Shotgun Seat Quotes

We've searched our database for all the quotes and captions related to Shotgun Seat. Here they are! All 32 of them:

Shotgun!" announced Clary as Jace came back around the side of the van. Alec grabbed for his bow, strapped across his back. "Where?" "She means she wants the front seat," said Jace, pushing wet hair out of his eyes.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
The Golden Tits of America!” Jason Rapsis cried from the shotgun seat. Rob had worked with any number of paramedics over his fifteen years as an EMT, and Jace Rapsis was the best: easygoing when nothing was happening, unflappable and sharply focused when everything was happening at once. “We shall be fed! God bless capitalism! Pull in, pull in!
Stephen King (End of Watch (Bill Hodges Trilogy, #3))
Just when you think you're in the cat-bird's seat, the Angel of Death calls "dibs" on shotgun.
P.L. Reiter
I stand guard,” Yasha said. He got out of the SUV and pulled a sawed-off shotgun out from under his seat. “And keep our exit open,” Ian told him. Yasha grinned crookedly. “Don’t I always?” He looked at me and his grin broadened. “Scream if something jumps at you.” I tried for a grin; it felt more like a grimace. “Don’t I always?
Lisa Shearin (The Grendel Affair (SPI Files, #1))
At 1:37 P.M. mountain time, Tierney climbed into the shotgun seat of the cruiser and said, ‘How fast does this go?’ ‘Sir! This vehicle will go one hundred and thirty miles an hour and I am a Mormon sir and I am not afraid to drive it at that speed sir because I am confident that I will avoid hell. Sir!
Stephen King
Oh, don’t be afraid of dreams,” a voice said right next to me. I looked over. Somehow, I wasn’t surprised to find the homeless guy from the rail yard sitting in the shotgun seat. His jeans were so worn out they were almost white. His coat was ripped, with stuffing coming out. He looked kind of like a teddy bear that had been run over by a truck. “If it weren’t for dreams,” he said, “I wouldn’t know half the things I know about the future. They’re better than Olympus tabloids.” He cleared his throat, then held up his hands dramatically:   “Dreams like a podcast, Downloading truth in my ears. They tell me cool stuff.”   “Apollo?” I guessed, because I figured nobody else could make a haiku that bad. He put his finger to his lips. “I’m incognito. Call me Fred.” “A god named Fred?” “Eh, well…Zeus insists on certain rules. Hands off, when there’s a human quest. Even when something really major is wrong. But nobody messes with my baby sister. Nobody.” “Can
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
'Shotgun!' he bellowed, startling them as he scrambled to the front, passenger-side door. Camael looked at him, an expression of confusion on his goateed face. 'What did you Say?' 'I said shotgun,' Gabriel [the dog] explained. 'It's what you're supposed to say when you want to ride in the front seat.' Aaron could not help but laugh. No matter how many conversations he had had with the animal, Gabriel's increased intelligence still managed to surprise him.
Thomas E. Sniegoski (The Fallen (The Fallen, #1))
ROSA MET ME at the door with a shotgun. Strictly speaking, not aimed at me, but you don’t really have to aim a sawed-off shotgun. She swung it toward me. “You, get in there.” She turned her attention to the crowd. “The rest of you will take a number and have a seat.” Her paperwork skills might have been lousy, but her personal touch was something I aspired to.
J.C. Nelson (Free Agent (Grimm Agency, #1))
I dreamed of Christine again that night, Arnie behind the wheel this time, the decomposing corpse of Roland D. LeBay lolling obscenely in the shotgun seat as the car roared out of the garage at me, pinning me with the savage circles of its headlights.
Stephen King (Christine)
For all his apologies, the convict Esau Davis was just a low-level toilet scrubber without the sense that God gave a goat. If she could get to a pistol or a shotgun or a hammer or a screwdriver, Caddy Colson would go all redneck on his ass and tear him a new asshole. That’s the way she was feeling, sitting there in the front seat of his shitty old truck, muffler rattling loose and wild, while he took Kleenex to his bleeding eye and talked about old times with Jamey Dixon like he thought they could still be friends after all this shit went down.
Ace Atkins (The Broken Places (Quinn Colson, #3))
I looked over. Somehow, I wasn’t surprised to find the homeless guy from the rail yard sitting in the shotgun seat. His jeans were so worn out they were almost white. His coat was ripped, with stuffing coming out. He looked kind of like a teddy bear that had been run over by a truck.
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
We got into my old Corolla and started drifting around the streets of Tokyo at 2:30 a.m., looking for a bakery. There we were, me clutching the steering wheel, she in the navigator's seat, the two of us scanning the street like hungry eagles in search of prey. Stretched out on the backseat, long and stiff as a dead fish, was a Remington automatic shotgun. Its shells rustled dryly in the pocket of my wife's windbreaker. We had two black ski masks in the glove compartment. Why my wife owned a shotgun, I had no idea. Or ski masks. Neither of us had ever skied. But she didn't explain and I didn't ask. Married life is weird, I felt.
Haruki Murakami (The Elephant Vanishes)
They say that wisdom comes with age. So who could be wiser than the sky, with its eternal sunsets, thunderstorms, stars, galaxies? Who could be wiser than the rocks, these monoliths of stone, witness to all, over the eons of time? There’s an all-knowingness out here. It lies within all this silence and stillness. A wisdom so profound that it transcends words. An understanding so pure it cannot be explained, cannot be taught, nor grasped by the human mind. Only felt. Experienced firsthand. When I tap into this wisdom, a switch is flipped, a reversal happens. My mind, always up front, driving and controlling everything, takes a back seat. And my soul, hiding quietly in the back seat, jumps up to take shotgun.
Scott Stillman (Wilderness, The Gateway To The Soul: Spiritual Enlightenment Through Wilderness (Nature Book Series 1))
In the time of chimpanzees, I was a monkey Butane in my veins and I'm out to cut the junkie With the plastic eyeballs, spray paint the vegetables Dog food stalls with the beefcake pantyhose Kill the headlights and put it in neutral Stock car flamin' with a loser in the cruise control Baby's in Reno with the Vitamin D Got a couple of couches, sleep on the love seat Someone came in sayin' I'm insane to complain About a shotgun wedding and a stain on my shirt Don't believe everything that you breathe You get a parking violation and a maggot on your sleeve So shave your face with some mace in the dark Savin' all your food stamps and burnin' down the trailer park Yo, cut it Soy un perdedor I'm a loser, baby, so why don't you kill me? (Double barrel buckshot) Soy un perdedor I'm a loser baby, so why don't you kill me? Forces of evil on a bozo nightmare Ban all the music with a phony gas chamber 'Cause one's got a weasel and the other's got a flag One's on the pole, shove the other in a bag With the rerun shows and the cocaine nose-job The daytime crap of the folksinger slob He hung himself with a guitar string A slab of turkey neck and it's hangin' from a pigeon wing You can't write if you can't relate Trade the cash for the beef, for the body, for the hate And my time is a piece of wax fallin' on a termite That's chokin' on the splinters Soy un perdedor I'm a loser baby, so why don't you kill me? (Get crazy with the cheese whiz) Soy un perdedor I'm a loser baby, so why don't you kill me? (Drive-by body pierce) Yo, bring it on down I'm a driver, I'm a winner Things are gonna change, I can feel it Soy un perdedor I'm a loser baby, so why don't you kill me? (I can't believe you) Soy un perdedor I'm a loser baby, so why don't you kill me? Soy un perdedor I'm a loser baby, so why don't you kill me? (Sprechen sie Deutsche, baby) Soy un perdedor I'm a loser, baby, so why don't you kill me? (Know what I'm sayin'?)
Beck
Q: Which party had wildest celebration and how did it play out? 1) The 1972 Dolphins Super Bowl watching party for the David Tyree catch? 2) The Jack Nicklaus day after Thanksgiving morning in 2009? 3) The NFL referee Monday night football watching party at Ed Hochuli's house for the Seattle/Green Bay game? —Steve G., Salt Lake City SG: Here's my theory on the day after Thanksgiving in 2009: I think Jack Nicklaus heard the news, went out and bought a bottle of 20-year-old Pappy Van Winkle, found an antique shotgun with 300 rounds of ammo, then drove to a secluded spot in the woods 25 miles away from any other human being. He got out of his car, started jumping around and screaming like he won the Super Bowl, did this for 20 solid minutes, then started swigging whiskey and shooting at things while whooping it up. Eventually, he drank the entire bottle, got back into his car and just started happily ramming into trees until the car stopped moving. Then he passed out in the driver's seat, woke up the next morning and walked home. Anyway, my answer is Jack Nicklaus.
Bill Simmons Grantland Mailbag Oct. 28 2012
His teeth began to chatter. God All-Mighty! he thought, why haven't I realized it all these years? All these years I've gone around with a--SKELETON--inside me! How is it we take ourselves for granted? How is it we never question our bodies and our being? A skeleton. One of those jointed, snowy, hard things, one of those foul, dry, brittle, gouge-eyed, skull-faced, shake-fingered, rattling things that sway from neck-chains in abandoned webbed closets, one of those things found on the desert all long and scattered like dice! He stood upright, because he could not bear to remain seated. Inside me now, he grasped his stomach, his head, inside my head is a--skull. One of those curved carapaces which holds my brain like an electrical jelly, one of those cracked shells with the holes in front like two holes shot through it by a double-barreled shotgun! With its grottoes and caverns of bone, its revetments and placements for my flesh, my smelling, my seeing, my hearing, my thinking! A skull, encompassing my brain, allowing it exit through its brittle windows to see the outside world!
Ray Bradbury (The October Country)
The very fates seemed arrayed against the President’s party. Death claimed eight Democratic Senators during the 65th Congress, thinning their already sparse majority. Perhaps the cruelest blow of all was the accidental shotgun killing of Wisconsin’s Paul O. Husting on a duck-hunting trip in October 1917. Husting, the first Democrat sent to the Senate from Wisconsin in more than twenty years, had been elected in 1914; in the normal course of events his seat would not have been contested again until 1920. Democratic retention of this one seat would have meant a Democratic Senate in 1919–20, which might have had quite different consequences for the passage of the Versailles Treaty and the history of the postwar world. But it was not to be.
David M. Kennedy (Over Here: The First World War and American Society)
I leaned down in front of the shotgun seat and opened a fuse box. Plugged in a data cable, from the truck's computer across to one of Doll Box's modules. Straightened up, and in the mirror saw the gangbanger open the door of his low rider. Whoo boy!
Paul Carlson (Analog Science Fiction and Fact, June 2012)
Since Paul wasn’t a big conversationalist—he was the anti-Mac, in other words, and today had been the longest she’d ever heard him speak in consecutive sentences—Jena watched the scenery for a while. Then she decided to study the inside of Paul’s truck to see what she could learn about him. Technically, it was exactly like hers and Gentry’s. It had a black exterior with a blue light bar across the top and the Louisiana Department of Wildlife and Fisheries Enforcement Division logo on the doors. It was tech heavy on the front dash, just like theirs, with LDWF, Terrebonne Parish Sheriff’s Office, and Louisiana State Police Troop C radios, a laptop, a GPS unit, and a weather unit. In her truck and in Gentry’s, the cords and wires were a colorful tangle of plastic and metal, usually with extra plugs dangling around like vines. Paul’s cords were all black, and he had them woven in pairs and tucked underneath the dash, where they neatly disappeared. She leaned over to see how he’d achieved such a thing, and noticed identical zip ties holding them in place. “Sinclair, I hate to ask, but what are you doing?” He sounded more bemused than annoyed, so she said, “I’m psychoanalyzing you based on the interior of your truck.” He almost ran off the road. “Why?” “Your scintillating conversation was putting me to sleep.” His dark brows knit together but he seemed to have no answer to that. She turned around in her seat, as much as the seat belt allowed, and continued her study. Paul had a 12-gauge shotgun and a .223 carbine mounted right behind the driver’s seat, same as in her own truck. The mounts had hidden release buttons so the agents could get the guns out one-handed and quickly. But where her truck had a catch-all supply of stuff, from paper towels to zip ties to evidence bags to fast-food wrappers thrown in the back, Paul’s backseat was empty but for a zippered storage container normal people used for shoes. Each space held different things, all neatly arranged. Jena spotted evidence bags in one. Zip ties in another. Notebooks. Citation books. Paperwork. A spare uniform hung over one window, with a dry-cleaner’s tag dangling from the shirt’s top button. Good Lord. She turned back around. “What did you learn?” Paul finally asked. “You’re an obsessive-compulsive neat freak,” she said. “Accent on freak.
Susannah Sandlin (Black Diamond (Wilds of the Bayou, #2))
in.’ Kellock hauled his huge mass over the driver’s seat and across the gearstick to the passenger seat. Jarrett climbed in after him, first motioning the shotgun at Ellen and Pam. ‘We’ve leaving now. You two won’t try to stop us.’ Ellen said, ‘Don’t do this, Laurie,’ and Pam began to circle around him. In answer, he shot out the tyres of their car. They froze, their insides spasming, pellets and grit spitting and pinging. He said again, ‘You won’t stop me.’ Ellen glanced around at Pam, who gave her a complicated look. ‘We won’t stop you,’ she murmured. The Toyota threw gravel at them as it started away but it wasn’t speeding. It moved sedately through the trees, exhaust toxins hanging in the still air, and they heard it pause at the main road above, and turn right. Waterloo lay in that direction, where the land levelled out to meet the sea. But before that there were many other roads, and back roads, full
Garry Disher (Chain of Evidence (Peninsular Crimes, #4))
The menu: legendary deep-fried Turkeyzilla, gravy, stuffing, mashed potatoes, cranberry sauce, and green beans. The theme: dysfunction. “So,” Elysia said to Lex’s parents with her ever-friendly grin, “how are you?” “How do you think they are?” Ferbus whispered. She kicked him under the table. “I mean—um—what do you do? For a living?” Lex’s mother, who hadn’t said much, continued to stare down the table at the sea of black hoodies while picking at her potatoes. Lex’s father cleared his throat. “I’m a contractor,” he said. “And she’s a teacher.” “Omigod! I wanted to be a teacher!” Elysia turned to Mrs. Bartleby. “Do you love it?” “Hmm?” She snapped back to attention and smiled vacantly at Elysia. “Oh, yes. I do. The kids are a nice distraction.” “From what?” Pip asked. Bang smacked her forehead. Lex squeezed Driggs’s hand even tighter, causing him to choke on his stuffing. He coughed and hacked until the offending morsel flew out of his mouth, landing in Sofi’s glass of water. “Ewww!” she squealed. “Drink around it,” Pandora scolded. “So! I hear New York City is lovely this time of year.” Well, it looks nice, I guess,” Mr. Bartleby said. “But shoveling out the driveway is a pain in the neck. The girls used to help, but now . . .” Sensing the impending awkwardness, Corpp jumped in. “Well, Lex has been a wonderful addition to our community. She’s smart, friendly, a joy to be around—” “And don’t you worry about the boyfriend,” Ferbus said, pointing to Driggs. “I keep him in line.” Mrs. Bartleby’s eyes widened, looking at Lex and then Driggs. “You have a—” she sputtered. “He’s your—” Ferbus went white. “They didn’t know?” “Oops!” said Uncle Mort in a theatrical voice, getting up from the table. “Almost forgot the biscuits!” “Let me help you with those,” Lex said through clenched teeth, following him to the counter. A series of pained hugs and greetings had ensued when her parents arrived—but the rest of the guests showed up so soon thereafter that Lex hadn’t gotten a chance to talk to them, much to her relief. Still, she hadn’t stopped seething. “What were you thinking?” Uncle Mort gave her a reproachful look. “I was thinking that your parents were probably going to feel more lonely and depressed this Thanksgiving than they’ve ever felt in their lives, and that maybe we could help alleviate some of that by hosting a dinner featuring the one and only daughter they have left.” “A dinner of horrors? You know my track record with family gatherings!” He ignored her. “Here we are!” he said, turning back to the table with a giant platter. “Biscuits aplenty!” Lex grunted and took her seat. “I’m not sure how much longer I can do this,” she whispered to Driggs. “Me neither,” he replied. “I think my hand is broken in three places.” “Sorry.” “And your dad seems to be shooting me some sort of a death stare.” Lex glanced at her father. “That’s bad.” “Think he brought the shotgun?” “It’s entirely possible.” “All I’m saying,” Ferbus went on, trying to redeem himself and failing, “is that we all look out for one another here.” Mr. Bartleby looked at him. Ferbus began to sweat. “Because, you know. We all need somebody. Uh, to lean on.” “Stop talking,” Bang signed. Elysia gave Lex’s parents a sympathetic grin. “I think what my idiot partner is trying to say—through the magic of corny song lyrics, for some reason—is that you don’t need to worry about Lex. She’s like a sister to me.” She realized her poor choice of words as a pained look came to Mrs. Bartleby’s face. “Or an especially close cousin.” She shut her mouth and stared at her potatoes. “Frig.” Lex was now crushing Driggs’s hand into a fine paste. Other than the folding chairs creaking and Pip obliviously scraping the last bits of food off his plate, the table was silent. “Good beans!” Pip threw in.
Gina Damico (Scorch (Croak, #2))
From the front passenger seat, one of Yaqub’s fighters produced a short-barreled shotgun. As soon as Harvath saw it come above the line of the dashboard, he yelled, “Gun!” and fired multiple rounds through the windshield, killing the man instantly. The ISI driver tried to unholster his weapon, but Sloane was already at his window and fired two shots at his head, shattering the glass and killing him. When the fighter in the backseat on the passenger side made himself known, Chase had almost been on top of him. The man didn’t wait to get the door all the way open before firing. He sent heavy 7.62 rounds from his AK-47 slicing right through the door panel. Chase had to lunge between two parked cars to take cover and avoid being hit.
Brad Thor (Act of War (Scot Harvath, #13))
Frances Leonardi sat in the back seat of the yellow school bus. Occasionally, she looked back at the vehicle traveling close behind them. It was a fortified army surplus Jeep driven by a court officer. Sheriff’s deputy Elwood Mills, armed with a shotgun, sat in the passenger seat.
Casey Sherman (Helltown: The Untold Story of Serial Murder on Cape Cod)
We armed ourselves with pistols, shotguns, and assault rifles. We knew that the government had us impossibly outgunned but nevertheless felt obliged to not only prepare ourselves for the upcoming collapse of society as we had known it, but also to do whatever it took to speed the day when that collapse occurred. The government was illegitimate; a puppet regime manipulated by a shadowy and sinister force that was hellbent on our destruction. The supposed democracy that seated traitorous politicians had been tainted by mass media that poisoned the minds and souls of our people to not only blind them against what was happening, but also to con them into complicity in their own downfall. Our guns served many purposes. In addition to the simple purpose they were designed for-to kill people-our firearms endowed with us a sense of destiny befitting an epic struggle against fearsome odds. The deadly seriousness of the situation was underlined, italicized, and emboldened by the smell of gun oil and the clack of magazines sliding into position as we recruited new soldiers into our movement. According to the founding Fathers, it was not only our right, but our duty to bear arms against the tyrants who had usurped our beloved nation. I spent 7 years immersed in that world. A reality where I was constantly looking over my shoulder to reveal the handiwork of the enemy. Every aspect of our culture faced a relentless assault. Everything that was good about America-Life, Liberty, And The Pursuit of Happiness-had been denigrated and disparaged by those that sought to impose Marxist equality. I hated them for that. I hated them with the passion of a patriot. That hate was fueled by what I truly believed was a love for my race. Oops! Did I say "race?" I meant a love for my country, Or was it a love of Christ? Or Allah? It could have been any of a number of allegiances-any number of ways to identify myself-that I built walls around and bristled at those outside, and it was all in the name of love. Roads to a lot of really bad places are paved with that kind of bizarro love. A vampiric, soul-depleting love-substitute that beckons to those who never know the real thing. I was very lucky to realize the true love of a little girl-my daughter-otherwise I'd likely be dead or in prison like so many of my former comrades. Simply by playing with other children, she taught me that the walls and guns and hate that had seemed to give me purpose were in fact unnecessary constructs that threatened to separate us. The children she shared toys, laughs, and smiles with also shared the same need for love and compassion that we all do-regardless of the color of our skin, our family's choice of spirituality, or the part of the world we come from. I made a decision to cast aside the fear that masqueraded as love, and to live my life in wonderful affection for diversity instead of scorn for it.
Arno Michaelis (My Life After Hate)
But here’s the weird part: when Sam unlocks the doors to the car with his key fob, Monica immediately jumps into the shotgun seat. Considering we’re giving her a ride, that seems odd to me. I’m Sam’s wife—I should be the one sitting next to him.
Freida McFadden (The Surrogate)
That was just one of many weird things we have done. Even weirder to me than that, was the fact that we all talked about- like how it would be for one of us to die… if we would. Sex, drinking, and death were the main topics most nights. Yet that nightfall I do not remember how it came up in the conversations, other than Kenneth complaining that I got to sit in the front seat- aka ‘shotgun’ with Jenny after the party I guess I was where he thought he should be, and you know that wearing a seatbelt is for pussies. I do remember us talking about what a bucket let would be, yet to me, I thought mine was almost complete. The rap music was so loud, that we were yelling at one other just to overhear. Jenny kept going through her I-phone to change the song and text her other friends and boys, her phone was in her right hand in her lap. One reason I sat there is that- I was the one that was meant to pick the music so she could drive. I remember hearing the lyric- ‘To the window to the walls…’ the song was ‘Get Low!’ However, Jenny was so high, and Maddie was singing in the back to the words making her hands go in-between the front seats, and that was comical because she is as white as they come. I remember that is when we started shouting our theory on death and the afterlife, or if there is one. I thought there was… yet I was not sure. We were all gathering what those would be. Jenny was bitching about how it could be and going to be, in the ground, and like her beautiful body is going to be eaten away overtime in her sealed casket. That made my skin crawl. We were all like you’re going to die you’re not going to feel anything dumb ass. Then Maddie said my dying wish is to hook up with Lizzy, Sam, and others all at the same time and never stop. Hey, why not they were both very sexy hot girls. I could see that fantasy of doing it until death. I was a little pissed that I was not one of the girls in that scenario but it's her death wish not mine. Yet this is kind of surprising to me because Maddie was never that way at all. Like she has a boyfriend of two years. However, their love life was always on again and off again. The makeup hookups are all that kept them together… I think...? (#- Hashtag: Wcw- Women crush Wednesday)
Marcel Ray Duriez (Nevaeh Falling too You)
At this time I wired Bill Otis, in Moline, Illinois, asking him to ship me some of his sniping rifles at once, addressing them to me at the nearest express office to Indiantown Gap. I also managed to get the folks on the phone and had a last word with my mother and father — went through the old routine (new at that time) — telling them that it would be a long time before I could write, but not to worry, everything would be okay. I also told them to ship my rifle as soon as it was returned from the factory, and to hurriedly send me a Lyman Alaskan scope with a G. & H. mount for a Springfield to my new A.P.O. number. We sailed before Bill could get his guns to me. I remember well the annoyance I felt at going up the gangplank without a good scope sighted sniper rifle, and I also remember the mental kicking I gave the seat of my pants for being so careless with my model 70. Actually, the only shooting items I had in my baggage were a few rounds of .30-06 hunting ammunition which I packed at the last minute. I had left my shotgun behind also — and I was destined to later regret that action very much, for several fine opportunities to shoot birds were missed on that account. Each member of the 132nd regiment looked at the green water with a great question mark in his mind. Few in the regiment knew where we were going, and there
John B. George (Shots Fired in Anger: A Rifleman's Eye View of the Activities on the Island of Guadalcanal)
Not long ago, I saw a woman in a drugstore pick something up in her hand, delighted, and hold it out toward her husband. It was just a perfume bottle, but the shape of it was lovely. “See this, hon?” she said. And the man said, “Yeah,” but he had his back to her and was walking down the aisle away from her. The woman put the thing back, diminished. Do you know what I mean, Martin? I think this comes from mistakes so many women make early on in a marriage. When we got engaged, I stopped driving my own car. I rode shotgun every time we were together. The default settings on the mirrors, on the closeness of the seat to the wheel, they were yours. Remember when that car caught on fire, the engine? Maybe it was auto grief. Don’t think I’m crazy, Martin. I have only gotten out my shovel, to dig a bit. I’m just pointing out what I uncover. You can look or not. I want the difference to be that I don’t put the thing back on the shelf because you say it’s not worth seeing.
Elizabeth Berg (The Pull of the Moon)
Shotgun,” I said. Agent Knight—Roman—froze and glanced across the yard. “Where?” I stopped too and blinked at him. “It’s an expression. For the front passenger seat. You know, calling shotgun?
Angela Roquet (Blood Vice (Blood Vice, #1))
The Duster sat in the shadows of the old barn like a dire wolf in the recesses of a cave. Beauregard tossed the shotgun in the passenger seat. He climbed in and fired up the engine. It roared to life, stirring up the decades of dust in the barn. The duals played a concerto as he shifted it into gear and burst out of the barn. He skirted around the remains of the van, rolled over the body in the grass and hit the blacktop doing 40 mph.
S.A. Cosby (Blacktop Wasteland)
The story - that Sarah was driving, with Misty riding shotgun and Theo in the back seat - will not be questioned. Not this night, not ever. It will become the deepest kind of family secret, one so dangerous that it will never be spoken
Dani Shapiro (Signal Fires)
But here’s the weird part: when Sam unlocks the doors to the car with his key fob, Monica immediately jumps into the shotgun seat. Considering we’re giving her a ride, that seems odd to me.
Freida McFadden (The Surrogate)