Shrek 2 Quotes

We've searched our database for all the quotes and captions related to Shrek 2. Here they are! All 10 of them:

You can love a monster, it can even love you back, but that doesn’t change its nature. This isn’t Beauty and the Beast where my kiss would transform the monster to a prince. If anything, it’s Shrek, and his kiss brings out the ogre in me.
Eliza Crewe (Crushed (Soul Eaters, #2))
Most things that pop into my head are really weird, like that one time when I thought about Shrek in Victoria's Secret underwear.
Sara Wolf (Savage Delight (Lovely Vicious, #2))
I can’t remember how long it’s been since we’ve seen such a fab show! This was drama-tastic! Better than Romeo and Juliet. Better than The Sound of Music, South Park, Trueblood, Dexter, My Little Pony, and Shrek put together!
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
I'm just wondering why people stay together," I say. "Why they connect in the first place, and what keeps that connection is strong. I want it to be all things inside---who you are, what you believe. But what if the things on the outside are just as important? When I was little, I was always worried I'd fall in love with someone ugly. Like Shrek. Then I figured that love would make anyone beautiful to me, if I love them enough. I want to believe that. I want to believe that you can love someone so strongly that none of it will matter. But what if it does?
David Levithan (Another Day (Every Day, #2))
Shrek.
John Etzil (Fatal Justice (Jack Lamburt, #2))
SHREK Written by William Steig & Ted Elliott SHREK Once upon a time there was a lovely princess. But she had an enchantment upon her of a fearful sort which could only be broken by love's first kiss. She was locked away in a castle guarded by a terrible fire-breathing dragon. Many brave knights had attempted to free her from this dreadful prison, but non prevailed. She waited in the dragon's keep in the highest room of the tallest tower for her true love and true love's first kiss. (laughs) Like that's ever gonna happen. What a load of - (toilet flush) Allstar - by Smashmouth begins to play. Shrek goes about his day. While in a nearby town, the villagers get together to go after the ogre. NIGHT - NEAR SHREK'S HOME MAN1 Think it's in there? MAN2 All right. Let's get it! MAN1 Whoa. Hold on. Do you know what that thing can do to you? MAN3 Yeah, it'll grind your bones for it's bread. Shrek sneaks up behind them and laughs. SHREK Yes, well, actually, that would be a giant. Now, ogres, oh they're much worse. They'll make a suit from your freshly peeled skin. MEN No! SHREK They'll shave your liver. Squeeze the jelly from your eyes! Actually, it's quite good on toast. MAN1 Back! Back, beast! Back! I warn ya! (waves the torch at Shrek.) Shrek calmly licks his fingers and extinguishes the torch. The men shrink back away from him. Shrek roars very loudly and long and his breath extinguishes all the remaining torches until the men are in the dark. SHREK This is the part where you run away. (The men scramble to get away. He laughs.) And stay out! (looks down and picks up a piece of paper. Reads.) "Wanted. Fairy tale creatures."(He sighs and throws the paper over his shoulder.)
Lois Lowry (The Giver (The Giver, #1))
Mother Mary wants to draft two more kids,” Astrid told Sam. “Okay. Approved.” “Dahra says we’re running low on kids’ Tylenol and kids’ Advil, she wants to make sure it’s okay to start giving them split adult pills.” Sam spread his hands in a helpless gesture. “What?” “We’re running low on kid pills, Dahra wants to split adult pills.” Sam rocked back in the leather chair designed for a grown man. “Okay. Whatever. Approved.” He took a sip of water from a bottle. The wrapper on the bottle said “Dasani” but it was tap water. The dishes from dinner—horrible homemade split-pea soup that smelled burned, and a quarter cabbage each—had been pushed aside onto the sideboard where in the old days the mayor of Perdido Beach had kept framed pictures of his family. It was one of the better meals Sam had had lately. The fresh cabbage tasted surprisingly good. There was little more than smears on the plates: the era of kids not eating everything was over. Astrid puffed out her cheeks and sighed. “Kids are asking why Lana isn’t around when they need her.” “I can only ask Lana to heal big things. I can’t demand she be around 24/7 to handle every boo-boo.” Astrid looked at the list she had compiled on her laptop. “Actually, I think this involved a stubbed toe that ‘hurted.’” “How much more is on the list?” Sam asked. “Three hundred and five items,” Astrid said. When Sam’s face went pale, she relented. “Okay, it’s actually just thirty-two. Now, don’t you feel relieved it’s not really three hundred?” “This is crazy,” Sam said. “Next up: the Judsons and the McHanrahans are fighting because they share a dog, so both families are feeding her—they still have a big bag of dry dog food—but the Judsons are calling her Sweetie and the McHanrahans are calling her BooBoo.” “You’re kidding.” “I’m not kidding,” Astrid said. “What is that noise?” Sam demanded. Astrid shrugged. “I guess someone has their stereo cranked up.” “This is not going to work, Astrid.” “The music?” “This. This thing where every day I have a hundred stupid questions I have to decide. Like I’m everyone’s parent now. I’m sitting here listening to how little kids are complaining because their older sisters make them take a bath, and stepping into fights over who owns which Build-A-Bear outfit, and now over dog names. Dog names?” “They’re all still just little kids,” Astrid said. “Some of these kids are developing powers that scare me,” Sam grumbled. “But they can’t decide who gets to have which special towel? Or whether to watch The Little Mermaid or Shrek Three?” “No,” Astrid said. “They can’t. They need a parent. That’s you.
Michael Grant (Hunger (Gone, #2))
Since the publicity campaigns for these blockbusters have proven effective in the popcorn economy, studios recycle their elements into endless sequels, such as those for Spider-Man, Pirates of the Caribbean, Shrek, and Mission Impossible, which then become the studios’ franchises on which they earn almost all their profits.
Edward Jay Epstein (The Hollywood Economist 2.0: The Hidden Financial Reality Behind the Movies)
We’re nearly at the top anyway. Definitely feeling like a donkey now, though.” “I take it back. You’re Shrek and I’m Princess Fiona.” He laughs and I jiggle as his shoulders shake. “Well, green is my favorite color.” “What type of green? Ogre green?” “Whatever shade your eyes are.
Hannah Grace (Wildfire (Maple Hills, #2))
How many cats wear boots? honestly..." Shrek, Sherk 2
Shrek