Shuffle Dance Quotes

Did you know that she was cyborg?” asked a woman in an unhidden tone of disgust. Kai stared at her, appearing confused, then let his gaze dance over the crowd. He shuffled his feet closer to the podium, a wrinkle forming on the bridge of his nose. Cinder bit the inside of her cheek and braced herself for adamant disgust. Who would ever invite a cyborg to the ball? But instead, Kai said simply, “I don’t see that her being cyborg is relevant. Next question?” Cinder’s metal fingers jolted.

It’s said that the shuffling of the cards is the earth, and the pattering of the cards is the rain, and the beating of the cards is the wind, and the pointing of the cards is the fire. That’s of the four suits. But the Greater Trumps, it’s said, are the meaning of all process and the measure of the everlasting dance.

You must find a place on a woman's body and live there. In the dark, the noise far away, Sam ran his hands over Calliope's body and the world of work and worry seemed to move away. He found two depressions at the bottom of her back where sunlight collected, and he lived there, out of the wind and noise. He grew old there, died and ascended to the Great Spirit, found heaven in her cheek on his chest, the warm wind of her breath across his stomach carried sweet grass and sage, and... In another lifetime he had lived on the soft skin under her right breast, his lips riding light over the ridge and valley of every rib, shuffling through downy, dew damp hairs like a child dancing through autumn leaves. In the mountain of her breast, he fasted at the medicine wheel of her aureole, received a vision that he and she were steam people, mingled wet with no skin seperating them. And there he lived, happy. She followed, traveled, lived with him and in him as he was in her. They lived lifetimes and slept and dreamed together. It was swell.

In later life, wherever I went, I always looked for the women of Troy who'd been scattered all over the Greek world. That skinny old woman with brown-spotted hands shuffling to answer her master's door, can that really be Queen Hecuba, who, as a young and beautiful girl, newly married, had led the dancing in King Priam's hall? Or that girl in the torn and shabby dress, hurrying to fetch water from the well, can that be one of Priam's daughters? Or the ageing concubine, face paint flaking over the wrinkles in her skin, can that really be Andromache, who once, as Hector's wife, stood proudly on the battlements of Troy with her baby son in her arms?

Rachel got up and did this happy little shuffle, like she was some cheerful farmer chick who'd just stepped outside to find the hick she was in love with coming up the road with a calf under his arm or whatever. Why was she dancing? No reason. Just alive, I guess.

the old man dance, where I tense up, shuffle my feet intermittently, complain about the music volume, and sit down for a rest.

There’s nothing to be scared of.” Instead of taking Charlie’s pulse – there was really no point – he took one of the old man’s hands in his. He saw Charlie’s wife pulling down a shade in the bedroom, wearing nothing but the slip of Belgian lace he’d bought her for their first anniversary; saw how the ponytail swung over one shoulder when she turned to look at him, her face lit in a smile that was all yes. He saw a Farmall tractor with a striped umbrella raised over the seat. He smelled bacon and heard Frank Sinatra singing ‘Come Fly with Me’ from a cracked Motorola radio sitting on a worktable littered with tools. He saw a hubcap full of rain reflecting a red barn. He tasted blueberries and gutted a deer and fished in some distant lake whose surface was dappled by steady autumn rain. He was sixty, dancing with his wife in the American Legion hall. He was thirty, splitting wood. He was five, wearing shorts and pulling a red wagon. Then the pictures blurred together, the way cards do when they’re shuffled in the hands of an expert, and the wind was blowing big snow down from the mountains, and in here was the silence and Azzie’s solemn watching eyes.

When nine-and-ninety hostages had shuffled by them to pass beneath the Wall, Tormund Giantsbane produced the last one. “My son Dryn. You’ll see he’s well taken care of, crow, or I’ll cook your black liver up and eat it.

The tears stung my nose as the flames licked Mahyah’s body then I froze as my eyes caught on something, lifted to the sky and my breath stuck in my throat as I heard gasps all around, felt the astonished shuffling of bodies and Diandra’s hand came to mine and held tight. This was because, as the flames danced high, arching through the sky over the pyre, there was a brilliant, perfect rainbow.

The song “Dream a Little Dream of Me” comes on Tariq’s playlist, which makes Harry think of the movie Beautiful Thing, as Tariq no doubt knew it would. Harry can feel Craig smile under his lips, and knows he must be sharing the same thought. As confirmation, Harry feels Craig’s finger on his back, tracing the letter B, then T. They start to shuffle and slow-dance. It feels good to move their legs.

Every time they shuffled forward another place, the bells on their collars tinkled brightly. Such a happy sound, it makes me want to scoop out someone’s eyeballs with a spoon.

Sandra knew how to handle herself, whether dealing with the kitchen staff or the impetuous attentions of customers. Dancing at the Apollo was a tutorial in the male animal, after all.

Reacher prowled the hallway, his gun stiff-armed way out in front of him, his torso jerking violently left and right from the hips, like a crazy disco dance. The house-storming shuffle.

His feeling for the South was not so much historic as it was of the core and desire of dark romanticism--that unlimited and inexplicable drunkenness, the magnetism of some men's blood that takes them into the heart of the heat, and beyond that, into the polar and emerald cold of the South as swiftly as it took the heart of that incomparable romanticist who wrote The Rime of the Ancient Mariner, beyond which there is nothing. And this desire of his was unquestionably enhanced by all he had read and visioned, by the romantic halo that his school history cast over the section, by the whole fantastic distortion of that period where people were said to live in "mansions," and slavery was a benevolent institution, conducted to a constant banjo-strumming, the strewn largesses of the colonel and the shuffle-dance of his happy dependents, where all women were pure, gentle, and beautiful, all men chivalrous and brave, and the Rebel horde a company of swagger, death-mocking cavaliers. Years later, when he could no longer think of the barren spiritual wilderness, the hostile and murderous intrenchment against all new life--when their cheap mythology, their legend of the charm of their manner, the aristocratic culture of their lives, the quaint sweetness of their drawl, made him writhe--when he could think of no return to their life and its swarming superstition without weariness and horror, so great was his fear of the legend, his fear of their antagonism, that he still pretended the most fanatic devotion to them, excusing his Northern residence on grounds of necessity rather than desire.

Amelia was jumping up and down, panting and waving her hands in the air as if she were fanning a fire in her mouth... When Amelia finally leaned against the Jeep and sighed, Rick let out a little chuckle. "I didn't know you could dance so well, sweetie. You'll have to teach me that step. What do you call it? The Habanero Shuffle?

She didn’t know how he found the time, but Luxion did a little bit of a trot-shuffle-dance, then bounded over to the dragon’s back paw that was nearly bigger than his whole body. Once the creature lifted it, trying to regain his balance, Luxion hocked up another gob right onto Julius’s pad. “Perfect!” “What are you doing to my dragon? That’s gross!

It isn’t just that I loved growing up in the city—it’s that every time I see kids sleepily shuffling along en masse at the Met, or setting their boom box down on the train to break-dance for tips, or standing in awe in front of a world-class violinist playing beneath Rockefeller Center, I think, How amazing it is to be a part of this, to get to share this place with all these people.

Enough of the lessons,” Mauvin said, clearly irritated at being the illustration of a fencing mistake. “Let’s show him a real demonstration.” “Looking for a rematch?” Hadrian asked. “Curious if it was luck.” Hadrian smiled and muttered, “Pickerings.” He took off his shirt and, wiping his face and hands, threw it on the grass and raised his sword to ready position. Mauvin lunged and immediately the two began to fight. The swords sang as they cut the air so fast their movements blurred. Hadrian and Mauvin danced around on the balls of their feet, shuffling in the dirt so briskly that a small cloud rose to knee height. “By Mar!” the old farmer exclaimed. Then abruptly they stopped, both panting from the exertion. Mauvin glared at Hadrian with a look that was both amazed and irritated. “You’re playing with me.” “I thought that was the point. You don’t really want me to kill you?” “Well no, but—well, like he said—by Mar! I’ve never seen anyone fight like you do; you’re amazing.” “I thought you both were pretty amazing,” Theron remarked. “I’ve never seen anything like that.

Lately, with Thomas not working and Kamala trying her hand at puff pastry, there was almost always someone around, someone shuffling below and making it feel like even if they weren’t quite in sync, they were a team of sorts, a little tight unit. Now, with Sanji on her way to the hospital, Amina was alone with the unease of having brought the others into the mix. It wasn’t that she doubted their love or intentions, but the weight of that love would be no small thing. What would they do with everyone else’s worry on top of their own? Thomas did not weather other people’s concern well. He was not going to be happy with her.

As already suggested, when the individual first learns who it is that he must now accept a his own, he is likely, at the very least, to feel some ambivalence; for these others will not only be patently stigmatized, and thus not like the normal person he knows himself to be, but ma also have other attributes with which he finds it difficult to associate himself. What may end up as a freemasonry may begin with a shudder. A newly blind girl on a visit to The Lighthouse [probably the Chicago Lighthouse, one of the oldest social service agencies in Chicago serving the blind or visually impaired] directly from leaving the hospital provides an illustration: „My questions about a guide dog were politely turned aside. Another sighted worker took me in tow to show me around. We visited the Braille library; the classrooms; the clubrooms where the blind members of the music and dramatic groups meet; the recreation hall where on festive occasion the blind play together; the cafeteria, where all the blind gather to eat together; the huge workshops where the blind earn a subsistence income by making mops and brooms, weaving rugs, caning chairs. As we moved from room to room, I could hear the shuffling of feet, the muted voices, the tap-tap-tapping of canes. Here was the safe, segregated world of the sightless — a completely different world, I was assured by the social worker, from the one I had just left…. I was expected to join this world. To give up my profession and to earn my living making mops. The Lighthouse would be happy to teach me how to make mops. I was to spend the rest of my life making mops with other blind people, eating with other blind people, dancing with other blind people. I became nauseated with fear, as the picture grew in my mind. Never had I come upon such destructive segregation.“ (p.37)

The light was grainy, dusty; it looked like the Milky Way had spread from the top of the sky all down the west, and the tented shapes of the mountains were huge and satin black against it, and the ridgeline trees made a filigree of onyx. The wind had increased but not cooled; the promise of full summer was in it. And when Dr. Barcroft turned from the west to look again at the house, he was hardly surprised to see that it had begun to turn like a wheel upon a vertical axle as the silhouettes of the dancers raced past window after window. It was as if their dancing, the female slide and shuffle, the masculine drum and thunder, propelled the house behind them; it had become a merry-go-round, turning steadily and stately as the music went just a little bit faster, just a little more, and he could tell there were furies in it, whirlwinds and cyclones and hurricanes that Quigley's fiddle barely held in check, that his calling could barely control.

When their brother-in-law turned toward them at the sound,Lisa breathed with horror, "But you're dead." Her head swiveled to Christiana. "Wasn't he dead, Chrissy? We packed ice around him and everything." "The ice must have revived his cold dead heart," Suzette said, anger helping her recover quickly from her shock. Glaring at the man, she added a dry but heartfelt, "More's the pity." If Dicky looked surprised by her comments, Christiana looked absolutely horrified. "Suzette!" she gasped, shuffling a little closer as if to phsyically silence her if Suzette tried to make another such comment. "Perhaps we should go out for some air. Lisa looks ready to faint and you, Suzie, obviously need some time to cool yourself. Perhaps so much dancing has overheated you." Suzette was about to snort at the suggestion that dancing had brought about her bitter words when her arm was suddenly taken in a firm grip and the words "Allow me" rang in her ears. Glancing around with a start, she frowned at the man who had suddenly appeared out of seemingly thin air and stepped between her and Lisa, taking both of them in hand like recalcitrant children. He was already turning them firmly away from Christiana and Dicky as he added, "I shall see the ladies outside so the two of you might talk.

The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!

Jamie was sidling cautiously up along one side of the mare, who was watching his approach with considerable suspicion. He placed his one free arm lightly on her back, talking softly, ready to pull back if the mare objected. She rolled her eyes and snorted, but didn’t move. Moving slowly, he leaned across the blanket, still muttering to the mare, and very gradually rested his weight on her back. She reared slightly and shuffled, but he persisted, raising his voice just a trifle. Just then the mare turned her head and saw me and the boy approaching. Scenting some threat, she reared, whinnying, and swung to face us, crushing Jamie against the paddock fence. Snorting and bucking, she leapt and kicked against the restraining tether. Jamie rolled under the fence, out of the way of the flailing hooves. He rose painfully to his feet, swearing in Gaelic, and turned to see what had caused this setback to his work. When he saw who it was, his thunderous expression changed at once to one of courteous welcome, though I gathered our appearance was still not as opportune as might have been wished. The basket of lunch, thoughtfully provided by Mrs. Fitz, who did in fact know young men, did a good deal to restore his temper. “Ahh, settle then, ye blasted beastie,” he remarked to the mare, still snorting and dancing on her tether.

The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's. Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!' Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles. And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.

Muhammad Ali has a lot to answer for. When he lit the flame at the Atlanta Olympics there wasn't a dry eye on the planet. Why were we crying? Because a great sportsman had been reduced to this-a shuffling, mumbling, twitching cripple. A man who once danced like a butterfly now shook like blancmange. We always remember sportsmen. When the body deserts a scientist like Stephan Hawking we figure that he'll be able to live in his mind, but a crippled athlete is like a bird with a broken wing. When you soar the heights the landing is harder.

COLD DEFINITION: a sudden or ongoing exposure to uncomfortably low temperatures PHYSICAL SIGNALS: Shivering Blue lips Yawning Eyes that tear up Chattering teeth Tingling extremities Stuttering speech Skin that’s uncomfortably cold to the touch Dry, cracked lips A stiff jaw that makes speech difficult Numbness in one’s extremities A burning sensation in the skin Clumsiness Slow, shallow breaths Lips that tremble Poor dexterity or increased clumsiness Wrapping the arms around the torso Jumping, shuffling, or dancing to get the blood flowing Clapping one’s hands or stamping one’s feet Shoving the hands deep into the pockets Red and swollen patches on the skin (chilblains) Pulling the limbs tightly into the core Slurred speech Rubbing one’s hands together Tucking one’s hands into one’s armpits Pulling a collar or scarf up over the face Huddling inside a jacket Rounded shoulders, the chin dropped down to the chest Cringing and squeezing one’s eyes shut Turning one’s back to the wind or source of cold Pulling down one’s sleeves to cover the hands Curling and uncurling one’s toes to get the blood flowing Rubbing one’s legs; using friction to create warmth Quivering breaths Slapping oneself Shaking out the arms and legs Flexing the fingers Taking deep breaths in an effort to wake up Curling into a ball; making oneself small Sharing body heat with others Blowing into cupped hands to warm them INTERNAL SENSATIONS: Low energy Fatigue or drowsiness The feeling of even one’s insides being cold A weakened pulse Nausea Loss of appetite A burning sensation in the lungs when inhaling A voice that loses strength MENTAL RESPONSES: Confusion Muddled thinking Impaired decision-making A desire to sleep Apathy CUES OF ACUTE OR LONG-TERM COLD EXPOSURE: Frostbite Hypothermia Gangrene Limb amputation Coma Heart failure Death WRITER’S TIP: Emotional attitude makes a difference when dealing with the cold. A person who can maintain mental acuity and focus will withstand the elements much better than someone whose mental condition is compromised by negativity. Return to the Table of Contents

At weekends we went to Jewish parties, where Jewish teenagers shuffled past Jewish bouncers and drank Jewish fizzy drinks and danced to drum ’n’ bass, waiting for the drop like accountants waiting for April.

The theme of music making the dancer dance turns up everywhere in Astaire’s work. It is his most fundamental creative impulse. Following this theme also helps connect Astaire to trends in popular music and jazz, highlighting his desire to meet the changing tastes of his audience. His comic partner dance with Marjorie Reynolds to the Irving Berlin song “I Can’t Tell a Lie” in Holiday Inn (1942) provides a revealing example. Performed in eighteenth-century costumes and wigs for a Washington’s birthday–themed floor show, the dance is built around abrupt musical shifts between the light classical sound of flute, strings, and harpsichord and four contrasting popular music styles played on the soundtrack by Bob Crosby and His Orchestra, a popular dance band. Moderate swing, a bluesy trumpet shuffle, hot flag-waving swing, and the Conga take turns interrupting what would have been a graceful, if effete, gavotte. The script supervisor heard these contrasts on the set during filming to playback. In her notes, she used commonplace musical terms to describe the action: “going through routine to La Conga music, then music changing back and forth from minuet to jazz—cutting as he holds her hand and she whirls doing minuet.”13 Astaire and Reynolds play professional dancers who are expected to respond correctly and instantaneously to the musical cues being given by the band. In an era when variety was a hallmark of popular music, different dance rhythms and tempos cued different dances. Competency on the dance floor meant a working knowledge of different dance styles and the ability to match these moves to the shifting musical program of the bands that played in ballrooms large and small. The constant stylistic shifts in “I Can’t Tell a Lie” are all to the popular music point. The joke isn’t only that the classical-sounding music that matches the couple’s costumes keeps being interrupted by pop sounds; it’s that the interruptions reference real varieties of popular music heard everywhere outside the movie theaters where Holiday Inn first played to capacity audiences. The routine runs through a veritable catalog of popular dance music circa 1942. The brief bit of Conga was a particularly poignant joke at the time. A huge hit in the late 1930s, the Conga during the war became an invitation to controlled mayhem, a crazy release of energy in a time of crisis when the dance floor was an important place of escape. A regular feature at servicemen’s canteens, the Conga was an old novelty dance everybody knew, so its intrusion into “I Can’t Tell a Lie” can perhaps be imagined as something like hearing the mid-1990s hit “Macarena” after the 2001 terrorist attacks—old party music echoing from a less complicated time.14 If today we miss these finer points, in 1942 audiences—who flocked to this movie—certainly got them all. “I Can’t Tell a Lie” was funnier then, and for specifically musical reasons that had everything to do with the larger world of popular music and dance. As subsequent chapters will demonstrate, many such musical jokes or references can be recovered by listening to Astaire’s films in the context of the popular music marketplace.

God's Grand Weather Machine by Stewart Stafford Some say: 'Send storm clouds back to sender; Into God's omnipotent weather machine.' Let them come, I say, and cleanse me, Reborn for the second time as a teen. Improvising with nature's gifted props; Perspective in motion, despite the scene, To go without sleep for fear of nightmares? Insomniac strike - we're dreamers, not the dream. Skies beyond our grasp caress down; As raindrop punctuation marks careen, Spin your watery partner on the floor, Absent of weather critics venting spleen. Thunderous applause greets our every move, Hoping lightning's ovation strikes the forest trees. We shuffle and shimmy as sky spray slicks steps, Dancing to judges' scorecards of degrees. © 2024, Stewart Stafford. All rights reserved.

It’s okay.” Lucas took a chair. “You need somebody killed?” “Several people, but I’d hesitate to ask, at least here in the office, on the Lord’s Day,” the governor said. He gave the papers a last shuffle, set them aside, pressed a button on a box on his desk, and said, “Get in here,” and asked Lucas, “You’ve been reading about Porter Smalls?” “Yeah. You guys must be dancing in the aisles,” Lucas said.

We have come to be danced not the pretty dance not the pretty pretty, pick me, pick me dance but the claw our way back into the belly of the sacred, sensual animal dance the unhinged, unplugged, cat is out of its box dance the holding the precious moment in the palms of our hands and feet dance We have come to be danced not the jiffy booby, shake your booty for him dance but the wring the sadness from our skin dance the blow the chip off our shoulder dance the slap the apology from our posture dance We have come to be danced not the monkey see, monkey do dance one, two dance like you one two three, dance like me dance but the grave robber, tomb stalker tearing scabs & scars open dance the rub the rhythm raw against our souls dance WE have come to be danced not the nice invisible, self conscious shuffle but the matted hair flying, voodoo mama shaman shakin’ ancient bones dance the strip us from our casings, return our wings sharpen our claws & tongues dance the shed dead cells and slip into the luminous skin of love dance We have come to be danced not the hold our breath and wallow in the shallow end of the floor dance but the meeting of the trinity: the body, breath & beat dance the shout hallelujah from the top of our thighs dance the mother may I? yes you may take 10 giant leaps dance the Olly Olly Oxen Free Free Free dance the everyone can come to our heaven dance We have come to be danced where the kingdom’s collide in the cathedral of flesh to burn back into the light to unravel, to play, to fly, to pray to root in skin sanctuary We have come to be danced WE HAVE COME

Do you want to dance with me, Miss Millie?” Shaking out of her thoughts, Millie grinned down at Thaddeus, who was holding his little arm out to her. Unable to resist his sweet offer, she bent down and took the arm, laughing in delight as they shuffled around the terrace, completely at odds with the beats of the music pouring out of the windows, but having a grand time nevertheless. “Someone

When Jack turned from Mel, Rick took one look at the storm gathering on Jack’s face, the way he clenched his fists open and closed, and stepped out of his way. Jack walked over to Lassiter and stuck out a hand to assist him in standing. “Good thing you stopped him,” Lassiter said, putting out his hand for assistance. “I’d have had his ass.” Jack pulled him to his feet with a snarl, and once he was upright, threw a punch into his face that blew him across the street four feet. He walked the few feet and stood over Lassiter, looking down at him. “Now you gonna have mine?” he asked. Lassiter looked up at him, blood immediately spurting from his nose. “What the hell...?” He got clumsily to his feet and faced off with Jack, his fists up as a boxer would do. He shuffled his feet a little, dancing, ready to land a blow with a closed fist. Jack actually laughed, completely loose, relaxed. “You’re kidding me, right?” he said. He wiggled his fingers. “Come on.” Lassiter came at him, then retreated suddenly, whirled in a crouch and came up with a high kick aimed at Jack’s head. But Jack stopped the assault of Lassiter’s foot with a fast hand that grabbed his ankle. Jack yanked hard and Lassiter landed on his back, his ankle still in Jack’s grip. “What you going to do, buddy? Kick me?” “Let go!” Jack dropped the leg and reached down to pull him to his feet by the front of his expensive shirt. He threw a punch into his gut, doubling Lassiter over. Then another one to his face, reeling him backward onto the ground. At

Although Afghans virulently opposed homosexuality, the segregation of the sexes had led to certain practices, especially in the Pashtun areas. Kandahar was known for older men sexually using teenage boys, usually to show off prestige and power. At weddings, at festive occasions, at male-only parties, dancing boys would often perform, wearing eyeliner and swinging their hips suggestively, before pairing off for the night. The practice was known as bacha bazi, or “boy play.” A Pashto proverb maintained that women were for breeding, boys for pleasure, but melons for sheer delight.

How did you learn to ballroom dance? That’s quite an accomplishment for a boy your age.” “My mom taught me.” He glanced at her. The anger had faded from his eyes. “I’m pretty good.” “I’m not surprised.” She liked the way he’d perked up. It was good to see his confidence emerging. Too bad he couldn’t showcase his talent for tomorrow’s audience. She was certain it would be beneficial. “Is there anything else you could do for the show? What other talents do you have?” Max shrugged. “Nothing, really.” His feet shuffled under the table. “’Cept being a goalie and building boat models, but I can’t do those for a talent show.” “Is there some other kind of dance you could do?” “It’s too late to come up with a new dance. The show’s tomorrow. Besides, it’s for a parent and their child.” His eyes pulled down at the corners, and he ducked his head. “I wish I could help, but I don’t know how to ballroom dance. I guess it wouldn’t be the same without your mom anyway.” His head lifted. Hope sparkled in his eyes. “You could learn.” “Oh, I—I think it would take longer than a day, Max.” Meridith laughed uneasily. “Especially for me.” His head and shoulders seemed to sink. “I guess you’re right. I only know how to lead, and I don’t know how to teach it.” “I know how.” Jake appeared in the doorway, filling it with his broad shoulders and tall frame. “Didn’t mean to eavesdrop.” “He could teach you!” Max’s eyes widened. He looked back and forth between Jake and Meridith. “Oh,” Meridith said, “We couldn’t ask—” “I’m offering,” Jake said. “I can be here bright and early tomorrow morning.” Max’s dimple hollowed his cheek. “No, I—you don’t understand, the show’s tomorrow night, and I’m a bad dancer.” Jake leaned against the doorframe, crossed his arms. “You said you wanted to help.” “Well, I do, but I don’t see how—you know how to ballroom dance?” The notion suddenly struck her as unlikely. “I can do more than swing a hammer.” “I didn’t mean—” “So you’ll do it?” Max bounced on the chair. She hadn’t seen him this excited since she’d arrived. She looked at Jake. At his wide shoulders, thick arms, sturdy calloused hands. She remembered the look in his eyes just minutes ago and imagined herself trapped in the confines of his embrace for as long as it took her to learn the dance. Which would be about, oh, a few years. “And why would you do this?” It wasn’t as if he owed her anything. Unless he was punching the time clock on the lessons. “Let’s just say I was picked on a time or two myself.” Max rubbed his hands together. “Toby and Travis, eat your heart out!” “Now, hold on. We already missed dress rehearsals. I don’t know if Mrs. Wilcox will let us slip in last minute.” “Call her,” Jake said. He had all the answers, didn’t he? She spared him a scowl as she slid past on her way to the phone. “Hi, Mrs. Wilcox? This is Meridith Ward again.” She looked over her shoulder. Max waited, Jake standing behind him, thumbs hooked in his jeans pockets, looking all smug. “I was wondering. If Max can get a replacement for the dance, could he still participate?” Please say no. “I know he’s missing dress rehearsals and—” “That would be no problem whatsoever.” Mrs. Wilcox sounded delighted. “We’d fit him in and be glad to have him. Have you found him another partner?” “Uh, looks like we have.” She thanked Mrs. Wilcox and hung up, then turned to face a hopeful Max. “What did she say?” he asked. Meridith swallowed hard. “She said they could work you back into the schedule.” She cast Jake a plea. “But I don’t know if I can do this. I wasn’t kidding, I have no rhythm whatsoever.” “Look at the kid. You can’t say no to that.” Max was grinning from ear to ear. It was Meridith’s shoulders that slunk now. Heaven help her. She winced and forced the words. “All right. I’ll do it.” Max let out a whoop and threw his arms around her.

That’s it,” Rachel whispered, a horrified look on her beautiful face. “This is where I die. In a furniture store the size of freakin’ Costco!” She shuffled off after the saleswoman and I quickly caught up to her side. When I got there, her psychotic-Barbie look was back. “Did you know the leather couches we’re about to look at have a warranty for ten years? No cracks!” “Oh, well in that case, I have to buy these. Right?” “Of course.” She got oddly silent as we followed along and out of nowhere started dancing all crazy and lip-syncing to the song playing throughout the store. I stopped, my eyes going wide as I watched her. As soon as the chorus ended she stopped, and just in time, since our saleswoman had turned to see why we weren’t with her. “Y’all coming?” “Yes, ma’am!” Rachel answered since I was still looking at her with my jaw dropped. Her serene expression began cracking and she bit down on her bottom lip to keep from laughing. Glancing over at me, she gave me a soft nudge and winked before walking over to the next living room set, leaving me staring after her before I burst out laughing. Damn, I’m pretty sure I just fell in love with Rachel Masters.   R

Try something for me, Genevieve.” “We need to find some toys,” she said as if she hadn’t heard him. “The boys will be here directly, and if we don’t entertain them, they’ll entertain themselves.” Dreadful thought. “This won’t take but a moment. I want you to curse.” Not only were her arms crossed, but she’d drawn herself up, aligned herself with some invisible, invincible posture board such as Helen of Troy might have relied upon to get all those ships launched in a single day. “I beg your pardon?” “Curse. Call him your blasted, damned cat.” Her brows knitted, making her look like one of Kesmore’s daughters. “I love Timothy.” “Of course you do.” Lucky cat. “But you do not love having to rely on his good offices for your candlelit sketches.” He prowled closer. “You do not love being shuffled about from family member to family member.” Another step, so he was almost nose to nose with her. “I daresay you do not love baking.” “I rather don’t.” He unwrapped her arms and kept her hands in his. “Genevieve.” “I do not enjoy baking in the least.” He waited, certain if he were patient, she’d rise to the challenge. The corners of her mouth quivered. “I perishing hate all the mess and heat.” “Of course you do.” “It’s a dashed nuisance, and one gets sticky.” A smile started, turning up her lips, lighting her eyes. “How sticky? “Blasted, damned sticky.” “Say it again.” She beamed at him. “Perishing, blasted, damned, damned sticky.” He wrapped his arms around her. “Well done. You must curse for me more often, Genevieve. It makes your eyes dance.” And her cursing made him happy too. As she hugged him back, it occurred to Elijah that Christmas was touted as the season for giving, though in recent years, the occasion hadn’t arisen for him to do much of that. He’d give to her. He’d give her a safe place to curse, a place to draw as she pleased, and some kisses. If he counted his approval of the mistletoe tradition, that was two holiday sentiments in one morning. Elijah

Beams of blue light lanced out into the corridor, moving and dancing as indistinct shapes shuffled through the blinding brilliance inside the room. The light was misty and actinic, the sort of light to make Steven Spielberg reach for his copyright lawyer.

those in the body of the hall danced. There seemed to be thousands of them. Littlejohn had never seen anything like it. From his viewpoint it looked as if you couldn’t throw a penny between any pair. Shuffling languidly, many hardly moving, but just rolling and swaying, others with heads askew and buried deep in their shoulders and with hindquarters rhythmically rotating, this great amorphous mass looked like the contents of a drop of pond water viewed under a microscope. Twirling, wriggling, revolving or oozing dreamily. A shot from a René Clair camera, showing heads going round and round.

She watched the people politely shuffling around the dance floor. It was a sad fact that the rich and titled of the world tended to dance like well-dressed broomsticks. Upright, uptight, and sweeping others out of their path.

I only want twelve dancers. Some of you are going to be disappointed. Two lines, please. Give me a double shuffle. Two quick taps left and right. A pirouette, a buck and wing and sixteen front kicks in unison. Turn on the last count and tap back stage, then come up arm in arm kicking left and right. Okay?

They were dancing in the social room. A record player shuffled a few simple chords violently together, then dealt them out with heavy emphasis.

Charleston Charlie dances while the small negro [sic] fiddles and the animal nods his approval.” Others, such as “Chicken Snatcher,” reflected the virulent racism and racial stereotypes of the age. According to the toy’s description, “the scared looking negro [sic] shuffles along with a chicken dangling in his hand and a dog hanging on the seat of his pants. Very funny action toy which will delight the kiddies.”4

The moon was a crescent, thin and sharp as the blade of a knife. A pale sun rose and set and rose again. Red leaves whispered in the wind. Dark clouds filled the skies and turned to storms. Lightning flashed and thunder rumbled, and dead men with black hands and bright blue eyes shuffled round a cleft in the hillside but could not enter. Under the hill, the broken. boy sat upon a weirwood throne, listening to whispers in the dark as ravens walked up and down his arms.

I can always find someone to go out with, and then you can take off with Luigi--” “Shh!” Kendra hisses. “Don’t ever say his name!” “Sorry!” Paige is contrite. “He says Catia would go mad if she knew,” Kendra whispers. Squashed beside me, I feel Kelly’s head nodding in vigorous agreement at this. “Oh, she totally would,” Paige agrees. “And we have to be really careful around Evan, too. He’d go crazy.” “It’s so unfair!” Kendra laments. “Just because he’s a bit older! Why can’t people understand? I don’t want to date boys my own age!” “I’ll totally help,” Paige assures her enthusiastically. “Hey!” cuts in a deeper voice, and I can hear the two girls start, their feet shuffling, their dresses rustling, at the interruption. “Ev!” Paige says quickly. “What’s up?” “I’m hiding out,” her brother says. “There’s this, um--lady, who--” “Omigod, I know!” Paige says in a happy rush. She’s having a fantastic evening; so much drama she doesn’t have time to keep up with it all. “She was, like, all over you!” “She said she feels much more at home with all us young people,” Evan recounts, sounding very uncomfortable. “She said her husband was really boring and everyone inside was really old--” “She’s really old!” Paige exclaims. “It was pretty embarrassing,” he says. “I mean, she made me waltz with her and she was kind of rubbing my arm and talking about my muscles.” “Cougar bait!” Paige trills. She giggles. “I bet you’d rather’ve been dancing with Violet, right? Did you head in this direction ’cause Violet came this way?” Evan mumbles something unintelligible.

We’re all damaged. It’s a universal component of the human condition, like the stages of grief, déjà vu, and expired coupons.” –Tim Dorsey, Nuclear Jellyfish

A good dancer will not stop at preambles; he will go the whole hog. He will bubble and wobble, grove and move, gyrate and gravitate, wriggle and jiggle, oscillate and palpitate, tumble and shuffle.

As she rounded the corner and started down the aisle of the Primrose Courtyard, her heartbeat picked up. Playing hockey and dancing half-naked at NHL games never fazed her. Having all of Miranda and Ben’s friends and family stare at her as she walked at a snail’s pace in a pageant gown made her mouth go dry and her heart try to shuffle off to Buffalo.

Somewhere someone's uncle or father, a man wearing sandals and khaki shorts who says "back in my day" far too often, is on the grill. He is watching the food like he's afraid it'll change its mind about being a meal and decide to run off when no one's looking. The kids are playing a game that they made up themselves and changing the rules every five minutes. Their smiles are so big, you can fit history inside of them and still have room for right now and the future. The adults hate all the new music, but still want the teenagers to teach them the dances. The cupid Shuffle is common ground and the wobble is a peace treaty signed by both generations. There are no rallies today, no blood on this street, no hashtags here, but there is barbecue, potato salad and greens. The only tears you will see is when someone lifts the foil and all the mac and cheese is finished.

At that moment—as the music began—Elend reached into his pocket and pulled out a book. He raised it with one hand, the other on her waist, and began to read. Vin's jaw dropped, then she whacked him on the arm. "What do you think you're doing?" she demanded as he shuffled through the dance steps, still holding his book. "Elend! I'm trying to have a special moment here!" He turned toward her, smiling with a terribly mischievous grin. "Well, I want to make that special moment as authentic as possible. I mean, you are dancing with me, after all.

She’s listening to Otis Redding’s “(Sittin’ on) The Dock of the Bay.” It’s her least-favorite Otis Redding song because it gets played too much. She shuffles her music and it lands on Smokey Robinson’s “The Tracks of My Tears.” This song gives her that strange mix of sad and happy. Plus it’s upbeat. That’s what she loves about Motown, the way it asks you to carry sadness and heartbreak but dance while doing so.