently and held him like a baby. “You are a cutie patootie,” he said, then he cleared his throat and said gruffly, “Yes, uh. This is a healthy cat specimen. A strong hunter. I can tell by his, uh, ample midsection.” Tina said, “That’s some pretty impressive baby talk for a big, tough guy like you.” “Big, tough guys have feelings, too,” Luca said. “And they like cats.
Angie Pepper (Romancing the Complicated Girl (Baker Street Romance #2))
I’m a happy little alley cat, toasty and dry.
Emily Hepditch (Alone on the Trail)
Young dancers have a beautiful, strong, flexible, and resilient body. And they have the fire of hope in their heart. However, the fire can be a bit feral like a young alley cat. It can go everywhere, in all directions, willy-nilly. It can turn all claws and spitting or it can get nervous and run away. It pretends things that aren’t true and is afraid of showing what is true. The older cat bides his time. He has patience. He pulls the fire inside and lets it smoulder. He doesn’t waste his energy on fights not worth the battle or where the casualties would be greater than the goal. He owns his failures like scars that say it would be wise to take him seriously. He is not ashamed of his loves. He values his spirit and lets it grow. It’s in the eyes. The body may move less but it has presence and a power of a different sort. It is authentic.
Donna Goddard (Love's Longing)
Now thirteen and ferociously bright, she showed the stubbornness of an ox and the indifference of an alley cat.
Shulem Deen (All Who Go Do Not Return)
Mr White and Mr Pink have a very ungraceful and realistic fight. They go at each other like a couple of alley cats.
Quentin Tarantino (Reservoir Dogs & True Romance)
Dashing by Maisie Aletha Smikle On my farm I keep a firearm The deer I charm And then disarm To feed my family venison And stay away from medicine Sheep so sweet We love to eat Young lambs we chop To get lamb chops Pigs in wigs Dished their wigs to do a jig Pigs skinny dip Floated and strip So turkey chicken and rabbit May be covered with bacon strips Cows roaming in the valleys Cats left in the Alleys Bring the cows It's time to chow Beef for steak Make no mistake Mince it grind it chop it We must have it We plant dashene To cook and steam To feed the animals so they keep lean Fit and ready to consume Eat we must Or we'd be dust Knead the dough for the pie crust Get the pan it will not rust We will dine Without wine We will roast eat then toast Thanking God that He is our Host
Maisie Aletha Smikle
His next attempt turned out exactly like the others. As did the one after that. He could paint nothing but the cat-beast and the snarling woman. Bitter and depressed, he welcomed his wife’s scoldings. He deserved them; he was a failure. He carried his failings to a nameless alley. He entered a nameless establishment where neither beauty nor virtue were to be found—just cheap wine, which he slung down his throat until he could see nothing clearly, until everything inside and outside his head was a tilting carousel, spinning around in a blear of colors and textures. He had to dull his senses, had to keep himself from envisioning the cat-beast and its female companion.
Frank Beddor (Seeing Redd (The Looking Glass Wars, #2))
She’d tell me, “Men ain’t what but old alley cats looking for to spray they scent.” She’d hold up three fingers to me and say, “Only have three things on they mind. One, they stomach. Gotta fill him up. Two, they talliwacker. Got to let him have he way. Three, they money. Don’t want to give nothing ’less they’s getting something back. That’s all, chile, that’s all. Don’t expect much and you ain’t gone be disappoint.
Dorothea Benton Frank (Sullivan's Island (Lowcountry Tales #1))
They used to play high school football together. CJ, a burly Samoan with long, curly hair, had been a decent nose tackle and earned a few letters from Division III schools, nothing like the recruitment packets and personal visits Luke had received. Still, they’d both ended up here, in an alley that smelled like wet garbage and sea air and cat piss.
Brit Bennett (The Mothers)
A pair of enormous purple toads sat gulping wetly and feasting on dead blowflies. A gigantic tortoise with a jewel-encrusted shell was glittering near the window. Poisonous orange snails were oozing slowly up the side of their glass tank, and a fat white rabbit kept changing into a silk top hat and back again with a loud popping noise. Then there were cats of every color, a noisy cage of ravens, a basket of funny custard-colored furballs that were humming loudly, and on the counter, a vast cage of sleek black rats that were playing some sort of skipping game using their long, bald tails.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
The alley cats from my youth had nothing on this wild, psychotic kid.
Kevin Wilson
As a kid, I'd had a lot of experience getting alley cats to trust me. I didn't do much with their trust, just gave them some scraps of food and light petting; it was all about getting them to come to me. I thought kids weren't much different from cats.
Kevin Wilson
Oh!’ cried the shrinking woman, shrinking a bit more, and the spectacle was too much for Percy. All this while he had been sitting tensely where he sat, giving the impression of something stuffed by a good taxidermist, but now, moved by a mother’s distress, he rose rather in the manner of one about to reply to the toast of The Ladies. He was looking a little like a cat in a strange alley which is momentarily expecting a half-brick in the short ribs, but his voice, though low, was firm.
P.G. Wodehouse (Jeeves and the Feudal Spirit (Jeeves, #11))