“
I was thinking about the first time I ever saw you," he said, "and how after that I couldn't forget you. I wanted to, but I couldn't stop myself. I forced Hodge to let me be the one who came to find you and bring you back to the Institue. And even back then, in that stupid coffee shop, when I saw you sitting on that couch with Simon, even then that felt wrong to me-- I should have been the one sitting with you. The one who made you laugh like that. I couldn't get rid of that feeling. That it should have been me. And the more I knew you, the more I felt it--it had never been like that for me before. I'd always wanted a girl and then gotten to know her and not wanted her anymore, but with you the feeling just got stronger and stronger until that night when you showed up at Renwick's and I knew.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Scars exist to show that I existed. I myself don’t have any scars, but every single one of my friends has a healed up knife wound deep in their back.
”
”
Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
“
I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?”
He, of course, replied, “No.”
“Well, we’re going to a better place.”
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. “It’s a graveyard.”
“Are you afraid of ghosts?” I asked.
“My father’s a ghost,” he whispered.
I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would. He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
“Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
I wasn't planning on dumping Cameron. We were here, and he called, and his face showed up on my phone- well, actually a llama came up on my phone because I don't actually have a picture of him so I just used a llama- and the llama made me so angry I just couldn't help myself."
"Bad time to be a llama."
"Is there ever a good time, really?
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
When someone doesn't show up, the people who wait sometimes tell stories about what might have happened and come to half believe the desertion, the abduction, the accident. Worry is a way to pretend that you have knowledge or control over what you don't--and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown. Perhaps fantasy is what you fill up maps with rather than saying that they too contain the unknown.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
The guys were totally skuzzy, grinning horribly, showing holes where teeth should be.
“Boys, God doesn’t like you,” Fang intoned behind them.
Whaaat? I thought, dumbfounded.
“Wha!” they said, whirling.
At that moment, Fang snapped out his huge wings and shone the penlight under his chin so it raked his cheekbones and eyes. My mouth dropped open. He looked like the angel of death.
His dark wings filled the hallway almost to the ceiling, and he moved them up and down. “God doesn’t like bad people,” he said, using a really weird, deep voice.
“What the heck?” one of the squatters murmured shallowly, his mouth slack, his eyes bugging out of his head.
I whipped my own wings open. Fun, anyway.
“This was a test,” I said, using my best spooky voice. “And guess what? You both failed.”
The bums stopped dead, looks of horror and amazement on their faces.
Then Fang growled, “Rowr!” He stepped forward, sweeping his wings up and down: the avenging demon. I almost cracked up.
“Rowr!” I said myself, shaking my wings out.
“Ahhhhh!” the guys yelled, backpedaling fast. Unfortunately, they were standing at the top of the staircase. They fell awkwardly, trying to grab each other, and rolled down two flights like lumpy bags of potatoes, shrieking the whole way.
Fang and I slapped each other a quick high five—and we were out of there, jack.
”
”
James Patterson (School's Out—Forever (Maximum Ride, #2))
“
I’ve read hundreds of novels in my life, most of them claiming that love was the center of the universe. That it could heal any damage inside of us. That it was what we needed to survive. From Darcy to Heathcliff, I thought they were fools. That love was something fictional, only found in worn pages of a book. That it was just made up to keep humans full of hope, that it was a lie. But all that changed since I met my Elizabeth Bennett. I never thought I would find myself completely and utterly consumed by another until her. She took my hand and led me out of the darkness and showed me that, whatever our souls are made of, hers and mine are the same.
I’m sorry, please forgive me.
You once asked me who I loved most in this world.
It’s you.
— Hardin ( Movie- "After" - Hardin's letter to Tessa )
”
”
Anna Todd
“
How am I supposed to decide this? How can I possibly stay without mom and dad? How can I leave without Teddy? Or Adam? This is too much. I don’t even understand how it all works, why I’m here in the state that I’m in or how to get out of it if I wanted to. If I were to say, I want to wake up, would I wake up right now? I’ve already tried snapping my heels to find Teddy and tried to beam myself to Hawaii, and that didn’t work. This seems a whole lot more complicated.
But in spite of that, I believe it’s true. I hear the nurse’s words again. I am running the show. Everyone’s waiting on me.
I decide. I know this now.
And this terrifies me more than anything else that has happened today.
”
”
Gayle Forman (If I Stay (If I Stay, #1))
“
Long dormant feelings poured through my dried-up limbs and wound through me, slowly filling the emptiness. Like an irrigated field, I felt myself blossom and grow with new vigor. He was the sun, and the tenderness he showed me was life-giving water.
”
”
Colleen Houck
“
I missed you every second you were gone. I thought about you every goddamn second. You want to hate me for what I did? Don’t bother – I was hating myself for it long before you showed up.
”
”
Erin Watt (Broken Prince (The Royals, #2))
“
The necklace was a good excuse," he murmured.
"For what?"
"I thought maybe I could go to Charleston and show up at your front door to give this back and maybe… you might let me in. Or something. I was worried that another male would court you, so I've been trying to go as fast as I could. I mean, I figured maybe if I could read, and if I took a little better care of myself, and if I tried to stop being such a mean-ass motherfucker…" He shook his head. "But don't misunderstand. It's not like I expected you to be happy to see me. I was just… you know, hoping… coffee. Tea. Chance to talk. Or some shit. Friends, maybe. Except if you had a male, he wouldn't allow that. So, yeah, that's why I've been hurrying."
His yellow eyes lifted to hers. He was wincing, as if he were afraid of what might be showing on her face.
"Friends?" she said.
"Yeah… I mean, I wouldn't disgrace you by asking for more than that. I know that you regret… Anyway, I just couldn't let you go without… Yeah, so… friends.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
I’d stayed away for two years. I had to. I knew I shouldn’t even be at the summer house, because being there, being near her, I would just want what I couldn’t have. It was dangerous. She was the one person I didn’t trust myself around. The day she showed up with Jere, I called my friend Danny to see if I could crash on his couch for a while, and he’d said yes. But I couldn’t bring myself to do it. I couldn’t leave.
”
”
Jenny Han (We'll Always Have Summer (Summer #3))
“
But this is inaccurate. A runaway train is an accident. Me, I'll jump in front of the tracks. I'll even tie myself down in front of the speeding engine. There's some illogical part of me hat still believes if you want Superman to show up, first there's got to be someone worth saving.
”
”
Jodi Picoult (My Sister’s Keeper)
“
The Holy Spirit showed me that when I put up walls to keep others out I also wall myself into solitary place of confinement.
”
”
Joyce Meyer (Beauty for Ashes: Receiving Emotional Healing)
“
Okay, pull me up."
The rope didn't move.
"Ascanio?" What was it now? Did he see a butterfly and get distracted?
The rope slid up, as fast as if wound by a winch. I shot upward. What the...?
I cleared the edge and found myself face to face with Curran.
Oh boy.
He held the rope with one hand, muscles bulging on his arm under his sweatshirt. No strain showed on Curran's face. It's good to be the baddest shapeshifter in the city. Behind him Ascanio stood very still, pretending to be invisible.
Curran's gray eyes laughed at me. The Beast Lord reached out and touched my nose with his finger. "Boop.
”
”
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
“
When I was certain he was going to kill me, my mind went blank, and I didn't have any hope anymore. All I could do was scream my lungs out. I felt so helpless, I couldn't even bring myself to believe someone might save me. And then you showed up Al, and I realized that if we don't take care of each other then no one else will. So I'll do anything in my power to get our bodies back, even if it means being the militaries lap dog. And we'll just have to hope our powers are good enough to help us rise above our own limits. Because we're not Gods, we're humans, tiny insignificant humans. Who couldn't even save a little girl. "
Edward- Elric
”
”
Hiromu Arakawa
“
When I did show up next door, at 6:34, it sounded like World War III had erupted in the house. I’d let myself in since no one answered the damn door.
“I can’t believe you ate all the ice cream, Daemon!”
I cringed and stopped inside the dining room. There was no way I was going into that kitchen.
“I didn’t eat all of it.”
“Oh, so it ate itself?” Dee shrieked so loudly I thought I heard the rafters in the ceiling shake. “Did the spoon eat it? Oh wait, I know. The carton ate it.”
“Actually, I think the freezer ate it,” Daemon responded dryly.
I grinned when I heard what sounded like the empty container hitting what suspiciously sounded like flesh.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
Little pinpricks fire-cracker up and down my body. Just calm down, I tell myself. You just make her nervous showing up all out of the blue like that. Still, I'm flattered that I matter-- even if it's just enough to scare her.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
Gwenvael looked down at his body. Horrified, he sat up. “What is this? What’s happened to me?”
“Calm down. It’ll heal quick enough, I’m sure.”
“Heal? I’m hideous!”
“You’re alive.”
“Hideously alive!” He covered her face with his hands. “Don’t look at me! Look away!”
“Stop it!” She pulled at his hands. “Have you lost your mind?”
Gwenvael dropped back to the bed, turned his face toward the wall. “You know what this means, don’t you?”
“Gwenvael—”
“I’ll have to live alone, at the top of a castle somewhere. I’ll hide from the daylight and only come out at night.”
“Please stop this.”
“I’ll be alone but not for long because you’ll all want me more. You’ll lust for the beautiful warrior I once was and pity the hideous creature I’ve become. Most importantly, you’ll want to soothe my pain.” He looked at her again. “Don’t you want to soothe my pain? Right now? Without that dress on?”
“No. I do not.”
Dagmar tried to stand, and Gwenvael caught her hand, pulling her back down. “You can’t leave me. I’m tortured and brooding. You need to show me how much you adore me so I can learn to love myself again.”
“You’ve never stopped loving yourself.”
“Because I’m amazing.
”
”
G.A. Aiken (What a Dragon Should Know (Dragon Kin, #3))
“
I find myself thinking back to something I saw on the local news about a year ago. A teen football player had died in a car accident. The cameras showed all his friends after the funeral—these big hulking guys, all in tears, saying, “I loved him. We all loved him so much.” I started crying, too, and I wondered if these guys had told the football player they loved him while he was alive, or whether it was only with death that this strange word, love, could be used. I vowed then and there that I would never hesitate to speak up to the people I loved. They deserved to know they gave meaning to my life. They deserved to know I thought the world of them.
”
”
David Levithan (Boy Meets Boy)
“
And I know someone who’s
perfect for her. He works in my lab. He’s smart. He’s funny. His name is Bert.”
Bert?
Is she fucking kidding me? What kind of sick son of a bitch names his kid Bert in this day and
age? That’s just cruel.
“He’ll show Kate a good time. I plan on setting them up this weekend.”
And I plan on handcuffing myself to Kate’s ankle and eating the key. Let’s see what kind of good
time Bert can show Kate when she’s dragging me around behind her like a Siamese twin.
”
”
Emma Chase (Tangled (Tangled, #1))
“
What is family? They were the people who claimed you. In good, in bad, in parts or in whole, they were the ones who showed up, who stayed in there, regardless. It wasn't just about blood relations or shared chromosomes, but something wider, bigger. Cora was right- we had many families over time. Our family of origin, the family we created, as well as the groups you moved through while all of this was happening: friends, lovers, sometimes even strangers. None of them were perfect, and we couldn't expect them to be. You couldn't make any one person your world. The trick was to take what each could give you and build a world from it.
So my true family was not just my mom, lost or found; my dad, gone from the start; and Cora, the only one who had really been there all along. It was Jamie, who took me in without question and gave me a future I once couldn't even imagine; Oliva, who did question, but also gave me answers; Harriet, who, like me, believed she needed no one and discovered otherwise. And then there was Nate.
Nate, who was a friend to me before I even knew what a friend was. Who picked me up, literally, over and over again, and never asked for anything in return except for my word and my understanding. I'd given him one but not the other, because at the time I thought I couldn't, and then proved myself right by doing exactly as my mother had, hurting to prevent from being hurt myself. Needing was so easy: it came naturally, like breathing. Being needed by someone else, though, that was the hard part. But as with giving help and accepting it, we had to do both to be made complete- like links overlapping to form a chain, or a lock finding the right key.
~Ruby (pgs 400-401)
”
”
Sarah Dessen (Lock and Key)
“
I have come to the unequivocal decision that Kate Brooks’s ass is one that I, sadly, am never going to tap. And I’m okay with that. Really.
And I almost believe myself.
Right up until she shows up at my door.
Christ.
”
”
Emma Chase (Tangled (Tangled, #1))
“
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.”
Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees.
Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.”
Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota.
Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —”
Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.”
Voicemail #20: “I wish you’d answer.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
The stars are brilliant at this time of night
and I wander these streets like a ritual I don’t dare to break
for darling, the times are quite glorious.
I left him by the water’s edge,
still waving long after the ship was gone
and if someone would have screamed my name I wouldn’t have heard for I’ve said goodbye so many times in my short life that farewells are a muscular task and I’ve taught them well.
There’s a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew.
I used to go there to say goodbye.
I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them,
one way or the other,
leaving sin on my body
scrubbing tears off with salt
and I built my rituals in farewells.
Endings I still cling to.
So I go to the ocean to say goodbye.
He left that morning, the last words still echoing in my head
and though he said he’d come back one day I know a broken promise from a right one
for I have used them myself and there is no coming back.
Minds like ours are can’t be tamed and the price for freedom is the price we pay.
I turned away from the ocean
as not to fall for its plea
for it used to seduce and consume me
and there was this one night
a few years back and I was not yet accustomed to farewells
and just like now I stood waving long after the ship was gone.
But I was younger then and easily fooled
and the ocean was deep and dark and blue
and I took my shoes off to let the water freeze my bones.
I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival.
Then days passed by and I spent them with my work
and now I’m writing letters I will never dare to send.
But there is this one day every year or so
when the burden gets too heavy
and I collect my belongings I no longer need
and make my way to the ocean to burn and drown and start anew
and it is quite wonderful, setting fire to my chains and flames on written words
and I stand there, starring deep into the heat until they’re all gone.
Nothing left to hold me back.
You kissed me that morning as if you’d never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss
like chains wrapped around my veins,
and if you see a fire from the shore tonight
it’s my chains going up in flames.
The time of moon i quite glorious.
We could have been so glorious.
”
”
Charlotte Eriksson (You're Doing Just Fine)
“
Dear God
Please take away my pain and despair of yesterday and any unpleasant memories and replace them with Your glorious promise of new hope. Show me a fresh HS-inspired way of relating to negative things that have happened. I ask You for the mind of Christ so I can discern Your voice from the voice of my past. I pray that former rejection and deep hurts will not color what I see and hear now.
Help me to see all the choices I have ahead of me that can alter the direction of my life. I ask You to empower me to let go of the painful events and heartaches that would keep me bound. Thank You for Your forgiveness that You have offered to me at such a great price. Pour it into my heart so I can relinquish bitterness hurts and disappointments that have no place in my life. Please set me free to forgive those who have sinned against me and caused me pain and also myself. Open my heart to receive Your complete forgiveness and amazing grace. You have promised to bind up my wounds Psa 147:3 and restore my soul Psa 23:3 .
Help me to relinquish my past surrender to You my present and move to the future You have prepared for me. I ask You to come into my heart and make me who You would have me to be so that I might do Your will here on earth. I thank You Lord for all that’s happened in my past and for all I have become through those experiences. I pray You will begin to gloriously renew my present.
”
”
Sue Augustine (When Your Past Is Hurting Your Present: Getting Beyond Fears That Hold You Back)
“
At issue here is the question: "To whom do I belong? God or to the world?" Many of my daily preoccupations suggest that I belong more to the world than to God. A little criticism makes me angry, and a little rejection makes me depressed. A little praise raises my spirits, and a little success excites me. It takes very little to raise me up or thrust me down. Often I am like a small boat on the ocean, completely at the mercy of its waves. All the time and energy I spend in keeping some kind of balance and preventing myself from being tipped over and drowning shows that my life is mostly a struggle for survival: not a holy struggle, but an anxious struggle resulting from the mistaken idea that it is the world that defines me.
As long as I keep running about asking: "Do you love me? Do you really love me?" I give all power to the voices of the world and put myself in bondage because the world is filled with "ifs." The world says: "Yes, I love you if you are good-looking, intelligent, and wealthy. I love you if you have a good education, a good job, and good connections. I love you if you produce much, sell much, and buy much." There are endless "ifs" hidden in the world's love. These "ifs" enslave me, since it is impossible to respond adequately to all of them. The world's love is and always will be conditional. As long as I keep looking for my true self in the world of conditional love, I will remain "hooked" to the world-trying, failing,and trying again. It is a world that fosters addictions because what it offers cannot satisfy the deepest craving of my heart.
”
”
Henri J.M. Nouwen
“
Shame, child, is for those who fail to live up to the ideal of what they believe they should be." She waved her hand. "It was shame that drove me to my queen, to beseech her aid." Her long, delicate fingers idly moved to the streaks of white in her otherwise flawless red tresses. "But she showed me the way back to myself, through exquisite pain, and now I am here to watch over my dear godson--and the rest of you, as long as it is quite convenient."
Spooky death Sidhe lady," Molly said. "Now upgraded to spooky, crazy death Sidhe lady.
”
”
Jim Butcher (Changes (The Dresden Files, #12))
“
I’ve always been a slow learner in some areas of my life.mostly the areas known as myself. Or maybe I should say ‘selves.’because the fact is, I’ve never, even as a child, felt I’m only one self, only one person. I’ve always felt I’m quite a few more than one. For example, there’s my jokey self, there’s my morose and fed-up self,there’s my lewd and disgusting self. There’s my clever-clogs self, and my fading-violet-who-cant-make-up-her-mind-about-anything self. There’s my untidy-clothes-everywhere-all-over-my-room self, and my manically tidy self when I want my room to be minimalist and Zen to the nth degree. There’s my confidant, arrogant self and my polite and reasonable and good listener self. There’s my self-righteous self and my wickedly bad self, my flaky self and my bsentimental self. There are selfs I like and selfs I don’t like.there’s my little-girl selfnwhonlikes to play silly games and there’s my old-woman self when I’m quite sure I’m eighty and edging towards geriatric.
The self I show in action at any moment depends on where I am, who I’m with, the circumstances of the situation and the mood I’m in.
”
”
Aidan Chambers (This Is All: The Pillow Book of Cordelia Kenn)
“
I was trying to go... somewhere. But I kept getting pulled back here. I couldn't stop walking, couldn't stop thinking. About the first time I ever saw you, and how after I couldn't forget you. I wanted to, but I couldn't stop myself. I forced Hodge to let me be the one who came to find you and bring you back to the Institute. And even back then, in that stupid coffee shop, when I saw you with Simon, even then that felt wrong to me-- I should have been the one sitting with you. The one who made you laugh like that. I couldn't get rid of that feeling. That it should have been me. And the more I knew you, the more I felt it-- it had never been like that for me before. I'd always wanted a girl and then gotten to know her and not wanted her anymore, but with you the feeling just got stronger and stronger until that night when you showed up at Renwick's and I knew. And then to find out the reason I felt like that-- like you were some part of me I'd lost and never ever knew I was missing until I saw you again-- that the reason was that you were my sister, it felt like some cosmic joke. Like God was spitting on me. I don't even know for what-- for thinking that I actually get to have you, that I would deserve something like that, to be happy. I couldn't imagine what it was I'd done that I was being punished for--
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
I, too, overflow; my desires have invented new desires, my body knows unheard-of songs. Time and again I, too, have felt so full of luminous torrents that I could burst-burst with forms much more beautiful than those which are put up in frames and sold for a fortune. And I, too, said nothing, showed nothing; I didn't open my mouth, I didn't repaint my half of the world. I was ashamed. I was afraid, and I swallowed my shame and my fear. I said to myself: You are mad! What's the meaning of these waves, these floods, these outbursts? Where is the ebullient infinite woman who...hasn't been ashamed of her strength? Who, surprised and horrified by the fantastic tumult of her drives (for she was made to believe that a well-adjusted normal woman has a ...divine composure), hasn't accused herself of being a monster? Who, feeling a funny desire stirring inside her (to sing, to write, to dare to speak, in short, to bring out something new), hasn't thought that she was sick? Well, her shameful sickness is that she resists death, that she makes trouble.
”
”
Hélène Cixous
“
what love looks like
what does love look like the therapist asks
one week after the breakup
and i’m not sure how to answer her question
except for the fact that i thought love
looked so much like you
that’s when it hit me
and i realized how naive i had been
to place an idea so beautiful on the image of a person
as if anybody on this entire earth
could encompass all love represented
as if this emotion seven billion people tremble for
would look like a five foot eleven
medium-sized brown-skinned guy
who likes eating frozen pizza for breakfast
what does love look like the therapist asks again
this time interrupting my thoughts midsentence
and at this point i’m about to get up
and walk right out the door
except i paid too much money for this hour
so instead i take a piercing look at her
the way you look at someone
when you’re about to hand it to them
lips pursed tightly preparing to launch into conversation
eyes digging deeply into theirs
searching for all the weak spots
they have hidden somewhere
hair being tucked behind the ears
as if you have to physically prepare for a conversation
on the philosophies or rather disappointments
of what love looks like
well i tell her
i don’t think love is him anymore
if love was him
he would be here wouldn’t he
if he was the one for me
wouldn’t he be the one sitting across from me
if love was him it would have been simple
i don’t think love is him anymore i repeat
i think love never was
i think i just wanted something
was ready to give myself to something
i believed was bigger than myself
and when i saw someone
who probably fit the part
i made it very much my intention
to make him my counterpart
and i lost myself to him
he took and he took
wrapped me in the word special
until i was so convinced he had eyes only to see me
hands only to feel me
a body only to be with me
oh how he emptied me
how does that make you feel
interrupts the therapist
well i said
it kind of makes me feel like shit
maybe we’re looking at it wrong
we think it’s something to search for out there
something meant to crash into us
on our way out of an elevator
or slip into our chair at a cafe somewhere
appear at the end of an aisle at the bookstore
looking the right amount of sexy and intellectual
but i think love starts here
everything else is just desire and projection
of all our wants needs and fantasies
but those externalities could never work out
if we didn’t turn inward and learn
how to love ourselves in order to love other people
love does not look like a person
love is our actions
love is giving all we can
even if it’s just the bigger slice of cake
love is understanding
we have the power to hurt one another
but we are going to do everything in our power
to make sure we don’t
love is figuring out all the kind sweetness we deserve
and when someone shows up
saying they will provide it as you do
but their actions seem to break you
rather than build you
love is knowing who to choose
”
”
Rupi Kaur (The Sun and Her Flowers)
“
I tell you this not as aimless revelation but because I want you to know, as you read me, precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who for some time now has felt radically separated from most of the ideas that seem to interest people. You are getting a woman who somewhere along the line misplaced whatever slight faith she ever had in the social contract, in the meliorative principle, in the whole grand pattern of human endeavor. Quite often during the past several years I have felt myself a sleepwalker, moving through the world unconscious of the moment’s high issues, oblivious to its data, alert only to the stuff of bad dreams, the children burning in the locked car in the supermarket parking lot, the bike boys stripping down stolen cars on the captive cripple’s ranch, the freeway sniper who feels “real bad” about picking off the family of five, the hustlers, the insane, the cunning Okie faces that turn up in military investigations, the sullen lurkers in doorways, the lost children, all the ignorant armies jostling in the night. Acquaintances read The New York Times, and try to tell me the news of the world. I listen to call-in shows.
”
”
Joan Didion (The White Album)
“
Look,’ I say. ‘It’s weird enough having a semisentient sword without being in the middle of an argument between you two. Can you please just let it go?’
‘What did she show you?’ He holds up his hand. ‘Wait. Don’t tell me. I don’t want to know that you’ve seen me dancing in my underwear to my favorite music.’
‘Angels wear underwear?’ Oh, man, I wish I hadn’t said that. I’m just digging myself in deeper and deeper today.
‘No.’ He shakes his head. ‘Figure of speech.’
‘Oh.’ I nod, trying to get the image out of my head of Raffe dancing to some rock song, possibly buck naked.
”
”
Susan Ee (End of Days (Penryn & the End of Days, #3))
“
I think a lot about killing myself, not like a point on a map but rather like a glowing exit sign at a show that’s never been quite bad enough to make me want to leave. See, when I’m up I don’t kill myself because, holy shit, there’s so much left to do. When I’m down I don’t kill myself because then the sadness would be over, and the sadness is my old paint under the new. The sadness is the house fire or the broken shoulder: I’d still be me without it but I’d be so boring.
”
”
Neil Hilborn (The Future)
“
Truth was she took care of him as much as he did her. There was a few times when he was younger that I thought to myself, One of these days, he ain’t gonna show up for work, ’cause he’ll be at home with a gun in his mouth. I had an uncle did that. Jesse Joe was a man with a deep streak of lonely, until Wavy came along.
”
”
Bryn Greenwood (All the Ugly and Wonderful Things)
“
I was playing games with myself, putting up a show of resistance, as if I could take it or leave it. But the truth was, whatever the price, I would gladly pay it just to feel...better. Connected. Human. Alive. Anything at all.
”
”
Alexis Hall (Glitterland (Spires, #1))
“
My argument against God was that the universe seemed so cruel and unjust. But how had I got this idea of just and unjust? A man does not call a line crooked unless he has some idea of a straight line. What was I comparing this universe with when I called it unjust? If the whole show was bad and senseless from A to Z, so to speak, why did I, who was supposed to be part of the show, find myself in such a violent reaction against it?... Of course I could have given up my idea of justice by saying it was nothing but a private idea of my own. But if i did that, then my argument against God collapsed too--for the argument depended on saying the world was really unjust, not simply that it did not happen to please my fancies. Thus, in the very act of trying to prove that God did not exist - in other words, that the whole of reality was senseless - I found I was forced to assume that one part of reality - namely my idea of justice - was full of sense. If the whole universe has no meaning, we should never have found out that it has no meaning: just as, if there were no light in the universe and therefore no creatures with eyes, we should never have known it was dark. Dark would be without meaning.
”
”
C.S. Lewis
“
Do I, then, belong to the heavens?
Why, if not so, should the heavens
Fix me thus with their ceaseless blue stare,
Luring me on, and my mind, higher
Ever higher, up into the sky,
Drawing me ceaselessly up
To heights far, far above the human?
Why, when balance has been strictly studied
And flight calculated with the best of reason
Till no aberrant element should, by rights, remain-
Why, still, should the lust for ascension
Seem, in itself, so close to madness?
Nothing is that can satify me;
Earthly novelty is too soon dulled;
I am drawn higher and higher, more unstable,
Closer and closer to the sun's effulgence.
Why do these rays of reason destroy me?
Villages below and meandering streams
Grow tolerable as our distance grows.
Why do they plead, approve, lure me
With promise that I may love the human
If only it is seen, thus, from afar-
Although the goal could never have been love,
Nor, had it been, could I ever have
Belonged to the heavens?
I have not envied the bird its freedom
Nor have I longed for the ease of Nature,
Driven by naught save this strange yearning
For the higher, and the closer, to plunge myself
Into the deep sky's blue, so contrary
To all organic joys, so far
From pleasures of superiority
But higher, and higher,
Dazzled, perhaps, by the dizzy incandescence
Of waxen wings.
Or do I then
Belong, after all, to the earth?
Why, if not so, should the earth
Show such swiftness to encompass my fall?
Granting no space to think or feel,
Why did the soft, indolent earth thus
Greet me with the shock of steel plate?
Did the soft earth thus turn to steel
Only to show me my own softness?
That Nature might bring home to me
That to fall, not to fly, is in the order of things,
More natural by far than that improbable passion?
Is the blue of the sky then a dream?
Was it devised by the earth, to which I belonged,
On account of the fleeting, white-hot intoxication
Achieved for a moment by waxen wings?
And did the heavens abet the plan to punish me?
To punish me for not believing in myself
Or for believing too much;
Too earger to know where lay my allegiance
Or vainly assuming that already I knew all;
For wanting to fly off
To the unknown
Or the known:
Both of them a single, blue speck of an idea?
”
”
Yukio Mishima (Sun & Steel)
“
Private Parts
The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room.
Always too much body and not enough time for me to show it.
Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide.
He never asked for more.
He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful.
We collected them like we were trying to build an orchid.
And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me.
There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs.
We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space.
Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible.
To save some thing for myself.
Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other.
He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep.
Before tucking myself into elbows and knees reach for things I have long since given up.
”
”
Sarah Kay
“
Why do I take a blade and slash my arms? Why do I drink myself into a stupor? Why do I swallow bottles of pills and end up in A&E having my stomach pumped? Am I seeking attention? Showing off? The pain of the cuts releases the mental pain of the memories, but the pain of healing lasts weeks. After every self-harming or overdosing incident I run the risk of being sectioned and returned to a psychiatric institution, a harrowing prospect I would not recommend to anyone.
So, why do I do it? I don't. If I had power over the alters, I'd stop them. I don't have that power. When they are out, they're out. I experience blank spells and lose time, consciousness, dignity. If I, Alice Jamieson, wanted attention, I would have completed my PhD and started to climb the academic career ladder. Flaunting the label 'doctor' is more attention-grabbing that lying drained of hope in hospital with steri-strips up your arms and the vile taste of liquid charcoal absorbing the chemicals in your stomach.
In most things we do, we anticipate some reward or payment. We study for status and to get better jobs; we work for money; our children are little mirrors of our social standing; the charity donation and trip to Oxfam make us feel good. Every kindness carries the potential gift of a responding kindness: you reap what you sow. There is no advantage in my harming myself; no reason for me to invent delusional memories of incest and ritual abuse. There is nothing to be gained in an A&E department.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
Let the morning bring me word of your unfailing love,
for I have put my trust in you.
Show me the way I should go,
for to you I lift up my soul.
Rescue me from my enemies, O LORD,
for I hide myself in you.
Teach me to do your will,
for you are my God;
may your good Spirit
lead me on level ground. -Psalm 143:8-10, NIV
”
”
Anonymous (The Holy Bible: King James Version)
“
I once had to say this on a show many years ago, and I truly believe it: Loneliness is a choice. I like to be alone; I’m more comfortable alone. But I do recognize that I take it too far sometimes and so I try to force myself to keep up with being sociable. I just am a bit of a lone ranger; I always have been. But I don’t believe that necessarily has to translate to being lonely. You can be lonely in a crowd of a thousand people. I can be in a hotel room on my own and not feel lonely. It all comes down to how comfortable you are with who you are in the silence.
”
”
Gillian Anderson
“
From time to time I show up in myself just long enough for people to know they are not in the room alone.
”
”
Garielle Lutz (Stories in the Worst Way)
“
I've wandered through the real world, and written myself through the darkness of the streets inside me. I see people walking through the city and wonder where they've been, and what the moments of their lives have done to them. If they're anything like me, their moments have held them up and shot them down.
Sometimes I just survive.
But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more.
That's when the stories show up in me.
They find me all the time.
They're made of underdogs and fighters. They're made of hunger and desire and trying to live decent.
The only trouble is, I don't know which of those stories comes first.
Maybe they all just merge into one.
We'll see, I guess.
I'll let you know when I decide.
”
”
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
“
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible.
When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth.
"Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger."
Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud?
"Grilled cheese?" I said hesitantly.
"Okay, good. What else?"
I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
”
”
Stephanie Klein (Straight Up and Dirty)
“
To be pleasant, gentle, calm and self-possessed: this is the basis of good taste and charm in a woman. No matter how amorous or passionate you may be, as long as you are straightforward and refrain from causing others embarrassment, no one will mind. But women who are too vain and act pretentiously, to the extent that they make others feel uncomfortable, will themselves become the object of attention; and once that happens, people will find fault with whatever they say or do; whether it be how they enter a room, how they sit down, how they stand up or how they take their leave. Those who end up contradicting themselves and those who disparage their companions are also carefully watched and listened to all the more. As long as you are free from such faults, people will surely refrain from listening to tittle-tattle and will want to show you sympathy, if only for the sake of politeness.
I am of the opinion that when you intentionally cause hurt to another, or indeed if you do ill through mere thoughtless behavior, you fully deserve to be censured in public. Some people are so good-natured that they can still care for those who despise them, but I myself find it very difficult. Did the Buddha himself in all his compassion ever preach that one should simply ignore those who slander the Three Treasures? How in this sullied world of ours can those who are hard done by be expected to reciprocate in kind?
”
”
Murasaki Shikibu (The Diary of Lady Murasaki)
“
What does a lighthouse do? I ask myself. It never moves. It cannot hike up its rocky skirt and dash into the ocean to rescue the foundering ship. It cannot calm the waters or clear the shoals. It can only cast light into the darkness. It can only point the way. Yet, through one lighthouse, you guide many ships. Show this old lighthouse the way.
”
”
Lisa Wingate (The Prayer Box (Carolina Heirlooms #1))
“
You taught me what it means to fight for what you love.
You showed me great endurance in a manner that was unusual to me.
You fought for my heart until all the fight in you was gone without neglecting your brain.
You displayed to me what unconditional love should look like, if I were to stare at it in a mirror.
You loved me even on the days I found it difficult to even love myself.
You scooped down to help me up at my lowest.
You chained your heart to mine and stayed by my side even when all the signs gave you red lights about continuing our relationship.
You remained loyal, even when I became disloyal, and fulfilled the belief that many men are dogs.
You hung on longer than I expected,
Loved me more than I could ever imagine.
Some may have called you foolish for staying, but you showed me an aspect of love I’ve only read about in 1 Corinthians 13.
”
”
Pierre Alex Jeanty (To the Women I Once Loved)
“
I'm never really comfortable at parties. Maybe I'm just not the partying type.
...I think it's because I'm never sure what to do with myself.
I mean, there're drinks, but I don't like being drunk.... There's music, but I never really learned to dance to anything that involved an electric guitar. There are people to talk to...but once you put all the stupid things I do aside, I'm really not that interesting. I like reading, staying home, going on walks with my dog.... Who wants to hear about that? Especially when I would have to scream it over music to which no one dances.
So I'm there but not drinking, listening to music but not dancing, and trying to have conversations with near-strangers about anything other than my own stupid life.... Leads to a lot of awkward pauses. And then I start wondering why I showed up in the first place."
-- Cold Days (The Dresden Files Book 14), pg. 33
”
”
Jim Butcher
“
Jace, you
don’t have to—”
“I was trying to go…somewhere,” Jace said. “But I kept getting pulled back here. I couldn’t stop walking, couldn’t stop thinking.
About the first time I ever saw you, and how after that I couldn’t forget you. I wanted to, but I couldn’t stop myself. I forced
Hodge to let me be the one who came to find you and bring you back to the Institute. And even back then, in that stupid coffee
shop, when I saw you sitting on that couch with Simon, even then that felt wrong to me—I should have been the one sitting with
you. The one who made you laugh like that. I couldn’t get rid of that feeling. That it should have been me. And the more I knew
you, the more I felt it—it had never been like that for me before. I’d always wanted a girl and then gotten to know her and not
wanted her anymore, but with you the feeling just got stronger and stronger until that night when you showed up at Renwick’s and I
knew.
“And then to find out that the reason I felt like that—like you were some part of me I’d lost and never even knew I was missing
until I saw you again—that the reason was that you were my sister, it felt like some sort of cosmic joke. Like God was spitting on
me. I don’t even know for what—for thinking that I could actually get to have you, that I would deserve something like that, to be
that happy. I couldn’t imagine what it was I’d done that I was being punished for—”
“If you’re being punished,” Clary said, “then so am I.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Look,” he says, “whenever I’m here, it feels like the walls are closing in on me. I love my family, I do. But I’ve spent fifteen years coming home as rarely as possible because it’s fucking lonely to feel like you don’t fit somewhere. I never wanted to run this store. I never wanted this town. And whenever I’m here it’s all I think about. I get so fucking claustrophobic from it all.
“Not from them. But from feeling like I don’t know how to be myself here. From—getting in my head about who I’m supposed to be, or all the ways I haven’t turned out how they wanted me to. And then you showed up.”
His eyes flare, flashlights racing over the dark, searching. “And I could finally breathe.
”
”
Emily Henry (Book Lovers)
“
And if you think that you're showing your love to Catherine by suffering the way you've been doing, then somewhere along the way, I must have messed up in raising you."
"You didn't mess up...."
"I must have. Because when I look at you, I see myself, and to be honest, I'd rather see someone different. I'd like to see someone who learned that it's okay to go on, that it's okay to find someone that can make you happy. But right now, it's like I'm looking in the mirror and seeing myself twenty years ago.
”
”
Nicholas Sparks (Message in a Bottle)
“
The night before brain surgery, I thought about death. I searched out my larger values, and I asked myself, if I was going to die, did I want to do it fighting and clawing or in peaceful surrender? What sort of character did I hope to show? Was I content with myself and what I had done with my life so far? I decided that I was essentially a good person, although I could have been better--but at the same time I understood that the cancer didn't care.
I asked myself what I believed. I had never prayed a lot. I hoped hard, I wished hard, but I didn't pray. I had developed a certain distrust of organized religion growing up, but I felt I had the capacity to be a spiritual person, and to hold some fervent beliefs. Quite simply, I believed I had a responsibility to be a good person, and that meant fair, honest, hardworking, and honorable. If I did that, if I was good to my family, true to my friends, if I gave back to my community or to some cause, if I wasn't a liar, a cheat, or a thief, then I believed that should be enough. At the end of the day, if there was indeed some Body or presence standing there to judge me, I hoped I would be judged on whether I had lived a true life, not on whether I believed in a certain book, or whether I'd been baptized. If there was indeed a God at the end of my days, I hoped he didn't say, 'But you were never a Christian, so you're going the other way from heaven.' If so, I was going to reply, 'You know what? You're right. Fine.'
I believed, too, in the doctors and the medicine and the surgeries--I believed in that. I believed in them. A person like Dr. Einhorn [his oncologist], that's someone to believe in, I thought, a person with the mind to develop an experimental treatment 20 years ago that now could save my life. I believed in the hard currency of his intelligence and his research.
Beyond that, I had no idea where to draw the line between spiritual belief and science. But I knew this much: I believed in belief, for its own shining sake. To believe in the face of utter hopelessness, every article of evidence to the contrary, to ignore apparent catastrophe--what other choice was there? We do it every day, I realized. We are so much stronger than we imagine, and belief is one of the most valiant and long-lived human characteristics. To believe, when all along we humans know that nothing can cure the briefness of this life, that there is no remedy for our basic mortality, that is a form of bravery.
To continue believing in yourself, believing in the doctors, believing in the treatment, believing in whatever I chose to believe in, that was the most important thing, I decided. It had to be.
Without belief, we would be left with nothing but an overwhelming doom, every single day. And it will beat you. I didn't fully see, until the cancer, how we fight every day against the creeping negatives of the world, how we struggle daily against the slow lapping of cynicism. Dispiritedness and disappointment, these were the real perils of life, not some sudden illness or cataclysmic millennium doomsday. I knew now why people fear cancer: because it is a slow and inevitable death, it is the very definition of cynicism and loss of spirit.
So, I believed.
”
”
Lance Armstrong (It's Not About the Bike: My Journey Back to Life)
“
we begin to notice besides our particular sinful act, our sinfulness; begin to be alarmed not only about what we do, but about what we are. This may sound rather difficult, so I will try to make it clear from my own case. When I come to my evening prayers and try to reckon up the sins of the day, nine times out of ten the most obvious one is some sin against charity; I have sulked or snapped or sneered or snubbed or stormed. And the excuse that immediately springs to my mind is that the provocation was so sudden and unexpected; I was caught off my guard, I had not time to collect myself. Now that may be an extenuating circumstance as regards those particular acts: they would obviously be worse if they had been deliberate and premeditated. On the other hand, surely what a man does when he is taken off his guard is the best evidence for what sort of a man he is? Surely what pops out before the man has time to put on a disguise is the truth? If there are rats in the cellar you are most likely to see them if you go in very suddenly. But the suddenness does not creat the rats: it only prevents them from hiding. In the same way the suddenness of the provocation does not make me an ill-tempered man; it only shows me what an ill-tempered man I am. The rats are always there in the cellar, but if you go in shouting and noisily they will have taken cover before you switch on the light.
”
”
C.S. Lewis
“
You just like the idea of me. You like the person I present myself under circumstances that I can control. I choose what I say and how I say things. It’s like being attracted to a fictional character in a book. They are scripted and made up. If you think about it, through writings, we all script and make ourselves up. I don’t share the person I become when I am upset. I don’t show you how I look like when I sleep. I don’t tell you about all the times I’ve made someone cry. All the guilty things I’ve done and the bad thoughts I’ve had.
”
”
Jiawei Han
“
Oh, Oliver, I said to myself on my way to the kitchen for a quick bite to eat, I’ll do anything for you. I’ll ride up the hill with you, and I’ll race you up the road to town, and won’t point out the sea when we reach the berm, and I’ll wait at the bar in the piazzetta while you meet with your translator, and I’ll touch the memorial to the unknown soldier who died on the Piave, and I won’t utter a word, I’ll show you the way to the bookstore, and we’ll park our bikes outside the shop and go in together and leave together, and I promise, I promise, I promise, there’ll be no hint of Shelley, or Monet, nor will I ever stoop to tell you that two nights ago you added an annual ring to my soul.
”
”
André Aciman (Call Me by Your Name)
“
So, I believe that what you are looking for, really looking for, is that one person who is capable of recognizing you no matter what. You know, that one person who is going to be able to see past what everybody else sees and even past what you yourself see or want to show, then be able to look at you and really recognize you and say "That's not you! This is you right over here! You just forgot yourself, but I see you! I will help you remember yourself, because I remember you!" And that's what everyone wants. No, actually, I don't know if that's what everyone wants; but I know that's what I want! Because I can put up so many damn walls and faces just to see who really knows me, who really recognizes me, who really remembers me, even more than I recognize and remember myself! Because if I don't get that, then I don't get anything, because I don't want anything less than that.
”
”
C. JoyBell C.
“
There is a saying that "paper is more patient than man";it came back to me on one of my slightly melancholy days,while I sat chin in hand,feeling too bored and limp even to make up my mind whether to go out or stay at home. Yes, there is no doubt that paper is patient and as I don't intend to show this cardboard-covered notebook,bearing the proud name of"diary",to anyone,unless I find a real friend,boy or girl,probably nobody cares.And now I come to the root of the matter,the reason for my starting a diary:it is that I have no such real friend.
Let me put it more clearly,since no one will believe that a girl of thirteen feels herself quite alone in the world,nor is it so.I have darling parents and a sister of sixteen.I know about thirty people whom one might call friends--I have strings of boy friends,anxious to catch a glimpse of me and who,failing that,peep at me through mirrors in class.I have relations,aunts and uncles,who are darlings too,a good home,no--I don't seem to lack anything.But it's the same with all my friends,just fun and joking,nothing more.I can never bring myself to talk of anything outside the common round.We don't seem to be able to get any closer,that is the root of the trouble.Perhaps I lack confidence,but anyway,there it is,a stubborn fact and I don't seem to be able to do anything about it.
”
”
Anne Frank (Anne Frank: The Diary of a Young Girl)
“
Many of my daily preoccupations suggest that I belong more to the world than to God. A little criticism makes me angry, and a little rejection makes me depressed. A little praise raises my spirits, and a little success excites me. It takes very little to raise me up or thrust me down. Often I am like a small boat on the ocean, completely at the mercy of its waves. All the time and energy I spend in keeping some kind of balance and preventing myself from being tipped over and drowning shows that my life is mostly a struggle for survival: not a holy struggle, but an anxious struggle resulting from the mistaken idea that it is the world that defines me.
”
”
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
“
I took a deep breath and recited my vulnerability prayer as I waited for my turn: Give me the courage to show up and let myself be seen. Then, seconds before I was introduced, I thought about a paperweight on my desk that reads, “What would you attempt to do if you knew you could not fail?” I pushed that question out of my head to make room for a new question. As I walked up to the stage, I literally whispered aloud, “What’s worth doing even if I fail?
”
”
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
“
Afraid? No!" he replied. "I have neither a fear, nor a presentiment, nor a hope of death. Why should I? With my hard constitution and temperate mode of living, and unperilous occupations, I ought to, and probably shall, remain above ground till there is scarcely a black hair on my head. And yet I cannot continue in this condition! I have to remind myself to breathe - almost to remind my heart to beat! And it is like bending back a stiff spring: it is by compulsion that I do the slightest act not prompted by one thought; and by compulsion that I notice anything alive or dead, which is not associated with one universal idea. I have a single wish, and my whole being and faculties are yearning to attain it. They have yearned towards it so long, and so unwaveringly, that I'm convinced it will be reached - and soon - because it has devoured my existence: I am swallowed up in the anticipation of its fulfillment. My confessions have not revieved me; but they may account for some otherwise unaccountable phases of humour which I show. Oh God! It is a long fight; I wish it were over!
”
”
Emily Brontë (Wuthering Heights)
“
Luc sighed as he raised his hands. "Look, this is not a trap, a test, or a drill. Archer's here, too. He's waiting for us, actually, and I'm more than willing to explain everything to you, but I'm not doing it standing here. Not when I found a Lunchables just a few minutes before you guys showed up, and I'm ready to make myself a delicious buffet of ham and cheese on crackers.
I stared at him.
"What? It's the kind that has Oreo cookies included," he replied. "That shit is banging.
”
”
Jennifer L. Armentrout
“
Life did not impress me and I did not impress life. We were two companions who’d been forced together, and we tried to get a long or coexist but communication failed and I was misunderstood, and misunderstood life; until I found art. Or art found me, which it rather feels like because I never sought it, never wished for it, it just showed up one night when I needed it the most and it communicated in a way I finally understood. It spoke to me, sang to me, danced for me, and for the first time I understood and could make myself understood, and that’s when it all changed.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
Oh, look, the lights are so pretty,” I said dreamily, having just noticed
them.
I smiled at the way the lights were dancing overhead, pink and yellow and
blue. I felt some pressure on my arm and thought, I should look over and see
what’s going on, but then the thought was gone, sliding away like Jell-O off a
hot car hood.
“Fang?”
“Yeah. I’m here.”
I struggled to focus on him. “I’m so glad you’re here.”
“Yeah, I got that.”
“I don’t know what I’d do without you.” I peered up at him, trying to see
past the too-bright lights.
“You’d be fine,” he muttered.
“No,” I said, suddenly struck by how unfine I would be. “I would be totally
unfine. Totally.” It seemed very urgent that he understand this.
Again I felt some tugging on my arm, and I really wondered what that was
about. Was Ella’s mom going to start this procedure any time soon?
“It’s okay. Just relax.” He sounded stiff and nervous. “Just...relax. Don’t
try to talk.”
“I don’t want my chip anymore,” I explained groggily, then frowned.
“Actually, I never wanted that chip.”
“Okay,” said Fang. “We’re taking it out.”
“I just want you to hold my hand.”
“I am holding your hand.”
“Oh. I knew that.” I drifted off for a few minutes, barely aware of
anything, but feeling Fang’s hand still in mine.
“Do you have a La-Z-Boy somewhere?” I roused myself to ask, every word an
effort.
“Um, no,” said Ella’s voice, somewhere behind my head.
“I think I would like a La-Z-Boy,” I mused, letting my eyes drift shut
again. “Fang, don’t go anywhere.”
“I won’t. I’m here.”
“Okay. I need you here. Don’t leave me.”
“I won’t.”
“Fang, Fang, Fang,” I murmured, overwhelmed with emotion. “I love you. I
love you sooo much.” I tried to hold out my arms to show how much, but I
couldn’t move them.
“Oh, jeez,” Fang said, sounding strangled.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
The last time you came to see me
there were anchors in your eyes,
hardback books in your posture.
You were the five star general of sureness,
a crisp white tuxedo of a man.
I was fiddling with my worn coat pockets,
puffing false confidence ghosts in the cold January air.
My hands were shitty champagne flutes
brimming with cheap merlot.
I couldn’t touch you without ruining you,
so I didn’t touch you at all.
It’s when you’re on the brink of something
that you lose your balance.
You told me that once.
When I can’t bring myself to say what I need to,
my heart plays Russian Roulette with my throat.
I swear I fired that night, but, nothing.
Someday, I’ll show you the bullet I had for you,
after time has done the wash.
I’ll take it out of the jar of missed opportunities.
We’ll hold it up to the light.
You’ll roll it around your mouth like a fallen tooth.
You won’t forgive me exactly,
but we’ll laugh about how small it is.
We’ll wonder how such a little thing
could ever have meant so much.
”
”
Mindy Nettifee
“
Tell the world what scares you the most” says Brandy.
She gives us each an Aubergine Dreams eyebrow pencil and says “Save the world with some advice from the future”
Seth writes on the back of a card and hands the card to Brandy for her to read.
On game shows, Brandy reads, some people will take the trip to France, but most people will take the washer dryer pair.”
Brandy puts a big Plumbago kiss in the little square for the stamp and lets the wind lift and card and sail it off toward the towers of downtown Seattle.
Seth hands her another, and Brandy reads:
Game shows are designed to make us feel better about the random useless facts that are all we have left from our education”
A kiss and the card’s on it’s way toward Lake Washington.
From Seth:
When did the future switch from being a promise to being a threat?”
A kiss and it’s off on the wind toward Ballard.
Only when we eat up this planet will God give us another. We’ll be remembered more for what we destroy than what we create.”
Interstate 5 snakes by in the distance. From high atop the Space Needle, the southbound lanes are red chase lights, and the northbound lanes are white chase lights. I take a card and write:
I love Seth Thomas so much I have to destroy him. I overcompensate by worshipping the queen supreme. Seth will never love me. No one will ever love me ever again.
Beandy is waiting to rake the card and read it out loud. Brandy’s waiting to read my worst fears to the world, but I don’t give her the card. I kiss it myself with the lips I don’t have and let the wind take it out of my hand. The card flies up, up, up to the stars and then falls down to land in the suicide net.
While I watch my future trapped in the suicide net Brandy reads another card from Seth.
We are all self-composting”
I write another card from the future and Brandy reads it:
When we don’t know who to hate, we hate ourselves”
An updraft lifts up my worst fears from the suicide net and lifts them away.
Seth writes and Brandy reads.
You have to keep recycling yourself”.
I write and Brandy reads.
Nothing of me is original. I am the combined effort of everybody I’ve ever known.”
I write and Brandy reads.
The one you love and the one who loves you are never ever the same person.
”
”
Chuck Palahniuk (Invisible Monsters)
“
And they are deformed though it does not show on the outside. I live only my dwarf life. I never go around tall and smooth-featured. I am ever myself, always the same, I live one life alone. I have no other being inside me. And I recognize everything within me, nothing ever comes up from my inner depths, nothing there is shrouded in mystery. Therefore I do not fear the things which frighten them, the incoherent, the unknown, the mysterious. Such things do not exist for me. There is nothing "different" about me.
”
”
Pär Lagerkvist (The Dwarf)
“
a spider and a fly
i heard a spider
and a fly arguing
wait said the fly
do not eat me
i serve a great purpose
in the world
you will have to
show me said the spider
i scurry around
gutters and sewers
and garbage cans
said the fly and gather
up the germs of
typhoid influenza
and pneumonia on my feet
and wings
then i carry these germs
into households of men
and give them diseases
all the people who
have lived the right
sort of life recover
from the diseases
and the old soaks who
have weakened their systems
with liquor and iniquity
succumb it is my mission
to help rid the world
of these wicked persons
i am a vessel of righteousness
scattering seeds of justice
and serving the noblest uses
it is true said the spider
that you are more
useful in a plodding
material sort of way
than i am but i do not
serve the utilitarian deities
i serve the gods of beauty
look at the gossamer webs
i weave they float in the sun
like filaments of song
if you get what i mean
i do not work at anything
i play all the time
i am busy with the stuff
of enchantment and the materials
of fairyland my works
transcend utility
i am the artist
a creator and demi god
it is ridiculous to suppose
that i should be denied
the food i need in order
to continue to create
beauty i tell you
plainly mister fly it is all
damned nonsense for that food
to rear up on its hind legs
and say it should not be eaten
you have convinced me
said the fly say no more
and shutting all his eyes
he prepared himself for dinner
and yet he said i could
have made out a case
for myself too if i had
had a better line of talk
of course you could said the spider
clutching a sirloin from him
but the end would have been
just the same if neither of
us had spoken at all
boss i am afraid that what
the spider said is true
and it gives me to think
furiously upon the futility
of literature
archy
”
”
Don Marquis (Archy and Mehitabel)
“
I became myself when my son died,” he said falteringly, “because grief showed me what’s important in life. That’s what grief does. In the beginning it’s always there. You wake up and it’s there. It’s with you all day, everywhere you go. It’s with you in the evening; it won’t leave you alone at night. It grabs you by the throat and shakes you. But it keeps you warm. One day it might go, but not forever. It drops by from time to time. And then, eventually…all of a sudden I knew what was important—grief showed me. Love is important. Good food. And standing tall and not saying yes when you should say no.
”
”
Nina George (The Little Paris Bookshop)
“
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was.
But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information.
"You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old."
I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty.
The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever.
Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
”
”
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
“
The Tomorrow Man theory. It’s pretty basic. Today, right here, you are who you are. Tomorrow, you will be who you will be. Each and every night, we lie down to die, and each morning we arise, reborn. Now, those who are in good spirits, with strong mental health, they look out for their Tomorrow Man. They eat right today, they drink right today, they go to sleep early today–all so that Tomorrow Man, when he awakes in his bed reborn as Today Man, thanks Yesterday Man. He looks upon him fondly as a child might a good parent. He knows that someone–himself–was looking out for him. He feels cared for, and respected. Loved, in a word. And now he has a legacy to pass on to his subsequent selves…. But those who are in a bad way, with poor mental health, they constantly leave these messes for Tomorrow Man to clean up. They eat whatever the hell they want, drink like the night will never end, and then fall asleep to forget. They don’t respect Tomorrow Man because they don’t think through the fact that Tomorrow Man will be them. So then they wake up, new Today Man, groaning at the disrespect Yesterday Man showed them. Wondering why does that guy–myself–keep punishing me? But they never learn and instead come to settle for that behavior, eventually learning to ask and expect nothing of themselves. They pass along these same bad habits tomorrow and tomorrow and tomorrow, and it becomes psychologically genetic, like a curse. Looking at you now, Maven, I can see exactly where you fall on this spectrum. You are a man constantly trying to fix today what Yesterday Man did to you. You make up your bed, you clean those dirty dishes from the night before, and pledge not to start drinking until six, thinking that’s the way to keep an even keel. But in reality you’re always playing catch-up. I know this because I’ve been there. The thing is–you can’t fix the mistakes of Yesterday. Yesterday Man is dead, he’s gone forever, and blame and atonement aren’t worth a damn. What you can do is help yourself today. Eat a vegetable. Read a book. Cut that hair of yours. Leave Tomorrow Man something more than a headache and a jam-packed colon. Do for Tomorrow Man what you would have wanted Yesterday Man to do for you.
”
”
Chuck Hogan
“
My head ached. I was thinking of the pain, and wondering how it was possible for physical agony to be so intense. I had never imagined that such a torture could be endured. Yet here was I, both conscious and able to think clearly. And not only to think, but to observe the process and make calculations about it. The steel circle round my skull was closing in with faint cracking noises. How much farther could it shrink? I counted the cracking sounds. Since I took the triple dose of pain-killer, there had been two more. …I took out my watch and laid it on the table.
“Give me morphia,” I said in a calm, hostile, icy tone.
“You mustn’t take morphia! You know perfectly well. The very idea! And what are you doing with that watch?”
“You will give me morphia within three minutes.”
They looked me uneasily up and down. No one moved. Three minutes went by. Then ten more. I slipped the watch calmly into my pocket and rose unsteadily to my feet.
“Then take me to the Fiakker Bar. They say it’s a good show, and to-night I want to enjoy myself.”
The others jumped up with a feeling of relief.
I never confessed the secret to anyone, either then or afterwards. I had made up my mind at the end of those three minutes — for the first and last time in my life — that if my headache had not stopped within the next ten I should throw myself under the nearest tram.
It never came out whether I should have kept to my resolve, for the pain left with the suddenness of lighting.
”
”
Frigyes Karinthy (A Journey Round My Skull)
“
A creator used to create'
You got me young...
You told what to want;
you showed me in your movies and your shows.
And I faithfully did your work.
I created...
I willingly clipped my wings and built myself a golden cage and you smiled and said, "well done."
I let your fear tactics rule my actions until I could no longer hear my heart song.
I took your medication and I ate your poison until my body was too sick to fight back.
Ah, but I'm onto your game.
I see it now and my only regret is that I didn't see it sooner.
I made a life for myself only to realize it's never really what I wanted. My soul didn't want this hectic, materialistic life- your greed and your thirst for power wanted this.
I don't belong here, but you've always known that, haven't you?
You figured if you kept me caged long enough, kept me sick enough, kept me scared enough that I would eventually forget what I am.
You slipped up with this one.
So, hear me now.
You had your fun with me, but I've had about enough of your bullshit for one lifetime.
Watch me fly.
”
”
Brooke Hampton
“
As I looked at the great tapestry that was the accumulation of my life up to that point, I was able to identify exactly what had brought me to where I was today. Just look at my life path! Why, oh why, have I always been so harsh with myself? Why was I always beating myself up? Why was I always forsaking myself? Why did I never stand up for myself and show the world the beauty of my own soul? Why was I always suppressing my own intelligence and creativity to please others? I betrayed myself every time I said yes when I meant no! Why have I violated myself by always needing to seek approval from others just to be myself? Why haven’t I followed my own beautiful heart and spoken my own truth? Why don’t we realize this when we’re in our physical bodies? How come I never knew that we’re not supposed to be so tough on ourselves? I still felt myself completely enveloped in a sea of unconditional love and acceptance. I was able to look at myself with fresh eyes, and I saw that I was a beautiful being of the Universe. I understood that just the fact that I existed made me worthy of this tender regard
”
”
Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
“
The hard part is that I lost myself. In the midst of life happening all around me, I lost the ability to be okay, I lost the ability to trust. I lost the ability to love myself, and when that happens, you lose everything. And when the one person in the entire world who loves you unconditionally is gone, then you start wondering who will love you? And then when you start wondering, you get scared that you have to even ask that question. But since you have already asked yourself that, you can’t ignore it. Who will love you now? Who could possibly love everything about you, now that the only person in the world who could, is gone? Hell, you don’t even love yourself. Why would someone else? And then when you realize that, the relationship you’re in seems pointless. Because you start believing that they won’t ever be able to withstand your problems and craziness. And then that snowballs to even more insecurities and fear, and you feel trapped in this broken body that can’t ever be healed. And then you feel lost, torn, broken, unfixable, damaged, and like nothing in the entire world could ever possibly be okay again. Because you know from the past, that even when everything seems okay, another devastating blow comes around again and knocks you back down. So you feel even smaller, even weaker. By that point you’re at the bottom, you’re looking up in tears, ready to scream for help. But you’re not sure who’s going to be there, and if the person who does show up, is going to be the person you need, the person who’s going to pick you up, and help you heal. And then you realize again, that you lost yourself. That in the midst of life happening all around you, you lost ability to be okay.
”
”
Sabrina K
“
Time and again I, too, have felt so full of luminous torrents that I could burst - burst with forms much more beautiful than those which are put up in frames and sold for a stinking fortune. And I, too, said nothing, showed nothing; I didn't open my mouth, I didn't repaint my half of the world. I was ashamed. I was afraid, and I swallowed my shame and my fear. I said to myself: You are mad! What's the meaning of these waves, these floods, these outbursts? Where is the ebullient, infinite woman who, immersed as she was in her naiveté, kept in the dark about herself, led into self-disdain by the great arm of parental-conjugal phallocentrism, hasn't been ashamed of her strength? Who, surprised and horrified by the fantastic tumult of her drives (for she was made to believe that a well-adjusted normal woman has a ... divine composure), hasn't accused herself of being a monster? Who, feeling a funny desire stirring inside her (to sing, to write, to dare to speak, in short, to bring out something new), hasn't thought she was sick? Well, her shameful sickness is that she resists death, that she makes trouble.
”
”
Hélène Cixous (The Laugh of the Medusa)
“
Committing myself to the task of becoming fully human is saving my life now...to become fully human is something extra, a conscious choice that not everyone makes. Based on my limited wisdom and experience, there is more than one way to do this. If I were a Buddhist, I might do it by taking the bodhisattva vow, and if I were a Jew, I might do it by following Torah. Because I am a Christian, I do it by imitating Christ, although i will be the first to admit that I want to stop about a day short of following him all the way.
In Luke's gospel, there comes a point when he turns around and says to the large crowd of those trailing after him, "Whoever comes to me and does not hate father and mother, wife and children, brothers and sisters, yes, and even life itself, cannot be my disciple" (14:26). Make of that what you will, but I think it was his way of telling them to go home. He did not need people to go to Jerusalem to die with him. He needed people to go back where they came from and live the kinds of lives that he had risked his own life to show them: lives of resisting the powers of death, of standing up for the little and the least, of turning cheeks and washing feet, of praying for enemies and loving the unlovable.
”
”
Barbara Brown Taylor (Leaving Church: A Memoir of Faith)
“
As much as I would like to know my path, a part of me is telling me that it is better not too know too many details about the end destination or the obstacles on the journey. If I can only see as much as my headlights will show me, I can travel safely through any kind of weather, knowing that there's life through every sunrise and sunset and when the light is not shining as I'm used to, I can always assure myself that the night sky will show me many fulfilled dreams and hopes portrayed through shining stars, and every now and then reveal me a part of the moon which reflects that everlasting light, whether fully or not, making me aware that the shadow will always have its' mysterious beauty as well in the process of underlying a part of the truth. So let's continue like this, with our eyes set out far away in the galaxy, but with our feet firm in the ground from which we have been raised. Only so will we be able to ground ourselves deeply and reach immeasurable heights, like a tree deeply rooted in mother Earth that stretches its' branches up to the heavens.
”
”
Virgil Kalyana Mittata Iordache
“
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
Simmer down, simmer down
They say we're too young now to amount to anything else
But look around
We work too damn hard for this just to give it up now
If you don't swim, you'll drown
But don't move, honey
You look so perfect standing there
In my American Apparel underwear
And I know now, that I'm so down
Your lipstick stain is a work of art
I got your name tattooed in an arrow heart
And I know now, that I'm so down (hey!)
Hey, hey!
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
Let's get out, let's get out
'Cause this deadbeat town's only here just to keep us down
While I was out, I found myself alone just thinking
If I showed up with a plane ticket
And a shiny diamond ring with your name on it
Would you wanna run away too?
'Cause all I really want is you
You look so perfect standing there
In my American Apparel underwear
And I know now, that I'm so down
I made a mixtape straight out of '94
I've got your ripped skinny jeans lying on the floor
And I know now, that I'm so down
Hey, hey!
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
You look so perfect standing there
In my American Apparel underwear
And I know now, that I'm so down
Your lipstick stain is a work of art
I got your name tattooed in an arrow heart
And I know now, that I'm so down
Hey, hey!
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
You look so perfect standing there
In my American Apparel underwear
And I know now, that I'm so down (hey)
Your lipstick stain is a work of art (hey, hey)
I got your name tattooed in an arrow heart (hey, hey)
And I know now, that I'm so down (hey, hey)
Hey
”
”
5 Seconds of Summer
“
I see you are in a dilemma, and one of a peculiar and difficult nature. Two paths lie before you; you conscientiously wish to choose the right one, even though it be the most steep, straight, and rugged; but you do not know which is the right one; you cannot decide whether duty and religion command you to go out into the cold and friendless world, and there to earn your living by governess drudgery, or whether they enjoin your continued stay with your aged mother, neglecting, for the present, every prospect of independency for yourself, and putting up with the daily inconvenience, sometimes even with privations. I can well imagine, that it is next to impossible for you to decide for yourself in this matter, so I will decide it for you.
At least, I will tell you what is my earnest conviction on the subject; I will show you candidly how the question strikes me. The right path is that which necessitates the greatest sacrifice of self-interest -- which implies the greatest good to others; and this path, steadily followed, will lead, I believe, in time, to prosperity and to happiness; though it may seem, at the outset, to tend quite in a contrary direction. Your mother is both old and infirm; old and infirm people have but few resources of happiness -- fewer almost than the comparatively young and healthy can conceive; to deprive them of one of these is cruel. If your mother is more composed when you are with her, stay with her. If she would be unhappy in case you left her, stay with her. It will not apparently, as far as short-sighted humanity can see, be for your advantage to remain at XXX, nor will you be praised and admired for remaining at home to comfort your mother; yet, probably, your own conscience will approve, and if it does, stay with her. I recommend you to do what I am trying to do myself.
[Quoted from a letter to a friend, referenced in the last chapter of Vol 1. "The Life of Charlotte Bronte" by Elizabeth Gaskell ]
”
”
Charlotte Brontë
“
What great gravity is this that drew my soul towards yours? What great force, that though I went falsely, went kicking, went disguising myself to earn your love, also disguised, to earn your keeping, your resting, your staying, your will fleshed into mine, rasped by a slowly revealed truth, the barter of my soul, the soul that I fear, the soul that I loathe, the soul that: if you will love, I will love. I will redeem you, if you will redeem me? Is this our purpose, you and I together to pacify each other, to lead each other toward the lie that we are good, that we are noble, that we need not redemption, save the one that you and I invented of our own clay? I am not scared of you, my love, I am scared of me.
I went looking, I wrote out a list, I drew an image, I bled a poem of you. You were pretty and my friends believed I was worthy of you. You were clever, but I was smarter, perhaps the only one smarter, the only one able to lead you. You see, love, I did not love you, I loved me. And you were only a tool that I used to fix myself, to fool myself, to redeem myself. And though I have taught you to lay your lily hand in mine, I walk alone, for I cannot talk to you, lest you talk it back to me, lest I believe that I am not worthy, not deserving, not redeemed.
I want desperately for you to be my friend. But you are not my friend; you have slid up warmly to the man I wanted to be, the man I pretended to be, and I was your Jesus and, you were mine. Should I show you who I am, we may crumble. I am not scared of you my love, I am scared of me.
I want to be known and loved anyway. Can you do this? I trust by your easy breathing that your are human like me, that you are fallen like me, that you are lonely, like me. My love, do I know you? What is this great gravity that pulls us so painfully toward each other? Why do we not connect? Will we be forever in fleshing this out? And how will we with words, narrow words, come into the knowing of each other?
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
“
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it.
The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now.
“Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.”
My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament.
“I haven't been wearing any cologne.”
“Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.”
“What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words.
“I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.”
His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed.
“Citrus?” he asked. “Like lemons?”
“Oranges mostly. And a little lime, too.”
He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed.
“What you smell are my pheromones, Anna.”
A small, nervous laugh burst from my throat.
“Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again.
“People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.”
I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone.
“Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...”
“Would you like to know your own scent?” he asked me.
My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura.
“Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.”
He made no attempt to move out of the doorway.
“You smell like pears with freesia undertones.”
“Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely.
“He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers.
I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.”
I’m so suave.
I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father.
This is silly.
Brushing through my embarrassment, I walk up, put my hand on his shoulder.
He straightens up with a wide grin. “Am I glad to see you!”
“Oh, really?”
“Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.”
“Maybe you should have gotten more sleep,” I offer.
“No way,” he says. Then we just gaze at each other for a long moment.
For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also.
“That was the best study session I ever had,” I tell him.
“Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.”
“This thumb?” I reach for one of his callused hands, kiss the thumb.
“It was the left one.” Jase’s face creases into a smile as I pick up his other hand.
“I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.”
I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt.
“Feeling better?”
His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.”
My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.”
Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
I don’t understand how, up to now, an atheist could know there is no God and not kill himself at once. To recognize that there is no God, and not to recognize at the same time that you have become God, is an absurdity, otherwise you must necessarily kill yourself. Once you recognize it, you are king, and you will not kill yourself but will live in the chiefest glory. But one, the one who is first, must necessarily kill himself, otherwise who will begin and prove it? It is I who will necessarily kill myself in order to begin and prove it. I am still God against my will, and I am unhappy, because it is my duty to proclaim self-will. Everyone is unhappy, because everyone is afraid to proclaim self-will. That is why man has been so unhappy and poor up to now, because he was afraid to proclaim the chief point of self-will and was self-willed only on the margins, like a schoolboy. I am terribly unhappy, because I am terribly afraid. Fear is man’s curse … But I will proclaim self-will, it is my duty to believe that I do not believe. I will begin, and end, and open the door. And save. Only this one thing will save all men and in the next generation transform them physically; for in the present physical aspect, so far as I have thought, it is in no way possible for man to be without the former God. For three years I have been searching for the attribute of my divinity, and I have found it: the attribute of my divinity is—Self-will! That is all, by which I can show in the main point my insubordination and my new fearsome freedom. For it is very fearsome. I kill myself to show my insubordination and my new fearsome freedom.”
Dostoevsky, Fyodor (2010-05-06). Demons (Vintage Classics) (p. 619). Random House, Inc.. Kindle Edition.
”
”
Fyodor Dostoevsky (Demons)
“
Because I questioned myself and my sanity and what I was doing wrong in this situation. Because of course I feared that I might be overreacting, overemotional, oversensitive, weak, playing victim, crying wolf, blowing things out of proportion, making things up. Because generations of women have heard that they’re irrational, melodramatic, neurotic, hysterical, hormonal, psycho, fragile, and bossy. Because girls are coached out of the womb to be nonconfrontational, solicitous, deferential, demure, nurturing, to be tuned in to others, and to shrink and shut up. Because speaking up for myself was not how I learned English. Because I’m fluent in Apology, in Question Mark, in Giggle, in Bowing Down, in Self-Sacrifice. Because slightly more than half of the population is regularly told that what happens doesn’t or that it isn’t the big deal we’re making it into. Because your mothers, sisters, and daughters are routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied, harassed, threatened, punished, propositioned, and groped, and challenged on what they say. Because when a woman challenges a man, then the facts are automatically in dispute, as is the speaker, and the speaker’s license to speak. Because as women we are told to view and value ourselves in terms of how men view and value us, which is to say, for our sexuality and agreeability. Because it was drilled in until it turned subconscious and became unbearable need: don’t make it about you; put yourself second or last; disregard your feelings but not another’s; disbelieve your perceptions whenever the opportunity presents itself; run and rerun everything by yourself before verbalizing it—put it in perspective, interrogate it: Do you sound nuts? Does this make you look bad? Are you holding his interest? Are you being considerate? Fair? Sweet? Because stifling trauma is just good manners. Because when others serially talk down to you, assume authority over you, try to talk you out of your own feelings and tell you who you are; when you’re not taken seriously or listened to in countless daily interactions—then you may learn to accept it, to expect it, to agree with the critics and the haters and the beloveds, and to sign off on it with total silence. Because they’re coming from a good place. Because everywhere from late-night TV talk shows to thought-leading periodicals to Hollywood to Silicon Valley to Wall Street to Congress and the current administration, women are drastically underrepresented or absent, missing from the popular imagination and public heart. Because although I questioned myself, I didn’t question who controls the narrative, the show, the engineering, or the fantasy, nor to whom it’s catered. Because to mention certain things, like “patriarchy,” is to be dubbed a “feminazi,” which discourages its mention, and whatever goes unmentioned gets a pass, a pass that condones what it isn’t nice to mention, lest we come off as reactionary or shrill.
”
”
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
“
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists.
“…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…”
What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks.
I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me.
“The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.”
“I know what you mean,” I said.
His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.”
“I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened.
“I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
”
”
Wally Lamb (She’s Come Undone)
“
When those who have been placed in my life to lead me and train me betray me and turn against me, as Saul turned against David, I will follow the example of David and refuse to let hope die in my heart. Holy Spirit, empower me to be a spiritual father or mother to those who need me to disciple, love, support, and encourage them. Father, raise up spiritual leaders in our land who can lead others with justice, mercy, integrity, and love. Allow me to be one of these leaders. When I am cut off from my father [physical or spiritual] through his insecurity, jealousy, or pride, cause me to recognize that as You did with David, You want to complete Your work in my life. Holy Spirit, release me from tormenting thoughts or self-blame and striving for acceptance. Cause me to seek only Your acceptance and restoration. I refuse to allow the enemy to cause me to seek revenge against those who have wronged me. I will not raise my hand against the Lord’s anointed or seek to avenge myself. I will leave justice to You. Father, cause my heart to be pure as David’s was pure. Through Your power, O Lord, I will refuse to attack my enemies with my tongue, for I will never forget that both death and life are in the power of the tongue (Prov. 18:21). I will never seek to sow discord or separation between myself and my Christian brothers and sisters, for it is an abomination to my Lord. I will remain loyal to my spiritual leaders even when they have rejected me or wronged me. I choose to be a man [or woman] after the heart of God, not one who seeks to avenge myself. Holy Spirit, like David I will lead my Christian brother and sister to honor our spiritual leaders even in the face of betrayal. I refuse to sow discord among brethren. I will show kindness to others who are in relationship with the ones who have wronged me. Like David I will find ways to honor them and will not allow offense to cause me to disrespect them. Father, only You are worthy to judge the intents and actions of myself or of those around me. I praise You for Your wisdom, and I submit to Your leading. Lord, I choose to remain loyal to those in a position of authority over me. I choose to focus on the calling You have placed on my life and to refuse to be diverted by the actions of others, even when they have treated me wrongly. Father, may You be able to examine my life and know and see that there is neither evil nor rebellion in my heart toward others (1 Sam.24:11).
”
”
John Bevere (The Bait of Satan: Living Free from the Deadly Trap of Offense)
“
Was it good?
Nemecsek fixed his blue eyes on Gereb and replied:
Yes, and quietly added: Much better than to be standing on the bank, laughing at me. I'd rather stay in the water neck-deep until New Year than be hand-in-hand with my friends' enemies. I don't mind having dipped in the water. The other day I fell in there by myself. I saw you then, too, with these strangers on the island. But you fellows can invite me as long as you like, you can flatter me and shower me with presents - yet I won't have a thing to do with you. And if you give me another ducking, if you throw me in the water a hundred times, or even a thousand times, I'll come here tomorrow and the day after just the same. I'll find a hiding place where you won't get me. I'm not afraid of anyone of you. And if you'll come to Paul Street, to take our ground away, we'll be on the spot! And don't you forget that either! I'll show you that with ten of us against your ten, you'll hear a different sort of talk from what I'm giving you now. It was easy enough to get the better of me! The one that's stronger always wins! The Pasztor boys stole my marbles in the Museum Garden because they were stronger. Now I got a ducking because you are stronger! Easy enough when ten are against one! But I don't care! You can even beat me up, if it'll do you good. I could have saved myself from the ducking, but I wouldn't join you. I'd rather be drowned or have my brains knocked out than be a traitor...like....somebody standing over...there....
”
”
Ferenc Molnár (The Paul Street Boys)
“
What do you think you know about me!? This is all I am! I have high hopes even though I'm powerless; I have all these dreams even though I'm dumb; I keep trying even though I can't do anything! I hate myself! I'm always nothing but talk! I'm worse than useless, but I'm still a world-class complainer! Who the hell do I think I am?! How dare I live such a shameful life this long?! I'm empty. I've got nothing inside me. Until I came here, until I met all of you, do you know what I was doing?! I wasn't doing anything. I didn't do anything... I didn't do one little thing! With all that time to do it! With all that freedom! I should have done lots of stuff, but I didn't do any of it! And this is the result! The man I am now is the result! I'm powerless, talentless, and all of it, all of it, is because of my rotten personality! I want to achieve something when I haven't done anything before--conceited doesn't even begin to describe it... I was lazy and imposed on other people; I wasted my whole life away; I killed you. I thought I could live here, but not a single thing's changed about me. That old man saw right through me, didn't he? During those days of training, the old man had spoken of those who wield the sword, but he had shaken his head and said, 'There is little point lecturing someone about what it takes to become stronger when he has already abandoned the choice to do so.' It's not like I really thought I'd get stronger or I'd be able to do anything... I just went through the motions. I was just a poser trying to justify myself. I wanted to say, I couldn't help it! I wanted other people to say it couldn't be helped! That's all it was! That's the only reason I pretended to put myself on the line like that! Even when you were helping me study, I was just putting on a show to cover up the embarrassment! I'm a small, underhanded, filthy guy down to the bone, always worrying about what other people think of me, and none of that's ever changed!
”
”
Tappei Nagatsuki (Re:ゼロから始める異世界生活 6 [Re:Zero Kara Hajimeru Isekai Seikatsu, Vol. 6] (Re:Zero Light Novels, #6))
“
You've finally understood! Kirillov cried out rapturously. So it can be understood, if even someone like you understands! You understand now that the whole salvation for everyone is to prove this thought to them all. Who will prove it? I! I don't understand how, up to now, an atheist could know there is no God and not kill himself at once. To recognize that there is no God, and not to recognize at the same time that you have become God, is an absurdity, otherwise you must necessarily kill yourself. Once you recognize it, you are king, and you will not kill yourself but live in the chiefest glory. But one, the one who is first, must necessarily kill himself, otherwise who will begin and prove it? It is I who will necessarily kill myself in order to begin and prove it. I am still God against my will, and I am unhappy, because it is my duty to proclaim self-will. Everyone is unhappy, because everyone is afraid to proclaim self-will. That is why man has been so unhappy and poor up to now, because he was afraid to proclaim the chief point of self-will and was self-willed only on the margins, like a schoolboy. I am terribly unhappy, because I am terrible afraid. Fear is man's curse...But I will proclaim self-will, it is my duty to believe that I do not believe. I will begin, and end, and open the door. And save. Only this one thing will save all men and in the next generation transform them physically. for in the present physical aspect, so far as I have thought, it is in no way possible for man to be without the former God. For three years I have been searching for the attribute of my divinity, and I have found it: the attribute of my divinity is--Self-will! That is all, by which I can show in the main point my insubordination and my new fearsome freedom. For it is very fearsome. I kill myself to show my insubordination and my new fearsome freedom.
”
”
Fyodor Dostoevsky (Demons)
“
I
Not my best side, I'm afraid.
The artist didn't give me a chance to
Pose properly, and as you can see,
Poor chap, he had this obsession with
Triangles, so he left off two of my
Feet. I didn't comment at the time
(What, after all, are two feet
To a monster?) but afterwards
I was sorry for the bad publicity.
Why, I said to myself, should my conqueror
Be so ostentatiously beardless, and ride
A horse with a deformed neck and square hoofs?
Why should my victim be so
Unattractive as to be inedible,
And why should she have me literally
On a string? I don't mind dying
Ritually, since I always rise again,
But I should have liked a little more blood
To show they were taking me seriously.
II
It's hard for a girl to be sure if
She wants to be rescued. I mean, I quite
Took to the dragon. It's nice to be
Liked, if you know what I mean. He was
So nicely physical, with his claws
And lovely green skin, and that sexy tail,
And the way he looked at me,
He made me feel he was all ready to
Eat me. And any girl enjoys that.
So when this boy turned up, wearing machinery,
On a really dangerous horse, to be honest
I didn't much fancy him. I mean,
What was he like underneath the hardware?
He might have acne, blackheads or even
Bad breath for all I could tell, but the dragon--
Well, you could see all his equipment
At a glance. Still, what could I do?
The dragon got himself beaten by the boy,
And a girl's got to think of her future.
III
I have diplomas in Dragon
Management and Virgin Reclamation.
My horse is the latest model, with
Automatic transmission and built-in
Obsolescence. My spear is custom-built,
And my prototype armour
Still on the secret list. You can't
Do better than me at the moment.
I'm qualified and equipped to the
Eyebrow. So why be difficult?
Don't you want to be killed and/or rescued
In the most contemporary way? Don't
You want to carry out the roles
That sociology and myth have designed for you?
Don't you realize that, by being choosy,
You are endangering job prospects
In the spear- and horse-building industries?
What, in any case, does it matter what
You want? You're in my way.
- Not My Best Side
”
”
U.A. Fanthorpe
“
Traffic was in confusion for several days. For red to mean "stop' was considered impossibly counterrevolutionary. It should of course mean "go." And traffic should not keep to the right, as was the practice, it should be on the left. For a few days we ordered the traffic policemen aside and controlled the traffic ourselves. I was stationed at a street corner telling cyclists to ride on the left. In Chengdu there were not many cars or traffic lights, but at the few big crossroads there was chaos. In the end, the old rules reasserted themselves, owing to Zhou Enlai, who managed to convince the Peking Red Guard leaders. But the youngsters found justifications for this: I was told by a Red Guard in my school that in Britain traffic kept to the left, so ours had to keep to the right to show our anti-imperialist spirit. She did not mention America.
As a child I had always shied away from collective activity. Now, at fourteen, I felt even more averse to it. I suppressed this dread because of the constant sense of guilt I had come to feel, through my education, when I was out of step with Mao. I kept telling myself that I must train my thoughts according to the new revolutionary theories and practices. If there was anything I did not understand, I must reform myself and adapt. However, I found myself trying very hard to avoid militant acts such as stopping passersby and cutting their long hair, or narrow trouser legs, or skirts, or breaking their semi-high-heeled shoes. These things had now become signs of bourgeois decadence, according to the Peking Red Guards.
My own hair came to the critical attention of my schoolmates. I had to have it cut to the level of my earlobes. Secretly, though much ashamed of myself for being so "petty bourgeois," I shed tears over losing my long plaits. As a young child, my nurse had a way of doing my hair which made it stand up on top of my head like a willow branch. She called it "fireworks shooting up to the sky." Until the early 1960s I wore my hair in two coils, with rings of little silk flowers wound around them. In the mornings, while I hurried through my breakfast, my grandmother or our maid would be doing my hair with loving hands. Of all the colors for the silk flowers, my favorite was pink.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
This was not going the way I wanted it to. I felt a desperate need to escape before I said something that would screw up my plans. Ren was the dark side, the forbidden fruit, my personal Delilah-the ultimate temptation. The question was…could I resist?
I gave his knee a friendly pat and played my trump card…”I’m leaving.”
“You’re what?”
“I’m going home to Oregon. Mr. Kadam thinks it will be safer for me anyway, with Lokesh out there looking to kill us and all. Besides, you need time to figure out…stuff.”
“If you’re leaving, then I’m going with you!”
I smiled at him wryly. “That kind of defeats the purpose of me leaving. Don’t you think?”
He slicked back his hair, let out a deep breath, then took my hand and looked intently into my eyes. “Kells, when are you going to accept the fact that we belong together?”
I felt sick, like I was kicking a faithful puppy who only wanted to be loved. I looked out at the pool.
After a moment, he sat back scowling and said menacingly, “I won’t let you leave.”
Inside, I desperately wanted to take his hand and beg him to forgive me, to love me, but I steeled myself, dropped my hands in my lap, then implored, “Ren, please. You have to let me go. I need…I’m afraid…look, I just can’t be here, near you, when you change your mind.”
“It’s not going to happen.”
“it might. There’s a good chance.”
He growled angrily. “There’s no chance!”
“Well, my heart can’t take that risk, and I don’t want to put you in what can only be an awkward position. I’m sorry, Ren. I really am. I do want to be your friend, but I understand if you don’t want that. Of course, I’ll return when you need me, if you need me, to help you find the other three gifts. I wouldn’t abandon you or Kishan in that way. I just can’t stay here with you feeling obligated to pity-date me because you need me. But I’d never abandon your cause. I’ll always be there for you both, no matter what.”
He spat out, “Pity-date! You? Kelsey, you can’t be serious!”
“I am. Very, very serious. I’ll ask Mr. Kadam to make arrangements to send me back in the next few days.”
He didn’t say another word. He just sat back in his chair. I could tell he was fuming mad, but I felt that, after a week or two, when he started getting back out in the world, he would come to appreciate my gesture.
I looked away from him. “I’m very tired now. I’d like to go to bed.” I got up and headed to my room. Before I closed the sliding door, I asked, “Can I make one last request?”
He sat there tight-lipped, his arms folded over his chest, with a tense, angry face.
I sighed. Even infuriated he was beautiful.
He said nothing so I went on, “It would be a lot easier on me if I didn’t see you, I mean as a man. I’ll try to avoid most of the house. It is yours after all, so I’ll stay in my room. If you see Mr. Kadam, please tell him I’d like to speak with him.”
He didn’t respond.
“Well, good-bye, Ren. Take care of yourself.” I tore my eyes away from him, shut the door, and drew the curtains.
Take care of yourself? That was a lame goodbye. Tears welled in my eyes and blurred my vision. I was proud that I’d gotten through it without showing emotion. But, now, I felt like a steamroller had come along and flattened me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
A few months ago on a school morning, as I attempted to etch a straight midline part on the back of my wiggling daughter's soon-to-be-ponytailed blond head, I reminded her that it was chilly outside and she needed to grab a sweater.
"No, mama."
"Excuse me?"
"No, I don't want to wear that sweater, it makes me look fat."
"What?!" My comb clattered to the bathroom floor. "Fat?! What do you know about fat? You're 5 years old! You are definitely not fat. God made you just right. Now get your sweater."
She scampered off, and I wearily leaned against the counter and let out a long, sad sigh. It has begun. I thought I had a few more years before my twin daughters picked up the modern day f-word. I have admittedly had my own seasons of unwarranted, psychotic Slim-Fasting and have looked erroneously to the scale to give me a measurement of myself. But these departures from my character were in my 20s, before the balancing hand of motherhood met the grounding grip of running. Once I learned what it meant to push myself, I lost all taste for depriving myself. I want to grow into more of a woman, not find ways to whittle myself down to less.
The way I see it, the only way to run counter to our toxic image-centric society is to literally run by example. I can't tell my daughters that beauty is an incidental side effect of living your passion rather than an adherence to socially prescribed standards. I can't tell my son how to recognize and appreciate this kind of beauty in a woman. I have to show them, over and over again, mile after mile, until they feel the power of their own legs beneath them and catch the rhythm of their own strides.
Which is why my parents wake my kids early on race-day mornings. It matters to me that my children see me out there, slogging through difficult miles. I want my girls to grow up recognizing the beauty of strength, the exuberance of endurance, and the core confidence residing in a well-tended body and spirit. I want them to be more interested in what they are doing than how they look doing it. I want them to enjoy food that is delicious, feed their bodies with wisdom and intent, and give themselves the freedom to indulge. I want them to compete in healthy ways that honor the cultivation of skill, the expenditure of effort, and the courage of the attempt.
Grace and Bella, will you have any idea how lovely you are when you try?
Recently we ran the Chuy's Hot to Trot Kids K together as a family in Austin, and I ran the 5-K immediately afterward. Post?race, my kids asked me where my medal was. I explained that not everyone gets a medal, so they must have run really well (all kids got a medal, shhh!). As I picked up Grace, she said, "You are so sweaty Mommy, all wet." Luke smiled and said, "Mommy's sweaty 'cause she's fast. And she looks pretty. All clean."
My PRs will never garner attention or generate awards. But when I run, I am 100 percent me--my strengths and weaknesses play out like a cracked-open diary, my emotions often as raw as the chafing from my jog bra. In my ultimate moments of vulnerability, I am twice the woman I was when I thought I was meant to look pretty on the sidelines. Sweaty and smiling, breathless and beautiful: Running helps us all shine. A lesson worth passing along.
”
”
Kristin Armstrong
“
What's Toraf's favorite color?"
She shrugs. "Whatever I tell him it is."
I raise a brow at her. "Don't know, huh?"
She crosses her arms. "Who cares anyway? We're not painting his toenails."
"I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact.
Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color."
Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before.
When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me.
"Yes, I do," I say, searching Rachel's face for the answer. She shrugs.
Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time.
Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue.
"Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?"
Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted."
Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers.
"Not as much as I missed you," he tells her.
Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish.
If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before."
Rayna slaps her knee in triumph. "Ha!"
Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck.
Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock.
Okay, it looked as bad as I thought it did.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." [...]
"So let me give you the layout. Me sitting at the table, on my left, the newspaper, on my right, the cup of coffee, in the middle of the table, the packet of biscuits."
"I see it perfectly."
"What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me."
"What's he like?"
"Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird."
"Ah. I know the type. What did he do?"
"He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and . . ."
"What?"
"Ate it."
"What?"
"He ate it."
Fenchurch looked at him in astonishment. "What on earth did you do?"
"Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it."
"What? Why?"
"Well, it's not the sort of thing you're trained for, is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience, or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits."
"Well, you could. . ." Fenchurch thought about it.
"I must say I'm not sure what I would have done either. So what happened?"
"I stared furiously at the crossword," said Arthur, "couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open. . ."
"But you're fighting back, taking a tough line."
"After my fashion, yes. I ate the biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," said Arthur, "it stays eaten."
"So what did he do?"
"Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground."
Fenchurch stirred uncomfortably.
"And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject the second time around. What do you say? 'Excuse me... I couldn't help noticing, er . . .'
Doesn't work. No, I ignored it with, if anything, even more vigor than previously."
"My man..."
"Stared at the crossword again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day . ."
"What?"
"I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met."
"Like this?"
"Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time."
"I can imagine."”
"We went through the whole packet like this. Him, me, him, me . . ."
"The whole packet?"
"Well, it was only eight biscuits, but it seemed like a lifetime of biscuits we were getting through at this point. Gladiators could hardly have had a tougher time."
"Gladiators," said Fenchurch, "would have had to do it in the sun. More physically gruelling."
"There is that. So. When the empty packet was lying dead between us the man at last got up, having done his worst, and left. I heaved a sigh of relief, of course.
"As it happened, my train was announced a moment or two later, so I finished my coffee, stood up, picked up the newspaper, and underneath the newspaper . . ."
"Yes?"
"Were my biscuits."
"What?" said Fenchurch. "What?"
"True."
"No!
”
”
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"
...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
Tell me the story," said Fenchurch firmly. "You arrived at the station."
"I was about twenty minutes early. I'd got the time of the train wrong."
"Get on with it." Fenchurch laughed.
"So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee."
"You do the crossword?"
"Yes."
"Which one?"
"The Guardian usually."
"I think it tries to be too cute. I prefer The Times. Did you solve it?"
"What?"
"The crossword in the Guardian."
"I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee."
"All right then. Buy the coffee."
"I'm buying it. I am also," said Arthur, "buying some biscuits."
"What sort?"
"Rich Tea."
"Good Choice."
"I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round."
"All right."
"So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits."
"I see it perfectly."
"What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me."
"What's he look like?"
"Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird."
"Ah. I know the type. What did he do?"
"He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..."
"What?"
"Ate it."
"What?"
"He ate it."
Fenchurch looked at him in astonishment. "What on earth did you do?"
"Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it."
"What? Why?"
"Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits."
"Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?"
"I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..."
"But you're fighting back, taking a tough line."
"After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten."
"So what did he do?"
"Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground."
Fenchurch stirred uncomfortably.
"And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously."
"My man..."
"Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..."
"What?"
"I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met."
"Like this?"
"Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time."
"I can imagine.
”
”
Douglas Adams
“
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t.
Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass.
Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.”
I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
”
”
Bruce Springsteen (Born to Run)