O Ok Quotes

Morning is an important time of day, because how you spend your morning can often tell you what kind of day you are going to have. For instance, if you wake up to the sound of twittering birds, and find yourself in an enormous canopy bed, with a butler standing next to you holding a breakfast of freshly made muffins and hand-squeezed orange juice on a silver tray, you will know that your day will be a splendid one. If you wake up to the sound of church bells, and find yourself in a fairly big regular bed, with a butler standing next to you holding a breakfast of hot tea and toast on a plate, you will know that your day will be O.K. And if you wake up to the sound of somebody banging two metal pots together, and find yourself in a small bunk bed, with a nasty foreman standing in the doorway holding no breakfast at all, you will know that your day will be horrid.

You were healing. You’re still healing. You’ll maybe always be healing. And that’s OK. It’ll just be part of what makes you you.

A moment later Jonathan’s body wavered in the air, shimmering, and began to go transparent. “Don’t let them spread silly rumors about me, or make me a god. O.K., Fletch? I’m a seagull. I like to fly, maybe…

I said that I thought the secret of life was obvious: be here now, love as if your whole life depended on it, find your life's work, and try to get hold of a giant panda. If you had a giant panda in your back yard, anything could go wrong — someone could die, or stop loving you, or you could get sick — and if you could look outside and see this adorable, ridiculous, boffo panda, you'd start to laugh; you'd be so filled with thankfulness and amusement that everything would be O.K. again.

Just remember, life is a box of cookies. You know how they’ve got these cookie assortments, and you like some but you don’t like others? And you eat up all the ones you like, and the only ones left are the ones you don’t like so much? I always think about that when something painful comes up. ‘Now i just have to polish these off, and everything’ll be O.K.’ Life is a box of cookies.

Mary, is it ok if I love you?" Joey asked. Tears filled Mary's eyes and she laid her hand over her lips for a moment. "That would work just perfectly, Joey, because I love you too.

Soon enough it will be me struggling (valiantly?) to walk - lugging my stuff around. How are we all so brave as to take step after step? Day after day? How are we so optimistic, so careful not to trip and yet do trip, and then get up and say O.K. Why do I feel so sorry for everyone and so proud?

We have to remember that progress isn’t just a straight line upwards, O.K.? It’s a weird roller coaster where sometimes you’re screaming for joy, and other times you’re barfing in your own face.

Run equals die. Stay equals die. So before we go all O.K. Corral on this, let's consider the third option: We blow it up.

He threw her a distasteful look. "Uh...meaning," he imitated her, "That Caia like totally isn't like a self-absorbed bimbo. She only like totally mashed people into pulp when someone else is in like total danger." "I don't say like and totally that much, O-K!!

Eternal nothingness is O.K. if you’re dressed for it.

The women who love women wrote a song for the faggots. It was called, "Anything you do that the men don't like is o.k. by us.

13 NOTES She hesitated. For two years she had kept as far away from Mikael Blomkvist as she could. And yet he kept sticking to her life like gum on the sole of her shoe, either on the Net or in real life. On the Net it was O.K. There he was no more than electrons and words. In real life, standing on her doorstep, he was still fucking attractive. And he knew her secrets just as she knew all of his. She looked at him for a moment and realized that she now had no feelings for him. At least not those kinds of feelings. He had in fact been a good friend to her over the past year. She trusted him. Maybe. It was troubling that one of the few people she trusted was a man she spent so much time avoiding. Then she made up her mind. It was absurd to pretend that he did not exist. It no longer hurt her to see him. She opened the door wide and let him into her life again.

What’s the easiest fucking thing to take?” I asked him. “Journalism. Those journalism majors don’t do anything.” “O.K., I’ll be a journalist.

Fundamentalist Christianity: fascinating. These people actually believe that the world is twelve thousand years old. Swear to God. Based on what? I asked them. "Well, we looked at all the people in the Bible and we added 'em up all the way back to Adam and Eve, their ages? Twelve thousand years." "Well, how fucking scientific, OK. I didn't know that you'd gone to so much trouble there. That's good. You believe the world's twelve thousand years old?" "That's right." "OK, I got one word to ask you, a one word question, ready?" "Uh huh." "Dinosaurs." You know, the world's twelve thousand years old and dinosaurs existed, and existed in that time, you'd think it would been mentioned in the fucking Bible at some point: And O, Jesus and the disciples walked to Nazareth. But the trail was blocked by a giant brontosaurus... with a splinter in its paw. And the disciples did run a-screamin'. "What a big fucking lizard, Lord!" "I'm sure gonna mention this in my book," Luke said. "Well, I'm sure gonna mention it in my book," Matthew said. But Jesus was unafraid. And he took the splinter from the brontosaurus paw, and the brontosaurus became his friend. And Jesus sent him to Scotland where he lived in a loch, O so many years, attracting fat American families with their fat fuckin' dollars to look for the Loch Ness Monster. And O the Scots did praise the Lord: "Thank you, Lord! Thank you, Lord!" Twelve thousand years old. But I actually asked this guy, "OK, dinosaur fossils-- how does that fit into your scheme of life? What's the deal?" He goes: "God put those here to test our faith." "I think God put you here to test my faith, dude. I think I've figured this out." Does that-- That's what this guy said. Does that bother anyone here? The idea that God might be fucking with our heads? Anyone have trouble sleeping restfully with that thought in their head? God's running around burying fossils: "Ho ho! We'll see who believes in me now, ha ha! I'm a prankster God. I am killing me, ho ho ho!" You know? You die, you go to St. Peter: "Did you believe in dinosaurs?" "Well, yeah. There were fossils everywhere. (trapdoor opens) Aaaaarhhh!" "You fuckin' idiot! Flying lizards? You're a moron. God was fuckin' with you!" "It seemed so plausible, aaaaaahh!" "Enjoy the lake of fire, fucker!" They believe this. But you ever notice how people who believe in Creationism usually look pretty unevolved. Eyes really close together, big furry hands and feet? "I believe God created me in one day." Yeah, looks like he rushed it. Such a weird belief. Lots of Christians wear crosses around their necks. You think when Jesus comes back he's gonna want to see a fucking cross, man? "Ow." Might be why he hasn't shown up yet. "Man, they're still wearing crosses. Fuck it, I'm not goin' back, Dad. No, they totally missed the point. When they start wearing fishes, I might show up again, but... let me bury fossils with you, Dad. Fuck 'em, let's fuck with 'em! Hand me that brontosaurus head, Dad.

On the political as on the economic front it's important not to fall into the "not as bad as" trap. High unemployment isn't O.K. just because it hasn't hit 1933 levels; ominous political trends shouldn’t be dismissed just because there’s no Hitler in sight.

O.K. I'm running out of appetite. Let this swirl— a bit like Crab Nebula— do for now.

And, well, mine are kind of on the heavy side anyway. The first day or two, I don't want to do ANYTHING. Make sure you keep away from me then.' I'd like to, but how can I tell?' I asked. O.K., I'll wear a hat for a couple of days after my period starts. A red one. That should work,' she said with a laugh. 'If you see me on the street and I'm wearing a red hat, don't talk to me, just run away.

La intrare trecem printr-o farmacie ca un duty free, de o parte si de alta a culoarului sunt rafturi cu cosmetice, apoi, mai in spate, pastile si fiole. Miroase a produse de curatat. E atat de stralucitor, incat ai impresia ca se poate muri OK si in Romania.

The man raised his glass, 'To you!' Can't you think of a wittier toast?' Something was beginning to irritate him about the girl's game. Now sitting face to face with her, he realized it wasn't just the words which were turning her into a stranger, but that her whole persona had changed, the movements of her body and her facial expression, and that she unpalatably and faithfully resembled that type of woman whom he knew so well and for whom he felt some aversion. And so (holding his glass in his raised hand), he corrected his toast: 'O.K., then I won't drink to you, but to your kind, in which are combined so successfully the better qualities of the animal and the worse aspects of the human being.

At thirteen desperately watching TV, curling my long legs under me, desperately reading books, callow adolescent that I was, trying (desperately!) to find someone in books, in movies, in life, in history, to tell me it was O.K. to be ambitious, O.K. to be loud, O.K. to be Humphrey Bogart (smart and rudeness), O.K. to be James Bond (arrogance), O.K. to be Superman (power), O.K. to be Douglas Fairbanks (swashbuckling), to tell me self-love was all right, to tell me I could love God and Art and Myself better than anything on earth and still have orgasms.

Though every community is different, my personal rule is pretty much the same: It’s O.K. to feel like an idiot going in as long as you don’t sound like an idiot coming out.

Impotence and sodomy are socially O.K. but birth control is flagrantly middle-class.

Naoko took her left hand from her pocket and squeezed my hand. 'Don't you worry,' she said. 'You'll be O.K. You could go running all around here in the middle of the night and you'd never fall into the well. And as long as I stick with you, I won't fall in, either.' Never?' Never!' How can you be so sure?' I just know,' she said, increasing her grip on my hand and continuing on for a ways in silence. 'I know these things. I'm always right. It's got nothing to do with logic: I just feel it. For example, when I'm really close to you like this, I'm not the least bit scared. Nothing dark or evil could ever tempt me.' Well, that answers that,' I said. 'All you have to do is stay with me like this all the time.

If your memory was OK you could descend upon on a bookshop – a big enough one so that the staff wouldn’t hassle a browser – and steal the contents of books by reading them. I drank down 1984 while loitering in the 'O' section of the giant Heffers store in Cambridge. When I was full I carried the slopping vessel of my attention carefully out of the shop.

Are you ok?" Nick asked shakily. "Yeah." Kelly managed a nervous laugh. "Yeah, sure. Terrified and a little turned on. You know...typical Friday night.

...while some communities are chasing visions out, others are chasing one another away. ....while some leaders love breaking records, others love breaking constructed buildings. Good leaders deserve golden trophies while gas cylinder is o.k for the bad ones!

I think I’m getting a notion of how to do this. O.K., a carnival works because people pay to feel amazed and scared. They can nibble around a midway getting amazed here and scared there, or both. And do you know what else? Hope. Hope they’ll win a prize, break the jackpot, meet a girl, hit a bull’s-eye in front of their buddies. In a carnival you call it luck or chance, but it’s the same as hope. Now hope is a good feeling that needs risk to work. How good it is depends on how big the risk is if what you hope doesn’t happen. You hope your old auntie croaks and leaves you a carload of shekels, but she might leave them to her cat. You might not hit the target or win the stuffed dog, you might lose your money and look like a fool. You don’t get the surge without the risk. Well. Religion works the same way. The only difference is that it’s more amazing than even Chick or the twins. And it’s a whole lot scarier than the Roll-a-plane or the Screamer, or any simp twister. This scare stuff laps over into the hope department too. The hope you get from religion is a three-ring, all-star hope because the risk is outrageous. Bad! Well, I’m working on it. I’ve got the amazing part down. And the scary bits are a snap. But I’ve got to come up with a hope.

In the months that followed my mother's death, I managed to look like a normal person. I walked the street; I answered my phone; I brushed my teeth; most of the time. But I was not OK. I was in grief. Nothing seemed important. Daily tasks were exhausting. Dishes piled in the sink, knives crusted with strawberry jam. At one point I did not wash my hair for ten days. I felt that I had abruptly arrived at a terrible, insistent truth about the impermanence of everyday.

For five weeks, the Associated Press had provided the world with lurid coverage of the attack on Virgil Earp, which was labeled Cow Boy revenge for what was being called “the Gunfight at the O.K. Corral” because it took too long to set the type for “Gunfight in the Vacant Lot behind Camillus Fly’s Photography Studio Near Fremont Street.

FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it?

Mick frowned and rubbed her fist hard across her forehead. That was the way things were. It was like she was mad all the time. Not how a kid gets mad quick so that soon it is all over--but in another way. Only there was nothing to be mad at. Unless the store. But the store hadn't asked her to take the job. So there was nothing to be mad at. It was like she was cheated. Only nobody had cheated her. So there was nobody to take it out on. However, just the same she had that feeling. Cheated. But maybe it would be true about the piano and turn out O.K. Maybe she would get a chance soon. Else what the hell good had it all been--the way she felt about music and the plans she had made in the inside room? It had to be some good if anything made sense. And it was too and it was too and it was too and it was too. It was some good. All right! O.K! Some good.

Reiko set the ball on the ground and patted my knee. "Look," she said, "I'm not telling you to stop sleeping with girls. If you're O.K. with that, then it's OK. It's your life after all, it's something you have to decide. All I'm saying is that you shouldn't use yourself up in some unnatural form. Do you see what I'm getting at? It would be such a waste. The years nineteen and twenty are a crucial stage in the maturation of character, and if you allow yourself to become warped when you're that age, it will cause you pain when you're older. It's true. So think carefully. If you want to take care of Naoko, take care of yourself too." I said I would think about it.

I'm not ok. Don't tell anyone.

When she reached me she asked gently if I were O.K., what was bothering me. Fine, nothing, I said, but in a way I hoped confirmed incommunicable depths had opened up inside me.

… That’s O.K. I trust your superior knowledge of motels.

Did he still want it? Did he still want to live? Yes, yes, oh, God, yes, please. Because, O.K., the thing was—he saw it now, was starting to see it—if some guy, at the end, fell apart, and said or did bad things, or had to be helped, helped to quite a considerable extent? So what? What of it? Why should he not do or say weird things or look strange or disgusting? Why should the shit not run down his legs? Why should those he loved not lift and bend and feed and wipe him, when he would gladly do the same for them? He’d been afraid to be lessened by the lifting and bending and feeding and wiping, and was still afraid of that, and yet, at the same time, now saw that there could still be many—many drops of goodness, is how it came to him—many drops of happy—of good fellowship—ahead, and those drops of fellowship were not—had never been—his to withheld. Withhold.

FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT!

Tell you what we'll do," she said. "We'll drive to town and get some pickles, and some bread, and we'll eat the pickles in the car, and then we'll go to the station and get Daddy, and then we'll bring Daddy home and make him take us for a ride in the boat. You'll have to help him carry the sails down. O.K.?

First item in the crew roster is given name, so I'll input 'Skippy'. Second item is surname-" "The Magnificent." "Really?" "It is entirely appropriate, Joe." "Oh, uh huh, because that's what everyone calls you," I retorted sarcastically, rolling my eyes. Not wanting to argue with him, I typed in 'TheMagnificent'. "Next question is your rank, this file is designed for military personnel." "I'd like 'Grand Exalted Field Marshall El Supremo'." "Right, I'll type in 'Cub Scout'. Next question-" "Hey! You jerk-" "-is occupational specialty." "Oh, clearly that should be Lord God Controller of All Things." "I'll give you that one, that is spelled A, S, S, H, O, L, E. Next-" "Hey! You shithead, I should-" "Age?" I asked. "A couple million, at least. I think." "Mentally, you're a six year old, so that's what I typed in." "Joe, I just changed your rank in the personnel file to 'Big Poopyhead'." Skippy laughed. "Five year old. You're a five year old." "I guess that's fair," he admitted. "Sex? I'm going to select 'n/a' on that one for you," I said. "Joe, in your personnel file, I just updated Sex to 'Unlikely'." "This is not going well, Skippy." "You started it!" "That was mature. Four year old, then. Maybe Terrible Twos." "I give up," Skippy snorted. "Save the damned file and we'll call it even, Ok?" "No problem. We should do this more often, huh?" "Oh, shut up.

When young, we’re anxious — understandably — to find out if we’ve got what it takes. Can we succeed? Can we build a viable life for ourselves? But you — in particular you, of this generation — may have noticed a certain cyclical quality to ambition. You do well in high-school, in hopes of getting into a good college, so you can do well in the good college, in the hopes of getting a good job, so you can do well in the good job so you can . . . And this is actually O.K. If we’re going to become kinder, that process has to include taking ourselves seriously — as doers, as accomplishers, as dreamers. We have to do that, to be our best selves. Still, accomplishment is unreliable. “Succeeding,” whatever that might mean to you, is hard, and the need to do so constantly renews itself (success is like a mountain that keeps growing ahead of you as you hike it), and there’s the very real danger that “succeeding” will take up your whole life, while the big questions go untended.

This one is OK,' I say quietly. ‘OK, OK, OK. Everything is always just ‘OK’. It’s so boring. Who wants to be ‘OK’? I sit for a moment and think about what she said. It doesn’t take me long to realise that I, quite genuinely, just want to be OK.

Still, it is like a long hopeless homesickness my missing those young days. To me, they're like my own place that I have gone away from forever, and I have lived all the time since among great pleasures but in a foreign town. Well, O.K. Farewell, certain years.

O.K., then, all right, they would adopt a white-trash dog. Ha ha. They could name it Zeke, buy it a little corncob pipe and a straw hat. She imagined the puppy, having crapped on the rug, looking up at her, going, Cain’t hep it. But no. Had she come from a perfect place? Everything was transmutable. She imagined the puppy grown up, entertaining some friends, speaking to them in a British accent: My family of origin was, um, rather not, shall we say, of the most respectable... Ha ha, wow, the mind was amazing, always cranking out these—

Really—I’m O.K.” And he was, too, except that he could find no explanation for why the song had affected him so grotesquely. He had supposed for years that he had no secrets from himself. Here was proof that he had a great big secret somewhere inside, and he could not imagine what it was.

At around four o'clock most Saturday afternoons, just when I make us all a cup of tea, I have a little glow on, maybe because this is after all my work, and it's going OK, maybe because I'm proud of us, of the way that, though our talents are small and peculiar, we use them to their best advantage.

It's not just the lawlessness. It's the grabbing of a myth and making it theirs, like a reggae singer dropping new lyrics 'pon di old version. And if a western needs an O.K. Corral, an O.K. Corral needs a Dodge City. Kingston, where bodies sometimes drop like flies, fits the description a little too well.

I miss you of course and I think of you all the time. I am O.K., and even though I have never believed in wars - and know them to be foolish, even when they are necessary - I am proud that I am involved since so many others are, and this is what's happening. I do not recognize any enemy which is human, for no human being can be my enemy. Whoever he is, he is my friend. My quarrel is not with him, but with that unfortunate part of him which I seek to destroy in myself first.

E greu să stai în altă parte, ok? Nu contează de unde vii sau unde te duci. Niciodată să nu ai așteptări extraordinare, niciodată să nu-ți imaginezi totul în detaliu. Imaginația e un lucru foarte înșelător. Nicăieri nu e un rai pe pământ. Dar cu siguranță există un loc în care te simți ca acasă. Peste tot e greu să te acomodezi. Chiar dacă știi deja limba, există multe alte lucruri. Magazinele de la colțul străzii, vecinii, obiceiurile. Orice comunitate e diferită. Trebuie să te adaptezi, iar dacă într-adevăr aparții acelui loc chiar reușești și îți e la-ndemână. Dar tot trebuie să ai anumite elemente care te fac să te simți în siguranță într-un loc străin, în care îți vei petrece o perioadă mai lungă de timp. Nu e ca și cum mergi la un hotel și stai câteva zile. Acolo nu trebuie să te acomodezi cu nimic.

Susan was a tough-minded romantic. She wanted to fall in love with a book. She always had reasons for her devotions, as an astute reader would, but she was, to her credit, probably the most emotional one among us. Susan could fall in love with a book in more or less the way one falls in love with a person. Yes, you can provide, if asked, a list of your loved one’s lovable qualities: he’s kind and funny and smart and generous and he knows the names of trees. But he’s also more than amalgamation of qualities. You love him, the entirety of him, which can’t be wholly explained by even the most exhaustive explication of his virtues. And you love him no less for his failings. O.K., he’s bad with money, he can be moody sometimes, and he snores. His marvels so outshine the little complaints as to render them ridiculous.

Uvijek me fascinirao taj fenomen sa slikama. Stoje na zidu godinama, a onda, bez ikakvog povoda, ama baš ikakvog padnu, tras, padnu dole. Vise okačene o ekser, niko ih i ne pipne, ali one u jednom trenutku, tras, padnu dole, kao kamen. U savršenoj tišini, dok je sve oko njih nepomično, ni muha da proleti, a one, tras. Ne postoji nikakav razlog.Zašto baš u tom momentu? Niko ne zna. Tras. Šta se to dogodilo jednom ekseru te on zaključi da mu je svega dosta? Ima li i on dušu, jadnik? Donosi li odluke? Dugo je razgovarao sa slikom, nisu mogli da se dogovore šta da rade, pričali su o tome svake večeri, godinama, a onda su odredili datum, sat, minutu, tren, upravo sada, tras. Ili su za to znali već od samog početka, njih dvoje, sve je već bilo ugovoreno, znaš ja ću da popustim za sedam godina, što se mene tiče nema problema, ok., onda smo se dogovorili za 13. maj, ok., oko šest, neka bude petnaest do šest, važi, onda laku noć, ‘ku noć. Sedam godina kasnije, 13. maj, petnaest do šest: tras. Nikom nije jasno. To je jedna od onih stvari o kojima je bolje ne misliti, u protivnom možeš da poludiš. Kada padne slika. Kada se probudiš, jednog jutra, i više je ne voliš. Kad otvoriš novine i vidiš da je počeo rat. Kad vidiš neki voz i pomisliš ja moram da odem odavde. Kad se pogledaš u ogledalo i shvatiš da si ostario...

Humankind has accumulated generation upon generation of knowledge, the culmination of which is the vast and useful technological array we see everywhere in modern society. Despite this great accumulation of knowledge and technology, we still suffer from starvation and war. The difference between the past and the present is the difference between throwing rocks and shooting missiles. We are still in conflict. Suffering on a fundamental level hasn’t ceased. But we nevertheless persist in the notion that if we just amass a bit more knowledge, we’ll all be o.k. Maybe a new philosophy will do the trick, or a new system of government. But all of this has been tried many times. Knowledge builds on the past and has its place. Wisdom is beyond time. It’s the direct perception of reality as it is. And in this direct seeing of what is lies the potential of transformation—a transformation that is not merely a redecoration of the past but a transformation of humanity that embodies the eternally new.

Minder of my body you may be. But minder of my soul you are not. What do you say I call the shots and you go along to shoot the monsters? O.K.?

The gunfight at the O.K. Corral took place on October 26, 1881. It took about thirty seconds to write a chapter in American history that will never be forgotten.

Much of history results from apparently unrelated dominoes tumbling one over another.

Belief is frequently a matter of convenience rather than the result of objectively weighing evidence.

O.K., a band. You already have loads of tattoos. Are you sure you want another one?

For example, no one says about the baker, ‘Yes, O.K., it’s true, he rapes kids in the bakehouse, but come on, he makes an extraordinary baguette.

My old man 16 years old during the depression I’d come home drunk and all my clothing– shorts, shirts, stockings– suitcase, and pages of short stories would be thrown out on the front lawn and about the street. my mother would be waiting behind a tree: “Henry, Henry, don’t go in . . .he’ll kill you, he’s read your stories . . .” “I can whip his ass . . .” “Henry, please take this . . .and find yourself a room.” but it worried him that I might not finish high school so I’d be back again. one evening he walked in with the pages of one of my short stories (which I had never submitted to him) and he said, “this is a great short story.” I said, “o.k.,” and he handed it to me and I read it. it was a story about a rich man who had a fight with his wife and had gone out into the night for a cup of coffee and had observed the waitress and the spoons and forks and the salt and pepper shakers and the neon sign in the window and then had gone back to his stable to see and touch his favorite horse who then kicked him in the head and killed him. somehow the story held meaning for him though when I had written it I had no idea of what I was writing about. so I told him, “o.k., old man, you can have it.” and he took it and walked out and closed the door. I guess that’s as close as we ever got.

Glück ist kein Dauerzustand. Glück ist wie der Schaum im heißen Badewasser. Und ein heißes Bad ist auch ohne Schaum ziemlich super. Aber ist mein Badewasser überhaupt heiß? Ich verlaufe mich ein wenig in meinen Metaphern und fange nochmal von vorn an: Ich bin nicht glücklich, aber auch nicht unglücklich. Ich bin o.k. Und ich beschließe, dass o.k. noch nicht genug ist (..)

Contrary to what you may think, when O’Sah told me about kytaen, that I’d be meeting one, I didn’t picture a pet or a lackey to follow me. I didn’t think of a prisoner. I… I pictured an ally, a friend, OK?

Direct interference in a person's life does not enter our scope of activity, nor, on the other, tralatitiously speaking, hand, is his destiny a chain of predeterminate links: some "future" events may be likelier than others, O.K., but all are chimeric, and every cause-and-effect sequence is always a hit-and-miss affair, even if the lunette has actually closed around your neck, and the cretinous crowd holds its breath.

Yesterday, she shed tears, keeping her head on my shoulders. And I think she's not going to be fine because I know she won't. Because a couple of years back, I wasn't. And when you know that you've fallen hard on a cold ground and are still lying there, what do you tell others who are taking the fall? You close your eyes. You accept to lie there a little longer. But I lie on my bed now, and it's a little too warm today.

[Therapist and friend, with a voice like Raul Julia during his Gomez Adam’s days] Rudy studied my face, “I have a two o’clock open on Tuesday.” I sighed, “Yeah, ok. Tuesday at two.” He nodded, pleased. “Bring Starbucks.” “Sure, what do you want?” “My usual. Iced half-caf ristretto quad grade two-pump raspberry two percent no whip light ice with caramel drizzle three-and-a-half-pump white mocha.” “Is any of that actually coffee?” “More or less.” “And you think I’m damaged …

FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room

In 2008, the national Coping with Cancer project published a study showing that terminally ill cancer patients who were put on a mechanical ventilator, given electrical defibrillation or chest compressions, or admitted, near death, to intensive care had a substantially worse quality of life in their last week than those who received no such interventions. And, six months after their death, their caregivers were three times as likely to suffer major depression. Spending one’s final days in an I.C.U. because of terminal illness is for most people a kind of failure. You lie on a ventilator, your every organ shutting down, your mind teetering on delirium and permanently beyond realizing that you will never leave this borrowed, fluorescent place. The end comes with no chance for you to have said goodbye or “It’s O.K.” or “I’m sorry” or “I love you.” People have concerns besides simply prolonging their lives. Surveys of patients with terminal illness find that their top priorities include, in addition to avoiding suffering, being with family, having the touch of others, being mentally aware, and not becoming a burden to others. Our system of technological medical care has utterly failed to meet these needs, and the cost of this failure is measured in far more than dollars. The hard question we face, then, is not how we can afford this system’s expense. It is how we can build a health-care system that will actually help dying patients achieve what’s most important to them at the end of their lives.

In 1986, The Economist assembled a list of English terms that had become more or less universal. They were: airport, passport, hotel, telephone, bar, soda, cigarette, sport, golf, tennis, stop, O.K., weekend, jeans, know-how, sex appeal, and no problem.

O.K., so I’m not so smart. I’m working class. But it’s the working class that keeps the world running, and it’s the working class that gets exploited. What the hell kind of revolution have you got just tossing out big words that working-class people can’t understand? What the hell kind of social revolution is that? I mean, I’d like to make the world a better place, too. If somebody’s really being exploited, we’ve got to put a stop to it. That’s what I believe, and that’s why I ask questions. Am I right, or what?

The point is that you have here a direct, unmistakable assault on sanity and decency; and even - since some of Dali’s pictures would tend to poison the imagination like a pornographic postcard - on life itself. What Dali has done and what he has imagined is debatable, but in his outlook, his character, the bedrock decency of a human being does not exist. He is as anti-social as a flea. Clearly, such people are undesirable, and a society in which they can flourish has something wrong with it. Now, if you showed this book, with its illustrations, to Lord Elton, to Mr. Alfred Noyes, to The Times leader writers who exult over the “eclipse of the highbrow” - in fact, to any “sensible” art-hating English person - it is easy to imagine what kind of response you would get. They would flatly refuse to see any merit in Dali whatever. Such people are not only unable to admit that what is morally degraded can be æsthetically right, but their real demand of every artist is that he shall pat them on the back and tell them that thought is unnecessary. And they can be especially dangerous at a time like the present, when the Ministry of Information and the British Council put power into their hands. For their impulse is not only to crush every new talent as it appears, but to castrate the past as well. Witness the renewed highbrow-baiting that is now going on in this country and America, with its outcry not only against Joyce, Proust and Lawrence, but even against T. S. Eliot. But if you talk to the kind of person who can see Dali’s merits, the response that you get is not as a rule very much better. If you say that Dali, though a brilliant draughtsman, is a dirty little scoundrel, you are looked upon as a savage. If you say that you don’t like rotting corpses, and that people who do like rotting corpses are mentally diseased, it is assumed that you lack the æsthetic sense. Since “Mannequin rotting in a taxicab” is a good composition. And between these two fallacies there is no middle position, but we seldom hear much about it. On the one side Kulturbolschewismus: on the other (though the phrase itself is out of fashion) “Art for Art’s sake.” Obscenity is a very difficult question to discuss honestly. People are too frightened either of seeming to be shocked or of seeming not to be shocked, to be able to define the relationship between art and morals. It will be seen that what the defenders of Dali are claiming is a kind of benefit of clergy. The artist is to be exempt from the moral laws that are binding on ordinary people. Just pronounce the magic word “Art,” and everything is O.K.

People do not want to confront the existential mess that is life. They want to check things off--OK, you're OK. And just because you can talk about your grief, you know," she said, looking sharply at me, "doesn't mean you are in control of it, or that you know what's going on. You are in the ocean. And what you think, what you analyze, that is just the descanting of that ocean. Your mind is an ocean and it has scary things in it. While you may be able to analyze your grief at three p.m., that has nothing to do with how you feel at three a.m., in the dark center of night.

The one-eyed man stood helplessly by. "I'll help ya if ya want," he said. "Know what that son-of-a-bitch done? He come by an' he got on white pants. An' he says, 'Come on, le's go out to my yacht.' By God, I'll whang him some day!" He breathed heavily. "I ain't been out with a woman sence I los' my eye. An' he says stuff like that." And big tears cut channels in the dirt beside his nose. Tom said impatiently, "Whyn't you roll on? Got no guards to keep ya here." "Yeah, that's easy to say. Ain't so easy to get a job - not for a one-eye' man." Tom turned on him. "Now look-a-here, fella. You got that eye wide open. An' ya dirty, ya stink. Ya jus' askin' for it. Ya like it. Lets ya feel sorry for yaself. 'Course ya can't get no woman with that empty eye flappin' aroun'. Put somepin over it an' wash ya face. You ain't hittin' nobody with no pipe wrench." "I tell ya, a one-eye' fella got a hard row," the man said. "Can't see stuff the way other fellas can. Can't see how far off a thing is. Ever'thing's jus' flat." Tom said, "Ya full of crap. Why, I knowed a one-legged whore one time. Think she was takin' two-bits in a alley? No, by God! She's gettin' half a dollar extra. She says, 'How many one-legged women you slep' with? None!' she says. 'O.K.,' she says. 'You got somepin pretty special here, an it's gonna cos' ya half a buck extry.' An' by God, she was gettin' 'em, too, an' the fellas comin' out thinkin' they're pretty lucky. She says she's good luck. An' I knowed a hump-back in - in a place I was. Make his whole livin' lettin' folk rub his hump for luck. Jesus Christ, an' all you got is one eye gone." The man said stumblingly, "Well, Jesus, ya see somebody edge away from ya, an' it gets into ya." "Cover it up then, goddamn it. Ya stickin' it out like a cow's ass. Ya like to feel sorry for yaself. There ain't nothin' the matter with ya. Buy yaself some white pants. Ya gettin' drunk and cryin' in ya bed, I bet." ... The one-eyed man said softly, "Think - somebody'd like - me?" "Why, sure," said Tom. "Tell 'em ya dong's growed sence you los' your eye.

You should fear me too, Mr. Waist Gunner, with your burn. What a silly thing—waist gunner. You gun from the waist?” She struck a pose, holding her hands in the shape of guns at her waist, face screwed into a scowl that all enemies should fear. She looked like a grandma gunslinger at the O.K. Corral.

never got used to it. So I was happy as hell when, at 7:10 A.M., he arrived atop the Balcony and gave me the O.K. to continue climbing. One of the first people I passed when I started moving again was Lopsang, kneeling in the snow over a pile of vomit. Ordinarily, he was the strongest member of any group

There’s a theory,” said Anna, handing him a cup of tea as she climbed back into bed, “that we are all Atlanteans.” “Who?” “Us. San Franciscans.” Edgar grinned indulgently, bracing himself for another yarn. Anna caught it. “Do you want to hear it … or are you getting stuffy on me?” “Go ahead. Tell me a story.” “Well … in one of our last incarnations, we were all citizens of Atlantis. All of us. You, me, Frannie, DeDe, Mary Ann…” “Are you sure she’s out of the building?” “She’s gone to her switchboard. Will you relax?” “O.K. I’m relaxed.” “All right, then. We all lived in this lovely, enlightened kingdom that sank beneath the sea a long time ago. Now we’ve come back to this special peninsula on the edge of the continent … because we know, in a secret corner of our minds, that we must return together to the sea.” “The earthquake.” Anna nodded. “Don’t you see? You said the earthquake, not an earthquake. You’re expecting it. We’re all expecting it.” “So what does that have to do with Atlantis?” “The Transamerica Pyramid, for one thing.” “Huh?” “Don’t you know what dominated the skyline of Atlantis, Edgar … the thing that loomed over everything?” He shook his head. “A pyramid! An enormous pyramid with a beacon burning at the top!

DEAR MAMA, I’m sorry it’s taken me so long to write. Every time I try to write to you and Papa I realize I’m not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think I’m foolish to write this letter. I hope they’re wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that you’ll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldn’t have written, I guess, if you hadn’t told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. I’m sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief—rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends—all kinds of friends—who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.” But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too. I know what you must be thinking now. You’re asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I can’t answer that, Mama. In the long run, I guess I really don’t care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it’s the light and the joy of my life. I know I can’t tell you what it is to be gay. But I can tell you what it’s not. It’s not hiding behind words, Mama. Like family and decency and Christianity. It’s not fearing your body, or the pleasures that God made for it. It’s not judging your neighbor, except when he’s crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. There’s not much else I can say, except that I’m the same Michael you’ve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please don’t feel you have to answer this right away. It’s enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL

We’re finally getting used to it, though,” she said. “This is the way we should have been living all along—not having to worry about anyone else’s needs, just stretching out any way we felt like it. It made us both nervous at first, like our bodies were floating a couple of inches off the floor. It didn’t seem real, like real life couldn’t really be like that. We were both tense, like everything was gonna get tipped upside down any minute.” “A couple of worrywarts,” I said with a smile. “Well, it’s just that life has been too cruel to us till now,” Midori said. “But that’s O.K. We’re gonna get back everything it owes us.

Midori chugged down another glass of water, took a breath, and studied my face for a while. “Hey, what’s wrong with you?” she asked. “You’ve got this spaced-out look. Your eyes aren’t focused.” “I’m O.K.,” I said. “I just got back from a trip and I’m kinda tired.” “You look like you’ve just seen a ghost.” “I see.

O.K., so I’m not so smart. I’m working class. But it’s the working class that keeps the world running, and it’s the working class that gets exploited. What the hell kind of revolution have you got just tossing out big words that working-class people can’t understand? What the hell kind of social revolution is that?

He tried to imagine what it had been like to be Hemingway, in Paris, in the 1920s. To write those clear, seemingly unadorned, yet complex sentences that would change forever the way Americans wrote prose. To do all that and then go out to dinner where you knew how to order the perfect seasonal wine to go with your huîtres. To be an American in Paris back when it was O.K. to be American.

Nobody tells people who are beginners. I really wish someone had told this to me. Is that [if you are watching this video, you are somebody who wants o make videos right?] all of us who do creative work, we get into it. we get into it because we have good taste. you know what I mean? like you want to make TV, because you love TV. there is stuff you just like, love. ok so you got really good taste. you get into this thing … that i don’t even know how to describe it, but there is a gap. for the first couple of years you are making stuff, what you are making isn’t so good... ok, its not that great. it's really not that great. its trying to be good, it has ambition to be good, but not quite that good. but your taste, the thing get you into the game, your taste is still killer. your taste is good enough that you can tell what you are making is a kind of disappointment to you, you know what i mean? you can tell it is still sort of crappy. a lot of people never get past that phase. a lot of people at that point, they quit. the thing i would just like say to you with all my heart is that most everybody I know, who does interesting creative work, they went through a phase of years where they had really good taste, they could tell what they were making wasn’t as good as they wanted it to be. they knew it felt short. [some of us can admit that to ourselves, some of us less able to admit that to ourselves] we knew like, it didn’t have that special thing that we wanted it to have. [...] everybody goes through that. for you to go through it, if you are going through right now, just getting out of that phase, if you are just starting out and entering into that phase, you gotta know it is totally normal and the most important possible thing you can do is do a lot of work. do a huge volume of work. put yourself on a deadline so that every week or every month you know you’re gonna finish one story. you know what i mean? whatever its gonna be. you create the deadline. it is best if have somebody who is waiting work from you, expecting work from you. even if not somebody who pays you, but that you are in a situation where you have to turn out the work. because it is only by actually going through a volume of work that you are actually going to catch up and close that gap and the work you are making will be as good as your ambitions.

«Non stai parlando di fama ma di rispetto» disse Cash. «La fama è il contrario del rispetto. Essere famoso significa farti interrompere quando vai fuori a mangiare, essere assillati da perfetti sconosciuti che ti chiedono favori quando cammini per la strada, sentirti chiedere dal tizio che sta cagando nel bagno vicino al tuo come si fa ad avere successo nel mondo dello spettacolo, essere criticato dal mondo intero e non avere mai occasione di difenderti!» Cash chiuse gli occhi, emise una lunga nuvola di fumo e contò fino a dieci per calmarsi. Gli altri lo guardarono come se si fosse trasformato in un lupo mannaro. «Mi dispiace» disse. «Non volevo entrare in modalità Cigno Nero subito dopo avervi conosciuto. Odio il fatto che la nostra società dia così tanto peso alla fama. Cioè, fatela finita, ok?!» Joey prese nota mentalmente di non riaprire più la questione. «Allora come ci si sente a essere rispettati?» «È l’unica cosa per cui vale la pena diventare famosi» disse Cash allegro. «Non che esista un manuale o roba simile. Credo che tante celebrità facciano fatica ad andare avanti perché non sono in grado di separare le due cose. Ma non sono mica un cazzo di psicologo.»

Fear he walks up to my Volks after I have parked and rocks it back and forth grinning around his cigar. “hey, Hank, I notice all the women around your place lately … good looking stuff; you’re doing all right.” “Sam,” I say, “that’s not true; I am one of God’s most lonely men.” “we got some nice girls at the parlor, you oughta try some of them.” “I’m afraid of those places, Sam, I can’t walk into them.” “I’ll send you a girl then, real nice stuff.” “Sam, don’t send me a whore, I always fall in love with whores.” “o.k. friend,” he says, “let me know if you change your mind.” I watch him walk away. some men are always on top of their game. I am mostly always confused. he can break a man in half and doesn’t know who Mozart is. who wants to listen to music anyhow on a rainy Wednesday night?

You're right,' said the corporal. 'It serves editors like that right. They only stir the people up. Last year when I was still only a lance-corporal I had an editor under me and he called me nothing else but a disaster for the army, but when I taught him unarmed drill and he sweated, he always used to say: "Please respect the human being in me." But I gave him hell for his human being when the order was "flat down" and there were a lot of puddles in the barracks courtyard. ... As I said, he was always on about his "human being" and nothing else. Once when he was reflecting over a puddle in which he had to plop down when he did his "flat down" I said to him: "When you're always talking about a human being even when you're in the mud remember that man was created out of the dust of the ground and it must have been O.K. for him.

Furthermore, the most popular modern answer to the question of what it means to be a good person is to be kind. Do not make other people suffer. If it doesn’t hurt anyone, it’s O.K. By this standard, God is not good it he lets us suffer. But by ancient standards, God might be good even though he lets us suffer, if he does it for the sake of the greater end of happiness, perfection of life and character and soul, that is, self.

Like his adversaries back in Wichita and Dodge, many hailed from Texas. But these weren’t drovers intent on a little wild fun. They dealt in cattle, too, but instead of herding them, they stole them. For that they acquired a generic nickname that eventually evolved into a complimentary description, but one that in 1880 was intended as a slur, a means of identifying men so low and violent that no evil act was considered beneath them: Cowboys.

Ofsayt, senin kalbime düştüğün gündür. Eros'un oku çıkmıştı orta sahadan ve şenle benim aramda kimse yoktu. Kalbime en yakın olan şendin. Derken ok yavaş yavaş düştü senin kalbine ve o acıyla çıkarıp kaleye doğru attın oku. Ben vardım kalede ve ok sırf senden geliyor diye vurulup kalenin içine düştüm. Eros aşkı vermedi. Neymiş ofsaytmış efendim. Kızı vurdun, kız beni vurdu, ben kaleye girdim aşk oldum. Tamam, ofsayt ama işin içinde aşk var, Sayın Eros.

The Funniest Thing I See Everyday on Hello Poetry © Come on, get real! Who the fuck's going to steal ya' shit? Like some crackheads are going to break into your house and say, 'Hey esse, let's leave the plasma TV and gold jewelry. This fucking manuscript rhymes!' O.K., some of my shit is worth stealing This is my official New Yawk copyright symbol: ლ(©ー©ლ) It means ~ 'Eh, don't even fucking thinkabodit!' (Now, my symbol may actually fucking work. For reals, yo'!)

One thing the army didn’t do very often was swoop in to deflect Indian attacks on wagon trains of settlers—there weren’t that many such assaults. Between 1842 and 1859, about thirty thousand Western emigrants died while en route by wagon train, but fewer than four hundred were killed by Indians. The wagon train death rate was 3 percent, compared to the 2.5 percent average among all Americans. Ninety percent of wagon train fatalities came from disease, with cholera the leading cause.

- OK, suponhamos que vai à copa - disse ela -, e duas pessoas que quem gosta estão lá, suponhamos que uma das pessoas está a contar uma história divertida, você ri-se um pouco, sente-se incluído, toda a gente tem tanta graça, e volta para a sua secretária com uma espécie de, não sei, brilho, mas depois às quatro ou cinco da tarde o dia transformou-se em apenas mais um, e continua assim, a ansiar pelas cinco da tarde e depois pelo fim de semana e depois pelas duas ou três semanas de férias pagas anuais, dia após dia, e é isso que acontece à sua vida.

We even, at the worst, reach the state for which Buddhism, in the East presents most ably the case: as in the West, does James Thomson (B.V.) in The City of Dreadful Night ; we come to wish for—or, more truly to think that we wish for "blest Nirvana's sinless stainless Peace" (or some such twaddle—thank God I can't recall Arnold's mawkish and unmanly phrase!) and B.V.'s "Dateless oblivion and divine repose." I insist on the "think that you wish," because, if the real You did really wish the real That, you could never have come to exist at all! ("But I don't exist."—"I know—let's get on!") Note, please, how sophistically unconvincing are the Buddhist theories of how we ever got into this mess. First cause: Ignorance. Way out, then, knowledge. O.K., that implies a knower, a thing known—and so on and so forth, through all the Three Waste Paper Baskets of the Law; analysed, it turns out to be nonsense all dolled up to look like thinking. And there is no genuine explanation of the origin of the Will to be. How different, how simple, how self-evident, is the doctrine of The Book of the Law !

Where Watanabe and I are alike is, we don’t give a damn if nobody understands us,” Nagasawa said. “That’s what makes us different from everybody else. They’re all worried about whether the people around them understand them. But not me, and not Watanabe. We just don’t give a damn. Self and others are separate.” “Is this true?” Hatsumi asked me. “No way,” I said. “I’m not that strong. I don’t feel it’s O.K. if nobody understands me. I’ve got people I want to understand and be understood by. But aside from those few, well, I figure it’s kind of hopeless. I don’t agree with Nagasawa. I do care if people understand me.

As Americans embraced Wild West mythology by ignoring inconvenient facts and exaggerating or inventing more palatable ones, they also altered the meaning of a traditionally negative term. In Wyatt’s real West, anyone referred to as a cowboy was most likely a criminal. But in movies the word was used first to describe hardworking ranch hands and then, generically, those who rode horses, toted six-guns, and, when necessary (and it always became necessary) fought to uphold justice at the risk of their own lives. Cowboys were heroes, and their enemies were outlaws. So far as his growing legion of fans was concerned, Wyatt Earp was a cowboy in the new, best sense of the word. B

am avut un vis; stateam cu mama la o masa si vorbeam; sau doar taceam; mama ma privea cald; am si uitat cum e sa ma priveasca mama cald, matern, protector; noi cand ne vedem, vorbim ca doi adulti, s-a obisnut pana si ea ca nu mai sunt copil... acum insa asa ma privea, parinteste, ca o mama; ciudat e ca avea tenul foarte fin, de femeie tanara; am intrebat-o daca totul e ok – in visul asta, ea venea de la un control medical; mi-a spus ca e totul ok, ca doctorul i-a confirmat ca e sanatoasa; apoi s-a apropiat de mine, mi-a luat capul in brate si mi-a soptit, “si mi-a mai spus ceva... mi-a spus ca se apropie, e inevitabil”, ii parea teribil de rau... nu-mi iese din cap visul asta

I saw Mr. Prospero constantly, and always in distress; now soaked to the skin pathetically grinding the handle of his camera in an impenetrable pall of rain; now prostrate under the bare feet of a stampeding mob, like a football in a rugger scrum, now lamed, now groaning with indigestion, now shuddering in high fever. He became a figure from classic tragedy, inexorably hunted by hostile fates. After we had been in Addis Ababa some time a copy of a poster arrived from America advertising his news reel. It represented a young man of military appearance and more than military intrepidity standing calmly behind his camera while bombs burst overhead and naked warriors rolled interlocked about his knees. In vast letters across this scene of carnage was printed : " O.K., BOYS, YOU CAN START THE WAR NOW PROSPERO IS THERE.

Haşhaş başlarını kesmekle Thrasybulos ile Tarquinius, gözde adamının ağzına mührünü basmakla İskender, Zenon'un önünde yürümekle Diogenes, uzun uzadıya konuşacak yerde söyleyeceklerini daha iyi anlatmış olmuyorlar mıydı? Aynı düşünceleri acaba hangi dolambaçlı sözler bu kadar iyi dile getirebilirdi? Ordusuyla birlikte İskitlerin ülkesine giren Darius'a İskit kralı bir kuş, bir kurbağa, bir fare ve beş ok gönderiyor. Elçi, armağanları bırakıp hiçbir şey söylemeden geri dönüyor. Bugün böyle bir adama deli denirdi. Elçinin bu müthiş sessiz konuşmasının anlamını kavramış olan Darius, elinden geldiğince çabuk davranıp ülkesine dönüyor. Bu göstergelerin yerine bir mektup gönderildiğini varsayın. Bu mektup ne kadar tehdit edici olursa, o kadar da az korkutacak, Darius'u güldürmekten başka bir işe yaramayan bir farfaralık olacaktı.

For a while, neither [Midori] nor her sister could get used to apartment life – because it was too easy, she said. They had always been used to running around like crazy every day, taking care of sick people, helping out at the bookstore, and one thing or another. "We're finally getting used to it, though," she said. "This is the way we should have been living all along – not having to worry about anyone else's needs, just stretching out any way we felt like it. It made us both nervous at first, like our bodies were floating a couple of inches off the floor. It didn't seem real, like real life couldn't really be like that. We were both tense, like everything was gonna get tipped upside down any minute." "A couple of worrywarts," I said with a smile. "Well, it's just that life has been too cruel to us till now," Midori said. "But that's O.K. We're gonna get back everything it owes us.

They say that Ridley is a very visual director and he’s indifferent with actors. He’s obviously changed over the years, but I’ll never forget this one sequence. We had wind machines going full blast, we had unicorns, smoke effects, moonbeams coming down, we had all these pigeons dyed different colours, we had a bear eating honey, we had bees floating around, butterflies and sparrows, we had everything. We were in the studio from seven o’clock in the morning until two, without breaking for lunch, preparing this one shot. When Ridley had everything right he shouted, ‘Shoot, for Christ’s sake shoot!’ And old Bill Westley, the AD, turned around and said, ‘What about the max factors then guv?’ meaning the actors. And Ridley went, ‘Oh fuck. Quick, go and get them.’ And Bill rushed out and brought Tom Cruise and Mia Sara on and Ridley went, ‘Ah, OK Tom you sit over there and Mia you sit next to him and just talk among yourselves. OK. And action!

On the eve of Super Tuesday, the establishment struck. Despite having raised tens of millions of dollars, and having run campaigns that were still seen in many circles as credible, two of the leading moderate Democrats in the race, Pete Buttigieg and Minnesota senator Amy Klobuchar, abruptly canceled their candidacies and endorsed Biden. Both flew to Texas, the most hotly contested of the primary states, to appear with the former vice president. They were joined by another former candidate, Texan Beto O’Rourke, in a highly choreographed show of support. The establishment had succeeded in uniting, in support of Biden, the candidates who had been dividing up the moderate vote. Meanwhile, the liberal and progressive vote continued to be divided between Massachusetts senator Elizabeth Warren and myself. Despite poor showings in Iowa, New Hampshire, Nevada, and South Carolina, Warren chose to stay in the race. I was closer to her on the issues than any other candidate. But, at a point where her endorsement could have been significant in a number of Super Tuesday states, she chose not to give it. Even

Maggie chiuse gli occhi e contò sino a dieci. Uno, due, tre… Se voleva arrivare a casa di sua sorella prima che facesse notte, non aveva altra scelta che chiedere al cowboy di accompagnarla. Certo, avrebbe sempre potuto optare per il motel e attraversare quelle duecento iarde pullulanti di lupi. Un altro ululato. No, non avrebbe potuto. «Lupi» disse Mitch, il braccio sinistro che sporgeva indolente dal finestrino, il mozzicone del sigaro stretto tra le dita. «Lupi» ripeté lei con un’alzata di spalle, come se si trattasse di barboncini addestrati. Poi mosse un paio di passi esitanti verso il pick-up. Quell’affare era così alto che dovette allungare il collo e sollevare la testa per parlare al cowboy. «Mi chiedevo…» mormorò vincendo ogni residua resistenza. Lui rimase immobile, se non per il sopracciglio sinistro che scattò verso l’alto. «… se per caso tu non potessi darmi uno strappo.» Lui finse di prendere in considerazione la cosa. Poi, con un altro sbuffo di fumo, disse: «Mi sembrava che avessi rifiutato la mia offerta, dieci minuti fa...». «Perché non intendevo esserti di disturbo» rispose lei come se si stesse rivolgendo alla duchessa di Kent. E di fatti lui scoppiò a ridere. «Essermi di disturbo? Dopo avermi assalito come un ninja? Ma sarò magnanimo. Dai, sali.» Maggie tirò un sospiro di sollievo. Era così stanca e infreddolita che anche quel pick-up scassato le parve per un istante una limousine. «Dove metto la valigia?» «Buttala dietro, nel cassone.» Buttare nel cassone la sua Samsonite rosa, costata una cifra improponibile? «Preferirei sistemarla in cabina, se non ti spiace.» «In cabina non c’è posto, qua dietro è pieno di roba. A meno che tu preferisca viaggiare nel cassone e la valigia sul sedile…» Lei rimase zitta, gli occhi sgranati, per nulla certa che quella fosse solo una battuta. «Ok, ci penso io» tagliò corto lui, aprendo la portiera e scivolando a terra con un balzo. Afferrò il trolley per la maniglia e, senza un’altra parola, lo fece volare nel cassone. Oh! Il botto risuonò nelle orecchie di Maggie come una granata. Risistemandosi lo Stetson sulla testa, il cowboy girò intorno al pick-up e con un sorriso esagerato aprì la portiera del passeggero. «Sali, sorella di Suzie, o vuoi che dia una mano anche a te?»

How the jury responds to a victim is an enormous percentage of the verdict in any sex crimes trial–which is why prosecutors want Good Victims. In New York City, Good Victims have jobs (like stockbroker or accountant) or impeccable status (like a policeman’s wife); are well educated and articulate, and are, above all, presentable to a jury; attractive–but not too attractive, demure–but not pushovers. They should be upset–but in good taste–not so upset that they become hysterical. And they must have 100 percent trust and faith in the prosecutor, so that whatever the ADA decides to do with the case is fine with them. The criteria for a Good Victim varies with locale. In the Bible Belt, for example, the profile would be a “Christian Woman.” But the general principle remains the same. Such attitudes are not only distasteful, they are also frightening. They say that it’s O.K. to rape some people–just not us. Old-time convicts spell justice “just us”–prosecutors aren’t supposed to. Sex-crimes prosecutors are supposed to understand that the only way to keep the wolf from our own door isn’t to throw him fresh meat but to stop him the first time he darkens anybody’s door.