Urth Of The New Sun Quotes

Imagine a man who stands before a mirror; a stone strikes it, and it falls to ruin all in an instant. And the man learns that he is himself, and not the mirrored man he had believed himself to be.

The best offense is a good defense, but a bad defense is offensive.

You can’t order the waves to be silent, madame,” Baldanders told her. “They are coming, and they are bitter with salt.

The instruments you have are the right instruments for you, because you’ve been shaped by them. That’s another law.

Things opposite unite and appear to disappear. The potential for both remains. That is one of the greatest principles of the causes of things.

If you know anything of science, madame, you must know that water is but ice given energy.

In childhood, one imagines that any door unopened may open upon a wonder, a place different from all the places one knows. That is because in childhood it has so often proved to be so; the child, knowing nothing of any place except his own, is astonished and delighted by novel sights that an adult would readily have anticipated.

I waded out of the sea while loving it still, even as I had earlier dropped from the stars while loving them; and in truth there is no place in Briah that is not lovely when it no longer holds the threat of death, save for the places men have made so.

I was sitting there, as I said, and had been for several watches, when I came to me that I was reading no longer. For some time I was hard put to say what I had been doing. When I tried, I could only think of certain odors and textures and colors that seemed to have no connection with anything discussed in the volume I held. At last I realized that instead of reading it, I had been observing it as a physical object. The red I recalled came from the ribbon sewn to the headband so that I might mark my place. The texture that tickled my fingers still was that of the paper in which the book was printed. The smell in my nostrils was old leather, still wearing the traces of birch oil. It was only then, when I saw the books themselves, when I began to understand their care.” His grip on my shoulder tightened. “We have books here bound in the hides of echidnes, krakens, and beasts so long extinct that those whose studies they are, are for the most part of the opinion that no trace of them survives unfossilized. We have books bound wholly in metals of unknown alloy, and books whose bindings are covered with the thickest gems. We have books cased in perfumed woods shipped across the inconceivable gulf between creations—books doubly precious because no one on Urth can read them.” “We have books whose papers are matted of plants from which spring curious alkaloids, so that the reader, in turning their pages, is taken unaware by bizarre fantasies and chimeric dreams. Books whose pages are not paper at all, but delicate wafers of white jade, ivory, and shell; books too who leaves are the desiccated leaves of unknown plants. Books we have also that are not books at all to the eye: scrolls and tablets and recordings on a hundred different substances. There is a cube of crystal here—though I can no longer tell you where—no larger than the ball of your thumb that contains more books than the library itself does. Though a harlot might dangle it from one ear for an ornament, there are not volumes enough in the world to counterweight the other.

The young king, bright with such gold as is not found in any mine, strode across the waves; and the glory of him was such that he who looked on it should never look upon another.

Awake! for Morning in the Bowl of Night, Has flung the Stone that puts the Stars to. Flight.

How terrible it is that we know our stories only when we have lived them!

And then I saw it—not below, where I had looked, but over my head, a vast and noble curve stretching away to either side, with white cloud flying between ourselves and it, a world all speckled over with blue and green like the egg of a wild bird.

I said he had called them because it was from his mind that we drew them, seeking those who hated him, or at least had reason to. The giant you saw might have mastered the Commonwealth, had Severian not defeated him. The blond woman could not forgive him for bringing her back from death.

For years I had known joy in nothing but victories, and now I felt myself a boy again. When I had wished to climb the Great Keep, it had never occurred to me that the Great Keep itself might wish to climb the sky; I knew better now. But this ship at least was climbing beyond the sky, and I wanted to climb with her.

There are encounters that change nothing. Urth turns her aged face to the sun and he beams upon her snows; they scintillate and coruscate until each little point of ice hanging from the swelling sides of the towers seems the Claw of the Conciliator, the most precious of gems. Then everyone except the wisest believes that the snow must melt and give way to a protracted summer beyond summer.

I had never seen war, or even talked of it at length with someone who had, but I was young and knew something of violence, and so believed that war would be no more than a new experience for me, as other things—the possession of authority in Thrax, say, or my escape from the House Absolute—had been new experiences. War is not a new experience; it is a new world. Its inhabitants are more different from human beings than Famulimus and her friends. Its laws are new, and even its geography is new, because it is a geography in which insignificant hills and hollows are lifted to the importance of cities. Just as our familiar Urth holds such monstrosities as Erebus, Abaia, and Arioch, so the world of war is stalked by the monsters called battles, whose cells are individuals but who have a life and intelligence of their own, and whom one approaches through an ever-thickening array of portents.

You have come from the Citadel—I know, you see, something of your journeyings and history—that great fortress of bygone days, so you must possess some feeling for the past. Has it never struck you that mankind was richer by far, and happier too, a chiliad gone than it is now?” “Everyone knows,” I said, “that we have fallen far from the brave days of the past.” “As it was then, so shall it be again. Men of Urth, sailing between the stars, leaping from galaxy to galaxy, the masters of the daughters of the sun.

In my GEnie days (1991-1996?) I discussed the fiction of Gene Wolfe with Greg Feeley, Neil Gaiman, Joe Mayhew, Michael Swanwick, and Jeff Wilson, among others. I published Lexicon Urthus in 1994. The Lexicon brought me letters from David Langford. It also brought me friendship with Alice K. Turner (1939-2015), and she talked me into joining the Urth List in 1997. There I met many, but for this application I will limit the roll to Marc Aramini, Robert Borski, Craig Brewer, Bill Carmichael, Roy C. Lackey, Jonathan Laidlow, Dan Parmenter, Nigel Price, Pedro Jorge Romero, and James Wynn.

How is it you speak? What sound is there here?” “You must listen to my voice,” she told me, “and not to my words. What do you hear?” I did as she had instructed me, and heard the silken sliding of the sheet, the whisper of our bodies, the breaking of the little waves, and the beating of my own heart. A hundred questions I had been ready to ask, and it had seemed to me that each of the hundred might bring the New Sun. Her lips brushed mine, and every question vanished, banished from my consciousness as if it had never been. Her hands, her lips, her eyes, the breasts I pressed—all wondrous; but there was more, perhaps the perfume of her hair. I felt that I breathed an endless night … . Lying upon my back, I entered Yesod. Or say, rather, Yesod closed about me. It was only then that I knew I had never been there. Stars in their billions spurted from me, fountains of suns, so that for an instant I felt I knew how universes are born. All folly. Reality displaced it, the kindling of the torch that whips shadows to their corners, and with them all the winged fays of fancy. There was something born between Yesod and Briah when I met with Apheta upon that divan in that circling room, something tiny yet immense that burned like a coal conveyed to the tongue by tongs. That something was myself.

We say that a man is as brave as an atrox, or that a woman is as lovely as a red roe, as [she] was. But we lack any such term for loyalty, because nothing we know is truly loyal---or rather, because true loyalty is found only in the individual and not in the type. A son may be loyal to his father or a dog to its master, but most are not...perhaps we are unable to advance some paragon of loyalty to an apothegm only because loyalty (in the final analysis) is choice.

At first I thought of green skies, blue grass, and all the rest of the childish exotica apt to inflict the mind that conceives of other than Urthly worlds. But in time I tired of those puerile ideas, and began in their place to think of societies and ways of thought wholly different from our own, worlds in which all the people, knowing themselves descended from a single pair of colonists, treated one another as brothers and sisters, worlds where there was no currency but honor, so that everyone worked in order that he might be entitled to associate himself with some man or woman who had saved the community, worlds in which the long war between mankind and the beasts was pursued no more. With these thoughts came a hundred or more new ones—how justice might be meted out when all loved all, for example; how a beggar who retained nothing but his humanity might beg for honor, and the ways in which people who would kill no sentient animal might be shod and fed.

Yours is a race of pawns,” Tzadkiel told me. “You move forward only, unless we move you back to begin the game again. But not all the pieces on the board are pawns.

I sometimes think the reason the guild has endured so long is that it serves as a focus for the hatred of the people, drawing it from the Autarch, the exultants, and the army, and even in some degree from the pale cacogens who sometimes visit Urth from the farther stars.

We have books here bound in the hides of echidnes, krakens, and beasts so long extinct that those whose studies they are, are for the most part of the opinion that no trace of them survives unfossilized. We have books bound wholly in metals of unknown alloy, and books whose bindings are covered with thickset gems. We have books cased in perfumed woods shipped across the inconceivable gulf between creations—books doubly precious because no one on Urth can read them. “We have books whose papers are matted of plants from which spring curious alkaloids, so that the reader, in turning their pages, is taken unaware by bizarre fantasies and chimeric dreams. Books whose pages are not paper at all, but delicate wafers of white jade, ivory, and shell; books too whose leaves are the desiccated leaves of unknown plants. Books we have also that are not books at all to the eye: scrolls and tablets and recordings on a hundred different substances. There is a cube of crystal here—though I can no longer tell you where—no larger than the ball of your thumb that contains more books than the library itself does. Though a harlot might dangle it from one ear for an ornament, there are not volumes enough in the world to counterweight the other.

figure of a mountain in the background of some picture that it is in reality as huge as an island, so I knew that I saw the thing only from far off—its wings beat, I think, against the proton winds of space, and all Urth might have been a mote disturbed by their motion. Then as I had seen it, so it saw me, much as the androgyne a moment before had seen the swirls and loops of writing on the steel through his glass. It paused and turned to me and opened its wings that I might observe them. They were marked with eyes.

There are encounters that change nothing. Urth turns her aged face to the sun and he beams upon her snows; they scintillate and coruscate until each little point of ice hanging from the swelling sides of the towers seems the Claw of the Conciliator, the most precious of gems. Then everyone except the wisest believes that the snow must melt and give way to a protracted summer beyond summer. Nothing of the sort occurs. The paradise endures for a watch or two, then shadows blue as watered milk lengthen on the snow, which shifts and dances under the spur of an east wind. Night comes, and all is at it was. My finding Triskele was like that. I felt that it could have and should have changed everything, but it was only the episode of a few months, and when it was over and he was gone, it was only another winter passed and the Feast of Holy Katharine come again, and nothing had changed.

It is no longer possible for us to carry out the ceremony, as once we did, wrapped in the shining belt of the galaxy; but to achieve the effect as nearly as possible, Urth’s attractive field was excluded from the basilica. It was a novel sensation for me, and though I was unafraid, I was reminded again of that night I spent among the mountains when I felt myself on the point of falling off the world—something I will undergo in sober earnest tomorrow. At times the ceiling seemed a floor, or (what was to me far more disturbing) a wall became the ceiling, so that one looked upward through its open windows to see a mountainside of grass that lifted itself forever into the sky. Startling as it was, this vision was no less true than that we commonly see. Each of us became a sun; the circling, ivory skulls were our planets. I said we had dispensed with music, yet that was not entirely true, for as they swung about us there came a faint, sweet humming and whistling, caused by the flow of air through their eye sockets and teeth; those in nearly circular orbits maintained an almost steady note, varying only slightly as they rotated on their axes; the songs of those in elliptical orbits waxed and waned, rising as they approached me, sinking to a moan as they receded. How foolish we are to see in those hollow eyes and marble calottes only death. How many friends are among them! The brown book, which I carried so far, the only one of the possessions I took from the Matachin Tower that still remains with me, was sewn and printed and composed by men and women with those bony faces; and we, engulfed by their voices, now on behalf of those who are the past, offered ourselves and the present to the fulgurant light of the New Sun.

Thea nodded. “That animal was brought from the stars long ago, as were many other things for the benefit of Urth. It is a beast having no more intelligence than a dog, and perhaps less. But it is a devourer of carrion and a clawer at graves, and when it has fed upon human flesh it knows, at least for a time, the speech and ways of human beings. The analeptic alzabo is prepared from a gland at the base of the animal’s skull. Do you understand me?

Catch Catodon … cast out his conation.

... pain … the chain forged to bind us to the eternal present, …

..., the kind of place where one finds objects that appear to have come from nowhere …

... if we went out the way we came in, you'd never find anything. It's too short.

All these would be rationalizations—the thing itself was glorious.

the pomps and wonders with which we sovereigns cow poor, ignorant people.

The forest had set its own dead there as well, stumps and limbs that time had turned to stone, so that I wondered as I descended, if it might not be that Urth is not, as we assume, older than her daughters the trees, and imagined them growing in the emptiness before the face of the sun, tree clinging to tree with tangled roots and interlacing twigs until at last their accumulation became our Urth, and they only the nap of her garment.

Time is one part of this difference. Deep Future science fiction—tales set so far in the future that Earth and/or Sun are fading and the days of epic space adventures have long drifted into myth—had examples before this: William Hope Hodgson’s The Night Land (1912), Olaf Stapledon’s Last and First Men (1930) and Star Maker (1937), Arthur C. Clarke’s Against the Fall of Night (1948), Jack Vance’s The Dying Earth (1950) and sequels, Osamu Tezuka’s Phoenix (1967–88), and Michael Moorcock’s The Dancers at the End of Time (1972–76). Of these Clarke’s and Tezuka’s come closest to Wolfe in their attention to culture and history, but neither approach his sense of accretion, layers, clutter enough to bury cities under cities under spaceships with cities on top. Freud wrote that Rome’s layers—Modern upon Baroque, Renaissance, Medieval, ancient, more ancient yet—terrified him, even gave him nightmares; the view Wolfe gives us of deep future Urth is that nightmare’s epitome.

If I were to describe Dr. Talos’s play now, as it appeared to me (a participant), the result could only be confusion. When I describe it as it appeared to the audience (as I intend to do at a more appropriate point in this account), I will not, perhaps, be believed. In a drama with a cast of five, of whom two on this first night had not learned their parts, armies marched, orchestras played, snow fell, and Urth trembled.