Short Poe Quotes

A short story must have a single mood and every sentence must build towards it.

It is a happiness to wonder; -- it is a happiness to dream.

When, indeed, men speak of Beauty, they mean, precisely, not a quality, as is supposed, but an effect - they refer, in short, just to that intense and pure elevation of soul - not of intellect, or of heart.

I found him well educated, with unusual powers of mind, but infected with misanthropy, and subject to perverse moods of alternate enthusiasm and melancholy.

A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.

I was cautious in what I said before the young lady; for I could not be sure that she was sane; and, in fact, there was a certain restless brilliancy about her eyes that half led me to imagine she was not.

A feeling, for which I have no name, has taken possession of my soul.

There are some secrets which do not permit themselves to be told. Men die nightly in their beds, wringing the hands of ghostly confessors, and looking them piteously in the eyes — die with despair of heart and convulsion of throat, on account of the hideousness of mysteries which will not suffer themselves to be revealed.

We gave him a hearty welcome, for there was nearly half as much of the entertaining as of the contemptible about the man..

E. A. Poe defines a short story as readable in a single sitting. I imagine a “single sitting” was longer back in his day. But I digress again.

I have before suggested that a genuine blackguard is never without a pocket-handkerchief.

lettuce he’d bought in a moment of ill-advised optimism. A bit of cheese so mouldy it was a short evolutionary jump away from developing lungs.

From the dim regions beyond the mountains at the upper end of our encircled domain, there crept out a narrow and deep river, brighter than all save the eyes of Eleonora; and, winding stealthily about in mazy courses, it passed away, at length, through a shadowy gorge, among hills still dimmer than those whence it had issued. We called it the "River of Silence"; for there seemed to be a hushing influence in its flow. No murmur arose from its bed, and so gently it wandered along, that the pearly pebbles upon which we loved to gaze, far down within its bosom, stirred not at all, but lay in a motionless content, each in its own old station, shining on gloriously forever.

The difficulty with Poe is not figuring out which of his stories rise to the level required of this collection, but rather which of his stories to exclude from it.

..."Hence," goes on the professor, "definitions of happiness are interesting." I suppose the best thing to do with that is to let is pass. Me, I never saw a definition of happiness that could detain me after train-time, but that may be a matter of lack of opportunity, of inattention, or of congenital rough luck. If definitions of happiness can keep Professor Phelps on his toes, that is little short of dandy. We might just as well get on along to the next statement, which goes like this: "One of the best" (we are still on definitions of happiness) "was given in my Senior year at college by Professor Timothy Dwight: 'The happiest person is the person who thinks the most interesting thoughts.'" Promptly one starts recalling such Happiness Boys as Nietzche, Socrates, de Maupassant, Jean-Jacques Rousseau, William Blake, and Poe." -Review of the book, Happiness, by (Professor) William Lyon Phelps. Review title: The Professor Goes in for Sweetness and Light; November 5, 1927

To observe attentively is to remember distinctly;

It’s a case of mistaken identity. It’s one big mistake. You weren’t even in the country when it happened.” Maja in the short story 'Metro' by Steen Langstrup

If [a short story author's] very initial sentence tend not to the out bringing of this effect, then he has failed in his first step.

The man is well inside the train before the dreadful truth occurs to me. He is the man from the newspaper. The rapist. My doppelganger. My mirrored doppelganger.” William Wilson in the short story 'Metro' by Steen Langstrup.

And who shall calculate the immense influence upon social life--upon arts--upon commerce--upon literature--which will be the immediate result of the great principles of electro-magnetics!

There are things around us and about, of which I can render no distinct account--Things material and spiritual; heaviness in the atmosphere; a sense of suffocation, anxiety, and above all, that terrible state of existence which the nervous experience when the senses are keenly living and awake and meanwhile the powers of thought lie dormant.

Edgar Allan Poe was an American poet, short story writer, playwright, editor, critic, essayist and one of the leaders of the American Romantic Movement. Best known for his tales of the macabre and mystery, Poe was one of the early American practitioners of the short story and a progenitor of detective fiction and crime fiction. He is also credited with contributing to the emergent science fiction genre.Poe died at the age of 40. The cause of his death is undetermined and has been attributed to alcohol, drugs, cholera, rabies, suicide (although likely to be mistaken with his suicide attempt in the previous year), tuberculosis, heart disease, brain congestion and other agents. Source: Wikipedia

The mountainous surges suggest the idea of innumerable dumb gigantic fiends struggling in impotent agony.

I would like to write as mysterious as a cat

They who dream by day are cognizant of many things which escape those who dream only by night. -Eleonora

I picked up my volume of Collected Stories and Poems by Edgar Allen Poe.  I sprawled across the bed and flipped through the pages until I came to one of my favorite short stories: “The Oval Portrait.

How had I deserved to be so blessed by such confessions? —how had I deserved to be so cursed with the removal of my beloved in the hour of her making them, But upon this subject I cannot bear to dilate.

She gave me a pledge card, a card promising an annual gift of $5, $10, or $25 toward the support of the Unity mission. I filled it out under the hot light of the projector. The name and address spaces were much too short, unless you wrote a very fine hand or unless your name was Ed Poe and you lived at 1 Elm St.

In short, there is in life an element of elfin coincidence which people reckoning on the prosaic may perpetually miss. As it has been well expressed in the paradox of Poe, wisdom should reckon on the unforeseen.

In short, I never yet encountered the mere mathematician who could be trusted out of equal roots, or one who did not clandestinely hold it as a point of his faith that x squared + px was absolutely and unconditionally equal to q. Say to one of these gentlemen, by way of experiment, if you please, that you believe occasions may occur where x squared + px is not altogether equal to q, and, having made him understand what you mean, get out of his reach as speedily as convenient, for, beyond doubt, he will endeavor to knock you down.

Yes, it would nice for this fifty year period, this cradle of all vampire short stories in the English language, to include a vampire tale by Edgar Allan Poe. But the sad answer is that Poe never penned a vampire story.

The Great Magician is very clear when he says there will always be trouble in the world. As for any human today, in my book, that is a call to action. That’s a call to our own inner hero. That hero is inside all of us whether we be fat, skinny, tall, short, black, white, olive, or yellow. We all have the capacity to be heroes in this life.

I short I became a new man, and lived a man's life. From that memorable night, I dismissed forever my apprehensions, and with them vanished the cataleptic disorder, of which, perhaps, they had been less the consequence than the cause.

In short I became a new man, and lived a man's life. From that memorable night, I dismissed forever my apprehensions, and with them vanished the cataleptic disorder, of which, perhaps, they had been less the consequence than the cause.

For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride,

The tribe of clerks was an obvious one...the junior clerks of flash houses--young gentlemen with tight coats, bright boots, well-oiled hair, and supercilious lips. Setting aside a certain dapperness of carriage, which may be termed [i]deskism[/i] for want of a better word, the manner of these persons seemed to be an exact fac-simile of what had been the perfection of [i]bon ton[/i] about twelve or eighteen months before.

In short, we are madly erring through self-esteem in believing man, in either his temporal or future destinies, to be of more moment in the universe than that vast "clod of the valley" which he tills and contemns, and to which he denies a soul, for no more profound reason than that he does not behold it in operation.

El cuento requiere una reducción del campo narrativo análoga al estrechamiento de conciencia que acompaña a las ideas fijas. En cierto modo, el cuentista procede como un obseso.

eccentricity

perihelion,

centripetal,

centrifugal

nebulosity

lenticular

The moon’s distance from the earth is, in round numbers, 240,000 miles.

the earth, in the sense intended, is not only thirteen, but forty-nine times larger than the moon.

droll

ballast

the center of the visual area being less susceptible of feeble impressions of light than the exterior portions of the retina.

verisimilitude,

burgomaster,

sidereal

In a night such as is this to me, a man lives-lives a whole century of life-nor would I forgo this rapturous delight for that of a whole century of ordinary existence.

Pero los bancos no son individuos, sino sociedades, y las sociedades carecen de cuerpos donde se puedan aplicar puntapiés y de almas que mandar al demonio

In truth, the man who would behold aright the glory of God upon earth must in solitude behold that glory.

Nor is it any argument against bulk being an object with God, that space itself is infinite; for there may be an infinity of matter to fill it.

pertinacity

He is cool- cool as a cucumber.

Did you know that the nose is the only organ that can see into the past, Poe?’ Bradshaw said. ‘Smell is retrospective. It’s already happened.

I became insane with long intervals of horrible sanity.

Short stories are the loose change in the treasury of fiction, easily ignored beside the wealth of novels available, an over-valued currency that often turns out to be counterfeit. At its best, in Borges, Ray Bradbury and Edgar Allan Poe, the short story is coined from precious metal, a glint of gold that will glow for ever in the deep purse of your imagination.

Goodness, what crazy purchases were prompted by the poignant predilection Humbert had in those days for check weaves, bright cottons, frills, puffed-out short sleeves, soft pleats, snug-fitting bodices and generously full skirts! Oh Lolita, you are my girl, as Vee was Poe’s and Bea Dante’s, and what little girl would not like to whirl in a circular skirt and scanties

I reflected that man is the veriest slave of custom, and that many points in the routine of his existence are deemed essentially important, which are only so at all by his having rendered them habitual.

For some months I had been ill in health, but was now convalescent, and, with returning strength, found myself in one of those happy moods which are so precisely the converse of ennui — moods of the keenest appetency, when the film from the mental vision departs — the αχλυς ος πριν επηεν — and the intellect, electrified, surpasses as greatly its every-day condition, as does the vivid yet candid reason of Leibnitz, the mad and flimsy rhetoric of Gorgias. Merely to breathe was enjoyment; and I derived positive pleasure even from many of the legitimate sources of pain. I felt a calm but inquisitive interest in every thing.

Goodness, what crazy purchases were prompted by the poignant predilection Humbert had in those days for check weaves, bright cottons, frills, puffed-out short sleeves, soft pleats, snug-fitting bodices and generously full skirts! Oh Lolita, you are my girl, as Vee was Poe’s and Bea Dante’s, and what little girl would not like to whirl in a circular skirt and scanties? Did I have something special in mind? coaxing voices asked me. Swimming suits? We have them in all shades. Dream pink, frosted aqua, glans mauve, tulip red, oolala black. What about paysuits? Slips? No slips. Lo and I loathed slips.

That pleasure which is at once the most intense, the most elevating, and the most pure is, I believe, found in the contemplation of the beautiful. When, indeed, men speak of Beauty, they mean, precisely, not a quality, as is supposed, but an effect—they refer, in short, just to that intense and pure elevation of soul.

DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was; but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled luster by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodeled and inverted images of the gray sedge, and the ghastly tree stems, and the vacant and eye-like windows.

No more than any other talent, is that for music susceptible of complete enjoyment where there is no second party to appreciate its exercise; and it is only in common with other talents that it produces effects which may be fully enjoyed in solitude... the higher order of music is the most thoroughly estimated when we are exclusively alone.

It is now high time that I should explain to your Excellencies the object of my perilous voyage. Your Excellencies will bear in mind that distressed circumstances in Rotterdam had at length driven me to the resolution of committing suicide. It was not, however, that to life itself I had any, positive disgust, but that I was harassed beyond endurance by the adventitious miseries attending my situation. In this state of mind, wishing to live, yet wearied with life, the treatise at the stall of the bookseller opened a resource to my imagination. I then finally made up my mind. I determined to depart, yet live—to leave the world, yet continue to exist—in short, to drop enigmas, I resolved, let what would ensue, to force a passage, if I could, to the moon. Now,

That pleasure which is at once the most intense, the most elevating, and the most pure is, I believe, found in the contemplation of the beautiful. When, indeed, men speak of Beauty, they mean, precisely, not a quality, as is supposed, but an effect—they refer, in short, just to that intense and pure elevation of soul—not of intellect, or of heart—upon which I have commented, and which is experienced in consequence of contemplating the 'beautiful.

The ship and all in it are imbued with the spirit of Eld. The crew glide to and fro like the ghosts of buried centuries; their eyes have an eager and uneasy meaning; and when their fingers fall athwart my path in the wild glare of the battle-lanterns, I feel as I have never felt before, although I have been all my life a dealer in antiquities, and have imbibed the shadows of fallen columns at Balbec, and Tadmor, and Persepolis, until my very soul has become a ruin.

I know a ton of poetry by heart,” Tartt says, when I comment on her recital of the Nabokov rhyme. It’s true. She has an alarming ability to simply break into passages, short or long, from her favorite writing. She quotes, freely and naturally, from Thomas Aquinas, Cardinal Newman, Buddha, and Plato—as well as David Byrne of Talking Heads and Jonathan Richman of the Modem Lovers. And many others. “When I was a little kid, first thing I memorized were really long poems by A. A. Milne,” she says. ‘‘Then I went through a Kipling phase. I could say ‘Gunga Din’ for you. Then I went into sort of a Shakespeare phase, when I was about in sixth grade. In high school, I loved loved loved Edgar Allan Poe. Still love him. I could say ‘Annabel Lee’ for you now. I used to know even some of the shorter stories by heart. ‘The Tell-Tale Heart’—I used to be able to say that. ‘‘I still memorize poems,” she says. ‘‘I know ‘The Waste Land’ by heart. ‘Prufrock.’ Yeats is good. I know a lot of poems in French by heart. A lot of Dante. That’s just something that has always come easily to me. I also know all these things that I was made to learn. I’m sort of this horrible repository of doggerel verse.

Shortly after finding Phantastes, Jack ordered a copy of British Ballads in the Everyman edition with a chocolate binding, a style of book binding that Arthur liked but Jack formerly did not. He joked to Arthur about being converted to all of Arthur’s views and then, adding to the joke, suggested that Arthur might even make a Christian of him.107 Jack’s jokes had a way of being prophetic. The extent to which his lust for beautiful editions of books had gotten the better of him is evident from an episode shortly after he had promised himself to read one of William Morris’s translations of the Icelandic sagas as soon as he finished The Faerie Queene. He found the very book he wanted in the cheap Walter Scott Library edition, but decided not to buy it because the edition simply was not pretty enough.

Two weeks ago my mountain of mail delivered forth a pipsqueak mouse of a letter from a well-known publishing house that wanted to reprint my story “The Fog Horn” in a high school reader. In my story, I had described a lighthouse as hav­ing, late at night, an illumination coming from it that was a “God-Light.” Looking up at it from the view-point of any sea-creature one would have felt that one was in “the Presence.” The editors had deleted “God-Light” and “in the Presence.” Some five years back, the editors of yet another anthology for school readers put together a volume with some 400 (count ‘em) short stories in it. How do you cram 400 short stories by Twain, Irving, Poe, Maupassant and Bierce into one book? Simplicity itself. Skin, debone, demarrow, scarify, melt, render down and destroy. Every adjective that counted, every verb that moved, every metaphor that weighed more than a mosquito—out! Every simile that would have made a sub-moron’s mouth twitch—gone! Any aside that explained the two-bit philosophy of a first-rate writer—lost! Every story, slenderized, starved, bluepenciled, leeched and bled white, resembled every other story. Twain read like Poe read like Shakespeare read like Dostoevsky read like—in the finale—Edgar Guest. Every word of more than three syllables had been ra­zored. Every image that demanded so much as one instant’s attention—shot dead. Do you begin to get the damned and incredible picture? How did I react to all of the above? By “firing” the whole lot. By sending rejection slips to each and every one. By ticketing the assembly of idiots to the far reaches of hell.

The bust of the General was unquestionably the finest bust I ever saw. For your life you could not have found a fault with its wonderful proportion. This rare peculiarity set off to great advantage a pair of shoulders which would have called up a blush of conscious inferiority into the countenance of the marble Apollo. I have a passion for fine shoulders, and may say that I never beheld them in perfection before. The arms altogether were admirably modeled. Nor were the lower limbs less superb. These were, indeed, the ne plus ultra of good legs. Every connoisseur in such matters admitted the legs to be good. There was neither too much flesh, nor too little,—neither rudeness nor fragility. I could not imagine a more graceful curve than that of the os femoris, and there was just that due gentle prominence in the rear of the fibula which goes to the conformation of a properly proportioned calf. I wish to God my young and talented friend Chiponchipino, the sculptor, had but seen the legs of Brevet Brigadier General John A. B. C. Smith.

The science fiction magazine has played a unique role in the development of this fiction, functioning partly as a medium for publication and partly as a forum for ongoing debate about the nature of this fiction. SF pieces were being published in a range of popular magazines by the 1890s, but the first SF-dedicated periodical was Amazing Stories, founded in 1926 by Hugo Gernsback. The opening issue identified a tradition by publishing tales by Poe, Verne, and Wells, who Gernsback situated within what he was now calling ‘scientifiction’, tales in which ‘a charming romance intermingled with scientific fact and prophetic vision’.

Men of thought," Anita said. "Not men of action. It's begun to have a paralyzing effect.

Many think they are Gods and fall short each day. Those that strive to be Human have a greater success

RAVEN: THE GOLD-BUG is a short story by Edgar Allan Poe, originally published in 1843. Poe won a short story contest and the prize was publication in a local paper. It was a popular story in its day and brought attention to cryptograms and secret writing.

But there was a shift in behavior that, while falling short of a mass outbreak of criminality, was readily discernible by social scientists. Edgar Allan Poe had used the phrase “the imp of the perverse” to describe the temptation to do the wrong thing simply because you could, and for many people the imp had become more persuasive.

King knows what scares us. He has proven this a thousand times over. I think the secret to this is that he knows what makes us feel safe, happy, and secure; he knows our comfort zones and he turns them into completely unexpected nightmares. He takes a dog, a car, a doll, a hotel—countless things that we know and love—and then he scares the hell out of us with those very same things. Deep down, we love to be scared. We crave those moments of fear-inspired adrenaline, but then once it’s over we feel safe again. King’s work generates that adrenaline and keeps it pumping. Before King, we really didn’t have too many notables in the world of horror writers. Poe and Lovecraft led the pack, but when King came along, he broke the mold. He improved with age just like a fine wine and readers quickly became addicted, and inestimable numbers morphed into hard-core fans. People can’t wait to see what he’ll do next. What innocent, commonplace “thing” will he come up with and turn into a nightmare? I mean, think about it…do any of us look at clowns, crows, cars, or corn fields the same way after we’ve read King’s works? SS: How did your outstanding Facebook group “All Things King” come into being? AN: About five years ago, I was fairly new to Facebook and the whole social media world. I’m a very “old soul” (I’ve been told that many times throughout my life: I miss records and VHS tapes), so Facebook was very different for me. My wife and friends showed me how to do things and find fan pages and so forth. I found a Stephen King fan page and really had a fun time. I posted a lot of very cool things, and people loved my posts. So, several Stephen King fans suggested I do my own fan page. It took some convincing, but I finally did it. Since then, I have had some great co-administrators, wonderful members, and it has opened some amazing doors for me, including hosting the Stephen King Dollar Baby Film fest twice at Crypticon Horror Con in Minnesota. I have scored interviews with actors, writers, and directors who worked on Stephen King films or wrote about King; I help promote any movie, or book, and many other things that are King related, and I’ve been blessed to meet some wonderful people. I have some great friends thanks to “All Things King.” I also like to teach our members about King (his unpublished stories, lesser-known short stories, and really deep facts and trivia about his books, films, and the man himself—info the average or new fan might not know). Our page is full of fun facts, trivia, games, contests, Breaking News, and conversations about all things Stephen King. We have been doing it for five years now as of August 19th—and yes, I picked that date on purpose.

The Library of Fictional Volumes.” Ahead of us, silhouetted against a brilliant orange sunset, was a tall, rectangular stone building with banks and banks of windows. “Fictional volumes?” echoed Cole. “You mean novels and short stories? But why would they keep the ship’s logbooks there? Aren’t logbooks nonfiction?” Andre said, “It’s not a fiction library. It’s a fictional library of fictional books. Some are fictional fiction and some are fictional nonfiction.” “Isn’t all fiction fictional? Isn’t that what the word means?” Cole objected. “And what’s fictional nonfiction? That doesn’t mean anything.” Dr. Rust explained, “The Spectral Library is where we keep books that only exist in books. Like . . . What’s a good example, someone?” “The Mad Trist of Sir Launcelot Canning,” suggested Andre. “Exactly! The Mad Trist of Sir Launcelot Canning is a work of fiction—it’s a medieval romance. But it only exists in the Poe story ‘The Fall of the House of Usher.’ The narrator reads The Mad Trist to his crazy friend. You can’t find it in any ordinary library, but we have a copy here in our library of fictional books. It’s fictional fiction.

Many of film’s future Golden Age directors—Maurice Tourneur, Cecil B. De Mille, Michael Curtiz, F. W. Murnau, Kenji Mizoguchi, and Ernst Lubitsch—got their start grinding out horror films. In fact, among the eight films Tourneur made in 1913, his first year as a director, one was Le systeme du docteur Goudron et du professeur Plume (Dr. Goudron’s System), a horror short based on Poe’s story “The System of Doctor Tarr and Professor Fether,” the original “lunatics take over the asylum” tale. (Tourneur’s director son, Jacques, would have a major impact on the horror film thirty years later.) The popular German serial Homunculus (1916), directed by Otto Rippert and written by Robert Reinert, centered on the story of the world’s first test-tube baby, who grows up to find he is immensely powerful but soulless, and

Have we not a perpetual inclination, in the teeth of our best judgment, to violate that which is Law, merely because we understand it to be such?

Few acted so rashly as to commit murder or other felonies; the consequences of your actions still fell on you in this branch, not any other. But there was a shift in behavior that, while falling short of a mass outbreak of criminality, was readily discernible by social scientists. Edgar Allan Poe had used the phrase “the imp of the perverse” to describe the temptation to do the wrong thing simply because you could, and for many people the imp had become more persuasive.

The lawn of Boston Common, the low sloping part from the merry-go-round and the frog pond to the road that cut between the Common and the Public Garden, was a crowd. Of all sorts of people, old and young, black and Asian and white and brown, skinny and fat and short and tall, and they were all in costume, and because they were all in costume, it was like looking straight into their hearts at what they loved or who they wanted to be. There were Poes and ghosts and cats and ravens and Spider-Men and mermaids and fairies and grim reapers and Leatherfaces and a freaky good Jason Voorhees—he was huge, scary huge; when he passed Dorry, she was eye to belly button—a bat, an Uno card, Dracula vampires, Twilight vampires, their faces brushed with glitter, some Red Sox, some Bruins, a Celtic who could have been Kevin Garnett, but she couldn’t get close enough to tell for sure. Someone was dressed as Mayor Menino. Someone was dressed as Kermit the Frog. Someone, a guy, Dorry thought—he had big shoulders and an Adam’s apple—was dressed as Cher, which Dorry got only after Cher came up to Ned and said, “Prince!” and Ned said, “Cher!” and they hugged, because even though they were strangers, they knew each other.

The final phrases of Eureka aspire to an era when humanity will collectively merge in union with God. And as we saw before the final phrases of Poe’s works always aspire to this return to the original source, whereas man is faced before the truth, and not yet the universal truth of oneness, but a conclusion that aspires to this call to emergence within the divine. This pantheistic notion that he called to in his works became a multi-universal realization in Eureka. Poe reflected everything on God and God to everything but also celebrated that individuality of Man and he saw it as the reflection of God. In this view, each becomes his own God with unlimited powers of creativity through which he too builds his own universe within another universe, and potentially many other universes. What happens afterward, is something we have to find ourselves. But what Poe displayed in his works to us was the perfect example of Jungian Individuation, of gnostic solar consciousness, mystical experience and cosmological unity all condensed in a short lifetime of Poe’s most metaphysical and divine works.

The Poes lived nine places in the city, seven of them in just a two-year period, a striking contrast to Gertrude Tredwell, who lived all of her ninety-three years in the same spot. The Poes moved as their finances and Virginia’s health required. She had contracted tuberculosis in 1842 in Philadelphia, coughing up blood one day as she played the piano. Poe spent much of the rest of her short life tending to her.

It’s maths, Poe, not luck,’ she said without a trace of irony. ‘Toast usually falls from the table and is almost always butter side up when it does. Unless there are outside factors involved, the spin rate is rarely fast enough for it to go through a full revolution before it reaches the ground. If tables were ten feet high, we would say that toast always seems to land butter side up.

I spotted Poe immediately. He was raking the leaves around his tree home, a lovely aspen. The whiteness of its bark seemed brighter than the other trees, the knotholes darker; the moss creeping up the south side was luxurious with fat purple flowers, and the leaves were a riot of green in every shade with veins of pure gold. It was, in short, the prettiest tree in the Kyrrðarskogur, which was Wendell's doing, but Poe was clearly taking his responsibilities as the owner of such a fine specimen seriously. He had built a trellis against the tree, up which climbed a vine of wild roses, and he had made little furrows in the ground to irrigate the tree's roots.