Show Steer Quotes

It's not difficult to appear bright, don't worry. The main thing is never to show obvious ignorance of anything. You prevaricate, avoid the difficulty, steer clear of the problem and then catch other people out by using a dictionary. All men are stupid oafs and ignorant nincompoops.

Destiny, I feel is also a relationship-a play between grace and willful self-effort. Half of it you have no control over, half of it is absolutely in your hands and your actions will show measurable consequences. Man is neither entirely a puppet of the gods, nor is he entirely the captain of his own destiny; he’s a little of both. We gallop through our lives like circus performers balancing on two speeding side-by-side horses-one foot is on the horse called “fate” the other on the horse called “free will”. And the question you have to ask everyday is, Which horse is which? Which horse do I need to stop worrying about because it’s not under my control, and which do I need to steer with concentrated effort?

What she showed me was, Yes, I am Grandmother as she is; there is no separation, really, between us. And that, on this planet, Grandmother Earth, there is no higher authority. That our inseparability is why the planet will be steered to safety by Grandmother/Grandmothers or it will not be steered to safety at all.

That's what being a boss is. You steer the ship the best way you know. Sometimes it's smooth. Sometimes you hit the rocks. In the meantime you find your pleasures where you can.

She showed that oblique-mannered softness which is perhaps more frequent in women of darker complexion and more lymphatic temperament than Mrs. Charmond’s was; women who lingeringly smile their meanings to men rather than speak to them, who inveigle rather than prompt, and take advantage of currents rather than steer.

I'm glad this happened," he said softly. I hoped it was for real,and I didn't want to talk about it too much and ruin the lovely illusion that we were a couple. So I said noncommittally, "Me too." "Because I've been trying to get you back since the seventh grade." I must have given him a very skeptical look. He laughed at my expression. "Yeah, I have a funny way of showing it. I know. But you're always on my mind. You're in the front of my mind,on the tip of my tongue. So if someone breaks a beaker in chemistry class, I raise my hand and tell Ms. Abernathy you did it. If somebody brings a copy of Playboy to class, I stuff it in your locker." "Oh!" I thought back to the January issue. "I wondered where that came from." "And if Everett Walsh tells the lunch table what a wicked kisser you are and how far he would have gotten with you if his mother hadn't come in-" I stamped my foot on the floorboard of the SUV."That is so not true! He'd already gotten as far as he was going. He's not that cute, and I had to go home and study for algebra. "-It drives me insane to the point that I tell him to shut up or I'll make him shut up right there in front of everybody. Because I am supposed to be your boyfriend, and my mother is supposed to hate you,and you're supposed to be making out with me." Twisted as this declaration was,it was the sweetest thing a boy had ever said to me.I dwelled on the soft lips that had formed the statement,and on the meaning of his words. "Okay." I scooted across the seat and nibbled the very edge of his superhero chin. "Ah," he gasped, moving both hands from the steering wheel to the seat to brace himself. "I didn't mean now.I meant in general.Your dad will come out of the house and kill me.

You see someone more interesting than me?" asked Simon. In the dream he was mysteriously an expert dance. He steered her through the crowd as if she were a leaf caught in a river current. He was wearing all black, like a shadow hunter, and it showed his coloring to a good advantage: dark hair, lighted brown skin,white teeth. He's handsome, Clary thought, with a jolt of surprise. "There's no one more interesting than you," Clary said. "It's just this place. I've never seen anything like it." She turned again as they passed a champagne fountain... She was now dancing with Jace, who was wearing white, the material of his shirt a thin cotton...

You were in business making meth? Do you have any idea what that drug does to people?" We weren't givin' it away," Concise snaps. "If someone was fool enough to mess himself up, that was his problem." I shake my head, disgusted. "If you build it, they will come." If you build it," Concise says, "you cover your rent. If you build it, you pay off the loan sharks. If you build it, you put shoes on your kid's feet and food in his belly and maybe even show up every now and then with a toy that every other goddamn kid in the school already has." He looks up at me. "If you build it, maybe your son don't have to, when he grow up." It is amazing -- the secrets you can keep, even when you are living in close quarters. "You didn't tell me." Concise gets up and braces his hands against the upper bunk. "His mama OD'd. He lives with her sister, who can't always be bothered to take care of him. I try to send money so that I know he's eatin' breakfast and gettin' school lunch tickets. I got a little bank account for him, too. Jus' in case he don't want to be part of a street gang, you know? Jus' in case he want to be an astronaut or a football player or somethin'." He digs out a small notebook from his bunk. "I'm writin' him. A diary, like. So he know who his daddy is, by the time he learn to read." It is always easier to judge someone than to figure out what might have pushed him to the point where he might do something illegal or morally reprehensible, because he honestly believes he'll be better off. The police will dismiss Wilton Reynolds as a drug dealer and celebrate one more criminal permanently removed from society. A middle-class father who meets Concise on the street, with his tough talk and his shaved head, will steer clear of him, never guessing that he, to, has a little boy waiting for him at home. The people who read about me in the paper, stealing my daughter during a custody visit, will assume I am the worst sort of nightmare.

Aidan turned the corner and slammed on the brakes when a family of ducks slowly waddled to cross the road to the neighborhood lake. He drummed his fingers on the steering wheel impatiently as his jaw muscle flexed repeatedly. "Show them your badge. Maybe that'll scare them to shake their asses a little faster.

At its most elemental level the human organism, like crawling life, has a mouth, digestive tract, and anus, a skin to keep it intact, and appendages with which to acquire food. Existence, for all organismic life, is a constant struggle to feed-a struggle to incorporate whatever other organisms they can fit into their mouths and press down their gullets without choking. Seen in these stark terms, life on this planet is a gory spectacle, a science-fiction nightmare in which digestive tracts fitted with teeth at one end are tearing away at whatever flesh they can reach, and at the other end are piling up the fuming waste excrement as they move along in search of more flesh. I think this is why the epoch of the dinosaurs exerts such a strange fascination on us: it is an epic food orgy with king-size actors who convey unmistakably what organisms are dedicated to. Sensitive souls have reacted with shock to the elemental drama of life on this planet, and one of the reasons that Darwin so shocked his time-and still bothers ours-is that he showed this bone crushing, blood-drinking drama in all its elementality and necessity: Life cannot go on without the mutual devouring of organisms. If at the end of each person’s life he were to be presented with the living spectacle of all that he had organismically incorporated in order to stay alive, he might well feel horrified by the living energy he had ingested. The horizon of a gourmet, or even the average person, would be taken up with hundreds of chickens, flocks of lambs and sheep, a small herd of steers, sties full of pigs, and rivers of fish. The din alone would be deafening. To paraphrase Elias Canetti, each organism raises its head over a field of corpses, smiles into the sun, and declares life good.

Jorgen!” I shouted. “Fly! You’re in the middle of a firefight, idiot!” “I’m trying! It’s a little distracting to have your ship suddenly be haunted by the ghost of your not-dead girlfriend!” He steered the ship in a precise evasive pattern. I melted a little. Girlfriend? Was that how he thought of me? I mean, we’d kissed. Once. But…I didn’t think it had been formalized or anything. I hadn’t even brought him any dead orc carcasses, which I was pretty sure was the way the stories said to show a guy you wanted to go official.

You can’t steer anyone away from the path they’re going to take. You can show ’em that there’s plenty of other paths – you can do that much – but past that? They’ll go where they go.

Hands are my kink—they show everything about a man’s competence. The way they move, the way they touch….a well-shaped hand resting on a steering wheel or shifting gears…I could come just thinking about it.

Every day of your life, you are faced with opportunities. Unfortunately, the choices that face you are not heroic choices. They are bamboo tree choices. They are small, but progressive choices that steer you in a positive direction and over time you're bound to meet success. For most of us, we spend all our lives waiting for that life changing moment that will change the course of our lives and make us successful. Unfortunately, the clock is ticking. Every day, we choose not to tend to our bamboo tree, a choice is made for us and by the time we realize it, the seasons have passed and we have nothing to show for it.

In the school of life experience, setbacks show us where we need to do better. We can steer clear of similar challenges in the future, or we can redouble our efforts to master them, broadening our capacities and expertise.

Focus on making good decisions, not perfect ones. ‘Good enough’ steers you towards real change. Perfectionism causes decision-making paralysis, whereas improving your mood demands that you make decisions and take action. Keep changes small and sustainable. When someone is down, we show them kindness because we know it is what they need. So, if you are committed to managing your mood and overall mental health, commit to practising self-compassion.

If we had met five years ago, you wouldn't have found a more staunch defender of the newspaper industry than me ... I was winning awards, getting raises, lecturing college classes, appearing on TV shows, and judging journalism contests. So how could I possibly agree with people like Noam Chomsky and Ben Bagdikian, who were claiming the system didn't work, that it was steered by powerful special interests and corporations, and existed to protect the power elite? And then I wrote some stories that made me realize how sadly misplaced my bliss had been. The reason I'd enjoyed such smooth sailing for so long hadn't been, as I'd assumed, because I was careful and diligent and good at my job ... The truth was that, in all those years, I hadn't written anything important enough to suppress ...

I decided the map was clearly written by masochistic-doodling ancient Egyptians because everything was hieroglyphics and unreadable doodads. I cursed the map. “BY MOTHRA’S NIPPLES! I FUCKING HATE THIS MAP!” Irrational anger bubbled to the surface and all I could think about was murdering the map. I would show the map who was boss. I was boss. Not some evil, wrong map from hell. I had no choice but to hit the map against the steering wheel several times, grunting and releasing a string of curses that would have made my sailor father proud. And maybe blush. Then I opened my driver’s side door, still grunting and raging, and slammed the map against the car, threw it on the ground, stomped on it, kicked it, and just generally assaulted it in every way I could think of. I’m a little embarrassed to admit, in my mindlessness I was also taunting the map, questioning its virility, flipping it the bird, and cursing now in Spanish as well as English. It was the most cardio I’d done in over twelve months. Stupid map, making me do cardio. I’ll kill you!

The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!

He agreed that BiDil should be approved without regard to race, noting that American cardiologists “jumped on the statin drugs” once the Scandinavian Simvastatin Survival Study showed they were effective. “Would you restrict the results of the Scandinavian trial to Scandinavian people?” he asked. “I don’t think so.”17 Dr. Curry’s colleague Charles Rotimi, from Howard University’s National Human Genome Center, echoed this position. Rotimi warned that upholding an unproven biological explanation for health disparities would steer biomedical research in a dangerous direction. “It would be tragic not to approve [BiDil],” Rotimi said, “and it would be even more tragic just to approve it for African Americans.” 18

Detachment is a gift to each of us, really. Whether we are detaching from others or they from us, it’s a show of respect every time. To not allow others, or to not be allowed, to make personal choices limits our growth. Our time here is purposeful. If we steer others in a direction that’s not right for them now, time is wasted, lessons are postponed, and opportunities are missed.

him to turn out and find a dry twig; and if he can't do it, go and borrow one. In fact, the Leather Stocking Series ought to have been called the Broken Twig Series. I am sorry there is not room to put in a few dozen instances of the delicate art of the forest, as practised by Natty Bumppo and some of the other Cooperian experts. Perhaps we may venture two or three samples. Cooper was a sailor — a naval officer; yet he gravely tells us how a vessel, driving towards a lee shore in a gale, is steered for a particular spot by her skipper because he knows of an undertow there which will hold her back against the gale and save her. For just pure woodcraft, or sailorcraft, or whatever it is, isn't that neat? For several years Cooper was daily in the society of artillery, and he ought to have noticed that when a cannon-ball strikes the ground it either buries itself or skips a hundred feet or so; skips again a hundred feet or so — and so on, till finally it gets tired and rolls. Now in one place he loses some "females" — as he always calls women — in the edge of a wood near a plain at night in a fog, on purpose to give Bumppo a chance to show off the delicate art of the forest before the

Don Abbondio, constantly absorbed in thoughts of his own peace of mind, did not concern himself with advantages that required hard work or a modicum of risk. His system consisted primarily in avoiding all conflict and backing down from the ones he could not avoid. He offered unarmed neutrality in all the wars erupting around him, from the frequent disputes that used to break out between the clergy and the secular mayors, soldiers and civilians, nobleman and nobleman, all the way down to disputes between two peasants sparked by a word and settled by fists or daggers. When he was forced to choose between two contenders, he always sided with the stronger party, but always cautiously, taking care to show the other party that he had no choice in the matter, as if to say, “Why couldn’t you have been the stronger man? Then I would have taken your side.” By steering clear of bullies, pretending not to notice their momentary, capricious abuses, responding meekly to the ones with graver, more premeditated intentions, and forcing even the gruffest and most contemptuous to smile, through his bowing and jovial deference, when he ran into them on the street, the poor man had managed to make it past the age of sixty without much trouble.

So, Ryan, back to my Economy model. In motor-vehicle parlance, she's the cloth-seats and plastic-steering-wheel version. But she gets you from A to B. This model comes only in white. My sister-in-law's a lovely black woman from Jamaica and she said to me, she said, Ron! Don't you dare do an Economy black woman. And I love women, I do, and I thought, yeah, show respect. Also, Bridget would knock the shit out of me.

One of the constants in life is that results are always being produced. If you don't consciously decide what results you want to produce and represent things accordingly, then some external trigger-a conversation, a TV show, whatever-may create states that create behaviors that do not support you. Life is like a river. It's moving, and you can be at the mercy of the river if you don't take deliberate, conscious action to steer yourself in a direction you have predetermined. If you don't plant the mental and physiological seeds of the results you want, weeds will grow automatically. If we don't consciously direct our own minds and states, our environment may produce undesirable haphazard states. The results can be disastrous. Thus it's critical that-on a daily basis-we stand guard at the door of our mind, that we know how we are consistently representing things to ourselves. We must daily weed our garden.

What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner. Hang-gliding," I said, "accident." Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser." I don't remember how I changed the subject, but I did. I was still telling myself that it wasn't Rikki who getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep. I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had next printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser. I knew what he did to them. He turned them into emblems, sigils on the map of his hustler' s life, navigation beacons he could follow through a sea of bars and neon. What else did he have to steer by? He didn't love money, in and of itself , not enough to follow its lights. He wouldn't work for power over other people; he hated the responsibility it brings. He had some basic pride in his skill, but that was never enough to keep him pushing. So he made do with women. When Rikki showed up, he needed one in the worst way. He was fading fast, and smart money was already whispering that the edge was off his game. He needed that one big score, and soon, because he didn't know any other kind of life, and all his clocks were set for hustler's time, calibrated in risk and adrenaline and that supernal dawn calm that comes when every move's proved right and a sweet lump of someone else's credit clicks into your own account.

My father was taking me as seriously as the Ringolds were, but not with Ira’s political fearlessness, with Murray’s literary ingenuity, above all, with their seeming absence of concern for my decorum, for whether I would or would not be a good boy. The Ringolds were the one-two punch promising to initiate me into the big show, into my beginning to understand what it takes to be a man on the larger scale. The Ringolds compelled me to respond at a level of rigor that felt appropriate to who I now was. Be a good boy wasn’t the issue with them. The sole issue was my convictions. But then, their responsibility wasn’t a father’s, which is to steer his son away from the pitfalls. The father has to worry about the pitfalls in a way the teacher doesn’t. He has to worry about his son’s conduct, he has to worry about socializing his little Tom Paine. But once little Tom Paine has been let into the company of men and the father is still educating him as a boy, the father is finished. Sure, he’s worrying about the pitfalls—if he wasn’t, it would be wrong. But he’s finished anyway. Little Tom Paine has no choice but to write him off, to betray the father and go boldly forth to step straight into life’s very first pit. And then, all on his own—providing real unity to his existence—to step from pit to pit for the rest of his days, until the grave, which, if it has nothing else to recommend it, is at least the last pit into which one can fall.

Was it not the chief mistake and also the hopeless futility of Pharisaism to meddle with the minute affairs of life, and to lay down what a man should do at every turn? It was not therefore an education of conscience, but a bondage of conscience; it did not bring men to their full stature by teaching them to face their own problems of duty and to settle them, it kept them in a state of childhood, by forbidding and commanding in every particular of daily life. Pharisaism, therefore, whether Jewish or Gentile, ancient or modern, which replaces the moral law by casuistry, and the enlightened judgment of the individual by the confessional, creates a narrow character and mechanical morals. Freedom is the birthright of the soul, and it is by the discipline of life the soul finds itself. It were a poor business to be towed across the pathless ocean of this world to the next; by the will of God and for our good we must sail the ship ourselves, and steer our own course. It is the work of the Bible to show us the stars and instruct us how to take our reckoning

That night, Jas wore the only dress she owned.It was made of soft,clingy fabric.The skirt was short, showing off her now tan and muscular legs.When she came down the steps barefoot,Chase's eyes widened in surprise. "Um...what happened to your jeans?" he asked. "Never mind." Linking her arm with his,she steered him away from the kitchen door."Is Danvers here?" "In the kitchen standing very close to Miss Hahn,tasting spaghetti sauce." "Okay.Here's the plan." she lowered her voice."Call him into the living room for something. I'll run up and get the album." Chase nodded his head with utmost seriousness"And I'll drop the salad." "Right." He was bent slightly to hear her and without warning, he suddenly angled his head and kissed her. When he pulled back, he was grinning like a little kid."Sorry.I couldn't help myself. It's all this intrigue." "Right it's the intrigue," Jas repeated, too surprised to say anything else. Her heart was beating like a drum, and when he went into the kitchen, she thumped up the steps, touching her lips. Thinking to herself "Did he really just kiss me?"...........

Philosophy is not tricks before an audience, nor is it a thing set up for display. It consists not in words but in actions. One does not take it up just to have an amusing pastime, a remedy for boredom. It molds and shapes the mind, gives order to life and discipline to action, shows what to do and what not to do. It sits at the helm and steers a course for us who are tossed in waves of uncertainty. Without it, there is no life that is not full of care and anxiety. For countless things happen every hour that need to advice philosophy alone can give.

I have no need for soft words or tender concern,” he told her, praying she would heed it as the warning he intended. “Don’t expect me to provide those things to you, either. That’s not who I am. Look at me only as a weapon. A deadly one you’d be wise to steer clear of until this whole thing is over.” She didn’t cower, even though he’d made grown Breed males tremble with less venom than he showed her now. She drew her shoulders more squarely, her eyes narrowed as she slowly shook her head. “You’re not a weapon, Scythe. You’re flesh and blood. You’re a man.

We therefore discussed the circumstance of the Captain taking a poor old woman's dinner out of her hands one very slippery Sunday. He had met her returning from the bakehouse as he came from church, and noticed her precarious footing; and, with the grave dignity with which he did everything, he relieved her of her burden, and steered along the street by her side, carrying her baked mutton and potatoes safely home. This was thought very eccentric; and it was rather expected that he would pay a round of calls, on the Monday morning, to explain and apologise to the Cranford sense of propriety: but he did no such thing: and then it was decided that he was ashamed, and was keeping out of sight. In a kindly pity for him, we began to say, "After all, the Sunday morning's occurrence showed great goodness of heart," and it was resolved that he should be comforted on his next appearance amongst us; but, lo! he came down upon us, untouched by any sense of shame, speaking loud and bass as ever, his head thrown back, his wig as jaunty and well-curled as usual, and we were obliged to conclude he had forgotten all about Sunday.

In the end, it was such a simple, small thing. He had felt flashes of it before in his life, the absolute certainty. But the truth was that he'd kept walking away from it. It was a far more terrifying idea to imagine how much control he really had over how his life turned out. Easier to believe that he was a gallant ship tossed by fate than to captain it himself. He would steer it now, and if there were rocks near shore, so be it. "Tell me where Owen Glendower is," he said to the darkness. Crisp and sure, with the same power he had used to command Noah, to command the skeletons in the cave. "Show me where the Raven King is.

Probably the first book that Hamilton absorbed was Malachy Postlethwayt’s Universal Dictionary of Trade and Commerce, a learned almanac of politics, economics, and geography that was crammed with articles about taxes, public debt, money, and banking. The dictionary took the form of two ponderous, folio-sized volumes, and it is touching to think of young Hamilton lugging them through the chaos of war. Hamilton would praise Postlethwayt as one of “the ablest masters of political arithmetic.” A proponent of manufacturing, Postlethwayt gave the aide-de-camp a glimpse of a mixed economy in which government would both steer business activity and free individual energies. In the pay book one can see the future treasury wizard mastering the rudiments of finance. “When you can get more of foreign coin, [the] coin for your native exchange is said to be high and the reverse low,” Hamilton noted. He also stocked his mind with basic information about the world: “The continent of Europe is 2600 miles long and 2800 miles broad”; “Prague is the principal city of Bohemia, the principal part of the commerce of which is carried on by the Jews.” He recorded tables from Postlethwayt showing infant-mortality rates, population growth, foreign-exchange rates, trade balances, and the total economic output of assorted nations.

says Budgie. She puts the car in neutral and drums her fingernails against the steering wheel. No one moves. “Here we are,” says Nick. “Greenwald,” says Graham, “why don’t you take Lily for a little walk? Show her the campus a bit.” “Oh, Jesus,” Nick mutters. “Budgie?” I ask, in a small voice. “Go ahead, honey,” she says. “I just need to talk to Graham for a minute.” Graham gets out of the front seat, opens Nick’s door, and heaves him into the chilly night. I slide after, absorbing the warmth of Nick’s seat as I pass over. “We’ll just be a minute,” Graham says to Nick. “I’ll bet.” Nick looks at me. I can’t read his expression, not in this darkness, but I gather something like sympathy. “Come along, Lily. There’s a bench over this way.” “Are you all right to walk like this?” “Of course.” He brandishes one crutch. “It’s nothing.” The air has chilled remarkably since the sun-filled noontime in the stadium. I cross my arms over my woolen

She was getting ready to attach a figure of a longhorn steer wearing a Christmas hat, compliments of Shelley's mother's Texas collection -- and thinking of how fun it was to see decoration from the various newcomers to the pack -- when she heard Guthrie shouting. Deep, frustrated showing. And cursing. Claws scrambled on the stone floor, boots tromped at a run toward the great hall, and then disaster struck. Women shrieked and shouted, but Calla was on the other side of the tree where she couldn't see the commotion. But then she saw the twelve-foot tree toppling over -- right toward her. Before she could get out of the way, something hit her hard from the side and slammed her against the floor. Just before the tree landed on top of them. He was on top of her, smelling like the great outdoors, fir tree, and musky, sexy male wolf, Guthrie. "Sorry," he mumbled against her ear, branches framing his head and touching the floor on either side of hers. "I meant to rescue you." She smiled. "From... the tree?

It’s almost time for us to swim,” Turtle said cheerfully. “You can worry about that instead.” He canted his wings and swooped down toward the river. Uneasily, Peril followed him. Don’t think about it. There’s nothing I can do about this NightWing right now anyway. I have to wait until he shows his face a bit closer to me, and then I can burn it off, and then everything will be fine. She flexed her talons, feeling the warm shift of her firescales, and then splashed down right behind Turtle. The river was cold and extremely wet and full of flappy slippery things. Peril did not like it ONE BIT. The flappy slippery things (she assumed most of them were fish) kept touching her and then not bursting into flames and that was so weird. Even the feeling of water all around her scales, pressing in on her, was extremely unsettling. She was also not particularly fond of how much faster than her Turtle could suddenly go. He powered forward in huge wingbeats, steering gracefully with the current, while she flopped around snorting water up her snout and generally feeling like a hippo. A hippo floated past, eyeing her with serene scorn. Fine. Not like a hippo. Like an ostrich suddenly plunked in the middle of an ocean, how about that.

I remember a story by a flight instructor I knew well. He told me about the best student he ever had, and a powerful lesson he learned about what it meant to teach her. The student excelled in ground school. She aced the simulations, aced her courses. In the skies, she showed natural skill, improvising even in rapidly changing weather conditions. One day in the air, the instructor saw her doing something naïve. He was having a bad day and he yelled at her. He pushed her hands away from the airplane’s equivalent of a steering wheel. He pointed angrily at an instrument. Dumbfounded, the student tried to correct herself, but in the stress of the moment, she made more errors, said she couldn’t think, and then buried her head in her hands and started to cry. The teacher took control of the aircraft and landed it. For a long time, the student would not get back into the same cockpit. The incident hurt not only the teacher’s professional relationship with the student but the student’s ability to learn. It also crushed the instructor. If he had been able to predict how the student would react to his threatening behavior, he never would have acted that way. Relationships matter when attempting to teach human beings—whether you’re a parent, teacher, boss, or peer. Here we are talking about the highly intellectual venture of flying an aircraft. But its success is fully dependent upon feelings.

But the basis of Freud's ideas aren't accepted by all philosophers, though many accept that he was right about the possibility of unconscious thought. Some have claimed that Freud's theories are unscientific. Most famously, Karl Popper (whose ideas are more fully discussed in Chapter 36) described many of the ideas of psychoanalysis as ‘unfalsifiable’. This wasn't a compliment, but a criticism. For Popper, the essence of scientific research was that it could be tested; that is, there could be some possible observation that would show that it was false. In Popper's example, the actions of a man who pushed a child into a river, and a man who dived in to save a drowning child were, like all human behaviour, equally open to Freudian explanation. Whether someone tried to drown or save a child, Freud's theory could explain it. He would probably say that the first man was repressing some aspect of his Oedipal conflict, and that led to his violent behaviour, whereas the second man had ‘sublimated’ his unconscious desires, that is, managed to steer them into socially useful actions. If every possible observation is taken as further evidence that the theory is true, whatever that observation is, and no imaginable evidence could show that it was false, Popper believed, the theory couldn't be scientific at all. Freud, on the other hand, might have argued that Popper had some kind of repressed desire that made him so aggressive towards psychoanalysis. Bertrand

He stared down at her for a moment, wanting to heal every cut on her soft skin. But he couldn’t, not yet. He needed to get her, and her car, far from this place so neither he nor Kate would be implicated in any way with the gruesome murder site. It also meant he would have to drive. In all his years, he had never driven an automobile. The closest he had come was watching various assistants through the years as they chauffeured him. He wasn’t sure he could even remember how to start the car, but right now he had no choice. Grudgingly, he got into the driver’s seat, and finding the lever underneath, he pushed it back so he sat comfortably behind the wheel. After trying three different keys, he found one that slipped into the ignition. From what he had seen over the past hundred years, driving was not a complex operation, and he was an immortal with reflexes far more keen than a human man. How difficult could it be? He turned the key and nearly jerked the wheel off the steering column when the car surprised him by lurching forward. The car went silent. The engine wasn’t running. What was he doing wrong? He stared at the gearshift, wondering if he should move it. His frustration reared up, but his agitation would not make the car drive itself. He had to keep a cool head. Not knowing what else to try, he pushed one of the pedals at his feet to the floor and turned the key again. This time the car didn’t move, and it roared to life. Grasping the gearshift, he jammed it into the first position and glanced over at Kate. Why couldn’t she have owned a car with an automatic transmission? Shaking his head, he put some pressure on the gas pedal and slowly released the clutch. Thankfully the car rolled a few feet, but without warning it jumped forward. He pressed the clutch back to the floor before the engine lost power again. Calisto slammed his hand against the wheel, muttering under his breath in Spanish. At this rate it would take him all night to drive her home. The faded yellow convertible pitched forward again, threatening to stall as he continued out of the parking lot, thankful it was late. The streets were fairly empty. At least he wouldn’t get into an accident with another car. Her car staggered ahead, lurching each time he tried to release the clutch, bouncing and jostling them both until Kate finally stirred and woke up. § “Are we out of gas or something?” Calisto watched her with a tight smile. “Not exactly.” Kate winced in pain when she laughed. “You can’t drive a stickshift, can you?” “Does it show?” Calisto pulled over, finally allowing the engine to stall. She nodded her head slowly to avoid more pain. “Just a little. What happened?” “You don’t remember?” “I remember being mugged. And I remember seeing you, but everything after that is blank.” She watched his eyes as Calisto reached over to brush her hair back from her face, and his touch sent shivers through her body. This wasn’t how she had hoped she would run into him, but she learned a long time ago fate didn’t always work out the way you expected.

They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!

Violet’s not getting out of our sight,” Arion adds. There’s a moment of just staring…like everyone is trying to silently argue. “No one naked in my car,” Mom states when I just stand in my spot, waiting on them to hurry through the push and pull. You really can tell how thick the air is when too many alphas are in the room at one time, but weirdly it never feels this way when it’s just the four of them. Unless punches are thrown. Then it gets a little heavier than normal. Arion pulls on his clothes, and threads whir in the air as I quickly fashion Emit a lopsided toga that lands on his body. Everyone’s gaze swings to him like it’s weird for him and normal for me to be in a toga. Awesome. Damien muffles a sound, Emit arches an eyebrow at me, and Arion remains rigid, staying close to me but never touching me. All of us squeezing into a car together while most of them hate each other…should be fun. The storm finally stops before we board the elevator, and it’s one of those super awkward elevator moments where no one is looking at anyone or saying anything, and everyone is trying to stay in-the-moment serious. We stop on the floor just under us, after the longest thirty-five seconds ever. The doors open, and two men glance around at Emit and I in our matching togas, even though his is the fitted sheet and riding up in some funny places. He looks like a caveman who accidentally bleached and shrank his wardrobe. I palm my face, embarrassed for him. The next couple of floors are super awkward with the addition of the two new, notably uncomfortable men. Worst seventy-nine seconds ever. Math doesn’t add up? Yeah. I’m upset about those extra nine seconds as well. Poor Emit has to duck out of the unusually small elevator, and the bottom of his ass cheek plays peek-a-boo on one side. Damien finally snorts, and even Mom struggles to keep a straight face. That really pisses her off. “You’re seeing him on an off day,” I tell the two guys, who stare at my red boots for a second. I feel the need to defend Emit a little, especially since I now know he overheard all that gibberish Tiara was saying… I can’t remember all I said, and it’s worrying me now that my mind has gone off on this stupid tangent. I trip over the hem of my toga, and Arion snags me before I hit the floor, righting me and showing his hands to my mother with a quick grin. “Can’t just let her fall,” he says unapologetically. “You’re going to have to learn to deal with that,” she bites out. She has a very good point. I don’t trip very often, but things and people usually knock me around a good bit of my life. The two guys look like they want to run, so I hurry to fix this. “Really, it’s a long story, but I swear Emit—the tallest one in the fitted-sheet-toga—generally wears pants…er…I guess you guys call them trousers over here. Anyway, we had some plane problems,” I carry on, and then realize I have to account for the fact we’re both missing clothing. “Then there was a fire that miraculously only burned our clothes, because Emit put all my flames out by smothering me with his body,” I state like that’s exactly what happened. Why do they look so scared? I’m not telling a scary lie. At this point, I’ve just made it worse, and fortunately Damien takes mercy, clamping his hand over my mouth as he starts steering me toward the door before I can make it…whatever comes after worse but before the worst. “Thank you,” sounds more like “Mmdi ooooo,” against his hand, but he gets the gist, as he grins. Mom makes a frustrated sound. “Another minute, and she’d be bragging about his penis size in quest to save his dignity. Did you really want to hear that?” Damien asks her, forcing me to groan against his hand.

One day Marlboro Man invited my sister, Betsy, and me to the ranch to work cattle. She was home from college and bored, and Marlboro Man wanted Tim to meet another member of my family. “Working cattle” is the term used to describe the process of pushing cattle, one by one, through a working chute, during which time they are branded, dehorned, ear tagged, and “doctored” (temperature taken, injections given). The idea is to get all the trauma and mess over with in one fell swoop so the animals can spend their days grazing peacefully in the pasture. When Betsy and I pulled up and parked, Tim greeted us at the chute and immediately assigned us our duties. He handed my sister a hot shot, which is used to gently zap the animal’s behind to get it to move through the chute. It’s considered the easy job. “You’ll be pushing ’em through,” Tim told Betsy. She dutifully took the hot shot, studying the oddly shaped object in her hands. Next, Tim handed me an eight-inch-long, thick-gauge probe with some kind of electronic device attached. “You’ll be taking their temperature,” Tim informed me. Easy enough, I thought. But how does this thing fit into its ear? Or does it slide under its arm somehow? Perhaps I insert it under the tongue? Will the cows be okay with this? Tim showed me to my location--at the hind end of the chute. “You just wait till the steer gets locked in the chute,” Tim directed. “Then you push the stick all the way in and wait till I tell you to take it out.” Come again? The bottom fell out of my stomach as my sister shot me a worried look, and I suddenly wished I’d eaten something before we came. I felt weak. I didn’t dare question the brother of the man who made my heart go pitter-pat, but…in the bottom? Up the bottom? Seriously? Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan.

You want me to fuck you?” I leaned down, bringing her face to mine so our noses crushed together. I grabbed the front of her dress, twisting, tightening it against her skin until the fabric began pulling apart and tearing. “You want me to knock you up?” “Yes,” she breathed out. “Yes.” I dropped to the marble, resting my back against the vanity. “Ask nicely.” “Please.” “Nicer.” She crawled toward me on all fours, straddled my lap, and grabbed my hand, bringing it between her legs. Her fingers guided mine into her slick pussy, two of hers joining mine inside her warmth. My lips found her nipple, biting down through her dress. Together, we fucked her cunt down to our knuckles, curling until her walls pulsed. I watched our fingers disappear inside her. She arched her back, trying to accommodate as much of us as she could. Her lips drifted to the shell of my ear. “Please, please, please.” I tore my fingers out of her, ripped her dress down the middle, and captured both sides of her waist, sinking her onto my cock, down to the hilt. Her head fell forward. She bit my shoulder, drawing blood, her hips bucking. She was so tight it felt like I was fucking her ass. Her walls squeezed around me, milking my dick for cum. I let her ride my length until my impatience won over, and I pulled her off me, flipped her over, and lowered her on all fours. The marble was cold and hard against her knees. I love seeing that spoiled little brat take all of my cock, feeling the discomfort of it. My silver-spooned nymph. I entered her from behind. She drove back, meeting each of my thrusts. My fingers curled around her neck and steered her upward until her back plastered against my front. She craned her head around and captured my lips, slipping her tongue past my teeth. Her back arched, fingers dipping between her legs, searching for her clit. I smacked them away, then landed a palm on her ass. “Rom,” she whined. “I need to come.” “What you need is to be fucking grateful.” My blood brought my point home, covering every inch of her back, arms, and tits, matting her hair in clumps. I released her throat and pet the crown of her head, whispering praises into her ear. “Such a good girl.” Words I never thought I’d say. Especially to this particular girl, who was anything but good two hundred percent of the time. “If only you took directions so well when you’re not filled with my cock.” I reached around her and found her clit, rewarding her with a single flick. She cried out and fell forward, on her hands and knees again, pushing onto my cock. More crimson drops splattered onto her back. I’d reopened my wound, and fresh red painted her spine. I dipped a finger into it, then spelled my name across her back dimples. “Who owns your ass?” I growled. “You.” “Louder.” “You.” “Now crawl forward and show me your cunt from behind. I want to see if it’s worth my cum.” With a reluctant moan, she inched away from my cock, writhing about two feet away. She started to turn when I hissed, “I don’t want to see your face, Mrs. Costa. Just the cunt I stole from my enemy.” She spread her thighs apart, exposing her pussy. It dripped on my floor, her juices mixing with my blood, creating a pink puddle at her feet. I stroked my cock, coated with her wetness, scented by the wife I couldn’t get enough of. I grinned, the release tickling my shaft. “Embarrassed?” “No. Empty.” Fuck me sideways. How this woman would ever end up with a wuss like Madison, I had no idea. She would make meatballs out of him before the reception. (Chapter 55)

There is no requirement for those affected by an idea to be aware of any of this, of course. When the writer and media critic Philip Sandifer writes that "David Whitaker, at once the most important figure in Doctor Who's development and the least understood, created a show that is genuinely magical and this influence cannot be erased from within the show," he does not mean that any of the hundreds of actors and writers who went on to work on the programme saw it in those terms. Or as Sandifer so clearly puts it, "I don't actually believe that the writers of Doctor Who were consciously designing a sentient metafiction to continually disrupt the social order through a systematic process of détournement. Except maybe David Whitaker." From Drummond and Cauty's perspective, the story of Doctor Who is irrelevant. All that was happening was that they were exploring their mental landscape, and they were fulfilling their duty as artists by doing so more deeply than normal people. This is a landscape with many unseen, unknown areas where who-knows-what might be found. The KLF explored further than most and, if we were to accept Moore's model, it would perhaps not be surprising that a fiction as complex as Doctor Who could encounter them in Ideaspace and, being at its lowest point and in dire need of help, use them for its own ends. For Moore, and other artists such as David Lynch who use similar models, the role of the artist is like that of a fisherman. It is their job to fish in the collective unconscious and use all their skill to best present their catch to an audience. Drummond and Cauty, on the other hand, appear to have been caught by the fish. Lacking any clear sense of what they were doing, they dived in as deeply as Moore and Lynch. They did not have a specific purpose for doing so. They just needed to make something happen - anything really, such is the path of chaos. "It was supposed to be a proper dance record, but we couldn't fit the four-four beat to it, so we ended up with the glitter beat, which was never really our intention but we had to go with it," Cauty has said. "It was like an out of control lorry, you know, you're just trying to steer it, and that track took itself over really, and did what it wanted to do. We were just watching." This lack of intention is significant, from a magical point of view. One of the most important aspects of magical practice is the will. Aleister Crowley defined magic as being changes in the world brought about by the exercise of the will, hence his maxim 'Do what thou Will shall be the whole of the Law.' The will or intention of a magical act is important because the magician opens himself up to all sorts of strange powers and influences and he must avoid being controlled by them. Drummond and Cauty were not exerting any control on the process, and so they made themselves vulnerable to the who-knows-whats that live out of sight in the depths of Ideaspace. For this reason, you could understand why Moore would think that Bill Drummond was “totally mad." All this only applies if you're prepared to accept the notion of magic, of course.

each other. No words were needed, they both felt the same. What a load of bollocks. They’d known each other two minutes. How could they be in love? Joan was just going over the top. The four glasses clinked together. “Tuck in guys. This is one of my better dishes. My mam helped with it too so I know it’s going to be top notch.” Trevor rubbed his hands together and grabbed his fork. There were no flies on him he was tucking in. Food was his comfort and now Joan was off the market he needed it more than ever. Mabel picked at the food on her plate, nibbling, watching everyone else around her. Patrick sat next to Joan and every chance he got he kissed her, held her hand. He knew he was on show here tonight and he was making sure he ticked all the boxes. * Cath and Katrina were chatting in the yard. The winds were blowing with force. They both looked freezing as they marched around the concrete yard. There were high steel fences with barbed wire on the top of it. There was no way out. Katrina needed a friendly ear, some advice, someone to ease her heavy heart. Once she’d filled Cath in on everything that had happened they both sat on a bench not far from the fence.  The screws watched them with caution and never took their eyes from them. They were high-risk prisoners. Cath let out a laboured breath and bit down hard on her bottom lip. “For crying out loud didn’t I tell you to keep away from that prick. Look what’s happened now. You’ve fucking blown it. You were getting out of this shit-hole in a few more months and you’ve gone and fucked it all. Where is your head at woman, you should of steered well clear of any trouble?” Katrina snivelled, her eyes flooding with tears. “I know, I just wanted to hurt him like he’s hurt me. I loved that man with all my heart and he just fucked off and left me. I’ve lost it all Cath. My kids, my home, everything I ever loved. How can I tell my kids I’m not coming home? It will break their hearts. I’ve made promises to them. A better life, no more trouble. Their mother home for good.” “They’ve not charged you yet. Wait until it’s set in stone and then you know what you’re dealing with.” Cath held her in her arms and squeezed her tight. She knew as much as the other person that she wasn’t getting out of jail anytime soon. The crime she’d committed would be all over the news soon and the public would know who she was. She’d seen it so many times before. Once an offender was named, the nation would be all over it. No doubt Norman would be made out to be the hero too. There would be no story about the way he treated this woman, no mention of all the women he’d abused in the past. Maybe someone should have grassed him up. Katrina had warned him if he she got her collar felt there would be repercussions. Why hadn’t she put his name in the picture yet? Now was the time to put her cards on the table and look after number one. Maybe if she turned Queen’s evidence she could get a deal with the prosecution. A lesser sentence, a few years knocked off. Cath was aware of this but to be a Judas was another matter. Katrina would have to

We’re going to sneak you into a party where any number of servants or guests might know me?” Cass could just imagine the scandalized looks if she, the dutiful fiancé of Luca da Peraga, showed up at a formal event with another man. Falco took Cass’s arm and steered her toward the front door of the villa. “Don’t worry. It’s a masquerade ball. No one will recognize you.” “I don’t have a mask,” Cass said, glancing around the portego as though one might magically appear. “Leave everything to me,” Falco said, flashing her a smile.

We work long hours at these shows, and no matter how funny someone's writing sample is, if they are too talkative or needy or angry to deal with in the middle of the night by the printer, steer clear.

Let's imagine... if you glimpsed the future, you were frightened by what you saw, what would you do with that information? You would go to... the politicians, captains of industry? And how would you convince them? Data? Facts? Good luck! The only facts they won't challenge are the ones that keep the wheels greased and the dollars rolling in. But what if... what if there was a way of skipping the middle man and putting the critical news directly into everyone's head? The probability of wide-spread annihilation kept going up. The only way to stop it was to show it. To scare people straight. Because, what reasonable human being wouldn't be galvanized by the potential destruction of everything they've ever known or loved? To save civilization, I would show its collapse. But, how do you think this vision was received? How do you think people responded to the prospect of imminent doom? They gobbled it up like a chocolate eclair! They didn't fear their demise, they re-packaged it. It could be enjoyed as video-games, as TV shows, books, movies, the entire world wholeheartedly embraced the apocalypse and sprinted towards it with gleeful abandon. Meanwhile, your Earth was crumbling all around you. You've got simultaneous epidemics of obesity and starvation. Explain that one! Bees and butterflies start to disappear, the glaciers melt, algae blooms. All around you the coal mine canaries are dropping dead and you won't take the hint! In every moment there's the possibility of a better future, but you people won't believe it. And because you won't believe it you won't do what is necessary to make it a reality. So, you dwell on this terrible future. You resign yourselves to it for one reason, because *that* future does not ask anything of you today. So yes, we saw the iceberg and warned the Titanic. But you all just steered for it anyway, full steam ahead. Why? Because you want to sink! You gave up!

So when Finn sailed back down the Negro at dawn, he saw no flames and heard no roaring as the house was destroyed. Everything at first seemed to be as it had always been: the big trees by the river, the huts of the Indians, the Carters’ launch riding at anchor. Then the dog, standing beside him, threw back his head and howled. “What is it?” asked Finn. But now he, too, smelled the choking, lingering smoke. And as he sailed toward the landing stage, he saw it--the space, the nothingness, where the Carters’ house should have been. Not even an empty shell. Nothing. He had thought that the news of his father’s death was the worst thing that had happened to him, but this was worse, because he was to blame. If he had taken Maia as she had begged… He was shivering so much that it was difficult to steer the Arabella to the jetty and make her fast. There was no point in searching the ruins; it was so obvious that no one could survive such a blaze. But there was one last hope. The huts of the Indians had been spared. Perhaps they had gotten Maia out; perhaps he would find her sleeping there. He pushed open the door of the first hut and went inside…then the second and the third. They were completely empty. Even the parrot on his perch had gone, even the little dog. A broken rope in the run outside showed where the pig, terrified by the flames, had rushed back into the forest. There was no doubt now in Finn’s mind. They had let Maia burn and fled in terror and shame. What would it be like, Finn wondered, going on living and knowing that he had killed his friend? The howler monkeys had been right to laugh when he said he wasn’t going back. He had turned downriver again almost at once to fetch Maia, and he had made good time, traveling with the current--but he had come too late.

Consider contemporary Christian radio for a moment. No doubt you’ve preset a few of your dials to your local contemporary Christian stations. A sad and tattered promotion for churches shows up on the radio in every city in America. We’ve all heard it. It goes something like this. Are you tired of traditional church? Do you feel out of place when you attend? Do the messages make you feel guilty? Are you looking for something positive? Are you looking for messages that are relevant? Are you looking for a place where you can belong? You’re not alone in your frustration. Church does not have to be boring. Church does not have to be complicated. Come and join us at the Suburban Church, where you can come as you are. It’s a church designed with you in mind. We have six service times, including two on Saturday night. Or you can stay home and watch in your pajamas. This stuff is like catnip for suburban evangelical Christians. It drives me crazy. It makes me shout at my steering wheel. Seriously, it’s absurd. Unrelenting offers like this make up the bizarre Christian subculture I’m describing. This ad is opposed to a biblical view of the church in every possible way. You should not find it appealing. You should find it offensive. Just think through it. Consider the logic of removing a sense of conviction from church. It’s convoluted. The only way a church can avoid causing feelings of conviction is to avoid the gospel all together.

The simple solution was for Manchin to concede. He could just give Sinema her win—and find another way to pay for the bill. But Manchin wasn’t in a yielding mood. “I’m not going to let her define this bill,” he told Steve Ricchetti. To dislodge the pair of obstinate senators, Schumer enlisted Mark Warner, one of their fellow centrists. Warner considered both of them friends and had a history of skillfully steering them in leadership’s favored direction. Warner’s first task was getting Manchin to relent, which meant a late-night visit to his houseboat. A summer storm soaked Warner’s suit, and he lounged around in a borrowed T-shirt and a pair of Manchin’s flip-flops. “Show generosity of spirit,” he urged. He had an ally in Manchin’s wife, Gayle, who had access to emotional weaponry that Warner didn’t. “You can’t be greedy on this,” she told her husband. Having worked through his anger, Manchin could see that he had little choice but to grant Sinema her win.

Destiny, I feel, is also a relationship—a play between divine grace and willful self-effort. Half of it you have no control over; half of it is absolutely in your hands, and your actions will show measurable consequence. Man is neither entirely a puppet of the gods, nor is he entirely the captain of his own destiny; he’s a little of both. We gallop through our lives like circus performers balancing on two speeding side-by-side horses—one foot is on the horse called “fate,” the other on the horse called “free will.” And the question you have to ask every day is—which horse is which? Which horse do I need to stop worrying about because it’s not under my control, and which do I need to steer with concentrated effort?

The catcalls and screams didn’t surprise Leo, nor did discovering Meena at the heart of chaos. There was his delicate flower, on the ground wrestling Loni, a lioness who’d come to town for the wedding. The same Loni who’d made numerous passes at him over the years, but whose high maintenance attitude made him steer clear. He wondered what had triggered the hair pulling and wrestling. He also really wished, once again, that Meena had worn panties. The occasional flash of her girly bits dragged the possessive side of him out— which really wanted to snarl, “Mine. Don’t look.” It also woke the hungry lover that wanted to toss her over a shoulder and take her somewhere private for ravishing. At least those closest to the fight and witness to her bare bottom were all women. The bad? They were all women. His usual method of smacking a few heads together to save time wouldn’t work in this situation. Boys shouldn’t hit girls. So how to stop the catfight? He stuck fingers in his mouth and blew, the whistle strident and cutting through the noise. In the sudden quiet, he said, “Vex, what the hell are you doing?” Meena, fist held back, poised for a serious blow, froze. She swiveled her head and smiled sweetly. No sign of repentance at being caught misbehaving. “Just give me a second, Pookie. I am almost done here.” He arched a brow. “Vex.” He used his warning tone. “Maybe you should let Loni go and forget about hitting her.” “Probably. But the thing is, I really want to smash her face in.” Sensing an out, Loni turned her head and whined, “Get this crazy bitch off me. I didn’t do a damned thing. She started it. She always starts shit. She should have never been unbanned. She’s trouble. Always has been.” Reba and Zena opened their mouths, ready to leap to Meena’s defense, but Leo raised a hand. They held their tongues— not an easy feat for cats— but their eyes spoke quite eloquently. Leo focused his attention on Meena. “Vex, is this true? Did you jump her?” Her shoulders slumped. “Yeah.” “Why?” “Does it matter?” she asked. “It does to me. Why do you want to rearrange her nose?” “She said we didn’t belong together and that maybe she should show you why she’s a better choice.” Meena couldn’t help but growl as she recounted the reason for her ire aloud. “Punch her.” To say a few mouths O’d in surprise would be an understatement. No one was more surprised than Meena at his order. “Seriously?” “Yeah, seriously. Given any idiot with eyes could see we were together, then that makes what she said mean and uncalled for. If you’re going to talk the talk, then you have to be prepared to pay the price. Since I can’t very well smack Loni for causing trouble, as pride omega”— and, yes, he thrust out his chest and put on his most serious mien—“ I am giving you permission to do so.” Permission granted, and yet Meena didn’t hit Loni. On the contrary, she stood, smoothed down her skirt, and tossed her head, sending her ponytail flying. “No need to rearrange her face. You just admitted in front of an audience we are together. That calls for a round of shots. Whee!” Meena did a fist pump and yelled, “In your face, bitch!

As if I conjured him into being, Braeden materialized nearby and shouted, “Rome! Where you been hiding?” The crowd parted slightly to make room for Romeo’s best friend, and he grinned when he saw me standing there. “Ah,” he said, “tutor girl is back.” I sighed dramatically. Was he ever going to stop calling me that? Braeden pushed into the center of the small crowd and put his arm around me, and Romeo let go of my hand as Braden tugged me into his side. “He’s been unbearable while you were gone,” he said. I was aware of everyone watching the easy affection he showed me. It made me slightly uncomfortable, even if I did enjoy it. “I doubt it,” I said, poking him in the ribs. “You were probably just annoying.” People around us laughed, and Braeden hooted. “Rome, I need to borrow your girl. She knows all about books and I can’t seem to find the one I need.” He shoved his wrinkled paper beneath my nose and steered me out of the crowd so I would help him. I found the book in like three seconds and handed it to him with an are you for real? look on my face. “Looked like it was getting a little crowded over there,” he said, taking the book. His eyes held a knowing look. He’d done that on purpose. He knew almost as well as Romeo how uncomfortable I could get. “Thanks,” I said, and I meant it. “Anytime, tutor girl.” “I do have a name, you know?” I said. “I know.” He grinned. It was the only answer I got. He definitely didn’t say he was going to start using it. -Braeden & Rimmel

Our current world I submit that we currently live in a climax stage.21 We have a political model that is based on leading in the popular polls--a model where barely differentiated political leaders pretend to be different by steering voters away from important issues and onto subjects that, albeit emotional, are of little consequence to most people--a model where the election is won by the person with the best marketing, and where consistency and integrity are irrelevant. We have an economic model that is based on pulling resources out of the ground and mostly turning them into unnecessary products, getting people to buy the products by convincing them that they need them, then getting them to throw the products away because they're obsolete. This makes people buy the next model and bury the other one in the ground. The sole goal of this seemingly pointless exercise is to work faster and grow the gross domestic product, which measures the resource churn. We live in a world where the money necessary for our way of life comes out of a slit in the wall as long as we keep showing up for work, yet only experts understand the fiat-based money/credit system. We live in a world where food can be heated in a microwave oven at the touch of a button, yet only experts understand how this works. This goes for most of the other technology we use. All we know is that if we press this or that button, things magically happen. We are aware of large-scale problems, but most of us believe that we can't do anything about them. Instead, we believe in a mythical They who will find a solution, just like They have provided all this wonderful technology we surround ourselves with. We may be more technologically advanced as a group, and correctly but myopically hold up technology as our one indicator of "progress,"22 but in terms of individual understanding we have not come far, and once again live according to old concepts. In fact, we might have turned a full cycle from the last climax stage: The Dark Ages.

Brigham, the greatest and certainly the most able economist and administrator and businessman this nation has ever seen, didn't give a hoot for earthly things: 'I have never walked across the streets to make a trade.' He didn't mean that literally. You always do have to handle things. But in what spirit do we do it? Not the Krishna way, by renunciation, for example... If you refuse to be concerned with these things at all, and say, "I'm above all that," that's as great a fault. The things of the world have got to be administered; they must be taken care of, they are to be considered. We have to keep things clean, and in order. That's required of us. This is a test by which we are being proven. This is the way by which we prepare, always showing that these things will never captivate our hearts, that they will never become our principle concern. That takes a bit of doing, and that is why we have the formula 'with an eye single to his glory.' Keep first your eye on the star, then on all the other considerations of the ship. You will have all sorts of problems on the ship, but unless you steer by the star, forget the ship. Sink it. You won't go anywhere.

It took five minutes for the barkeep to come around. He was an old salt—tall and thin. So grizzled he looked like he’d been here back when Ponce de León first showed up. Letty ordered a vodka martini. While he shook it, she eavesdropped on a conversation between an older couple seated beside her. They sounded midwestern. The man was talking about someone named John, and how much he wished John had been with them today. They had gone snorkeling in the Dry Tortugas. The woman chastised her husband for getting roasted in the sun, but he expertly steered the conversation away from himself. They talked about other places they’d been together. Their top three bottles of wine. Their top three sunsets. How much they were looking forward to a return trip to Italy. How much they were looking forward to Christmas next week with their children and grandchildren. These people had seen the world. They had loved and laughed and lived.

I got into service dog training through a connection I made with one of the rescue volunteers.” Her smile grew especially bright at that point. “Oh,” Fiona said, her own smile kicking up a notch as she leaned toward Maddy, a conspiratorial look on her face. “And does this volunteer have a name?” Maddy lifted her hand to adjust her straw, modestly showing off a twinkling engagement ring. “He might.” Fiona hooted and grabbed Maddy’s hand to take a closer look. Kerry just moaned in mock dismay. “Seriously, whatever it is you all are drinking, tell me so I can steer clear.” Fiona just patted Kerry’s hand and smiled. “You keep telling yourself that, sweetie.

Is this too harsh a verdict? I wouldn’t go so far as to say the Clintons don’t care about Haiti. Yet it seems clear that Haitian welfare is not their priority. Their priority is, well, themselves. The Clintons seem to believe in Haitian reconstruction and Haitian investment as long as these projects match their own private economic interests. They have steered the rebuilding of Haiti in a way that provides maximum benefit to themselves. No wonder the Clintons refused to meet with the Haitian protesters. Each time the protesters showed up, the Clintons were nowhere to be seen. They have never directly addressed the Haitians’ claims. Strangely enough, they have never been required to do so. The progressive media scarcely covered the Haitian protest. Somehow the idea of Haitian black people calling out the Clintons as aid money thieves did not appeal to the grand pooh-bahs at CBS News, the New York Times, and NPR.

I didn’t toss aside my plan to steer clear of meaningless rebound flings because I can’t resist a French maid costume. I didn’t say yes to bedding my boss, the woman signing my paychecks, because you showed up at my door looking like a male fantasy. I couldn’t resist you.” “You

Cool. I know an awesome spot called Henry’s. They have the absolute best beer selections and the wings are great. They also have darts and pool.” Furi stopped talking when he noticed Syn looking a little pale. “Hey, what’s up?” “Uh, nothing.” They were in Syn’s old faithful truck and Furi sat silently watching the man next to him. “We going or what?” Furi narrowed his eyes, staring at the side of Syn’s face. His jaw was clenched and his neck was flushed. What the hell? “Yeah. Let’s go.” “Okay.” Syn thought he was going to be sick. It was just his goddamn luck that Furi would suggest the one place where half the department liked to hang out. Hell, even his Lieutenants frequented this place. It would be cruel to subject Furi to Day’s inappropriateness so soon. Syn wasn’t necessarily afraid of being with a man; he just wasn’t the type to make his personal life public. Or am I scared? Fuck. Syn didn’t think Furi would go for keeping them a secret. The man had made that quite clear when they were in the alley. Syn gripped the steering wheel and willed his foot to press the accelerator. Maybe … just maybe, there wouldn’t be anyone familiar there. Syn drove under the speed limit and felt Furious’ probing eyes on the side of his face. He tried to smile and keep his jaw from showing his nervous tick. Despite his efforts, they got there in what felt like record time. Furious got out and waited for Syn to slowly make his way toward the entrance. “Are you sure everything is alright?” Furious asked, annoyed. “I’m good. Really. Good. Perfect,” Syn said, mentally kicking himself for sounding like an idiot. Furi took his hand in his and it took every ounce of Syn's willpower not to pull his hand back. Of course he’d be into PDA. Furious pulled open the door and walked in as if he hadn’t a care in the world. It was almost nine p.m. and the though it wasn’t packed, there were quite a few people there. Syn tried not to look around, keeping his eyes on the back of Furious’ head as he led them to a booth; thankfully located in the back of the bar, where it was a little bit darker. Syn made sure to sit so he was facing the door while Furi sat opposite of him. Furi didn’t speak. He picked up one of the menus and started to look through it. “First time out with a man?” Syn's head snapped his up from hiding behind his menu. “Uh. Yeah, but ya know.” “No, I don’t know,” Furi answered quickly. “If you didn’t want to come out, why didn’t you just say so? You look like you're about to pull a disguise out of your coat. Or do you plan to just stay hidden behind your menu all fucking evening?” “Furious.” “Although that’s going to make eating really difficult. Should I be prepared for you to fake a stomach ache?” “Enough,” Syn barked, Furious’ dark eyes widening at his tone. “Look, cut me some slack alright? I am not new to dating men. I’m new to dating: period. Just about all of my adult life I’ve focused on being a cop, a damn good cop. I had little time for anything else in my life including dates. Dating takes time and patience, two things I didn't have. I was prepared to accept being alone the rest of my life until I saw you. I wanted you, and I was more than willing to take the time and effort to be with you. So forgive me if I don’t do everything exactly right on our first date.” “I’m not expecting you to. I haven’t dated in years myself. But one thing I’m not concerned about is being ashamed.” Furi looked Syn dead in the eye. Syn didn’t have a chance to respond, the waitress came to set a pail of peanuts on the table. Speaking in a cheerful voice: “What can I get you guys to drink?

Your purpose should be written on a piece of paper and taped to your mirror or writing table; whenever you go astray, let the reminder steer you back to your course. State your purpose as succinctly as possible, in two or three sentences at most. If you have trouble formulating your purpose, your writing will probably show it. You will wander, and the reader will have trouble figuring out what it is you’re getting at—because you yourself won’t know what it is you’re getting at. A well-articulated purpose will guide your way. Successfully settling on a purpose requires defining, redefining, and continually clarifying your goal—all the while eliminating fuzzy intentions and digressions. It’s an ongoing process, and the act of writing can alter your original purpose. You have to know when to remain firm and when to be flexible.

Among these have been an unhealthy number of near-death moments, many of which I look back on now and wince. But I guess our training in life never really ends--and experience is always the best tutor of all. Then there are the most bizarre: like jet-skiing around Britain in aid of the UK lifeboats. Day after day, hour after hour, pounding the seas like little ants battling around the wild coast of Scotland and Irish Sea. (I developed a weird bulging muscle in my forearm that popped out and has stayed with me ever since after that one!) Or hosting the highest open-air dinner party, suspended under a high-altitude hot-air balloon, in support of the Duke of Edinburgh’s kids awards scheme. That mission also became a little hairy, rappelling down to this tiny metal table suspended fifty feet underneath the basket in minus forty degrees, some twenty-five thousand feet over the UK. Dressed in full naval mess kit, as required by the Guinness Book of World Records--along with having to eat three courses and toast the Queen, and breathing from small supplementary oxygen canisters--we almost tipped the table over in the early dawn, stratosphere dark. Everything froze, of course, but finally we achieved the mission and skydived off to earth--followed by plates of potatoes and duck à l-orange falling at terminal velocity. Or the time Charlie Mackesy and I rowed the Thames naked in a bathtub to raise funds for a friend’s new prosthetic legs. The list goes on and on, and I am proud to say, it continues. But I will tell all those stories properly some other place, some other time. They vary from the tough to the ridiculous, the dangerous to the embarrassing. But in this book I wanted to show my roots: the early, bigger missions that shaped me, and the even earlier, smaller moments that steered me.

Cade gently began to unbraid Lily’s hair, pulling the silken strands through his fingers until they settled in a pale cascade over her shoulders and back. "I am coming back, Lily." Cade said, as he would to a skittish horse. He had grown up with animals as his only friends. He knew no other principles to apply. "Jim didn't." Lily set her brush down and pulled away. But there was nowhere she could go without walking out the door or over to the bed. "I am not Jim. I have been taking care of myself most of my life. What are you afraid of, Lily?" Her back stiffened. "Nothing. Go where you will." Cade didn't know what to do. He couldn't leave with this anger between them, but he didn't know how to alleviate it. He could wrestle a steer to the ground, track a man through open prairie, live in the wilderness with ease, but he didn't know how to talk to a woman. His hand dropped to his side. "There's some things a man has to do, Lily." She swung around and glared at him. "No, there are some things a man wants to do. It's his choice. There's a difference." She was a slender flame in the darkness. Cade wanted to touch the beauty of her, to know for certain that she was actually his to have and to hold, but flames burned. He kept his hands to himself. "I don't want to leave you, Lily. It would be much easier to stay here and hold you in my arms and let the world go by, for the present. But not for the future. It is our future I seek, Lily. I may not succeed. I may come back empty-handed. But I have to try. Lily, can you see that? I have to try." There was almost a plea in his voice. It seemed impossible to believe. His eyes were as dark and impenetrable as ever. The angular lines of his face revealed nothing. Without thought to what she did, Lily lifted her hand to touch the stony line of his jaw. It was warm and very, very human. Cade gave up the fight and jerked her into his arms. Just her touch shattered something inside of him, something that had held him immobile for too long. He did not know what it was to need someone. He did not want to know. But right this minute he needed her. Lily's arms slid around his neck, and Cade held her close, doing nothing more than feeling her breathing against him. "I don't want you to hate me, Lily." "I don't." She rested her head against his shoulder. "I was angry. And afraid. I'm afraid of you, Cade. I'm afraid of what you do to me. I'm afraid of what you are. I'm afraid of what I don't know." He could understand those emotions, but he couldn't admit it. He ought to just carry her to bed and end this foolishness, but she had touched something inside of him that he hadn't known existed, and bed wasn't enough any longer. Caressing her back with one large hand, Cade asked, "What do I need to do to show you, Lily? Show me what you want." "It isn't that easy. There has to be trust. We don't know each other well enough to trust.

I don’t want to die.” I say, defiantly. “Bright Side, what?” He’s confused. Of course he’s confused. No one starts a conversation like that. I repeat, “I don’t want to fucking die.” “Oh, shit, Bright Side.” I hear him take a deep breath, a primer for the conversationthat’s about to unfold. “Talk to me. What’s going on?” “I’m fucking dying, Gus. I don’t want to die. That’s what’s fucking going on.” I hit the steering wheel with my palms. “Goddammit!” I scream... Gus doesn’t deserve this, but I know he’ll deal with it better than anyone else would. “Calm down, dude. Where are you?” “I don’t know. I’m sitting in my car in a fucking parking garage in the middle of motherfucking Minneapolis, Minnesota.” That was hostile. “Are you by yourself?” “Yes,” I snap. “You’re not supposed to be driving while you’re on your pain meds.” I don’t want his fatherly tone. “I know that.” “Are you in danger or hurt?” I burst out laughing, surprised that I can’t even laugh without sounding angry. The question is absurd to me though. I’m dying. “Bright Side, shut up for a second and talk to me. Do I need to call 911? What the fuck is going on?” He sounds scared. I shake my head like he can see me. “No, no. I’m just ... I’m fucking mad, Gus. That’s all.” And at a loss for words because my mind is jumbled up into this bitter, resentful ball. I don’t know what else to say so I repeat myself. “I’m really fucking mad.” “Well shit, by all means, there’s plenty of room at my table for anger.” He gets it. That’s why I called him, after all. “I’ve been dishing out heaping servings of fury for the past month. I feel better knowing I’m not the only one in this whole debacle with some rage issues. So fire away. Fucking give it to me.” I do. An explosive, steady stream of expletives flows out of me. I’m cursing it all, shouting out questions, pounding the steering wheel, and wiping away hot, angry tears. Occasionally Gus joins in, yelling affirmations. Sometimes he waits for a pause on my part and takes his turn and sometimes he just steamrolls over the top of me... Eventually, my tears stop, and I’m able to take normal breaths. My throat feels tight and my head hurts a little, but I’m calm. On the other end of the line, Gus gets quiet, too. Silence falls between us... My voice is raspy when I decide to break the silence. “Gus?” “Yeah, Bright Side.” He sounds like himself again. Calm. “Thanks.” I feel like a huge weight has been lifted off of me. And now I need to apologize. “Sorry, dude.” He laughs. “No worries. You feel better?” I can actually smile now. “Yeah, I really do.” “Good, me too. I think we should’ve done this weeks ago.” “I think I should’ve done it months ago.” I mean it. It felt so good to let it all out. “Bright Side, you know I love you all happy and adorable in your little world of sunshine and rainbows, but you’re kinda hot when you’re angry. I dig aggressive chicks. And that was crazy aggressive.” He knows I’m going to say it, but I can’t help myself. “Whatever.” I even roll my eyes. “I think I’m gonna rename you Demon Seed.” “What? I show you my dark side and now I have to be the fucking antichrist? I don’t like that. Why can’t I just be Angry Bitch?” He laughs hard and my heart swellsbecause I haven’t heard this laugh out of Gus in a month. And I love this laugh. “Well dude, since it seems my therapysession has wrapped up, I’d better get going. I need to get home.” “Sure. Drive slowly and text me when you get there so I know you made it. And no more driving after this trip.” “Yes sir. I love you, Gus.” “Love you, too, Angry Bitch,” his voice low and dramatic. He pauses because he knows I’m not going to hang up to that. “I was just trying it out,” he says innocently.

The last night of his sojourn in Paris is given up to "the fucking business." He has had a full program all day---conferences, cablegrams, interviews, photographs for the newspapers, affectionate farewells, advice to the faithful, etc., etc. At dinner time, he decides to lay aside his troubles. He orders champagne with the meal, he snaps his fingers at the garcon and behaves in general like the boorish little peasant that he is. And since he has had a bellyful of all the good places he suggests now that I show him something more primitive. He would like to go to a very cheap place, order two or three girls at once. I steer him along the Boulevard de la Chapelle, warning him all the while to be careful of his pocketbook. Around Aubervilliers we duck into a cheap dive and immediately we've got a flock of them on our hands. In a few minutes, he's dancing with a naked wench, a huge blonde with creases in her jowls. I can see her ass reflected a dozen times in the mirrors that line the room---and those dark, bony fingers of his clutching her tenaciously. The table is full of beer glasses, the mechanical piano is wheezing and gasping. The girls who are unoccupied are sitting placidly on leather benches, scratching themselves peacefully just like a family of chimpanzees. There is a sort of subdued pandemonium in the air, a note of repressed violence, as if the awaited explosion required the advent of some utterly minute detail, something microscopic but thoroughly unpremeditated, completely unexpected. In that sort of half-reverie which permits one to participate in an event and yet remain quite aloof, the little detail which was lacking began obscurely but insistently to coagulate, to assume a freakish, crystalline form, like the frost which gathers on the windowpane. And like those frost patterns which seem so bizarre, so utterly free and fantastic in design, but which are nevertheless determined by the most rigid laws, so this sensation which commenced to take form inside me seemed also to be giving obedience to ineluctable laws. My whole being was responding to the dictates of an ambiance which it had never before experienced; that which I could call myself seemed to be contracting, condensing, shrinking from the stale, customary boundaries of the flesh whose perimeter knew only the modulations of the nerve ends.

sounded calm when she answered the phone. Which meant that Jody had probably left. They had begun the day with the two women arguing about whose phone the government had legal and moral authority to tap. Pearl and her daughter could discuss such subjects until they were all talked out and Quinn had long since fled to wherever it might be legal and moral to smoke a cigar. “Still reeling from the Minnie Miner show?” Pearl asked him. “Not per se,” Quinn said. “That sounds like something Winston Castle would say. He must have gotten to you with his member-of-parliament persona.” “I suppose that’s why I’m calling,” Quinn said. “There’s something familiar about Winston Castle’s act. It reminds me of a magician’s patter, designed to get you looking at one hand while he’s doing something with the other. Just when everybody’s attention is distracted, Presto! Out of the hat pops the rabbit.” “Or the right card,” “Never play poker with them,” Quinn said. “Rabbits?” “People. Like the ones in Winston Castle’s whack-job family, or whatever it is. They have their patter.” “Meaning?” “Maybe somebody has a real Michelangelo up a sleeve.” “Magicians,” Pearl said, not quite understanding. “I’ve always kind of liked them.” “Their act wouldn’t work if you didn’t.” “I still like them.” “They cut people in half, you know.” “Only beautiful girls. And it doesn’t seem to hurt.” “I wouldn’t want to see you proved wrong.” “Where are you going with this,” Pearl asked with a sigh. Jody had apparently worn her down. “We are going to stake out the Far Castle’s Garden.” “I thought we were concentrating on D.O.A.” “Maybe we are,” Quinn said. “My guess is he’s not one of the many people who think Bellazza isn’t in the garden, just because an imitation has already been found there.” “Are we among the many, Quinn?” “On one hand, yes.” “But on the other?” “Presto!” 78 The searcher came by night, as Quinn had suspected he would, and hours after the restaurant had closed. Quinn was slouching low behind the steering wheel in the black Lincoln. He’d parked where he had a catty-corner view across the intersection and the Far Castle’s outdoor dining area. Beyond the stacked and locked tables and chairs loomed the shadowed topiary forms of the garden. Beginning several feet behind the flower beds was the larger garden, wilder and less arranged than the beds, with a variety of

Croque Madame drums her fingers on the steering wheel. “Bridges are one of the first things the enemy looks to destroy.” “Why? So people can’t get to work?” Terk asks. “No,” Cardyn counters. “It’s so trucks can’t pass over and boats can’t pass through. It’s all about cutting off supply lines.” He taps his temple. “Very clever strategy.” Brohn shakes his head. “It’s to destroy morale. Bridges are symbols. They show there’s nothing human beings can’t do, no distance we can’t cross. Destroy that, and you destroy morale. Destroy morale, and you keep everyone afraid and too broken to fight back.” Rain suggests that targeting bridges has to do with a reallocation of resources. “It’s like in chess,” she says. “If I can get you to dedicate your pieces to defense on one side of the board, I’m free to launch my attack on the other.” I tell them I’m pretty sure I read that the destruction of bridges in war is to prevent the movement of enemy troops. From a few rows behind us, Manthy’s voice is smooth and even. “It’s about separation.” She seems fixated on something outside the bus—maybe the long green grass along the side of the road or the intact houses and shops up ahead—and doesn’t turn to look at us.

In mid-1986, Letterman got an unexpected call from Dave Tebet, the Carson Productions executive who worked with “Late Night.” Tebet said that he and Henry Bushkin, Johnny Carson’s extremely powerful attorney, business partner, and author of his 2013 tell-all, wanted to meet with Letterman—by himself, totally confidentially. Letterman was stunned when he heard what they had come to propose: They were offering him the “Tonight ” show; they wanted him to take Johnny Carson’s job. Bushkin, in his role as head of Carson Productions, said that the company intended to maintain ownership of the “Tonight ” show after Johnny stepped down, and now was the time to line up Letterman to slip into Johnny’s chair. The details were vague, and to Letterman they sounded deliberately so. He said he was flattered, he listened politely, but his radar was signaling a warning. Neither man told Letterman how or when this ascension would be accomplished, a problem that started sounding even worse when Bushkin advised Letterman that no one at NBC or anywhere else knew of the plan yet—not even Carson. Letterman, already nervous, now started to feel as if he were getting close to a fire he didn’t want to be in the same campground with. They asked Letterman not to tell anyone, not even his management. They would get back to him. The more Letterman thought about it, the more it sounded like a palace coup. His immediate instinct was to stay out of this, because there was going to be warfare of some sort. He feared Carson would interpret this maneuver as plotting and he guessed what might happen next: Johnny’s best friend Bushkin wouldn’t take the fall. Nor would his old crony, Tebet. It would be the punk who got blamed for engineering this. Letterman broke his promise and called Peter Lassally, Carson’s producer. Lassally was shocked by what he heard. He suspected that Bushkin was involved in all sorts of machinations that never benefited Carson. He thought about telling Johnny, but other attempts to alert the star to questionable activities by Bushkin had been harshly rebuffed. Lassally decided to see what developed and advised Dave to keep Bushkin and Tebet at a distance. Letterman had a couple of more phone calls from Bushkin and Tebet about the deal; they discussed it with Ron Ellberger, the Indianapolis attorney that Letterman still employed. Tebet blamed the lawyer for muddying up the deal, and eventually said that Carson knew of the plan and had approved of the idea of lining up Letterman for the future. But Tebet was lying; Carson had never heard a word about it, and when he did—long after the approach had taken place and Bushkin and Tebet were both long gone—Carson exploded with rage at the thought that this plotting had gone on behind his back. He knew exactly what he would have done if he had learned of it at the time: He would have fired Bushkin and Tebet before another day elapsed. Letterman had guessed right in steering clear of the coup. When he learned that Carson hadn’t known what was going on, Letterman was deeply thankful for his cautious instincts. When the offer from Bushkin melted away, Letterman tried not to give it any second thoughts. Only for the briefest time did he think that he might have walked away from an offer to host the “Tonight” show. The next time, it would not be nearly so easy to take.

I couldn’t shake the idea that I, too, was probably one conversation away from changing my own mind about something, maybe a lot of things. But I also recalled how many conversations I’d had that only made my convictions stronger. I thought about the truthers and all the conversations they had in New York. I wondered what made these interactions different. In the training, after the videos, Laura handed things over to Steve, and I got my first clue. He opened by telling the crowd that facts don’t work. A serene man with a gentle and patient spirit, Steve put away his persistent smile and raised his voice to address the audience on this point. “There is no superior argument, no piece of information that we can offer, that is going to change their mind,” he said, taking a long pause before continuing. “The only way they are going to change their mind is by changing their own mind—by talking themselves through their own thinking, by processing things they’ve never thought about before, things from their own life that are going to help them see things differently.” He stood by a paper easel on which Laura had drawn a cartoon layer cake. Steve pointed to the smallest portion at the top with a candle sticking out. It was labeled “rapport,” the next smallest layer was “our story,” and the huge base was “their story.” He said to keep that image in mind while standing in front of someone, to remember to spend as little time as possible talking about yourself, just enough to show that you are friendly, that you aren’t selling anything. Show you are genuinely interested in what they have to say. That, he said, keeps them from assuming a defensive position. You should share your story, he said, pointing to the portion of the cake that sat on top of the biggest layer, but it’s their story that should take up most of the conversation. You want them to think about their own thinking. The team tossed out lots of metaphors like these. For instance, Steve later said to think of questions as keys on a giant ring. If you keep asking and listening, he told the crowd, one of those keys was bound to unlock the door to a personal experience related to the topic. Once that real, lived memory was out in the open, you could (if done correctly) steer the conversation away from the world of conclusions with their facts googled for support, away from ideological abstractions and into the world of concrete details from that individual’s personal experiences. It was there, and only there, he said, that a single conversation could change someone’s mind.

The Little Cowboy That Could" Once upon a time, in a dusty, sunbaked town, there was a little cowboy named Cody. Unlike the other cowboys who rode tall in the saddle, Cody was just a young buck with a small pony. Every day, he watched the seasoned cowboys and wished he could wrangle and ride as well as they did. One evening, as the sun dipped low, Old Man Moon peered down and saw Cody looking downhearted. "Why the long face, little cowboy?" asked the Moon. "I'm not as skilled as the others. I want to be a great cowboy too," Cody replied. The Moon chuckled softly and said, "Every cowboy has his day to shine. You've got a special spirit within you, and one day, it'll show." Bolstered by the Moon's words, Cody decided to try harder. He started by helping a lost calf find its way back to the herd. Then, he practiced lassoing as best as he could to help round up the steers. With every good deed, he felt a proud warmth inside. Days turned into weeks, and Cody kept on working hard. One night, as he helped a little lost pup find its way back to the ranch, he felt a sudden glow. Cody looked down and saw the pup wagging its tail, looking up at him with grateful eyes. The pup barked as if to say, "Thank you, little cowboy, for guiding me home." At that moment, Cody felt a burst of happiness and, to his surprise, he found himself riding and roping better than ever before. All the other cowboys noticed and cheered, "Look, Cody is riding like a true cowboy!" From that day on, Cody became known as the cowboy who rode the brightest, not just with his skills, but with his kindness and heart. And he learned that it's not just about how well you ride, but about the help you bring to others' lives. And so, Cody continues to ride, reminding everyone that even the smallest cowboy can make a big difference.

Through my dark and scary world, Brendon had been a bright light that had steered me toward a new dawn. He showed me that I could thrive in a world without fears and demons and that I could be safe to live. Later that night, I pulled out my journal and wrote my daily events. Only the happy, positive things. I wanted to focus on the good in my life.

The Golden Age of Radio was an era of pre-television radio entertainment from the 1930s- 1950s. The shows crossed many genres. Showcasing stories about hard-boiled detectives, Westerns, comedies, horror, etc. I LOVED to listen to those stories. The shows conjured up lush scenes of vibrant color, painful heartbreak and suspense in my young mind. Some of my favorite shows that I still listen to as an adult include: The Adventures Sam Spade, Pat Novak for Hire, Gunsmoke, Hopalong Cassidy, Have Gun Will Travel, Nero Wolfe, Richard Diamond, The Adventures of Rocky Jordan, The Marx Brothers, The Green Hornet and The Whistler, to name a few.

When you have a positive mindset, it shows in your body language, and through proper coordination of your mind and body, you can easily steer yourself out of any crisis.

A skill is something you know how to do. Skill in writing frees you to write what you want to write. It may also show you what you want to write. Craft enables art. There’s luck in art. And there’s the gift. You can’t earn that. But you can learn skill, you can earn it. You can learn to deserve your gift.

They passed a special display---marked by warning signs---of poisonous plants. Natalie had always been intrigued by the pendulous white angel's trumpets and the small, deceptively innocent-looking berries of deadly nightshade. "That one's a favorite in murder mysteries," she said. "Supposedly ten berries will kill a person. The poison's called atropine." "The name comes from Atropos, one of the Three Fates," Peach said. "Oh, now you're showing off again." "What good is knowing stuff if you can't use it? Atropos was a bitch of a Fate. She could take you out by cutting the last thread of your life's tapestry." He made a snipping motion with his hand. "I'll steer clear of her.

That night, Jeffrey did not see Delia as planned. After letting Faizal go, he hadn't gone back to Jurong Headquarters, but spent the late afternoon driving around aimlessly to take his mind off the day's mishaps. His knuckles still ached from punching the beam, and he avoided looking at the red patches of skin holding the steering wheel. He could not get Faizal's laughter out of his mind. Driving past the old Kranji Road and Kranji Way, he observed the flat industrial blocks, slowly turning into a reservoir of open water - plain, bare and grey - before the lanes narrowed with tall trees surrounding him. What things would a son do for a father? There was nothing he would do for his, who had done nothing for him. Jeffrey's father had died in an accident when he was thirteen, leaving nothing but old bruises on his arms and legs. Had he been sad that he'd lost a father, or happy that the beatings could finally stop? All Jeffrey remembered was not showing emotions, even as his mother wailed and hugged the casket like a child.

If you fall soft, you splat. If you fall hard, you bounce. But after a while you can’t fall hard no more. Then what? There’s no point, Evan. To any of this.” Evan let the thought in. Tried to find the right one to send back out. “If you give up, it’s just a fuck-you to anyone who ever cared about you.” “That’s the answer right there, amigo. How many people care about me? How many people care about you? How many people ever really did?” Once more Evan found himself at the limitations of his experience. If there were words to shape the chaos beyond into meaning, he didn’t know what they were. Tommy gulped down another slug of bourbon. “That’s why we’re alcoholics.” “I’m not an alcoholic,” Evan said. “I like booze too much.” “Ain’t that some shit an alcoholic would say?” Tommy sucked in a lungful, spoke through the strain of the exhalation. “You still think you’re noble, like I once told myself, back when I blocked out how much of all that was just cover fire for my arrogance. No, not arrogance—it was to distract myself from how tight I was gripping the steering wheel.” He put his hands out, air-steering, cigarette stubbed out of his knobby knuckles, the other fist still gripping the bottle. He looked like an advertisement for reckless driving. “Then I figured out the steering wheel wasn’t hooked up to nuthin’, man. It was just a loose steering wheel.” He glanced over at Evan. “You still think it’s your responsibility to fix every damn thing in the world. That’s good. But it’s just training.” “For what?” “For what happens after you learn you can’t fix anything or save anyone. All you can do is light a match at a fork in the dark-ass road to show someone a better path that they’ll probably not take.

ask how much the mafia pays to carry out murders. Fríjol tells me without stopping for a moment. One thousand pesos. That is about $85. The figure seems so ludicrous that I check it out in several other interviews up in the barrios with former and active gang members. They all say the same thing. One thousand pesos to carry out a killing. The price of a human life in Juárez is just $85. To traffic drugs is no huge step to the dark side. All kinds of people over the world move narcotics and don’t feel they’ve crossed a red line. But to take a human life. That is a hard crime. I can at least comprehend assassins killing to jump from poverty to riches. But for someone to take a life for just $85—enough to eat some tacos and buy a few beers over the week—shows a terrifying degradation in society. To try to get a handle on how this has happened, I talk to social worker Sandra Ramirez at a youth center in the westside slums. Sandra grew up in the barrios and worked on assembly lines before trying to steer young people away from crime. She says the teenage sicarios are the result of systematic alienation over the last two decades. The slums were a convenient place for factory workers but got nothing from the government. As the factory jobs slumped with the economy, the slums were left to rot. One 2010 study found that a stunning 120,000 Juárez youngsters aged thirteen to twenty-four—or 45 percent of the total—were not enrolled in any education nor had any formal employment. “The government offers nothing. It can’t even compete with a thousand pesos. It is only the mafia that comes to these kids and offers them anything. They offer them money, cell phones, and guns to protect themselves. You think these kids are going to refuse? They have nothing to lose. They only see the day-to-day. They know they could die and they say so. But they don’t care. Because they have lived this way all their lives.” ask how much the mafia pays to carry out murders. Fríjol tells me without stopping for a moment. One thousand pesos. That is about $85. The figure seems so ludicrous that I check it out in several other interviews up in the barrios with former and active gang members. They all say the same thing. One thousand pesos to carry out a killing. The price of a human life in Juárez is just $85. To traffic drugs is no huge step to the dark side. All kinds of people over the world move narcotics and don’t feel they’ve crossed a red line. But to take a human life. That is a hard crime. I can at least comprehend assassins killing to jump from poverty to riches. But for someone to take a life for just $85—enough to eat some tacos and buy a few beers over the week—shows a terrifying degradation in society. To try to get a handle on how this has happened, I talk to social worker Sandra Ramirez at a youth center in the westside slums. Sandra grew up in the barrios and worked on assembly lines before trying to steer young people away from crime. She says the teenage sicarios are the result of systematic alienation over the last two decades. The slums were a convenient place for factory workers but got nothing from the government. As the factory jobs slumped with the economy, the slums were left to rot. One 2010 study found that a stunning 120,000 Juárez youngsters aged thirteen to twenty-four—or 45 percent of the total—were not enrolled in any education nor had any formal employment. “The government offers nothing. It can’t even compete with a thousand pesos. It is only the mafia that comes to these kids and offers them anything. They offer them money, cell phones, and guns to protect themselves. You think these kids are going to refuse? They have nothing to lose. They only see the day-to-day. They know they could die and they say so. But they don’t care. Because they have lived this way all their lives.

I ask how much the mafia pays to carry out murders. Fríjol tells me without stopping for a moment. One thousand pesos. That is about $85. The figure seems so ludicrous that I check it out in several other interviews up in the barrios with former and active gang members. They all say the same thing. One thousand pesos to carry out a killing. The price of a human life in Juárez is just $85. To traffic drugs is no huge step to the dark side. All kinds of people over the world move narcotics and don’t feel they’ve crossed a red line. But to take a human life. That is a hard crime. I can at least comprehend assassins killing to jump from poverty to riches. But for someone to take a life for just $85—enough to eat some tacos and buy a few beers over the week—shows a terrifying degradation in society. To try to get a handle on how this has happened, I talk to social worker Sandra Ramirez at a youth center in the westside slums. Sandra grew up in the barrios and worked on assembly lines before trying to steer young people away from crime. She says the teenage sicarios are the result of systematic alienation over the last two decades. The slums were a convenient place for factory workers but got nothing from the government. As the factory jobs slumped with the economy, the slums were left to rot. One 2010 study found that a stunning 120,000 Juárez youngsters aged thirteen to twenty-four—or 45 percent of the total—were not enrolled in any education nor had any formal employment. “The government offers nothing. It can’t even compete with a thousand pesos. It is only the mafia that comes to these kids and offers them anything. They offer them money, cell phones, and guns to protect themselves. You think these kids are going to refuse? They have nothing to lose. They only see the day-to-day. They know they could die and they say so. But they don’t care. Because they have lived this way all their lives.

•​Alexa and Siri answer your questions •​Amazon predicts your next purchase •​Apple unlocks the iPhone by scanning your face •​Facebook targets you with ads •​Gmail finishes your sentences •​Google Maps routes you to your destination •​LinkedIn curates your homepage and recommends connections •​Netflix recommends shows and movies •​Spotify learns the music you love •​Tesla’s Autopilot steers, accelerates, and brakes your car •​YouTube suggests videos •​Zoom automatically transcribes your recorded meetings

So what was Janice to do if she wanted to spend more quality time with her guy? How could she steer him in the direction she wanted him to go? I gave her one simple assignment: “Encourage him playing golf, support him, congratulate him when he got great results. Tell him you’re happy he goes out with his friends, happy that he plays golf, because that gives you the chance to (insert something that’s important to you and that shows you’re a high-value woman).” So that’s exactly what Janice did. She became a member of an improv group, she joined a spinning class, etc. 26 days. That’s exactly what it took before Mark’s behavior changed. This time he told her, “Hey honey. What would you say if I skipped golf next Sunday and you skip your improv class so we can have lunch and spend the afternoon together?

Helen Fielding recalls Marie inviting her to take the boat downriver to Parliament one Monday night. “We could grab a buoy and start a barbecue, and clock how long it takes for MI5 to send a speedboat.” They did exactly that, cooking sausages onboard outside the House of Commons and waiting for the security service, which never showed up, before steering unsteadily back, mooring the boat, and teetering ashore across the mud left by the falling tide, handbags akimbo.

Someone’s gotta do it. No one’s gonna do it. So I’ll do it. Your honor, I rise in defense of drunken astronauts. You’ve all heard the reports, delivered in scandalized tones on the evening news or as guaranteed punch lines for the late-night comics, that at least two astronauts had alcohol in their systems before flights. A stern and sober NASA has assured an anxious nation that this matter, uncovered by a NASA-commissioned study, will be thoroughly looked into and appropriately dealt with. To which I say: Come off it. I know NASA has to get grim and do the responsible thing, but as counsel for the defense—the only counsel for the defense, as far as I can tell—I place before the jury the following considerations: Have you ever been to the shuttle launchpad? Have you ever seen that beautiful and preposterous thing the astronauts ride? Imagine it’s you sitting on top of a 12-story winged tube bolted to a gigantic canister filled with 2 million liters of liquid oxygen and liquid hydrogen. Then picture your own buddies—the “closeout crew”—who met you at the pad, fastened your emergency chute, strapped you into your launch seat, sealed the hatch and waved smiling to you through the window. Having left you lashed to what is the largest bomb on planet Earth, they then proceed 200 feet down the elevator and drive not one, not two, but three miles away to watch as the button is pressed that lights the candle that ignites the fuel that blows you into space. Three miles! That’s how far they calculate they must go to be beyond the radius of incineration should anything go awry on the launchpad on which, I remind you, these insanely brave people are sitting. Would you not want to be a bit soused? Would you be all aflutter if you discovered that a couple of astronauts—out of dozens—were mildly so? I dare say that if the standards of today’s fussy flight surgeons had been applied to pilots showing up for morning duty in the Battle of Britain, the signs in Piccadilly would today be in German. Cut these cowboys some slack. These are not wobbly Northwest Airlines pilots trying to get off the runway and steer through clouds and densely occupied airspace. An ascending space shuttle, I assure you, encounters very little traffic. And for much of liftoff, the astronaut is little more than spam in a can—not pilot but guinea pig. With opposable thumbs, to be sure, yet with only one specific task: to come out alive. And by the time the astronauts get to the part of the journey that requires delicate and skillful maneuvering—docking with the international space station, outdoor plumbing repairs in zero-G—they will long ago have peed the demon rum into their recycling units.

One evening, before shooting her live show, she gave me but one instruction, which has haunted me to this day: “Make sure you present the real me. There is nothing worse than a book that sugar-coats the truth and ducks the humanity of the person. I wish you forty years in purgatory if you do that!” Hoping to steer clear of that ignoble end, I have written a book that does not avoid controversy or the seeming contradictions inherent in Mother Angelica’s character:

After arriving at Burning Man, Musk, a regular at the event, and his family went through their standard routines. They set up camp and prepped their art car for a drive. This year, they had cut the roof off a small car, elevated the steering wheel, shifted it to the right so that it was placed near the middle of the vehicle, and replaced the seats with a couch. Musk took a lot of pleasure in driving the funky creation.“ Elon likes to see the rawness of people there,” said Bill Lee, his longtime friend. “It’s his version of camping. He wants to go and drive the art cars and see installations and the great light shows. He dances a lot.” Musk put on a display of strength and determination at the event as well. There was a wooden pole perhaps thirty feet high with a dancing platform at the top. Dozens of people tried and failed to climb it, and then Musk gave it a go. “His technique was very awkward, and he should not have succeeded,” said Lyndon. “But he hugged it and just inched up and inched up until he reached the top.

Harry concentrated on not tripping over his feet. Parvati seemed to be enjoying herself; she was beaming around at everybody, steering Harry so forcefully that he felt as though he were a show dog she was putting through its paces.

Mothers speak about sadness and distress more with their daughters and about anger more with sons. And it shows. A study observing the talk of preschool-aged children found that girls were six times more likely to use the word love, twice as likely to use the word sad, but equally likely to use the word mad. We know that mothers who explain their emotional reactions to their preschool children and who do not react negatively to a child’s vivid display of sadness, fear, or anger will have children who have a greater understanding of emotions.13 Research indicates that fathers tend to be even more rigid than mothers in steering their sons along traditional lines. Even older siblings, in an imitation of their parents, talk about feelings more frequently with their two-year-old sisters than with their two-year-old brothers.

That was the kind of lie I hope to never have to tell again, the contempt I hoped never to have to show, about the things that really mattered to me. And in order to do that, I would pretty well have to steer clear of people I used to know.

Here, Veblen’s iconoclasm showed its range, as he simultaneously exposed modern corporations as hives of swarming parasites, derided marginalism for disingenuously sanitizing these infested sites by rebranding nonproductivity as productivity, and attacked economists for failing to situate themselves historically. On Veblen’s account, the business enterprise was no more immune from historical change than any other economic institution. As the controlling force in modern civilization, the business enterprise too would necessarily undergo “natural decay” and prove “transitory.” Where history was heading next, however, Veblen felt he could not say, because no teleology was steering the evolutionary process as a whole, only (as he had said before) the “discretionary action of the human agents,” whose institutionally shaped choices were still unformed. Nevertheless, limiting himself to the “calculable future”—to what, in light of existing scientific knowledge, seemed probable in the near term—Veblen pointed to two contrasting possibilities, both beyond the ken of productivity theories. One alternative was militarization and war—barbarism redux. According to Veblen, the business enterprise, as its grows, spills over national boundaries and fosters the expansion of a world market in which “the business men of one nation are pitted against those of another and swing“the forces of the state, legislative, diplomatic, and military, against one another in the strategic game of pecuniary advantage.” As this game intensifies, competing nations rush (said Veblen presciently) to amass military hardware that can easily fall under the control of political leaders who embrace aggressive international policies and “warlike aims, achievements, [and] spectacles.” Unchecked, these developments could, he believed, demolish “those cultural features that distinguish modern times from what went before, including a decline of the business enterprise itself.” (In his later writings from the World War I period, Veblen returned to these issues.) The second future possibility was socialism, which interested Veblen (for the time being) not only as an institutional alternative to the business enterprise but also as a way of economic thinking that nullified the productivity theory of distribution. In cycling back to the phenomenon of socialism, which he had bracketed in The Theory of the Leisure Class, Veblen zeroed in on men and women who held industrial occupations, in which he observed a growing dissatisfaction with the bedrock institutions of the modern age. This discontent was socially concentrated, found not so much among laborers who were “mechanical auxiliaries”—manual extensions—“of the machine process“ but “among those industrial classes who are required to comprehend and guide the processes.” These classes consist of “the higher ranks of skilled mechanics and [of people] who stand in an engineering or supervisory ”“relation to the processes.” Carrying out these jobs, with their distinctive task requirements, inculcates “iconoclastic habits of thought,” which draw men and women into trade unions and, as a next step, “into something else, which may be called socialism, for want of a better term.” This phrasing was vague even for Veblen, but he felt hamstrung because “there was little agreement among socialists as to a programme for the future,” at least aside from provisions almost “entirely negative.

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Other acts that were precursors of the Wild West were a July 4 commemoration in Deer Trail, Colorado, in which one Emil Gardenshire was crowned "Champion Bronco Buster of the Plains," and another Fourth of July celebration in Cheyenne, Wyoming, in 1872, featuring the riding of an unruly steer. And certainly Cody's buffalo hunt with Grand Duke Alexis was a harbinger of things to come, as were his hunting trips with General Sheridan, James Gordon Bennett and their friends, as well as the Earl of Dunraven. All that was needed, then, was to put the right elements together. Cody realized that he needed to earn a lot of money to launch a big show, and he was too proud to ask his wealthy friends for funds. Then, in the spring of 1882, he met Nate Salsbury, when they both were playing in New York. Salsbury, who later became Cody's partner, claimed to have thought of the idea of the Wild West when returning from a tour of Australia with the Salsbury Troubadours in 1876. On the boat he had discussed the merits of Australian jockeys in comparison with American cow-boys and Mexican vaqueros with J. B. Gaylord, an agent for the Cooper and Bailey Circus. As a result, said Salsbury, "I began to construct a show in my mind that would embody the whole subject of horsemanship and before I went to sleep I had mapped out a show that would be constituted of elements that had never before been employed in concerted effort in the history of the show business." In the end, of course, Buffalo Bill's Wild West went well beyond horsemanship to embody features of the West that had not been part of Salsbury's plan. Several years later Salsbury "decided that such an entertainment must have a well known figure head to attract attention and thus help to quickly solve the problem of advertising a new idea. After careful consideration of the plan and scope of the show I resolved to get W.F. Cody as my central figure." When the two men finally met,

Apple introduces CarPlay for iPhone use in vehicles The CarPlay technology will be available in vehicles as early as this year. Photo: Bloomberg By Tom Lavell | 209 words Frankfurt: Apple Inc. on Monday said their new CarPlay technology will enable drivers use iPhone with voice commands or steering-wheel buttons, and will be available in vehicles as early as this year. Fiat SpA's Ferrari supercar division, Daimler AG's Mercedes-Benz luxury unit and Volvo Car Corp. will show customers the CarPlay system this week, with other auto producers introducing it later, Cupertino, California-based Apple said in a statement. CarPlay will be available as an update to the iOS 7 mobile software on iPhones, and works with the Siri voice-recognition feature. In-vehicle technology is the top selling point for 39% of car buyers, more than twice the 14% who cited traditional performance measures such as power and speed as their first consideration, consulting company Accenture Plc said in a study published in December. The US senate commerce committee chairman Jay Rockefeller, a West Virginia Democrat, vowed in February to pursue rules for in-vehicle use of mobile phones and Internet-linked entertainment systems unless carmakers and suppliers do more to limit disruptions to drivers' focus. "CarPlay lets drivers use their iPhone in the car with minimized distraction," Greg Joswiak, Apple's marketing vice president for the mobile device, said in Monday's statement, released in advance of the technology's debut at the Geneva International Motor Show this week. Bloomberg

Figure 1 schematically shows how in-vehicle networking will be conceived. In this conception, CAN and the other communication protocols developed concurrently made it possible for multiple LANs to exchange data efficiently via a gateway. Motor Motor Motor Air Sub network Switch Switch Sensor Safety system Passenger detection conditioner Radar Door CAN Up to 125 kbps zLIN 2.4 to 19.2 kbps AFS Instrument panel meter Keyless Body White line detection Head lamp Levelizer Combination lamp Sub network system Squib zSafe-(150 kbpsby-Wire ) Airbag Gateway control Tire Information Engine and powertrain pressure system ACC ITS system system CAN CAN 500 kbps 125 kbps MD/CD Audio VICS Engine Steering Brake changer Video navi TVSS Sub network compo zFlexRay *2(5 Mbps) zMOST Chassis z1394 AT system CAN 500 kbps Failure diagnostic system zCAN (statutory control) Diagnostic tool Figure 1. Conception of In-vehicle Networking * 1 : ISO stands for International Organization for Standardization.* 2 : FlexRay TM is a registered trademark of DaimlerChrysler AG. REJ05B0804-0100/Rev. 1.00 April 2006 Page 2 of 44

All of this adds up to show us that TYRANNOSAURUS could only move at...about 12 miles per hour - which YOU could probably run at, too! But running isn't everything. By studying their skeletons in museums, paleontologists recently discovered that TYRANNOSAURUS was amazing at turning and pivoting very quickly, making it an extremely agile hunter! With a head filled with razor-sharp teeth, jaws capable of smashing through bone, and the spinning skills of a ballerina, TYRANNOSAURUS may not have been the fastest dinosaur, but it was a MENACING predator well worth steering clear of.