Rugged Man Quotes

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A leather jacket,” Kami said as he shrugged into it. “Aren’t you trying a little too hard to play into certain bad boy clichés?” “Nah”, said Jared. “You’re thinking of black leather. Black leather’s for bad boys. It’s all in the color. You wouldn’t think I was a bad boy if I was wearing a pink leather jacket.” “That’s true,” Kami said. “What I would think of you, I do not know. So what does brown leather mean, then?” “I’m going for manly,” Jared said. “Maybe a little rugged.” “It’s bits of dead cow; don’t ask it to perform miracles.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
We talk of wild animals but man is the only wild animal. It is man that has broken out. All other animals are tame animals; following the rugged respectability of the tribe or type.
G.K. Chesterton
Baby, in a couple of minutes I'm going to rip off your god damned panties and show you some turkey neck you'll remember all the way to the graveside. I have a vast and curved penis, like a sickle, and many a gutted pussy has gasped come upon my callous and roach-smeared rug. First let me finish this drink.
Charles Bukowski (Notes of a Dirty Old Man)
While Catholics usually paint the Savior suffering, Mormon artists tend to depict Him as a rugged Idaho mountain man – the kind of Jesus you wouldn’t mind dating. In this particular picture he was healing a blonde child, because blondes were big in Jerusalen in 33 A.D. (131)
Elna Baker (The New York Regional Mormon Singles Halloween Dance: A Memoir)
What man I dare, I dare. Approach thou like the rugged Russian bear, the armed rhinoceros, or th' Hyrcan tiger; Take any shape but that, and my firm nerves shall never tremble.
William Shakespeare (Macbeth)
Are you okay with what we ordered?” Angeline asked him. “You didn’t pipe up with any requests.” Neil shook his head, face stoic. He kept his dark hair in a painfully short and efficient haircut. It was the kind of no-nonsense thing the Alchemists would’ve loved. “I can’t waste time quibbling over trivial things like pepperoni and mushrooms. If you’d gone to my school in Devonshire, you’d understand. For one of my sophomore classes, they left us alone on the moors to fend for ourselves and learn survival skills. Spend three days eating twigs and heather, and you’ll learn not to argue about any food coming your way.” Angeline and Jill cooed as though that was the most rugged, manly thing they’d ever heard. Eddie wore an expression that reflected what I felt, puzzling over whether this guy was as serious as he seemed or just some genius with swoon-worthy lines.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I [Music] was born in the open air, in the breaks of waves and the whistling of sandstorms, the hoots of owls and the cackles of tui birds. I travel in echoes. I ride the breeze. I was forged in nature, rugged and raw. Only man shapes my edges to make me beautiful. [Chapter 2]
Mitch Albom (The Magic Strings of Frankie Presto)
Mr. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable.
Robert Louis Stevenson (The Strange Case of Dr. Jekyll and Mr. Hyde)
He needed sun and soil and wind to remain a man.
Clifford D. Simak (Way Station)
Once when I visited Buddy I found Mrs. Willard braiding a rug out of strips of wool from Mr. Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs. Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the five and ten.                 And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard’s kitchen mat.
Sylvia Plath (The Bell Jar)
His lips hovered over hers. “No,” he snarled. Madison wasn’t sure to whom he was talking, but then his mouth was crushing hers, and her world became him—the touch and feel of his lips pressing down, forcing hers to respond. It wasn’t a gentle kiss or a sweet exploration. It was angry and raw, breathtaking and soul burning. Right now, she didn’t want gentle. She wanted hard and fast, him and her, on the floor, even the bear rug, both of them naked and sweating.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Major Major's father was a sober God-fearing man whose idea of a good joke was to lie about his age. He was a long-limbed farmer, a God-fearing, freedom-loving, law-abiding rugged individualist who held that federal aid to anyone but farmers was creeping socialism. He advocated thrift and hard work and disapproved of loose women who turned him down. His specialty was alfalfa, and he made a good thing out of not growing any. The government paid him well for every bushel of alfalfa he did not grow. The more alfalfa he did not grow, the more money the government gave him, and he spent every penny he didn't earn on new land to increase the amount of alfalfa he did not produce. Major Major's father worked without rest at not growing alfalfa. On long winter evenings he remained indoors and did not mend harness, and he sprang out of bed at the crack of noon every day just to make certain that the chores would not be done. He invested in land wisely and soon was not growing more alfalfa than any other man in the county. Neighbors sought him out for advice on all subjects, for he had made much money and was therefore wise. “As ye sow, so shall ye reap,” he counseled one and all, and everyone said, “Amen.
Joseph Heller (Catch-22)
People", Shai said, rising to fetch another seal, "by nature attempt to exercise power over what is around them. We build walls to shelter us from the wind, roofs to stop the rain. We tame the elements, bend nature to our wills. It make us feel as if we're in control. Except in doing so, we merely replace one influence with another. Instead of the wind affecting us, it is a wall. A man-made wall. The fingers of man's influence are all about, touching everything. Man-made rugs, man-made food. Every single thing in the city that we touch, see, feel, experience comes as the result of some person's influence.
Brandon Sanderson (The Emperor's Soul)
The solar system is off center and consequently man is too ...
Harlow Shapley (Through Rugged Ways to the Stars)
It would be altogether simpler if the rugged man before her wore gray, but instead he would be handsomely attired in Union blue.
A.M. Heath (Where Can I Flee (Ancient Words #1))
I can’t deny that I’m falling for this rugged mountain man who barks commands at me.
Olivia T. Turner (Mountain Man Taken (Mounting Mountain Men, #2))
They had to swing by Jared’s locker so he could grab his jacket. “A leather jacket,” Kami said as he shrugged into it. “Aren’t you trying a little too hard to play into certain bad boy clichés?” “Nah,” said Jared. “You’re thinking of black leather. Black leather’s for bad boys. It’s all in the color. You wouldn’t think I was a bad boy if I was wearing a pink leather jacket.” “That’s true,” Kami said. “What I would think of you, I do not know. So what does brown leather mean, then?” “I’m going for manly,” Jared said. “Maybe a little rugged.” “It’s bits of dead cow; don’t ask it to perform miracles.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
He wasn't like those handsome men you see on the fashion billboards. He was handsome in a rugged way like a wood cutter with an unkept beard or a man who just finished fixing the engine of his car, wiping his oily hands over his white flannel shirt. Like a man who knows that he has starry eyes that can bring stars closer but doesn't even bother to look.
Malak El Halabi
Justice is a big rug. When you pull it out from under one man, a lot of others fall too.
Dorothy Kilgallen
Fear isn’t the mind killer. It is fathoms deep and miles wide, more intri­cate than the pat­tern on a fine Per­sian rug. I will not “master my fear.” I am a thinking man who knows it’s not a thing that could ever be mas­tered. I will instead seek to under­stand it, to embrace it, to know how it lifts me up and how it holds me back.
Myke Cole
I felt my heart swell and crack. Of course he was the most ruggedly, powerful beautiful man I'd ever seen. Of course he would be. Of course he would stare at me with eyes so understanding and expressive and intelligent that I couldn't and wouldn't dare look away.
Jasinda Wilder (Alpha (Alpha, #1))
What was civilization ever, really, but the attempt by man to talk himself into being good? Only good, mind you. The rest had to be shoved somewhere out of sight, under the rug. Which History indeed did, at times politely, at times police-ly, and yet something was always sticking out, breaking loose, overthrowing.
Stanisław Lem (The Futurological Congress: From the Memoirs of Ijon Tichy)
You know that Yeti-beard doesn’t make you look more manly, right?” Dean says cheerfully as we walk out the door. Tuck shrugs. “I was going for rugged, actually.” I snicker. “Well, it’s not that, either, Babyface. You look like a mad scientist.
Elle Kennedy (The Mistake (Off-Campus, #2))
He's what a man would look like if a roman god and rugged cowboy had a baby.
Maddie C. James (Something In The Texas Sun (The Hennessey Ranch, #1))
The young man is currently standing in the hallway, dripping on the handmade silk rug that the Emperor of the Indies presented to His Majesty's grandmother. He is insisting on speaking with His Majesty." "It's a very ugly rug," Mendanbar said. "That's why we put it in the entry hall.
Patricia C. Wrede (Book of Enchantments)
STORY OF THE DOOR Mr. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable. At friendly meetings, and when the wine was to his taste, something
Robert Louis Stevenson (The Strange Case of Dr. Jekyll and Mr. Hyde)
If you keep saying things like ‘man-child,’ we’re done,” Ronan said. “Hey, man. Don’t let it get you down. Once your balls drop, that beard’ll come in great. Like a fucking rug. You eat soup, it’ll filter out the potatoes. Terrier style. Do you have hair on your legs? I’ve never noticed.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
Wasn't this rugged business of taking your life apart, looking at all of it and admitting and remembering and reminding yourself of all the bad - wasn't the big result of it your getting to be honest? "Exactly that," said Ferguson.
Paul de Kruif (A Man Against Insanity: The Birth of Drug Therapy in a Northern Michigan Asylum)
Major Major's father was a sober God-fearing man whose idea of a good joke was to lie about his age. He was a long-limbed farmer, a God-fearing, freedom-loving, law-abiding rugged individualist who held that federal aid to anyone but farmers was creeping socialism. He advocated thrift and hard work and disapproved of loose women who turned him down.
Joseph Heller (Catch-22)
A farmer by birth, Purchase was 'rugged in appearance and character,' with 'an impish sense of humor' and a finely calibrated sense of the ridiculous: he loved Gilbert and Sullivan operas, toy trains, boiled eggs, and his model piggery in Ipswitch.
Ben Macintyre (Operation Mincemeat: How a Dead Man and a Bizarre Plan Fooled the Nazis and Assured an Allied Victory)
I’m pretty sure little hearts are popping out of my eyes right now. Here is this hot man, tattoos decorating his rugged arms, muscles tugging at the fabric, asking me about the baby’s binkie while he holds her close to his chest. Hello, ovary explosion.
Lex Martin (Shameless (Texas Nights, #1))
Rejoice, Micayon. Yours is a prophet’s dream. The Great Nostalgia has made your world too small, and made you a stranger in that world. It has unloosed your imagination from the grip of the despotic senses; and imagination has brought you forth your Faith. And Faith shall lift you high above the stagnant, stifling world and carry you across the dreary emptiness and up the Rugged Mountains where every faith must needs be tried and purified of the last dregs of Doubt. And Faith so purified and triumphant shall lead you to the boundaries of the eternally green summit and there deliver you into the hands of Understanding. Having discharged its task, Faith shall retire, and Understanding shall guide your steps to the unutterable Freedom of the Summit which is the true, the boundless, and all-including home of God and the Overcoming Man.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
She thought about Penny’s stories. There was one about a man who had three wishes and married a swan. If I had three wishes, I know what I’d wish for, thought Is. I’d wish for those two boys to be found, and for us all to be back on Blackheath Edge. She thought about Penny teaching her to read. “What’s the point of reading?” Is had grumbled at first. “You can allus tell me stories, that’s better than reading.” “I’ll not always be here,” Penny had said shortly. “Besides, once you can read, you can learn somebody else. Folk should teach each other what they know.” “Why?” “If you don’t learn anything, you don’t grow. And someone’s gotta learn you.” Well, thought Is, if I get outta here, I’ll be able to learn some other person the best way to get free from a rolled-up rug.
Joan Aiken (Is Underground (The Wolves Chronicles, #8))
Great sobs choked his utterance. He buried his head in his hands, and his tall frame was convulsed with emotion. I stood at the foot of the bed, my eyes full of tears, looking at the man in silent, awe-stricken wonder. His grief unnerved him, and made him a weak, passive child. I did not dream that his rugged nature could be so moved. I shall never forget those solemn moments—genius and greatness weeping over love’s lost idol.
George Saunders (Lincoln in the Bardo)
Fractals are a kind of geometry, associated with a man named Mandelbrot. Unlike ordinary Euclidean geometry that everybody learns in school—squares and cubes and spheres—fractal geometry appears to describe real objects in the natural world. Mountains and clouds are fractal shapes. So fractals are probably related to reality. Somehow. “Well, Mandelbrot found a remarkable thing with his geometric tools. He found that things looked almost identical at different scales.” “At different scales?” Grant said. “For example,” Malcolm said, “a big mountain, seen from far away, has a certain rugged mountain shape. If you get closer, and examine a small peak of the big mountain, it will have the same mountain shape. In fact, you can go all the way down the scale to a tiny speck of rock, seen under a microscope—it will have the same basic fractal shape as the big mountain.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
Major Major’s father was a sober God-fearing man whose idea of a good joke was to lie about his age. He was a long-limbed farmer, a God-fearing, freedom-loving, law-abiding rugged individualist who held that federal aid to anyone but farmers was creeping socialism. He advocated thrift and hard work and disapproved of loose women who turned him down.
Joseph Heller (Catch-22)
As later experiences would confirm, to deal with a man like that, a man like George, you have to pull the rug out from under him. Not all at once, of course; a small tug here, another one there. You don’t back down when he tries to wield his power. Instead, you trip him up by slipping him little lies. Correct him whenever you can. Confuse him. Make him feel foolish. Men like him hate being wrong, hate being embarrassed, hate not being in control. Men like him don’t know what to do when that happens, and they resort to childish displays of anger, temper tantrums, sulking. In spite of this, he won’t be able to do a single thing about it because in the end he’s the one who is weak. The only power he has is the power you are willing to give him, and you’ve given him nothing. Not a scrap.
Monika Kim (The Eyes Are the Best Part)
He wasn't like those handsome men you see on the fashion billboards. He was handsome in a rugged way like a wood cutter with an unkempt beard or a man who just finished fixing the engine of his car, wiping his oily hands over his white flannel shirt. Like a man who knows that he has starry eyes that can bring stars closer but doesn't even bother to look.
Malak El Halabi
Under the night rug, the star rug, moon as lantern, man in the moon watching over us, dog star at his heels, we lay.
Jeanette Winterson
Enya assessed him like a woman would a piece of fine cloth. "Rugged land for a rugged man.
Amy Jarecki (The Highland Henchman (Highland Force, #2))
The inside story on a man was that if he wanted to be successful, he must become a rugged individualist, but then should make some adjustments.
Bob Dylan (Chronicles, Volume One)
Of course, there has been a lot of speculation over the last couple of years that our wives must have married us bearded ugly ducklings because of our fame and fortune. The fact is that none of us had much at all when we met our wives, and our long, full beards came after we married them. Our crazy uncle Si likes to joke that our gift of gab--or “hot air,” as he puts it--is what helped woo our wives. Actually, our relationships were built on spiritual principles such as faith, hope, and love. Through our poverty, rugged appearances, and, at times, musty aromas, I learned that true joy doesn’t come from what you have or how you look but from what kind of man you are on the inside. On my second date with Missy, I explained to her my love for hunting and fishing, which often causes me to be gone for several days and sometimes weeks at a time. I figured my admission would rule out a third date, but I was surprised when she replied, “Okay.” I knew right then that Missy was a keeper, and she has become my spiritual soul mate and a wonderful mother to our three beautiful children.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
He was built like a mountain. Tall, dark haired ,silver eyed , muscular and rugged. Nathaniel Hawkins was a man that most men wouldn’t want to tangle with and most women fantasized about.
Grace Willows (The Ultimate Prize)
I seek him in the landscape of home, in the breeze brushing over rows of crops. I seek him in the seasons of planting and harvesting. A rugged man of the earth, he breathed life into this farm.
Brenda Sutton Rose
Mr. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable.
Robert Louis Stevenson (The Strange Case of Dr. Jekyll and Mr. Hyde)
There is no great dark man. Even under an exterior as rugged as a mountain range, there lurks the same wounded, wincing psyche that cripples the rest of us. Where we are led to think we will find strength, we shall discover force; where we hope for ruthlessness, we shall unearth spite; and when we think we are clinging desperately to a rock, it is falling upon us. Even with a man whose neck is thicker than his head, if we are not careful, we shall be involved in an argument about who most loves whom. The trouble is that, if you find that by mistake you have bitten into a soft centre, you can't very well put it back in the box.
Quentin Crisp (The Naked Civil Servant)
But even while Rome is burning, there’s somehow time for shopping at IKEA. Social imperatives are a merciless bitch. Everyone is attempting to buy what no one can sell.  See, when I moved out of the house earlier this week, trawling my many personal belongings in large bins and boxes and fifty-gallon garbage bags, my first inclination was, of course, to purchase the things I still “needed” for my new place. You know, the basics: food, hygiene products, a shower curtain, towels, a bed, and umm … oh, I need a couch and a matching leather chair and a love seat and a lamp and a desk and desk chair and another lamp for over there, and oh yeah don’t forget the sideboard that matches the desk and a dresser for the bedroom and oh I need a coffeetable and a couple end tables and a TV-stand for the TV I still need to buy, and don’t these look nice, whadda you call ’em, throat pillows? Oh, throw pillows. Well that makes more sense. And now that I think about it I’m going to want my apartment to be “my style,” you know: my own motif, so I need certain decoratives to spruce up the decor, but wait, what is my style exactly, and do these stainless-steel picture frames embody that particular style? Does this replica Matisse sketch accurately capture my edgy-but-professional vibe? Exactly how “edgy” am I? What espresso maker defines me as a man? Does the fact that I’m even asking these questions mean I lack the dangling brass pendulum that’d make me a “man’s man”? How many plates/cups/bowls/spoons should a man own? I guess I need a diningroom table too, right? And a rug for the entryway and bathroom rugs (bath mats?) and what about that one thing, that thing that’s like a rug but longer? Yeah, a runner; I need one of those, and I’m also going to need…
Joshua Fields Millburn (Everything That Remains: A Memoir by The Minimalists)
What kind of shit was I? I could certainly play some nasty, unreal games. What was my motive? Was I trying to get even for something? Could I keep on telling myself that it was merely a matter of research, a simple study of the female? I was simply letting things happen without thinking about them. I wasn't considering anything but my own selfish, cheap pleasure. I was like a spoiled high school kid. I was worse than any whore; a whore took your money and nothing more. I tinkered with lives and souls as if they were playthings. How could I call myself a man? How could I write poems? What did I consist of? I was a bush-league de Sade, without his intellect. A murderer was more straightforward and honest than I was. Or a rapist. I didn't want my soul played with, mocked, pissed on; I knew that much at any rate. I was truly no good. I could feel it as I walked up and down on the rug. No good. The worst part of it was that I passed myself off for exactly what I wasn't - a good man. I was able to enter people's lives because of their trust in me. I was doing my dirty work the easy way. I was writing The Love Tale of the Hyena.
Charles Bukowski (Women)
That voice. It couldn’t be. She turned. The Marine. Her brain tried to compute the man before her. The same uncompromising blue-gray eyes, but more distant. The same fit body, but more space filling. The same rugged features, but more bearded. Bearded!
Kate Meader (Sparking the Fire (Hot in Chicago, #3))
[on John Cowper Powys]...there is an indistinct photograph of the great man himself, gazing into the misty cleft of a mountain range, wearing what could be an old rug, or an old cardigan. He looks like a cross between an aged werewolf and a puzzled child.
Margaret Drabble
Unfortunately, many modern men place the gentleman on the sissy end of the manliness spectrum, opposite that of the burping, unshaven, uncouth, “man’s man.” Yet our forebears understood that there was no contradiction in being ruggedly manly and a refined gentleman.
Brett McKay (The Art of Manliness: Classic Skills and Manners for the Modern Man)
We talk of wild animals; but man is the only wild animal. It is man that has broken out. All other animals are tame animals; following the rugged respectability of the tribe or type. All other animals are domestic animals; man alone is ever undomestic, either as a profligate or a monk.
Christopher Watkin (Biblical Critical Theory: How the Bible's Unfolding Story Makes Sense of Modern Life and Culture)
Clearing his throat “It is very improper for a lady to open the door, to a person of the opposite sex in her… sleeping attire.” “Improper? I look like I am wearing a rug,” I exclaimed, as I motioned at the calf-length thick red fabric; that I was wearing with wide shoulder straps. “Secondly, I don’t see you as human, let alone a man. You are more like a homicidal invention, of my hormonal teenage nightmare; which I can’t seem to be able to awake from.
S.R. Gibbs (The Inner Kingdom)
One day, I wish to find a man like in my books. He has to be just like in one of my books. And he has to love me, love me more than anything in the world. Most important of all, he has to think I’m beautiful.” “Lily, I need to tell you something.” Fazire was going to tell her about Becky’s wish and his mistake and let her look forward to something, let her look forward to the incomparable beauty she was going to be. Most of all, he had to stop her wish now. He didn’t want her wasting it on some fool idea. He wanted it to be special, perfect, to make her world better like she had made Becky and Will’s and, indeed, his. But again she didn’t hear him. Her eyes were bright and they were steady on his. “He has to be tall, very tall and dark and broad-shouldered and narrow-hipped.” Fazire stared. He didn’t even know what “narrow-hipped” meant. “And he has to be handsome, unbelievably handsome, impossibly handsome with a strong, square jaw and powerful cheekbones and tanned skin and beautiful eyes with lush, thick lashes. He has to be clever and very wealthy but hardworking. He has to be virile, fierce, ruthless and rugged.” Now she was getting over his head. He didn’t think there was such a thing as impossibly handsome. How cheekbones could be powerful, Fazire didn’t know. He was even thinking he might have to look up “virile” in the dictionary Sarah had given him. “And he has to be hard and cold and maybe a little bit forbidding, a little bit bad with a broken heart I have to mend or one encased in ice I have to melt or better yet… both!” Fazire thought this was getting a bit ridiculous. It was the most complicated wish he’d ever heard. But she wasn’t yet finished. “We have to go through some trials and tribulations. Something to test our love, make it strong and worthy. And… and… he has to be daring and very masculine. Powerful. People must respect him, maybe even fear him. Graceful too and lithe, like a… like a cat! Or a lion. Or something like that.” She was losing steam and Fazire had to admit he was grateful for it. “And he has to be a good lover.” Lily shocked Fazire by saying. “The best, so good, he could almost make love to me just by using his eyes.” Fazire felt himself blush. Perhaps he should have a look at these books she was reading and show them to Becky. Lily was a very sharp girl, sharp as a tack (another one of Sarah’s sayings, although Fazire couldn’t imagine a tack ever being as clever as Lily) but she was too young to be reading about any man making love to her with his eyes. Fazire had never made love, never would, genies just didn’t. But he was pretty certain fourteen year old girls shouldn’t be thinking about it. Though, he was wrong about that, or at least Becky would tell him that later. Then Fazire realised she’d stopped talking. “Is that it?” he asked. She thought for a bit, clearly not wanting to leave anything out. Then she nodded.
Kristen Ashley (Three Wishes)
To look at Montmorency you would imagine that he was an angel sent upon the earth, for some reason withheld from mankind, in the shape of a small fox-terrier. There is a sort of Oh-what-a-wicked-world-this-is-and-how-I-wish-I-could-do-something-to-make-it-better-and-nobler expression about Montmorency that has been known to bring the tears into the eyes of pious old ladies and gentlemen. When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all. To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.
Jerome K. Jerome (Three Men in a Boat: To Say Nothing of the Dog)
Ryker, you ride with Orlando,” Ryker mocked in a snarky voice as he turned to the other man. He gestured toward the Pinto with a look of revulsion on his rugged face. “How the hell does he expect both of us to fit into that tiny metal trap? Even if we could squeeze in, the tires will probably pop. In fact, let's just carry it over. It'll be faster that way.
Rose Wynters (My Wolf Cowboy (Wolf Town Guardians, #3))
He really was handsome. Not in some metrosexual, slick, pampered way that many of her male acquaintances were back home. He looked like . . . a man. Broad, rugged, imperfect.
Lana DeAngeli (Mr. Big Wrench & the Heiress)
A day that's free, a man that's free, A spring like this invites a spree! Seek out the shade of a plane tree To spread a rug that's rainbow-spun- And hail the country of the Sun!
Səməd Vurğun
If I ever see a man in a rug again, I’m not going to believe a single word he says! A man who lies about having hair will lie about anything.
Joanne Fluke (Chocolate Chip Cookie Murder (Hannah Swensen, #1))
It’s funny how life can be sometimes, just when you think you know how everything is, it sneaks out a surprise that really tears the rug right out from beneath your feet.
Mike Gayle (The Man I Think I Know)
There is no great dark man. Even under an exterior as rugged as a mountain range, there lurks the same wounded, wincing psyche that cripples the rest of us. Where we are led to think we will find strength, we shall discover force; where we hope for ruthlessness, we shall unearth spite; and when we think we are clinging desperately to a rock, it is falling upon us.
Quentin Crisp (The Naked Civil Servant)
After all those years of topping every rugged, hairy-assed man who crossed my path, nothing—fucking nothing—had prepared me for the moment my skin met the heat of Graham Caldwell's ass.
Robert Du Preez (Breaking Dad)
I tried to imagine what it would be like if Constantin were my husband. It would mean getting up at seven and cooking him eggs and bacon and toast and coffee and dawdling about in my nightgown and curlers after he’d left for work to wash up the dirty plates and make the bed, and then when he came home after a lively, fascinating day he’d expect a big dinner, and I’d spend the evening washing up even more dirty plates till I fell into bed, utterly exhausted. This seemed a dreary and wasted life for a girl with fifteen years of straight A’s, but I knew that’s what marriage was like, because cook and clean and wash was just what Buddy Willard’s mother did from morning till night, and she was the wife of a university professor and had been a private school teacher herself. Once when I visited Buddy I found Mrs Willard braiding a rug out of strips of wool from Mr Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the Five and Ten. And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs Willard’s kitchen mat.
Sylvia Plath (The Bell Jar)
It was the wildest phenomenon, to see him both as the rugged man he was standing before me and also as the quiet, reserved boy who'd first stolen my heart all those years ago. I knew no matter what happened next between us, no matter who he dated or who I married or where our careers took us - I would always be able to close my eyes and see him. I would always feel him like he was a part of me.
Kandi Steiner (Save Your Breath (Kings of the Ice, #4))
just give a prospective apprentice a broom and tell them to sweep. The quality of the job they do tells me a great deal about them. Attention to detail, willingness to go the extra mile, pace, fastidiousness, or lack thereof. If you can, hire the gal or guy who moves the furniture and rugs to sweep beneath them. Their work speaks directly of their desire to contribute to the well-being of the community. They know how to do a job right.
Nick Offerman (Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living)
THE MYTH OF THE GOOD OL BOY AND THE NICE GAL The good of boy myth and the nice gal are a kind of social conformity myth. They create a real paradox when put together with the "rugged individual" part of the Success Myth. How can I be a rugged individual, be my own man and conform at the same time? Conforming means "Don't make a wave", "Don't rock the boat". Be a nice gal or a good ol' boy. This means that we have to pretend a lot. "We are taught to be nice and polite. We are taught that these behaviors (most often lies) are better than telling the truth. Our churches, schools, and politics are rampant with teaching dishonesty (saying things we don't mean and pretending to feel ways we don't feel). We smile when we feel sad; laugh nervously when dealing with grief; laugh at jokes we don't think are funny; tell people things to be polite that we surely don't mean." - Bradshaw On: The Family
John Bradshaw (Healing the Shame that Binds You)
The infirmary door slid up. Maarev poked his head out. He glanced up and down the hallway, inspected the walls, then focused on Dagon and Eliana, still standing in each other’s arms. He arched a brow. “Just thought I’d check to see if Eliana was out here punching holes in the walls. We have a wager going.” She offered him a wry smile. “No. Dagon calmed me down.” A twinkle of amusement entered the warrior’s eyes as he stepped out. “So I see. With a hug, apparently.” Liden joined them in the hallway. A boyish grin lit his rugged features as he held out his arms. “Need any more calming down?” She laughed . . . even as a low growl of irritation rumbled up from Dagon’s throat. “No, thank you.” Reluctantly stepping back, she took Dagon’s hand and twined her fingers through his. “We have a saying on Earth: Go big or go home.” She tossed Dagon—the tallest man present—a wink. “I’m going big.” He grinned.
Dianne Duvall (The Segonian (Aldebarian Alliance, #2))
People,” Shai said, rising to fetch another seal, “by nature attempt to exercise power over what is around them. We build walls to shelter us from the wind, roofs to stop the rain. We tame the elements, bend nature to our wills. It makes us feel as if we’re in control. “Except in doing so, we merely replace one influence with another. Instead of the wind affecting us, it is a wall. A man-made wall. The fingers of man’s influence are all about, touching everything. Man-made rugs, man-made food. Every single thing in the city that we touch, see, feel, experience comes as the result of some person’s influence. “We may feel in control, but we never truly are unless we understand people. Controlling our environment is no longer about blocking the wind, it’s about knowing why the serving lady was crying last night, or why a particular guard always loses at cards. Or why your employer hired you in the first place.” Gaotona
Brandon Sanderson (The Emperor's Soul)
To make a good man, God has to use all of his skill. Some of the goodness of God himself goes into such a man. And when the man is ready to take his place on the earth, God must feel the pride that I feel when I look at the rug I am weaving, at the strands that bind closely together and knot and make a pattern, and at the beauty of the colours. Such a long day's work to make a good man! And yet, one bullet that takes a second to speed through the air and strike a man will kill him in an instant. How can God forgive such a thing? And yet He can, so it is said, for His heart is great and His forgiveness infinite, if the sinner repents. But I am not God and I cannot forgive the man who killed my brother.
Najaf Mazari (The Rugmaker of Mazar-e-Sharif)
In the forests man has always deteriorated; human evolution has made progress only in the open and in the higher latitudes. The cold and hunger of the open lands stimulate action, invention, and resourcefulness. While these Andonic tribes were developing the pioneers of the present human race amidst the hardships and privations of these rugged northern climes, their backward cousins were luxuriating in the southern tropical forests of the land of their early common origin.
Urantia Foundation (The Urantia Book)
When people dream something as a child, it doesn’t always come true. But my childhood dream of what kind of man I would marry and spend the rest of my life with did come true. I always knew my husband would be tall, dark, and handsome, but he also had to have a rugged look, as if he’d just walked out of the wilderness. He had to love the outdoors and be able to survive there if needed. I also wanted him to be able to take command of any situation when needed. I wanted him to be a leader but with a sense of humor, too. I wanted him to work and make a living. I wanted him to be a man’s man, but with gentleness and love for me and his children, and be ready to defend us at all times. More than anything else, I wanted to feel loved and protected. What I didn’t know when I found the man who filled my dreams was that I had found a diamond in the rough. It would take a lifetime to perfect that diamond on the long journey of life. Phil and I have had many good years, some hard years, a few sad years, and a lot of struggling years to get where we are now. God put us in each other’s paths. It has always been a wonderful ride for me. I have a husband who is my best buddy and friend, my lover, my Christian brother, my champion, and the person who will always be there through thick and thin. There is no greater love than your love for God, but right under that is your love for your husband, your partner in life. One of the greatest tragedies I see is people not putting every effort into the foundation of their marriage. My grandmother told me that it’s one man and one woman for life and that your marriage is worth fighting for. We had a few hard and bumpy years, but prayer, patience, and some suffering and hope-plus remembering an old lady’s words-were what got me through the difficult times. We have given it our all for our marriage and family, and my dreams did come true. Phil is and will always be my hero!
Phil Robertson (Happy, Happy, Happy: My Life and Legacy as the Duck Commander)
An accordion player posted himself at the curb and played La Paloma. The rug peddlers appeared with silken Keshans over their shoulders. A boy sold pistachios at the tables. It looked as it had always looked—until the newspaper boys came. The papers were almost torn from their hands and a few seconds later the terrace, with all the unfolded papers, appeared as if buried under a swarm of huge, white, bloodless moths sitting on their victims greedily, with noiseless flapping wings.
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
When a man is happy enough to win the affections of a sweet girl, who can soothe his cares with crochet, and respond to all his most cherished ideas with beaded urn-rugs and chair-covers in German wool, he has, at least, a guarantee of domestic comfort, whatever trials may await him out of doors. What a resource it is under fatigue and irritation to have your drawing-room well supplied with small mats, which would always be ready if you ever wanted to set anything on them ! And what styptic for a bleeding heart can equal copious squares of crochet, which are useful for slipping down the moment you touch them ? How our fathers managed without crochet is the wonder; but I believe some small and feeble substitute existed in their time under the name of 'tatting'.
George Eliot
The cousin was one of those bodies, one of those deaths Gareth tried to keep faceless. The torture of Narvel dying in his arms had been enough. A tired, bitter huff slipped from his lips. "So the lieutenant didn't punish his cousin and now all the colony suffers. When is everyone going to understand that one man's sacrifice is enough?" "They barely accepted one man's sacrifice in Galilee on an old rugged cross. How could they ever weigh the good that can come from realizing no person was more important than the rest?
Vanessa Riley (The Bargain 3 (A Port Elizabeth Regency Tale #3))
He would scrub the floors on his hands and knees, beat the rugs, wash the windows and pound the bed linen in the tin bath at the outdoor pump. All those heavy chores he knew intimately; his identity lay in the dirt others left behind and his salvation lay in cleaning it up.
Christina McKenna (The Misremembered Man (Tailorstown #1))
How do you gag the voice in your head that says, 'You don't have to go to the gym today. There's always tomorrow. C'mon, my friend, it's just one plate of curly fries. Yes, just for you!' (My inner voice reminds me of a particularly aggressive rug salesman at a Turkish bazaar.)
A.J. Jacobs (Drop Dead Healthy: One Man's Humble Quest for Bodily Perfection)
I'm not one of those pious types who spend their whole lives hunched on prayer rugs while their eyes and hearts remain closed to the outside world. They read the Qur'an only on the surface. But I read the Qur'an in the budding flowers and migrating birds. I read the Brething Qur'an secreted in human beings. Every man is an open book, each and every one of us a walking Qur'an. The quest for God is ingrained in the hearts of all, be it prostitute or a saint. Love exists within each of us from the moment we are born and waits to be discovered from then on.
Elif Shafak (The Forty Rules of Love)
For the same uprush of fancy which had shown him with all the force of mathematical demonstration that life had no meaning, brought with it another idea; and that was why Cronshaw, he imagined, had given him the Persian rug. As the weaver elaborated his pattern for no end but the pleasure of his aesthetic sense, so might a man live his life, or if one was forced to believe that his actions were outside his choosing, so might a man look at his life, that it made a pattern. There was as little need to do this as there was use. It was merely something he did for his own pleasure.
W. Somerset Maugham (Of Human Bondage)
In Canada, for eighteen days out of the year, if you don’t have an artificial heat source, you’ll die within forty-eight hours. Margaret Atwood and Northrop Frye said that this created, for Canadians, a “garrison mentality,” whereby the central conflict of much of our literature is man versus nature. That sort of conflict breeds cooperation more than it breeds rugged individualism. It breeds caution more than it breeds entrepreneurialism. It’s cold here. It’s so cold it can make you cry. It’s so cold you want your dad to come pick you up. Even when you’re fifty-three years old.
Mike Myers (Canada)
Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.
Louis MacNeice
She had thought so much about this baby, of its welfare, its soul, its morals, its probable defects. But, like most unmarried people, she had only thought of it as a word — just as the healthy man only thinks of the word death, not of death itself. The real thing, lying asleep on a dirty rug, disconcerted her.
E.M. Forster (The Works of E. M. Forster)
At the crest of the hill outside Agor, Henry pulled the car to the side of the road and we got out to take in the view. In the falling shadows, the little Arab village at the foot of the Jewish settlement looked nothing like so grim and barren as it had a few minutes before when we’d driven down its deserted main street. A desert sunset lent a little picturesqueness even to that cluster of faceless hovels. As for the larger landscape, you could see, particularly in this light, how someone might get the impression that it had been created in only seven days, unlike England, say, whose countryside appeared to be the creation of a God who’d had four or five chances to come back to perfect it and smooth it out, to tame and retame it until it was utterly habitable by every last man and beast. Judea was something that had been left just as it had been made; this could have passed for a piece of the moon to which the Jews had been sadistically exiled by their worst enemies rather than the place they passionately maintained was theirs and no one else’s from time immemorial. What he finds in this landscape, I thought, is a correlative for the sense of himself he would now prefer to effect, the harsh and rugged pioneer with that pistol in his pocket.
Philip Roth (The Counterlife)
The Rubber Soul woman stays up late drinking wine on her rug after midnight, until it’s time for bed. She speaks languages he can’t translate. She’s not impressed by the Beatle charm—when you say she’s looking good, she acts as if it’s understood. She’s cool. She makes the Rubber Soul man feel like a real nowhere boy.
Rob Sheffield (Dreaming the Beatles: The Love Story of One Band and the Whole World)
I can’t believe you’re in the gym again,” Tink went on, stepping aside. “Why are you in here running so much? Are you preparing for the impending zombie apocalypse that I know nothing about? Because if you are, we need to find the nearest redneck to become best friends with, one that is hot in a dirty, rugged way. You know, the kind that probably smells like sweat and man, one with a complex background that makes you hate him at first, but slowly, over time, you grow to love him.” I stared at him. “You’ve put a lot of thought into this.” “I have. I like to be prepared. Since we’re in the south, it shouldn’t be hard to find one. So, why are you in the gym so much?
Jennifer L. Armentrout (Brave (Wicked Trilogy, #3))
Every night, millions of Americans spend their free hours watching television rather than engaging in any form of social interaction. What are they watching? In recent years we have seen reality television become the most popular form of television programming. To discover the nature of our current “reality,” we might consider examples such as Survivor, the series that helped spawn the reality TV revolution. Every week tens of millions of viewers watched as a group of ordinary people stranded in some isolated place struggled to meet various challenges and endure harsh conditions. Ah, one might think, here we will see people working cooperatively, like our ancient ancestors, working cooperatively in order to “win”! But the “reality” was very different. The conditions of the game were arranged so that, yes, they had to work cooperatively, but the alliances by nature were only temporary and conditional, as the contestants plotted and schemed against one another to win the game and walk off with the Grand Prize: a million dollars! The objective was to banish contestants one by one from the deserted island through a group vote, eliminating every other contestant until only a lone individual remained—the “sole survivor.” The end game was the ultimate American fantasy in our Age of Individualism: to be left completely alone, sitting on a mountain of cash!   While Survivor was an overt example of our individualistic orientation, it certainly was not unique in its glorification of rugged individualists on American television. Even commercial breaks provide equally compelling examples, with advertisers such as Burger King, proclaiming, HAVE IT YOUR WAY! The message? America, the land where not only every man and every woman is an individual but also where every hamburger is an individual!   Human beings do not live in a vacuum; we live in a society. Thus it is important to look at the values promoted and celebrated in a given society and measure what effect this conditioning has on our sense of independence or of interdependence
Dalai Lama XIV (The Art of Happiness in a Troubled World)
Doramin was anxious about the future of the country, and I was struck by the turn he gave to the argument. The land remains where God had put it; but white men — he said — they come to us and in a little while they go. They go away. Those they leave behind do not know when to look for their return. They go to their own land, to their people, and so this white man too would. . . . I don’t know what induced me to commit myself at this point by a vigorous “No, no.” The whole extent of this indiscretion became apparent when Doramin, turning full upon me his face, whose expression, fixed in rugged deep folds, remained unalterable, like a huge brown mask, said that this was good news indeed, reflectively; and then wanted to know why.
Joseph Conrad (Delphi Complete Works of Joseph Conrad)
Ian Taggart had his own baggage. “Li doesn’t have a partner. If you wanted to get paternity leave—god, I vomited a little—then you should have manned up and gotten your own girl. Adam won the battle fair and square. He gets to stay with the wife and rug rat.” “It wasn’t a fucking battle. It was rock, paper, scissors, damn it. I think Adam cheated.” Jacob Dean frowned
Lexi Blake (Dungeon Royale (Masters and Mercenaries #6))
...but he conceived that the perfection of human society required that a man should enter a drawing-room where he was a total stranger, and place himself on the hearth-rug, his back to the fire, with an air of expectant benevolence, without curiosity, much as though he had dropped in at a charity concert, kindly disposed to applaud the performers and to overlook mistakes
Henry Adams (The education of Henry Adams: An autobiography)
In an editorial headlined “The King Is Dead,” The New York Times noted, “Even among the hierarchy of great motion-picture stars, of whom there were many in the happy years of his ascendance, he was acknowledged supreme. Perhaps he was not the most skillful and subtle in the way of technique. Perhaps he did not possess the polish of some of the latterly imported British stars. But what Gable had in a measure that no other star quite matched—or projected as ferociously as he did—was a true masculine personality. Whatever the role, Gable was as certain as the sunrise. He was consistently and stubbornly all Man….People everywhere—men, women and small boys—admired Clark Gable. He was a conspicuous symbol of the rugged American throughout the world.
Warren G. Harris (Clark Gable: A Biography)
This used to be a spring where women came to boil their wash clothes in iron pots. One time a woman was here they say, abeatin' a rug clean with a stick. Had he daughter along. The little girl disappeared but the woman just figured she was aplayn' hide and seek. the mother was athumpin' her rug when it commenced aturnin' red. She got vexed with the child for hidin' raspberries in the rug. SHe opened it to wash away the stain and her little girl rolled out. child was hid in the rug. Woman run off through the woods acryin'. 'I bludgeoned my baby! I BEAT MY BABY DEAD!' Next night she come here to a big oak and hung herself with a bedsheet. That sheet, they say, blowed in the trees until it rotted away. Terrified many a man acomin' through at night
William Least Heat-Moon (Blue Highways)
Harrison is wearing a fitted black T-shirt that shows off the tattoos on his arms and charcoal-gray jeans and dark work boots. He's so ruggedly dressed down that I hardly recognize him, though of course he's wearing his aviators. He wouldn't be Harrison without them. To say he looks hot is an understatement. He looks ridiculously hot. Like, a whole other level of handsome, a whole other league of gorgeousness. For once I'm looking at him not as a bodyguard extraordinaire to the royals but as a man who has turned my ovaries into a ticking time bomb, a man who makes me want to climb him like a jungle gym, turn him into a ride I never want to get off. Except that I do want to get off. "Hi," I say brightly. Too brightly. It's like he's hypnotized me with his sex appeal. Sexnotized me.
Karina Halle (The Royals Next Door)
O’er rivers, through woods, With winding and weaves, Their school bus sailed on Through the new-fallen leaves. When out on the road There arose such a clatter, They threw down their windows To see what was the matter. When what with their wondering eyes Should they see, But a miniature farm And eight tiny turkey. And a little old man So lively and rugged, They knew in a moment It was Farmer Mack Nuggett. He was dressed all in denim From his head to his toe, With a pinch of polyester And a dash of Velcro. And then in a twinkling They heard in the straw The prancing and pawing Of each little claw. More rapid than chickens His cockerels they came. He whistled and shouted And called them by name: “Now Ollie, now Stanley, now Larry and Moe, On Wally, on Beaver, on Shemp and Groucho!
Dav Pilkey ('Twas The Night Before Thanksgiving)
But I was stuck--stuck in a delicious, glorious, beautiful, inescapable La Brea tar pit of romance with a rough, rugged, impossibly tender cowboy. As soon as I’d have any thoughts of escaping to Chicago to avoid my parents’ problems, within seconds I’d shoot myself down. Something major would have to happen to pry me out of his arms. Marlboro Man filled my daydreams, filled my thoughts, my time, my heart, my mind. When I was with him, I was able to forget about my parents’ marital problems. On our drives together, preparing our dinners, watching our VHS action movies, all of those unhappy things disappeared from view. This became a crutch for me, an addictive drug of escape. Ten seconds in Marlboro Man’s pickup, and I saw only goodness and light. And the occasional bra-and-panty-wearing grandma mowing her yard.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Thinking of Cronshaw, Philip remembered the Persian rug which he had given him, telling him that it offered an answer to his question upon the meaning of life; and suddenly the answer occurred to him: he chuckled: now that he had it, it was like one of the puzzles which you worry over till you are shown the solution and then cannot imagine how it could ever have escaped you. The answer was obvious. Life had no meaning. On the earth, satellite of a star speeding through space, living things had arisen under the influence of conditions which were part of the planet’s history; and as there had been a beginning of life upon it so, under the influence of other conditions, there would be an end: man, no more significant than other forms of life, had come notas the climax of creation but as a physical reaction to the environment. - Of Human Bondage -
W. Somerset Maugham
At night at my desk in the shack I see the reflection of myself in the black window, a rugged faced man in a dirty ragged shirt, need-a-shave, frowny, lipped, eyed, haired, nosed, eared, handed, necked, adamsappled, eyebrowed, a reflection just with all behind it the void of 7000000000000 light years of infinite darkness riddled by arbitrary limited-idea light, and yet there’s a twinkle in me eye and I sing bawdy songs about the moon in the alleys of Dublin, about vodka hoy hoy, and then sad Mexico sundown-over-rocks songs about amor, corazón, and tequila - My desk is littered with papers, beautiful to look at thru half closed eyes the delicate milky litter of papers piled, like some old dream of a picture of papers, like papers piled on a desk in a cartoon, like a realistic scene from an old Russian film, and the oil lamp shadowing some in half -
Jack Kerouac (Desolation Angels)
They were relaxing at the top of a waterfall, in a small, still pool where the mountain waters hit an upward slope of folded granite. It was sort of a rounded bathtub, carved out of the rock throughout the centuries by the rushing river, a river so hidden that it was without a name. Just below were the falls, about a 30-foot drop into another, much larger pool of clearest water that was gathered for a respite, a compromise in the river's relentless schedule downward, between split-level decks of flat rock. Further on, the river reanimated and released into a sharp ravine, pulling westward, down through the rugged mountains and faceless forest--the Black Hills National Forest--gaining force until it joined with the rush of the Castle River, near the old Custer Trail, and was swallowed into the Deerfield Reservoir to collect and prepare for the touch of man.
Ron Parsons (The Sense of Touch)
If I lived in a big house and had rooms full of different things, if I had big cars and a library full of books, if I had pulled out all the flowers and medicine plants and made a lawn that looked like a rug, people would come to me and ask me about everything because they would say I am a ‘good’ Indian. All it would mean is that I am an Indian with lots of possessions, just like a white man. That would make me good and important in your eyes. Admit it.
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
But he felt too confident in Catherine’s beautiful nature to be afraid of Ned. Catherine, who loved beauty, who was so much moved by it—witness her rapt face at The Immortal Hour—would never listen to blandishments from anyone with Ned’s nose. Besides, Ned was elderly. In spite of the fur rug up to his chin, Christopher had seen that all right. He was an elderly, puffy man. Elderliness and love! He grinned to himself. If only the elderly could see themselves….
Elizabeth von Arnim (Love)
This may surprise you, but Elijah, the towering mighty prophet of Israel, the man who spoke for God, Israel’s prophet of prophets, was also just an inadequate, scared little Jewish boy. Nothing about him made him great, not his rugged good looks, his great intellect, or his heroic courage. On his own, he was flawed, petty and a coward. The Bible says that he was a person “just like us.” Why then, would we look at Elijah’s life and hold it up as an example of living a life of power? Precisely because he was just like you and me. Today, centuries later, religious leaders herald Elijah as the Martin Luther of old-time Israel, crediting him with turning the hearts of the people from the corrupt state-sponsored religion back to the worship of the one true God. If Elijah was a person no different than you and me, and if he did it, then why can’t we? Is it possible that God can use us to turn the hearts of the people of our generation back to God?
Bob Saffrin (Elijah, Steps to a life of power)
Of course, I don’t remember any of this time. It is absolutely impossible to identify with the infant my parents photographed, indeed so impossible that it seems wrong to use the word “me” to describe what is lying on the changing table, for example, with unusually red skin, arms and legs spread, and a face distorted into a scream, the cause of which no one can remember, or on a sheepskin rug on the floor, wearing white pajamas, still red-faced, with large, dark eyes squinting slightly. Is this creature the same person as the one sitting here in Malmö writing? And will the forty-year-old creature who is sitting in Malmö writing this one overcast September day in a room filled with the drone of the traffic outside and the autumn wind howling through the old-fashioned ventilation system be the same as the gray, hunched geriatric who in forty years from now might be sitting dribbling and trembling in an old people’s home somewhere in the Swedish woods? Not to mention the corpse that at some point will be laid out on a bench in a morgue? Still known as Karl Ove. And isn’t it actually unbelievable that one simple name encompasses all of this? The fetus in the belly, the infant on the changing table, the forty-year-old in front of the computer, the old man in the chair, the corpse on the bench? Wouldn’t it be more natural to operate with several names since their identities and self-perceptions are so very different? Such that the fetus might be called Jens Ove, for example, and the infant Nils Ove, and the five- to ten-year-old Per Ove, the ten- to twelve-year-old Geir Ove, the twelve- to seventeen-year-old Kurt Ove, the seventeen- to twenty-three-year-old John Ove, the twenty-three- to thirty-two-year-old Tor Ove, the thirty-two- to forty-six-year-old Karl Ove — and so on and so forth? Then the first name would represent the distinctiveness of the age range, the middle name would represent continuity, and the last, family affiliation.
Karl Ove Knausgård (Min kamp 3 (Min kamp, #3))
George Romney’s private-sector experience typified the business world of his time. His executive career took place within a single company, American Motors Corporation, where his success rested on the dogged (and prescient) pursuit of more fuel-efficient cars.41 Rooted in a particular locale, the industrial Midwest, AMC was built on a philosophy of civic engagement. Romney dismissed the “rugged individualism” touted by conservatives as “nothing but a political banner to cover up greed.”42 Nor was this dismissal just cheap talk: He once returned a substantial bonus that he regarded as excessive.43 Prosperity was not an individual product, in Romney’s view; it was generated through bargaining and compromises among stakeholders (managers, workers, public officials, and the local community) as well as through individual initiative. When George Romney turned to politics, he carried this understanding with him. Romney exemplified the moderate perspective characteristic of many high-profile Republicans of his day. He stressed the importance of private initiative and decentralized governance, and worried about the power of unions. Yet he also believed that government had a vital role to play in securing prosperity for all. He once famously called UAW head Walter Reuther “the most dangerous man in Detroit,” but then, characteristically, developed a good working relationship with him.44 Elected governor in 1962 after working to update Michigan’s constitution, he broke with conservatives in his own party and worked across party lines to raise the minimum wage, enact an income tax, double state education expenditures during his first five years in office, and introduce more generous programs for the poor and unemployed.45 He signed into law a bill giving teachers collective bargaining rights.46 At a time when conservatives were turning to the antigovernment individualism of Barry Goldwater, Romney called on the GOP to make the insurance of equal opportunity a top priority. As
Jacob S. Hacker (American Amnesia: How the War on Government Led Us to Forget What Made America Prosper)
And all this time I was keeping my eyes open, or trying to, only they kept closing, because I wanted to go on watching the stars, where the most extraordinary things were happening. A bright satellite, a man-made star, very slowly and somehow carefully crossed the sky in a great arc, from one side to the other, a close arc, one knew it was not far away, a friendly satellite slowly going about its business round and round the globe. And then, much much farther away, stars were quietly shooting and tumbling and disappearing, silently falling and being extinguished, lost utterly silent falling stars, falling from nowhere to nowhere into an unimaginable extinction. How many of them there were, as if the heavens were crumbling at last and being dismantled. And I wanted to show all these things to my father. Later I knew that I had been asleep and I opened my eyes with wonder and the sky had utterly changed again and was no longer dark but bright, golden, gold-dust golden, as if curtain after curtain had been removed behind the stars I had seen before, and now I was looking into the vast interior of the universe, as if the universe were quietly turning itself inside out. Stars behind stars and stars behind stars behind stars until there was nothing between them, nothing beyond them, but dusty dim gold of stars and no space and no light but stars. The moon was gone. The water lapped higher, nearer, touching the rock so lightly it was audible only as a kind of vibration. The sea had fallen dark, in submission to the stars. And the stars seemed to move as if one could see the rotation of the heavens as a kind of vast crepitation, only now there were no more events, no shooting stars, no falling stars, which human senses could grasp or even conceive of. All was movement, all was change, and somehow this was visible and yet unimaginable. And I was no longer I but something pinned down as an atom, an atom of an atom, a necessary captive spectator, a tiny mirror into which it was all indifferently beamed, as it motionlessly seethed and boiled, gold behind gold behind gold. Later still I awoke and it had all gone; and for a few moments I thought that I had seen all those stars only in a dream. There was a weird shocking sudden quiet, as at the cessation of a great symphony or of some immense prolonged indescribable din. Had the stars then been audible as well as visible and had I indeed heard the music of the spheres? The early dawn light hung over the rocks and over the sea, with an awful intent gripping silence, as if it had seized these faintly visible shapes and were very slowly drawing tgem out of a darkness in which they wanted to remain. Even the water was now totally silent, not a tap, not a vibration. The sky was a faintly lucid grey and the sea was a lightless grey, and the rocks were a dark fuzzy greyish brown. The sense of loneliness was far more intense than it had been under the stars. Then I had felt no fear. Now I felt fear. I discovered that I was feeling very stiff and rather cold. The rock beneath me was very hard and I felt bruised and aching. I was surprised to find my rugs and cushions were wet with dew. I got up stiffly and shook them. I looked around me. Mountainous piled-up rocks hid the house. And I saw myself as a dark figure in the midst of this empty awfully silent dawn, where light was scarcely yet light, and I was afraid of myself and quickly lay down again and settled my rug and closed my eyes, lying there stiffly and not imagining that I would sleep again.
Iris Murdoch (The Sea, the Sea)
Poor Frank!” said he. “I could yet be easy about everything if it were not for the injury I have done him. Poor Frank!” The doctor advanced a few paces from off the rug, and taking his hand out of his pocket, he laid it gently on the squire’s shoulder. “Frank will do very well yet,” said the he. “It is not absolutely necessary that a man should have fourteen thousand pounds a year to be happy.” “My father left me the property entire, and I should leave it entire to my son; — but you don’t understand this.
Anthony Trollope (Complete Works of Anthony Trollope)
Jared laughed. “Come on, I brought a spare helmet for you,” he said, reaching into his locker again. As he spoke, she reached for him in her mind, and felt the pleasure he felt in his motorbike. She could taste some of the thrill, the speed and the danger. “Ahahaha!” said Kami. “No, you didn’t. You brought it for someone else, someone who doesn’t know that you have crashed that bike fifty-eight times!” “Technically speaking, only fifty-one of those times were my fault.” “Technically speaking, you drive like a rabid chicken who has hijacked a tractor.” “Like a bat out of hell,” Jared said. “Nice simile. Sounds sort of dangerous and cool. Consider it.” “Not a chance. I like my brains the way they are, not lightly scrambled and scattered across a road. And speaking of bad boy clichés, really, a motorcycle?” “Again, I say: rugged,” Jared told her. “Manly.” “I often see Holly on hers,” Kami said solemnly. “When she stops for traffic, sometimes she puts on some manly lip gloss. I’m not getting on a bike.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
Lachlan frowned as he misjudged the distance and his forehead hit Cormag's head with a bump. He wrapped his arms around his neck to steady himself, two big hands reaching up to hold onto his arms as if to offer extra support. “You,” he began, talking quietly into his ear, “are so beautiful,” he confessed, resting his heavy skull against Cormag's for a moment. He meant it as well. Cormag was stunning. He was taller and broader than he was, very much the fine figure of hotness. His dark hair was well kept, but a little messy, he had amazing bone structure; the type that made him look more like a model than a museum manager. A chiselled jaw, nicely defined cheekbones and a rugged quality that made him so appealing. He had never noticed how handsome a male face could be until those eyes drew him in. “And so are you,” his companion chuckled, “but we discussed this…I've ruined every relationship I've ever had. I get needy, possessive and my baggage gets in the way. Besides,” he lowered his voice to a whisper and brushed his hand over his upper arm, “You're not gay,” he protested, reminding him yet again that they were different. “Nope. Not gay,” he agreed with that, nodding his head as he pulled back a little to see him better. “But that doesn't make you any less beautiful. Why is it wrong that I can see how special you are?” he asked, having difficulty understanding why part of his brain was telling him he was being a drunken idiot and that the man before him wasn't attractive. But the rest of his brain – about ninety-eight percent of it – was telling him that he was the most attractive person he'd ever seen. “It's not, Lachlan. It really isn't.” “But it's somehow wrong for me to tell you?” Lachlan wondered, glancing across the bar to see Matteo smiling at him. He didn't know what it meant. Cormag cupped his face, capturing his undivided attention again. “No. Not that either. But it makes it hard for me to keep my distance. You're stunning. Inside and out,” he claimed, with chocolatey eyes that said he meant every word.
Elaine White (Decadent (Decadent, #1))
Nevertheless he thinks: Soon they will be women, and that recognition runs through him like a needle. They will demand brassieres and then reject them, blaming both needs on him. They will criticize his clothes, his job, his turn of phrase. They’ll leave home to live with surly, scrofulous young men; or they’ll marry dentists and go in for white rugs and hanging sculptures made of wool. Either way they will judge him. Motherless, childless, he sits at the kitchen table, the solitary wanderer, under the cold red stars.
Margaret Atwood (Life Before Man)
Maybe he was just angry at having the rug ripped out from under him after spending so much time believing that he was ready for anything. Who was he kidding? Ninety-nine percent of the population had it far worse than the Fletchers, even now. Alex had to remember that. He hadn’t failed on any level. If anything, he’d succeeded in the face of insurmountable odds, with a little help along the way. A lot of help, but that was how it worked. No man was an island. No family was an island. However that saying went. Words to live and die by.
Steven Konkoly (Dispatches (Alex Fletcher, #5))
1150 AD, the north of England Melina avoided the eyes of her bodyguard. It was something she was becoming adept at, since her father had brought him into the household and given him the task of keeping watch over her all day, every day, and sleeping across the threshold to her chamber every night. But it was no use. Even with her head turned she could feel his dark eyes upon her. Deep dark pools that drew her into their depths, making her skin burn and her heart flutter. The one and only time she’d made the mistake of gazing into those eyes she’d paid the price, losing her wits entirely for several heartbeats. The man was handsome in a rugged way, his body hard and strong like a warrior’s should be, but it was more than that. There was something . . . Was it the look of him, the scent of him, the taste of him? Not that she’d touched his skin with her tongue yet, but she’d thought about it. At night, in her chamber, in her luxurious bed with its furs and curtains, all alone with him outside her door. Oh yes, Melina had the makings of a sensual woman and that was the trouble.
Evie North (A Knight of Temptation (Knights of Passion, #1))
I tried to put the subject aside. It was difficult, for there could be no question that Jim had the power; in his new sphere there did not seem to be anything that was not his to hold or to give. But that, I repeat, was nothing in comparison with the notion, which occurred to me, while I listened with a show of attention, that he seemed to have come very near at last to mastering his fate. Doramin was anxious about the future of the country, and I was struck by the turn he gave to the argument. The land remains where God had put it; but white men — he said — they come to us and in a little while they go. They go away. Those they leave behind do not know when to look for their return. They go to their own land, to their people, and so this white man too would. . . . I don’t know what induced me to commit myself at this point by a vigorous “No, no.” The whole extent of this indiscretion became apparent when Doramin, turning full upon me his face, whose expression, fixed in rugged deep folds, remained unalterable, like a huge brown mask, said that this was good news indeed, reflectively; and then wanted to know why.
Joseph Conrad (Delphi Complete Works of Joseph Conrad)
The Life of Riley in its best-known version evolved from a prospective Groucho Marx vehicle called The Flotsam Family. The Marx series failed at audition when the would-be sponsor wouldn’t accept Groucho in what was, for him, a straight role—as head of a family. Then producer Irving Brecher saw a film, The McGuerins of Brooklyn, with a rugged-looking and typically American blue-collar man, William Bendix, in one of the leading roles. There, on the screen, was his character. A new audition was recorded, with Bendix as star and the character renamed Chester A. Riley. It became a solid midlevel hit.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.” “In what way?” “More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?” “Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice. “In what?” Elizabeth automatically stood up, too. “My home.” Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly. Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly. His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.
Judith McNaught (Almost Heaven (Sequels, #3))
Major Major’s father was a sober God-fearing man whose idea of a good joke was to lie about his age. He was a long-limbed farmer, a God-fearing, freedom-loving, law-abiding rugged individualist who held that federal aid to anyone but farmers was creeping socialism. He advocated thrift and hard work and disapproved of loose women who turned him down. His specialty was alfalfa, and he made a good thing out of not growing any. The government paid him well for every bushel of alfalfa he did not grow. The more alfalfa he did not grow, the more money the government gave him, and he spent every penny he didn’t earn on new land to increase the amount of alfalfa he did not produce. Major Major’s father worked without rest at not growing alfalfa. On long winter evenings he remained indoors and did not mend harness, and he sprang out of bed at the crack of noon every day just to make certain that the chores would not be done. He invested in land wisely and soon was not growing more alfalfa than any other man in the county. Neighbors sought him out for advice on all subjects, for he had made much money and was therefore wise. “As ye sow, so shall ye reap,” he counseled one and all, and everyone said, “Amen.
Joseph Heller (Catch-22)
There is, perhaps, no class of men on the face of the earth, says Captain Bonneville, who lead a life of more continued exertion, peril, and excitement, and who are more enamored of their occupations, than the free trappers of the West. No tail, no danger, no privation can turn the trapper from his pursuit. His passionate excitement at times resembles mania. In vain may the most vigilant and cruel savages best his path, in vain may rocks and precipices and wintry torrents oppose his progress, let but a single track of a beaver meet his eye, and he forgets all the dangers and defies all difficulties. At times, he may be seen with his traps on his shoulder, buffeting his way across rapid streams, amidst floating blocks of ice: at other times, he is to be found with his traps swung on his back clambering the most rugged mountains, scaling or descending the most frightful precipices, searching, by routes inaccessible to the horse, and never before trodden by white man, for springs and lakes unknown to his comrades, and where he may meet with his favorite game. Such is the mountaineer, the hardy trapper of the West, and such, as we have slightly sketched it, is the wild, Robin Hood kind of life, with all its strange and motley populace, now existing in full vigor among the Rocky Mountains.
Washington Irving
By this time, midway through winter, I had become entirely fascinated with my spiritual melodrama. Then it stopped. Days passed, months passed and I saw nothing. I continued to peer and glance, sitting on the rug in front of my sofa in the curtainless morning with my nerves open to the air like something skinned. I saw nothing. Outside the window spring storms came and went. April snow folded its huge white paws over doors and porches. I watched a chunk of it lean over the roof and break off and fall and I thought, How slow! as it glided soundlessly past, but still—nothing. No nudes. No Thou. A great icicle formed on the railing of my balcony so I drew up close to the window and tried peering through the icicle, hoping to trick myself into some interior vision, but all I saw was the man and woman in the room across the street making their bed and laughing. I stopped watching. I forgot about Nudes. I lived my life, which felt like a switched-off TV. Something had gone through me and out and I could not own it. 'No need now to tremble for the hard frost and the keen wind. Emily does not feel them,' wrote Charlotte the day after burying her sister. Emily had shaken free. A soul can do that. Whether it goes to join Thou and sit on the porch for all eternity enjoying jokes and kisses and beautiful cold spring evenings, you and I will never know. But I can tell you what I saw. Nude #13 arrived when I was not watching for it. It came at night. Very much like Nude #1. And yet utterly different. I saw a high hill and on it a form shaped against hard air. It could have been just a pole with some old cloth attached, but as I came closer I saw it was a human body trying to stand against winds so terrible that the flesh was blowing off the bones. And there was no pain. The wind was cleansing the bones. They stood forth silver and necessary. It was not my body, not a woman’s body, it was the body of us all. It walked out of the light.
Anne Carson (Glass, Irony and God)
I suspect, however, that the thing that confuses you about Ian is that he’s half Scot. In many ways he’s more Scot than English, which accounts for what you’re calling a ruthless streak. He’ll do what he pleases, when he pleases, and the devil fly with the consequences. He always has. He doesn’t care what anyone thinks of him or of what he does.” Pausing, Jordan glanced meaningfully at the couple who’d paused to look at a shrubbery on the front lawn. Ian was listening to Elizabeth intently, an expression of tenderness on his rugged face. “The other night, however, he cared very much what people thought of your lovely friend. In fact, I don’t like to think what he might have done had anyone actually dared to openly insult her in front of him. You’re right when you aren’t deceived by Ian’s civilized veneer. Beneath that he’s a Scot, and he has a temper to go with it, though he usually keeps it in check.” “I don’t think you’re reassuring me,” Alex said shakily. “I should be. He’s committed himself completely to her. That commitment is so deep that he even reconciled with his grandfather and then appeared with him in public, which I know was because of Elizabeth.” “What on earth makes you think that?” “For one thing, when I saw Ian at the Blackmore he had no plans for the evening until he discovered what Elizabeth was going to do at the Willingtons’. The next I knew, he was walking into that ball with his grandfather at his side. And that, my love, is what we call a show of strength.” She looked impressed by his powers of deduction, and Jordan grinned. “Don’t admire me too much. I also asked him. So you see, you’re worrying needlessly,” he finished reassuringly. “Scots are a fiercely loyal lot, and Ian will protect her with his life.” “He certainly didn’t protect her with his life two years ago, when she was ruined.” Sighing, Jordan looked out the window. “After the Willingtons’ ball he told me a little of what happened that long-ago weekend. He didn’t tell me much-Ian is a very private man-but reading between the lines, I’m guessing that he fell like a rock for her and then got the idea she was playing games with him.” “Would that have been so terrible?” Alexandra asked, her full sympathy still with Elizabeth. Jordan smiled ruefully at her. “There’s one thing Scots are besides loyal.” “What is that?” “Unforgiving,” he said flatly. “They expect the same loyalty as they give. Moreover, if you betray their loyalty, you’re dead to them. Nothing you do or say will change their heart. That’s why their feuds last from generation to generation.” “Barbaric,” Alexandra said with a shiver of alarm. “Perhaps it is. But then let’s not forget Ian is also half English, and we are very civilized.” Leaning down, Jordan nipped her ear. “Except in bed.
Judith McNaught (Almost Heaven (Sequels, #3))
She had thought so much about this baby, of its welfare, its soul, its morals, its probable defects. But, like most unmarried people, she had only thought of it as a word - just as the healthy man only thinks of the word death, not of death itself. The real thing, lying asleep on a dirty rug, disconcerted her. It did not stand for a principle any longer. It was so much flesh and blood, so many inches and ounces of life - a glorious, unquestionable fact, which a man and another woman had given to the world. You could talk to it; in time it would answer you; in time it would not answer you unless it chose, but would secrete, within the compass of its body, thoughts and wonderful passions of its own.
E.M. Forster
Once when I visited Buddy I found Mrs. Willard braiding a rug out of strips of wool from Mr. Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs. Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the five and ten. And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard’s kitchen mat.
Sylvia Plath (The Bell Jar)
There is a persistent theory, held by those who prate most steadily about "the American way of life" that the average American is a rugged individualist to whom the whole conception of "leadership" is something foreign and distasteful—and this theory would certainly seem to be in accord with our national tradition of lawlessness and disrespect for authority. But it is not entirely consistent with the facts. We Americans are inveterate hero worshipers, to a far greater extent than are the British and the French. We like to personalize our loyalties, our causes. In our political or business or labor organizations, we are comforted by the knowledge that at the top is a Big Boss whom we are free to revere or to hate and upon whom we can depend for quick decisions when the going gets tough. The same is true of our Boy Scout troops and our criminal gangs. It is most conspicuously true of our passion for competitive sport. We are trained from childhood to look to the coach for authority in emergencies. The masterminding coach who can send in substitutes with instructions whenever he feels like it—or even send in an entirely new team—is a purely American phenomenon. In British football the team must play through the game with the same eleven men with which it started and with no orders from the sidelines; if a man is injured and forced to leave the field the team goes on playing with only ten men. In British sport, there are no Knute Rocknes or Connie Macks, whereas in American sport the mastermind is considered as an essential in the relentless pursuit of superiority.
Robert E. Sherwood (Roosevelt and Hopkins: An Intimate History)
Yet this religious outcast, this man who was thought to be in a state of perpetual uncleanliness, had gotten his hands on a sacred scroll and found a passage from the prophet Isaiah that resonated profoundly with his own experience: He was led like a sheep to the slaughter, and as a lamb before its shearer is silent, so he did not open his mouth. In his humiliation he was deprived of justice. Who can speak of his descendants? For his life was taken from the earth. ACTS 8:32–33 When Philip heard the eunuch reading these words aloud, he approached the chariot and asked if the eunuch understood them. “How can I unless someone guides me?” the eunuch replied. Philip climbed into the chariot, and as it rumbled through the wilderness, told the eunuch about Jesus—about how when God became one of us, God suffered too. Overcome, the eunuch looked out at the rugged landscape that surrounded them and shouted, “Look, here is water! What is to prevent me from being baptized?” We don’t know how long that question, brimming with such childlike joy it wrenches the heart, hung vulnerable as a drop of water in the desert air. At another time in his life, Philip might have pointed to the eunuch’s ethnicity, or his anatomy, or his inability to gain access to the ceremonial baths that made a person clean. But instead, with no additional conversation between the travelers, the chariot lumbered to a halt and Philip baptized the eunuch in the first body of water the two could find. It might have been a river, or it might have been a puddle in the road. Philip got out of God’s way. He remembered that what makes the gospel offensive isn’t who it keeps out, but who it lets in.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
That New Year I was invited to stay with one of my old school buddies, Sam Sykes, at his house on the far northwestern coast of Sutherland, in Scotland. It is as wild and rugged a place as anywhere on earth, and I love it there. It also happens to boast one of my favorite mountains in the world, Ben Loyal, a pinnacle of rock and steep heather that overlooks a spectacular estuary. So I did not need much encouraging to go up to Sam’s and climb. This time up there, I was to meet the lady who would change my life forever; and I was woefully ill-prepared for the occasion. I headed up north primarily to train and climb. Sam told me he had some other friends coming up for New Year. I would like them, he assured me. Great. As long as they don’t distract me from training, I thought to myself. I had never felt more distant from falling in love. I was a man on a mission. Everest was only two months away. Falling in love was way off my radar. One of Sam’s friends was this young girl called Shara. As gentle as a lamb, beautiful and funny--and she seemed to look at me so warmly. There was something about this girl. She just seemed to shine in all she did. And I was totally smitten, at once. All I seemed to want to do was hang out with her, drink tea, chat, and go for nice walks. I tried to fight the feeling by loading up my backpack with rocks and heavy books, then going off climbing on my own. But all I could think about was this beautiful blond girl who laughed in the most adorable way at how ridiculous it was to carry Shakespeare up a mountain. I could sense already that this was going to be a massive distraction, but somehow, at the same time, nothing else seemed to matter. I found myself wanting to be with this girl all the time.
Bear Grylls (Mud, Sweat and Tears)
The light that fell in here was mottled by the stained-glass windows of the treetops, where every leaf was like a piece of crystal playing with the light according to its own rules. Wojnicz walked along a central nave toward an altar in the distance, not yet visible, but everything foretold it—this was a church full of labyrinths, side naves, crypts beneath the stones, tabernacles hidden in holes in the trees, altars materializing on the mossy trunks of toppled beeches. This church was not at all definite, like a man-made church, but a place of constant change: of water into life, and of light into matter. Everything here was rustling, swelling, gathering, growing and multiplying, budding and trilling. The green moss and gray lichen made the forest seem carpeted in Persian rugs—in velveteen, sheepskin, woolly felt and soft flannel. Why on earth hadn’t he come here sooner?
Olga Tokarczuk (The Empusium: A Health Resort Horror Story)
It had been almost exactly four months since we’d met; four months since we’d locked glances in that bar; four months since his eyes and hair had made my knees turn to overcooked noodles. It had been four months since he’d failed to call me the next day, week, month. I’d moved on, of course, but the rugged image of Marlboro Man had left an indelible mark on my psyche. But I’d just begun my Chicago planning before I’d met him that night and had continued the next day. And now, at the end of April, I was just about set to go. “Oh, hi,” I said nonchalantly. I was leaving soon. I didn’t need this guy. “How’ve you been?” he continued. Yikes. That voice. It was gravelly and deep and whispery and dreamy all at the same time. I didn’t know until that moment that it had already set up permanent residence in my bones. My marrow remembered that voice. “Good,” I replied, focusing my efforts on appearing casual, confident, and strong. “I’m just gearing up to move to Chicago, actually.” “No kidding?” he said. “When are you going?” “Just a couple of weeks,” I replied. “Oh…” He paused. “Well…would you like to go out to dinner this week?” This was always the awkward part. I could never imagine being a guy. “Um, sure,” I said, not really seeing the point of going out with him, but also knowing it was going to be next to impossible for me to turn down a date with the first and only cowboy I’d ever been attracted to. “I’m pretty free all this week, so--” “How ’bout tomorrow night?” he cut in. “I’ll pick you up around seven.” He didn’t know it at the time, but that single take-charge moment, his instantaneous transformation from a shy, quiet cowboy to this confident, commanding presence on the phone, affected me very profoundly. My interest was officially ablaze.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Ye told me ye had no’ seen the man in the clearing yesterday.” “I did not,” Annabel assured him, swiveling to look at him with a bit of excitement as she was recalled to the day’s events. “But I saw his plaid and the man today was wearing the same color plaid. He was big too. And, he was the same man as the one who startled me in England on our journey here, so I am beginning to think it was the same man all three times.” “Ye’re sure it was the same man as in England?” he asked, not happy at the thought. “Aye. I only caught a glimpse that first time, but he is hard to mistake,” she assured him. “He is very large and has a pretty face.” That brought a scowl to Ross’s lips. He didn’t at all like her finding someone else attractive, which was silly, he supposed. It wasn’t like she was going to run off with her attacker. According to Giorsal, she’d stabbed him. Besides, he himself wouldn’t have been flattered to be called pretty. “Ye mean handsome, do ye no’?” he suggested. “Nay. You are handsome, husband. He is pretty,” she said in a tone of voice that suggested that should clear the matter up. It didn’t. “Is there a difference?” Ross asked cautiously. “Aye,” Annabel said as if that should be obvious. “Handsome is rugged and manly and . . . well . . . handsome,” she finished helplessly, and then added, “Pretty is big eyes, sculpted jaw and hair that flops across the eyes.” She paused briefly before continuing with some consideration, “He would make a lovely girl were he not so muscular across the shoulders and chest.” “Ah,” Ross said, unable to repress a grin. Whether she realized it or not, his wife was saying she thought he was a sexy beast, while the pretty boy was . . . pretty, but not in a way she found especially attractive. He liked that. His
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
The Temperance (XIV) Card “Highway 17 in Texas: we stop to watch buzzards supping on a roadkill porcupine. The mountains are a Persian rug of emerald and brown, wolfish clouds gathering rain. The towns stack up like a tarot deck. A row of Mexican women stand at clotheslines, shake the static from dresses. The fortune you believe is the one you'll get. Eres muy sexy, says the wrinkled man at the gas station. Eres divina. The jade cottonwoods speak of flooding; the yucca tattle on the south. You might say this about exile, mountains eroded by six hundred years of women's feet, the heavy press from babies and water buckets. Forty miles south, mothers find their daughters' bodies in boxes. The dusk is a murder of magenta and indigo against the black land, as monstrously beautiful as a rape tree. As we drive, a brown woman names the dying plants. She reads the cacti like an open palm.
Hala Alyan (The Twenty-Ninth Year)
If you leave off looking at books about beasts and men, if you begin to look at beasts and men then (if you have any humour or imagination, any sense of the frantic or the farcical) you will observe that the startling thing is not how like man is to the brutes, but how unlike he is. It is the monstrous scale of his divergence that requires an explanation. That man and brute are like is, in a sense, a truism; but that being so like they should then be so insanely unlike, that is the shock and the enigma. That an ape has hands is far less interesting to the philosopher than the fact that having hands he does next to nothing with them; does not play knuckle-bones or the violin; does not carve marble or carve mutton. People talk of barbaric architecture and debased art. But elephants do not build colossal temples of ivory even in a roccoco style; camels do not paint even bad pictures, though equipped with the material of many camel's-hair brushes. Certain modern dreamers say that ants and bees have a society superior to ours. They have, indeed, a civilization; but that very truth only reminds us that it is an inferior civilization. Who ever found an ant-hill decorated with the statues of celebrated ants? Who has seen a bee-hive carved with the images of gorgeous queens of old? No; the chasm between man and other creatures may have a natural explanation, but it is a chasm. We talk of wild animals; but man is the only wild animal. It is man that has broken out. All other animals are tame animals; following the rugged respectability of the tribe or type. All other animals are domestic animals; man alone is ever undomestic, either as a profligate or a monk. So that this first superficial reason for materialism is, if anything, a reason for its opposite; it is exactly where biology leaves off that all religion begins.
G.K. Chesterton (Orthodoxy)
II. This also thou must observe, that whatsoever it is that naturally doth happen to things natural, hath somewhat in itself that is pleasing and delightful: as a great loaf when it is baked, some parts of it cleave as it were, and part asunder, and make the crust of it rugged and unequal, and yet those parts of it, though in some sort it be against the art and intention of baking itself, that they are thus cleft and parted, which should have been and were first made all even and uniform, they become it well nevertheless, and have a certain peculiar property, to stir the appetite. So figs are accounted fairest and ripest then, when they begin to shrink, and wither as it were. So ripe olives, when they are next to putrefaction, then are they in their proper beauty. The hanging down of grapes - the brow of a lion, the froth of a foaming wild boar, and many other like things, though by themselves considered, they are far from any beauty, yet because they happen naturally, they both are comely, and delightful; so that if a man shall with a profound mind and apprehension, consider all things in the world, even among all those things which are but mere accessories and natural appendices as it were, there will scarce appear anything unto him, wherein he will not find matter of pleasure and delight. So will he behold with as much pleasure the true rictus of wild beasts, as those which by skilful painters and other artificers are imitated. So will he be able to perceive the proper ripeness and beauty of old age, whether in man or woman: and whatsoever else it is that is beautiful and alluring in whatsoever is, with chaste and continent eyes he will soon find out and discern. Those and many other things will he discern, not credible unto every one, but unto them only who are truly and familiarly acquainted, both with nature
Marcus Aurelius (Meditations)
She heard nothing but experienced a sensation that prickled along her spine like a warm touch caressing her skin. Slowly, with the care of prey beneath a predator's survey, she turned her head- and met the gaze of the elegant gentleman lounging at the door. In her travels, she had seen many a striking and charming man, but none had been as handsome as this- and all had been more charming. This man was a statue in stark black and white, hewn from rugged granite and adolescent dreams. His face wasn't really handsome; his nose was thin and crooked, his eyes heavy lidded, his cheekbones broad, stark and hollowed. But he wielded a quality of power, of toughness, that made Eleanor want to huddle into a shivering, cowardly little ball. Then he smiled, and she caught her breath in awe. His mouth... his glorious, sensual mouth. His lips were wide, too wide, and broad, too broad. His teeth were white, clean, strong as a wolf's. He looked like a man seldom amused by life, but he was amused by her, and she realized in a rush of mortification that she remained standing on the stool, reading one of his books and lost to the grave realities of her situation. The reality that stated she was an imposter, sent to mollify this man until the real duchess could arrive. Mollify? Him? Not likely. Nothing would mollify him. Nothing except... well, whatever it was he wanted. And she wasn't fool enough to think she knew what that was. The immediate reality was that she would somehow have to step down onto the floor and of necessity expose her ankles to his gaze. It wasn't as if he wouldn't look. He was looking now, observing her figure with an appreciation all the more impressive for its subtlety. His gaze flicked along her spine, along her backside, and down her legs with such concentration that she formed the impression he knew very well what she looked like clad only in her chemise- and that was an unnerving sensation.
Christina Dodd (One Kiss From You (Switching Places, #2))
When first he came to live at my expense, I never thought I should be able to get him to stop long.  I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live.  He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all.
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
Body parts really don’t like to be cut, stabbed or hacked into sections, and they express their anger by leaking all over the fuck. Jesus, we’re, like, seventy percent water or something? And you learn that’s so fucking true when you go to a fresh scene. Pools of it. Drips of it. Speckles of it. Then you got the stained clothes, rugs, bedsheets, walls, flooring—or if it’s outside, the ground cover, the concrete, the asphalt. And then there’s the smell. Blood, sweat, urine, other shit. That juicy bouquet will get in your sinuses and stay there for hours afterward.” He shook his head again. “The older cases . . . the smell is worse than the mess. Water deaths, with the bloating, are just ugly—and if that gas that’s built up gets out? The stench will knock you on your ass. And I don’t know, I wasn’t too crazy for the burn deaths either. I mean, you’d think we’d realize we’re not different than any other mammal—cooked meat is cooked meat, period. But I’ve never seen a grown man puke up his coffee and donuts over a medium rare T-bone.
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
Who that cares much to know the history of man, and how that mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa, has not smiled with some gentleness at the thought of the little girl walking forth one morning hand-in-hand with her still smaller brother, to go and seek martyrdom in the country of the Moors? Out they toddled from rugged Avila, wide-eyed and helpless-looking as two fawns, but with distinctively human hearts, already beating to a national idea; until domestic reality met them in the shape of uncles, and turned them back from their great resolve. That child-pilgrimage was a fit beginning. Theresa’s passionate, ideal nature demanded an epic life: what were many-volumed romances of chivalry and the social conquests of a brilliant girl to her? Her flame quickly burned up that light fuel, and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self-despair with the rapturous consciousness of life beyond self. She found her epos in the reform of a religious order. That Spanish woman who lived three hundred years ago, was certainly not the last of her kind. Many Theresas have been born who found for themselves no epic life wherein there was a constant unfolding of far-resonant action; perhaps only a life of mistakes, the offspring of a certain spiritual grandeur ill-matched with the meanness of opportunity; perhaps a tragic failure which found no sacred poet and sank unwept into oblivion. With dim lights and tangled circumstance they tried to shape their thought and deed in noble agreement; but after all, to common eyes their struggles seemed mere inconsistency and formlessness; for these later-born Theresas were helped by no coherent social faith and order which could perform the function of knowledge for the ardently willing soul. Their ardour alternated between a vague ideal and the common yearning of womanhood; so that the one was disapproved as extravagance, and the other condemned as a lapse.
George Eliot (George Eliot: The Complete Works)
Hey…you okay?” Marlboro Man repeated. My heart fluttered in horror. I wanted to jump out of the bathroom window, scale down the trellis, and hightail it out of there, forgetting I’d ever met any of these people. Only there wasn’t a trellis. And outside the window, down below, were 150 wedding guests. And I was sweating enough for all of them combined. I was naked and alone, enduring the flop sweat attack of my life. It figured. It was usually the times I felt and looked my absolute best when I wound up being humbled in some colossally bizarre way. There was the time I traveled to my godmother’s son’s senior prom in a distant city and partied for an hour before realizing the back of my dress was stuck inside my panty hose. And the time I entered the after-party for my final Nutcracker performance and tripped on a rug, falling on one of the guest performers and knocking an older lady’s wineglass out of her frail arms. You’d think I would have come to expect this kind of humiliation on occasions when it seemed like everything should be going my way.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Where do you go along these rugged paths? Where are you going? The good that you love is from him, and insofar as it is also for him, it is both good and pleasant. But it will rightly be turned to bitterness if whatever comes from him is not rightly loved and if he is deserted for the love of the creature. Why then will you wander farther and farther in these difficult and toilsome ways? There is no rest where you seek it. Seek what you seek; but remember that it is not where you seek it. You seek for a blessed life in the land of death. It is not there. For how can there be a blessed life where life itself is not?” 19. But our very Life came down to earth and bore our death, and slew it with the very abundance of his own life. And, thundering, he called us to return to him into that secret place from which he came forth to us--coming first into the virginal womb, where the human creature, our mortal flesh, was joined to him that it might not be forever mortal--and came “as a bridegroom coming out his chamber, rejoicing as a strong man to run a race.
Augustine of Hippo (Confessions)
Chicken Roast Puff your plume in anger and fight, cock, delight the owner of knife smear sting with pollen and flap your wings As I said: Twist the arms and keep them bent roll the rug and come down the terrace after disturbed sleep Shoeboots-rifle-whirring bullets-shrieks The aged undertrial in the next cell weeps and wants to go home Liberate me let me go let me go home On its egg in the throne the gallinule doses asphyxiate in dark fight back, cock, die and fight, shout with the dumb Glass splinters on tongue-breast muscles quiver Fishes open their gills and enfog water A piece of finger wrapped in pink paper With eyes covered someone wails in the jailhouse I can't make out if man or woman Keep this eyelash on lefthand palm- and blow off with your breath Fan out snake-hood in mist Cobra's abdomen shivers in the hiss of female urination Deport to crematorium stuffing blood-oozing nose in cottonwool Shoes brickbats and torn pantaloons enlitter the streets I smear my feet with the wave picked up from a stormy sea That is the alphabet I drew on for letters. (Translation of Bengali original 'Murgir Roast')
মলয় রায়চৌধুরী ( Malay Roychoudhury )
Flour on the floor makes my sandals slip and I tumble into your arms. Too hot to bake this morning but blueberries begged me to fold them into moist muffins. Sticks of rhubarb plotted a whole pie. The windows are blown open and a thickfruit tang sneaks through the wire screen and into the home of the scowly lady who lives next door. Yesterday, a man in the city was rescued from his apartment which was filled with a thousand rats. Something about being angry because his pet python refused to eat. He let the bloom of fur rise, rise over the little gnarly blue rug, over the coffee table, the kitchen countertops and pip through each cabinet, snip at the stumpy bags of sugar, the cylinders of salt. Our kitchen is a riot of pots, wooden spoons, melted butter. So be it. Maybe all this baking will quiet the angry voices next door, if only for a brief whiff. I want our summers to always be like this—a kitchen wrecked with love, a table overflowing with baked goods warming the already warm air. After all the pots are stacked, the goodies cooled, and all the counters wiped clean—let us never be rescued from this mess.
Aimee Nezhukumatathil
In the late afternoon he was standing by a tent run by a trapper-merchant from Oregon, an Englishman named Haversham, the only man at the rendezvous in European dress, and Haversham asked, “Care for a cup of tea?” It had been a long time since McKeag had drunk tea and he said, “Don’t mind if I do.” The Englishman had two china cups and a small porcelain pot. Washing the cups with steaming water, he took down a square brown tin, opened the top carefully and placed a small portion of leaves in the pot. To McKeag they bore no visible difference from the tea leaves his mother had used, but when Haversham poured him a cup and he took his first sip, an aroma unlike any he had ever known greeted him. He sniffed it several times, then took a deep taste of the hot tea. It was better than anything he had previously tasted, better even than whiskey. What did it taste like? Well, at first it was tarry, as if the person making the tea had infused by mistake some stray ends of well-tarred rope. But it was penetrating too, and a wee bit salty, and very rich and lingering. McKeag noticed that its taste dwelled in the mouth long after that of an ordinary tea. It was a man’s tea, deep and subtle and blended in some rugged place. “What is it?” he asked. Haversham pointed to the brown canister, and McKeag said, “I can’t read.” Haversham indicated the lettering and the scene of tea-pickers in India. “Lapsang souchong,” he said. “Best tea in the world.” Impulsively McKeag asked, “You have some for sale?” “Of course. We’re the agents.” It was a tea, Haversham explained, blended in India especially for men who had known the sea. It was cured in a unique way which the makers kept secret. “But smoke and tar must obviously play a part,” he said. It came normally from India to London, but the English traders in Oregon imported theirs from China. “How long would a can like that last?” McKeag asked, cautiously again. “It’ll keep forever … with the top on.” “I mean, how many cups?” “I use it sparingly. It would last me a year.” “I’ll take two cans,” McKeag said, without asking the price. It was expensive, and as he tucked his small supply of coins back into his belt, Haversham explained, “The secret in making good lapsang souchong lies in heating the cup first. Heat it well. Then the flavor expands.” McKeag hid the canisters at the bottom of his gear, for he knew they were precious.
James A. Michener (Centennial)
In ninety seconds they were naked and he was nibbling at her ear while his hand rubbed her pubic mat; but a saboteur was at work at his brain. 'I love you,' he thought, and it was not untrue because he loved all women now, knowing partially what sex was really all about, but he couldn't bring himself to say it because it was not totally true, either, since he loved Mavis more, much more. 'I'm awfully fond of you,' he almost said, but the absurdity of it stopped him. Her hand cupped his cock and found it limp; her eyes opened and looked into his enquiringly. He kissed her lips quickly and moved his hand lower, inserting a ringer until he found the clitoris. But even when her breathing got deeper, he did not respond as usual, and her hand began massaging his cock more desperately. He slid down, kissing nipples and bellybutton on the way, and began licking her clitoris. As soon as she came, he cupped her buttocks, lifted her pelvis, got his tongue into her vagina and forced another quick orgasm, immediately lowering her slightly again and beginning a very gentle and slow return in spiral fashion back to the clitoris. But still he was flaccid. 'Stop,' Stella breathed. 'Let me do you, baby.' George moved upward on the bed and hugged her. 'I love you,' he said, and suddenly it did not sound like a lie. Stella giggled and kissed his mouth briefly. 'It takes a lot to get those words out of you, doesn't it?' she said bemusedly. 'Honesty is the worst policy,' George said grimly. 'I was a child prodigy, you know? A freak. It was rugged. I had to have some defense, and somehow I picked honesty. I was always with older boys so I never won a fight. The only way I could feel superior, or escape total inferiority, was to be the most honest bastard on the planet earth.' 'So you can't say 'I love you' unless you mean it?' Stella laughed. 'You're probably the only man in America with that problem. If you could only be a woman for a while, baby! You can't imagine what liars most men are.' 'Oh, I've said it at times. When it was at least half true. But it always sounded like play-acting to me, and I felt it sounded that way to the woman, too. This time it just came out, perfectly natural, no effort.' 'That is something,' Stella grinned. 'And I can't let it go unrewarded.' Her black body slid downward and he enjoyed the esthetic effect as his eyes followed her— black on white, like the yinyang or the Sacred Chao—what was the psychoses of the white race that made this beauty seem ugly to most of them? Then her lips closed over his penis and he found that the words had loosened the knot: he was erect in a second. He closed his eyes to savor the sensation, then opened them to look down at her Afro hairdo, her serious dark face, his cock slipping back and forth between her lips. 'I love you,' he repeated, with even more conviction. 'Oh, Christ, Oh, Eris, oh baby baby, I love you!' He closed his eyes again, and let the Robot move his pelvis in response to her. 'Oh, stop,' he said, 'stop,' drawing her upward and turning her over, 'together,' he said, mounting her, 'together,' as her eyes closed when he entered her and then opened again for a moment meeting his in total tenderness, 'I love you, Stella, I love,' and he knew it was so far along that the weight wouldn't bother her, collapsing, using his arms to hug her, not supporting himself, belly to belly and breast to breast, her arms hugging him also and her voice saying, 'I love you, too, oh, I love you,' and moving with it, saying 'angel' and 'darling' and then saying nothing, the explosion and the light again permeating his whole body not just the penis, a passing through the mandala to the other side and a long sleep.
Robert Anton Wilson (The Illuminatus! Trilogy)
unless we’re missing our guess, your life and the gospel probably haven’t always felt in sync on a lot of days, in most of the years since. After the emotional scene with the trembling chin and the wadded-up Kleenexes, where you truly felt the weight of your own sin and the Spirit’s conviction, you’ve had a hard time consistently enjoying and experiencing what God’s supposedly done to remedy this self-defeating situation. Even on those repeat occasions when you’ve crashed and burned and resolved to do better, you’ve typically only been able, for a little while, to sit on your hands, trying to stay in control of yourself by rugged determination and brute sacrifice (which you sure hope God is noticing and adding to your score). But you’ll admit, it’s not exactly a feeling of freedom and victory. And anytime the wheels come off again, as they often do, it just feels like the same old condemnation as before. Devastating that you can’t crack the code on this thing, huh? You were pretty sure that being a Christian was supposed to change you—and it has. Some. But man, there’s still so much more that needs changing. Drastic things. Daily things. Changes in your habits, your routines, in your choices and decisions, changes to the stuff you just never stop hating about yourself, changes in what you do and don’t do . . . and don’t ever want to do again! Changes in how you think, how you cope, how you ride out the guilt and shame when you’ve blown it again. How you shoot down those old trigger responses—the ones you can’t seem to keep from reacting badly to, even after you keep telling yourself to be extra careful, knowing how predictably they set you off. Changes in your closest relationships, changes in your work habits, changes that have just never happened for you before, the kind of changes that—if you can ever get it together—might finally start piling up, you think, rolling forward, fueling some fresh momentum for you, keeping you moving in the right direction. But then—stop us if you’ve heard this one before . . . You barely if ever change. And come on, shouldn’t you be more transformed by now? This is around the point where, when what you’ve always thought or expected of God is no longer squaring with what you’re feeling, that you start creating your own cover versions of the gospel, piecing together things you’ve heard and believed and experimented with—some from the past, some from the present. You lay down new tracks with a gospel feel but, sadly, not always a lot of gospel truth.
Matt Chandler (Recovering Redemption: A Gospel Saturated Perspective on How to Change)
In het begin trok ik de draden uit mijn kleren om te kunnen borduren, met de dag werden mijn werken mooier en met de dag mijn kleren kleiner. Daarom naai ik vooral in blauw. Blauw is niet de kleur van mijn expressie. Blauw is de kleur van de bloezen en het beddengoed dat de patienten.bewoners.gekken.gevangenen van Colonia Juliano Moreira krijgen en het was de enige draad die ik had voordat de dame mijn ordening van de wereld 'kunst' begon te noemen, waarna mensen me begonnen op te zoeken en schroot en andere nuttige voorwerpen meenamen. Soms borduurde ik zo veel, kwamen de ideeen zo snel, dat ik nog maar een hemdsmouw overhield. Die droeg ik binnenstebuiten, om dan rond te dwalen met de andere naakte patienten, die hun kleren van zich af rukten omdat ze die aanzagen voor dwangbuizen.hommels.vuur. Het duurde uren voordat het personeel me ontdekte, het duurde jaren voordat ze beseften dat ik alleen naakt rondliep omdat dit nodig was voor mijn werk, dat als ik genoeg fatsoenlijk materiaal had, ik met liefde mijn beddengoed heel hield. Dat waren de heerlijkste dagen, verscholen achter de armoedige planten in de tuin, op mijn rug met steentjes als een aureool rond mijn hoofd, in de onaangeharkte tuin met de warmte van de Rio-zon op mijn penis en buik.
Daniel Mason (De man die kleur maakte)
It was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him. The hallway smelt of boiled cabbage and old rag mats. At one end of it a coloured poster, too large for indoor display, had been tacked to the wall. It depicted simply an enormous face, more than a metre wide: the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features. Winston made for the stairs. It was no use trying the lift. Even at the best of times it was seldom working, and at present the electric current was cut off during daylight hours. It was part of the economy drive in preparation for Hate Week. The flat was seven flights up, and Winston, who was thirty-nine and had a varicose ulcer above his right ankle, went slowly, resting several times on the way. On each landing, opposite the lift-shaft, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow you about when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran.
George Orwell
If Christianity is to receive a rejuvenation it must be by other means than any now being used. If the church in the second half of this century is to recover from the injuries she suffered in the first half, there must appear a new type of preacher. The proper, ruler-of-the-synagogue type will never do. Neither will the priestly type of man who carries out his duties, takes his pay and asks no questions, nor the smooth-talking pastoral type who knows how to make the Christian religion acceptable to everyone. All these have been tried and found wanting. Another kind of religious leader must arise among us. He must be of the old prophet type, a man who has seen visions of God and has heard a voice from the Throne. When he comes (and I pray God there will be not one but many) he will stand in flat contradiction to everything our smirking, smooth civilization holds dear. He will contradict, denounce and protest in the name of God and will earn the hatred and opposition of a large segment of Christendom. Such a man is likely to be lean, rugged, blunt-spoken and a little bit angry with the world. He will love Christ and the souls of men to the point of willingness to die for the glory of the one and the salvation of the other. But he will fear nothing that breathes with mortal breath.
A.W. Tozer (Of God and Men)
The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)
Elinor Wylie
Chaworth," the dark-haired man beside him intervened quietly, "if I may speak." The speaker was ruggedly attractive, with boldly hewn features and the sun-browned complexion of an avid outdoorsman. Although he was not young- his black locks were liberally shot with steel, and time had deepened the laugh-lines around his eyes and the brackets between his nose and mouth- he certainly couldn't have been called old. Not with that air of robust health, and the presence of a man with considerable authority. "I've known the lad since the day he was born," he continued, voice deep and a bit gravelly. "As you know, his father is a close friend. I'll vouch for his character, and his word. For the girl's sake, I suggest that we hold our silence and handle the matter with discretion." "I am also acquainted with his father," Lord Chaworth snapped, "who plucked many a fair flower in his day. Obviously the son is following in his footsteps. No, Westcliff, I will not remain silent- he must be held accountable for his actions." Westcliff? Pandora glanced at him with alert interest. She had heard of the Earl of Westcliff, who, after the Duke of Norfolk, held the oldest and most respectable peerage title in England. His vast Hampshire estate, Stony Cross Park, was famed for its fishing, hunting, and shooting.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Leaving the paintings for a moment, he turned to a large bench-size object covered with another cloth; upon whipping off the cloth, he found himself staring into the snarling face and exceptionally long, talon-like teeth of a tiger. He fell back onto the ornately woven red rug beneath them and lay on his back, stunned, as a shower of fine dust fell over him. “You get that out of your system?” Etta asked, stepping around his prone form. His hand lashed out, closing around her ankle like an iron. The woman was mad if she thought he’d let her take another step forward— “It’s dead,” she said, looking down at him with an amused smile. “As gross as it is, it’s been preserved and stuffed to be displayed. Look.” He inhaled sharply through his nose as she reached out a hand to stroke its head. As promised, it did not move. It did not blink. The tiger was dead. “What are the chances your mother killed and stuffed it herself?” “Pretty good, I think.” Etta held up a framed photograph of an older man in the garb of an early twentieth-century explorer, who was holding a rifle. The tiger lay dead at the toes of his boots, and beside it was a grinning, tiny, blond girl—a younger version of the woman in the other photograph he’d seen. Rose. And he’d wondered from whom Etta had inherited her casual disregard for danger.
Alexandra Bracken (Passenger (Passenger, #1))
You risked your own life to save me,” she said. “I won’t forget that.” His face grew expressionless again. “I told you, Becca. You belong to me. I will not let you go until my father is released.” You belong to me. You belong to me. The words echoed in her mind. “I belong to no one but myself,” she said throatily. But deep inside, she wished . . . “You are my captive.” “I could have left you to bleed to death,” she reminded him. “Ahikta. It is true. But my father is old. If I do not save him, he will die. It shames me to use a woman for a weapon, but sometimes a man must do what he must.” “I think I understand that now,” she said. As I must return to a husband that I can never love, as I might have loved this man were we not born mortal enemies. Talon did not speak again, and in a little while he drifted off to sleep. She sat beside him, hands in her lap, gazing at his sleeping face. How alien he is, she thought, and how beautiful. His skin tone was a warm red-bronze, his cheekbones high and prominent. His lips were thin but sensual, his eyes slightly slanted beneath raven-black brows. His forehead was high and broad, his chin and nose ruggedly defined. It was all she could do to keep from touching his face again. She wanted to stroke the smooth lines of his beardless jaw, to trace those fierce arching brows and commit them all to memory.
Judith E. French (This Fierce Loving)
William was only one year old, and his mother was proud of him, he was so pretty... He was a joy to her, the twining wisps of hair clustering round his head. Mrs Morel lay listening, one Sunday morning, to the chatter of the two. Then she dozed off. When she came downstairs... seated in his armchair, against the chimney piece, sat Morel, rather timid: and standing between his legs, the child - cropped like a sheep, with such an odd round poll - looking wondering at her: and on a newspaper spread out upon the hearth rug, a myriad of crescent-shaped curls, like the petals of a marigold scattered in the reddening firelight. Mrs Morel stood still. It was her first baby. She went very white, and was unable to speak. "What dost think on 'im?" Morel laughed uneasily. She gripped her two fists, lifted them, and came forward. Morel shrank back... Her lip trembled, her face broke, and, snatching up the child, she buried her face in his shoulder and cried painfully. She was one of those women who cannot cry: whom it hurts as it hurts a man. It was like the ripping something out of her, her sobbing... She went about her work with closed mouth and very quiet... She spoke to him civilly, and never alluded to what he had done. But he felt something final had happened. ...But she knew, and Morel knew, that that act had caused something momentous to take place in her soul. She remembered that scene all her life, as one in which she had suffered the most intensely. This act of masculine clumsiness was a spear through the side of her love for Morel.
D.H. Lawrence (Sons and Lovers)
And by his side rode loathsome Gluttony, Deformed creature, on a filthie swyne, His belly was vp-blowne with luxury, And eke with fatnesse swollen were his eyne, And like a Crane his necke was long and fyne, With which he swallowd vp excessiue feast; For want whereof poore people oft did pyne; And all the way, most like a brutish beast, He spued vp his gorge, that all did him deteast. In greene vine leaues he was right fitly clad; For other clothes he could not weare for heat, And on his head an yuie girland had, From vnder which fast trickled downe the sweat: Still as he rode, he somewhat still did eat, And in his hand did beare a bouzing can, “Of which he supt so oft, that on his seat His dronken corse he scarse vpholden can, In shape and life more like a monster, then a man. Vnfit he was for any worldly thing, And eke vnhable once to stirre or go, Not meet to be of counsell to a king, Whose mind in meat and drinke was drowned so, That from his friend he seldome knew his fo: Full of diseases was his carcas blew, And a dry dropsie through his flesh did flow And next to him rode lustfull Lechery, Vpon a bearded Goat, whose rugged haire, And whally eyes (the signe of gelosy,) Was like the person selfe, whom he did beare: Who rough, and blacke, and filthy did appeare, Vnseemely man to please faire Ladies eye; Yet he of Ladies oft was loued deare, When fairer faces were bid standen by: O who does know the bent of womens fantasy? In a greene gowne he clothed was full faire, Which vnderneath did hide his filthinesse, And in his hand a burning hart he bare, Full of vaine follies, and new fanglenesse: For he was false, and fraught with ficklenesse, And learned had to loue with secret lookes, And well could daunce, and sing with ruefulnesse, And fortunes tell, and read in louing bookes, And thousand other wayes, to bait his fleshly hookes. And greedy Auarice by him did ride, Vpon a Camell loaden all with gold; Two iron coffers hong on either side, With precious mettall full, as they might hold, And in his lap an heape of coine he told; For of his wicked pelfe his God he made, And vnto hell him selfe for money sold; Accursed vsurie was all his trade, And right and wrong ylike in equall ballaunce waide. His life was nigh vnto deaths doore yplast, And tired-bare cote, and cobled shoes he ware, Ne scarse good morsell all his life did tast, But both from backe and belly still did spare, To fill his bags, and richesse to compare; Yet chylde ne kinsman liuing had he none To leaue them to; but thorough daily care To get, and nightly feare to lose his owne, He led a wretched life vnto himselfe vnknowne. And next to him malicious Enuie rode, Vpon a rauenous wolfe, and still did chaw Betweene his cankred teeth a venemous tode, That all the poison ran about his chaw; But inwardly he chawed his owne maw At neighbours wealth, that made him euer sad For death it was, when any good he saw, And wept, that cause of weeping none he had But when he heard of harme, he wexed wondrous glad. And him beside rides fierce reuenging Wrath, Vpon a Lion, loth for to be led; And in his hand a burning brond he hath, The which he brandisheth about his hed; His eyes did hurle forth sparkles fiery red, And stared sterne on all, that him beheld, As ashes pale of hew and seeming ded; And on his dagger still his hand he held, Trembling through hasty rage, when choler in him sweld.
Edmund Spenser (The Faerie Queene)
… The most important contribution you can make now is taking pride in your treasured home state. Because nobody else is. Study and cherish her history, even if you have to do it on your own time. I did. Don’t know what they’re teaching today, but when I was a kid, American history was the exact same every year: Christopher Columbus, Plymouth Rock, Pilgrims, Thomas Paine, John Hancock, Sons of Liberty, tea party. I’m thinking, ‘Okay, we have to start somewhere— we’ll get to Florida soon enough.’…Boston Massacre, Crispus Attucks, Paul Revere, the North Church, ‘Redcoats are coming,’ one if by land, two if by sea, three makes a crowd, and I’m sitting in a tiny desk, rolling my eyes at the ceiling. Hello! Did we order the wrong books? Were these supposed to go to Massachusetts?…Then things showed hope, moving south now: Washington crosses the Delaware, down through original colonies, Carolinas, Georgia. Finally! Here we go! Florida’s next! Wait. What’s this? No more pages in the book. School’s out? Then I had to wait all summer, and the first day back the next grade: Christopher Columbus, Plymouth Rock…Know who the first modern Floridians were? Seminoles! Only unconquered group in the country! These are your peeps, the rugged stock you come from. Not genetically descended, but bound by geographical experience like a subtropical Ellis Island. Because who’s really from Florida? Not the flamingos, or even the Seminoles for that matter. They arrived when the government began rounding up tribes, but the Seminoles said, ‘Naw, we prefer waterfront,’ and the white man chased them but got freaked out in the Everglades and let ’em have slot machines…I see you glancing over at the cupcakes and ice cream, so I’ll limit my remaining remarks to distilled wisdom: “Respect your parents. And respect them even more after you find out they were wrong about a bunch of stuff. Their love and hard work got you to the point where you could realize this. “Don’t make fun of people who are different. Unless they have more money and influence. Then you must. “If someone isn’t kind to animals, ignore anything they have to say. “Your best teachers are sacrificing their comfort to ensure yours; show gratitude. Your worst are jealous of your future; rub it in. “Don’t talk to strangers, don’t play with matches, don’t eat the yellow snow, don’t pull your uncle’s finger. “Skip down the street when you’re happy. It’s one of those carefree little things we lose as we get older. If you skip as an adult, people talk, but I don’t mind. “Don’t follow the leader. “Don’t try to be different—that will make you different. “Don’t try to be popular. If you’re already popular, you’ve peaked too soon. “Always walk away from a fight. Then ambush. “Read everything. Doubt everything. Appreciate everything. “When you’re feeling down, make a silly noise. “Go fly a kite—seriously. “Always say ‘thank you,’ don’t forget to floss, put the lime in the coconut. “Each new year of school, look for the kid nobody’s talking to— and talk to him. “Look forward to the wonderment of growing up, raising a family and driving by the gas station where the popular kids now work. “Cherish freedom of religion: Protect it from religion. “Remember that a smile is your umbrella. It’s also your sixteen-in-one reversible ratchet set. “ ‘I am rubber, you are glue’ carries no weight in a knife fight. “Hang on to your dreams with everything you’ve got. Because the best life is when your dreams come true. The second-best is when they don’t but you never stop chasing them. So never let the authority jade your youthful enthusiasm. Stay excited about dinosaurs, keep looking up at the stars, become an archaeologist, classical pianist, police officer or veterinarian. And, above all else, question everything I’ve just said. Now get out there, class of 2020, and take back our state!
Tim Dorsey (Gator A-Go-Go (Serge Storms Mystery, #12))
California, land of my dreams and my longing. You've seen me in New York and you know what I'm like there but in L.A., man, I tell you, I'm even more of a high-achiever - all fizz and push, a fixer, a bustler, a real new-dealer. Last December for a whole week my thirty-minute short Dean Street was being shown daily at the Pantheon of Celestial Arts. In squeaky-clean restaurants, round smoggy poolsides, in jungly jacuzzis I made my deals. Business went well and it all looked possible. It was in the pleasure area, as usual, that I found I had a problem. In L.A., you can't do anything unless you drive. Now I can't do anything unless I drink. And the drink-drive combination, it really isn't possible out there. If you so much as loosen your seatbelt or drop your ash or pick your nose, then it's an Alcatraz autopsy with the questions asked later. Any indiscipline, you feel, any variation, and there's a bullhorn, a set of scope sights, and a coptered pig drawing a bead on your rug. So what can a poor boy do? You come out of the hotel, the Vraimont. Over boiling Watts the downtown skyline carries a smear of God's green snot. You walk left, you walk right, you are a bank rat on a busy river. This restaurant serves no drink, this one serves no meat, this one serves no heterosexuals. You can get your chimp shampooed, you can get your dick tattooed, twenty-four hour, but can you get lunch? And should you see a sign on the far side of the street flashing BEEF-BOOZE-NO STRINGS, then you can forget it. The only way to get across the road is to be born there. All the ped-xing signs say DON'T WALK, all of them, all the time. That is the message, the content of Los Angeles: don't walk. Stay inside. Don't walk. Drive. Don't walk. Run! I tried the cabs. No use. The cabbies are all Saturnians who aren't even sure whether this is a right planet or a left planet. The first thing you have to do, every trip, is teach them how to drive.
Martin Amis (Money)
There must, she thought, be a number of people outside her own world who were well qualified to be drawn into it; the shame was that she must seek them. Not for her the cruel, delicate luxury of choice, the indolent, cat-and-mouse pastimes of the hearth-rug. No Penelope she; she must hunt in the forest. She had made a preposterous little picture of the kind of man who would do: he was an English diplomat of great but not very virile beauty, now abroad, with a house smaller than Brideshead, nearer to London; he was old, thirty-two or three, and had been recently and tragically widowed; Julia thought she would prefer a man a little subdued by earlier grief. He had a great career before him but had grown listless in his loneliness; she was not sure he was not in danger of falling into the hands of an unscrupulous foreign adventuress; he needed a new infusion of young life to carry him to the Embassy at Paris. While professing a mild agnosticism himself, he had a liking for the shows of religion and was perfectly agreeable to having his children brought up Catholic; he believed, however, in the prudent restriction of his family to two boys and a girl, comfortably spaced over twelve years, and did not demand, as a Catholic husband might, yearly pregnancies. He had twelve thousand a year above his pay, and no near relations. Someone like that would do, Julia thought, and she was in search of him when she met me at the railway station. I was not her man. She told me as much, without a word, when she took the cigarette from my lips. All this I learned about Julia, bit by bit, from the stories she told, from guesswork, knowing her, from what her friends said, from the odd expressions she now and then let slip, from occasional dreamy monologues of reminiscences; I learned it as one does learn the former — as it seems at the time, the preparatory — life of a woman one loves, so that one thinks of oneself as part of it, directing it by devious ways, towards oneself.
Evelyn Waugh (Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder)
Hey…you okay?” Marlboro Man repeated. My heart fluttered in horror. I wanted to jump out of the bathroom window, scale down the trellis, and hightail it out of there, forgetting I’d ever met any of these people. Only there wasn’t a trellis. And outside the window, down below, were 150 wedding guests. And I was sweating enough for all of them combined. I was naked and alone, enduring the flop sweat attack of my life. It figured. It was usually the times I felt and looked my absolute best when I wound up being humbled in some colossally bizarre way. There was the time I traveled to my godmother’s son’s senior prom in a distant city and partied for an hour before realizing the back of my dress was stuck inside my panty hose. And the time I entered the after-party for my final Nutcracker performance and tripped on a rug, falling on one of the guest performers and knocking an older lady’s wineglass out of her frail arms. You’d think I would have come to expect this kind of humiliation on occasions when it seemed like everything should be going my way. “You need anything?” Marlboro Man continued. A drop of sweat trickled down my upper lip. “Oh, no…I’m fine!” I answered. “I’ll be right out! You go on back to the party!” Go on, now. Run along. Please. I beg you. “I’ll be out here,” he replied. Dammit. I heard his boots travel a few steps down the hall and stop. I had to get dressed; this was getting ridiculous. Then, as I stuck my big toe into the drenched leg of my panty hose, I heard what I recognized as Marlboro Man’s brother Tim’s voice. “What’s she doing in there?” Tim whispered loudly, placing particularly uncomfortable emphasis on “doing.” I closed my eyes and prayed fervently. Lord, please take me now. I no longer want to be here. I want to be in Heaven with you, where there’s zero humidity and people aren’t punished for their poor fabric choices. “I’m not sure,” Marlboro Man answered. The geyser began spraying again. I had no choice but to surge on, to get dressed, to face the music in all my drippy, salty glory. It was better than staying in the upstairs bathroom of his grandmother’s house all night. God forbid Marlboro Man or Tim start to think I had some kind of feminine problem, or even worse, constipation or diarrhea! I’d sooner move to another country and never return than to have them think such thoughts about me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I’ll go myself,” the sergeant said tersely. He was getting annoyed. The stairway went down underneath the ground floor to a depth of about eight feet. A short paved corridor ran in front of the boiler room at right angles to the stairs, where each end was closed off by unpainted panelled doors. Both the stairs and the corridor felt like loose gravel underfoot, but otherwise they were clean. Splotches of blood were more in evidence in the corridor and a bloody hand mark showed clearly on the unpainted door to the rear. “Let’s not touch anything,” the sergeant cautioned, taking out a clean white handkerchief to handle the doorknob. “I better call the fingerprint crew,” the photographer said. “No, Joe will call them; I’ll need you. And you local fellows better wait outside, we’re so crowded in here we’ll destroy the evidence.” “Ed and I won’t move,” Grave Digger said. Coffin Ed grunted. Taking no further notice of them, the sergeant pushed open the door. It was black and dark inside. First he shone his light over the wall alongside the door and all over the corridor looking for electric light switches. One was located to the right of each door. Taking care to avoid stepping in any of the blood splotches, the sergeant moved from one switch to another, but none worked. “Blown fuse,” he muttered, picking his way back to the open room. Without having to move, Grave Digger and Coffin Ed could see all they wanted through the open door. Originally made to accommodate a part-time janitor or any type of laborer who would fire the boiler for a place to sleep, the room had been converted into a pad. All that remained of the original was a partitioned-off toilet in one corner and a washbasin in the other. An opening enclosed by heavy wire mesh opened into the boiler room, serving for both ventilation and heat. Otherwise the room was furnished like a boudoir. There was a dressing-table with a triple mirror, three-quarter bed with chenille spread, numerous foam-rubber pillows in a variety of shapes, three round yellow scatter rugs. On the whitewashed walls an obscene mural had been painted in watercolors depicting black and white silhouettes in a variety of perverted sex acts, some of which could only be performed by male contortionists. And everything was splattered with blood, the walls, the bed, the rugs. The furnishings were not so much disarrayed, as though a violent struggle had taken place, but just bloodied. “Mother-raper stood still and let his throat be cut,” Grave Digger observed. “Wasn’t that,” Coffin Ed corrected. “He just didn’t believe it is all.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab. Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there? Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.” Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop. “It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi. “Want to take it for a spin?” Tim asked. I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel. Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night. After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.” “Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother. But he was nothing like the real thing.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The madness surged around him, and Rhy tore himself away from the breaking city and turned his sights again to his quest for the captain of the Night Spire. There were only two places Alucard Emery would go: his family estate or his ship. Logic said he’d go to the house, but something in Rhy’s gut sent him in the opposite direction, toward the docks. He found the captain on his cabin floor. One of the chairs by the hearth had been toppled, a table knocked clean of glasses, their glittering shards scattered in the rug and across the wooden floor. Alucard—decisive, strong, beautiful Alucard—lay curled on his side, shivering with fever, his warm brown hair matted to his cheeks with sweat. He was clutching his head, breath escaping in ragged gasps as he spoke to ghosts. “Stop … please …” His voice—that even, clear voice, always brimming with laughter—broke. “Don’t make me …” Rhy was on his knees beside him. “Luc,” he said, touching the man’s shoulder. Alucard’s eyes flashed open, and Rhy recoiled when he saw them filled with shadows. Not the even black of Kell’s gaze, but instead menacing streaks of darkness that writhed and coiled like snakes through his vision, storm blue irises flashing and vanishing behind the fog. “Stop,” snarled the captain suddenly. He struggled up, limbs shaking, only to fall back against the floor. Rhy hovered over him, helpless, unsure whether to hold him down or try to help him up. Alucard’s eyes found his, but looked straight through him. He was somewhere else. “Please,” the captain pleaded with the ghosts. “Don’t make me go.” “I won’t,” said Rhy, wondering who Alucard saw. What he saw. How to free him. The captain’s veins stood out like ropes against his skin. “He’ll never forgive me.” “Who?” asked Rhy, and Alucard’s brow furrowed, as if he were trying to see through the fog, the fever. “Rhy—” The sickness tightened its hold, the shadows in his eyes streaking with lines of light like lightning. The captain bit back a scream. Rhy ran his fingers over Alucard’s hair, took his face in his hands. “Fight it,” he ordered. “Whatever’s holding you, fight it.” Alucard folded in on himself, shuddering. “I can’t….” “Focus on me.” “Rhy …” he sobbed. “I’m here.” Rhy Maresh lowered himself onto the glass-strewn floor, lay on his side so they were face-to-face. “I’m here.” He remembered, then. Like a dream flickering back to the surface, he remembered Alucard’s hands on his shoulders, his voice cutting through the pain, reaching out to him, even in the dark. I’m here now, he’d said, so you can’t die. “I’m here now,” echoed Rhy, twining his fingers through Alucard’s. “And I’m not letting go, so don’t you dare.” Another scream tore from Alucard’s throat, his grip tightening as the lines of black on his skin began to glow. First red, then white. Burning. He was burning from the inside out. And it hurt—hurt to watch, hurt to feel so helpless. But Rhy kept his word. He didn’t let go.
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
As Frank promised, there was no other public explosion. Still. The multiple times when she came home to find him idle again, just sitting on the sofa staring at the rug, were unnerving. She tried; she really tried. But every bit of housework—however minor—was hers: his clothes scattered on the floor, food-encrusted dishes in the sink, ketchup bottles left open, beard hair in the drain, waterlogged towels bunched on bathroom tiles. Lily could go on and on. And did. Complaints grew into one-sided arguments, since he wouldn’t engage. “Where were you?” “Just out.” “Out where?” “Down the street.” Bar? Barbershop? Pool hall. He certainly wasn’t sitting in the park. “Frank, could you rinse the milk bottles before you put them on the stoop?” “Sorry. I’ll do it now.” “Too late. I’ve done it already. You know, I can’t do everything.” “Nobody can.” “But you can do something, can’t you?” “Lily, please. I’ll do anything you want.” “What I want? This place is ours.” The fog of displeasure surrounding Lily thickened. Her resentment was justified by his clear indifference, along with his combination of need and irresponsibility. Their bed work, once so downright good to a young woman who had known no other, became a duty. On that snowy day when he asked to borrow all that money to take care of his sick sister in Georgia, Lily’s disgust fought with relief and lost. She picked up the dog tags he’d left on the bathroom sink and hid them away in a drawer next to her bankbook. Now the apartment was all hers to clean properly, put things where they belonged, and wake up knowing they’d not been moved or smashed to pieces. The loneliness she felt before Frank walked her home from Wang’s cleaners began to dissolve and in its place a shiver of freedom, of earned solitude, of choosing the wall she wanted to break through, minus the burden of shouldering a tilted man. Unobstructed and undistracted, she could get serious and develop a plan to match her ambition and succeed. That was what her parents had taught her and what she had promised them: To choose, they insisted, and not ever be moved. Let no insult or slight knock her off her ground. Or, as her father was fond of misquoting, “Gather up your loins, daughter. You named Lillian Florence Jones after my mother. A tougher lady never lived. Find your talent and drive it.” The afternoon Frank left, Lily moved to the front window, startled to see heavy snowflakes powdering the street. She decided to shop right away in case the weather became an impediment. Once outside, she spotted a leather change purse on the sidewalk. Opening it she saw it was full of coins—mostly quarters and fifty-cent pieces. Immediately she wondered if anybody was watching her. Did the curtains across the street shift a little? The passengers in the car rolling by—did they see? Lily closed the purse and placed it on the porch post. When she returned with a shopping bag full of emergency food and supplies the purse was still there, though covered in a fluff of snow. Lily didn’t look around. Casually she scooped it up and dropped it into the groceries. Later, spread out on the side of the bed where Frank had slept, the coins, cold and bright, seemed a perfectly fair trade. In Frank Money’s empty space real money glittered. Who could mistake a sign that clear? Not Lillian Florence Jones.
Toni Morrison (Home)
Without taking use of ox or man, Or of creature as Mary desired, Without spinning thread of silk or of satin, Without sowing, without harrowing, without reaping, Without rowing, without games, without fishing, Without going to the hunting hill, Without trimming arrows on the Lord's Day, Without cleaning byre, without threshing corn, Without kiln, without mill on the Lord's Day. Whosoever would keep the Lord's Day, Even would it be to him and lasting, From setting of sun on Saturday Till rising of sun on Monday.17 Beltaine remained the central festival in the cycle of the agricultural pastoral year, the season of light, the time of growth. It was then that the sheep and cattle would be driven up to the summer pastures, the “shielings” in Scotland, the “hafods” in Wales. This was a virtual migration since these might be six or eight or even twelve or fourteen miles away, and it often meant crossing land that was rough and rugged or full of swamps, even sometimes having to swim across channels or rivers. The procession included the men carrying spades, ropes, and other things that might be needed to repair their summer huts, while the women carried the bedding, meal, and dairy utensils. As they went, there were songs to be sung on the journey, a dedicatory hymn to the Trinity and to the most familiar of the saints, Michael, Bride, and Columba, respectively the protector, the woman who knew about dairies, the guardian of their cattle—and, of course, to Mary herself, who on this occasion they address as mother of the White Lamb: Valiant Michael of the white steeds, Who subdued the Dragon of blood, For love of God, for pains of Mary's Son, Spread
Esther de Waal (The Celtic Way of Prayer: The Recovery of the Religious Imagination)
Elias’s expression is twisted into a scowl, and for a moment my heart stops, unsure what he's got planned. But then he drags me into a forceful kiss, his mouth crashing onto mine. Butterflies burst in my stomach, batting their wings wildly. I can't breathe. I'm letting a demon kiss me. But my body seems to respond on its own, and I grasp his shirt and haul him closer, kissing him back. He claims my tongue into his mouth as my knees wobble beneath me. He is huge, towering over me while I push myself onto tippy toes to reach him easier.  I close my eyes and let myself float on the promise he makes in his kiss. Strong hands dig into my back as his hold tightens. Our tongues tangle, and this wicked, taboo kiss is wrong, but I can’t stop myself. "You smell and taste so good," he murmurs against my mouth when he finally pulls away. I breathe out slowly, lowering myself back onto my heels. As I come back into my senses, a thread of embarrassment crawls over my cheeks that I let myself fall so easily for his charm. “We need to go.” Suddenly, he seizes my hand and storms back through the myriad of corridors with me by his side. It’s like the reality of our kiss has hit him as well. I have no doubt he's dragging me back to my room, intent on locking me away. The truth of what just happened sinks through me too. We are different, and I'm not here to find a boyfriend. He’s my captor. Still… when he kissed me, it was like he was someone starved, and I was everything he needed. There’s something extremely attractive to having a man want me in that way, especially one that looks as rugged and handsome as Elias. I’m lucky if guys look at me in the first place; I’ve never snagged the attention of an Adonis-looking one. And now my lips are swollen and bruised, my underwear drenched.
Harper A. Brooks (Playing with Hellfire (Sin Demons #1))
People," Shai said, rising to fetch another seal, "by nature attempt to exercise power over what is around them. We build walls to shelter us from the wind, roofs to stop the rain. We tame the elements, bend nature to our wills. It makes us feel as if we're in control. "Except in doing so, we merely replace one influence with another. Instead of the wind affecting us, it is a wall. The fingers of man's influence are all about, touching everything. Man-made rugs, man-made food. Every single thing in the city that we touch, see, feel, experience comes as the result of some person's influence. "We may feel in control, but we never truly are unless we understand people. Controlling our environment is no longer about blocking the wind, it's about knowing why the serving lady was crying last night, or why a particular guard always loses at cards. Or why your employer hired you in the first place.
Brandon Sanderson (Arcanum Unbounded: The Cosmere Collection)
Totally agree. And Heath?” Liam shrugged. “Not saying I’m into guys. But he’s got that older mountain man, gruff and grumpy thing going on.” He held one hand up. “Assuming that is, he actually didn’t kill your sister, because I don’t care how ruggedly handsome someone is. If they’re into the stabby stabby, then it’s a deal breaker.
Elle Thorpe (Locked Up Liars (Saint View Prison, #1))
[People] in general are good calculators.... the soldier on campaign who estimates distance in a single glance... the poet who counts syllables and verifies the cadence of his verses... the musician who applies in his compositions the laws of perfect harmony... the painter who draws with the unvarying proportions of perspective in his mind... the humble rug maker who arranges one by one the threads of his labor... All of these, O King, are fine and accomplished calculators.
Malba Tahan (The Man Who Counted: A Collection of Mathematical Adventures)
Let me see your eyes." He lifted his face, and Evelinde clasped him by both cheeks, her gaze moving slowly over his eyes. They looked perfectly fine to her, however. More than fine. They were really quite beautiful; large and a deep brown so dark they appeared almost black. They were also fringed by long black lashes. The rest of his face was rugged, however, with sharp planes, an arrow-straight nose, and his lips--- Evelinde's eyes paused there, noting that his upper lip was thin, but the lower one was full and looked as if it would be soft to the touch. Before she could think better of it, curiosity made her shift one thumb to rub it over the pillowed surface, and she found it was indeed soft. Then Evelinde realized what she'd done. She could feel a sudden blush rise to cover her face and released him abruptly. "There was a bit of dirt there," she lied, trying to step away at the same time, but his legs immediately closed on either side of her. Finding herself trapped between his knees, Evelinde felt her first moment of disquiet with the man. Not fear, exactly. For some reason she felt sure she had nothing to fear from this man, but the action did make her nervous.
Lynsay Sands (Devil of the Highlands (Devil of the Highlands, #1))
You know,” she said, “it makes me think of a cartoon by Abner Dean that I saw a few years ago. It shows these people in a living room, sitting in a circle on the floor with their arms around each other, about eight or ten of them, and they are all sort of melted into each other in a kind of nasty way. They’ve built a bonfire in the middle on the rug, and the caption says, ‘After the others have left, how did we all get so wonderful?’” “Are we all so wonderful?” “Maybe I think of the cartoon because we’re all so unwonderful. Damn these sandals. Sand comes in the toes.
John D. MacDonald (A Man of Affairs (Murder Room))
A growth of beard darkened the lower half of his face. His valet would not be pleased if he saw him, but Violet was beyond pleased at the sight. She had never seen a man thus. They were either clean-shaven, or had fully developed beards. There must be some in-between phase, but she had never seen it. In the evenings on their trip, he would sometimes have a light growth that he must have shaved off by himself, because he appeared clean-shaven in the mornings. But this was probably a couple of days' worth. Her fingertips itched to rake over it and feel if it would scrape her skin or be soft to the touch. It made him appear rugged in a way that she found extremely appealing, as if the proper English gentleman had been undone to give way to this man who was far more carnal and raw.
Harper St. George (The Devil and the Heiress (The Gilded Age Heiresses, #2))
Public images upheld at all costs, any personal dirt swept under the rugs and into closets if at all possible.
Kay Stockham (With This Man (Small Town Scandals #3))
I ride with the dawn, on the back of my trust, Through the open plains, in the dust. My hat's brim low, against the sun's high glow, A cowboy's life is all I know. I'm a cowboy, wild and free, The endless sky, the only roof over me. With my horse and my guitar, I roam, The prairie's vast, and it's my home. The cattle call, the campfire's light, The coyote's howl, in the still of night. The leather creaks, the lasso spins, Out here, a man's tale begins. I'm a cowboy, with a heart untamed, The rugged trails, my spirit unchained. With boots in the stirrups, I ride alone, The world's my stage, the saddle's my throne. There's a code of the West, deep in my soul, A life of grit, a quest, a goal. To live by the land, to stand with pride, A cowboy's truth, I won't hide. I'm a cowboy, and I stand tall, The mountains wide, they hear my call. With the stars as my guide, I find my way, A cowboy's journey, day by day. So tip your hat, to the cowboy's song, A life of adventure, where I belong. I'll keep riding, 'til the day is done, A cowboy's heart can't be outrun.
James Hilton-Cowboy
I ride with the dawn, on the back of my trust, Through the open plains, in the dust. My hat's brim low, against the sun's high glow, A cowboy's life is all I know. I'm a cowboy, wild and free, The endless sky, the only roof over me. With my horse and my guitar, I roam, The prairie's vast, and it's my home. The cattle call, the campfire's light, The coyote's howl, in the still of night. The leather creaks, the lasso spins, Out here, a man's tale begins. I'm a cowboy, with a heart untamed, The rugged trails, my spirit unchained. With boots in the stirrups, I ride alone, The world's my stage, the saddle's my throne. There's a code of the West, deep in my soul, A life of grit, a quest, a goal. To live by the land, to stand with pride, A cowboy's truth, I won't hide. I'm a cowboy, and I stand tall, The mountains wide, they hear my call. With the stars as my guide, I find my way, A cowboy's journey, day by day. So tip your hat, to the cowboy's song, A life of adventure, where I belong. I'll keep riding, 'til the day is done, A cowboy's heart can't be outrun.
James Hilton-Cowboy
I read somewhere about a family who had only one son. They were very poor. This son was extremely precious to them, and the only thing that mattered to his family was that he bring them some financial support and prestige. Then he was thrown from a horse and crippled. It seemed like the end of their lives. Two weeks after that, the army came into the village and took away all the healthy, strong men to fight in the war, and this young man was allowed to stay behind and take care of his family. Life is like that. We don’t know anything. We call something bad; we call it good, but we really just don’t know. When things fall apart and we’re on the verge of we know not what, the test for each of us is to stay on that brink not concretize. The spiritual journey is not about Heaven and finally getting to a place that’s really swell. In fact, that way of looking at things is what keeps us miserable Thinking that we can find some lasting pleasure and avoid pain is what in Buddhism is called Samsara, a hopeless cycle that goes round and round endlessly and causes us to suffer greatly. The very First Noble Truth of the Buddha points out that suffering is inevitable for human beings as long as we believe that things last—that they don’t disintegrate, that they can be counted on to satisfy our hunger for security. From this point of view, the only time we ever know what’s really going on is when the rug’s been pulled out and we can’t find anywhere to land. We use these situations either to wake ourselves up or to put ourselves to sleep. Right now, the very instant of our groundlessness is the seed of taking care of those who need our care and of discovering our goodness.
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times)
I have been asked the question, “If people are simply trying to physically survive by purchasing food through this system, why would God not give them grace and allow them to feed themselves and their families by using this mark?” The answer is that this entire system is based upon a false religion and the idolatrous act of worshipping the Antichrist and his man-made image. Consider this example. When the Israelites departed from Egypt, there were six hundred thousand men, not counting the women and children. They departed with unleavened bread but entered a rugged wilderness where they lacked the foods they were accustomed to in Egypt. There was also a shortage of fresh water. Moses left for forty days on Mount Sinai, and the people demanded that Aaron collect their gold earrings and create a golden calf they could worship. They had lived for hundreds of years among the idolatrous Egyptians, a culture that worshipped a different deity for just about every situation. They also deified and worshipped some mortals; namely, certain rulers. After all that time, the culture had influenced some of these former Hebrew slaves. Several of the Egyptians gods were represented by a cow or a bull, and they all were given names. Each named cow was associated with a particular role, and each had its main center of cult worship. Apis was worshipped in Memphis, Hathor was worshipped in Dendera, and so on. With Hathor being a cow god that was worshipped in Dendera, a location near the Red Sea where the Hebrews might have crossed, it might be reasonable to assume that the Hebrews could have been creating a golden image to represent this Egyptian god. This god was also associated with music and dance, among other things. By molding a golden calf and dancing around it, the Israelites were turning from trust in their God, Yahweh, who delivered them from slavery with astonishing and supernatural signs and wonders. Instead of turning to God for sustenance and provision, their hearts turned to idol worship, which was an abomination to God. The divine punishment for this act was the death of three thousand Israelites and the destruction of the golden calf.
Perry Stone (Artificial Intelligence Versus God: The Final Battle for Humanity)
At this point, I’ve pretty much forgotten about the dead mage in my room and all the years I spent hating this gorgeous man. I only know that the power radiating from his rugged body is making my breath catch. It’s not just how he looks, it’s him, too, and the way he seemed so completely undone by my injury. It’s the way he’s finally dropped his guard.
C.N. Crawford (Avalon Tower (Fey Academy for Spies, #1))
What is life? The journey of a crippled and sick man walking with a heavy load on his back up steep mountains and through wild, rugged, arduous places, in snow, ice, rain, wind, burning sun, for many days without ever resting night and day to end at a precipice or ditch, in which inevitably he falls.
Giacomo Leopardi (Zibaldone)
But the reengineering was helped along because the masterminds of the economic right brilliantly used the madly proliferating nostalgia. By dressing up their mean new rich-get-richer system in old-time patriotic drag. By portraying low taxes on the rich and unregulated business and weak unions and a weak federal government as the only ways back to some kind of rugged, frontiersy, stronger, better America. And by choosing as their front man a winsome 1950s actor in a cowboy hat, the very embodiment of a certain flavor of American nostalgia
Kurt Andersen (Evil Geniuses: The Unmaking of America)
There are signs, however, that a good time was had all last night. Jo might have found herself caught in the middle of a love triangle, but she clearly didn't mind staying around when she thought that one of the angles had been dispensed with. The remains of dinner still grace the table---dirty dishes, rumpled napkins, a champagne flute bearing a lipstick mark. There's even one of the Chocolate Heaven goodies left in the box---which is absolute sacrilege in my book, so I pop it in my mouth and enjoy the brief lift it gives me. I huff unhappily to myself. If they left chocolate uneaten, that must be because they couldn't wait to get down to it. Two of the red cushions from the sofa are on the floor, which shows a certain carelessness that Marcus doesn't normally exhibit. They're scattered on the white, fluffy sheepskin rug, which should immediately make me suspicious---and it does. I walk through to the bedroom and, of course, it isn't looking quite as pristine as it did yesterday. Both sides of the bed are disheveled and I think that tells me just one thing. But, if I needed confirmation, there's a bottle of champagne and two more flutes by the side of the bed. It seems that Marcus didn't sleep alone. Heavy of heart and footstep, I trail back through to the kitchen. More devastation faces me. Marcus had made no attempt to clear up. The dishes haven't been put into the dishwasher and the congealed remnants of last night's Moroccan chicken with olives and saffron-scented mash still stand in their respective saucepans on the cooker. Tipping the contents of one pan into the other, I then pick up a serving spoon and carry them both through the bedroom. I slide open the wardrobe doors and the sight of Marcus's neatly organized rows of shirts and shoes greet me. Balancing the pan rather precariously on my hip, I dip the serving spoon into the chicken and mashed potatoes and scoop up as much as I can. Opening the pocket of Marcus's favorite Hugo Boss suit, I deposit the cold mash into it. To give the man credit where credit is due, his mash is very light and fluffy. I move along the row, garnishing each of his suits with some of his gourmet dish, and when I've done all of them, find that I still have some food remaining. Seems as if the lovers didn't have much of an appetite, after all. I move onto Marcus's shoes---rows and rows of lovely designer footwear---casual at one end, smart at the other. He has a shoe collection that far surpasses mine. Ted Baker, Paul Smith, Prada, Miu Miu, Tod's... I slot a full spoon delicately into each one, pressing it down into the toe area for maximum impact. I take the saucepan back into the kitchen and return it to the hob. With the way I'm feeling, Marcus is very lucky that I don't just burn his flat down. Instead, I open the freezer. My boyfriend---ex-boyfriend---has a love of seafood. (And other women, of course.) I take out a bag of frozen tiger prawns and rip it open. In the living room, I remove the cushions from the sofa and gently but firmly push a couple of handfuls of the prawns down the back. Through to the bedroom and I lift the mattress on Marcus's lovely leather bed and slip the remaining prawns beneath it, pressing them as flat as I can. In a couple of days, they should smell quite interesting. As my pièce de résistance, I go back to the kitchen and take the half-finished bottle of red wine---the one that I didn't even get a sniff at---and pour it all over Marcus's white, fluffy rug. I place my key in the middle of the spreading stain. Then I take out my lipstick, a nice red one called Bitter Scarlet---which is quite appropriate, if you ask me---and I write on his white leather sofa, in my best possible script: MARCUS CANNING, YOU ARE A CHEATING BASTARD.
Carole Matthews (The Chocolate Lovers' Club)
But Wrieto-San was, if anything, a rugged individualist, a one-man, as we say, like the lone cowboy of the Wild West films. Personally, I like to think that it was the Japanese influence that inspired him to employ a circular design for his final major work, the Guggenheim Museum of New York.
T. Coraghessan Boyle (The Women)
And after the man I’ve spent the last several years with, I’m unable to tear my eyes away from the rugged appeal of the man before me.
Elsie Silver (Reckless (Chestnut Springs, #4))
I’ve never experienced what it’s like to fully esteem a man. To want to impress him. To want to please him. There was a particular pleasure in being conquered. Raylan is so handsome and rugged and capable that I felt like he deserved to have me. He deserved to have me any way he wanted.
Sophie Lark (Broken Vow (Brutal Birthright, #5))
Lonely Hearts and Empty Roads [Verse] Footsteps echoin' on this dusty ground People circlin' like vultures round Can't shake the whisperin' in the wind Dark tales they always tryin' to spin [Verse 2] Shadows lurkin' behind every friend Fake smiles ain't gonna make amends Faces smilin' while they pull the rug Tired of dodgin' every dirty slug [Chorus] Always someone bringin’ you down Always someone jokin’ as you drown Need that soul who saw you true Never made you feel like you’s just a fool [Verse 3] Eyes betray the lies they pave Tired hearts they ain't for sale or save Wanna find someone who'd hold their tongue And sing life's song like you ain't done [Bridge] Man of wisdom said don’t cast the stone Hold the line don’t walk alone In this maze of broken lanes Seek the one who heals your pains [Verse 4] Rusty barbed wire 'round these dreams of mine Each cut deep but I’ll be fine 'Cause somewhere out there’s a heart so rare Never made me feel like life's unfair
James Hilton-Cowboy
Do I get to look at you properly now?" I asked, turning. "Or is this going to be a case of 'If you see my face, I'll have to kill you'?" "I promised I wouldn't hurt you," he said. "I don't break my promises." "I'm glad to hear---" Words failed me when I turned around. He wasn't traditionally handsome but ruggedly so, with a strong jaw, a straight nose, and a wide, stubborn mouth. His eyes were dark and velvety, sprinkled with gold. Gorgeous. Just like the rest of him. Even partially hidden in the shadows, he was simply the most breathtaking man I'd ever seen. My knees weakened and I struggled to regain my composure. I was already dead when he smiled. I died a little more when he brushed back the longish dark hair that was a damp tangle around his chiseled face. He wore a leather jacket over broad shoulders and a gray T-shirt stretched tight across the hard, muscled chest I'd had the pleasure of leaning against for the last twenty minutes. I guessed him to be an inch or two over six feet, maybe slightly less if his battered leather boots had heels. "Hello, beautiful." My mouth opened and closed, but nothing came out. He looked like trouble. But it was the kind of trouble that sent a delicious thrill down my spine.
Sara Desai (To Have and to Heist (Simi Chopra, #1))
The cowboy suit hung behind the bedroom door in its plastic covering. With great care Neville lifted it down and laid it upon the bed. Carefully parting the plastic, he pressed his nose to the fabric of the suit, savouring the bittersweet smell of the dry cleaner’s craft. Gently he put his thumbs to the pearl buttons and removed the jacket from the hanger. He sighed deeply, and with the reverence a priest accords to his ornamentum, he slipped into the jacket. The material was crisp and pure, the sleeves crackled slightly as he eased his arms into them, and the starched cuffs clamped about his wrists like loving manacles. Without further hesitation the part—time barman climbed into the trousers, clipped on the gunbelt, and tilted the hat on to his head at a rakish angle. Pinning the glittering badge of office carefully to his breast he stepped to the pitted glass of the wardrobe mirror to view the total effect. It was, to say the least, stunning. The dazzling white of the suit made the naturally anaemic Neville appear almost suntanned. The stetson, covering his bald patch and accentuating his dark sideburns, made his face seem ruggedly handsome, the bulge of the gunbelt gave an added contour to his narrow hips, and the cut of the trousers brought certain parts of his anatomy into an unexpected and quite astonishing prominence. ‘Mighty fine,’ said Neville, easing his thumbs beneath the belt buckle and adopting a stance not unknown to the late and legendary ‘Duke’ himself. But there was something missing, some final touch. He looked down, and caught sight of his carpet-slippers; of course, the cowboy boots. A sudden sick feeling began to take hold of his stomach. He did not remember having seen any boots when the suit arrived. In fact, there were none. Neville let out a despairing groan and slumped on to his bed, a broken man. The image in the mirror crumpled away and with it Neville’s dreams; a cowboy in carpet-slippers? A tear entered Neville’s good eye and crept down his cheek. ==========
Anonymous
Bible affirms in Mark 10:9, “What therefore God hath joined together, let not man put asunder.” Yet we’re putting our marriages asunder. So many havejumped the broom and used that same broom to sweep their issues under the rug.
Eddie M. Connor Jr. (Heal Your Heart: Discover How To Live, Love, And Heal From Broken Relationships)
When I rode away from Jock’s farm a week later, I took nothing that I couldn’t tie onto the back of my saddle—pyjamas, a toothbrush and comb, a second pair of slacks, a man’s shirt in heavy cotton. For Pegasus I carried a thick rug and brush, several pounds of crushed oats, and a small, tarnished blacksmith’s knife. It felt wonderful to be riding out in the bush and travelling so lightly, but I was also leaving much unsettled behind me. It was a devil’s bargain I had struck with Jock.
Paula McLain (Circling the Sun)
ON JUNE 25, 1890, W. E. B. Du Bois spoke at his Harvard graduation ceremony. He had now excelled, and had graduated from the most prestigious historically Black college and the most prestigious historically White college in the United States. He felt he was showing off the capability of his race. Du Bois’s “brilliant and eloquent address,” as judged by the reporters, was on “Jefferson Davis as Representative of Civilization.” In Du Bois’s rendering, Jefferson Davis, who had died the year before, represented the rugged individualism and domineering European civilization, in contrast to the rugged “submission” and selflessness of African civilization. The European “met civilization and crushed it,” Du Bois concluded. “The Negro met civilization and was crushed by it.” According to Du Bois’s biographer, the Harvard graduate contrasted the civilized European “Strong Man” to the civilized African “Submissive Man.”5
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
To me, the best part about opening yourself up to hearing from Spirit is that you can do it just by being yourself. You don’t need tarot cards or crystals. You don’t even need to hold or wear an object with your family member’s energy, like a lot of people think. When I mention a necklace or ring during a session that you’ve brought with you, it’s not because I’m drawn to that energy like a magnet. It’s because Spirit tells me to reference it. In fact, I once did a phone reading for a woman who had a lot of female energy around her that had passed on, including a mom, grandmother, aunt, and cousin. She also had a grandfather and father on the Other Side. Anyway, Spirit showed me a picture I have of Victoria, wearing the most random clothes—a baseball cap, sunglasses, Rug Rat pajamas, holding the pet parakeet that Gram got her, and Mardi Gras beads. So I said, “This is going to sound bizarre, but I feel like you’re wearing a strange mix of items: pajamas, a silk scarf, a man’s hat, gloves, rosary beads, and jewelry that doesn’t match. Are you wearing an article from every dead person you want to hear from?” There was total silence on the phone. I think she was a little embarrassed, but I have to admit that I was actually relieved she didn’t dress like that all the time!
Theresa Caputo (There's More to Life Than This)
Jon leaned forward and did the unthinkable; he pressed his lips against Tom’s broad shoulder, opening his mouth to touch his tongue to the man’s salty skin. The big man smelled of sunshine, whiskey, and tobacco, a familiar scent that made Jon warm with longing. Tom’s breath hissed out of him, and Jon looked up to see that Baltsaros had sunk his teeth hard into the other side of big man’s neck. With a groan, Jon pressed his chest against Tom’s broad back and slid his hands down over the other man’s hips to press Tom back against him, kissing the hard muscles of his shoulder. Tom moved his pelvis to grind against Jon, and he nearly cried out at the hard surge of lust that shook him. Breathless, Jon knew he had to step back, had to let go. His heart was careening in his chest, and he was growing uncomfortably hard in the front of his pants. Tom turned at Jon’s sudden departure, and he registered confusion and dismay on the handsome brute’s rugged face. “I… don’t know what I’m doing,” was all that Jon could say. His chest was tight, and he felt lightheaded; Jon wanted this more than anything in the world, but he couldn’t wrap his head around it. It was too staggering.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
This is a disaster.” “Don’t clench your teeth, dearest.” Jenny’s pencil paused in its movement across the page. “What is a disaster?” Louisa stomped into Jenny’s drawing room—it really was a drawing room, not a withdrawing room—and tossed herself onto the sofa beside her sister. “I’m to be married tomorrow. What is the worst, most indelicate, inconvenient thing that could befall a woman as her wedding night approaches?” Maggie, arrived to Town for the wedding, took a pair of reading glasses off her elegant nose. “Somebody put stewed prunes on the menu for the wedding breakfast?” Louisa couldn’t help but smile at her oldest sister’s question. Since childhood, stewed prunes had had a predictable effect on Louisa’s digestion. “Eve made sure that wasn’t the case.” “We’re to have chocolate,” Eve said, “lots and lots of chocolate. I put everybody’s favorites on the menu too, and Her Grace didn’t argue with any of them.” She was on a hassock near the windows, embroidering some piece of white silk. Maggie had the rocking chair near the fireplace, where a cheery blaze was throwing out enough heat to keep the small room cozy. “It’s your monthly, isn’t it?” Sophie leaned forward from the hearth rug and lifted the teapot. “The same thing happened to me after the baby was born. Sindal looked like he wanted to cry when I told him. I was finally healed up after the birth, and the dear man had such plans for the evening.” An admission like that from prim, proper Sophie could not go unremarked. “You told him?” Louisa accepted the cup of tea and studied her sister’s slight smile. “Have the last cake.” Maggie pushed the tray closer to Louisa. “If you don’t tell him, then it becomes a matter of your lady’s maid telling his gentleman’s gentleman that you’re indisposed, and then your husband comes nosing about, making sure you’re not truly ill, and you have to tell him anyway.” Louisa looked from Maggie to Sophie. Maggie was the tallest of the five sisters, and the oldest, with flame-red hair and a dignity that suited the Countess of Hazelton well. Sophie was a curvy brunette who nonetheless carried a certain reserve with her everywhere, as befit the Baroness Sindal. They were married, and they spoke to their husbands about… things. “Why can’t a husband just understand that indisposed is one thing and ill is another?” Louisa thought her question perfectly logical. Sophie
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
She leaned closer and gently took his face into her hands. His rugged, beautiful face. “Thank you,” she said, her voice suddenly growing husky as moisture collected at the back of her throat. “Thank you for saving my son.” She touched her lips to his bandage-covered forehead. “You’re the best man I’ve ever known, Benjamin Porter. And I’m frightened by how much you are coming to mean to me.” “Don’t be afraid, Tori.” The low mumble of words brought her head up like a shot. “Ben?” His mouth quirked a half smile even as his eyes fluttered open. “I like hearing you say my name.” Never
Karen Witemeyer (Worth the Wait (Ladies of Harper’s Station, #1.5))
What is the scariest thing that can happen? A child can disappear without a trace. A man could follow you at night. Someone could hide behind your bedroom door. There is a small throw rug in the room. There is a wooden chair by the darkening window. There is someone hiding behind my bedroom door. Anything solid in my neck snaps, and I’m screaming, looking into this hideous face, like some dark mold, a toxic messy thing. There
Samantha Hunt (Mr. Splitfoot)
What is the scariest thing that can happen? A child can disappear without a trace. A man could follow you at night. Someone could hide behind your bedroom door. There is a small throw rug in the room. There is a wooden chair by the darkening window. There is someone hiding behind my bedroom door.
Samantha Hunt (Mr. Splitfoot)
Question,” the angel said. “When are we going to cut that rug that’s growing out of your head? Shit gets any longer, we’re going to have to mow it down like hay.” As Tohr stripped out of his T-shirt and boxers, he enjoyed the only consolation to be had in suffering Lassiter’s company: He flashed the motherfucker. “Man, flat ass is right,” Lassiter muttered. “You’re sporting a pair of deflated basketballs back there. Makes me wonder…Hey, I’ll bet Fritz has a bicycle pump. I’m just saying.” “You don’t like the view? You know the door. It’s the one you never knock on.” -Lassiter & Tohr
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
This is not what I had planned for dessert, Louisa Windham.” Sir Joseph murmured the words near Louisa’s ear, though she was too enchanted with the feel of his weight above her to argue. “I’ve never wrestled with a grown man before.” “You had the element of surprise to aid you. When you are my wife, I will not be so easily subdued as to end up on my own hearth rug, regardless of the astonishing pleasures to be found there.” Louisa concluded she’d subdued him thoroughly, for he did not move off her where she lay on that rug. “Joseph, did you just use your tongue—?” “I’m tasting you, seeing if you savor of the Christmassy scent you’ve teased my nose with on so many occasions.” His voice had taken on a purring quality, the sound of it curling straight down beneath Louisa’s belly to places low and sweet. “I believe I will enjoy being married to you, sir.” “Hush.” He traced the curve of her ear with his nose, which made her shiver wonderfully. “I’m wrestling with my conscience—and, madam, I intend to emerge victorious from at least one struggle this evening—though be assured you shall enjoy certain parts of being married to me a great deal.” “One hoped that would be the—oh, Joseph…” He’d shifted, wedged his body more tightly into hers so she could feel his arousal. “The lady falls silent. Surely, the season of miracles is upon us.” Louisa
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Bunyan says that it is hard to get down into the valley of humiliation, the descent into it is steep and rugged; but that it is very fruitful and fertile and beautiful when once we get there. I think that no one will dispute that; almost every man, even the ungodly, admires meekness.
Dwight L. Moody (The Overcoming Life and Other Sermons)
Zonder enige overgang is het volgende beeld dat ik van hem heb dat van een stil huilende man - hij zit aan het kleine tafeltje waaraan hij schilderde en schreef, gekleed in zijn grijze kiel, zijn zwarte hoed op zijn hoofd. Het gele ochtendlicht valt door het kleine, wingerdomgroeide raam; in zijn handen houdt hij een van de vele reproducties die hij geregeld uit kunstboeken scheurde, en die hij gebruikte bij het maken van kopieën (hij prikte de reproductie op een plankje dat hij met twee houten pennen aan het schilderspalet vastklikte); hij houdt de afbeelding in zijn handen, ik kan niet zien wat het is, maar ik zie dat er tranen over zijn wangen lopen en dat hij in stilte iets prevelt. Ik ben de drie treden naar zijn opkamertje opgelopen om hem te vertellen dat ik het skelet van een rat heb opgedolven; nu trek ik me snel en stil terug, ik sluit zijn deur weer, maar later, wanneer hij beneden koffiedrinkt, sluip ik naar boven en vind de afbeelding op zijn tafel: het is het schilderij van een naakte vrouw, die met haar rug naar de kijker ligt, een slanke vrouw met donkere haren, ze ligt op een soort sofa of bed voor een rode voorhang, haar vredig mijmerende gezicht is te zien in een spiegel die haar wordt voorgehouden door een cupido met een blauw lint over zijn schouder; prominent zijn haar slanke naakte rug en ronde billen. Dan verplaatst mijn blik zich naar de frêle schouders, de fijn krullende haartjes in haar hals, dan weer naar de haast obsceen naar de kijker toegekeerde derrière; geschrokken leg ik de afbeelding weer neer, ik loop naar beneden, daar is mijn grootvader in de keuken. Hij staat bij mijn moeder en zingt voor haar een liedje in het Frans, dat hij zich herinnert uit de oorlog.
Stefan Hertmans
Here is one of life’s little shortcuts: If someone is meeting you in their “study,” they have money. Normal people have a home office or a family room or maybe a man cave. Rich people have studies. This one was particularly opulent, loaded up with leather-bound books and wooden globes and Oriental rugs. It looked like someplace Bruce Wayne would hang out before heading down to the Batcave. Larry
Harlan Coben (The Stranger)
He was by far the fiercest, most ruggedly handsome, yet, formidable man she had ever laid eyes on. She couldn’t stop staring at him. He had dark brown hair which skimmed his shoulders, a short-haired beard around his lips and chin, and gorgeous greenish-blue eyes that reminded her of the sea. There was something dangerously wicked about the look of his face, and she half expected him to yell for his men to batten down the hatches or swab the deck.
Madison Thorne Grey (Sorrah (Mirror of Blackmor #1))
What was civilization ever, really, but the attempt by man to talk himself into being good? Only good mind you. The rest had to be shoved somewhere out of sight, under the rug. Which History did at times politely, at times police-ly, and yet something was always sticking out, breaking lose, overthrowing.
Stanisław Lem (The Futurological Congress)
boiled cabbage and old rag mats. At one end of it a colored poster, too large for indoor display, had been tacked to the wall. It depicted simply an enormous face, more than a meter wide: the face of a man of about forty-five, with a heavy black mustache and ruggedly handsome features. Winston made for the stairs. It was no use trying the lift. Even at the best of times it was seldom working, and at present the electric current was cut off during daylight hours. It was part of the economy drive in preparation for Hate Week. The flat was seven flights up, and Winston, who was
George Orwell (1984)
A legend of the desert tells the story of a man who wanted to move to another oasis, and began to load up his camel. He piled on his rugs, his cooking utensils, his trunks of clothes -and the animal accepted it all. As they were leaving, the man remembered a beautiful blue feather his father had given him. He retrieved it and placed it on the camel's back. With that, the animal collapsed of the weight and died. “My camel couldn't even bear the weight of a feather,” the man must have thought. Sometimes we think the same of others -without understanding that our little joke may have been the drop that caused the goblet of suffering to overflow.
Paulo Coelho (Maktub)
Furi walked across Syn’s living room carpet for what felt like the millionth time while he waited for him to come back. How dare he order me to leave? Like I’m a damn kid. Furi decided right then and there that he was going to have a talk with Syn. Furi wouldn’t be his kept man or his bitch. Furi stopped mid-stride when he heard the door open and close behind Syn. All the anger and hostility he’d felt while alone in Syn’s place just disappeared when the ruggedly handsome man yanked his dark coat off and threw it on the couch, approaching Furi with a hungry look. “Did he hurt you?” Syn’s voice was gravelly. He put both hands on either side of Furi’s neck and lifted it gently, eyeing the slight redness there. “I’m fine. Despite the fact you keep having to rescue me, I’m not a weakling. I can defend myself,” Furi said with venom, pulling away from Syn’s examination. “Right. That Mr. Miyagi crash course at the Y.” Syn stifled a laugh, but Furi thought it was anything but funny and he let Syn know it. “Don’t fucking mock me.” Furi stormed past him down the hall. Syn’s footsteps sounded behind him. He’d just caught up with him when he opened the bathroom door. “Hey, hey, hey,” Syn said in a whisper. “I’m sorry. I wasn’t mocking you, I was teasing you.” Furi frowned and Syn shook his head. “Let me clarify. Joking after an intensely stressful situation helps to calm me. I need to come down from the high of an adrenaline rush, that’s all that was.
A.E. Via
Someone knocked at his door again, and Allworth assumed it was the porter. He went to the door. For a brief instant he simply could not believe what he was seeing. A tall man stood in the corridor facing him, a leather bag over his shoulder. He was handsome in a rugged, athletic way. In fact Allworth thought he was looking at his own double, or a man near enough to his own twin to be startling. “What Allworth started to say when the man raised silenced pistol and shot him in the middle of the forehead, huge thunderclap exploding in his head
David Hagberg (Countdown (Kirk McGarvey, #2))
Taking a deep breath, Sailor decided to lay himself at her feet. "I was imagining the future and thinking of how if everything went according to plan, I'd have a very successful business with a high turnover." He made sure his hands were locked behind Ísa's back--just in case she decided to leave him in her dust a fourth time. "And since I'd be rich, I'd be able to buy houses and other nice things for my family." Ísa frowned. "I don't think your family expects that." "They don't exactly need my largess either," Sailor muttered. "But in my future fantasy, I'm buying everyone fancy cars and houses. Go with it." Ísa's lips twitched. "Okay, big spender. What else is fantasy Sailor doing?" "He's building a ginormous mansion. Swimming pool, tennis court, the works." "Is he hiring a buff personal masseuse named Sven?" "Hell no." He glared at her. "The masseuse is a fifty-year-old forner bodybuilder named Helga. Now, can I carry on?" Pretending to zip up her lips and throw away the key, Ísa made a "go on" motion. "Future Sailor is also creating a huge walk-in closet for you and filling it with designer shoes and clothes. He's giving you everything your heart desires." A flicker of darkness in Ísa's gaze, but she didn't interrupt... though her hands went still on his shoulders. "And there's a tricked-out nursery too," he added. "Plus a private playground for our rug rats." Throat moving, Ísa said, "How many?" It was a husky question. "Seven, I think." "Very funny, mister." "I'm not done." Sailor was the one who swallowed this time. "And in this fantasy house, future Sailor walks in late for dinner again because of a board meeting, and he has a gorgeous, sexy, brilliant wife and adorable children. But his redhead doesn't look at him the same anymore. And it doesn't matter how many shoes he buys her or how many necklaces he gives her, she's never again going to look at him the way she did before he stomped on her heart. Ísa's lower lip began to quiver, but she didn't speak. "I'm so sorry, baby." Sailor cupped her face, made sure she saw the sheer terror he felt at the thought of losing her. "I've been so tied to this idea of becoming a grand success that I forgot what it was all about in the first place--being there for the people I love. Sticking through the good and the bad. Never abandoning them." Silent tears rolled own Ísa's face. "But that great plan of mine?" he said, determined not to give himself any easy outs. "It'd have mean abandoning everyone. How can I be there for anyone when all I do is work? When I shove aside all other commitments? When the people I love hesitate to ask for my time because I'm too tired and too busy?" Using his thumbs, he rubbed away her tears. More splashed onto the backs of his hands, her hurt as hot as acid. "Spitfire, please," he begged, breaking. "I'll let you punch me as many times as you want if you stop crying. With a big red glove. And you can post photos online." Ísa pressed her lips together, blinked rapidly several times. And pretended to punch him with one fist, the touch a butterfly kiss. Catching her hand, he pressed his lips to it. "That's more like my Ísa." He wrapped his arms around her again. And then he told her the most important thing. "I realized that I could become a multimillionaire, but it would mean nothing if my redhead didn't look at me the way she does now, if she expected to have to take care of everything alone like she's always done--because her man was a selfish bastard who was never there." Ísa rubbed her nose against his. "You're being very hard on future Sailor," she whispered, her voice gone throaty. "That dumbass deserves it," Sailor growled. "He was going to put his desire to be a big man above his amazing, smart, loving redhead.
Nalini Singh (Cherish Hard (Hard Play, #1))
looks flawless, even… Inhuman. I look around her. Next to the rocking chair in which she’s seated is a— “Oh, Jesus—” My hand jerks, and the beam of light shoots to the ceiling. Hands shaking, I sweep the light through the darkness again, past the woman— A man. Wearing some kind of coat, tweed. Hair greased back. A thin face, eyes open and vacant. Sitting on a love seat, legs crossed. Same deal with the glossy skin, the immobile eyes, unresponsive to light. Not dead people. Not people at all. Wax figures. I exhale with the realization. I was two seconds away from kicking in this window to rescue a couple of wax mannequins. I keep the light moving. An area rug on the floor. A battered coffee table with a vase and flowers—fresh flowers, not fake. Against the wall, a faux fireplace—something painted on the wall, complete with logs and a spirited flame. A television set. I can only
James Patterson (The Murder House)
The English travel writer Isabel Bird, famous for her cool and detached prose, seemed scarcely able to keep from exclaiming hubba-hubba as she checked out the rugged men she kept encountering on her trip to America in the 1850s:
Elizabeth Gilbert (The Last American Man)