Short Shine Quotes

Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometimes too hot the eye of heaven shines, And too often is his gold complexion dimm'd: And every fair from fair sometimes declines, By chance or natures changing course untrimm'd; By thy eternal summer shall not fade, Nor lose possession of that fair thou owest; Nor shall Death brag thou wander'st in his shade, When in eternal lines to time thou growest: So long as men can breathe or eyes can see, So long lives this and this gives life to thee.

Don't expect me to tell you apart," Reagan said when this became a routine. "I have short hair," Wren said. "and she wears glasses." "Stop," Reagan groaned, "don't make me look at you. It's like The Shining in here.

Nothing lasts forever,' I said, flicking cigarette ash into a cut-glass tray. 'We all have a short time, to shine or just survive.

When you die, they can make you into diamonds now. It’s scientific. That’s how I want to be remembered. I want to shine.

Luna is short for mi luna. My moon. Because no matter how dark the nights got, you were always there, shining so brightly that I always found my way through.

Life's too short to settle for second best

That is one thing I've learned, that it is possible to really understand things at certain points, and not be able to retain them, to be in utter confusion just a short while later. I used to think that once you really knew a thing, its truth would shine on forever. Now it's pretty obvious to me that more often than not the batteries fade, and sometimes what you knew even goes out with a bang when you try to call on it, just like a lightbulb cracking off when you throw the switch.

At some point your candle will go out, so make use of the light.

That's how I want to be remembered. I want to shine.

She threw her head back and laughed. The kid fucking laughed, eyes shining. Like there was no greater adventure she could possibly be on. Like life was turning out to be the most exhilarating, fantastic roller coaster ride she could ever have imagined. Fuck the pain. Fuck the misery. In the middle of the hopeless, brutal hell her short existence on this earth had been, that girl laughed. You don't snuff out a life like that. You honor it. You take measures to protect it, even from itself when necessary, and keep it alive.

From the dim regions beyond the mountains at the upper end of our encircled domain, there crept out a narrow and deep river, brighter than all save the eyes of Eleonora; and, winding stealthily about in mazy courses, it passed away, at length, through a shadowy gorge, among hills still dimmer than those whence it had issued. We called it the "River of Silence"; for there seemed to be a hushing influence in its flow. No murmur arose from its bed, and so gently it wandered along, that the pearly pebbles upon which we loved to gaze, far down within its bosom, stirred not at all, but lay in a motionless content, each in its own old station, shining on gloriously forever.

He's gawking at me when I open the door. "Damn girl," he says, looking me over, "what the hell are you trying to do to me?" I look down at myself, still trying to wake up the rest of the way and realize I'm in those tiny cotton white shorts and varsity tee with no bra on underneath. Oh my God, my nipples are like beacons shining through my shirt! I cross my arms over my chest and try not to look at him i the eyes when he helps himself the rest of the way inside. "I was going to tell you to get dressed," he goes on, grinning as he walks into the room carrying his bags and the guitar, "but really, you can go just like that if you want." I shake my head, hiding the smile creeping up on my face.

As soon as I got back to the apartment, through the pain of throwing away Braden came the fear. I stared down the hall at Ellie's bedroom door, and I had to stop myself from going back on my promise not to run from her. So I did the opposite. I kicked off my boots, shrugged out of my coat and crept silently into her darkened room. In the moonlight shining through her window, I saw Ellie curled up in a protective ball on her side. I made a move toward her and the floor creaked under my foot, and Ellie's eyes flew open immediately. She gazed up at me, wide-eyed but wary. That hurt. I started to cry harder and at the sight of my tears, a tear slid down Ellie's cheek. Without a word, I crawled onto her bed and right up beside her as she turned onto her back. We lay side by side, my head on her shoulder, and I grabbed her hand and held it in both of mine. "I'm sorry," I whispered. "It's okay," Ellie's voice was hoarse with emotion. "You came back." And because life was too short... "I love you, Ellie Carmichael. You're going to get through this." I heard her hitch on a sob. "I love you too, Joss.

Love is not a shining star. Love is not the warm glow of the sun. Love is a river. Sometimes it’s shallow and other times a mile deep. It flows toward some and away from others. It’s rocky, slippery, and you can drown in it if you’re not careful. It creates ripples in the lives around us, and all we can hope for is to be a part of that river, no matter where it leads or how short the journey may be.

She looked at them with shining eyes. Her chin went up. She said: "You regard it as impossible that a sinner should be struck down by the wrath of God! I do not!" The judge stroked his chin. He murmured in a slightly ironic voice: "My dear lady, in my experience of ill-doing, Providence leaves the work of conviction and chastisement to us mortals-and the process is often fraught with difficulties. There are no short cuts.

Nor do we merely feel these essences for one short hour no, even as these trees that whisper round a temple become soon dear as the temples self, so does the moon, the passion posey, glories infinite, Haunt us till they become a cheering light unto our souls and bound to us so fast, that wheather there be shine, or gloom o'er cast, They always must be with us, or we die.

When the sun shines you cannot see the moon," he said. "But when the sun is gone--ah, when the sun is gone.

May the cheering contemplation of the glorious hope set before us—support and animate us to improve our short interval on earth, and fill us with a holy ambition of shining as lights in this evil world, to the praise and glory of His grace—who has called us out of darkness, into His glorious light!

The longness and shortness of the present moment can be recognized by utilizing a big image of the moon, which is reflecting on the surface of the ocean, and a small image of the moon on the surface of a cup of water, or in another example the very wide scale of the whole sky itself, and the very narrow space of the moon, which is shining in the sky.

Ah,the pure shine of a few moments of heroism, high courage, and derring-do! In its light we genuflect before the Hero, we bask inthe warmth of his Deeds, we tout him, shout him praises, deify him, and, in short, make of him what no mortal could ever be.

Otter says nothing and as I turn to look at him, he’s watching me, that gold-green shining with that regard that always leaves me breathless. I don’t know what he’s thinking right now. I don’t think I want to know. Are you sure? the voice in my head asks. Are you absolutely sure you don’t want to know?]

…Her lips an island in the sudden white sea of pain that came in a shining, unbearable, rising, blinding wave and swept him clean.

In their new personal development the girl and the woman will only be for a short time imitations of the good and bad manners of man and reiterations of man's professions. After the uncertainty of this transition it will appear that women have passed through those many, often ridiculous, changes of disguise, only to free themselves from the disturbing influence of the other sex. For women, in whom life tarries and dwells in a more incommunicable, fruitful and confident form, must at bottom have become richer beings, more ideally human beings than fundamentally easy-going man, who is not drawn down beneath the surface of life by the difficulty of bearing bodily fruit, and who arrogantly and hastily undervalues what he means to love. When this humanity of woman, borne to the full in pain and humiliation, has stripped off in the course of the changes of its outward position the old convention of simple feminine weakness, it will come to light, and man, who cannot yet feel it coming, will be surprised and smitten by it. One day—a day of which trustworthy signs are already speaking and shining forth especially in northern lands—one day that girl and woman will exist, whose name will no longer mean simply a contrast to what is masculine, but something for itself, something that will not make one think of any supplement or limit, but only of life and existence—the feminine human beings. This advance, at first very much against the will of man who has been overtaken—will alter the experience of love, which is now full of error, will change it radically and form it into a relationship, no longer between man and woman, but between human being and human being. And this more human love, which will be carried out with infinite consideration and gentleness and will be good and clean in its tyings and untyings, will be like that love which we are straining and toiling to prepare, the love which consists in this, that two lonely beings protect one another, border upon one another and greet one another.

in heavenly realms of hellas dwelt two very different sons of zeus: one, handsome strong and born to dare --a fighter to his eyelashes-- the other,cunning ugly lame; but as you'll shortly comprehend a marvellous artificer now Ugly was the husband of (as happens every now and then upon a merely human plane) someone completely beautiful; and Beautiful,who(truth to sing) could never quite tell right from wrong, took brother Fearless by the eyes and did the deed of joy with him then Cunning forged a web so subtle air is comparatively crude; an indestructible occult supersnare of resistless metal: and(stealing toward the blissful pair) skilfully wafted over them- selves this implacable unthing next,our illustrious scientist petitions the celestial host to scrutinize his handiwork: they(summoned by that savage yell from shining realms of regions dark) laugh long at Beautiful and Brave --wildly who rage,vainly who strive; and being finally released flee one another like the pest thus did immortal jealousy quell divine generosity, thus reason vanquished instinct and matter became the slave of mind; thus virtue triumphed over vice and beauty bowed to ugliness and logic thwarted life:and thus-- but look around you,friends and foes my tragic tale concludes herewith: soldier,beware of mrs smith

My Daughter… She’s like an Excellent Cut Diamond that shines brilliantly from the inside out. She’s admired by many, including me! She exudes joy, love, peace, and excellence. She is phenomenally made!

A few years after I gave some lectures for the freshmen at Caltech (which were published as the Feynman Lectures on Physics), I received a long letter from a feminist group. I was accused of being anti-women because of two stories: the first was a discussion of the subtleties of velocity, and involved a woman driver being stopped by a cop. There's a discussion about how fast she was going, and I had her raise valid objections to the cop's definitions of velocity. The letter said I was making the women look stupid. The other story they objected to was told by the great astronomer Arthur Eddington, who had just figured out that the stars get their power from burning hydrogen in a nuclear reaction producing helium. He recounted how, on the night after his discovery, he was sitting on a bench with his girlfriend. She said, "Look how pretty the stars shine!" To which he replied, "Yes, and right now, I'm the only man in the world who knows how they shine." He was describing a kind of wonderful loneliness you have when you make a discovery. The letter claimed that I was saying a women is incapable of understanding nuclear reactions. I figured there was no point in trying to answer their accusations in detail, so I wrote a short letter back to them: "Don't bug me, Man!

Since I was a girl I always felt as if I would like to write stories. I never had that ambition or shine to make a name; first place because I knew what time and labor it meant to acquire a literary style. Second place, because whenever I wanted to write a story I never could think of a plot.

I must go now”, she said slowly and slipped her hand from his. Aarav looked at her face.. the water droplets pretended to be some shining gems embedded on a fine piece of white marble and a few strands of wet hair across, like some graceful ancient art on it. It took him a while to understand what she said. She just smiled softly with a hint of shyness. He kept looking at her.. the strands still intact, bothering him for some unknown reason. He raised his hand slowly towards her face.. her smile ceased with the movement. His dark brown eyes laid firm on her black ones, hearts pounding like door knocks.. he touched her face with his finger.. she half closed her eyes.

I started thinking about how to draw her, how I’d capture all the things I saw in just those few moments that our lives intersected. Faces are so hard because they are more than lines and shadows. They are about light, but a light that comes from inside and shines out.

I like you," she whispered, and he thought that her scent was like lilies, secret and hidden in cracks furred with green moss—places where sunshine is short and shadows long.

Why didn’t you kiss Shelby?” He grinned, his eyes shining. “Because I only wanted to kiss one person on this stage tonight.

Behind its blue face, the love of the sky shines in the gleam of stars.

A late shine is a predicted short time.

In those three short weeks, however, Kjaer had reached a conclusion. Radium, he determined, was dangerous. It was just that nobody told the girls…

There’s nothing to be scared of.” Instead of taking Charlie’s pulse – there was really no point – he took one of the old man’s hands in his. He saw Charlie’s wife pulling down a shade in the bedroom, wearing nothing but the slip of Belgian lace he’d bought her for their first anniversary; saw how the ponytail swung over one shoulder when she turned to look at him, her face lit in a smile that was all yes. He saw a Farmall tractor with a striped umbrella raised over the seat. He smelled bacon and heard Frank Sinatra singing ‘Come Fly with Me’ from a cracked Motorola radio sitting on a worktable littered with tools. He saw a hubcap full of rain reflecting a red barn. He tasted blueberries and gutted a deer and fished in some distant lake whose surface was dappled by steady autumn rain. He was sixty, dancing with his wife in the American Legion hall. He was thirty, splitting wood. He was five, wearing shorts and pulling a red wagon. Then the pictures blurred together, the way cards do when they’re shuffled in the hands of an expert, and the wind was blowing big snow down from the mountains, and in here was the silence and Azzie’s solemn watching eyes.

He pulled a red-and-blue bandana from his back pocket, blew his nose with a decisive honk, and thrust it back out of sight after a short peek into it to see if he had gotten anything interesting.

People you love never die. That is what Omai had said, all those years ago. And he was right. They don't die. Not completely. They live in your mind, the way they always lived inside you. You keep their light alive. If you remember them well enough, they can still guide you, like the shine of long-extinguished stars could guide shops in unfamiliar waters. If you stop mourning them, and start listening to them, they still have the power to change your life. They can, in short, be salvation.

Suppose you scrub your ethical skin until it shines, but inside there is no music, then what? Mohammed's son pores over words, and points out this and that, but if his chest is not soaked dark with love, then what? The Yogi comes along in his famous orange, but if inside he is colorless, then what?

In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dull and know I had to put it on the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well-oiled in the closet, but unused.

In short: when we are exposed to sunlight, trees, water or even just a view of green leaves, we become happier, healthier and stronger. People living in green spaces have more energy and a stronger sense of purpose, and being able to see green spaces from your home is associated with reduced cravings for alcohol, cigarettes and harmful foods.

[The intellect of fallen man] may be compared to a buzz-saw that is sharp and shining, ready to cut the boards that come to it. Let us say that a carpenter wishes to cut fifty boards for the purpose of laying the floor of a house. He has marked his boards. He has set his saw. He begins at one end of the mark on the board. But he does not know that his seven-year-old son has tampered with the saw and changed its set. The result is that every board he saws is cut slantwise and thus unusable because too short except at the point where the saw made its first contact with the wood. As long as the set of the saw is not changed, the result will always be the same. So also whenever the teachings of Christianity are presented to the natural man, they will be cut according to the set of sinful human personality.

I’m Still Here Your heart has been heavy since that day— The day you thought I went away— I haven’t left you I never would— You just can’t see me, though I wish that you could. It might ease the pain that you feel in your heart— The pain that you’ve felt since you’ve believed us to part. Try and think of it this way, it might help you see— That I am right here with you and always will be. Remember the times we were out in the yard, You could not always see me yet I hadn’t gone far. That’s how it is now when you look for my face I’m still right beside you still filling my place. I find it to be so very sad, That seeing and believing seem to go hand in hand, The love and the loyalty the warmth that I gave, You felt them, did not see them, but you believed just the same. I walk with you now like I walked with you then— My pain is now gone and I lead once again. My eyes always following you wherever you roam— Making sure you’re okay and you’re never alone. Our time was too short yet for me it goes on— I won’t ever leave you, I’ll never be gone. I live in your heart as you live in mine— An endearing love that continues to shine. The day will come and together we’ll be, And you’ll say take me home boy, and once again I will lead. Until that day comes don’t think that I’ve gone— I’m right here beside you, and my love it lives on.

Not every day is awful. Not every day is good. Despite the way the hours pass, I’m living like I should. Not every day is all wrong. Not every day is right. At least I’m not a spider trying to scamper out of sight. Not every day is ideal. Not every day is bad. At any rate I have my senses, even if they’re mad. Not every day is happy. Not every day is glum. When melancholy drags me down, a simple tune I hum. Not every day I smile. Not every day I frown. With effort, I can take a scowl and turn it upside down. Not every day is crazy. Not every day is sane. If consequence nips at my heels I don’t pass on the blame. Not every day is giddy. Not every day is blah. Yet I can still appreciate a giggle and guffaw. Not every day is timid. Not every day is proud. I may not be a dragon, but I roar about as loud. Not every day has rainbows. Not every day has rain. Despite the fact I’m stiff and sore, I’m not in chronic pain. On every day the sun shines, so every night I pray that I might see the morning light and live another day.

I don't have all of the answers to the world. I don't know everything about life and marriage and happiness. But I do know what love is. And I do know that when love is real, and when love is in its strongest form, it is the most powerful thing on this earth. It kills, saves lives, heals wounds, and most of all, brings hope. That is what you have done for me, Lily. You have brought me hope. When I look into your eyes, I know that no matter what may happen to me, as long as I can see those eyes staring back at me, then I'll be fine. Somehow I'll make it through. Somehow I'll find a way to survive for you. And that's what I want to feel for the rest of my time here on Earth, however short or long that may be. I want to wake up every morning and see your shining face staring back at me. But I also want to protect you. I want to protect you from anything that may hurt you. I want to be there when you cry to dry your tears. When you feel lonely, I want to give you a kiss. When you are scared, to embrace you. And when you are happy, to share a laugh with you. I don't know what's in store for us, but I do know that true love outlasts everything. It outlasts doubt, hate, war, misfortune, and most of all death. I vow to you to always be beside you. Not only in this life, but the next. Because that's when love becomes real. That's when love becomes unchained from anything in this life. I know that when I die, the first thing that I will see will be your eyes. That is how I will know that I made it to Heaven. Because you and I will still be together, forever." -James Potter

Haiku Christmas Story New light in the sky announces a sacred birth. Shine brightly young star. Hallelujah song carries on a gentle wind, heralding a king. Shepherds lift their heads, not to gaze at a new light but to hear angels. "Unto you is born in the city of David a Savior for all." Born on straw at night under low stable rafters, Baby Jesus cried. Sheep and goats and cows gather 'round a manger bed to awe at a babe. Wise men come to see a child of greater wisdom and honor divine. Rare and precious gifts, gold and myrrh and frankincense, to offer a king. Mary and Joseph huddle snugly together. They cradle God's son. On this wise He came, the Son of God to the earth. A humble wonder.

Jesus understood that God does not play by our rules. His God is a generous God, who not only allows the sun to shine on both the just and the unjust, but also gives us the ability to live into what should be rather than what is. The parables help us with their lessons about generosity: sharing joy, providing for others, recognizing the potential of small investments. His God wants us to be better than we are, because we have the potential to be. We are made but a little lower than the divine (Ps. 8.6; see Heb. 2.7); we should start acting in a more heavenly matter. Those who pray, “Your kingdom come,” might want to take some responsibility in the process, and so work in partnership with God. We too are to seek the lost and make every effort to find them. Indeed, we are not only to seek; we are to take notice of who might be lost, even when immediately present. The rich man ignores Lazarus at his gate, and the father of the prodigal ignored the elder son in the field. For the former, it is too late; for the latter, whether it is too late or not we do not know. But we learn from their stories. Don’t wait. Look now. Look hard. Count.

Except that today, oblivious to everyone, there is a hair standing tall inside his shorts: a single hair: long, black and shining. Sprouting out of nowhere, it stands rebelliously erect on his tiny barren orb, not thwarted by the force of the cloth of his underwear, announcing its eventual arrival with élan.

Having shaved, washed, and dexterously arranged several artificial teeth, standing in front of the mirror, he moistened his silver-mounted brushes and plastered the remains of his thick pearly hair on his swarthy yellow skull. He drew on to his strong old body, with its abdomen protuberant from excessive good living, his cream-colored silk underwear, put black silk socks and patent-leather slippers on his flat-footed feet. He put sleeve-links in the shining cuffs of his snow-white shirt, and bending forward so that his shirt front bulged out, he arranged his trousers that were pulled up high by his silk braces, and began to torture himself, putting his collar-stud through the stiff collar. The floor was still rocking beneath him, the tips of his fingers hurt, the stud at moments pinched the flabby skin in the recess under his Adam's apple, but he persisted, and at last, with eyes all strained and face dove-blue from the over-tight collar that enclosed his throat, he finished the business and sat down exhausted in front of the pier glass, which reflected the whole of him, and repeated him in all the other mirrors. " It is awful ! " he muttered, dropping his strong, bald head, but without trying to understand or to know what was awful. Then, with habitual careful attention examining his gouty-jointed short fingers and large, convex, almond-shaped finger-nails, he repeated : " It is awful. . . .

In the morning this light breasts your windowpane and, having pried your eye open like a shell, runs ahead of you, strumming its lengthy rays - like a hot-footed schoolboy running his stick along the iron grate of the park or garden - along arcades, colonnades, red-brick chimneys, saints and lions. "Depict! Depict!" it cries to you, either mistaking you for some Canaletto or Carpaccio or Guardi, or because it doesn't trust your retina's ability to retain what it makes available, not to mention your brain's capacity to absorb it. Perhaps art is simply an organism's reaction against its retentive limitations. At any rate, you obey the command and grab your camera, supplementing both your brain cells and your pupil. Should this city ever be short of cash, it can go straight to Kodak for assistance - or else tax its products savagely. By the same token, as long as this place exists, as long as winter light shines upon it, Kodak shares are the best investment.

At some point in this course, perhaps even tonight, you will read something difficult, something you only partially understand, and your verdict will be this is stupid. Will I argue when you advance that opinion in class the next day? Why would I do such a useless ting? My time with you in short, only thirty-four weeks of classes, and I will not waste it arguing about the merits of this short story or that poem. Why would I, when all such opinions are subjective, and no final resolution can ever be reached?' Some of the kids - Gloria was one of them - now looked lost, but Pete understood exactly what Mr. Ricker, aka Ricky the Hippie, was talking about... 'Time is the answer," Mr Ricker said on the first day of Pete's sophomore year. He strode back and forth, antique bellbottoms swishing, occasionally waving his arms. "Yes! Time mercilessly culls away the is-stupid from the not-stupid." ... "It will occur for you, young ladies and gentlemen, although I will be in your rear-view mirror by the time it happens. Shall I tell you how it happens? You will read something - perhaps 'Dulce et Decorum Est,' by Wilfred Owen. Shall we use that as an example? Why not?' Then, in a deeper voice that sent chills up Pete's back and tightened his throat, Mr. Ricker cried, " 'Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge...' And son on. Cetra-cetra. Some of you will say, This is stupid." .... 'And yet!" Up went the finger. "Time will pass! Tempus will fugit! Owen's poem may fall away from your mind, in which case your verdict of is-stupid will have turned out to be correct. For you, at least. But for some of you, it will recur. And recur. Each time it does, the steady march of your maturity will deepen its resonance. Each time that poem sneaks back into your mind, it will seem a little less stupid and a little more vital. A little more important. Until it shines, young ladies and gentlemen. Until it shines.

The longer I travel and the more people I meet, the more apparent it becomes that certain people will come and go in your life in order to fill a need. Not as a messiah, not as a savior, but as a light that shines to illuminate the path you are on, to show you what needs to be seen at that point in time. It is entirely up to you to open your eyes and allow yourself to see it. Some will be dim, others will shine bright. A select few will burn like the sun and make you feel a gravity so great that you have no choice but to change the course you are on. You don’t get to pick and choose who it might be and you don’t get to decide how much impact they will have. All you can do is open yourself up to the possibility when it comes, give what you can while it’s there, and be grateful when it leaves. Because life is too short to not burn like the sun. Anything else is a death sentence.

when another German scientist, Werner Heisenberg, formulated his famous uncertainty principle. In order to predict the future position and velocity of a particle, one has to be able to measure its present position and velocity accurately. The obvious way to do this is to shine light on the particle. Some of the waves of light will be scattered by the particle and this will indicate its position. However, one will not be able to determine the position of the particle more accurately than the distance between the wave crests of light, so one needs to use light of a short wavelength in order to measure the position of the particle precisely. Now, by Planck’s quantum hypothesis, one cannot use an arbitrarily small amount of light; one has to use at least one quantum. This quantum will disturb the particle and change its velocity in a way that cannot be predicted. Moreover, the more accurately one measures the position, the shorter the wavelength of the light that one needs and hence the higher the energy of a single quantum. So the velocity of the particle will be disturbed by a larger amount. In other words, the more accurately you try to measure the position of the particle, the less accurately you can measure its speed, and vice versa.

New light in the sky announces a sacred birth. Shine brightly young star.

Park looked good in black. It made him look like he was drawn in charcoal. Thick, arched, black eyebrows. Short, black eyelashes. High, shining cheeks.

I had something like a revelation: why did we keep making new art, and so much of it so bad, when we were surrounded by work that needed only the proper context to shine?

They shine brighter than anything else in the sky and then fade out really quickly. A supernova is a short burst of extraordinary energy.

Mothers are the heartbeat of our lives, the ones who guide us through the ups and downs, and the light that shines even in the darkest moments.

Queen and huntress, chaste and fair, Now the sun is laid to sleep, Seated in thy silver chair, State in wonted manner keep: Hesperus entreats thy light, Goddess excellently bright. Earth, let not thy envious shade Dare itself to interpose, Cynthia's shining orb was made Heaven to clear when day did close: Bless us then with wished sight, Goddess excellently bright. Lay thy bow of pearl apart, And thy crystal-shining quiver, Give unto the flying hart Space to breath, how short soever: Thou that mak'st a day of night- Goddess excellently bright.

Most human lives were and are too short. Most people have lived out their days hungry and barefoot, on the run from this war and that famine, a plague here and a flood there. But people have to sing anyway. Even a baby that hasn’t been fed in days will stop crying and look around when they hear someone singing in joy. You sing and it’s like giving a thirsty person water. It’s a kindness. It makes you shine.

The moon fled eastward like a frightened dove, while the stars changed their places in the heavens, like a disbanding army. 'Where are we?' asked Gil Gil. 'In France,' responded the Angel of Death. 'We have now traversed a large portion of the two bellicose nations which waged so sanguinary a war with each other at the beginning of the present century. We have seen the theater of the War of Succession. Conquered and conquerors both lie sleeping at this instant. My apprentice, Sleep, rules over the heroes who did not perish then, in battle, or afterward of sickness or of old age. I do not understand why it is that below on earth all men are not friends? The identity of your misfortunes and your weaknesses, the need you have of each other, the shortness of your life, the spectacle of the grandeur of other worlds, and the comparison between them and your littleness, all this should combine to unite you in brotherhood, like the passengers of a vessel threatened with shipwreck. There, there is neither love, nor hate, nor ambition, no one is debtor or creditor, no one is great or little, no one is handsome or ugly, no one is happy or unfortunate. The same danger surrounds all and my presence makes all equal. Well, then, what is the earth, seen from this height, but a ship which is foundering, a city delivered up to an epidemic or a conflagration?' 'What are those ignes fatui which I can see shining in certain places on the terrestrial globe, ever since the moon veiled her light?' asked the young man. 'They are cemeteries. We are now above Paris. Side by side with every city, every town, every village of the living there is always a city, a town, or a village of the dead, as the shadow is always beside the body. Geography, then, is of two kinds, although mortals only speak of the kind which is agreeable to them. A map of all the cemeteries which there are on the earth would be sufficient indication of the political geography of your world. You would miscalculate, however, in regard to the population; the dead cities are much more densely populated than the living; in the latter there are hardly three generations at one time, while, in the former, hundreds of generations are often crowded together. As for the lights you see shining, they are phosphorescent gleams from dead bodies, or rather they are the expiring gleams of thousands of vanished lives; they are the twilight glow of love, ambition, anger, genius, mercy; they are, in short, the last glow of a dying light, of the individuality which is disappearing, of the being yielding back his elements to mother earth. They are - and now it is that I have found the true word - the foam made by the river when it mingles its waters with those of the ocean.' The Angel of Death paused. ("The Friend of Death")

Now dumb is he who waked the world to speak, And voiceless hangs the world beside his bier, Our words are sobs, our cry or praise a tear: We are the smitten mortal, we the weak. We see a spirit on earth's loftiest peak Shine, and wing hence the way he makes more clear: See a great Tree of Life that never sere Dropped leaf for aught that age or storms might wreak; Such ending is not death: such living shows What wide illumination brightness sheds From one big heart,—to conquer man's old foes: The coward, and the tyrant, and the force Of all those weedy monsters raising heads When Song is muck from springs of turbid source. —G EORGE M EREDITH.

bones seemed very much alive: making impressions on photographic plates; carelessly emitting measurable radioactivity. It was all due, of course, to the radium. Sarah’s own life may have been cut short, but the radium inside her had a half-life of 1,600 years. It would be shooting out its rays from Sarah’s bones for centuries, long after she was gone. Even though it had killed her, it kept on bombarding her body “every day, every week, month after month, year after year.”15

Sarah was dead—but her bones seemed very much alive: making impressions on photographic plates; carelessly emitting measurable radioactivity. It was all due, of course, to the radium. Sarah’s own life may have been cut short, but the radium inside her had a half-life of 1,600 years. It would be shooting out its rays from Sarah’s bones for centuries, long after she was gone. Even though it had killed her, it kept on bombarding her body “every day, every week, month after month, year after year.”15

Shortly before school started, I moved into a studio apartment on a quiet street near the bustle of the downtown in one of the most self-conscious bends of the world. The “Gold Coast” was a neighborhood that stretched five blocks along the lake in a sliver of land just south of Lincoln Park and north of River North. The streets were like fine necklaces and strung together were the brownstone houses and tall condominiums and tiny mansions like pearls, and when the day broke and the sun faded away, their lights burned like jewels shining gaudily in the night. The world’s most elegant bazaar, Michigan Avenue, jutted out from its eastern tip near The Drake Hotel and the timeless blue-green waters of Lake Michigan pressed its shores. The fractious make-up of the people that inhabited it, the flat squareness of its parks and the hint of the lake at the ends of its tree-lined streets squeezed together a domesticated cesspool of age and wealth and standing. It was a place one could readily dress up for an expensive dinner at one of the fashionable restaurants or have a drink miles high in the lounge of the looming John Hancock Building and five minutes later be out walking on the beach with pants cuffed and feet in the cool water at the lake’s edge.

What did he fear? It was not fear or dread. It was a nothing that he knew too well. It was all a nothing and a man was nothing too. It was only that and light was all it needed and a certain cleanness and order. Some lived in it and never felt it but he knew it all was nada y pues nada y nada y pues nada. Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in nada. Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada. Hail nothing full of nothing, nothing is with thee. He smiled and stood before a bar with a shining steam pressure coffee machine. “What’s yours?” asked the barman. “Nada.” “Otro loco m ás,” said the barman and turned away.

The ego self is the creature born out of man’s own doing and thinking, slowly changing and growing. The Overself is the image of God, perfect, finished, and changeless. What he has to do, if he is to fulfil himself, is to let the one shine through the other.

It was a wild, tempestuous night, towards the close of November. Holmes and I sat together in silence all the evening, he engaged with a powerful lens deciphering the remains of the original inscription upon a palimpsest, I deep in a recent treatise upon surgery. Outside the wind howled down Baker Street, while the rain beat fiercely against the windows. It was strange there, in the very depths of the town, with ten miles of man’s handiwork on every side of us, to feel the iron grip of Nature, and to be conscious that to the huge elemental forces all London was no more than the molehills that dot the fields. I walked to the window, and looked out on the deserted street. The occasional lamps gleamed on the expanse of muddy road and shining pavement. A single cab was splashing its way from the Oxford Street end.

Call him!” echoed Barnaby, sitting upright upon the floor, and staring vacantly at Gabriel, as he thrust his hair back from his face. “But who can make him come! He calls me, and makes me go where he will. He goes on before, and I follow. He’s the master, and I’m the man. Is that the truth, Grip?” The raven gave a short, comfortable, confidential kind of croak; — a most expressive croak, which seemed to say, “You needn’t let these fellows into our secrets. We understand each other. It’s all right.” “I make him come!” cried Barnaby, pointing to the bird. “Him, who never goes to sleep, or so much as winks!—Why, any time of night, you may see his eyes in my dark room, shining like two sparks. And every night, and all night too, he’s broad awake, talking to himself, thinking what he shall do to-morrow, where we shall go, and what he shall steal, and hide, and bury. I make him come! Ha, ha, ha!

It’s an heirloom, isn’t it?” ... “I got it from my father.” The tutor ran his hand along the sheathed blade. “This is a remarkable weapon—a knight’s sword—tarnished with time and travel. You don’t use it as often as the others. The bastard and short sword are tools to you, but this—ah—this is something else—something revered. It lays concealed in a paltry sheath, covered in clothes not its own. It doesn’t belong there. This sword belongs to another time and place. It is part of a grand and glorious world where knights were different, loftier—virtuous. It rests in this false scabbard because the proper one has been lost, or perhaps, it waits for a quest yet to be finished. It longs for that single moment when it can shine forth in all its brilliance. When dream and destiny meet on a clear field, then and only then will it find its purpose. When it faces that honorable cause—that one worthy and desperate challenge for which it was forged and on which so much depends—it will find peace in the crucible of struggle. For good or ill, it will ring true or break. But the wandering, the waiting, the hiding will at last be over. This sword waits for the day when it can save the kingdom and win the lady.

Love is not a shining star. Love is not the warm glow of the sun. Love is a river. Sometimes it’s shallow and other times a mile deep. It flows toward some and away from others. It’s rocky, slippery, and you can drown in it if you’re not careful. It creates ripples in the lives around us, and all we can hope for is to be a part of that river, no matter where it leads or how short the journey may be. I hoped one day to be deep in the waters of a river that flowed back to me, one that spanned such a distance that I couldn’t see the shore. But I knew in my heart I would always be the one standing on the outside, watching others fall into the deep end.

However, questions arise. Are there people who aren't naive realists, or special situations in which naive realism disappears? My theory—the self-model theory of subjectivity—predicts that as soon as a conscious representation becomes opaque (that is, as soon as we experience it as a representation), we lose naive realism. Consciousness without naive realism does exist. This happens whenever, with the help of other, second-order representations, we become aware of the construction process—of all the ambiguities and dynamical stages preceding the stable state that emerges at the end. When the window is dirty or cracked, we immediately realize that conscious perception is only an interface, and we become aware of the medium itself. We doubt that our sensory organs are working properly. We doubt the existence of whatever it is we are seeing or feeling, and we realize that the medium itself is fallible. In short, if the book in your hands lost its transparency, you would experience it as a state of your mind rather than as an element of the outside world. You would immediately doubt its independent existence. It would be more like a book-thought than a book-perception. Precisely this happens in various situations—for example, In visual hallucinations during which the patient is aware of hallucinating, or in ordinary optical illusions when we suddenly become aware that we are not in immediate contact with reality. Normally, such experiences make us think something is wrong with our eyes. If you could consciously experience earlier processing stages of the representation of the book In your hands, the image would probably become unstable and ambiguous; it would start to breathe and move slightly. Its surface would become iridescent, shining in different colors at the same time. Immediately you would ask yourself whether this could be a dream, whether there was something wrong with your eyes, whether someone had mixed a potent hallucinogen into your drink. A segment of the wall of the Ego Tunnel would have lost its transparency, and the self-constructed nature of the overall flow of experience would dawn on you. In a nonconceptual and entirely nontheoretical way, you would suddenly gain a deeper understanding of the fact that this world, at this very moment, only appears to you.

provided I may look upon the sun and the moon and gaze at the other planets; provided I may trace their risings and settings, their periods and the causes of their travelling faster or slower; provided I may behold all the stars that shine at night – some fixed, others not travelling far afield but circling within the same area; some suddenly shooting forth, and others dazzling the eye with scattered fire, as if they are falling, or gliding past with a long trail of blazing light; provided I can commune with these and, so far as humans may, associate with the divine, and provided I can keep my mind always directed upwards, striving for a vision of kindred things – what does it matter what ground I stand on?

It was Southern, therefore, to put it brutally, because of the history of America—the United States of America: and small black boys and girls were now paying for this holocaust. They were attempting to go to school. They were attempting to get an education, in a country in which education is a synonym for indoctrination, if you are white, and subjugation, if you are black. It was rather as though small Jewish boys and girls, in Hitler’s Germany, insisted on getting a German education in order to overthrow the Third Reich. Here they were, nevertheless, scrubbed and shining, in their never-to-be-forgotten stiff little dresses, in their never-to-be-forgotten little blue suits, facing an army, facing a citizenry, facing white fathers, facing white mothers, facing the progeny of these co-citizens, facing the white past, to say nothing of the white present: small soldiers, armed with stiff, white dresses, and long or short dark blue pants, entering a leper colony, and young enough to believe that the colony could be healed, and saved. They paid a dreadful price, those children, for their missionary work among the heathen.

Seawrack is singing in the place that lies beyond this place. Listen there, and you cannot help but hear her.” With her I sang a few more words in the language of those whom Mora had once called the People of That Town. “‘In our small house with shining windows, I waited till the tide brought your wreck through. Lie here beside me in the darkness. I’ll wake to life the corpse I say is you.

It’s the photos that hit me the hardest, though. A woman cradling her husband’s limp body. A crowd looking on, emotionless, as police shine a flashlight on a woman’s bloodied corpse. A couple, half on the ground and half tangled in their moped, their blank faces turned toward the camera and sprays of blood on the pavement behind their heads. Sisters gathered around their baby brother’s body lying in its small casket. A body with its head covered in a dirty cloth left in a pile of garbage on the side of the street. Grayish-green corpses stacked like firewood in an improvised morgue. There’s even a short video of grainy security cam footage in which a masked motorcyclist pulls up next to a man in an alleyway, shoots him point-blank in the side of the head, then drives away. In high definition, I see the victims’ wounds, their oddly twisted limbs, their blood and brain matter sprayed across familiar-looking streets. In every dead body, I see Jun. I want to look away. But I don’t. I need to know. I need to see it. These photographers didn’t want to water it down. They wanted the audience to confront the reality, to feel the pain that’s been numbed by a headline culture.

When you cleaned out this house of anything valuable,” Harry began, but Mundungus interrupted him again. “Sirius never cared about any of the junk--” There was the sound of pattering feet, a blaze of shining copper, an echoing clang, and a shriek of agony: Kreacher had taken a run at Mundungus and hit him over the head with a saucepan. “Call ’im off, call ’im off, ’e should be locked up!” screamed Mundungus, cowering as Kreacher raised the heavy-bottomed pan again. “Kreacher, no!” shouted Harry. Kreacher’s thin arms trembled with the weight of the pan, still held aloft. “Perhaps just once more, Master Harry, for luck?” Ron laughed. “We need him conscious, Kreacher, but if he needs persuading you can do the honors,” said Harry. “Thank you very much, Master,” said Kreacher with a bow, and he retreated a short distance, his great pale eyes still fixed upon Mundungus with loathing.

As the boat bounced from the top of each wave, the wind tore through the hair of the hatless men, and as the craft plopped her stern down again the spray slashed past them. The crest of each of these waves was a hill, from the top of which the men surveyed, for a moment, a broad tumultuous expanse, shining and wind-riven. It was probably splendid. It was probably glorious, this play of the free sea, wild with lights of emerald and white and amber.

Turning off the electric light he continued the conversation with himself. It is the light of course but it is necessary that the place be clean and pleasant. You do not want music. Certainly you do not want music. Nor can you stand before a bar with dignity although that is all that is provided for these hours. What did he fear? It was not fear or dread. It was a nothing that he knew too well. It was all a nothing and a man was nothing too. It was only that and light was all it needed and a certain cleanness and order. Some lived in it and never felt it but he knew it all was nada y pues nada y nada y pues nada. Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in nada. Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada. Hail nothing full of nothing, nothing is with thee. He smiled and stood before a bar with a shining steam pressure coffee machine.

...What I am saying, Marshal, is that you have known her but a short time; I have known her for years. You have seen her in one trouble; I have seen her in many. I know her as someone trustworthy in battle, in long campaigns, day after day. You see some flaw – some little speck on a shining ring – and condemn the whole. But I see the whole – the years of service, the duties faithfully performed– and that is good, Marshal. Is there one of us with no flaws? Are you perfect, that you indict her?

A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.

Happy those early days! when I Shined in my angel-infancy, Before I understood this place Appointed for my second race1, Or taught my soul to fancy ought But a white, celestial thought; When yet I had not walked above A mile or two from my first love, And looking back—at that short space— Could see a glimpse of His bright face; When on some gilded cloud, or flower, My gazing soul would dwell an hour, And in those weaker glories spy Some shadows of eternity; Before I taught my tongue to wound My conscience with a sinful sound, Or had the black art to dispense A several2 sin to every sense, But felt through all this fleshy dress Bright shoots of everlastingness. Oh how I long to travel back, And tread again that ancient track! That I might once more reach that plain, Where first I left my glorious train3; From whence the enlightened spirit sees That shady city of palm trees4. But ah! my soul with too much stay5 Is drunk, and staggers in the way. Some men a forward motion love, But I by backward steps would move And when this dust falls to the urn, In that state I came, return.

A large and comfortable double-bedded room had been placed at our disposal, and I was quickly between the sheets, for I was weary after my night of adventure. Sherlock Holmes was a man, however, who when he had an unsolved problem upon his mind would go for days, and even for a week, without rest, turning it over, rearranging his facts, looking at it from every point of view, until he had either fathomed it, or convinced himself that his data were insufficient. It was soon evident to me that he was now preparing for an all-night sitting. He took off his coat and waistcoat, put on a large blue dressing-gown, and then wandered about the room collecting pillows from his bed, and cusions from the sofa and armchairs. With these he constructed a sort of Eastern divan, upon which he perched himself cross-legged, with an ounce of shag tobacco and a box of matches laid out in front of him. In the dim light of the lamp I saw him sitting there, an old brier pipe between his lips, his eyes fixed vacantly upon the corner of the ceiling, the blue smoke curling up from him, silent, motionless, with the light shining upon his strong-set aquiline features. So he sat as I dropped off to sleep, and so he sat when a sudden ejaculation caused me to wake up, and I found the summer sun shining into the apartment. The pipe was still between his lips, the smoke still curled upwards, and the room was full of a dense tobacco haze, but nothing remained of the heap of shag which I had seen upon the previous night. 'Awake, Watson?' he asked. 'Yes.' 'Game for a morning drive?' 'Certainly.' 'Then dress. No one is stirring yet, but I know where the stable-boy sleeps, and we shall soon have the trap out.

The truth is I’m a chicken shit coward who’s afraid of a girl like you. When I’m with you, I want things I never thought I’d be able to have, or deserved, and that scares me a little. I’m just a regular guy who works in a bar and you’re this beautiful person who shines brighter than the stars. I think I just made up some cheesy poetry so I’ll stop while I’m ahead. If you feel like talking, give me a call. ~D Sophie sat down on the floor and, through blurry eyes, reread the note so many times she had it memorized. She was going to do more than give him a call.

The action and the fact that his hand rested on the top of hers expressed their feelings in a strange way, as these short insignificant words also expressed something, words with short wings for their heavy body of meaning, inadequate to carry them far and thus alighting awkwardly upon the very common objects that surrounded them, and were to their inexperienced touch so massive; but who knows (so they thought as they pressed the parasol into the earth) what precipices aren't concealed in them, or what slopes of ice don't shine in the sun on the other side? Who knows? Who has ever seen this before?

THE PRE-TRIAL CONFINEMENT OF PRIVATE BRADLEY MANNING To drive a man to suicide you put Him on suicide watch, you take away His sheet and pillow, all his clothes except His underwear, you shine a light in day And night, you confiscate his eyeglasses, Then you deny that he’s in solitary. You say he lives in his own cell. Sightless. Each day he gets to walk around an empty Room for an hour. No pushups, no jogging in place. He’s not the first one held as an example. Amnesty reports it seeks redress As month by month both mind and body crumple. The Marines treat every detainee Firmly, fairly, and with dignity.

Horne Fisher had in him something of the aristocrat, which is very near to the anarchist. It was characteristic of him that he turned into this dark and irregular entry as casually as into his own front door, merely thinking that it would be a short cut to the house. He made his way through the dim wood for some distance and with some difficulty, until there began to shine through the trees a level light, in lines of silver, which he did not at first understand. The next moment he had come out into the daylight at the top of a steep bank, at the bottom of which a path ran round the rim of a large ornamental lake.

The day of her commendation. Glorian Hraustr Berethnet stared in expectation at her canopy, waiting for maturity to shine on her from Halgalant. She had prayed for a sense that she was ready for her life. She had wanted the Saint to whisper to her, acknowledge her as his descendant. She had hoped she would finally long for her betrothal to a complete stranger, and her belly to puff with the next heir to Inys. In short, she had prayed, hoped, and expected to feel less of an imposter. Instead, she was drained from another painful night, she still had no interest in consorts, and the only puff she fancied in her belly was the sort that came from a good helping of blackberry pie.

I know the end is the same; but it does make a difference how they turn to ashes, and how I spend my life. That log, with its one dull spot of fire, give neither light nor warmth, but lies sizzling despondently among the cinders. But the other grows from end to end with cheerful little flames that go singing up the chimney with a pleasant sound. It's light fills the room and shines out into the dark; its warmth draws us nearer, making the hearth the coziest place in the house, and we shall miss the friendly blaze when it dies. Yes,' she added, as if to herself, 'I hope my life may be like that, so that, whether it be long or short, it will be useful and cheerful while it lasts, will be missed when it ends, and leave something behind besides ashes.

In your light we see light. —Psalm 36:9 (NIV) ELENA ZELAYETA, BLIND CHEF Without warning at age thirty-six, Elena Zelayeta, pregnant with her second child, totally lost her sight. She had been the chef at a popular restaurant she and her husband owned. A sixty-seven-year-old widow now, she continued to prepare her famous Mexican dishes, marketing them with the help of her two sons, the younger of whom she’d never seen. Typical of San Francisco, it was raining when I arrived at her home. The door was opened by a very short, very broad woman with a smile like the sun. Well under five feet tall, “and wide as I am high,” she said, she led me on a fast-paced tour of the sizable house, ending in the kitchen, where pots bubbled and a frying pan sizzled. Was it possible that this woman who moved so swiftly and surely, who was now so unhesitatingly dishing up the meal she’d prepared for the two of us, really blind? She must see, dimly at least, the outlines of things. At the door to the dining room, Elena paused, half a dozen dishes balanced on her arms. “Is the light on?” she asked. No, she confirmed, not the faintest glimmer of light had she seen in thirty years. But she smiled as she said it. “I hear the rain,” she went on as she expertly carved the herb-crusted chicken, “and I’m sure it’s a gray day for the sighted. But for us blind folk, when we walk with God, the sun is always shining.” Let me walk in Your light, Lord, whatever the weather of the world. —Elizabeth Sherrill Digging Deeper: Ps 97:11; 1 Jn 1:5

He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.

A fair, sweet, and honest country face was revealed, reposing in a nest of wavy chestnut hair. It was between pretty and beautiful. Though her eyes were closed, one could easily imagine the light necessarily shining in them as the culmination of the luminous workmanship around. The groundwork of the face was hopefulness; but over it now I ay like a foreign substance a film of anxiety and grief. The grief had been there so shortly as to have abstracted nothing of the bloom, and had as yet but given a dignity to what it might eventually undermine. The scarlet of her lips had not had time to abate, and just now it appeared still more intense by the absence of the neighbouring and more transient colour of her cheek. The lips frequently parted, with a murmur of words. She seemed to belong rightly to a madrigal - to require viewing through rhyme and harmony.

A True Account Of Talking To The Sun On Fire Island" The Sun woke me this morning loud and clear, saying "Hey! I've been trying to wake you up for fifteen minutes. Don't be so rude, you are only the second poet I've ever chosen to speak to personally so why aren't you more attentive? If I could burn you through the window I would to wake you up. I can't hang around here all day." "Sorry, Sun, I stayed up late last night talking to Hal." "When I woke up Mayakovsky he was a lot more prompt" the Sun said petulantly. "Most people are up already waiting to see if I'm going to put in an appearance." I tried to apologize "I missed you yesterday." "That's better" he said. "I didn't know you'd come out." "You may be wondering why I've come so close?" "Yes" I said beginning to feel hot wondering if maybe he wasn't burning me anyway. "Frankly I wanted to tell you I like your poetry. I see a lot on my rounds and you're okay. You may not be the greatest thing on earth, but you're different. Now, I've heard some say you're crazy, they being excessively calm themselves to my mind, and other crazy poets think that you're a boring reactionary. Not me. Just keep on like I do and pay no attention. You'll find that people always will complain about the atmosphere, either too hot or too cold too bright or too dark, days too short or too long. If you don't appear at all one day they think you're lazy or dead. Just keep right on, I like it. And don't worry about your lineage poetic or natural. The Sun shines on the jungle, you know, on the tundra the sea, the ghetto. Wherever you were I knew it and saw you moving. I was waiting for you to get to work. And now that you are making your own days, so to speak, even if no one reads you but me you won't be depressed. Not everyone can look up, even at me. It hurts their eyes." "Oh Sun, I'm so grateful to you!" "Thanks and remember I'm watching. It's easier for me to speak to you out here. I don't have to slide down between buildings to get your ear. I know you love Manhattan, but you ought to look up more often. And always embrace things, people earth sky stars, as I do, freely and with the appropriate sense of space. That is your inclination, known in the heavens and you should follow it to hell, if necessary, which I doubt. Maybe we'll speak again in Africa, of which I too am specially fond. Go back to sleep now Frank, and I may leave a tiny poem in that brain of yours as my farewell." "Sun, don't go!" I was awake at last. "No, go I must, they're calling me." "Who are they?" Rising he said "Some day you'll know. They're calling to you too." Darkly he rose, and then I slept.

There's an old poem by Neruda that I've always been captivated by, and one of the lines in it has stuck with me ever since the first time I read it. It says "love is so short, forgetting is so long." It's a line I've related to in my saddest moments, when I needed to know someone else had felt that exact same way. And when we're trying to move on the moments we always go back to aren't the mundane ones. They are the moments you saw sparks that weren't really there, felt stars aligning without having any proof, saw your future before it happened, and then saw it slip away without any warning. These are moments of newfound hope, extreme joy, intense passion, wishful thinking, and in some cases, the unthinkable letdown. And in my mind, every one of these memories looks the same to me. I see all of these moments in bright, burning red. My experiences in love have taught me difficult lessons, especially my experiences with crazy love. The red relationships. The ones that went from zero to a hundred miles per hour and then hit a wall and exploded. And it was awful. And ridiculous. And desperate. And thrilling. And when the dust settled, it was something I’d never take back. Because there is something to be said for being young and needing someone so badly, you jump in head first without looking. And there's something to be learned from waiting all day for a train that's never coming. And there's something to be proud of about moving on and realizing that real love shines golden like starlight, and doesn't fade or spontaneously combust. Maybe I’ll write a whole album about that kind of love if I ever find it. But this album is about the other kinds of love that I’ve recently fallen in and out of. Love that was treacherous, sad, beautiful, and tragic. But most of all, this record is about love that was red.

Fusionism as a political philosophy falls short (as do its modern analogues, such as “conservatarianism”) because, at the end of the day, liberty and order or freedom and virtue cannot be permanently reconciled. They are at once mutually dependent and at war, a bickering couple that cannot live without each other. At any given moment, one may have the better argument than the other, but tomorrow is another day. Life is full of contradictions and conflicts, and the story of Western civilization—the only true fundament of modern conservatism—is the story of these contradictions and conflicts being worked out over millennia. Fusionism is a failure if one looks to it as a source for what to think. But it is a shining success if one sees it as a guide for how to think. It tells us that we must always try to balance these conflicting principles—albeit with a thumb on the scales of liberty. That’s fine, because in the classical liberal tradition, the benefit of the doubt should always go to liberty, while the forces of coercion should meet an extra burden of proof.

I allowed myself to imagine Ronan in a landscape of light and continuous revelation, his life lived as a series of singular moments. I wondered if in some ways, the greater loss here (or at least the most stupefying one) was mine, not Ronan's. Yes, Tay-Sachs disease would take his life; the number of his days was determined long before he could make a decision to transform the life he'd been given in one direction or another. He was denied that, but I couldn't imagine that his world was so remote, so unknowable. In this short story of his life I could not believe that he had been denied wonder. What if every moment of Ronan's life was, for him, like stepping free into a space, into a "first", into a state of wonder. Wonder that exists outside- beyond- narrative, wonder that feels like entering, again and again, for the very first time, a shining room. Dazzling, but somehow expected, like the light given off row after row of luminous trees- a blaze of impossible color. Pure experience without editorializing by the intellect. Moments that aren't folded into story but instead give off their own light. That must be the world of Ronan- his body, his mind, his heart. These thoughts comforted me.

So at last Ilar Sant came to this wood, which people now call St. Hilary's wood because they have forgotten all about Ilar. And he was weary with his wandering, and the day was very hot; so he stayed by this well and began to drink. And there on that great stone he saw the shining fish, and so he rested, and built an altar and a church of willow boughs, and offered the sacrifice not only for the quick and the dead, but for all the wild beasts of the woods and the streams. "And when this blessed Ilar rang his holy bell and began to offer, there came not only the Prince and his servants, but all the creatures of the wood. There, under the hazel boughs, you might see the hare, which flies so swiftly from men, come gently and fall down, weeping greatly on account of the Passion of the Son of Mary. And, beside the hare, the weasel and the pole-cat would lament grievously in the manner of penitent sinners; and wolves and lambs together adored the saint's hierurgy; and men have beheld tears streaming from the eyes of venomous serpents when Ilar Agios uttered 'Curiluson' with a loud voice—since the serpent is not ignorant that by its wickedness sorrow came to the whole world. And when, in the time of the holy ministry, it is necessary that frequent Alleluyas should be chanted and vociferated, the saint wondered what should be done, for as yet none in that place was skilled in the art of song. Then was a great miracle, since from all the boughs of the wood, from every bush and from every green tree, there resounded Alleluyas in enchanting and prolonged harmony; never did the Bishop of Rome listen to so sweet a singing in his church as was heard in this wood. For the nightingale and thrush and blackbird and blackcap, and all their companions, are gathered together and sing praises to the Lord, chanting distinct notes and yet concluding in a melody of most ravishing sweetness; such was the mass of the Fisherman. Nor was this all, for one day as the saint prayed beside the well he became aware that a bee circled round and round his head, uttering loud buzzing sounds, but not endeavouring to sting him. To be short; the bee went before Ilar, and led him to a hollow tree not far off, and straightway a swarm of bees issued forth, leaving a vast store of wax behind them. This was their oblation to the Most High, for from their wax Ilar Sant made goodly candles to burn at the Offering; and from that time the bee is holy, because his wax makes light to shine upon the Gifts.

She holds the remnants of slashed clothes around her, keeping her modesty. It's pitiable, really, that a creature so utterly owned clings to modesty. "Why?" she asks again. He shrugs again. "You needed help." "No one helps a windup." Her voice is flat. "You are a fool." She pushes damp hair away from her face. A surreal stutter-stop motion, the genetic bits of her unkinking. Her smooth skin shines between the edges of her slashed blouse, the gentle promise of her breasts. What would she feel like? Her skin gleams, smooth and inviting. She catches him staring. "Do you wish to use me?" "No." he looks away, uneasy. "It's not necessary." "I would not fight you," she says. Anderson feels a sudden revulsion at the acquiescence in her voice. On another day, at another time, he probably would have taken her for the novelty. Thought nothing of it. But the fact that she expects so little fills him with distaste. He forces a smile. "Thank you. No." She nods shortly. Looks out again at the humid night and the green glow of the street lamps. It's impossible to say if she is grateful or surprised, or if his decision even matters to her. However her mask might have slipped in the heat of terror and relief of escape, her thoughts are carefully locked away now.

Shortly before you were born, I was pulled over by the PG County police, the same police that all the D.C. poets had warned me of. They approached on both sides of the car, shining their flashing lights through the windows. They took my identification and returned to the squad car. I sat there in terror. By then I had added to the warnings of my teachers what I’d learned about PG County through reporting and reading the papers. And so I knew that the PG County police had killed Elmer Clay Newman, then claimed he’d rammed his own head into the wall of a jail cell. And I knew that they’d shot Gary Hopkins and said he’d gone for an officer’s gun. And I knew they had beaten Freddie McCollum half-blind and blamed it all on a collapsing floor. And I had read reports of these officers choking mechanics, shooting construction workers, slamming suspects through the glass doors of shopping malls. And I knew that they did this with great regularity, as though moved by some unseen cosmic clock. I knew that they shot at moving cars, shot at the unarmed, shot through the backs of men and claimed that it had been they who’d been under fire. These shooters were investigated, exonerated, and promptly returned to the streets, where, so emboldened, they shot again. At that point in American history, no police department fired its guns more than that of Prince George’s County. The FBI opened multiple investigations—sometimes in the same week. The police chief was rewarded with a raise. I replayed all of this sitting there in my car, in their clutches. Better to have been shot in Baltimore, where there was the justice of the streets and someone might call the killer to account. But these officers had my body, could do with that body whatever they pleased, and should I live to explain what they had done with it, this complaint would mean nothing. The officer returned. He handed back my license. He gave no explanation for the stop.

Come, get out of the way, boys Quick, get out of the way You'd better watch what you say, boys Better watch what you say We've rammed in your harbor and tied to your port And our pistols are hungry and our tempers are short So bring your daughters around to the port 'Cause we're the Cops of the World, boys We're the Cops of the World We pick and choose as please, boys Pick and choose as please You'd best get down on your knees, boys Best get down on your knees We're hairy and horny and ready to shack We don't care if you're yellow or black Just take off your clothes and lie down on your back 'Cause we're the Cops of the World, boys We're the Cops of the World Our boots are needing a shine, boys Boots are needing a shine But our Coca-cola is fine, boys Coca-cola is fine We've got to protect all our citizens fair So we'll send a battalion for everyone there And maybe we'll leave in a couple of years 'Cause we're the Cops of the World, boys We're the Cops of the World Dump the reds in a pile, boys Dump the reds in a pile You'd better wipe of that smile, boys Better wipe off that smile We'll spit through the streets of the cities we wreck We'll find you a leader that you can't elect Those treaties we sighned were a pain in the neck 'Cause we're the Cops of the World, boys We're the Cops of the World Clean the johns with a rag, boys Clean the johns with a rag If you like you can use your flag, boys If you like you can use your flag We've got too much money we're looking for toys And guns will be guns and boys will be boys But we'll gladly pay for all we destroy 'Cause we're the Cops of the World, boys We're the Cops of the World Please stay off of the grass, boys Please stay off of the grass Here's a kick in the ass, boys Here's a kick in the ass We'll smash down your doors, we don't bother to knock We've done it before, so why all the shock? We're the biggest and toughest kids on the block 'Cause we're the Cops of the World, boys We're the Cops of the World When we butchered your son, boys When we butchered your son Have a stick of our gum, boys Have a stick of our buble-gum We own half the world, oh say can you see The name for our profits is democracy So, like it or not, you will have to be free 'Cause we're the Cops of the World, boys We're the Cops of the World

Glass" In every bar there’s someone sitting alone and absolutely absorbed by whatever he’s seeing in the glass in front of him, a glass that looks ordinary, with something clear or dark inside it, something partially drunk but never completely gone. Everything’s there: all the plans that came to nothing, the stupid love affairs, and the terrifying ones, the ones where actual happiness opened like a hole beneath his feet and he fell in, then lay helpless while the dirt rained down a little at a time to bury him. And his friends are there, cracking open six-packs, raising the bottles, the click of their meeting like the sound of a pool cue nicking a ball, the wrong ball, that now edges, black and shining, toward the waiting pocket. But it stops short, and at the bar the lone drinker signals for another. Now the relatives are floating up with their failures, with cancer, with plateloads of guilt and a little laughter, too, and even beauty—some afternoon from childhood, a lake, a ball game, a book of stories, a few flurries of snow that thicken and gradually cover the earth until the whole world’s gone white and quiet, until there’s hardly a world at all, no traffic, no money or butchery or sex, just a blessed peace that seems final but isn’t. And finally the glass that contains and spills this stuff continually while the drinker hunches before it, while the bartender gathers up empties, gives back the drinker’s own face. Who knows what it looks like; who cares whether or not it was young once, or ever lovely, who gives a shit about some drunk rising to stagger toward the bathroom, some man or woman or even lost angel who recklessly threw it all over—heaven, the ether, the celestial works—and said, Fuck it, I want to be human? Who believes in angels, anyway? Who has time for anything but their own pleasures and sorrows, for the few good people they’ve managed to gather around them against the uncertainty, against afternoons of sitting alone in some bar with a name like the Embers or the Ninth Inning or the Wishing Well? Forget that loser. Just tell me who’s buying, who’s paying; Christ but I’m thirsty, and I want to tell you something, come close I want to whisper it, to pour the words burning into you, the same words for each one of you, listen, it’s simple, I’m saying it now, while I’m still sober, while I’m not about to weep bitterly into my own glass, while you’re still here—don’t go yet, stay, stay, give me your shoulder to lean against, steady me, don’t let me drop, I’m so in love with you I can’t stand up. Kim Addonizio, Tell Me (BOA Editions Ltd.; First Edition (July 1, 2000)