“
Most people gaze neither into the past nor the future; they explore neither truth nor lies. They gaze at the television.
”
”
Radiohead
“
She hesitated before asking, “Do you ever think about the future?”
His expression turned wary. “Of course I do.”
“And … does it include me?”
His gaze softened in a way that made her pulse skip. Releasing the overhead pipe, he tucked a strand of hair behind her ear. “That depends on whether I’m thinking about the good future or the bad one.”
Cinder shut her eyes and tucked her head under his chin. “As long as one of them does.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
Right, you've got a crooked sort of cross..." He consulted Unfogging the Future. "That means you're going to have 'trials and suffering' — sorry about that — but there's a thing that could be the sun... hang on... that means 'great happiness'... so you're going to suffer but be very happy..."
"You need your Inner Eye tested, if you ask me," said Ron, and they both had to stifle their laughs as Professor Trelawney gazed in their direction.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
Manon gazed westward across the mountains. Hope, Elide had said—hope for a better future. For a home. Not obedience, brutality, discipline. But hope.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
I love you." I paused, taking a deep breath and our eyes locked. I saw the world in his gaze. I saw our future. "And that is forever.
”
”
J. Lynn (Frigid (Frigid, #1))
“
When we are mired in the relative world, never lifting our gaze to the mystery, our life is stunted, incomplete; we are filled with yearning for that paradise that is lost when, as young children, we replace it with words and ideas and abstractions - such as merit, such as past, present, and future - our direct, spontaneous experience of the thing itself, in the beauty and precision of this present moment.
”
”
Peter Matthiessen
“
Each and every one of us has been born into a given historical reality, ruled by particular norms and values, and managed by a unique economic and political system. We take this reality for granted, thinking it is natural, inevitable and immutable. We forget that our world was created by an accidental chain of events, and that history shaped not only our technology, politics and society, but also our thoughts, fears and dreams. The cold hand of the past emerges from the grave of our ancestors, grips us by the neck and directs our gaze towards a single future. We have felt that grip from the moment we were born, so we assume that it is a natural and inescapable part of who we are. Therefore we seldom try to shake ourselves free, and envision alternative futures.
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
None of your knowledge, your reading, your connections will be of any use here: two legs suffice, and big eyes to see with. Walk alone, across mountains or through forests. You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk. But the walker who marvels while walking (the blue of the rocks in a July evening light, the silvery green of olive leaves at noon, the violet morning hills) has no past, no plans, no experience. He has within him the eternal child. While walking I am but a simple gaze.
”
”
Frédéric Gros (A Philosophy of Walking)
“
The Cosmos extends, for all practical purposes, forever. After a brief sedentary hiatus, we are resuming our ancient nomadic way of life. Our remote descendants, safely arrayed on many worlds throughout the Solar System and beyond, will be unified by their common heritage, by their regard for their home planet, and by the knowledge that, whatever other life may be, the only humans in all the Universe come from Earth. They will gaze up and strain to find the blue dot in their skies. They will love it no less for its obscurity and fragility. They will marvel at how vulnerable the repository of all our potential once was, how perilous our infancy, how humble our beginnings, how many rivers we had to cross before we found our way.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
Strigoi have red eyes, " I explained. "Do his eyes look red?"
The boy leaned forward. "No. They're brown. "
"What else do you know about Strigoi?" I asked.
"They have fangs like us, " the boy replied.
"Do you have fangs?" I asked Dimitri in a singsong voice. I had a feeling this was already-covered territory, but it took on a new feel when asked from a child's perspective. Dimitri smiled--a full, wonderful smile that caught me off guard.
"Okay, Jonathan, " said his mother anxiously. "You asked. Let's go now. "
"Strigoi are super strong, " continued Jonathan, who possibly aspired to be a future lawyer. "Nothing can hurt them. " Jonathan fixed Dimitri with a piercing gaze. "Are you super strong? Can you be hurt?"
"Of course I can, " replied Dimitri. "I'm strong, but all sorts of things can still hurt me. "
And then, being Rose Hathaway, I said something I really shouldn't have to the boy. "You should go punch him and find out. " Jonathan's mother screamed again, but he was a fast little bastard, eluding her grasp. He ran up to Dimitri before anyone could stop him--well, I could have--and pounded his tiny fist against Dimitri's knee. Then, with the same reflexes that allowed him to dodge enemy attacks, Dimitri immediately feinted falling backward, as though Jonathan had knocked him over. Clutching his knee, Dimitri groaned as though he were in terrible pain. Several people laughed, and by then, one of the other guardians had caught hold of Jonathan and returned him to his near-hysterical mother. As he was being dragged away, Jonathan glanced over his shoulder at Dimitri. "He doesn't seem very strong to me. I don't think he's a Strigoi. " This caused more laughter
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Meg turned and gazed out the rear windshield, probably checking for any shiny blobs pursuing us. “At least we’re not being—”
“Don’t say it,” Percy warned.
Meg huffed. “You don’t know what I was going to—”
“You were going to say, ‘At least we’re not being followed,’” Percy said. “That’ll jinx us. Immediately we’ll notice that we are being followed. Then we’ll end up in a big battle that totals my family car and probably destroys the whole freeway. Then we’ll have to run all the way to camp.”
Meg’s eyes widened. “You can tell the future?”
"Don’t need to.” Percy changed lanes to one that was crawling slightly less slowly. “I’ve just done this a lot.
”
”
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
“
I want your babies, and your anger, and your cold blue eyes … “ I choke on my words and I am the
one to look away. I bring my gaze back to her face and realize that if I can’t convince her now, I’m
never going to be able to. “I want to go on anniversary dinners with you, I want to wrap Christmas
presents with you. I want to fight with you about stupid things and then hold you down in my bed and
make it up to you. I want to have more cake batter fights and camping trips. I want your future, Olivia.
Please come back to me.
”
”
Tarryn Fisher (Thief (Love Me with Lies, #3))
“
Ruby, what does the future look like?” Nico asked. “I can’t picture it. I try all the time, but I can’t imagine it. Jude said it looked like an open road just after a rainstorm.”
I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name.
You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they’d thrown all of us animals into.
“I see it in colors,” I said. “A deep blue, fading into golds and reds—like fire on a horizon. Afterlight. It’s a sky that wants you to guess if the sun is about to rise or set.”
Nico shook his head. “I think I like Jude’s better.”
“Me too,” I said softly. “Me too.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
--while the sun and wind played gently in its spreading branches; the bells of the Donskoy monastery would sometimes float across--tranquil and sad--and I would sit and gaze and listen, and would be filled with a nameless sensation which had everything in it; sorrow and joy, a premonition of the future, and desire, and fear of life.
”
”
Ivan Turgenev (Primer amor)
“
Cole,” I said, “do you think I’m lovable?”
“As in ‘cuddly and’?”
“As in ‘able to be loved,’” I said.
Cole’s gaze was unwavering. Just for a moment, I had the strange idea that I could see exactly what he had looked like when he was younger, and exactly what he’d look like when he was older. It was piercing, a secret glimpse of his future. “Maybe,” he said. “But you won’t let anybody try.”
I closed my eyes and swallowed. “I can’t tell the diference between not fighting,” I said,“and giving up.”
Despite my eyelids being tightly shut, a single, hot tear ran out of my left eye. I was so angry that it had escaped. I was so angry.
Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn’t know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth. It wasn’t the sort of kiss I’d had with him before, hungry, wanting, desperate. It wasn’t the sort of kiss I’d had with anyone before. This kiss was so soft that it was like a memory of a kiss, so careful on my lips that it waslike a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole’s hand touched my neck, thumb pressed into the
skin next to my jaw. It wasn’t a touch that said “I need more”. It was a touch that said “I want this.”
It was all completely soundless. I didn’t think either of us was breathing.
Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered.
He said, “That’s how I would kiss you, if I loved you.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
In a world beyond this one, that river goes on singing sweetly, enchanting us
with what we want to hear, shaping what we need to see in order to keep going. In those waters, all disappointments are forgotten, our mistakes forgiven. Gazing into them, we see a strong father. A loving mother. Warm rooms where we are sheltered, adored, wanted. And the uncertainty of our futures is nothing more than the fog of breath on a windowpane.
”
”
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
“
I look forward, not to what lies ahead of me in this life and will surely pass away, but to my eternal goal. I am intent upon this one purpose, not distracted by other aims, and with this goal in view I press on, eager for the prize, God's heavenly summons. Then I shall listen to the sound of Your praises and gaze at Your beauty ever present, never future, never past. But now my years are but sighs. You, O Lord, are my only solace. You, my Father, are eternal. But I am divided between time gone by and time to come, and its course is a mystery to me. My thoughts, the intimate life of my soul, are torn this way and that in the havoc of change. And so it will be until I am purified and melted by the fire of Your love and fused into one with You.
”
”
Augustine of Hippo (Confessions)
“
The pure present is an ungraspable advance of the past devouring the future. In truth, all sensation is already memory.” Hoshino looked up, mouth half open, and gazed at her face. “What’s that?” “Henri Bergson,” she replied, licking the semen from the tip of his penis. [...] “I can’t think of anything special, but could you quote some more of that philosophy stuff? I don’t know why, but it might keep me from coming so quick. Otherwise I’ll lose it pretty fast.
”
”
Haruki Murakami (Kafka on the Shore)
“
Children force parents to go out looking for a specific pulse, a gaze, a rhythm, the right way of telling the story, knowing that stories don't fix anything or save anyone but maybe make the world both more complex and more tolerable. And sometimes, just sometimes, more beautiful. Stories are a way of subtracting the future from the past, the only way of finding clarity in hindsight.
”
”
Valeria Luiselli (Lost Children Archive)
“
Life, authentic life, is supposed to be all struggle, unflagging action and affirmation, the will butting its blunt head against the world's wall, suchlike, but when I look back I see that the greater part of my energies was always given over to the simple search for shelter, for comfort, for, yes, I admit it, for cosiness. This is a surprising, not to say shocking, realisation. Before, I saw myself as something of a buccaneer, facing all-comers with a cutlass in my teeth, but now I am compelled to acknowledge that this was a delusion. To be concealed, protected, guarded, that is all I have ever truly ever wanted, to burrow down into a place of womby warmth and cower there, hidden from the sky's indifferent gaze and the air's harsh damagings. That is why the past is just such a retreat for me, I go there eagerly, rubbing my hands and shaking off the cold present and the colder future. And yet, what existence, really, does it have, the past? After all, it is only what the present was, once, the present that is gone, no more than that. And yet.
”
”
John Banville (The Sea (Vintage International))
“
His thumbs stroke over the soft skin under my ears, and his gaze drops before he suddenly lets go and retreats a full step. 'Damn it. Touching you was a bad idea.'
'The worst.' I agree, but my tongue skims my lower lip.
He groans and my core melts at the sound. 'Kissing you would be a cataclysmic mistake.'
'Calamitous.' What would it take to hear that groan again?
The inches between us feel like kindling, ready to burn at the first suggestion of hear, and I'm a living, breathing flame. This is everything I should run from, and yet denying the primal attraction I feel is completely, utterly impossible.
'We'll both regret it.' He shakes his head, but there's more than hunger in his eyes as he stares at my lips.
'Naturally,' I whisper. But knowing I'll regret it doesn't stop me from wanting it- wanting him. Regretting is a problem for future Violet.
'Fuck it.'
One second he's out of reach and the next his mouth is on mine, hot and insistent.
Gods, yes. This is exactly what I need.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
A few beings are neither in society nor in a state of dreaming. They belong to an isolated fate, to an unknown hope. Their open acts seem anterior to time’s first inculpation and to the skies’ unconcern. It occurs to no one to employ them. The future melts before their gaze. They are the noblest and the most disquieting.
”
”
René Char (Selected Poems)
“
Emboldened by the dark phase of the moon, the constellations twisted round in their infinite sky, slowly corkscrewing into the future, divining immutable futures for those still awake and gazing up.
”
”
Luanne G. Smith (The Vine Witch (The Vine Witch, #1))
“
But I knew he wouldn't kiss me. Not tonight. Not like this. There was too much between us now, all the words and near misses. All the potential, the alternate futures that would stretch out before us in an unending spiral, all built on what happened in this moment. I held his fiery gaze and remembered the five-oh, the half-and-half, the promises I'd whispered to myself in the dawn light.
I might lose all my memories one day, but that wouldn't keep me from making them.
”
”
Sarah Ockler (The Book of Broken Hearts)
“
You’ll never lose me,” I said, my voice breaking.
“Promise.” His gaze searched mine as he ran his fingertip up my spine.
“I promise.” I closed the minuscule gap between us once more, capturing his lips and trying to show him how much I meant it. “I love you. I love our family. I love our life together, and I can’t wait for the day when we’re back home, just the three of us, and this whole war is over. I swear to you that will happen. That will be our future.”
He cradled the back of my head, his palm searing against my skin. “I have waited an eternity for this love. I’m not going to let anyone, Titan or not, take it from us.”
“Promise?” I said, and this time it was Henry’s turn to kiss me.
“I promise.”
“Then do me a favor.”
“Anything.”
I shifted onto my back, rolling him with me. His body pressed against mine in all the right places, and I lifted my head high enough to rest my forehead against his. “Live this love now,” I whispered. “And never stop.
”
”
Aimee Carter (The Goddess Inheritance (Goddess Test, #3))
“
Considering Trevor is my future best friend, I let my gaze linger a little too long on his back.
”
”
Kasie West (Pivot Point (Pivot Point, #1))
“
spoke with him, yes,” I say quietly. “Though it seems we may be having another conversation in the near future.” Her eyes flick over my face, making me feel abnormally and annoyingly anxious under her gaze.
”
”
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
“
I am about to ask if he loves Rose, but the expression that washes over his face—it says it all. Connor is smiling, his gaze far off as he’s picturing that future already, glowing with something innately human.
”
”
Krista Ritchie (Thrive (Addicted #4))
“
So it was that for two minutes we sang with all our hearts, feeling only for the past and turning our gaze from the future, swimmers doing the backstroke toward a waterfall.
”
”
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
“
That was his moment in Leningrad, on an empty street, when his life became possible—when Alexander became possible. There he stood as he was—a young Red Army officer in dissolution, all his days stamped with no future and all his appetites unrestrained, on patrol the day war started for Russia. He stood with his rifle slung on his shoulder and cast his wanton eyes on her, eating her ice cream all sunny, singing, blonde, blossoming, breathtaking. He gazed at her with his entire unknowable life in front of him, and this is what he was thinking…
To cross the street or not to cross?
To follow her? To hop on the bus, after her? What absolute madness.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
Ash pulled me closer, his eyes gentle as they gazed into mine. "Meghan, I'm going to tell you something someone once told me, when I was afraid of what was to come." He lowered his head, soft strands of his hair brushing my skin. "Nothing is certain," he murmured. "The future is constantly changing, and no one can predict what will happen next. We have the power to change our destiny, because fate is not set in stone, and we are always free to make a choice." His fingers came up to brush my hair back, tucking it behind one ear. "A very powerful seer told me that, once. And she was right. That's why I'm not afraid of the oracle's prophecy, or the future. We are only slaves to fate if we let it control us. There is always a choice.
”
”
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
“
At last, Sturmhond straightened the lapels of his teal frock coat and said, “Well, Brekker, it’s obvious you only deal in half-truths and outright lies, so you’re clearly the man for the job.”
“There’s just one thing,” said Kaz, studying the privateer’s broken nose and ruddy hair. “Before we join hands and jump off a cliff together, I want to know exactly who I’m running with.”
Sturmhond lifted a brow. “We haven’t been on a road trip or exchanged clothes, but I think our introductions were civilized enough.”
“Who are you really, privateer?”
“Is this an existential question?”
“No proper thief talks the way you do.”
“How narrow-minded of you.”
“I know the look of a rich man’s son, and I don’t believe a king would send an ordinary privateer to handle business this sensitive.”
“Ordinary,” scoffed Sturmhond. “Are you so schooled in politics?”
“I know my way around a deal. Who are you? We get the truth or my crew walks.”
“Are you so sure that would be possible, Brekker? I know your plans now. I’m accompanied by two of the world’s most legendary Grisha, and I’m not too bad in a fight either.”
“And I’m the canal rat who brought Kuwei Yul-Bo out of the Ice Court alive. Let me know how you like your chances.” His crew didn’t have clothes or titles to rival the Ravkans, but Kaz knew where he’d put his money if he had any left.
Sturmhond clasped his hands behind his back, and Kaz saw the barest shift in his demeanor. His eyes lost their bemused gleam and took on a surprising weight. No ordinary privateer at all.
“Let us say,” said Sturmhond, gaze trained on the Ketterdam street below, “hypothetically, of course, that the Ravkan king has intelligence networks that reach deep within Kerch, Fjerda, and the Shu Han, and that he knows exactly how important Kuwei Yul-Bo could be to the future of his country. Let us say that king would trust no one to negotiate such matters but himself, but that he also knows just how dangerous it is to travel under his own name when his country is in turmoil, when he has no heir and the Lantsov succession is in no way secured.”
“So hypothetically,” Kaz said, “you might be addressed as Your Highness.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Great beauty and youth capture our attention, excite a deep pleasure; however, why shouldn't our souls gaze at a countenance over which the years have passed? Isn't there a story there, one unknown, full of pain or beauty, which pours its reflection into the features, a story we can read with some compassion or at least get a slight hint of its meaning? The young point toward the future; the old tell of a past.
”
”
Adalbert Stifter (Indian Summer)
“
He gave her everything. Everything but the promise of a future. And she met his dark strokes with a plunder of her own, holding his gaze, raking his soul of its secrets. She knew just what she meant to him.
”
”
Monica McCarty (Highlander Unmasked (MacLeods of Skye Trilogy, #2))
“
Each and every one of us has been born into a given historical reality, ruled by particular norms and values, and managed by a unique economic and political system. We take this reality for granted, thinking it is natural, inevitable and immutable. We forget that our world was created by an accidental chain of events, and that history shaped not only our technology, politics and society, but also our thoughts, fears and dreams. The cold hand of the past emerges from the grave of our ancestors, grips us by the neck and directs our gaze towards a single future. We have felt that grip from the moment we were born, so we assume that it is a natural and inescapable part of who we are. Therefore we seldom try to shake ourselves free, and envision alternative futures.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
To gaze at what pleases—a fresco, a peach-red mountain range, a boy, the mole on his jaw—is, in itself, replication—the image prolonged in the eye, making more of it, making it last. Staring into the mirror, I replicate myself into a future where I might not exist.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
She gave Rachel her usual obsessively loving smile, including Phin in it, too, as her future son-in-law. Such a nice couple, her smile said. What lovely grandchildren they'll give me. And they'll live right next door.
Phin's answering smile said, Not a chance in hell, while Rachel gazed at Justice and Mercy, pretending she'd never heard of pornography or sex, or Phin, for that matter.
”
”
Jennifer Crusie (Welcome to Temptation (Dempseys, #1))
“
You can find yourself a decent,
honorable man, one to love you, respect you, cherish you. Someone with
morals, with a decent job and a good future. That's what you think you
want, isn't it? Not some white trash from Alabama. Not some ex-con
who's running the scam of a lifetime. You're so good and decent, the very
thought of me disgusts you, doesn't it?" His voice was low and seductive
as he pushed the words at her.
She met his gaze with what she hoped was a fearless one of her own.
"Yes," she said.
"Then tell me, Rachel," he said, letting his hand toy with the loose
neckline of her tunic, "why aren't you out somewhere, fucking your little
gentleman's brains out? Why are you here with me, quivering when I
touch you?
”
”
Anne Stuart (Ritual Sins)
“
Peter gazed at the destruction. It was the cities that always turned his thoughts to what the world had once been. The buildings and houses, the cars and streets: all had once teemed with people who had gone about their lives knowing nothing of the future, that one day history would stop.
”
”
Justin Cronin (The Twelve (The Passage, #2))
“
She raised the long glass and peered back down at the harbor, at the passengers disembarking, but the image was blurry. Reluctantly, she released his hand. It felt like a promise, and she didn’t want to let go. She adjusted the lens, and her gaze caught on two figures moving down the gangplank. Their steps were graceful, their posture straight as knife blades. They moved like Suli acrobats.
She drew in a sharp breath. Everything in her focused like the lens of the long glass. Her mind refused the image before her. This could not be real. It was an illusion, a false reflection, a lie made in rainbow-hued glass. She would breathe again and it would shatter.
She reached for Kaz’s sleeve. She was going to fall. He had his arm around her, holding her up. Her mind split. Half of her was aware of his bare fingers on her sleeve, his dilated pupils, the brace of his body around hers. The other half was still trying to understand what she was seeing.
His dark brows knitted together. “I wasn’t sure. Should I not have—”
She could barely hear him over the clamor in her heart. “How?” she said, her voice raw and strange with unshed tears. “How did you find them?”
“A favor, from Sturmhond. He sent out scouts. As part of our deal. If it was a mistake—”
“No,” she said as the tears spilled over at last. “It was not a mistake.”
“Of course, if something had gone wrong during the job, they’d be coming to retrieve your corpse.”
Inej choked out a laugh. “Just let me have this.” She righted herself, her balance returning. Had she really thought the world didn’t change? She was a fool. The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible.
Now Inej was shaking, her hands pressed to her mouth, watching them move up the dock toward the quay. She started forward, then turned back to Kaz. “Come with me,” she said. “Come meet them.”
Kaz nodded as if steeling himself, flexed his fingers once more.
“Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?”
Inej laughed, her hood falling back from her hair.
“That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground.
“Mama!” she called out. “Papa!”
Inej saw them turn, saw her mother grip her father’s arm. They were running toward her.
Her heart was a river that carried her to the sea.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
For in a swift radiance of illumination he saw a glimpse of human struggle and of valour. Of the endless fluid passage of humanity through endless time. And of those who labour and of those who - one
word - love. His soul expanded. But for a moment only. Far in him he felt a warning, a shaft of terror. Between the two worlds he was suspended. He saw that he was looking at his own face in the counter glass before him. Sweat glistened on his temples and his face was contorted. One eye was opened wider than the other. The left eye delved narrowly into the past while the right gazed wide and affrighted into a future of blackness, error, and ruin. And he was suspended between radiance and darkness.
Between bitter irony and faith. Sharply he turned away.
”
”
Carson McCullers (The Heart Is a Lonely Hunter)
“
Man beholds the earth, and it is breathing like a great lung; whenever it exhales, delightful life swarms from all its pores and reaches out toward the sun, but when it inhales, a moan of rupture passes through the multitude, and corpses whip the ground like bouts of hail. Not merely his own day could he see, the graveyards wrung themselves before his gaze, the laments of sunken millennia wailed against him from the ghastly decaying shapes, the earth-turned dreams of mothers. Future’s curtain unravelled itself to reveal a nightmare of endless repetition, a senseless squander of organic material. The suffering of human billions makes its entrance into him through the gateway of compassion, from all that happen arises a laughter to mock the demand for justice, his profoundest ordering principle.
”
”
Peter Wessel Zapffe (The Last Messiah)
“
I gazed up at the sky and let my eyes flicker from one constellation to another, to another, jumping between stepping stones. I thought of the heavenly bodies throwing down their narrow ropes to hook us. I’ve never believed the future was inscribed for each of us the day we were born. If anything were written in the stars, it was we who joined those dots, and our lives were the writing. But baby Garrett, born dead yesterday, and all those whose stories were over before they began, and those who opened their eyes and found they were living in a long nightmare, like Bridie and baby White, who decreed that, I wondered, or at least allowed it?
”
”
Emma Donoghue (The Pull of the Stars)
“
The Dream I Dream For You, My Child
...
I hope you search for four-leaf clovers,
grin back at Cheshire moons,
breathe in the springtime breezes,
and dance with summer loons.
I hope you gaze in wide-eyed wonder
at the buzzing firefly
and rest beneath the sunlit trees
as butterflies fly by.
I hope you gather simple treasures
of pebbles, twigs, and leaves
and marvel at the fragile web
the tiny spider weaves.
I hope you read poetry and fairy tales
and sing silly, made-up songs,
and pretend to be a superhero
righting this world's wrongs.
I hope your days are filled with magic
and your nights with happy dreams,
and you grow up knowing that happiness
is found in simple things.
The dream I dream for you, my child,
as you discover, learn, and grow,
is that you find these simple joys
wherever in life you go.
”
”
L.R. Knost
“
The idea of being forgotten is terrifying. I fear not just that I, personally, will be forgotten, but that we are all doomed to being forgotten—that the sum of life is ultimately nothing; that we experience joy and disappointment and aches and delights and loss, make our little mark on the world, and then we vanish, and the mark is erased, and it is as if we never existed. If you gaze into that bleakness even for a moment, the sum of life becomes null and void, because if nothing lasts, nothing matters. It means that everything we experience unfolds without a pattern, and life is just a wild, random, baffling occurrence, a scattering of notes with no melody. But if something you learn or observe or imagine can be set down and saved, and if you can see your life reflected in previous lives, and can imagine it reflected in subsequent ones, you can begin to discover order and harmony. You know that you are a part of a larger story that has shape and purpose—a tangible, familiar past and a constantly refreshed future. We are all whispering in a tin can on a string, but we are heard, so we whisper the message into the next tin can and the next string. Writing a book, just like building a library, is an act of sheer defiance. It is a declaration that you believe in the persistence of memory. In Senegal, the polite expression for saying someone died is to say his or her library has burned. When I first heard the phrase, I didn’t understand it, but over time I came to realize it was perfect. Our minds and souls contain volumes inscribed by our experiences and emotions; each individual’s consciousness is a collection of memories we’ve cataloged and stored inside us, a private library of a life lived. It is something that no one else can entirely share, one that burns down and disappears when we die. But if you can take something from that internal collection and share it—with one person or with the larger world, on the page or in a story recited—it takes on a life of its own.
”
”
Susan Orlean (The Library Book)
“
I want your babies, and your anger, and your cold blue eyes … “ I choke on my words and I am the one to look away. I bring my gaze back to her face and realize that if I can’t convince her now, I’m never going to be able to. “I want to go on anniversary dinners with you, I want to wrap Christmas presents with you. I want to fight with you about stupid things and then hold you down in my bed and make it up to you. I want to have more cake batter fights and camping trips. I want your future, Olivia.
”
”
Tarryn Fisher (Thief (Love Me with Lies, #3))
“
The idea of being forgotten is terrifying. I fear not just that I, personally, will be forgotten but that we are all doomed to being forgotten; that the sum of life is ultimately nothing; that we experience joy and disappointment and aches and delights and loss, make our little mark on the world, and then we vanish, and the mark is erased, and it is as if we never existed. If you gaze into that bleakness even for a moment, the sum of life becomes null and void, because if nothing lasts nothing matters. Everything we experience unfolds without a pattern, and life is just a baffling occurrence, a scattering of notes with no melody. But if something you learn or observe or imagine can be set down and saved, and if you can see your life reflected in previous lives, and can imagine it reflected in subsequent ones, you can begin to discover order and harmony. You know that you are a part of a larger story that has shape and purpose—a tangible, familiar past and a constantly refreshed future. We are all whispering in a tin can on a string, but we are heard, so we whisper the message into the next tin can and the next string. Writing a book is an act of sheer defiance. It is a declaration that you believe in the persistence of memory.
”
”
Susan Orlean
“
Life, authentic life, is supposed to be all struggle, unflagging action and affirmation, but when I look back I see that the greater part of my energies was always given over to the simple search for shelter, for comfort, for, yes, I admit it, for cosiness. This is a surprising, not to say a shocking, realization. Before, I saw myself as something of a buccaneer, facing all-comers with a cutlass in my teeth, but now I am compelled to acknowledge that this was a delusion. To be concealed, protected, guarded, that is all I have truly wanted, to burrow down into a place of womby warmth and cower there, hidden from the sky’s indifferent gaze and the harsh air’s damagings. That is why the past is just such a retreat for me, I go there eagerly, rubbing my hands and shaking off the cold present and the colder future. And yet, what existence, really, does it have, the past? After all, it is only what the present was, once, the present that is gone, no more than that. And yet.
”
”
John Banville (The Sea (Vintage International))
“
As children, we fear the dark. Anything might be out. here. The unknown troubles us. Ironically, it is our fate to live in the dark. This unexpected finding of science is only about three centuries old. Head out from the Earth in any direction you choose, and—after an initial flash of blue and a longer wait while the Sun fades—you are surrounded by blackness, punctuated only here and there by the faint and distant stars. Even after we are grown, the darkness retains its power to frighten us. And so there are those who say we should not inquire too closely into who else might be living in that darkness. Better not to know, they say. There are 400 billion stars in the Milky Way Galaxy. Of this immense multitude, could it be that our humdrum Sun is the only one with an inhabited planet? Maybe. Maybe the origin of life or intelligence is exceedingly improbable. Or maybe civilizations arise all the time, but wipe themselves out as soon as they are able. Or, here and there, peppered across space, orbiting other suns, maybe there are worlds something like our own, on which other beings gaze up and wonder as we do about who else lives in the dark…Life is a comparative rarity. You can survey dozens of worlds and find that on only one of them does life arise and evolve and persist… If we humans ever go to these worlds, then, it will be because a nation or a consortium of them believes it to be to its advantage—or to the advantage of the human species… In our time we’ve crossed the Solar System and sent four ships to the stars… But we continue to search for inhabitants. We can’t help it. Life looks for life.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
I laughed. “No, trust me, it’s a good thing. You’re cute and funny and talented too, and any girl would be lucky to date you.” “I sense a but coming,” he said wryly. “But—” “But she’s busy,” a smooth voice interrupted. “From tonight through the foreseeable future.” I turned, my pulse accelerating when I saw Alex standing less than five feet away. His gaze zeroed in on where I was still touching Jack’s arm. I pulled away, but it was too late. I could practically taste the danger pulsing in the air. Gone was the man who’d bared his soul onstage; in his place was the ruthless CEO who wouldn’t hesitate to crush his enemies into dust. “You’re the guy who performed tonight and is always waiting for Ava outside WYP.” Jack narrowed his eyes. “Who are you again?” “Someone who will rip your entrails out and strangle you with them if you don’t take your hands off her,” Alex said in a deceptively calm voice.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
My Dearest, Can you forgive me? In a world that I seldom understand, there are winds of destiny that blow when we least expect them. Sometimes they gust with the fury of a hurricane, sometimes they barely fan one’s cheek. But the winds cannot be denied, bringing as they often do a future that is impossible to ignore. You, my darling, are the wind that I did not anticipate, the wind that has gusted more strongly than I ever imagined possible. You are my destiny. I was wrong, so wrong, to ignore what was obvious, and I beg your forgiveness. Like a cautious traveler, I tried to protect myself from the wind and lost my soul instead. I was a fool to ignore my destiny, but even fools have feelings, and I’ve come to realize that you are the most important thing that I have in this world. I know I am not perfect. I’ve made more mistakes in the past few months than some make in a lifetime. I was wrong to deny what was obvious in my heart: that I can’t go on without you. You were right about everything. I tried to deny the things you were saying, even though I knew they were true. Like one who gazes only backward on a trip across the country, I ignored what lay ahead. I missed the beauty of a coming sunrise, the wonder of anticipation that makes life worthwhile. It was wrong of me to do that, a product of my confusion, and I wish I had come to understand that sooner. Now, though, with my gaze fixed toward the future, I see your face and hear your voice, certain that this is the path I must follow. It is my deepest wish that you give me one more chance. For the first few days after you left, I wanted to believe that I could go on as I always had. But I couldn’t. I knew in my heart that my life would never be the same again. I wanted you back, more than I imagined possible, yet whenever I conjured you up, I kept hearing your words in our last conversation. No matter how much I loved you, I knew it wasn’t going to be possible unless we—both of us—were sure I would devote myself fully to the path that lay ahead. I continued to be troubled by these thoughts until late last night when the answer finally came to me. Oh, I am sorry, so very sorry, that I ever hurt you. Maybe I’m too late now. I don’t know. I love you and always will. I am tired of being alone. I see children crying and laughing as they play in the sand, and I realize I want to have children with you. I am sick and sad without you. As I sit here in the kitchen, I am praying that you will let me come back to you, this time forever.
”
”
Nicholas Sparks (Message in a Bottle)
“
Their conversation ceased abruptly with the entry of an oddly-shaped man whose body resembled a certain vegetable. He was a thickset fellow with calloused and jaundiced skin and a patch of brown hair, a frizzy upheaval. We will call him Bell Pepper. Bell Pepper sidled up beside The Drippy Man and looked at the grilled cheese in his hand. The Drippy Man, a bit uncomfortable at the heaviness of the gaze, politely apologized and asked Bell Pepper if he would like one.
“Why is one of your legs fatter than the other?” asked Bell Pepper.
The Drippy Man realized Bell Pepper was not looking at his sandwich but towards the inconsistency of his leg sizes.
“You always get your kicks pointing out defects?” retorted The Drippy Man.
“Just curious. Never seen anything like it before.”
“I was raised not to feel shame and hide my legs in baggy pants.”
“So you flaunt your deformity by wearing short shorts?”
“Like you flaunt your pockmarks by not wearing a mask?”
Bell Pepper backed away, kicking wide the screen door, making an exit to a porch over hanging a dune of sand that curved into a jagged upward jab of rock.
“He is quite sensitive,” commented The Dry Advisor.
“Who is he?”
“A fellow who once manipulated the money in your wallet but now curses the fellow who does.
”
”
Jeff Phillips (Turban Tan)
“
This scroll, five hundred years old and more, had been inspired by her favorite, the great Wang Wei, master of landscape art, who had painted the scenes from his own home, where he lived for thirty years before he died. Now behind the palace walls on this winter’s day, where she could see only sky and falling snow, Tzu His gazed upon the green landscapes of continuing spring. One landscape melted into another as slowly she unrolled the scroll, so that she might dwell upon every detail of tree and brook and distant hillside. So did she, in imagination, pass beyond the high walls which enclosed her, and she traveled through a delectable country, beside flowing brooks and spreading lakes, and following the ever-flowing river she crossed over wooden bridges and climbed the stony pathways upon a high mountainside and thence looked down a gorge to see a torrent fed by still higher springs, and breaking into waterfalls as it traveled toward the plains. Down from the mountain again she came, past small villages nestling in pine forests and into the warmer valleys among bamboo groves, and she paused in a poet’s pavilion, and so reached at last the shore where the river lost itself in a bay. There among the reeds a fisherman’s boat rose and fell upon the rising tide. Here the river ended, its horizon the open sea and the misted mountains of infinity. This scroll, Lady Miao had once told her, was the artist’s picture of the human soul, passing through the pleasantest scenes of earth to the last view of the unknown future, far beyond.
”
”
Pearl S. Buck (Imperial Woman)
“
I think I’m drowning. But not into her blue eyes like I happily would. No, I’m sinking into the floor, letting it swallow me whole. I can hardly breathe under the crushing weight of Kitt’s words. My ears ring. My heart pounds. The command echoes in my skull, though I have no idea why he would want this. Why he would want her. Not now. Not after everything. I’m surrounded by the entire court and the only thing I can focus on is not falling to my knees beside her. Marriage. Marriage to someone who isn’t me. Marriage to someone I will spend the rest of my life serving. I’ll lose her forever while being forced to watch. I can’t even look at her. I’m a coward, morphing back into the monster I was when she found me. My vision is blurry, eyes fixed on the dais above. This is how I lose her. Not by death but by something just as binding. The command rings in my head. And to think I wasted so much time trying to hate her. To think I won’t have enough time to love her. My heart aches because every beat belongs to her. And I may never get to tell her that. Is this how she will remember me? Escorting her to this fate? Bound by duty alone? I could laugh. I could cry. I could burn this palace to the ground like I did her house, just for a chance to confess my love before the flames consumed me. Because I am bound to her very being. Hers until the day she realizes I don’t deserve to be. The king’s eyes are on me while mine are somewhere far away. Somewhere with her. A place where I am nothing and no one and happy being powerless, so long as she is beside me. My gaze falls from the fantasy, finding its way to her. This is not how I will remember us. Not as enemies or traitors or monsters, but as two people dancing in the dark, swaying beneath the stars. Her feet atop mine, her head on the heart that beats only for her. Just Pae and Kai. I step away from her kneeling form, masking every emotion with a blank stare. I’m leaving her to face him. Her future husband. I melt into the crowd, standing at a safe enough distance to prevent myself from stealing her away. This will be the rest of my life. Forced to love her from a distance. Mourn the loss of her each day. But I will. I will smother every emotion but the one that belongs to her. I will love her until I am incapable of the feeling. She is the torture I may not survive. Eagerly, she is my undoing. Her gaze lifts, meeting eyes that are not my own. Eyes of the man who gets to have her—if she allows it. She was supposed to be my forever. Now I’ll watch her become someone else’s. Because the beast doesn’t get the beauty.
”
”
Lauren Roberts, Reckless
“
A Day Away We often think that our affairs, great or small, must be tended continuously and in detail, or our world will disintegrate, and we will lose our places in the universe. That is not true, or if it is true, then our situations were so temporary that they would have collapsed anyway. Once a year or so I give myself a day away. On the eve of my day of absence, I begin to unwrap the bonds which hold me in harness. I inform housemates, my family and close friends that I will not be reachable for twenty-four hours; then I disengage the telephone. I turn the radio dial to an all-music station, preferably one which plays the soothing golden oldies. I sit for at least an hour in a very hot tub; then I lay out my clothes in preparation for my morning escape, and knowing that nothing will disturb me, I sleep the sleep of the just. On the morning I wake naturally, for I will have set no clock, nor informed my body timepiece when it should alarm. I dress in comfortable shoes and casual clothes and leave my house going no place. If I am living in a city, I wander streets, window-shop, or gaze at buildings. I enter and leave public parks, libraries, the lobbies of skyscrapers, and movie houses. I stay in no place for very long. On the getaway day I try for amnesia. I do not want to know my name, where I live, or how many dire responsibilities rest on my shoulders. I detest encountering even the closest friend, for then I am reminded of who I am, and the circumstances of my life, which I want to forget for a while. Every person needs to take one day away. A day in which one consciously separates the past from the future. Jobs, lovers, family, employers, and friends can exist one day without any one of us, and if our egos permit us to confess, they could exist eternally in our absence. Each person deserves a day away in which no problems are confronted, no solutions searched for. Each of us needs to withdraw from the cares which will not withdraw from us. We need hours of aimless wandering or spates of time sitting on park benches, observing the mysterious world of ants and the canopy of treetops. If we step away for a time, we are not, as many may think and some will accuse, being irresponsible, but rather we are preparing ourselves to more ably perform our duties and discharge our obligations. When I return home, I am always surprised to find some questions I sought to evade had been answered and some entanglements I had hoped to flee had become unraveled in my absence. A day away acts as a spring tonic. It can dispel rancor, transform indecision, and renew the spirit.
”
”
Maya Angelou (Wouldn't Take Nothing for My Journey Now)
“
An old Buddhist parable illustrates the challenge—and the value—of letting go of the past. Two monks were strolling by a stream on their way home to the monastery. They were startled by the sound of a young woman in a bridal gown, sitting by the stream, crying softly. Tears rolled down her cheeks as she gazed across the water. She needed to cross to get to her wedding, but she was fearful that doing so might ruin her beautiful handmade gown. In this particular sect, monks were prohibited from touching women. But one monk was filled with compassion for the bride. Ignoring the sanction, he hoisted the woman on his shoulders and carried her across the stream—assisting her journey and saving her gown. She smiled and bowed with gratitude as the monk splashed his way back across the stream to rejoin his companion. The second monk was livid. ‘How could you do that?’ he scolded. ‘You know we are forbidden to touch a woman, much less pick one up and carry her around!’ The offending monk listened in silence to a stern lecture that lasted all the way back to the monastery. His mind wandered as he felt the warm sunshine and listened to the singing birds. After returning to the monastery, he fell asleep for a few hours. He was jostled and awakened in the middle of the night by his fellow monk. ‘How could you carry that woman?’ his agitated friend cried out. ‘Someone else could have helped her across the stream. You were a bad monk.’ ‘What woman?’ the sleepy monk inquired. ‘Don’t you even remember? That woman you carried across the stream,’ his colleague snapped. ‘Oh, her,’ laughed the sleepy monk. ‘I only carried her across the stream. You carried her all the way back to the monastery.’ The learning point is simple: When it comes to our flawed past, leave it at the stream. I am not suggesting that we should always let go of the past. You need feedback to scour the past and identify room for improvement. But you can’t change the past. To change you need to be sharing ideas for the future.
”
”
Marshall Goldsmith (What Got You Here Won't Get You There: How successful people become even more successful)
“
The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight.
"I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself -- for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land.
"The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast -- the beast that is in the hero."
"The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods, the rites humans have to perform to the gods. They knew of follies and restitutions, were advocates of new and old ways of being, were custodians of culture, recorders of change."
"These old storytellers were the true magicians. They were humanity's truest friends and most reliable guides. Their role was both simple and demanding. They had to go down deep into the seeds of time, into the dreams of their people, into the unconscious, into the uncharted fears, and bring shapes and moods back up into the light. They had to battle with monsters before they told us about them. They had to see clearly."
"They risked their sanity and their consciousness in the service of dreaming better futures. They risked madness, or being unmoored in the wild realms of the interspaces, or being devoured by the unexpected demons of the communal imagination."
"And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing around us, and with no beliefs by which to steer our way through the dark descending nights ahead -- I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them to be whole again.
”
”
Ben Okri (A Way of Being Free)
“
You've given me everything I need of you-thanks to you I have all my heart desires, all I thought I might never have. All I need for a wonderful, fulfilling future. And I nearly lost it all."
She held his gaze but was wise enough not to interrupt. If she had...
He drew breath and forged on, "Nearly dying clarified things. When you stand on the border between life and death, the truly important things are easy to discern. One of the things I saw and finally understood was that only fools and cowards leave the truth of love unsaid. Only the weak leave love unacknowledged."
Holding her gaze, all but lost in the shimmery blue of her eyes, he raised her hand to his lips, gently kissed. "So, my darling Heather, even though you already know it, let me put the truth-my truth-into words. I love you. With all my heart, to the depths of my soul. And I will love you forever, until the day I die."
Her smile lit his world. "Just as well." Happiness shone in her eyes. She pressed his fingers. "Because I plan to be with you, by your side, every day for the rest of your life, and in spirit far beyond. I'm yours for all eternity."
Smiling, he closed his hand about hers. "Mine to protect for our eternity."
Yes. Neither said the word, yet the sense of it vibrated in the air all around them.
A high-pitched giggle broke the spell, had them both looking along the path.
TO Lucilla and Marcus, who slipped out from behind a raised bed and raced toward them.
Reaching them, laughing with delight, the pair whooped and circled.
Heather glanced to left and right, trying to keep the twins in sight, uncertain of what had them so excited. So exhilarated.
Almost as if they were reacting to the emotions coursing through her, and presumably Breckenridge. Her husband-to-be.
"You're getting married!" Lucilla crowed.
Catching Lucilla's eyes as the pair slowed their circling dance, Heather nodded. "Yes, we are. And I rather think you two will have to come down in London to be flower girl and page boy."
Absolute delight broke across Lucilla's face. She looked at her brother. "See? I told you-the Lady never makes a mistake, and if you do what shetells you, you get a reward."
"I suppose." Marcus looked up at Breckenridge. "London will be fun." He switched his gaze to Lucilla. "Come on! Let's go and tell Mama and Papa.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
And so I learned things, gentlemen. Ah, one learns when one has to; one learns when one needs a way out; one learns at all costs. One stands over oneself with a whip; one flays oneself at the slightest opposition. My ape nature fled out of me, head over heels and away, so that my first teacher was almost himself turned into an ape by it and was taken away to a mental hospital. Fortunately he was soon let out again.
But I used up many teachers, several teachers at once. As I became more confident of my abilities, as the public took and interest in my progress and my future began to look bright, I engaged teachers for myself, engaged them in five communicating rooms, and took lessons from all at once by dint of leaping from one room to the other.
That progress of mine! How the rays of knowledge penetrated from all sides into my awakening brain? I do not deny it: I found it exhilarating. But I must also confess: I did not overestimate it, not even then, much less now. With an effort which up till now has never been repeated I managed to reach the cultural level of an average European. In itself that might be nothing to speak of, but it is something insofar as it has helped me out of my cage and opened a special way out for me, the way of humanity. There is an excellent idiom: to fight one’s way through the thick of things; that is what I have done, I have fought through the thick of things. There was nothing else for me to do, provided that freedom was not to be my choice.
As I look back on my development and survey what I have achieved so far, I do not complain, but I am not complacent either. With my hands in my trouser pockets, my bottle of wine on the table, I half lie and half sit in my rocking chair and gaze out of the window: If a visitor arrives I receive him with propriety. My manager sits in the anteroom; when I ring, he comes and listens to what I have to say. Nearly every evening I give a performance, and I have a success that could hardly be increased. When I come home late at night from banquets, from scientific receptions, from social gatherings, there sits waiting for me a half-trained chimpanzee and I take comfort from her as apes do. By day I cannot bear to see her; for she has the insane look of the bewildered half-broken animal in her eye, no one else sees it, but I do, and I cannot bear it. On the whole, at any rate, I have achieved what I have set out to achieve. But do not tell me that it was not worth the trouble. In any case, I am not appealing to any man’s verdict. I am only imparting knowledge, I am only making a report. To you also, honored Members of the Academy, I have only made a report.
”
”
Franz Kafka (A Report for an Academy)
“
Oh no,” she breathed. “Not the Highwoods.” She called after the coach as it rumbled off into the distance. “Mrs. Highwood, wait! Come back. I can explain everything. Don’t leave!”
“They seem to have already left.”
She turned on Bram, flashing him an angry blue glare. The force of it pushed against his sternum. Not nearly sufficient to move him, but enough to leave an impression.
“I do hope you’re happy, sir. If tormenting innocent sheep and blowing ruts in our road weren’t enough mischief for you today, you’ve ruined a young woman’s future.”
“Ruined?” Bram wasn’t in the habit of ruining young ladies-that was his cousin’s specialty-but if he ever decided to take up the sport, he’d employ a different technique. He edged closer, lowering his voice. “Really, it was just a little kiss. Or is this about your frock?”
His gaze dipped. Her frock had caught the worst of their encounter. Grass and dirt streaked the yards of shell-pink muslin. A torn flounce drooped to the ground, limp as a forgotten handkerchief. Her neckline had likewise strayed. He wondered if she knew her left breast was one exhortation away from popping free of her bodice altogether. He wondered if he should stop staring at it.
No, he decided. He would do her a favor by staring at it, calling her attention to what needed to be repaired. Indeed. Staring at her half-exposed, emotion-flushed breast was his solemn duty, and Bram was never one to shirk responsibility.
“Ahem.” She crossed her arms over her chest, abruptly aborting his mission.
“It’s not about me,” she said, “or my frock. The woman in that carriage was vulnerable and in need of help, and…” She blew out a breath, lifting the stray wisps of hair from her brow. “And now she’s gone. They’re all gone.” She looked him up and down. “So what is it you require? A wheelwright? Supplies? Directions to the main thoroughfare? Just tell me what you need to be on your way, and I will happily supply it.”
“We won’t put you to any such trouble. So long as this is the road to Summerfield, we’ll-“
“Summerfield? You didn’t say Summerfield.”
Vaguely, he understood that she was vexed with him, and that he probably deserved it. But damned if he could bring himself to feel sorry. Her fluster was fiercely attractive. The way her freckles bunched as she frowned at him. The elongation of her pale, slender neck as she stood straight in challenge.
She was tall for a woman. He liked his women tall.
“I did say Summerfield,” he replied. “That is the residence of Sir Lewis Finch, is it not?”
Her brow creased. “What business do you have with Sir Lewis Finch?”
“Men’s business, love. The specifics needn’t concern you.”
“Summerfield is my home,” she said. “And Sir Lewis Finch is my father. So yes, Lieutenant Colonel Victor Bramwell”-she fired each word as a separate shot-“you concern me.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))