Short Subtle Quotes

In short: I felt my existence was tainted, in some subtle but essential way.

You and everyone you know are going to be dead soon. And in the short amount of time between here and there, you have a limited amount of fucks to give. Very few, in fact. And if you go around giving a fuck about everything and everyone without conscious thought or choice—well, then you’re going to get fucked.

Time is short, my strength is limited, the office is a horror, the apartment is noisy, and if a pleasant, straightforward life is not possible, then one must try to wriggle through by subtle manoeuvres.

Life’s too short to be subtle,

This is how I recognize an authentic poet: by frequenting him, living a long time in the intimacy of his work, something changes in myself, not so much my inclinations or my tastes as my very blood, as if a subtle disease had been injected to alter its course, its density and nature. To live around a true poet is to feel your blood run thin, to dream a paradise of anemia, and to hear, in your veins, the rustle of tears.

If writing novels is like planting a forest, then writing short stories is more like planting a garden. The two processes complement each other, creating a complete landscape that I treasure. The green foliage of the trees casts a pleasant shade over the earth, and the wind rustles the leaves, which are sometimes dyed a brilliant gold. Meanwhile, in the garden, buds appear on the flowers, and colorful petals attract bees and butterflies, reminding us of the subtle transition from one season to the next.

In short: I felt my existence was tainted, in some subtle but essential way. I

We have all heard such stories of expert intuition: the chess master who walks past a street game and announces “White mates in three” without stopping, or the physician who makes a complex diagnosis after a single glance at a patient. Expert intuition strikes us as magical, but it is not. Indeed, each of us performs feats of intuitive expertise many times each day. Most of us are pitch-perfect in detecting anger in the first word of a telephone call, recognize as we enter a room that we were the subject of the conversation, and quickly react to subtle signs that the driver of the car in the next lane is dangerous. Our everyday intuitive abilities are no less marvelous than the striking insights of an experienced firefighter or physician—only more common. The psychology of accurate intuition involves no magic. Perhaps the best short statement of it is by the great Herbert Simon, who studied chess masters and showed that after thousands of hours of practice they come to see the pieces on the board differently from the rest of us. You can feel Simon’s impatience with the mythologizing of expert intuition when he writes: “The situation has provided a cue; this cue has given the expert access to information stored in memory, and the information provides the answer. Intuition is nothing more and nothing less than recognition.

These are the three stages of enlightenment, the three glimpses of satori. 1. The first stage enlightenment: A Glimpse of the Whole The first stage of enlightenment is short glimpse from faraway of the whole. It is a short glimpse of being. The first stage of enlightenment is when, for the first time, for a single moment the mind is not functioning. The ordinary ego is still present at the first stage of enlightenment, but you experience for a short while that there is something beyond the ego. There is a gap, a silence and emptiness, where there is not thought between you and existence. You and existence meet and merge for a moment. And for the first time the seed, the thirst and longing, for enlightenment, the meeting between you and existence, will grow in your heart. 2. The second stage of enlightenment: Silence, Relaxation, Togetherness, Inner Being The second stage of enlightenment is a new order, a harmony, from within, which comes from the inner being. It is the quality of freedom. The inner chaos has disappeared and a new silence, relaxation and togetherness has arisen. Your own wisdom from within has arisen. A subtle ego is still present in the second stage of enlightenment. The Hindus has three names for the ego: 1. Ahamkar, which is the ordinary ego. 2. Asmita, which is the quality of Am-ness, of no ego. It is a very silent ego, not aggreessive, but it is still a subtle ego. 3. Atma, the third word is Atma, when the Am-ness is also lost. This is what Buddha callas no-self, pure being. In the second stage of enlightenment you become capable of being in the inner being, in the gap, in the meditative quality within, in the silence and emptiness. For hours, for days, you can remain in the gap, in utter aloneness, in God. Still you need effort to remain in the gap, and if you drop the effort, the gap will disappear. Love, meditation and prayer becomes the way to increase the effort in the search for God. Then the second stage becomes a more conscious effort. Now you know the way, you now the direction. 3. The third stage of enlightenment: Ocean, Wholeness, No-self, Pure being At the third stage of enlightenment, at the third step of Satori, our individual river flowing silently, suddenly reaches to the Ocean and becomes one with the Ocean. At the third Satori, the ego is lost, and there is Atma, pure being. You are, but without any boundaries. The river has become the Ocean, the Whole. It has become a vast emptiness, just like the pure sky. The third stage of enlightenment happens when you have become capable of finding the inner being, the meditative quality within, the gap, the inner silence and emptiness, so that it becomes a natural quality. You can find the gap whenever you want. This is what tantra callas Mahamudra, the great orgasm, what Buddha calls Nirvana, what Lao Tzu calls Tao and what Jesus calls the kingdom of God. You have found the door to God. You have come home.

He couldn’t look back at the children. He couldn’t think of it. All he could do was watch the eyes of his wife. He pulled her to him, her body soft, her skin warm. She was life, she was his. He took her lips and tasted his freedom once more. The subtle tenderness. The hope hidden in joined breath. He took it into himself. Soaking in the peace that came with it. And even as the rustling began he felt still, he felt calm. Scratching and scrapping within the stones, and the rustle of wings. But all Eli knew was the nature of love.

Prof’s purpose was to short him out – but sometimes Prof was too subtle; some people talk better if they breathe vacuum.

Ruta Skadi was four hundred and sixteen years old, with all the pride and knowledge of an adult witch queen. She was wiser by far than any short-lived human, but she had not the slightest idea of how like a child she seemed beside these ancient beings. Nor did she know how far their awareness spread out beyond her like filamentary tentacles to the remotest corners of universes she had never dreamed of; nor that she saw them as human-formed only because her eyes expected to. If she were to perceive their true form, they would seem more like architecture than organism, like huge structures composed of intelligence and feeling. But they expected nothing else: she was very young.

When the anarchist, as the mouthpiece of the declining levels of society, insists on 'right,' 'justice,' 'equal rights' with such beautiful indignation, he is just acting under the pressure of his lack of culture, which cannot grasp why he really suffers, what he is poor in– in life. A drive to find causes is powerful in him: it must be somebody's fault that he's feeling bad . . . Even his 'beautiful indignation' does him good; all poor devils like to whine--it gives them a little thrill of power. Even complaints, the act of complaining, can give life the charm on account of which one can stand to live it: there is a subtle dose of revenge in every complaint; one blames those who are different for one's own feeling bad, and in certain circumstances even being bad, as if they were guilty of an injustice, a prohibited privilege. 'If I'm a lowlife, you should be one too': on this logic, revolutions are built.– Complaining is never good for anything; it comes from weakness. Whether one ascribes one's feeling bad to others or to oneself–the socialist does the former, the Christian, for example, the latter–makes no real difference. What is common to both and, let us add, what is unworthy, is that it should be someone's fault that one is suffering–in short, that the sufferer prescribes the honey of revenge as a cure for his own suffering.

A man may destroy everything within himself, love and hate and belief, and even doubt; but as long as he clings to life he cannot destroy fear: the fear, subtle, indestructible, and terrible, that pervades his being; that tinges his thoughts; that lurks in his heart; that watches on his lips the struggle of his last breath.

in heavenly realms of hellas dwelt two very different sons of zeus: one, handsome strong and born to dare --a fighter to his eyelashes-- the other,cunning ugly lame; but as you'll shortly comprehend a marvellous artificer now Ugly was the husband of (as happens every now and then upon a merely human plane) someone completely beautiful; and Beautiful,who(truth to sing) could never quite tell right from wrong, took brother Fearless by the eyes and did the deed of joy with him then Cunning forged a web so subtle air is comparatively crude; an indestructible occult supersnare of resistless metal: and(stealing toward the blissful pair) skilfully wafted over them- selves this implacable unthing next,our illustrious scientist petitions the celestial host to scrutinize his handiwork: they(summoned by that savage yell from shining realms of regions dark) laugh long at Beautiful and Brave --wildly who rage,vainly who strive; and being finally released flee one another like the pest thus did immortal jealousy quell divine generosity, thus reason vanquished instinct and matter became the slave of mind; thus virtue triumphed over vice and beauty bowed to ugliness and logic thwarted life:and thus-- but look around you,friends and foes my tragic tale concludes herewith: soldier,beware of mrs smith

The soul was not made to run on empty. But the soul doesn’t come with a gauge. The indicators of soul-fatigue are more subtle: • Things seem to bother you more than they should. Your spouse’s gum-chewing suddenly reveals to you a massive character flaw. • It’s hard to make up your mind about even a simple decision. • Impulses to eat or drink or spend or crave are harder to resist than they otherwise would be. • You are more likely to favor short-term gains in ways that leave you with high long-term costs. Israel ended up worshiping a golden calf simply because they grew tired of having to wait on Moses and God. • Your judgment is suffering. • You have less courage. “Fatigue makes cowards of us all” is a quote so ubiquitious that it has been attributed to General Patton and Vince Lombardi and Shakespeare. The same disciples who fled in fear when Jesus was crucified eventually sacrificed their lives for him. What changed was not their bodies, but their souls.

After the sureties of youth there sets in a period of intense and intolerable complexity. With the soda-jerker this period is so short as to be almost negligible. Men higher in the scale hold out longer in the attempt to preserve the ultimate niceties of relationship, to retain "impractical" ideas of integrity. But by the late twenties the business has grown too intricate, and what has hitherto been imminent and confusing has become gradually remote and dim. Routine comes down like twilight on a harsh landscape, softening it until it is tolerable. The complexity is too subtle, too varied; the values are changing utterly with each lesion of vitality; it has begun to appear that we can learn nothing from the past with which to face the future - so we cease to be impulsive, convincible men, interested in what is ethically true by fine margins, we substitute rules of conduct for rules of integrity, we value safety above romance, we become, quite unconsciously, pragmatic. It is left to the few to be persistently concerned with the nuances of relationships - and even this few only in certain hours especially set aside for the task.

Here one comes upon an all-important English trait: the respect for constituitionalism and legality, the belief in 'the law' as something above the state and above the individual, something which is cruel and stupid, of course, but at any rate incorruptible. It is not that anyone imagines the law to be just. Everyone knows that there is one law for the rich and another for the poor. But no one accepts the implications of this, everyone takes for granted that the law, such as it is, will be respected, and feels a sense of outrage when it is not. Remarks like 'They can't run me in; I haven't done anything wrong', or 'They can't do that; it's against the law', are part of the atmosphere of England. The professed enemies of society have this feeling as strongly as anyone else. One sees it in prison-books like Wilfred Macartney's Walls Have Mouths or Jim Phelan's Jail Journey, in the solemn idiocies that take places at the trials of conscientious objectors, in letters to the papers from eminent Marxist professors, pointing out that this or that is a 'miscarriage of British justice'. Everyone believes in his heart that the law can be, ought to be, and, on the whole, will be impartially administered. The totalitarian idea that there is no such thing as law, there is only power, has never taken root. Even the intelligentsia have only accepted it in theory. An illusion can become a half-truth, a mask can alter the expression of a face. The familiar arguments to the effect that democracy is 'just the same as' or 'just as bad as' totalitarianism never take account of this fact. All such arguments boil down to saying that half a loaf is the same as no bread. In England such concepts as justice, liberty and objective truth are still believed in. They may be illusions, but they are powerful illusions. The belief in them influences conduct,national life is different because of them. In proof of which, look about you. Where are the rubber truncheons, where is the caster oil? The sword is still in the scabbard, and while it stays corruption cannot go beyond a certain point. The English electoral system, for instance, is an all but open fraud. In a dozen obvious ways it is gerrymandered in the interest of the moneyed class. But until some deep change has occurred in the public mind, it cannot become completely corrupt. You do not arrive at the polling booth to find men with revolvers telling you which way to vote, nor are the votes miscounted, nor is there any direct bribery. Even hypocrisy is powerful safeguard. The hanging judge, that evil old man in scarlet robe and horse-hair wig,whom nothing short of dynamite will ever teach what century he is living in, but who will at any rate interpret the law according to the books and will in no circumstances take a money bribe,is one of the symbolic figures of England. He is a symbol of the strange mixture of reality and illusion, democracy and privilege, humbug and decency, the subtle network of compromises, by which the nation keeps itself in its familiar shape.

Life's too short to be subtle," she pipes back. She got that from the video Ashley made. She's quoting me. "That is true, princess." I frown. Life is too short.

Intricacy that counts is mainly intricacy at eye level, change in the rise of ground, groupings of trees, openings leading to various focal points—in short, subtle expressions of difference. The subtle differences in setting are then exaggerated by the differences in use that grow up among them.

Mizzenmast,” bellowed Caldris, and Locke and Jean both fetched up short, breathing heavily. “Ship doesn’t bloody have one,” said Locke. “Just foremast and mainmast!” “Oh, clever you! You’ve undone my subtle ruse, Master Kosta. Get your bloody uniform and we’ll let you act the peacock for a few hours.

In general, we imagine rivers to be subject to a kind of dynamic equilibrium, largely stable geologic features, with processes like regional incision or subtle shifts in mountain building causing short- and medium-term variation around some slowly changing mean condition, but in fact it is far more common to see dramatic change over short periods, with long periods of stability between in what geologists refer to as 'dynamic metastable equilibrium.' It is the same with families, memory, the history of a person's life, what we believe to be true.

Whatever your problems are, the concept is the same: solve problems; be happy. Unfortunately, for many people, life doesn’t feel that simple. That’s because they fuck things up in at least one of two ways: 1. Denial. Some people deny that their problems exist in the first place. And because they deny reality, they must constantly delude or distract themselves from reality. This may make them feel good in the short term, but it leads to a life of insecurity, neuroticism, and emotional repression. 2. Victim Mentality. Some choose to believe that there is nothing they can do to solve their problems, even when they in fact could. Victims seek to blame others for their problems or blame outside circumstances. This may make them feel better in the short term, but it leads to a life of anger, helplessness, and despair.

...while epic fantasy is based on the fairy tale of the just war, that’s not one you’ll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get. See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we’re torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On. The Classical internal monologue goes like this: do anything, anything, only don’t be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don’t you? So it’s all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he’ll always go down in flames. That’s what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour. And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient “other people” who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn’t, it’s your fault. You didn’t have the excellence for it. You didn’t work hard enough. The story wasn’t about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.

You hold in your hands a very special book. It contains one hundred carnival rides of terror. You must remember: horror can come from any direction. It can be as subtle as a spider web's caress, or as vicious as the drop of an axe blade. It can be grim as the reaper, or as sardonic as, well, Sardonicous. It can wear the garments of science or superstition; can be dressed in the trappings of fantasy or the fancy-free. But always it will terrify. And one of the bluntest of its instruments is the short-short story, one of the most difficult of literary devices to master. Not only must each word be perfect-but each comma and period. Nothing can be wasted. In the hands of master executioners, like the authors who fill this book-it can be deadly. So... Die-and die again- one hundred times...

Another subtle but worrisome effect television has on its viewers is its tendency to promote passivity and a lack of creativity. Watching television requires little mental activity on the viewer’s part. You simply sit and let the images flow by. Some research suggests that this sort of nonparticipatory viewing fosters a short attention span, making it hard for children to apply themselves in school. Obesity

I came to the startling realization that if there really is no reason to do anything, then there is also no reason to not do anything; that in the face of the inevitability of death, there is no reason to ever give in to one’s fear or embarrassment or shame, since it’s all just a bunch of nothing anyway; and that by spending the majority of my short life avoiding what was painful and uncomfortable, I had essentially been avoiding being alive at all. That

I stood transfixed, the silence ringing in my ears. From the field of wild grasses; cocksfoot, tufted hair, wild oat, tall fescue, reed canary and perennial rye, their subtle shades of green, ochre and pink softly patching and blending in rustling movement, suddenly rose a small flock of starlings that had been feeding quietly unseen among the tall waving stems, the swish of their glossy wings startlingly loud in the stillness of midday. Heat held me captive.

This is why not giving a fuck is so key. This is why it’s going to save the world. And it’s going to save it by accepting that the world is totally fucked and that’s all right, because it’s always been that way, and always will be. By not giving a fuck that you feel bad, you short-circuit the Feedback Loop from Hell; you say to yourself, “I feel like shit, but who gives a fuck?” And then, as if sprinkled by magic fuck-giving fairy dust, you stop hating yourself for feeling so bad.

Life’s too short to be subtle.   Love,

by spending the majority of my short life avoiding what was painful and uncomfortable, I had essentially been avoiding being alive at all.

You and everyone you know are going to be dead soon. And in the short amount of time between here and there, you have a limited amount of fucks to give.

In short: I felt my existence was tainted, in some subtle but essential way

time is short, my strength is limited, the office is a horror, the apartment is noisy, and if a pleasant, straightforward life is not possible then one must try to wriggle through by subtle maneuvers.

In short, Aristotle destroys the soul in order to give it immortality; the immortal soul is "pure thought," undefiled with reality, just as Aristotle's God is pure activity, undefiled with action. Let him who can, be comforted with this theology. One wonders sometimes whether this metaphysical eating of one's cake and keeping it is not Aristotle's subtle Way of saving himself from anti-Macedonian hemlock?

Spenser Reynolds was a bit shorter than Web average, but far handsomer. His hair was curled but cropped short, his skin appeared bronzed by a benevolent sun and slightly gilded with subtle body paint, his clothes and ARNistry were expensively flamboyant without being outré, and his demeanor proclaimed a relaxed confidence that all men dreamed of and precious few obtained. His wit was obvious, his attention to others sincere, and his sense of humor legendary. I found myself disliking the son of a bitch at once.

And in the short amount of time between here and there, you have a limited amount of fucks to give. Very few, in fact. And if you go around giving a fuck about everything and everyone without conscious thought or choice—well, then you’re going to get fucked.

The upshot of it, however, was that the machine, by bombarding a sample of rock with streams of charged atoms, is able to detect subtle differences in the amounts of lead and uranium in the zircon samples, by which means the age of rocks can be accurately adduced.

Many self-help gurus teach you new forms of denial and pump you up with exercises that feel good in the short term, while ignoring the underlying issue. Remember, nobody who is actually happy has to stand in front of a mirror and tell himself that he’s happy. Highs

On either side of them the essence of honky tonk beach resort had now enclosed them: gas stations, fried clam stands, Dairy Treets, motels painted in feverish pastel colors, mini golf. Larry was drawn two painful ways by these things. Part of him clamored at their sad and blatant ugliness and at the ugliness of the minds that had turned this section of a magnificent, savage coastline into one long highway amusement park for families in station wagons. But there was a more subtle, deeper part of him that whispered of the people who had filled these places and this road during other summers. Ladies in sunhats and shorts too tight for their large behinds. College boys in red and black striped rugby shirts. Girls in beach shifts and thong sandals. Small screaming children with ice cream spread over their faces. They were American people, and there was a kind of dirty, compelling romance about them whenever they were in groups never mind if the group was in an Aspen ski lodge or performing their prosaic/ arcane rites of summer along Route 1 in Maine. And now all these Americans were gone.

It is an important and popular fact that things are not always what they seem. For instance, on the planet Earth, man had always assumed that he was more intelligent than dolphins because he had achieved so much—the wheel, New York, wars and so on—while all the dolphins had ever done was muck about in the water having a good time. But conversely, the dolphins had always believed that they were far more intelligent than man—for precisely the same reasons. Curiously enough, the dolphins had long known of the impending destruction of the planet Earth and had made many attempts to alert mankind to the danger; but most of their communications were misinterpreted as amusing attempts to punch footballs or whistle for tidbits, so they eventually gave up and left the Earth by their own means shortly before the Vogons arrived. The last ever dolphin message was misinterpreted as a surprisingly sophisticated attempt to do a double-backward somersault through a hoop while whistling the “Star-Spangled Banner,” but in fact the message was this: So long and thanks for all the fish. In fact there was only one species on the planet more intelligent than dolphins, and they spent a lot of their time in behavioral research laboratories running round inside wheels and conducting frighteningly elegant and subtle experiments on man. The fact that once again man completely misinterpreted this relationship was entirely according to these creatures’ plans.

My haircut too short and no one at school seemed to like me that much; and since all this had been true for as long as I could remember, I felt things would doubtless continue in this depressing vein as far as I could forsee. In short: I felt my existence was tainted, in some subtle but essential way.

But there was something in the air, a something strange and subtle, an intolerable foreign atmosphere like a penetrating odor — the odor of invasion. It permeated dwellings and places of public resort, changed the taste of food, made one imagine one’s self in far-distant lands, amid dangerous, barbaric tribes.

I was sitting on my mom's couch that summer, staring into the so-called abyss, seeing the endless and incomprehensible nothingness where Josh's friendship used to be, when I came to the startling realization that if there really is no reason to do anything, then there is also no reason to not do anything; that in the face of the inevitability of death,there is no reason to ever give in to one's fear or embarrassment or shame, since it's all just a bunch of nothing anyway; and that by spending the majority of my short life avoiding what was painful and uncomfortable, I had essentially been avoiding being alive at all.

Look, this is how it works. You’re going to die one day. I know that’s kind of obvious, but I just wanted to remind you in case you’d forgotten. You and everyone you know are going to be dead soon. And in the short amount of time between here and there, you have a limited amount of fucks to give. Very few, in fact.

In case you weren't aware, my good fellow, you are in the company of one of the most skilled and accomplished women in England. In fact, I would say Dr. Gibson has a male brain in a woman's body." Garrett grinned wryly at his last comment, which she knew had been intended as a compliment. "Thank you, Doctor." "Despite my short acquaintance with Dr. Gibson," Ethan said, "her brain seems entirely female to me." The remark caused Garrett to stiffen slightly, as she expected a mocking comment to follow. Something about how a woman's mind was changeable, or shallow, the usual clichés. But as Ethan continued, there was no hint of teasing in his tone. "Keen, subtle, and quick, with an intellect strengthened by compassion- yes, she has a woman's mind." Thrown off guard, Garrett stared at him with a touch of wonder. In that brief, private moment, Ethan looked as if he really did prefer her to everything else in the world. As if he saw all of her, the good and the bad, and wouldn't change a thing about her.

For there is much to do, amounting in fact to a remaking of modern society. All democratic experiments, all revolutions, all demands for equality have so far, in every instance, stopped short of sexual equality. Every society has in its prestige structures a series of subtle, interacting codes of dominance that always, everywhere, finally rank men higher than women. Nowhere has any society successfully dispensed with the age-old sex-role division of labor and the rewards in goods and power that accompany it. Nowhere do women enjoy the rights, privileges, possibilities and leisure time that men do. Everywhere men still mediate between women and power, women and the state, women and freedom, women and themselves.

We know, however, that the mind is capable of understanding these matters in all their complexity and in all their simplicity. A ball flying through the air is responding to the force and direction with which it was thrown, the action of gravity, the friction of the air which it must expend its energy on overcoming, the turbulence of the air around its surface, and the rate and direction of the ball's spin. And yet, someone who might have difficulty consciously trying to work out what 3 x 4 x 5 comes to would have no trouble in doing differential calculus and a whole host of related calculations so astoundingly fast that they can actually catch a flying ball. People who call this "instinct" are merely giving the phenomenon a name, not explaining anything. I think that the closest that human beings come to expressing our understanding of these natural complexities is in music. It is the most abstract of the arts - it has no meaning or purpose other than to be itself. Every single aspect of a piece of music can be represented by numbers. From the organization of movements in a whole symphony, down through the patterns of pitch and rhythm that make up the melodies and harmonies, the dynamics that shape the performance, all the way down to the timbres of the notes themselves, their harmonics, the way they change over time, in short, all the elements of a noise that distinguish between the sound of one person piping on a piccolo and another one thumping a drum - all of these things can be expressed by patterns and hierarchies of numbers. And in my experience the more internal relationships there are between the patterns of numbers at different levels of the hierarchy, however complex and subtle those relationships may be, the more satisfying and, well, whole, the music will seem to be. In fact the more subtle and complex those relationships, and the further they are beyond the grasp of the conscious mind, the more the instinctive part of your mind - by which I mean that part of your mind that can do differential calculus so astoundingly fast that it will put your hand in the right place to catch a flying ball- the more that part of your brain revels in it. Music of any complexity (and even "Three Blind Mice" is complex in its way by the time someone has actually performed it on an instrument with its own individual timbre and articulation) passes beyond your conscious mind into the arms of your own private mathematical genius who dwells in your unconscious responding to all the inner complexities and relationships and proportions that we think we know nothing about. Some people object to such a view of music, saying that if you reduce music to mathematics, where does the emotion come into it? I would say that it's never been out of it.

The space between the private and the public is the nexus of the personal and the social, if not political. It’s where we meet the strong or subtle cultural censors who attempt to define what community, race, class, or gender can or cannot speak, to tell us which stories are told and valued and which are not. In short, it’s where we’re reminded of the power of personal stories and the power of the storyteller.

The great systems are actually no more than brilliant tautologies. What advantage is it to know that the nature of being consists in the ‘will to live,’ in ‘idea,’ or in the whim of God or of Chemistry? A mere proliferation of words, subtle displacements of meanings. What is loathes the verbal embrace, and our innermost experience reveals us nothing beyond the privileged and inexpressible moment. Moreover, Being itself is only a pretension of Nothingness.

Stigmatizing the millions of Italians as ‘consenting victims’ of Berlusconi, denouncing the stupidity of the masses and wrapping oneself in the flag of the divine Left and its democratic arrogance – this is the pose of the enlightened intellectual, who is prepared to leave his country as a punishment (though he does not do so). All this comes from a short-sighted, conventional analysis of political Reason. The ‘blind’ masses, for their part, have a more subtle – perhaps transpolitical(?) – vision, to the effect that the locus of power is empty, corrupt and hopeless and that, logically, one has to fill it with a man who has the same profile – an empty, comical, histrionic, phoney individual who embodies the situation ideally: Berlusconi.(...) But it is just as undeniable that we cannot bear either Berlusconi or the current state of affairs. We have, therefore, to take into account both the obvious fact that we have the system we deserve and the equally nonnegligible fact that we cannot bear it.

I honestly can’t remember much else about those years except a certain mood that permeated most of them, a melancholy feeling that I associate with watching “The Wonderful World of Disney” on Sunday nights. Sunday was a sad day—early to bed, school the next morning, I was constantly worried my homework was wrong—but as I watched the fireworks go off in the night sky, over the floodlit castles of Disneyland, I was consumed by a more general sense of dread, of imprisonment within the dreary round of school and home: circumstances which, to me at least, presented sound empirical argument for gloom. My father was mean, and our house ugly, and my mother didn’t pay much attention to me; my clothes were cheap and my haircut too short and no one at school seemed to like me that much; and since all this had been true for as long as I could remember, I felt things would doubtless continue in this depressing vein as far as I could foresee. In short: I felt my existence was tainted, in some subtle but essential way.

This reminded me of the stories His Holiness Zong Rinpoche told about meditators who had achieved the illusory body. While they were sleeping at night, they would use their subtle body to read and memorize many scriptures at the same time. I thought that Lama was able to read so many texts in such a short time because he did it at night with the illusory body. From the way Lama talked so confidently about the many actions that a yogi could do with their subtle body, I could see that Lama himself had this power.

This raises an important issue: If their speech is sometimes peculiar, why are psychopaths so believable, so capable of deceiving and manipulating us? Why do we fail to pick up the inconsistencies in what they say? The short answer is, it is difficult to penetrate their mask of normalcy: The oddities in their speech are often too subtle for the casual observer to detect, and they put on a good show. We are sucked in not by what they say but by how they say it and by the emotional buttons they push while saying it.

The subtle scent of flowers was lost beneath the aroma of cooking meat and freshly cut fruit, heavy spices and mulled wine. A man in dark robes offered candied plums beside a woman selling scrying stones. A vendor poured steaming tea into short glass goblets across from another vibrant stall displaying masks and a third offering tiny vials of water drawn from the Isle, the contents still glowing faintly with its light. Every night of the year, the market lived and breathed and thrived. The stalls were always changing, but the energy remained, as much a part of the city as the river it fed on.

I was sitting on my mom’s couch that summer, staring into the so-called abyss, seeing the endless and incomprehensible nothingness where Josh’s friendship used to be, when I came to the startling realization that if there really is no reason to do anything, then there is also no reason to not do anything; that in the face of the inevitability of death, there is no reason to ever give in to one’s fear or embarrassment or shame, since it’s all just a bunch of nothing anyway; and that by spending the majority of my short life avoiding what was painful and uncomfortable, I had essentially been avoiding being alive at all.

News people—the media elite—had been a terrible scourge during his childhood. But they had gradually lost power with the advent of bidirectional, reputation-endorsed public commentary via Web links shortly after the turn of the millennium. People who published on the Web—especially people who wanted the title of "reporter"—had to tell the truth, the whole truth, and nothing but the truth. Failure was brutally and swiftly punished with electronic tar and digital feathers. Despite a rocky start, honesty had taken over as the currency of the Web—a devastating if subtle blow to manipulators of public opinion. Weakened by the Web, the media elite had died alongside their political bedfellows [...}

There is nothing, though, in “An International Episode” or “Daisy Miller,” fine as they are, that prepares us for the subtle psychological realism of James’s depictions of the elusiveness of self-knowledge and the terrors of confronting one’s concealed motivations in the three premier stories of this volume, “The Aspern Papers,” “The Turn of the Screw,” and “The Beast in the Jungle.” Beginning in the 1880s with Portrait of a Lady (1881), which literary historians tend to think of as James’s breakthrough novel, the fate of Americans in Europe and the interaction between European sophistication and American innocence became more a matter of the heart and psyche than one of manners, social relations, and cultural differences.

Is she really old enough to have crushes on boys? I feel like she’s too young for all that.” “I had crushes on boys when I was nine,” I tell him. I’m still thinking about Kitty. I wonder how I can make it so she isn’t mad at me anymore. Somehow I don’t think snickerdoodles will cut it this time. “Who?” Josh asks me. “Who what?” Maybe if I can somehow convince Daddy to buy her a puppy… “Who was your first crush?” “Hmm. My first real crush?” I had kindergarten and first- and second-grade crushes aplenty, but they don’t really count. “Like the first one that really mattered?” “Sure.” “Well…I guess Peter Kavinsky.” Josh practically gags. “Kavinsky? Are you kidding me? He’s so obvious. I thought you’d be into someone more…I don’t know, subtle. Peter Kavinsky’s such a cliché. He’s like a cardboard cutout of a ‘cool guy’ in a movie about high school.” I shrug. “You asked.” “Wow,” he says, shaking his head. “Just…wow.” “He used to be different. I mean, he was still very Peter, but less so.” When Josh looks unconvinced, I say, “You’re a boy, so you can’t understand what I’m talking about.” “You’re right. I don’t understand!” “Hey, you’re the one who had a crush on Ms. Rothschild!” Josh turns red. “She was really pretty back then!” “Uh-huh.” I give him a knowing look. “She was really ‘pretty.’” Our across-the-street neighbor Ms. Rothschild used to mow her lawn in terry-cloth short shorts and a string bikini top. The neighborhood boys would conveniently come and play in Josh’s yard on those days. “Anyway, Ms. Rothschild wasn’t my first crush.” “She wasn’t?” “No. You were.

The dying tapers off now and then, but the War is still killing lots and lots of people. Only right now it is killing them in more subtle ways. Often in ways that are too complicated, even for us, at this level, to trace. But the right people are dying, just as they do when armies fight. The ones who stand up, in Basic, in the middle of the machine-gun pattern. The ones who do not have faith in their Sergeants. The ones who slip and show a moment's weakness to the Enemy. These are the ones the War cannot use, and so they die. The right ones survive. The others, it's said, even know they have a short life expectancy. But they persist in acting the way that they do. Nobody knows why. Wouldn't it be nice if we could eliminate them completely? Then no one would have to be killed in the War.

Sunday was a sad day-early to bed, school the next morning, I was constantly worried my homework was wrong-but as I watched the fireworks go off in the night sky, over the floodlit castles of Disneyland, was consumed by a more general sense of dread, of imprisonment I within the dreary round of school and home: circumstances which, to me at least, presented sound empirical argument for gloom. My father was mean, and our house ugly, and my mother didn't pay much attention to me; my clothes were cheap and my haircut too short and no one at school seemed to like me that much; and since all this had been true for as long as I could remember, I felt things would doubtless continue in this depressing vein as far as I could foresee. In short: I felt my existence was tainted, in some subtle but essential way.

Whatever your problems are, the concept is the same: solve problems; be happy. Unfortunately, for many people, life doesn’t feel that simple. That’s because they fuck things up in at least one of two ways: 1.   Denial. Some people deny that their problems exist in the first place. And because they deny reality, they must constantly delude or distract themselves from reality. This may make them feel good in the short term, but it leads to a life of insecurity, neuroticism, and emotional repression. 2.   Victim Mentality. Some choose to believe that there is nothing they can do to solve their problems, even when they in fact could. Victims seek to blame others for their problems or blame outside circumstances. This may make them feel better in the short term, but it leads to a life of anger, helplessness, and despair.

Now if you feel like shit for even five minutes, you're bombarded with 350 images of people totally happy and having amazing fucking lives, and it's impossible to not feel like there's something wrong with you. It's this last part that gets us into trouble. We feel bad about feeling bad. We feel guilty for feeling guilty. We get angry about getting angry. We get anxious about feeling anxious. What is wrong with me? This is why not giving a fuck is so key. This is why it's going to save the world. And it's going to save it by accepting that the world is totally fucked and that's all right, because it's always been that way, and always will be. By not giving a fuck that you feel bad, you short-circuit the Feedback Loop from Hell; you say to yourself, "I feel like shit, but who gives a fuck?" And then, as if sprinkled by magic fuck-giving fairy dust, you stop hating yourself for feeling so bad.

The ancient rishi Patanjali6 defines yoga as “neutralization of the alternating waves in consciousness.”7 His short and masterly work, Yoga Sutras, forms one of the six systems of Hindu philosophy. In contradistinction to Western philosophies, all six Hindu systems8 embody not only theoretical teachings but practical ones also. After pursuing every conceivable ontological inquiry, the Hindu systems formulate six definite disciplines aimed at the permanent removal of suffering and the attainment of timeless bliss. The later Upanishads uphold the Yoga Sutras, among the six systems, as containing the most efficacious methods for achieving direct perception of truth. Through the practical techniques of yoga, man leaves behind forever the barren realms of speculation and cognizes in experience the veritable Essence. The Yoga system of Patanjali is known as the Eightfold Path.9 The first steps are (1) yama (moral conduct), and (2) niyama (religious observances). Yama is fulfilled by noninjury to others, truthfulness, nonstealing, continence, and noncovetousness. The niyama prescripts are purity of body and mind, contentment in all circumstances, self-discipline, self-study (contemplation), and devotion to God and guru. The next steps are (3) asana (right posture); the spinal column must be held straight, and the body firm in a comfortable position for meditation; (4) pranayama (control of prana, subtle life currents); and (5) pratyahara (withdrawal of the senses from external objects). The last steps are forms of yoga proper: (6) dharana (concentration), holding the mind to one thought; (7) dhyana (meditation); and (8) samadhi (superconscious experience). This Eightfold Path of Yoga leads to the final goal of Kaivalya (Absoluteness), in which the yogi realizes the Truth beyond all intellectual apprehension.

I find it understandable that people who have been destroying themselves in a drastic way might turn to a drastic cure, and adopt a harsh version of Christianity, every bit as rigid as the physical addiction that formerly held them in thrall. But they also reveal a basic and valuable truth about conversion - that we do not suddenly change in essence, magically become new people, with all our old faults left behind. What happens is more subtle, and to my mind, more revealing of God's great mercy. In the process of conversion, the detestable parts of our selves do not vanish so much as become transformed. We can't run from who we are, with our short tempers, our vanity, our sharp tongues, our talents for self-aggrandizement, self-delusion, or despair. But we can convert, in its root meaning of turn around, so that we are forced to face ourselves as we really are. We can pray that God will take our faults and use them for the good.

In short, trauma is about loss of connection to ourselves, to our bodies, to our families, to others, and to the world around us. This loss of connection is often hard to recognize, because it doesn't happen all at once. It can happen slowly, over time, and we adapt to these subtle changes sometimes without even noticing them. These are the hidden effects of trauma, the ones most of us keep to ourselves. We may simply sense that we do not feel quite right, without ever becoming fully aware of what is taking place; that is, the gradual undermining of our self-esteem, self-confidence, feelings of well-being, and connection to life. Our choices become limited as we avoid certain feelings, people, situations, and places. The result of this gradual constriction of freedom is the loss of vitality and potential for the fulfillment of our dreams." Healing Trauma: A Pioneering Program for Restoring the Wisdom of Your Body, Peter Levine

Serafina had thought Mrs. Coulter beautiful, for a short-life; but Ruta Skadi was as lovely as Mrs. Coulter, with an extra dimension of the mysterious, the uncanny. She had trafficked with spirits, and it showed. She was vivid and passionate, with large black eyes; it was said that Lord Asriel himself had been her lover. She wore heavy gold earrings and a crown on her black curly hair ringed with the fangs of snow tigers. Serafina’s dæmon, Kaisa, had learned from Ruta Skadi’s dæmon that she had killed the tigers herself in order to punish the Tartar tribe who worshiped them, because the tribesmen had failed to do her honor when she had visited their territory. Without their tiger gods, the tribe declined into fear and melancholy and begged her to allow them to worship her instead, only to be rejected with contempt; for what good would their worship do her? she asked. It had done nothing for the tigers. Such was Ruta Skadi: beautiful, proud, and pitiless.

Music is an art form whose medium is sound and silence. Its common elements are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture. The word derives from Greek μουσική (mousike; "art of the Muses"). The creation, performance, significance, and even the definition of music vary according to culture and social context. Music ranges from strictly organized compositions (and their recreation in performance), through improvisational music to aleatoric forms. Music can be divided into genres and subgenres, although the dividing lines and relationships between music genres are often subtle, sometimes open to personal interpretation, and occasionally controversial. Within the arts, music may be classified as a performing art, a fine art, and auditory art. It may also be divided among art music and folk music. There is also a strong connection between music and mathematics. Music may be played and heard live, may be part of a dramatic work or film, or may be recorded. To many people in many cultures, music is an important part of their way of life. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound. Musicologist Jean-Jacques Nattiez summarizes the relativist, post-modern viewpoint: "The border between music and noise is always culturally defined—which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus ... By all accounts there is no single and intercultural universal concept defining what music might be.

Angels! Halt and listen to me! I am the witch Ruta Skadi, and I want to talk to you!” They turned. Their great wings beat inward, slowing them, and their bodies swung downward till they were standing upright in the air, holding their position by the beating of their wings. They surrounded her, five huge forms glowing in the dark air, lit by an invisible sun. She looked around, sitting on her pine branch proud and unafraid, though her heart was beating with the strangeness of it, and her dæmon fluttered to sit close to the warmth of her body. Each angel-being was distinctly an individual, and yet they had more in common with one another than with any human she had seen. What they shared was a shimmering, darting play of intelligence and feeling that seemed to sweep over them all simultaneously. They were naked, but she felt naked in front of their glance, it was so piercing and went so deep. Still, she was unashamed of what she was, and she returned their gaze with head held high. “So you are angels,” she said, “or Watchers, or bene elim. Where are you going?” “We are following a call,” said one. She was not sure which one had spoken. It might have been any or all of them at once. “Whose call?” she said. “A man’s.” “Lord Asriel’s?” “It may be.” “Why are you following his call?” “Because we are willing to,” came the reply. “Then wherever he is, you can guide me to him as well,” she ordered them. Ruta Skadi was four hundred and sixteen years old, with all the pride and knowledge of an adult witch queen. She was wiser by far than any short-lived human, but she had not the slightest idea of how like a child she seemed beside these ancient beings. Nor did she know how far their awareness spread out beyond her like filamentary tentacles to the remotest corners of universes she had never dreamed of; nor that she saw them as human-formed only because her eyes expected to. If she were to perceive their true form, they would seem more like architecture than organism, like huge structures composed of intelligence and feeling. But they expected nothing else: she was very young.

I may add as a fourth reason, which diminishes the authority of prodigies, that there is no testimony for any, even those which have not been expressly detected, that is not opposed by an infinite number of witnesses; so that not only the miracle destroys the credit of testimony, but the testimony destroys itself. To make this the better understood, let us consider, that, in matters of religion, whatever is different is contrary; and that it is impossible the religions of ancient Rome, of Turkey, of Siam, and of China should, all of them, be established on any solid foundation. Every miracle, therefore, pretended to have been wrought in any of these religions (and all of them abound in miracles), as its direct scope is to establish the particular system to which it is attributed; so has it the same force, though more indirectly, to overthrow every other system. In destroying a rival system, it likewise destroys the credit of those miracles, on which that system was established; so that all the prodigies of different religions are to be regarded as contrary facts, and the evidences of these prodigies, whether weak or strong, as opposite to each other. According to this method of reasoning, when we believe any miracle of Mahomet or his successors, we have for our warrant the testimony of a few barbarous Arabians: And on the other hand, we are to regard the authority of Titus Livius, Plutarch, Tacitus, and, in short, of all the authors and witnesses, Grecian, Chinese, and Roman Catholic, who have related any miracle in their particular religion; I say, we are to regard their testimony in the same light as if they had mentioned that Mahometan miracle, and had in express terms contradicted it, with the same certainty as they have for the miracle they relate. This argument may appear over subtle and refined; but is not in reality different from the reasoning of a judge, who supposes, that the credit of two witnesses, maintaining a crime against any one, is destroyed by the testimony of two others, who affirm him to have been two hundred leagues distant, at the same instant when the crime is said to have been committed.

In front of the mound: a mile of naked strangers. In groups of twenty, like smokes, they are directed to the other side by a man with a truncheon and a whip. It will not help to ink in his face. Several men with barrows collect clothes. There are young women still with attractive breasts. There are family groups, many small children crying quietly, tears oozing from their eyes like sweat. In whispers people comfort one another. Soon, they say. Soon. No one wails and no one begs. Arms mingle with other arms like fallen limbs, lie like shawls across bony shoulders. A loose gray calm descends. It will be soon . . . soon. A grandmother coos at the infant she cuddles, her gray hair hiding all but the feet. The baby giggles when it’s chucked. A father speaks earnestly to his son and points at the heavens where surely there is an explanation; it is doubtless their true destination. The color of the sky cannot be colored in. So the son is lied to right up to the last. Father does not cup his boy’s wet cheeks in his hands and say, You shall die, my son, and never be remembered. The little salamander you were frightened of at first, and grew to love and buried in the garden, the long walk to school your legs learned, what shape our daily life, our short love, gave you, the meaning of your noisy harmless games, every small sensation that went to make your eager and persistent gazing will be gone; not simply the butterflies you fancied, or the bodies you yearned to see uncovered—look, there they are: the inner thighs, the nipples, pubes—or what we all might have finally gained from the toys you treasured, the dreams you peopled, but especially your scarcely budded eyes, and that rich and gentle quality of consciousness which I hoped one day would have been uniquely yours like the most subtle of flavors—the skin, the juice, the sweet pulp of a fine fruit—well, son, your possibilities, as unrealized as the erections of your penis—in a moment—soon—will be ground out like a burnt wet butt beneath a callous boot and disappear in the dirt. Only our numbers will be remembered—not that you or I died, but that there were so many of us. And that we were.

I think it’s helpful to take an organized approach to what I call the “twin risks.” What I’m talking about here is the fact that investors have to deal daily with two possible sources of error. The first is obvious: the risk of losing money. The second is a bit more subtle: the risk of missing opportunity. Investors can eliminate either one, but doing so will expose them entirely to the other. So most people balance the two. What should an investor’s normal stance be regarding the two risks: evenly balanced, or favoring one or the other? The answer depends mostly on one’s goals, circumstances, personality and ability to withstand risk (and on the same things with regard to one’s clients, if any). And separate and apart from his normal posture, should the investor alter the balance from time to time? And if so, how? I think investors should try to appropriately adjust their stance if they (a) feel they have the requisite insight and (b) are willing to expend effort and bear the risk of being wrong. They should do this based on where the market is in its cycle. In short, when the market is high in its cycle, they should emphasize limiting the potential for losing money, and when the market is low in its cycle, they should emphasize reducing the risk of missing opportunity.

He was taller than Kay, which gave him just the geometric extent to wholly wrap her back. He could honestly say that he could not remember ever lying around her, beside her, or intertwined with her in a position that was slightly uncomfortable—that was, in fact, anything short of sumptuous. The earthy tones of his wife’s natural scent hit a descant note of sweetness, and featured the same subtle complexity that Kay savoured in red wine; thus he loved nothing better than nestling a cheek on her shoulder to inhale at the base of her neck, where the heady smell was distilled. She didn’t snore, but she did have an endearing habit of talking as she dreamt, which helped convey that the shifting and realigning of their bodies during the night were a form of conversation. Their sleep was best in winter and constituted the most winning aspect of the season (in comparison, sod Christmas), when they lowered the thermostat to 12°C and doubled the duvets, the air sharp and fresh in their lungs, their bodies in due course so indolently warm that it felt almost criminal. An instep cooled outside the duvet would slip bracingly against his calf; a hand warmed under the pillow would cup the side of his neck, making him feel not only safe and beloved, but more profoundly and perfectly present in the single beating moments of his life than he ever felt during the day.

In a little while the guest became sensible of the fragrance of the yet untasted coffee. He quaffed it eagerly. The subtle essence acted on him like a charmed draught, and caused the opaque substance of his animal being to grow transparent, or, at least, translucent; so that a spiritual gleam was transmitted through it, with a clearer lustre than hitherto. “More, more!” he cried, with nervous haste in his utterance, as if anxious to retain his grasp of what sought to escape him. “This is what I need! Give me more!” Under this delicate and powerful influence he sat more erect, and looked out from his eyes with a glance that took note of what it rested on. It was not so much that his expression grew more intellectual; this, though it had its share, was not the most peculiar effect. Neither was what we call the moral nature so forcibly awakened as to present itself in remarkable prominence. But a certain fine temper of being was now not brought out in full relief, but changeably and imperfectly betrayed, of which it was the function to deal with all beautiful and enjoyable things. In a character where it should exist as the chief attribute, it would bestow on its possessor an exquisite taste, and an enviable susceptibility of happiness. Beauty would be his life; his aspirations would all tend toward it; and, allowing his frame and physical organs to be in consonance, his own developments would likewise be beautiful.

I was lucky to receive it. Most rogue interns never get a second chance. And here it’s worth mentioning that I benefited from what was known in 2009 as being fortunate, and is now more commonly called privilege. It’s not like I flashed an Ivy League gang sign and was handed a career. If I had stood on a street corner yelling, “I’m white and male, and the world owes me something!” it’s unlikely doors would have opened. What I did receive, however, was a string of conveniences, do-overs, and encouragements. My parents could help me pay rent for a few months out of school. I went to a university lousy with successful D.C. alumni. No less significantly, I avoided the barriers that would have loomed had I belonged to a different gender or race. Put another way, I had access to a network whether I was bullshit or not. A friend’s older brother worked as a speechwriter for John Kerry. When my Crisis Hut term expired, he helped me find an internship at West Wing Writers, a firm founded by former speechwriters for Bill Clinton and Al Gore. In the summer of 2009, my new bosses upgraded me to full-time employee. Without meaning to, I had stumbled upon the chance to learn a skill. The firm’s partners were four of the best writers in Washington, and each taught me something different. Vinca LaFleur helped me understand the benefits of subtle but well-timed alliteration. Paul Orzulak showed me how to coax speakers into revealing the main idea they hope to express. From Jeff Shesol, I learned that while speechwriting is as much art as craft, and no two sets of remarks are alike, there’s a reason most speechwriters punctuate long, flowy sentences with short, punchy ones. It works.

you, Mr. Rowland.’ Chris taught me a lesson I will never forget – our deep desire to feel important. To help me never forget this rule, I made a sign which reads ‘YOU ARE IMPORTANT.’ This sign hangs in the front of the classroom for all to see and to remind me that each student I face is equally important. The unvarnished truth is that almost all the people you meet feel themselves superior to you in some way, and a sure way to their hearts is to let them realise in some subtle way that you realise their importance, and recognise it sincerely. Remember what Emerson said: ‘Every man I meet is my superior in some way. In that, I learn of him.’ And the pathetic part of it is that frequently those who have the least justification for a feeling of achievement bolster up their egos by a show of tumult and conceit which is truly nauseating. As Shakespeare put it: ‘. . . man, proud man,/Drest in a little brief authority,/ . . . Plays such fantastic tricks before high heaven/As make the angels weep.’ I am going to tell you how business people in my own courses have applied these principles with remarkable results. Let’s take the case of a Connecticut attorney (because of his relatives he prefers not to have his name mentioned). Shortly after joining the course, Mr. R – drove to Long Island with his wife to visit some of her relatives. She left him to chat with an old aunt of hers and then rushed off by herself to visit some of the younger relatives. Since he soon had to give a speech professionally on how he applied the principles of appreciation, he thought he would gain some worthwhile experience talking with the elderly lady. So he looked around the house to see what he could honestly admire. ‘This house was built about 1890, wasn’t it?’ he inquired.

It was about time he opened his eyes to see just to whom he was speaking. After several quick blinks, he managed to do just that, gazing up into a small, heart-shaped face. A pretty face. Not one of a curvy seductress or a cool-hearted courtesan, but a feminine, delicately featured face. He knew this face. He adored this face. "Miss Charlotte Greene," he stated finally, taking a risk and raising his head to get a better look. Sitting at his side, the white skirt of her thick night rail tucked around her legs, she smiled down at him with concerned eyes of deep blue. Gorgeous sapphire eyes often hidden behind the rims of small, round spectacles. Truthfully, she happened to be the complete opposite of what he was usually attracted to. She was a bit too thin, too short, and too quiet for his tastes, which had always leaned toward the voluptuous, the tall, and the spirited. Normally, she wasn't one to stand out. And he rather suspected she preferred it that way. However, while most young bucks readily discounted her merits and furtively joked about her quirky behavior behind her back, Rothbury had always sensed a subtle undercurrent of passion in her dark blue gaze. Unlike the "diamonds" of the ton and demimonde, who slinked across assembly rooms completely aware of their beauty and the power that accompanied it, Miss Greene moved like a woman who hadn't yet realized how utterly fetching she truly was. She clung to the walls, sometimes barely raising her eyes from the floor, rarely spoke but to her closest friends, and shied away from situations that demanded she converse with the opposite sex. Strange it was for him to notice those facets in such an unassuming woman. Strange it was he should have noticed her at all. But he always did. The second she walked into a room.

Nostromo is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the Typhoon volume of short stories. I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life. And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible. What, however, did cause me some concern was that after finishing the last story of the Typhoon volume it seemed somehow that there was nothing more in the world to write about. This so strangely negative but disturbing mood lasted some little time; and then, as with many of my longer stories, the first hint for Nostromo came to me in the shape of a vagrant anecdote completely destitute of valuable details. As a matter of fact in 1875 or ’6, when very young, in the West Indies or rather in the Gulf of Mexico, for my contacts with land were short, few, and fleeting, I heard the story of some man who was supposed to have stolen single-handed a whole lighter-full of silver, somewhere on the Tierra Firme seaboard during the troubles of a revolution. On the face of it this was something of a feat. But I heard no details, and having no particular interest in crime qua crime I was not likely to keep that one in my mind. And I forgot it till twenty-six or seven years afterwards I came upon the very thing in a shabby volume picked up outside a second-hand book-shop. It was the life story of an American seaman written by himself with the assistance of a journalist. In the course of his wanderings that American sailor worked for some months on board a schooner, the master and owner of which was the thief of whom I had heard in my very young days. I have no doubt of that because there could hardly have been two exploits of that peculiar kind in the same part of the world and both connected with a South American revolution.

In groups of twenty, like smokes, they are directed to the other side by a man with a truncheon and a whip. It will not help to ink in his face. Several men with barrows collect clothes. There are young women still with attractive breasts. There are family groups, many small children crying quietly, tears oozing from their eyes like sweat. In whispers people comfort one another. Soon, they say. Soon. No one wails and no one begs. Arms mingle with other arms like fallen limbs, lie like shawls across bony shoulders. A loose gray calm descends. It will be soon… soon. A grandmother coos at the infant she cuddles, her gray hair hiding all but the feet. The baby giggles when it’s chucked. A father speaks earnestly to his son and points at the heavens where surely there is an explanation; it is doubtless their true destination. The color of the sky cannot be colored in. So the son is lied to right up to the last. Father does not cup his boy’s wet cheeks in his hands and say, You shall die, my son, and never be remembered. The little salamander you were frightened of at first, and grew to love and buried in the garden, the long walk to school your legs learned, what shape our daily life, our short love, gave you, the meaning of your noisy harmless games, every small sensation that went to make your eager and persistent gazing will be gone; not simply the butterflies you fancied, or the bodies you yearned to see uncovered - look, there they are: the inner thighs, the nipples, pubes - or what we all might have finally gained from the toys you treasured, the dreams you peopled, but especially your scarcely budded eyes, and that rich and gentle quality of consciousness which I hoped one day would have been uniquely yours like the most subtle of flavors - the skin, the juice, the sweet pulp of a fine fruit - well, son, your possibilities, as unrealised as the erections of your penis - in a moment - soon - will be ground out like a burnt wet butt beneath a callous boot and disappear in the dirt. Only our numbers will be remembered - not that you or I died, but that there were so many of us.

Sebastian encountered Cam in the hallway outside the reading room. “Where is he?” he demanded without preamble. Stopping before him with an expressionless face, Cam said shortly, “He’s gone.” “Why didn’t you follow him?” White-hot fury blazed in Sebastian’s eyes. This news, added to the frustration of his vow of celibacy, was the last straw. Cam, who had been exposed to years of Ivo Jenner’s volcanic temper, remained unruffled. “It was unnecessary in my judgment,” he said. “He won’t return.” “I don’t pay you to act on your own damned judgment. I pay you to act on mine! You should have dragged him here by the throat and then let me decide what was to be done with the bastard.” Cam remained silent, sliding a quick, subtle glance at Evie, who was inwardly relieved by the turn of events. They were both aware that had Cam brought Bullard back to the club, there was a distinct possibility that Sebastian might actually have killed him— and the last thing Evie wanted was a murder charge on her husband’s head. “I want him found,” Sebastian said vehemently, pacing back and forth across the reading room. “I want at least two men hired to look for him day and night until he is brought to me. I swear he’ll serve as an example to anyone who even thinks of lifting a finger against my wife.” He raised his arm and pointed to the doorway. “Bring me a list of names within the hour. The best detectives available— private ones. I don’t want some idiot from the New Police, who’ll foul this up as they do everything else. Go.” Though Cam undoubtedly had a few opinions to offer on the matter, he kept them to himself. “Yes, my lord.” He left the room at once, while Sebastian glared after him. Seeking to calm his seething temper, Evie ventured, “There is no need to take your anger out on Cam. He—” “Don’t even try to excuse him,” Sebastian said darkly. “You and I both know that he could have caught that damned gutter rat had he wanted to. And I’ll be damned if I’ll tolerate your calling him by his first name— he is not your brother, nor is he a friend. He’s an employee, and you’ll refer to him as ‘Mr. Rohan’ from now on.” “He is my friend,” Evie replied in outrage. “He has been for years!” “Married women don’t have friendships with young unmarried men.” “Y-you dare to insult my honor with the implication that… that…” Evie could hardly speak for the multitude of protests that jammed inside her. “I’ve done nothing to merit such a lack of tr-tr-trust!” “I trust you. It’s everyone else that I hold in suspicion.

ESTABLISH STABLE ANCHORS OF ATTENTION Mindfulness meditation typically involves something known as an anchor of attention—a neutral reference point that helps support mental stability. An anchor might be the sensation of our breath coming in and out of the nostrils, or the rising and falling of our abdomen. When we become lost in thought during practice, we can return to our anchor, fixing our attention on the stimuli we’ve chosen. But anchors can also intensify trauma. The breath, for instance, is far from neutral for many survivors. It’s an area of the body that can hold tension related to a trauma and connect to overwhelming, life-threatening events. When Dylan paid attention to the rising and falling of his abdomen, he would be swamped with memories of mocking faces while walking down the hallway. Other times, feeling a constriction of his breath in the chest echoed a feeling of immobility, which was a traumatic reminder. For Dylan, the breath simply wasn’t a neutral anchor. As a remedy, we can encourage survivors to establish stabilizing anchors of attention. This means finding a focus of attention that supports one’s window of tolerance—creating stability in the nervous system as opposed to dysregulation. Each person’s anchor will vary: for some, it could be the sensations of their hands resting on their thighs, or their buttocks on the cushion. Other stabilizing anchors might include another sense altogether, such as hearing or sight. When Dylan and I worked together, it took a while until he could find a part of his body that didn’t make him more agitated. He eventually found that the sense of hearing was a neutral anchor of attention. At my office, he’d listen for the sound of the birds or the traffic outside, which he found to be stabilizing. “It’s subtle,” he said to me, opening his eyes and rubbing the back of his neck with his hand. “But it is a lot less charged. I’m not getting riled up the same way, which is a huge relief.” In sessions together, Dylan’s anchor was a spot he’d rest his attention on at the beginning of a session or a place to return to if he felt overwhelmed. If he practiced meditation at home—I’d recommended short periods if he could stay in his window of tolerance—he used hearing as an anchor, or “home base” as he called it. “I finally feel like I can access a kind of refuge,” he said quietly, placing his hand on his belly. “My body hasn’t felt safe in so long. It’s a relief to finally feel like I’m learning how to be in here.” Anchors of attention you can offer students and clients practicing mindfulness—besides the sensation of the breath in the abdomen or nostrils—include different physical sensations (feet, buttocks, back, hands) and other senses (seeing, smelling, hearing). One client of mine had a soft blanket that she would touch slowly as an anchor. Another used a candle. For some, walking meditation is a great way to develop more stable anchors of attention, such as the feeling of one’s feet on the ground—whatever supports stability and one’s window of tolerance. Experimentation is key. Using subtler anchors does come with benefits and drawbacks. One advantage to working with the breath is that it is dynamic and tends to hold our attention more easily. When we work with a sense that’s less tactile—hearing, for instance—we may be more prone to drifting off into distraction. The more tangible the anchor, the easier it is to return to it when attention wanders.

No foreign architect of stature, such as I. M. Pei, resides in Japan. Foreign architects come to Japan on short-term contracts, erect a skyscraper or a museum, and then leave. But subtle and sophisticated approaches to services and design—the core elements of modern building technology—cannot be transmitted in this way. Japan is left with the empty shells of architectural ideas, the hardware without the software.

And you are death to us. We remain a mystery to you myriad warmlife races. To you bustling carbon-children of thermonuclear heat and searing light. We are of the Deep and knew, shortly after the stars formed, of the beauty stark and subtle, and old to you beyond measure. Our kind came before you, in dark geometries beneath the diamond glitter of distant starlight on time-stained ices. Metabolism brims in the thin fog breath of flowing helium, sliding in intricate, coded motion, far from the ravages of any sun.

I engage in subtle stalking. That's entirely different and perfectly socially acceptable.

Sumerian was not the only language spoken in southern Mesopotamia (the region known as Sumer). Akkadian, the Semitic language of central Mesopotamia, showed up in subtle ways as well.

are really divine opportunities to inject the presence of the kingdom. But there has to be a long-term invasion by the covert, a subtle invading of the system so we have the Daniels and Joshuas in their place. These people are making decisions and gaining the hearts of the kings. For example, the school system is a really difficult area or has been thought to be. Most closed heavens for the believer are between the ears. Because we have thought that schools have been an impossible realm to invade, we are combative when we try to get involved. We want to remove a teacher, we want to get rid of a textbook, and we want to get our people on the board. Instead, let’s go in as servants, not as rulers. We don’t go in to run things; we go in to help. We go in to make the principal look like a genius. The teachers and principals, what do they want?

Wearing black leather trousers, short jacket, fitted corset and leather arm pads, Beck decided she looked exactly like the warrior princess she was meant to be. He always thought her an extraordinary blend of brute strength and subtle femininity and that belief was more in evidence today than ever. Her mastery in sword fighting, near blademaster rank, and her innate ability to anticipate the moves of much larger adversaries, made her a lethal fighter. She was also one of his best friends.

It was worse than she’d expected. “None?” she asked. “No fresh boot prints anywhere around the perimeter of the house,” Sheriff Coughlin confirmed. “It was windy last night. Maybe the drifting snow filled in the prints?” Even before she finished speaking, the sheriff was shaking his head. “With the warm temperatures we’ve been having, the snow is either frozen or wet and heavy. If someone had walked through that yard last night, there would’ve been prints.” Daisy hid her wince at his words, even though they hit as hard as an elbow to the gut, and struggled to keep her voice firm. “There was someone walking around the outside of that house last night, Sheriff. I don’t know why there aren’t any boot prints, but I definitely saw someone.” He was giving her that look again, but it was worse, because she saw a thread of pity mixed in with the condescension. “Have you given more thought to starting therapy again?” The question surprised her. “Not really. What does that have to do…?” As comprehension dawned, a surge of rage shoved out her bewilderment. “I didn’t imagine that I saw someone last night. There really was a person there, looking in the side window.” All her protest did was increase the pity in his expression. “It must get lonely here by yourself.” “I’m not making things up to get attention!” Her voice had gotten shrill, so she took a deep breath. “I even said there was no need for you to get involved. I only suggested one of the on-duty deputies drive past to scare away the kid.” “Ms. Little.” His tone made it clear that impatience had drowned out any feelings of sympathy. “Physical evidence doesn’t lie. No one was in that yard last night.” “I know what I saw.” The sheriff took a step closer. Daisy hated how she had to crane her neck back to look at him. It made her feel so small and vulnerable. “Do you really?” he asked. “Eyewitness accounts are notoriously unreliable. Even people without your issues misinterpret what they see all the time. The brain is a tricky thing.” Daisy set her jaw as she stared back at the sheriff, fighting the urge to step back, to retreat from the man looming over her. There had been someone there, footprints or no footprints. She couldn’t start doubting what she’d witnessed the night before. If she did, then that meant she’d gone from mildly, can’t-leave-the-house crazy, to the kind of crazy that involved hallucinations, medications, and institutionalization. There had to be some other explanation, because she wasn’t going to accept that. Not when her life was getting so much better. She could tell by looking at his expression that she wasn’t going to convince Coughlin of anything. “Thank you for checking on it, Sheriff. I promise not to bother you again.” Although he kept his face impassive, his eyes narrowed slightly. “If you…see anything else, Ms. Little, please call me.” That wasn’t going to happen, especially when he put that meaningful pause in front of “see” that just screamed “delusional.” Trying to mask her true feelings, she plastered on a smile and turned her body toward the door in a not-so-subtle hint for him to leave. “Of course.” Apparently, she needed some lessons in deception, since the sheriff frowned, unconvinced. Daisy met his eyes with as much calmness as she could muster, dropping the fake smile because she could feel it shifting into manic territory. She’d lost enough credibility with the sheriff as it was. The silence stretched until Daisy wanted to run away and hide in a closet, but she managed to continue holding his gaze. The memory of Chris telling her about the sheriff using his “going to confession” stare-down on suspects helped her to stay quiet. Finally, Coughlin turned toward the door. Daisy barely managed to keep her sigh of relief silent. “Ms. Little,” he said with a short nod, which she returned. “Sheriff.” Only when he was through the doorway with the door locked behind him did Daisy’s knees start to shake.

Larry Kudlow hosted a business talk show on CNBC and is a widely published pundit, but he got his start as an economist in the Reagan administration and later worked with Art Laffer, the economist whose theories were the cornerstone of Ronald Reagan’s economic policies. Kudlow’s one Big Idea is supply-side economics. When President George W. Bush followed the supply-side prescription by enacting substantial tax cuts, Kudlow was certain an economic boom of equal magnitude would follow. He dubbed it “the Bush boom.” Reality fell short: growth and job creation were positive but somewhat disappointing relative to the long-term average and particularly in comparison to that of the Clinton era, which began with a substantial tax hike. But Kudlow stuck to his guns and insisted, year after year, that the “Bush boom” was happening as forecast, even if commentators hadn’t noticed. He called it “the biggest story never told.” In December 2007, months after the first rumblings of the financial crisis had been felt, the economy looked shaky, and many observers worried a recession was coming, or had even arrived, Kudlow was optimistic. “There is no recession,” he wrote. “In fact, we are about to enter the seventh consecutive year of the Bush boom.”19 The National Bureau of Economic Research later designated December 2007 as the official start of the Great Recession of 2007–9. As the months passed, the economy weakened and worries grew, but Kudlow did not budge. There is no recession and there will be no recession, he insisted. When the White House said the same in April 2008, Kudlow wrote, “President George W. Bush may turn out to be the top economic forecaster in the country.”20 Through the spring and into summer, the economy worsened but Kudlow denied it. “We are in a mental recession, not an actual recession,”21 he wrote, a theme he kept repeating until September 15, when Lehman Brothers filed for bankruptcy, Wall Street was thrown into chaos, the global financial system froze, and people the world over felt like passengers in a plunging jet, eyes wide, fingers digging into armrests. How could Kudlow be so consistently wrong? Like all of us, hedgehog forecasters first see things from the tip-of-your-nose perspective. That’s natural enough. But the hedgehog also “knows one big thing,” the Big Idea he uses over and over when trying to figure out what will happen next. Think of that Big Idea like a pair of glasses that the hedgehog never takes off. The hedgehog sees everything through those glasses. And they aren’t ordinary glasses. They’re green-tinted glasses—like the glasses that visitors to the Emerald City were required to wear in L. Frank Baum’s The Wonderful Wizard of Oz. Now, wearing green-tinted glasses may sometimes be helpful, in that they accentuate something real that might otherwise be overlooked. Maybe there is just a trace of green in a tablecloth that a naked eye might miss, or a subtle shade of green in running water. But far more often, green-tinted glasses distort reality. Everywhere you look, you see green, whether it’s there or not. And very often, it’s not. The Emerald City wasn’t even emerald in the fable. People only thought it was because they were forced to wear green-tinted glasses! So the hedgehog’s one Big Idea doesn’t improve his foresight. It distorts it. And more information doesn’t help because it’s all seen through the same tinted glasses. It may increase the hedgehog’s confidence, but not his accuracy. That’s a bad combination.

Benefits of Going Green The benefits of going green are sometimes not similar to obvious right away. For some people, because of this that going green can be so difficult. They have to see immediate or near immediate results of their green efforts. Unfortunately, some benefits take a while and dedication. Now and dedication can be a good thing about going green in itself. When we become more commited to an environmentally friendly lifestyle we study that lifestyle, the aspects of the life-style that is effective on our behalf and then we study new tips that make the lifestyle much better to create. Other merits of going green can be found especially zones of green lifestyles. Benefits of Going Green at Home Going green at your home is among the few places that green lifestyle benefits are shown quickly or in the next short space of time. The first home benefit that many individuals who go green see, is a drop in utility bills and spending. As people commence to make subtle and full blown changes in the volume of energy they use and the manner they make use of it, the utility bills will drop. This benefit shows itself within the first three billing cycles no matter the effective changes. Spending also reduces. The spending pattern of green lifestyles shows a spending reduction because of switching from disposable items to reusable items, pricey chemical items for DIY natural options and swapping out appliances for higher energy levels effiencent models. Simply not only are the advantages observed in healthier lifestyle options, but on top of that they are seen in healthier financial options. Benefits to Going Green at Work Going green at work is problematic to implement and hard to see immediate results from. However, the avantages of going green in the workplace might be incredibly financially beneficial regarding the business. A clear benefit for businesses going green that is the alleviates clutter and increased organization. By utilizing green techniques in your business such as cloud storage, going paperless and energy usage techniques a business will save many dollars each month. This is a clear benefit, but the additional advantage is increased business. Consumers, businesses and sales professionals love aligning themselves with green businesses. It shows an ecological awareness and connection and it has verified that the green business cares about the approach to life of their total clients. The green business logo and concept means the advantage of a higher customer base and increased sales. Advantages and benefits of Going Green within the Community Community advantages and benefits of going green are the explanation as to why many individuals begin contribution in the green movement. Community efforts do take time and effort to develop. Recycling centers, landscaping endeavors and urban gardening projects take community efforts and dedication. These projects can build wonderful benefits regarding the community. Initially the advantages will show in areas similar to a decrease in waste, increased organic gardening options and recycling endeavors to diminish waste in landfills. Eventually the avantages of going green locally can present a residential district bonding, closer knit communities and environmental benefits which will reach to reduced air pollution. There can also be an increase in local food production and local companies booming which helps the regional economy. There are numerous other benefits of going green. These benefits might be comprehensive and might change the thought of how communities, states and personal lifestyles are changed.

They went out the back of the house to the great stone terrace, its wide curving steps leading down to the gardens. The moonlight was crossed with shredded clouds that glowed against a sky the color of black plums. Puzzled but willing, Amelia went with Cam to the bottom of the steps. He stopped and gave a short whistle. “What—” Amelia gasped as she heard the pounding of heavy hooves and saw a huge black form rushing toward them like something from a nightmare. Alarm darted through her, and she burrowed against Cam, her face hidden against his chest. His arm went around her, tucking her close. When the thundering stopped, Amelia risked a glance at the apparition. It was a horse. A huge black horse, with puffing breaths that rose like wraiths in the raw air. “Is this really happening?” she asked. Cam reached in his pocket and fed the horse a sugar lump, and ran his hand over the sleek midnight neck. “Have you ever had a dream like this?” “Never.” “Then it must be happening.” “You actually have a horse who comes when you whistle?” “Yes, I trained him.” “What is his name?” His smile gleamed white in the darkness. “Can’t you guess?” Amelia thought for a moment. “Pooka?” The horse turned his head to look at her as if he understood. “Pooka,” she repeated with a faint smile. “Do you have wings, by any chance?” At Cam’s subtle gesture, the horse shook his head in an emphatic no, and Amelia laughed shakily. Walking to Pooka’s side, Cam swung up onto the packsaddle in a graceful movement. He sidled close to the step on which Amelia was standing and reached down to her. She took his hand, managing to gain a foothold on the stirrup. She was lifted easily onto the saddle in front of him. Momentum carried her a little too far, but Cam’s arm locked around her, keeping her in place. Amelia leaned back into the hard cradle of his chest and arm. Her nostrils were filled with the scents of autumn, damp earth, horse and man and midnight. “You knew I’d come with you, didn’t you?” she asked. Cam leaned over her, kissing her temple. “I only hoped.” His thighs tightened, setting the horse to a gallop, and then a smooth canter. And when Amelia closed her eyes, she could have sworn they were flying.

Some of the web’s most popular blogs even write in short 2-3 sentence paragraphs so that it’s easier on readers’ eyes. This is a subtle, but incredibly important feature of gorgeous design.

Captain Vimes ran up Short Street – the longest in the city, which shows the famous Morpork subtle sense of humour in a nutshell

The “do something” principle not only helps us overcome procrastination, but it’s also the process by which we adopt new values. If you’re in the midst of an existential shitstorm and everything feels meaningless—if all the ways you used to measure yourself have come up short and you have no idea what’s next, if you know that you’ve been hurting yourself chasing false dreams, or if you know that there’s some better metric you should be measuring yourself with but you don’t know how—the answer is the same: Do something.

But avoiding rejection gives us short-term pleasure by making us rudderless and directionless in the long term.

Look, this is how it works. You’re going to die one day. I know that’s kind of obvious, but I just wanted to remind you in case you’d forgotten. You and everyone you know are going to be dead soon. And in the short amount of time between here and there, you have a limited amount of fucks to give. Very few, in fact. And if you go around giving a fuck about everything and everyone without conscious thought or choice—well, then you’re going to get fucked.

Much of the advice out there operates at a shallow level of simply trying to make people feel good in the short term, while the real long-term problems never get solved. People’s perceptions and feelings may change, but the underlying values, and the metrics by which those values are assessed, stay the same. This is not real progress. This is just another way to achieve more highs.

Our big problem, as humans, is mistaking this very temporary thing we call ‘me,’ this acquired personality, with our subtle consciousness, which is primordial. We do things to advance the short-term interests of this temporary ‘me,’ even things that involve harming others, thinking that because there is no immediate effect on the temporary ‘me,’ that there will be no effect at all. “But when you step back and view time from a wider perspective, you can see how one human lifetime is like this,” he said as he snapped his fingers. “Just because there is no instant effect doesn’t mean there is no effect at all. All actions have results. How can a negative action give rise to anything but a negative result? Or a positive action give rise to anything but a positive result? “What moves from one lifetime to another with the flow of subtle consciousness isn’t the acquired personality. It isn’t intelligence, a memory, religious views, or race. It isn’t even species.

Christopher reached out to pet Hector, who nuzzled against his hand. His gentleness with the animal was reassuring. Perhaps, Beatrix thought hopefully, he wasn’t as angry as she had feared Taking a deep breath, she said, “The reason that I named him Hector--” “No,” Christopher moved with startling swiftness, trapping her against the post of the stall. His voice was low and rough. “Let’s start with this: did you help Prudence to write those letters?” Beatrix’s eyes widened as she looked into his shadowed face. Her blood surged, a flush rising to the surface of her skin. “No,” she managed to say, “I didn’t help her.” “Then who did?” “No one helped her.” It was the truth. It just wasn’t the entire truth. “You know something,” he insisted. “And you’re going to tell me what it is.” She could feel his fury. The air was charged with it. Her heart thrummed like a bird’s. And she struggled to contain a swell of emotion that was almost more than she could bear. “Let me go,” she said with exceptional calm. “You’re doing neither of us any good with this behavior.” His eyes narrowed dangerously. “Don’t use your bloody dog-training voice on me.” “That wasn’t my dog-training voice. And if you’re so intent on getting at the truth, why aren’t you asking Prudence?” “I have asked her. She lied. As you are lying now.” “You’ve always wanted Prudence,” Beatrix burst out. “Now you can have her. Why should a handful of letters matter?” “Because I was deceived. And I want to know how and why.” “Pride,” Beatrix said bitterly. “That’s all this is to you…your pride was hurt.” One of hands sank into her hair, gripping in a gentle but inexorable hold. A gasp slipped from her throat as he pulled her head back. “Don’t try to diver the conversation. You know something you’re not telling me.” His free hand came to the exposed line of her throat. For a heart-stopping moment she thought he might choke her. Instead he caressed her gently, his thumb moving in a subtle swirl in the hollow at the base. The intensity of her own reaction astonished her. Beatrix’s eyes half closed. “Stop,” she said faintly. Taking her responsive shiver as a sign of distaste or fear, Christopher lowered his head until his breath fanned her cheek. “Not until I have the truth.” Never. If she told him, he would hate her for the way she had deceived and abandoned him. Some mistakes could not be forgiven. “Go to hell,” Beatrix said unsteadily. She had never used such a phrase in her life. “I am in hell.” His body corralled hers, his legs intruding amid the folds of her skirts. Drowning in guilt and fear and desire, she tried to push his caressing hand away from her throat. His fingers delved into her hair with a grip just short of painful. His mouth was close to hers. He was surrounding her, all the strength and force and maleness of him, and she closed her eyes as her senses went quiet and dark in helpless waiting. “I’ll make you tell me,” she heard him mutter. And then he was kissing her. Somehow, Beatrix thought hazily, Christopher seemed to be under the impression she would find his kisses so objectionable that she would confess anything to make him desist. She couldn’t think how he had come by such a notion. In fact, she couldn’t really think at all.

Like other living cre a t u res, plants' structural characteristics are encoded in the DNA in their cells. In other words, how a plant will re p roduce, how it will breathe, how it will come by its nutrients, its colour, smell, taste, the amount of sugar in it, and other such information, is without exception to be found in all of that plant's cells. The cells in the roots of the plant possess the knowledge of how the leaves will carry out photosynthesis, and the cells in the leaves possess the knowledge of how the roots will take water from the soil. In short, there exist a code and a blueprint for the formation of a complete new plant in every extension that leaves a plant. All the features of the mother plant, based on its inbuilt genetic information, are to be found, complete, down to the last detail in every cell of every little part that splits off from it. So, in that case, how and by whom was the information that can form a complete new plant installed in every part of the plant? The probability of all the information being totally complete and the same inside every cell of a plant cannot be attributed to chance. Nor can it be attributed to the plant itself, or the minerals in the soil that carry out this process. These are all parts of the system which make up the plant. Just as it takes a factory engineer to program production line robots, since the robots cannot come by the instructions themselves, so there must be some being which gives to plants the necessary formula for growth and re p roduction, since the plants, like the robots, cannot acquire these by themselves. It is, of course God who implanted the necessary information in the plants' cells, as in all other living things in the world. It is He who without any doubt created everything in complete form, and who is aware of all creation. God draws attention to this truth in several holy verses: He created the seven heavens one above the other. You will find no flaw in the creation of the All-Merciful. Look again-do you see any gaps? Then look again and again. Your eyes will become dazzled and exhausted. (Surat al-Mulk: 3-4) Do you not see that God sends down water from the sky and then in the morning the earth is covered in green? God is All-Subtle, AllAware. (Surat al-Hajj: 63)