Shrinking Show Quotes

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To the untrue man, the whole universe is false- it is impalpable- it shrinks to nothing within his grasp. And he himself is in so far as he shows himself in a false light, becomes a shadow, or, indeed, ceases to exist.
Nathaniel Hawthorne (The Scarlet Letter)
Ooo,” said Alexia, fascinated, “it shrinks back down again. The books didn't detail that occurrence.” The earl laughed. “You must show me these books of yours.
Gail Carriger (Soulless (Parasol Protectorate, #1))
When describing nature, a writer should seize upon small details, arranging them so that the reader will see an image in his mind after he closes his eyes. For instance: you will capture the truth of a moonlit night if you'll write that a gleam like starlight shone from the pieces of a broken bottle, and then the dark, plump shadow of a dog or wolf appeared. You will bring life to nature only if you don't shrink from similes that liken its activities to those of humankind." (Letter to Alexander Chekhov, May 10, 1886)
Anton Chekhov
You're neither unnatural, nor abominable, nor mad; you're as much a part of what people call nature as anyone else; only you're unexplained as yet--you've not got your niche in creation. But some day that will come, and meanwhile don't shrink from yourself, but face yourself calmly and bravely. Have courage; do the best you can with your burden. But above all be honourable. Cling to your honour for the sake of those others who share the same burden. For their sakes show the world that people like you and they can be quite as selfless and fine as the rest of mankind. Let your life go to prove this--it would be a really great life-work, Stephen.
Radclyffe Hall (The Well of Loneliness)
When the friend shows his inmost heart to his friend; the lover to his best-beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a black veil!
Nathaniel Hawthorne (The Minister's Black Veil)
Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit. It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall. Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere. Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock. But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it. Amen
Alice Walker (The Color Purple)
Thirty-six. If you want to shrink something, you must first expand it. If you want to get rid of something, you must allow it to flourish. If you want to take something, you must allow it to be given. The soft will overcome the hard. The slow will beat the fast. Don't tell people the way, just show them the results.
James Frey (A Million Little Pieces)
It is the unspeakable misery of a life so false as his, that it steals the pith and substance out of whatever realities there are around us, and which were meant by Heaven to be the spirit’s joy and nutriment. To the untrue man, the whole universe is false—it is impalpable—it shrinks to nothing within his grasp. And he himself in so far as he shows himself in a false light, becomes a shadow, or, indeed, ceases to exist.
Nathaniel Hawthorne (The Scarlet Letter)
All distances in time and space are shrinking. […] Yet the frantic abolition of all distances brings no nearness; for nearness does not consist in shortness of distance. What is least remote from us in point of distance, by virtue of its picture on film or its sound on radio, can remain far from us. What is incalculably far from us in point of distance can be near to us. […] Everything gets lumped together into uniform distanceless. […] What is it that unsettles and thus terrifies? It shows itself and hides itself in the way in which everything presences, namely, in the fact that despite all conquest of distances the nearness of things remains absent.
Martin Heidegger (Poetry, Language, Thought)
when she was 7, a boy pushed her on the playground she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you he probably just thinks you’re cute’ but the thing is, when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same you teach her that boys show their affection through aggression and she grows into a young woman who constantly mistakes the two because no one ever taught her the difference ‘boys will be boys’ turns into ‘that’s how he shows his love’ and bruises start to feel like the imprint of lips she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist the one adult she tells scolds her ‘you know he loses his temper easily why the hell did you have to provoke him?’ so she shrinks folds into herself, flinches every time a man raises his voice by the time she’s 16 she’s learned her job well be quiet, be soft, be easy don’t give him a reason but for all her efforts, he still finds one ‘boys will be boys’ rings in her head ‘boys will be boys he doesn’t mean it he can’t help it’ she’s 7 years old on the playground again with a mouth full of rocks and blood that tastes like copper love because boys will be boys baby don’t you know that’s just how he shows he cares she’s 18 now and they’re drunk in the split second it takes for her words to enter his ears they’re ruined like a glass heirloom being dropped between the hands of generations she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment she touches the bruise the next day boys will be boys aggression, affection, violence, love how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war she draws tally marks on her walls ratios of kisses to bruises one entire side of her bedroom turns purple, one entire side of her body boys will be boys will be boys will be boys when she’s 20, a boy touches her hips and she jumps he asks her who the hell taught her to be scared like that and she wants to laugh doesn’t he know that boys will be boys? it took her 13 years to unlearn that lesson from the playground so I guess what I’m trying to say is i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things baby they exist in different universes my niece can’t even speak yet but I think I’ll start with her now don’t ever accept the excuse that boys will be boys don’t ever let him put his hands on you like that if you see hate blazing in his eyes don’t you ever confuse it with love baby love won’t hurt when it comes you won’t have to hide it under long sleeves during the summer and the only reason he should ever reach out his hand is to hold yours
Fortesa Latifi
Ultimatums work only on game shows.
Michael I. Bennett (F*ck Feelings: One Shrink's Practical Advice for Managing All Life's Impossible Problems)
You are all soldiers of Christ," he said, "and now is an opportunity given to you to show that you are worthy soldiers. When the troops of a worldly monarch go into battle they do so with head erect, with proud and resolute bearing, with flashing eye, and with high courage, determined to bear aloft his banner and to crown it with victory, even though it cost them their lives. Such is the mien that soldiers of Christ should bear in the mortal strife now raging round us. Let them show the same fearlessness of death, the same high courage, the same unlimited confidence in their Leader. What matter if they die in His service? He has told them what their work should be. He has bidden them visit the sick and comfort the sorrowing. What if there be danger in the work? Did He shrink from the Cross which was to end His work of love, and is it for His followers to do so? 'Though you go down into the pit,' He has said, 'I am there also'; and with His companionship one must be craven indeed to tremble. This is a noble opportunity for holding high the banner of Christ. There is work to be done for all, and as the work is done, men should see by the calm courage, the cheerfulness, and the patience of those that do it, that they know that they are doing His work, and that they are content to leave the issue, whatever it be, in His hands.
G.A. Henty
GONE TO STATIC it sounds better than it is, this business of surviving, making it through the wrong place at the wrong time and living to tell. when the talk shows and movie credits wear off, it's just me and my dumb luck. this morning I had that dream again: the one where I'm dead. I wake up and nothing's much different. everything's gone sepia, a dirty bourbon glass by the bed, you're still dead. I could stumble to the shower, scrub the luck of breath off my skin but it's futile. the killer always wins. it's just a matter of time. and I have time. I have grief and liquor to fill it. tonight, the liquor and I are talking to you. the liquor says, 'remember' and I fill in the rest, your hands, your smile. all those times. remember. tonight the liquor and I are telling you about our day. we made it out of bed. we miss you. we were surprised by the blood between our legs. we miss you. we made it to the video store, missing you. we stopped at the liquor store hoping the bourbon would stop the missing. there's always more bourbon, more missing tonight, when we got home, there was a stray cat at the door. she came in. she screams to be touched. she screams when I touch her. she's right at home. not me. the whisky is open the vcr is on. I'm running the film backwards and one by one you come back to me, all of you. your pulses stutter to a begin your eyes go from fixed to blink the knives come out of your chests, the chainsaws roar out from your legs your wounds seal over your t-cells multiply, your tumors shrink the maniac killer disappears it's just you and me and the bourbon and the movie flickering together and the air breathes us and I am home, I am lucky I am right before everything goes black
Daphne Gottlieb (Final Girl)
My head ached. I was thinking of the pain, and wondering how it was possible for physical agony to be so intense. I had never imagined that such a torture could be endured. Yet here was I, both conscious and able to think clearly. And not only to think, but to observe the process and make calculations about it. The steel circle round my skull was closing in with faint cracking noises. How much farther could it shrink? I counted the cracking sounds. Since I took the triple dose of pain-killer, there had been two more. …I took out my watch and laid it on the table. “Give me morphia,” I said in a calm, hostile, icy tone. “You mustn’t take morphia! You know perfectly well. The very idea! And what are you doing with that watch?” “You will give me morphia within three minutes.” They looked me uneasily up and down. No one moved. Three minutes went by. Then ten more. I slipped the watch calmly into my pocket and rose unsteadily to my feet. “Then take me to the Fiakker Bar. They say it’s a good show, and to-night I want to enjoy myself.” The others jumped up with a feeling of relief. I never confessed the secret to anyone, either then or afterwards. I had made up my mind at the end of those three minutes — for the first and last time in my life — that if my headache had not stopped within the next ten I should throw myself under the nearest tram. It never came out whether I should have kept to my resolve, for the pain left with the suddenness of lighting.
Frigyes Karinthy (A Journey Round My Skull)
If you want to shrink something, you must first allow it to expand. If you want to get rid of something, you must first allow it to flourish. If you want to take something, you must first allow it to be given. This is called the subtle perception of the way things are. The soft overcomes the hard. The slow overcomes the fast. Let your workings remain a mystery. Just show people the results.
Lao Tzu (Tao Te Ching)
I don’t have any regrets,” a famous movie actor said in an interview I recently witnessed. “I’d live everything over exactly the same way.” “That’s really pathetic,” the talk show host said. “Are you seeking help?” “Yeah. My shrink says we’re making progress. Before, I wouldn’t even admit that I would live it all over,” the actor said, starting to choke up. “I thought one life was satisfying enough.” “My God,” the host said, cupping his hand to his mouth. “The first breakthrough was when I said I would live it over, but only in my dreams. Nocturnal recurrence.” “You’re like the character in that one movie of yours. What’s it called? You know, the one where you eat yourself.” “The Silence of Sam.” “That’s it. Can you do the scene?” The actor lifts up his foot to stick it in his mouth. I reach over from my seat and help him to fit it into his bulging cheeks. The audience goes wild.
Benson Bruno (A Story that Talks About Talking is Like Chatter to Chattering Teeth, and Every Set of Dentures can Attest to the Fact that No . . .)
Men have nothing in common with me--there is no point of contact; they have foolish little feelings and foolish little vanities and impertinences and ambitions; their foolish little life is but a laugh, a sigh, and extinction; and they have no sense. Only the Moral Sense. I will show you what I mean. Here is a red spider, not so big as a pin's head. Can you imagine an elephant being interested in him-- caring whether he is happy or isn't, or whether he is wealthy or poor, whether his sweetheart returns his love or not, whether his mother is sick or well, whether he is looked up to in society or not, whether his enemies will smite him or his friends desert him, whether his hopes will suffer blight or his political ambitions fail, whether he shall die in the bosom of his family or neglected and despised in a foreign land? These things can never be important to the elephant; they are nothing to him; he cannot shrink his sympathies to the microscopic size of them. Man is to me as the red spider is to the elephant. The elephant has nothing against the spider--he cannot get down to that remote level; I have nothing against man. The elephant is indifferent; I am indifferent.
Mark Twain (The Mysterious Stranger)
Shadrapar has no purpose, no function. It exists for itself only, its own downward spiral to oblivion. It exists only to imprison the minds of those who dwell within it, so that their world shrinks until it holds nothing but their own desires, and they fight to stop you showing what’s beyond the bars. So I called it the cage of souls, so they would understand.
Adrian Tchaikovsky (Cage of Souls)
Neuroscience seems to show that many emotional and behavioural problems we thought were caused by bad parents or trauma are also caused by wiring that isn't reversible. This explains why self-improvement is hard and sometimes impossible, even when we're strong willed and well guided. In other words, we're often fucked.
Michael I. Bennett (F*ck Feelings: One Shrink's Practical Advice for Managing All Life's Impossible Problems)
Because I questioned myself and my sanity and what I was doing wrong in this situation. Because of course I feared that I might be overreacting, overemotional, oversensitive, weak, playing victim, crying wolf, blowing things out of proportion, making things up. Because generations of women have heard that they’re irrational, melodramatic, neurotic, hysterical, hormonal, psycho, fragile, and bossy. Because girls are coached out of the womb to be nonconfrontational, solicitous, deferential, demure, nurturing, to be tuned in to others, and to shrink and shut up. Because speaking up for myself was not how I learned English. Because I’m fluent in Apology, in Question Mark, in Giggle, in Bowing Down, in Self-Sacrifice. Because slightly more than half of the population is regularly told that what happens doesn’t or that it isn’t the big deal we’re making it into. Because your mothers, sisters, and daughters are routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied, harassed, threatened, punished, propositioned, and groped, and challenged on what they say. Because when a woman challenges a man, then the facts are automatically in dispute, as is the speaker, and the speaker’s license to speak. Because as women we are told to view and value ourselves in terms of how men view and value us, which is to say, for our sexuality and agreeability. Because it was drilled in until it turned subconscious and became unbearable need: don’t make it about you; put yourself second or last; disregard your feelings but not another’s; disbelieve your perceptions whenever the opportunity presents itself; run and rerun everything by yourself before verbalizing it—put it in perspective, interrogate it: Do you sound nuts? Does this make you look bad? Are you holding his interest? Are you being considerate? Fair? Sweet? Because stifling trauma is just good manners. Because when others serially talk down to you, assume authority over you, try to talk you out of your own feelings and tell you who you are; when you’re not taken seriously or listened to in countless daily interactions—then you may learn to accept it, to expect it, to agree with the critics and the haters and the beloveds, and to sign off on it with total silence. Because they’re coming from a good place. Because everywhere from late-night TV talk shows to thought-leading periodicals to Hollywood to Silicon Valley to Wall Street to Congress and the current administration, women are drastically underrepresented or absent, missing from the popular imagination and public heart. Because although I questioned myself, I didn’t question who controls the narrative, the show, the engineering, or the fantasy, nor to whom it’s catered. Because to mention certain things, like “patriarchy,” is to be dubbed a “feminazi,” which discourages its mention, and whatever goes unmentioned gets a pass, a pass that condones what it isn’t nice to mention, lest we come off as reactionary or shrill.
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
I wonder, for example, if the twins’ piano training had given them the Tomaini brand of dexterity with hand jobs? Could a non-musician learn it? Could I? Children stumble through these most critical acts with no real help from the elders who are so anxious to teach them everything else. We were given rules and taboos for the toilet, the sneeze, the eating of an artichoke. Papa taught us all a particular brush stroke for cleaning our teeth, a special angle for the pen in our hand, the exact words for greeting elders, with fine-tuned distinctions for male, female, show folk, customers, or tradesmen. The twins and Arty were taught to design an act, whether it lasted three minutes or thirty, to tease, coax, and startle a crowd, to build to crescendo and then disappear in the instant of climax. From what I have come to understand of life, this show skill, this talk-’em, sock-’em, knock-’em-flat information, is as close as we got to that ultimate mystery. I throw death aside. Death is not mysterious. We all understand death far too well and spend chunks of life resisting, ignoring, or explaining away that knowledge. But this real mystery I have never touched, never scratched. I’ve seen the tigers with their jaws wide, their fangs buried in each other’s throats, and their shadowed hides sizzling, tip to tip. I’ve seen the young norms tangled and gasping in the shadows between booths. I suspect that, even if I had begun as a norm, the saw-toothed yearning that whirls in me would bend me and spin me colorless, shrink me, scorch every hair from my body, and all invisibly so only my red eyes would blink out glimpses of the furnace thing inside. In fact, I smell the stench of longing so clearly in the streets that I’m surprised there are not hundreds exactly like me on every corner.
Katherine Dunn (Geek Love)
There are three kinds of trials in life,” he said, relishing the simplicity of the idea. He heard his voice grow stronger, stood straight to accommodate it. “There are the trials God gives you,” he continued, “which almost always lead to wisdom, and so are worth the trouble. There are the trials you force upon yourself, which should be abandoned at their onset.” He nodded to show them that he realized he was speaking about himself. “And there are the trials we create for one another,” he continued, “which are more complicated because it is impossible to know whose hand is guiding them. “The only advice I can give anyone is this,” he said. “Don’t ever shrink from those last trials. Run to them. Because only in the quality of your struggle with one another will you learn anything about yourself. Sometimes that struggle is nearly impossible to survive, but it is those trials which make a life.
Cara Wall (The Dearly Beloved)
Curious how he jibbed away from sight of his wife and child! One would have thought he must have rushed up at the first moment. On the contrary, he had a sort of physical shrinking from it — fastidious possessor that he was. He was afraid of what Annette was thinking of him, author of her agonies, afraid of the look of the baby, afraid of showing his disappointment with the present and — the future.
John Galsworthy (In Chancery (The Forsyte Chronicles, #2))
Privileged groups routinely assume that all deserving Americans live in decent housing, attend safe schools with caring teachers, and will be rewarded for their hard work with college opportunities and good jobs. They believe that undeserving Blacks and Latinos who remain locked up in deteriorating inner cities get what they deserve and do not merit social programs that will show them a future. This closing door of opportunity associated with hyper-segregation creates a situation of shrinking opportunities and neglect. This is the exact climate that breeds a culture of violence that is a growing component of "street culture" in working-class and poor Black neighborhoods.
Patricia Hill Collins (Black Sexual Politics: African Americans, Gender, and the New Racism)
The biggest mistake abuse survivors make after leaving their relationship is to shrink. They wallow in sadness and allow the abuser to go on social media sites and post pictures of how wonderful their life is now that you left them. They allow the abuser to win again by showing people they are so over you. This is not okay! I hope every abuse survivor has a marketing campaign of glory and triumph. Don't let the abuser paint the image of you as someone they discarded. Post your comeback story on social media. Invite the world back into your life. The victory is yours. Show the world that you overcame a monster. Show them you won!
Shannon L. Alder (The Narcissistic Abuse Recovery Bible)
Cold, I was, like snow, like ivory. I thought "He will not touch me", but he did. He kissed my stone-cool lips. I lay still as though I’d died. He stayed. He thumbed my marbled eyes. He spoke - blunt endearments, what he’d do and how. His words were terrible. My ears were sculpture, stone-deaf shells. I heard the sea. I drowned him out. I heard him shout. He brought me presents, polished pebbles, little bells. I didn’t blink, was dumb. He brought me pearls and necklaces and rings. He called them girly things. He ran his clammy hands along my limbs. I didn’t shrink, played statue, shtum. He let his fingers sink into my flesh, he squeezed, he pressed. I would not bruise. He looked for marks, for purple hearts, for inky stars, for smudgy clues. His nails were claws. I showed no scratch, no scrape, no scar. He propped me up on pillows, jawed all night. My heart was ice, was glass. His voice was gravel, hoarse. He talked white black. So I changed tack, grew warm, like candle wax, kissed back, was soft, was pliable, began to moan, got hot, got wild, arched, coiled, writhed, begged for his child, and at the climax screamed my head off - all an act. And haven’t seen him since. Simple as that
Carol Ann Duffy (The World's Wife)
To the untrue man, the whole universe is false⁠—it is impalpable⁠—it shrinks to nothing within his grasp. And he himself, in so far as he shows himself in a false light, becomes a shadow, or, indeed, ceases to exist
Nathaniel Hawthorne (The Scarlet Letter)
What's wrong with me? I lose my footing, in here.' He touched his head. 'When a neuro-typical looses their footing, they yell or escape to the TV, or maybe the doctor throws them on depression meds. But when I slip, I fall all the way through. I feel the ground give way and I'm gone. It's a crack -- a crack in what's real, and beneath there I'm stuck. Then, I guess I become someone else. Mom says I still know my name, but I walk a different world. The shrink calls it DID -- Dissociative Identity Disorder -- with a little added autism to spice up my other personality. I suppose he's right, but only I know how it feels to slip through the cracks. Then the monster shows up.
Jonathan Friesen (Both of Me)
toxins overloading it, it often pushes them out through the skin. Hence, heavy drinking shows on your skin. Also, beer and cocktails are loaded with candida; a fungus that leads to outbreaks. Booze shrinks the pores, making them more prone to blockages.
Catherine Gray (The Unexpected Joy of Being Sober)
Even when the moon shrinks and disappears, it shows itself again gradually. When ancient people saw that eternal cycle of death and recovery, they prayed to the moon for their own rebirth. Rebirth. Will I be reborn? ... If I were reborn, what would I become?
Fuminori Nakamura (The Kingdom)
There are many causes for the increasing concentration of wealth in a shrinking elite, but let us throw one more into the mix: the ever more aggressive appropriations of the attentional commons that we have allowed to take place. I think we need to sharpen the conceptually murky right to privacy by supplementing it with a right not to be addressed. This would apply not, of course, to those who address me face to face as individuals, but to those who never show their faces, and treat my mind as a resource to be harvested.
Matthew B. Crawford
Tired as I was of conflict, I felt that I must not shrink from the fight, nor abandon in cowardice the attempt to prove, as no theories could ever satisfactorily prove without examples, that marriage and motherhood need never tame the mind, nor swamp and undermine ability and training, nor trammel and domesticise political perception and social judgement. Today, as never before, it was urgent for individual women to show that life was enriched, mentally and spiritually as well as physically and socially, by marriage and children; that these experiences rendered the woman who accepted them the more and not the less able to take the world's pulse, to estimate its tendencies, to play some definite, hard-headed, hard-working part in furthering the constructive ends of a political civilisation
Vera Brittain (Testament of Youth)
I have missed it my little Chinese book. Forty-four. What is more important, fame or integrity. What is more valuable, money or happiness. What is more dangerous, success or failure. If you look to others for fulfillment, you will never be fulfilled. If your happiness depends on money, you will never be happy. Be content with what you have and take joy in the way things are. When you realize you have all you need, the World belongs to you. Thirty-six. If you want to shrink something, you must first expand it. If you want to get rid of something, you must first allow it to flourish. If you want to take something, you must allow it to be given. The soft will overcome the hard. The slow will beat the fast. Don’t tell people the way, just show them the results. Seventy-four. If you understand that all things change constantly, there is nothing you will hold on to, all things change. If you aren’t afraid of dying, there is nothing you can’t do. Trying to control the future is like trying to take the place of the Master Carpenter. When you handle the Master Carpenter’s tools, chances are that you’ll cut your hand. Thirty-three. Knowing other people is intelligence, knowing yourself is wisdom. Mastering other people is strength, mastering yourself is power. If you realize that what you have is enough, you are rich truly rich. Stay in the center and embrace peace, simplicity, patience and compassion. Embrace the possibility of death and you will endure. Embrace the possibility of life and you will endure. This little book feeds me. It feeds me food I didn’t know existed, feeds me food I wanted to taste, and have never tasted before, food that will nourish me and keep me full and keep me alive. I read it and it feeds me. It lets me see what my life is in simple terms, it simply is what it is, and I can deal with my life on those terms. It is not complicated unless I make it so. It is not difficult unless I allow it to be. A second is no more than a second, a minute no more than a minute, a day no more than a day. They pass. All things and all time will pass. Don’t force or fear, don’t control or lose control. Don’t fight and don’t stop fighting. Embrace and endure. If you embrace, you will endure.
James Frey (A Million Little Pieces)
Now his work-mates pitied him, although they tried not to show it, and it was generally arranged that he was given jobs which allowed him to work alone. The smell of ink, and the steady rhythm of the press, then induced in him a kind of peace - it was the peace he felt when he arrived early, at a time when he might be the only one to see the morning light as it filtered through the works or to hear the sound of his footsteps echoing through the old stone building. At such moments he was forgetful of himself and thus of others until he heard their voices, raised in argument or in greeting, and he would shrink into himself again. At other times he would stand slightly to one side and try to laugh at their jokes, but when they talked about sex he became uneasy and fell silent for it seemed to him to be a fearful thing. He still remembered how the girls in the schoolyard used to chant, Kiss me, kiss me if you can I will put you in my pan, Kiss me, kiss me as you said I will fry you till you're dead And when he thought of sex, it was as of a process which could tear him limb from limb. He knew from his childhood reading that, if he ran into the forest, there would be a creature lying in wait for him.
Peter Ackroyd (Hawksmoor)
You're neither unnatural, nor abominable, nor mad; you're as much a part of what people call nature as anyone else; only you're unexplained as yet - you've not got your niche in creation. But someday that will come, and meanwhile don't shrink from yourself, but face yourself calmly and bravely. Have courage; do the best you can with your burden. But above all be honourable. Cling to your honour for the sake of those others who share the same burden. For their sakes show the world that people like you and they can be quite as selfless and fine as the rest of mankind. Let your life go to prove this - it would be a really great life-work, Stephen
Radclyffe Hall (The Well of Loneliness)
Her later work on adolescent girls and their “silenced” voices shows us a different Gilligan. Her ideas were successful in the sense that they inspired activists in organizations like the AAUW and the Ms. Foundation to go on red alert in an effort to save the nation’s “drowning and disappearing” daughters. But all their activism was based on a false premise: that girls were subdued, neglected, and diminished. In fact, the opposite was true: girls were moving ahead of boys in most of the ways that count. Gilligan’s powerful myth of the incredible shrinking girl did more harm than good. It patronized girls, portraying them as victims of the culture. It diverted attention from the academic deficits of boys. It also gave urgency and credibility to a specious self-esteem movement that wasted everybody’s time.
Christina Hoff Sommers (The War Against Boys: How Misguided Policies are Harming Our Young Men)
The literary experience extends impression into discourse. It flowers to thought with nouns, verbs, objects. It thinks. Film implodes discourse, it deliterates thought, it shrinks it to the compacted meaning of the preverbal impression or intuition or understanding. You receive what you see, you don't have to think it out. . . . Fiction goes everywhere, inside, outside, it stops, it goes, its action can be mental. Nor is it time-driven. Film is time-driven, it never ruminates, it shows the outside of life, it shows behavior. It tends to the simplest moral reasoning. Films out of Hollywood are linear. The narrative simplification of complex morally consequential reality is always the drift of a film inspired by a book. Novels can do anything in the dark horrors of consciousness. Films do close-ups, car drive-ups, places, chases and explosions.
E.L. Doctorow
And she almost died of shock the night you showed it to her," Roland said. "We were all shocked, especially when you lived to talk about it." "We talked about Daniel kissing me," Luce remembered, blushing. "And the fact that I survived it. Was that what surprised Miss Sophia?" "Part of it," Roland said. "But there's plenty more in that book that Sophia wouldn't have wanted you to know about." "Not much of an educator, was she?" Cam said, giving Luce a smirk that said, Long time, no see. "What wouldn't she have wanted me to know?" All the angels turned to look at Daniel. "Last night we told you that none of the angels remember where we landed when we fell," Daniel said. "Yeah, about that...How's it possible?" Shelby said. "You'd think that kind of thing would leave an impression on the old memorizer." Cam's face reddened. "You try falling for nine days through multiple dimensions and trillions of miles, landing on your face, breaking your wings, rolling around confused for who knows how long, wandering the desert for decades looking for any clue as to who or what or where you are-and then talk to me about the old memorizer." "Okay, you've got acknowledgement issues," Shelby said, putting on her shrink voice. "If I were going to diagnose you-" "Well, at least you remember there was a desert involved," Miles said diplomatically, making Shelby laugh.
Lauren Kate (Rapture (Fallen, #4))
Gerontologists studying the aging process find increasing evidence that most of us will age with a fair degree of success. There’s far less institutionalization and disability than one might have guessed. While the size of social networks shrink with age, the quality of the relationships improves. There are types of cognitive skills that improve in old age (these are related to social intelligence and to making good strategic use of facts, rather than merely remembering them easily). The average elderly individual thinks his or her health is above average, and takes pleasure from that. And most important, the average level of happiness increases in old age; fewer negative emotions occur and, when they do, they don’t persist as long. Connected to this, brain-imaging studies show that negative images have less of an impact, and positive images have more of an impact on brain metabolism in older people, as compared to young.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
You want me to be real with you? Okay, I'll be real with you. I like the way that you bite your lip. I like the way that you walk around. Like the world is a crowded elevatornad your body is just some lugguage you're trying to shrink up so it doesn't bother anybody. I like your body. I like to think about touching it. I like to think about how long it will take me to walk my fingers across every single inch of it without missing a signle spot. Is that real enough for you?
Lauren Oliver (Panic (Panic, #1))
He visited the weavers and tailors with his brother, choosing garments with cuffs of feathers and exquisite embroidery, with collars as sharp as the points of his ears, and fabrics as soft as the tuft of his tail- a tail he tucked away, for it showed too much of what he schooled his face to hide. A poisonous flower displays its bright colours, a cobra flares its hood; predators ought not to shrink from extravagance. And that was what he was being polished and punished in to being.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
The collapse of Inter-Ally debts and German reparations in the 1920s showed that “debts that can’t be paid, won’t be.” What blocks this awareness among neoliberal economists is their fantasy is that all debts can be paid by squeezing out a large enough fiscal surplus. Neoliberals are incorrigible in preferring to indulge their pro-creditor and anti-labor sentiments in the face of the reality that fiscal austerity shrinks the economy and hence the ability to produce a surplus to pay creditors.
Michael Hudson (Killing the Host: How Financial Parasites and Debt Bondage Destroy the Global Economy)
Try as U.S. officials might to get him to broaden his government, to show more sensitivity to the needs of his people, to show greater tolerance for the expression of political opposition, they got nowhere. Instead Diem, his utter confidence in his own political instincts wholly unimpaired, turned increasingly inward, relying almost exclusively on an ever-shrinking circle of confidants headed by his brother Ngo Dinh Nhu. More than ever, personal loyalty, rather than ability and efficiency, became the criterion for promotion and reward.
Fredrik Logevall (Embers of War: The Fall of an Empire and the Making of America's Vietnam)
Tell me," replied Faria, "what has hindered you from knocking down your father with a piece of wood torn from your bedstead, dressing yourself in his clothes, and endeavoring to escape?" "Simply the fact that the idea never occurred to me," answered Dantes. "Because," said the old man, "the natural repugnance to the commission of such a crime prevented you from thinking of it; and so it ever is because in simple and allowable things our natural instincts keep us from deviating from the strict line of duty. The tiger, whose nature teaches him to delight in shedding blood, needs but the sense of smell to show him when his prey is within his reach, and by following this instinct he is enabled to measure the leap necessary to permit him to spring on his victim; but man, on the contrary, loathes the idea of blood - it is not alone that the laws of social life inspire him with a shrinking dread of taking life; his natural construction and physiological formation" - Dantes was confused and silent at this explanation of the thoughts which had unconsciously been working in his mind, or rather soul; for there are two distinct sorts of ideas, those that proceed from the head and those that emanate from the heart.
Alexandre Dumas
A man with strongly, in fact exclusively, religious interests, showed markedly this characteristic of helping people without really feeling for them. He said: 'I've no real emotional relations with people. I can't reciprocate tenderness. I can cry and suffer with people. I can help people, but when they stop suffering I'm finished. I can't enter into folks' joys and laughter. I can do things for people but shrink from them if they start thanking me.' His suffering with people was in fact his identifying himself as a suffering person with anyone else who suffered. Apart from that he allowed no emotional relationship to arise.
Harry Guntrip (Schizoid Phenomena, Object Relations and the Self)
Why do you tremble at me alone? cried he, turning his veiled face round the circle of pale spectators. Tremble also at each other! Have men avoided me, and women showed no pity, and children screamed and fled, only for my black veil? What but the mystery which it obscurely typifies, has made this piece of crape so awful? When the friend shows his inmost heart to his friend; the lover to his best-beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a black veil!
Nathaniel Hawthorne
The biggest mistake abuse survivors make after leaving their relationship is to shrink. They wallow in sadness and ignore the continued abused when the abuser goes on social media sites to post pictures of how wonderful their life is now that you left them. They allow the abuser to win again by showing people they are so over you. This is not okay! I hope every abuse survivor has a marketing campaign of glory and triumph. Don't let the abuser paint the image of you as someone they discarded. Post your comeback story on social media. Invite the world back into your life. The victory is yours. Show the world that you overcame a monster. Show them you won!
Shannon L. Alder
With all this talk of distance and duration being relative depending on the observer’s motion, some may be tempted to ask: So which observer is “right”? Whose watch shows the “actual” time elapsed? Which length of the rod is “real”? Whose notion of simultaneity is “correct”? According to the special theory of relativity, all inertial reference frames are equally valid. It is not a question of whether rods actually shrink or time really slows down; all we know is that observers in different states of motion will measure things differently. And now that we have dispensed with the ether as “superfluous,” there is no designated “rest” frame of reference that has preference over any other.
Walter Isaacson (Einstein: His Life and Universe)
That is why it is praise to an author to say that he is naïve; it means that he need not shrink from showing himself as he is. Generally speaking, to be naïve is to be attractive; while lack of naturalness is everywhere repulsive. As a matter of fact we find that every really great writer tries to express his thoughts as purely, clearly, definitely and shortly as possible. Simplicity has always been held to be a mark of truth; it is also a mark of genius. Style receives its beauty from the thought it expresses; but with sham-thinkers the thoughts are supposed to be fine because of the style. Style is nothing but the mere silhouette of thought; and an obscure or bad style means a dull or confused brain.
Arthur Schopenhauer (The Essays of Arthur Schopenhauer; The Art of Literature)
What Wild Women Do: Mark ourselves bigger and louder than may be initially comfortable. Take up space rather than becoming smaller to fit something narrow and unyielding. Show emotion, be it anger, sadness, hurt, joy—we are human, and therefore have earned our feelings. Are feminine when it suits us, because we want to be, but never because someone else asks it of us. Respect ourselves, because not everyone else will. Seek peace without shrinking from chaos, which can be a catalyst for change. Enjoy life on our terms, as we only get one to live. Trust other women and be trustworthy to our sisters in return. Be bold in every space of life, from the bedroom to the boardroom, and take a seat at the table.
Karma Brown (What Wild Women Do)
embarrassment. And embarrassment, according to Keltner, is a moral emotion. It shows humility, modesty, and a desire to avoid aggression and make peace. It’s not about isolating the person who feels ashamed (which is how it sometimes feels to easy blushers), but about bringing people together. Keltner has tracked the roots of human embarrassment and found that after many primates fight, they try to make up. They do this partly by making gestures of embarrassment of the kind we see in humans—looking away, which acknowledges wrongdoing and the intention to stop; lowering the head, which shrinks one’s size; and pressing the lips together, a sign of inhibition. These gestures in humans have been called “acts of devotion,
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Jesus has a way of stretching us. Over and over again in the gospels, the message he has for those who would emulate him in the world, is, in essence, “I want to show you something new. Whatever standard you once used for how to live and treat people and find meaning, I’m asking you for more—(or rather, for less).” Regarding anger or motive or religion or revenge or comfort, he continually invites us to the low places: to a greater humility, to a deeper forgiveness, to a shrinking ego, to a bigger generosity. We almost always resist such things because initially they feel like loss, like we’re giving up too much, like we’re letting someone else get away with something. But we always find a better version of ourselves in the low places and that is why we need to keep going there.
John Pavlovitz (Low: An Honest Advent Devotional)
I reached down and squeezed his hand. "You are a good brother." He nodded. I could see in the gray light that he was crying a little. "Thanks", he said. "i kind of just want to stay here in this particular instant for a really long time." "Yeah", I said. We settled into silence and I felt the sky's bigness above me, the unimaginable vastness of it all - looking at Polaris and realizing the light I was seeing was 425 years old, and then looking at Jupiter, less than a light-hour from us. In the moonless darkness, we were just witnesses to light, and I felt a sliver of what must have driven Davis to astronomy. There was a kind of relief in having your own smallness laid bare before you, and I realized something Davis must have already known: Spirals grow infinitely small the farther you follow them inward, but they also grow infinitely large the farther you follow them out. And I knew I would remember that feeling, underneath the split-up sky, back before the machinery of fate ground us into one thing or another, back when we could still be everything. I thought, lying there, that I might love him for the rest of my life. We did love each other - maybe we never said it, and maybe love was never something we were in, but it was something I felt. I loved him, and I thought, maybe I will never see him again and I will be stuck missing him, and isn't that so terrible. But it turn out not to be terrible, because i know the secret that the me lying beneath that sky could not imagine: I know that girl would go on, that she would grow up, have children and love them, that despite loving them she would get too sick to care for them, be hospitalized, get better, and then get sick again. I know a shrink would say, write it down, how you got here. So you would, and in writing it down you realize, love is not a tragedy or a failure, but a gift. You remember your first love because they show you, prove to you, that you can love and be loved, that nothing in this world is deserved except for love, that love is both how you become a person, and why. - But underneath those skies, your hand - no, my hand, no - our hand - in his, you don't know yet. You don't know that the spiral painting is in that box on your dining room table, with a Post-it note stuck to the back of the frame. You don't know that you will make a life, see it unbuilt and rebuilt.
John Green (Turtles All the Way Down)
There were times when Puddle felt almost desperate, and one evening she came to a great resolution. She would go to the girl and say: 'I know. I know all about it, you can trust me, Stephen.' And then she would counsel and try to give courage: 'You're neither unnatural, nor abominable, nor mad; you're as much a part of what people call nature as anyone else; only you're unexplained as yet—you've not got your niche in creation. But some day that will come, and meanwhile don't shrink from yourself, but just face yourself calmly and bravely. Have courage; do the best you can with your burden. But above all be honourable. Cling to your honour for the sake of those others who share the same burden. For their sakes show the world that people like you and they can be quite as selfless and fine as the rest of mankind. Let your life go to prove this—it would be a really great life-work, Stephen.
Radclyffe Hall
So, with so much insight, would he not have noticed the meaning behind my abrupt shrinking away from his hand? Not notice that I'd leaned into his grip? Not know that I didn't want him to let go of me? Not sense that when he started massaging me, my inability to relax was my last refuge, my last defense, my last pretense, that I had by no means resisted, that mine was fake resistance, that I was incapable of resisting and would never want to resist no matter what he did or asked me to do? Not know, as I sat on my bed that Sunday afternoon when no one was home except for the two of us and watched him enter my room and ask me why I wasn't with the others at the beach, that if I refused to answer and simply shrugged my shoulders under his gaze, it was simply so as not to show that I couldn't gather sufficient breath to speak, that if I so much as let out a sound it might be to utter a desperate confession or a sob— one or the other? Never, since childhood, had anyone brought me to such a pass.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
Back in January 2000, the newly rebuilt Hayden Planetarium in New York City featured a space show titled Passport to the Universe, which took visitors on a virtual zoom from the planetarium out to the edge of the cosmos. En route, the audience viewed Earth, then the solar system, then watched the hundred billion stars of the Milky Way galaxy shrink, in turn, to barely visible dots on the planetarium's dome. Within a month of opening day, I received a letter from an Ivy League professor of psychology whose expertise was in things that make people feel insignificant. I never knew one could specialize in such a field. He wanted to administer a before-and-after questionnaire to visitors, assessing the depth of their depression after viewing the show. Passport to the Universe, he wrote, elicited the most dramatic feelings of smallness and insignificance he had ever experienced. How could that be? Every time I see the space show (and others we've produced), I feel alive and spirited and connected. I also feel large, knowing that the goings-on within the three pound human brain are what enabled us to figure out our place in the universe.
Neil deGrasse Tyson
The point is, you must show them how to live and not just teach them theory while contradicting yourself in practice, because cynicism, hypocrisy and insincerity are adult character traits that children have no way of appreciating. Children learn by imitating our behavior, and if it contradicts our thinking then at best they learn to simply ignore what we say and at worst become troubled by it. Suppose you teach them about the environmental devastation they will witness during their lives, and explain to them that it is being caused by burning fossil fuels, and that during their lives fossil fuels will disappear altogether with nothing to replace them … while continuing to burn hundreds of gallons of heating oil to heat an oversized house, driving all over creation in an oversized vehicle, jetting off to the tropics on brief winter holidays and going on shopping sprees to buy on a whim things you don’t need. Then what you would be teaching them is that you can’t be trusted. And this doesn’t help them; instead, it damages their spirit. It is better to have an ignorant fool for a parent than a well-informed hypocrite because being a fool is not a moral failing. Fools deserve pity and mercy; hypocrites—neither.
Dmitry Orlov (Shrinking the Technosphere: Getting a Grip on Technologies that Limit our Autonomy, Self-Sufficiency and Freedom)
You stared out, and then watched the lovely broad-shouldered blonde boy across the room stare broodingly at nothing, and idly flexing his mouth in little grimaces – you felt a feeling of belonging to him curl cosily inside you and go to sleep like a kitten in front of a fire place. To leave him in the rain for a long while – that was next, next and unreal. Lightly he said he wanted to show you his room and told the rest you’d be right back. (Girls can be so careless with affection … you recalled a year ago, a barn, and steps leading upward, as these did.) Almost surprised you let yourself be enfolded in strong arms, in a last futile attempt to conserve and gather the lovely warmth and life pulse spilling from the fibers of the other. You saw blue eyes, light blue and keen, suddenly intent and was it, was it misting? Downstairs then, and good-bye, good-bye my love, good-bye. You felt no reality, no knife of sorrow cut your intestines to bits. Only a weariness, a longing for a shoulder to sleep on, a pair of arms to curl up in – and a lack of that now. Must you wait again, till some boy down the beach likes you, asks you out, kisses you – – – and you see the evening shrink to an artificial two-dimensional slice of time – – – - must you wait till then before you feel the full impact of your loneliness?
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Peter announced: “There is salvation in no one else! God has given no other name under heaven by which we must be saved” (Acts 4:12 NLT). Many recoil at such definitiveness. John 14:6 and Acts 4:12 sound primitive in this era of broadbands and broad minds. The world is shrinking, cultures are blending, borders are bending; this is the day of inclusion. All roads lead to heaven, right? But can they? The sentence makes good talk-show fodder, but is it accurate? Can all approaches to God be correct? Islam says Jesus was not crucified. Christians say he was. Both can’t be right. Judaism refuses the claim of Christ as the Messiah.6 Christians accept it. Someone’s making a mistake. Buddhists look toward Nirvana, achieved after no less than 547 reincarnations.7 Christians believe in one life, one death, and an eternity of enjoying God. Doesn’t one view exclude the other? Humanists do not acknowledge a creator of life. Jesus claims to be the source of life. One of the two speaks folly. Spiritists read your palms. Christians consult the Bible. Hindus perceive a plural and impersonal God.8 Christ-followers believe “there is only one God” (1 Cor. 8:4 NLT). Somebody is wrong. And, most supremely, every non-Christian religion says, “You can save you.” Jesus says, “My death on the cross saves you.” How can all religions lead to God when they are so different? We don’t tolerate such illogic in other matters. We don’t pretend that all roads lead to London or all ships sail to Australia.
Max Lucado (3:16: The Numbers of Hope)
Poor Zélie! It was much her wont to declare about this time, that she was tired to death of a life of seclusion and labour; that she longed to have the means and leisure for relaxation; to have some one to work for her—a husband who would pay her debts (she was woefully encumbered with debt), supply her wardrobe, and leave her at liberty, as she said, to “goûter un peu les plaisirs.” It had long been rumoured, that her eye was upon M. Emanuel. Monsieur Emanuel’s eye was certainly often upon her. He would sit and watch her perseveringly for minutes together. I have seen him give her a quarter-of-an-hour’s gaze, while the class was silently composing, and he sat throned on his estrade, unoccupied. Conscious always of this basilisk attention, she would writhe under it, half-flattered, half-puzzled, and Monsieur would follow her sensations, sometimes looking appallingly acute; for in some cases, he had the terrible unerring penetration of instinct, and pierced in its hiding-place the last lurking thought of the heart, and discerned under florid veilings the bare; barren places of the spirit: yes, and its perverted tendencies, and its hidden false curves—all that men and women would not have known—the twisted spine, the malformed limb that was born with them, and far worse, the stain or disfigurement they have perhaps brought on themselves. No calamity so accursed but M. Emanuel could pity and forgive, if it were acknowledged candidly; but where his questioning eyes met dishonest denial—where his ruthless researches found deceitful concealment—oh, then, he could be cruel, and I thought wicked! he would exultantly snatch the screen from poor shrinking wretches, passionately hurry them to the summit of the mount of exposure, and there show them all naked, all false—poor living lies—the spawn of that horrid Truth which cannot be looked on unveiled. He thought he did justice; for my part I doubt whether man has a right to do such justice on man: more than once in these his visitations, I have felt compelled to give tears to his victims, and not spared ire and keen reproach to himself. He deserved it; but it was difficult to shake him in his firm conviction that the work was righteous and needed.
Charlotte Brontë (Villette)
Yatima found verself gazing at a red-tinged cluster of pulsing organic parts, a translucent confusion of fluids and tissue. Sections divided, dissolved, reorganised. It looked like a flesher embryo – though not quite a realist portrait. The imaging technique kept changing, revealing different structures: Yatima saw hints of delicate limbs and organs caught in slices of transmitted dark; a stark silhouette of bones in an X-ray flash; the finely branched network of the nervous system bursting into view as a filigreed shadow, shrinking from myelin to lipids to a scatter of vesicled neurotransmitters against a radio-frequency MRI chirp. There were two bodies now. Twins? One was larger, though – sometimes much larger. The two kept changing places, twisting around each other, shrinking or growing in stroboscopic leaps while the wavelengths of the image stuttered across the spectrum. One flesher child was turning into a creature of glass, nerves and blood vessels vitrifying into optical fibres. A sudden, startling white-light image showed living, breathing Siamese twins, impossibly transected to expose raw pink and grey muscles working side by side with shape-memory alloys and piezoelectric actuators, flesher and gleisner anatomies interpenetrating. The scene spun and morphed into a lone robot child in a flesher's womb; spun again to show a luminous map of a citizen's mind embedded in the same woman's brain; zoomed out to place her, curled, in a cocoon of optical and electronic cables. Then a swarm of nanomachines burst through her skin, and everything scattered into a cloud of grey dust. Two flesher children walked side by side, hand in hand. Or father and son, gleisner and flesher, citizen and gleisner... Yatima gave up trying to pin them down, and let the impressions flow through ver. The figures strode calmly along a city's main street, while towers rose and crumbled around them, jungle and desert advanced and retreated. The artwork, unbidden, sent Yatima's viewpoint wheeling around the figures. Ve saw them exchanging glances, touches, kisses – and blows, awkwardly, their right arms fused at the wrists. Making peace and melting together. The smaller lifting the larger on to vis shoulders – then the passenger's height flowing down to the bearer like an hourglass's sand.
Greg Egan (Diaspora)
Positive arguments for the natural possibility of absent qualia have not been as prevalent as arguments for inverted qualia, but they have been made. The most detailed presentation of these arguments is given by Block (1978). These arguments almost always have the same form. They consist in the exhibition of a realization of our functional organization in some unusual medium, combined with an appeal to intuition. It is pointed out, for example, that the organization of our brain might be simulated by the people of China or even mirrored in the economy of Bolivia. If we got every person in China to simulate a neuron (we would need to multiply the population by ten or one hundred, but no matter), and equipped them with radio links to simulate synaptic connections, then the functional organization would be there. But surely, says the argument, this baroque system would not be conscious! There is a certain intuitive force to this argument. Many people have a strong feeling that a system like this is simply the wrong sort of thing to have a conscious experience. Such a “group mind” would seem to be the stuff of a science-fiction tale, rather than the kind of thing that could really exist. But there is only an intuitive force. This certainly falls far short of a knockdown argument. Many have pointed out that while it may be intuitively implausible that such a system should give rise to experience, it is equally intuitively implausible that a brain should give rise to experience! Whoever would have thought that this hunk of gray matter would be the sort of thing that could produce vivid subjective experiences? And yet it does. Of course this does not show that a nation's population could produce a mind, but it is a strong counter to the intuitive argument that it would not. . . . Once we realize how tightly a specification of functional organization constrains the structure of a system, it becomes less implausible that even the population of China could support conscious experience if organized appropriately. If we take our image of the population, speed it up by a factor of a million or so, and shrink it into an area the size of a head, we are left with something that looks a lot like a brain, except that it has homunculi—tiny people—where a brain would have neurons. On the face of it, there is not much reason to suppose that neurons should do any better a job than homunculi in supporting experience.
David J. Chalmers (The Conscious Mind: In Search of a Fundamental Theory)
As a traditionalist, I didn’t carry an umbrella, even in the face of a darkening sky, and by the time we reached the reception, we were drenched. As it dried, my uniform began shrinking around my arms and legs. I sensed an uncomfortable tension from the tightening fabric, and when a button on my chest actually popped, I felt absurdly like the Incredible Hulk in the early 1980s TV show. I tried to melt into the crowd, but too late. General Colin Powell, of all people, resplendent in his dry dress Army service uniform, spotted me, smiled, and with obvious joy and great zeal, launched into a public razzing about Air Force uniforms and dress standards. It took my bruised ego several months to recover.
James R. Clapper (Facts and Fears: Hard Truths from a Life in Intelligence)
If you Can If you can give me, give me a chance, to show you my love and my never ending romance, If you can show me, show me a way, where we could be together and time could stay, If you can tell me, tell me the reason why ?, you left me, without knowing whether I'll live or die, If you can help me, help me with my pain, shrink my heart that much, that nothing else will remain, If you see through, see through my eyes, the big pain you gave me, and the small lies, If you can love me, love me one more time, fulfil all the promises and lets go back in time
Ratish Edwards
After lunch, they all went through to the study. Sunshine was desperate to show Freddy Anthony’s museum of missing things, and Laura was toying with the idea of asking if he had any bright ideas about returning them to their rightful owners. Each time she came into the study it seemed to Laura that the room was filling up; less space, more things. And she felt smaller; shrinking, sinking. The shelves seemed to groan, threatening collapse, and the drawers creak, dovetails about to fly open and burst. She feared she would be buried under an avalanche of lost property. For Sunshine it was a treasure trove. She stroked and held and hugged the things, talking softly to herself – or perhaps to the things themselves – and reading their labels with obvious enchantment. Freddy was appropriately astonished
Ruth Hogan (The Keeper of Lost Things)
Since the 1920s, the much-reduced Christian populations have tried various strategies to maintain their existence, but none shows great hopes of success.41 One tactic was the creation of a protected Christian reservation, a state that would be able to defend Christian interests. This separatist goal explains the creation of the nation of Lebanon. After the First World War, with the horrible experience of the Armenians fresh in their minds, the French arbitrarily detached the most Christian sections of Syria as a separate enclave, which achieved independence in 1943 as the state of Lebanon. Though Maronites and other Christian sects initially formed a solid majority, the territory also included substantial Muslim minorities, which grew significantly over time in consequence of their higher birthrates. The lack of representation for poorer groups fostered disaffection and contributed to the bloody civil war of 1975–90. Violence and repression naturally encouraged Lebanese to flee to safer lands, and the fact that better-off Christians were more able to leave contributed still further to the shrinking of the Christian population. Christians today represent at most 40 percent of the nation’s people.
Philip Jenkins (The Lost History of Christianity: The Thousand-Year Golden Age of the Church in the Middle East, Africa, and Asia—and How It Died)
The concept is never what attracts me; it’s the execution. There are lots of shows about bars, news and radio stations, cabdrivers, and shrinks. I want to see what the characters that are put into these situations do. I’m concerned about believability and the economy of the comedy, the shortest distance between the character and the laughter, and the best way to get there. When I direct an episode, I have a lot of notes. I am apt to tell writers, “Fifty percent of what I say is gold and fifty percent is garbage. It’s your job to figure out which is which.
James Burrows (Directed by James Burrows: Five Decades of Stories from the Legendary Director of Taxi, Cheers, Frasier, Friends, Will & Grace, and More)
Clear-cut definition of terms in religious matters, bold facing of the logical implications of religious views, is by many persons regarded as an impious proceeding. May it not discourage contribution to mission boards? May it not hinder the progress of consolidation, and produce a poor showing in columns of Church statistics? But with such persons we cannot possibly bring ourselves to agree. Light may seem at times to be an impertinent intruder, but it is always beneficial in the end. The type of religion which rejoices in the pious sound of traditional phrases, regardless of their meanings, or shrinks from “controversial” matters, will never stand amid the shocks of life. In the sphere of religion, as in other spheres, the things about which men are agreed are apt to be the things that are least worth holding; the really important things are the things about which men will fight.
J. Gresham Machen (Christianity & Liberalism)
The unknown is always a threat. Unruly artists take to all this eagerly; they find a home in outsiderness. But while history has always made a certain space available to feral men, from Caravaggio to Picasso to Prince, feral women have a harder time of it. Much of our battle is internal. Raised from birth to please, to be helpful, to shrink and be decorative, for a woman to proudly show herself in all her individuality is a much greater challenge.
Charlotte Wood (The Luminous Solution: Creativity, Resilience and the Inner Life)
This is how you break down the wall: Start with two beings. They can be human if you like, but that's hardly a prerequisite. All that matters is that they know how to talk among themselves. Separate them. Let them see each other, let them speak. Perhaps a window between their cages. Perhaps an audio feed. Let them practice the art of conversation in their own chosen way. Hurt them. It may take a while to figure out how. Some may shrink from fire, others from toxic gas or liquid. Some creatures may be invulnerable to blowtorches and grenades, but shriek in terror at the threat of ultrasonic sound. You have to experiment; and when you discover just the right stimulus, the optimum balance between pain and injury, you must inflict it without the remorse. You leave them an escape hatch, of course. That's the very point of the exercise: give one of your subjects the means to end the pain, but give the other the information required to use it. To one you might present a single shape, while showing the other a whole selection. The pain will stop when the being with the menu chooses the item its partner has seen. So let the games begin. Watch your subjects squirm. If—when—they trip the off switch, you'll know at least some of the information they exchanged; and if you record everything that passed between them, you'll start to get some idea of how they exchanged it. When they solve one puzzle, give them a new one. Mix things up. Switch their roles. See how they do at circles versus squares. Try them out on factorials and Fibonnaccis. Continue until Rosetta Stone results. This is how you communicate with a fellow intelligence: you hurt it, and keep on hurting it, until you can distinguish the speech from the screams.
Peter Watts
They showed him in a thousand ways they wanted to make him part of their club, but ... what was their club for? That was half the problem: they were trying to be so nice. Teddy Kennedy sent a shrink up to Wilmington, for the boys ... Kennedys knew about loss.
Richard Ben Cramer (What It Takes: The Way to the White House)
Showing up on the page is your promise to yourself that you will stop shrinking to fit into the lives of others and into boxes that do not belong to you.
Alexandra Elle (How We Heal: Uncover Your Power and Set Yourself Free)
The world doesn't need more people confining themselves into ever-shrinking containers of what's acceptable, pulling their raw edges in tighter to take up less space. People have these strange rules they create for each other, where they feel everyone must think and feel and act the same way they do. It's scary, letting your freak flag fly, letting the vibrant colors of your soul show in a world that encourages gray conformity. And when you do, some people will absolutely mock you. They will question you and dismiss you and discourage you and even berate and belittle you, your choices somehow a threat to their life even when they in no way affect it. But some other people, the ones who have niches in their soul that align with yours, won't. Those people will see the streaks of color, those unfurled edges of your personality, and it will encourage them to show and embrace their own. And little by little, this world will become a more beautiful and colorful place, one filled with people running after their dreams, alive with possibility and no longer afraid.
Tawny McVay (Since We Woke Up)
Dart initially echoed Darwin’s theory that bipedalism freed the hands of early hominins to make and use hunting tools, which in turn selected for big brains, hence better hunting abilities. Then, in a famous 1953 paper, clearly influenced by his war experiences, Dart proposed that the first humans were not just hunters but also murderous predators.18 Dart’s words are so astonishing, you have to read them: The loathsome cruelty of mankind to man forms one of his inescapable characteristics and differentiative features; and it is explicable only in terms of his carnivorous, and cannibalistic origin. The blood-bespattered, slaughter-gutted archives of human history from the earliest Egyptian and Sumerian records to the most recent atrocities of the Second World War accord with early universal cannibalism, with animal and human sacrificial practices of their substitutes in formalized religions and with the world-wide scalping, head-hunting, body-mutilating and necrophilic practices of mankind in proclaiming this common bloodlust differentiator, this predaceous habit, this mark of Cain that separates man dietetically from his anthropoidal relatives and allies him rather with the deadliest of Carnivora. Dart’s killer-ape hypothesis, as it came to be known, was popularized by the journalist Robert Ardrey in a best-selling book, African Genesis, that found a ready audience in a generation disillusioned by two world wars, the Cold War, the Korean and Vietnam Wars, political assassinations, and widespread political unrest.19 The killer-ape hypothesis left an indelible stamp on popular culture including movies like Planet of the Apes, 2001: A Space Odyssey, and A Clockwork Orange. But the Rousseauians weren’t dead yet. Reanalyses of bones in the limestone pits from which fossils like the Taung Baby came showed they were killed by leopards, not early humans.20 Further studies revealed these early hominins were mostly vegetarians. And as a reaction to decades of bellicosity, many scientists in the 1970s embraced evidence for humans’ nicer side, especially gathering, food sharing, and women’s roles. The most widely discussed and audacious hypothesis, proposed by Owen Lovejoy, was that the first hominins were selected to become bipeds to be more cooperative and less aggressive.21 According to Lovejoy, early hominin females favored males who were better at walking upright and thus better able to carry food with which to provision them. To entice these tottering males to keep coming back with food, females encouraged exclusive long-term monogamous relationships by concealing their menstrual cycles and having permanently large breasts (female chimps advertise when they ovulate with eye-catching swellings, and their breasts shrink when they are not nursing). Put crudely, females selected for cooperative males by exchanging sex for food. If so, then selection against reactive aggression and frequent fighting is as old as the hominin lineage.22
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
This book, however, is in the spirit of the Chinese sage Lao-tzu, that master of the law of reversed effort, who declared that those who justify themselves do not convince, that to know truth one must get rid of knowledge, and that nothing is more powerful and creative than emptiness—from which men shrink. Here, then, my aim is to show—backwards-fashion—that those essential realities of religion and metaphysic are vindicated in doing without them, and manifested in being destroyed.
Alan W. Watts (The Wisdom of Insecurity)
Ever since the Industrial Revolution, [Thomas Hylland Eriksen] said, our economies have been built around a new and radical idea - economic growth. This is the belief that every year, the economy - and each individual company in it - should get bigger and bigger. That's how we now define success. If a country's economy grows, its politicians are likely to get reelected. ...If a country or a company's share price shrinks, politicians or CEOs face a greater risk of being booted out. Economic growth is the central organising principle of our society. It is at the heart of how we see the world. Thomas explained that growth can happen in one of two ways. The first is that a corporation can find new markets - by inventing something new, or exporting something to a part of the world that doesn't have it yet. The second is that a corporation can persuade existing consumers to consume more. If you can get people to eat more, or to sleep less, then you have found a source of economic growth. Mostly, he believes, we achieve growth today primarily through this second option. Corporations are constantly finding ways to cram more stuff into the same amount of time. To give one example: they want you to watch TV and follow the show on social media. Then you see twice as many ads. This inevitably speeds up life. If the economy has to grow every year, in the absence of new markets it has to get you and me to do more in the same amount of time. As I read Thomas' work more deeply, I realised this is one of the crucial reasons why life has accelerated every decade since the 1880s: we are living in an economic machine that requires greater speed to keep going - and that inevitably degrades our attention over time. If fact, when I reflected on it, this need for economic growth seemed to be the underlying force that was driving so many of the causes of poor attention that I had learned about - our increasing stress, our swelling work hours, our more invasive technologies, our lack of sleep, our bad diets.
Johann Hari (Stolen Focus: Why You Can't Pay Attention— and How to Think Deeply Again)
You have heard it said that this is an age of moral crisis. You have said it yourself, half in fear, half in hope that the words had no meaning. You have cried that man’s sins are destroying the world and you have cursed human nature for its unwillingness to practice the virtues you demanded. Since virtue, to you, consists of sacrifice, you have demanded more sacrifices at every successive disaster. In the name of a return to morality, you have sacrificed all those evils which you held as the cause of your plight. You have sacrificed justice to mercy. You have sacrificed independence to unity. You have sacrificed reason to faith. You have sacrificed wealth to need. You have sacrificed self-esteem to self-denial. You have sacrificed happiness to duty. “You have destroyed all that which you held to be evil and achieved all that which you held to be good. Why, then, do you shrink in horror from the sight of the world around you? That world is not the product of your sins, it is the product and the image of your virtues. It is your moral ideal brought into reality in its full and final perfection. You have fought for it, you have dreamed of it, you have wished it, and I—I am the man who has granted you your wish. “Your ideal had an implacable enemy, which your code of morality was designed to destroy. I have withdrawn that enemy. I have taken it out of your way and out of your reach. I have removed the source of all those evils you were sacrificing one by one. I have ended your battle. I have stopped your motor. I have deprived your world of man’s mind. “Men do not live by the mind, you say? I have withdrawn those who do. The mind is impotent, you say? I have withdrawn those whose mind isn’t. There are values higher than the mind, you say? I have withdrawn those for whom there aren’t. “While you were dragging to your sacrificial altars the men of justice, of independence, of reason, of wealth, of self-esteem—I beat you to it, I reached them first. I told them the nature of the game you were playing and the nature of that moral code of yours, which they had been too innocently generous to grasp. I showed them the way to live by another morality—mine. It is mine that they chose to follow.
Ayn Rand (Atlas Shrugged)
I'm a firm believer that the kindness you put out into the world will always find its way back to you, multiplied. I'm a firm believer that when show up as your realest and most vibrant self… you don’t lose anybody, they lose you. I'm a firm believer that playing small doesn’t serve anyone. The world needs your wildest and most ambitious self. I'm a firm believer that if your gut says no, it’s your soul saving you a lot of trouble. I'm a firm believer that being a bit delusional is how you turn the life you imagine into the life you live. I'm a firm believer that the way people treat you is a reflection of how they feel about themselves, not you. I'm a firm believer that the oddballs are the ones who change the world while everyone else is busy fitting in. I'm a firm believer that if it requires you to shrink, rather than grow, it’s not for you.
Case Kenny
Borck recognized that as meatpackers consolidated, they needed bigger feed yards to meet their demand. Smaller operations like Ward Feed Yard were getting left behind, and they were getting paid several cents less for every pound of beef they delivered to the meatpackers. Those economics would eventually drive them all out of business. So Borck pitched an idea to some of his competitors. They could form a partnership and leave the cash market, delivering all their cattle to IBP’s new megaplants4. The feed yards agreed, and they formed a cooperative called the Beef Marketing Group. Together, the cooperative delivered the kind of tremendous volume that IBP, now Tyson, needed to stay profitable. The Beef Marketing Group now includes fourteen feedlots, which operate as one entity in concert with Tyson Foods. The company pays them according to a grid system. Tyson ranks the cattle BMG delivers based on a grid that charts their qualities. A copy of one of Tyson’s grid contracts shows the company pays premiums for cattle that are graded as choice beef and imposes discounts for cattle graded as select beef, for example. The grid also penalizes carcasses that weigh less than 500 pounds and more than 1,000 pounds. The critical part of this grid contract is that it bases its final price on the cash market. If cattle is selling for $1.20 a pound, for example, Tyson will apply all the discounts and premiums of its grid against that price. This means that cattle prices on the shrinking cash market determine the prices for the millions of cattle sold under contract. So people like Ken Winter, who negotiate their cattle, are essentially working to help contract feeders like Lee Borck derive a price for their animals. But as Lee Borck sells more animals through a closed contract system, it takes that much more oxygen out of the cash market and makes it all the harder to negotiate a higher price.
Christopher Leonard (The Meat Racket: The Secret Takeover of America's Food Business)
On December 7, 1972, the Apollo 17 astronauts took a photograph of a gibbous Earth at a distance of eighteen thousand miles from its surface. The photograph showed the planet, partially obscured by swirling clouds, floating all alone like a blue glass marble in the vast, black infinity of outer space. This historic image, dubbed the Blue Marble, became a symbol of the environmental movement and caused a profound shift in the way people conceived of the planet, shrinking it from something incomprehensibly immense and awesome into a fragile, lonely orb that you could cradle in the palm of your hand or crush beneath a careless heel.
Ruth Ozeki (The Book of Form and Emptiness)
Because of sin, good desires become warped and twisted. When you look closely, you can often see that wanting to be excellent doesn’t come from a heart that longs to show others the beautiful perfection of God. Instead that desire shrinks and the focus becomes self-centered. You find you want to do all things with excellence because you want others to think highly of you; you want to look good to others or feel good about yourself.
Amy Baker (Picture Perfect: When Life Doesn't Line Up)
WHY FAST: Brain function. A neuroscientist Mark Mattson found that intermittent fasting increases levels of a protein called brain-derived neurotrophic factor, or BDNF. This, in turn, stimulates new brain cells in the hippocampus, the region of the brain that is responsible for memory. (Shrinking of the hippocampus has been linked to dementia and Alzheimer’s disease.) Increases mood. The protein called BDNF that helps improve memory also suppresses anxiety and elevates mood. Mattson showed this to be true in a study of rats. He injected BDNF into their brains, and it had the same effect as a regular antidepressant. Increases the effectiveness of insulin, the hormone that affects our ability to process sugar and break down fat. Reduces blood pressure. As your insulin level increases, so does your blood pressure. Insulin stores magnesium, but if your insulin receptors are blunted and your cells grow resistant to insulin, you can’t store magnesium; it ends up passing out of your body through urination. Magnesium in your cells relaxes muscles. If your magnesium level is too low, your blood vessels will constrict rather than relax, which will raise your blood pressure and decrease your energy level. Reduces triglycerides. Insulin upregulates LPL on fat tissue and inhibits activation on muscle cells. On the other hand, glucagon upregulates LPL on muscle and cardiac tissue, while inhibiting the activation of fat. Weight loss. You burn fat, rather than sugar, in a fasted state.
Maria Emmerich (Keto-Adapted)
One day soon, she'd have to leave the beach behind and go and find her real life, out in the rest of the world. The beach would shrink and fade and become part of her discarded childhood. Sometimes she almost wishes her father had never brought them here to live. Why show her what it was like to live in Paradise when her only choice was to leave again?
Cassandra Parkin (The Beach Hut)
Our mortal knowledge may not be visible in all of our moves, but it shines through in some: we shrink back from the balcony’s edge, from the animal with unknown intent; we buckle up for safety; we look both ways before crossing; we don’t jump in the tiger cage; we refrain from the third serving of fried ice cream; we even entertain not swimming after eating. If dogs know about death, it might show in how they act. I
Alexandra Horowitz (Inside of a Dog: What Dogs See, Smell, and Know)
Just stop and think a bit. All such things as bulk, or width, you know by comparison only; comparison with familiar things. So, just for fun, go up in an imaginary balloon, about half way to that old Moon, which has hung aloft from your birth—(and possibly a day or two in addition)— and look down upon your “gigantic” city. How will it look? It is a small patch of various colors; but you know that, within that tiny patch, many thousands of your kind hurry back and forth; railway trains crawl out to far-away districts; and, if you can pick out a grain of dust that stands out dimly in a glow of sunlight, you may know that it is your mansion, your cabin or your hut, according to your financial status. Now, if that hardly shows up, how about you? What kind of a dot would you form in comparison? You must admit that your past thoughts as to your own pomposity will shrink just a bit! All this shows us that could this big World think, it wouldn't know that such a thing as Man was on it. And Man thinks that his part in all this unthinkably vast Cosmos is important! Why, you poor shrimp! if this old World wants to twitch just a bit and knock down a city or two, or split up a group of mountains, Man, with all his brain capacity, can only clash wildly about, dodging falling bricks.
Ernest Vincent Wright (Gadsby)
In a time when the space allotted to photographs in magazines was shrinking, a slide show was the consolation prize; images that didn’t fit into the print edition were at least viewed by the public online. I was desperate. I spent almost two months traipsing around the mountains of one of the world’s most dangerous places, and as the piece went to press, my reporting was being questioned, some of my strongest images were being removed from the layout, and the editor in chief decided uncharacteristically that he would not run a slide show.
Lynsey Addario (It's What I Do: A Photographer's Life of Love and War)
A weekly survey of economists by the Brazilian central bank showed they expected economic growth this year to shrink 1.18 per cent, inflation to end the year at 8.26 per cent and the benchmark interest rate at 13.5 per cent.
Anonymous
It is the heavy reality of the writing life which makes the “why” so easy to forget: Gutless rejection letters, denigrating revision letters, incompetent copy edits, insulting reviews, late checks, disappointing sales, down-trending print-runs, shrinking advances, royalties paid in a geological timeframe, imprints folding, publishers downsizing their lists and conglomerating their overhead.  One day your editor expresses all the enthusiasm of an overtired undertaker. The next day your agent demonstrates all the faith and commitment of a diseased streetwalker. Your book is packaged with a cover that would embarrass anyone who wasn’t raised in a Red Light district. You give a thoughtful interview only to discover the resultant article describes you as churning out potboilers. Three people show up at your book signing, two of them because they thought you were someone else; the third person came because you owe him money. When you make the New York Times list, a neighbor asks you “which” NYT list you’re on, because there must be a separate one for the trash you write. Though you’ve been publishing regularly for years, you know people who ask, every single time they see you, if you still write. (No, I fell back on my independent wealth when the going got tough.)
Laura Resnick (Rejection, Romance and Royalties: The Wacky World of a Working Writer)
Brazil fell into recession in the first half of the year, according to official data which showed the economy shrinking by 0.6% in the second quarter and 0.2% in the first. The main reason was another big drop in investment. The government had said that it expects GDP to grow by 1.8% this year, but that now seems unlikely.
Anonymous
Diana’s world may be characterized as an unstable equilibrium; the unhappiness of her marriage balanced by the satisfaction she finds in her royal work, particularly among the sick and the dying; the suffocating certainties of the royal system matched by her growing self-confidence in using the organization for the benefit of her work. Her thinking about her royal position changes by the month. However, while the graph of her progress shows various ups and downs, the general trend over the past year has been towards staying within rather than leaving the organization. She now feels impatience with the creaking machinery of monarchy rather than despair, business-like indifference towards Prince Charles as opposed to shrinking deference and cool disregard of Camilla Parker-Bowles rather than jealous rage. It is by no means a consistent development but her growing interest in how to control and reform the system as well as her serious commitment to use her position to do good in the world point to staying rather than taking flight. At the same time the Duchess’s departure merely adds another element of uncertainty in an already precarious position. It is not an issue for complacency. The Princess can be a volatile, impatient young woman whose moods regularly swing from optimism to despair. As astrologer Felix Lyle says: “She is prone to depression, a woman who is easily defeated and dominated by those with a strong character. Diana has a self-destructive side. At any moment she could say ‘to hell with the lot of you’ and go off. The potential is there. She is a flower waiting to bud.
Andrew Morton (Diana: Her True Story in Her Own Words)
She awakened with a start to find Macon standing at the foot of the bed, watching her with a grin stretched across his face. His finger and thumb still lingered on her big toe. Stunned, she scooted toward the headboard, as if it could lend her some protection, her eyes wide. Steven’s .45 was in the drawer of the nightstand on his side of the bed. She inched in that direction. “What are you doing here?” she croaked. Macon dragged his eyes over her lush figure, her sleep-rumpled underthings made of the thinnest lawn, and smiled. “You might say I’ve come to admire the spoils. It won’t be long now, Emma, dear. Things are going very badly for Steven. Soon you’ll be giving me fine, redheaded sons. Of course, I won’t be able to keep you here at Fairhaven—that would be indiscreet. We’ll have to get you a place in town.” Emma tried to shield her breasts with one arm as she moved nearer and nearer the side of the bed. “You’re vile, Macon Fairfax, and I’d sooner die than let you touch me. Now, get out of here before I scream!” “You can scream all you want,” he chuckled, spreading his hands wide of his lithe body. “There’s nobody here but the servants, and they wouldn’t dream of interfering, believe me.” Emma swallowed hard. She couldn’t be sure whether he was bluffing; after all, this was Macon’s house as well as Cyrus’s. If he gave instructions, they were probably obeyed. “Get out,” she said again. Her hand was on the knob of the nightstand drawer, but she knew she wasn’t going to have time to get the pistol out and aim it before Macon was on her. He was too close, and his eyes showed that he knew exactly what she meant to do. “It won’t be so bad, Emma,” he coaxed, his voice a syrupy croon by then. “I know how to make you happy, and you’re in just the right place for me to prove it.” “Don’t touch me,” Emma breathed, shrinking back against the headboard, her eyes wide with horror. “Steven will kill you if you touch me!” “You wouldn’t tell him.” Macon was standing over her by then, looking down into her face. She could see a vein pulsing at his right temple as he set his jaw for a moment. “You’d keep it to yourself because he wouldn’t have a chance in hell of winning this case if he assaulted me in a fit of rage—would he?” Emma’s heart was thundering against her ribs and she was sure she was going to throw up. She tried to move away from Macon, but he reached out and grasped her hard by the hair. “Please,” she whispered. He indulged in a small, tight smile. “Don’t humiliate yourself by begging, darling. It won’t save you. Keep your pleas for those last delicious moments before pleasure overtakes you.” Bile rushed into the back of Emma’s throat. “Let me go.” He pressed her flat against the mattress, his hand still entangled in her hair. She gazed up at him in terror, unable to speak at all. The crash of the door against the inside wall startled them both. Emma’s eyes swung to the doorway, and so did Macon’s. Nathaniel was standing there, still dressed in the suit he’d worn to Steven’s trial, his tie loose, his Fairfax eyes riveted on his cousin’s face. In his shaking hand was a derringer, aimed directly at Macon’s middle. “Let her go,” he said furiously. Macon released Emma, but only to shrug out of his coat and hang it casually over the bedpost. “Get out of here, Nathaniel,” he said, sounding as unconcerned as if he were about to open a book or pour himself a drink. “This is business for a man, not a boy.” Emma was breathing hard, her eyes fixed on Nathaniel, pleading with him. With everything in her, she longed to dive for the other side of the bed and run for her life, but she knew she wouldn’t escape Macon. Not without Nathaniel’s help. “I won’t let you hurt her,” the boy said with quiet determination. The derringer, wavering before, was steady now. Macon
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
The one garment in the world with the greatest and longest popularity—over a century now—is Levi’s denim blue jeans. Along with their practical durability, they show age honestly and elegantly, as successive washings fade and shrink them to perfect fit and rich texture. Ingenious techniques to simulate aging of denim come and go, but the basic indigo 501s, copper-riveted, carry on for decades. This is highly evolved design. Are there blue-jeans buildings among us?
Stewart Brand (How Buildings Learn: What Happens After They're Built)
The last night of his sojourn in Paris is given up to "the fucking business." He has had a full program all day---conferences, cablegrams, interviews, photographs for the newspapers, affectionate farewells, advice to the faithful, etc., etc. At dinner time, he decides to lay aside his troubles. He orders champagne with the meal, he snaps his fingers at the garcon and behaves in general like the boorish little peasant that he is. And since he has had a bellyful of all the good places he suggests now that I show him something more primitive. He would like to go to a very cheap place, order two or three girls at once. I steer him along the Boulevard de la Chapelle, warning him all the while to be careful of his pocketbook. Around Aubervilliers we duck into a cheap dive and immediately we've got a flock of them on our hands. In a few minutes, he's dancing with a naked wench, a huge blonde with creases in her jowls. I can see her ass reflected a dozen times in the mirrors that line the room---and those dark, bony fingers of his clutching her tenaciously. The table is full of beer glasses, the mechanical piano is wheezing and gasping. The girls who are unoccupied are sitting placidly on leather benches, scratching themselves peacefully just like a family of chimpanzees. There is a sort of subdued pandemonium in the air, a note of repressed violence, as if the awaited explosion required the advent of some utterly minute detail, something microscopic but thoroughly unpremeditated, completely unexpected. In that sort of half-reverie which permits one to participate in an event and yet remain quite aloof, the little detail which was lacking began obscurely but insistently to coagulate, to assume a freakish, crystalline form, like the frost which gathers on the windowpane. And like those frost patterns which seem so bizarre, so utterly free and fantastic in design, but which are nevertheless determined by the most rigid laws, so this sensation which commenced to take form inside me seemed also to be giving obedience to ineluctable laws. My whole being was responding to the dictates of an ambiance which it had never before experienced; that which I could call myself seemed to be contracting, condensing, shrinking from the stale, customary boundaries of the flesh whose perimeter knew only the modulations of the nerve ends.
Henry Miller (Tropic of Cancer (Tropic, #1))
The average reader of the New Testament reads Matthew before Mark and then goes on to Luke and John. Matthew gives him the impression that Jesus was born God's Son in a miraculous fashion. Mark begins only with the baptism, but the reader will think little of this: perhaps Mark begins in medias res. With Luke we are back to a miraculous nativity for one born the Son of God. In John the reader learns that Jesus had already been God's Son from all eternity. But suppose one read Mark by itself, as its first readers did. What impression would one receive? Surely in a book where the main character shows up as an adult and, right off the bat, experiences a vision of divine calling in which he and no one else is told that he is God's Son, the natural inference would be that the baptism was the beginning of an honorific Sonship. If he were already God's son, wouldn't he have known it? And then why should God tell him what he already knew? It seems that Mark might believe what others in the early church did, namely, in Jesus' adoptive Sonship. Ebionite Jewish Christians and Cerinthian (also Jewish) Gnostics were adoptionists, rejecting any miraculous generation of Jesus Christ from the deity. [...] Once we know this was a popular, though eventually controversial, option among early Christians, it begins to make a new sense that the earliest gospel, Mark, sounds adoptionist but is flanked and overwhelmed by subsequent gospels that have moved the Sonship further and further back, attributing to Jesus some degree of divine nature in the process.
Robert M. Price (The Incredible Shrinking Son of Man: How Reliable is the Gospel Tradition?)
Those who’d engaged in aerobic exercise saw their hippocampi grow by about 2 percent over the year they’d been exercising. Considering that the hippocampus normally shrinks by 0.5 percent per year as we age, study participants had effectively walked away as much as four years of brain aging. And those who showed greater changes in their BDNF levels saw greater increases in their hippocampal volume—a sign that it was BDNF that was spurring growth in the hippocampus. By comparison, study participants in the stretching group—who on average didn’t improve their overall fitness—experienced about a 1.4 percent shrinkage in their hippocampi over the study period, about what you’d expect for this age group. Those who started out more fit,
Majid Fotuhi (Boost Your Brain: The New Art and Science Behind Enhanced Brain Performance)
As Protestant philosopher Max Scheler explained it, a sectarian movement begins enthusiastically embracing a prophet's call to high standards of morality and piety. To survive, the sect must have its relative few members united in intense revivalistic fervor. They view their founder as one who leads by example and points the way. It is up to the disciple to follow him. But after the movement enters its second generation, and the founder is gone, its members tend to relax. Their values slip back toward the mainstream and intensity relaxes. Standards fall to levels of mediocrity, and all this is rationalized by the elevation of the founder to the status of a divine savior.' He does not put before us an example to follow, because we are sinners/mortals. His achievement was superhuman. He did what he did because he was a god. And in fact he did it for us, not to show us how to do it, but rather so we could be excused for not doing it! In fact it would be sheer effrontery to think oneself capable of emulating the savior. Instead, he will be satisfied with token efforts. Here is the shift from sect to church. Here is the passage from Theravada to Mahayana, from the religion of Jesus to the religion about Jesus. And from our point of view, it represents the passage of early Christianity into a kind of moral pessimism (or laziness, as Feuerbach would have it).
Robert M. Price (The Incredible Shrinking Son of Man: How Reliable is the Gospel Tradition?)
Lana frowned. "I don't fear you." Xerus bowed his head. "Your heartbeat says otherwise." Lana stiffened. Xerus nodded then slowly rose. "You humans are a confusing breed, you know? You fear me yet you try to please me. You show affection when you think I am dead but when I am alive you turn from me." Lana stood. "It's not like that." "You smile at me and say you are happy, but you shrink from my gaze and my touch." Xerus snorted. "It is confusing and frankly annoying.
Olivia Riley (Heart's Prisoner (Dark World Mates #1))
In essence whiteness is not so much a color as the visible absence of color; and at the same time the concrete of all colors; it is for these reasons that there is such a dumb blankness, full of meaning, in a wide landscape of shows—a colorless, all-color of atheism from which we shrink….The mystical cosmetic which produces every one of her hues, the great principle of light, for ever remains white or colorless in itself….And of all these things the Albino whale was the symbol. —Herman Melville, “The Whiteness of the Whale,” in Moby-Dick; or the Whale (1851)
Nicholas Fox Weber (Ibauhaus: The iPhone as the Embodiment of Bauhaus Ideals and Design)
Shadrapar has no purpose, no function. It exists for itself only, its own downward spiral to oblivion. It exists only to imprison the minds of those who dwell within it, so that their world shrinks until it holds nothing but their own desires, and they fight to stop you showing what’s beyond the bars.
Adrian Tchaikovsky (Cage of Souls)
Sometimes the Lord turns out all the lights in order to show you what truly shines. He weakens us to remind us where our strength comes from. To all of these worries, in the face of every fear he shows us his Son, Jesus. His suffering removed our sins. His darkness becomes our light. His death means our life. It all leads to this timeless promise the Lord has in store for you. Don’t shrink away from it. Hold on to it with all of your heart.
Steve Kruschel (Graciously Keep Me This Night: Devotions from Scripture's Darkest Hours)