Short Knife Quotes

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You made your own jean shorts...with a butter knife?
Richelle Mead (The Golden Lily (Bloodlines, #2))
That same night, I wrote my first short story. It took me thirty minutes. It was a dark little tale about a man who found a magic cup and learned that if he wept into the cup, his tears turned into pearls. But even though he had always been poor, he was a happy man and rarely shed a tear. So he found ways to make himself sad so that his tears could make him rich. As the pearls piled up, so did his greed grow. The story ended with the man sitting on a mountain of pearls, knife in hand, weeping helplessly into the cup with his beloved wife's slain body in his arms.
Khaled Hosseini (The Kite Runner)
I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.  I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer. We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?” He, of course, replied, “No.” “Well, we’re going to a better place.” When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds. Malison moved beside me. “It’s a graveyard.” “Are you afraid of ghosts?” I asked. “My father’s a ghost,” he whispered. I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.  Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path. “Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
When does real love begin? At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity. At what moment does the knife wound sink so deep that the flesh begins to weep with love? At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.
Anaïs Nin (Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin (1934-1937))
A Short Alternative Medical Dictionary Definitions courtesy of Dr Lemuel Pillmeister (also known as Lemmy) Addiction - When you can give up something any time, as long as it's next Tuesday. Cocaine - Peruvian Marching Powder. A stimulant that has the extraordinary effect that the more you do, the more you laugh out of context. Depression - When everything you laugh at is miserable and you can't seem to stop. Heroin - A drug that helps you to escape reality, while making it much harder to cope when you are recaptured. Psychosis - When everybody turns into tiny dolls and they have needles in their mouths and they hate you and you don't care because you have THE KNIFE! AHAHAHAHAHAHA!
Nikki Sixx (The Heroin Diaries: A Year in the Life of a Shattered Rock Star)
There was a desert wind blowing that night. It was one of those hot dry Santa Anas that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks. Anything can happen. You can even get a full glass of beer at a cocktail lounge.
Raymond Chandler (Red Wind: A Collection of Short Stories)
There is some delight in ale and wine And some in girls with ankles fine But my delight, yes always mine Is to dance with Jak O’ the Shadows We will toss the dice however they fall And snuggle the girls be they short or tall Then follow Lord Mat whenever he calls To dance with Jak O’ the Shadows.
Robert Jordan (Knife of Dreams (The Wheel of Time, #11))
The orderly brandished a hunting knife from a sheath at his waist and sliced open the prisoner’s throat with it.  Warm blood cascaded out of the prisoner’s throat, some of it spraying the captain’s uniform.  The orderly waited for the prisoner to bleed to death before cutting the head clean off.  Within a few minutes, the muscle that the prisoner built on his body was carved out and thrown on the grill.  After the meat cooled, the orderly put the human steaks in front of the captain for dinner.  As the captain ate each buttery piece, he couldn’t help but compliment the orderly for a job well-done.
Harvey Havel (The Odd and The Strange: A Collection of Very Short Fiction)
Too much and too long, we seem to have surrendered community excellence and community values in the mere accumulation of material things. Our gross national product...if we should judge the United States of America by that - counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for those who break them. It counts the destruction of our redwoods and the loss of our natural wonder in chaotic sprawl. It counts napalm and the cost of a nuclear warhead, and armored cars for police who fight riots in our streets. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education, or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages; the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage; neither our wisdom nor our learning; neither our compassion nor our devotion to our country; it measures everything, in short, except that which makes life worthwhile. And it tells us everything about America except why we are proud that we are Americans.
Robert F. Kennedy
I taste the wine on his lips. He kisses me gently at first and then, as if he's reaching for something more, he pushes me against the wall and kisses me harder. His lips are warm and so soft - his hair brushes against my face. I try to focus. (Not his first time. He's definitely kissed other girls before, and quite a few at that. He's - he seems like he's short of breath....) The details flit away. I grab at them in vain. It takes me a moment to realize I'm kissing him just as hungrily. I feel the knife at his waist against my own skin, and I tremble. It's too warm here, there's too much heat on my face.
Marie Lu (Legend (Legend, #1))
The sharp knife of a short life, well I've had, just enough time.
Kimberly Perry
Brother Row you could trust to make a long shot with a short bow. You could trust him to come out of a knife fight with somebody else's blood on his shirt. You could trust him to lie, to cheat, to steal, and to watch your back. You couldn't trust his eyes though. He had kind eyes, and you couldn't trust them.
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
I was terrified of my weakness, of my sharp tongue, of my every flaw. I was terrified that this moment, my chance to live in happiness for however short a time we may have had, would be ruined because I was simply not carved out of the same wood as happiness, and that my grain was too twisted to ever take its form.
Amy Lane (Truth in the Dark)
Teresa handed Thomas a really long knife, almost a sword. He couldn’t imagine where she’d been hiding these things, but she now held a short dagger in addition to her spear.
James Dashner (The Scorch Trials (Maze Runner, #2))
Her husband's sleepwalking had always been a source of amusement for her. It was no longer amusing when one night she woke up to find him standing at the edge of their bed in his sleepwalking state, holding a knife and whispering, "You're next”.
Victorius Kingston
Dying is like the ocean, sometimes the tide comes in gently with soft, delicate waves quietly working in the background. Other days, the waves violently crash into explosions, demanding to be noticed but regardless of how it chooses to do its job, the tide will always come in.
Sarah Riad (The Sharp Knife of a Short Life)
I suppose every one must have reflected how primeval and how poetical are the things that one carries in one's pocket; the pocket-knife, for instance, the type of all human tools, the infant of the sword. Once I planned to write a book of poems entirely about things in my pockets. But I found it would be too long; and the age of the great epics is past.
G.K. Chesterton (A Short History of England)
Outside the wind scraped around the corners of the hut. Inside, only the spitting of the fire broke the steady snores. She paused at the fat one’s side, her hand inches from the hilt of his knife. How would she do this; how could she do this?
Ernie Gammage (What Awaits?)
Billy's Adam's apple bobbed. "Don't-" The knife at his throat cut him short. Black Tom cocked a thick brow. "Don't, wha? Hurt your littl' toffer?" Rotted teeth flashed. "She mean that much ta ye, then?" Bill licked his lips quickly. His skin took on a grayish hue as sweat seeded over his high brow. "Don't piss 'er off," he managed.
Kristen Callihan (Firelight (Darkest London, #1))
Gloaming,” Dad said. “What?” “That word I couldn’t remember. Gloaming. That short, murky time between half-light and dark.
Laurie Halse Anderson (The Impossible Knife of Memory)
Pemphredo had been about to crawl off, but at that she came back and settled down, brushing off her filthy shorts. Deino crossed her legs. Enyo stopped picking at her fingernails with a knife and put it politely away. I kind of felt like I should be serving tea.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
Will you remain here with the father who tried to sell you, or the Prince who hoped to buy you, or the man too weak to solve his riddles for himself? Or will you come with me and be bride to nothing but the shore?
Leigh Bardugo (Folktales from Ravka: Little Knife, The Too-Clever Fox, The Witch of Duva)
Ruta Skadi was four hundred and sixteen years old, with all the pride and knowledge of an adult witch queen. She was wiser by far than any short-lived human, but she had not the slightest idea of how like a child she seemed beside these ancient beings. Nor did she know how far their awareness spread out beyond her like filamentary tentacles to the remotest corners of universes she had never dreamed of; nor that she saw them as human-formed only because her eyes expected to. If she were to perceive their true form, they would seem more like architecture than organism, like huge structures composed of intelligence and feeling. But they expected nothing else: she was very young.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
this will not be a gentle prescription for healing, but cautery and the knife. What shall I achieve? That a soul which has conquered so many miseries will be ashamed to worry about one more wound in a body which already has so many scars.
Seneca (On the Shortness of Life)
What happens to a marriage when one partner ignores the other? After a short period of time bitterness begins to enter the heart. Words begin to cut like a sharp knife. Soon the animosity turns to anger, jealousy, and even worse. For many it results in separation, divorce, and hatred. But the rift can so easily be mended.All it takes is a fresh surrender that comes from your very soul.And a renewing of the vow to “love, honor, and cherish.
Benny Hinn (Good Morning, Holy Spirit: Learn to Recognize the Voice of the Spirit)
A sematary," I say. "A what?" Viola says, looking round at all the square stones marking out their graves. Must be a hundred, maybe two, in orderly rows and well-kept grass. Settler life is hard and it's short and lotsa New World people have lost the battle. "It's a place for burying dead folk," I say. Her eyes widen. "A place for doing what?" "Don't people die in space?" I ask. "Yeah," she says. "But we burn them. We don't put them in holes." She crosses her arms around herself, mouth and forehead frowning, peering around at the graves. "How can this be sanitary?
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
What grief is not taken away by time? What passion will survive an unequal battle with it? I knew a man in the bloom of his still youthful powers, filled with true nobility and virtue, I knew him when he was in love, tenderly, passionately, furiously, boldly, modestly, and before me, almost before my eyes, the object of his passion - tender, beautiful as an angel - was struck down by insatiable death. I never saw such terrible fits of inner suffering, such furious scorching anguish, such devouring despair as shook the unfortunate lover. I never thought a man could create such a hell for himself, in which there would be no shadow, no image, nothing in the least resembling hope... They tried to keep an eye on him; they hid all instruments he might have used to take his own life. Two weeks later he suddenly mastered himself: he began to laugh, to joke; freedom was granted him, and the first thing he did was buy a pistol. One day his family was terribly frightened by the sudden sound of a shot. They ran into the room and saw him lying with his brains blown out. A doctor who happened to be there, whose skill was on everyone's lips, saw signs of life in him, found that the wound was not quite mortal, and the man, to everyone's amazement, was healed. The watch on him was increased still more. Even at the table they did not give him a knife to and tried to take away from him anything that he might strike himself with; but a short while later he found a new occasion and threw himself under the wheels of a passing carriage. His arms and legs were crushed; but again they saved him. A year later I saw him in a crowded room; he sat at the card table gaily saying 'Petite ouverte,' keeping one card turned down, and behind him, leaning on the back of his chair, stood his young wife, who was sorting through his chips.
Nikolai Gogol (The Collected Tales of Nikolai Gogol)
Only one thing is certain: we live on a knife edge. In
Bill Bryson (A Short History of Nearly Everything)
I turn off my cell phone and reluctantly slide it down my pocket. My hands are shaking. A large knife appears in his hand.” William Wilson in the short story 'Metro' by Steen Langstrup
Steen Langstrup (Metro)
I stared down at my hands and saw the blood coat them, how warm and real something felt when it wasn’t just ink and stains. This was life and I was holding it in my hands. I drew my eyes back up and beneath the flickering streetlight and the throng of drunken cattle, I saw nothing else but the dead girl. Somebody out there had taken her life, her heart, and there I was with her warm, sticky blood. Feeling the most alive I’d felt in years. I had to find him. I just had to.
Charlotte Munro (Down by The Mausoleum)
He should have known better because, early in his learnings under his brother Mahmoud, he had discovered that long human words (the longer the better) were easy, unmistakable, and rarely changed their meanings . . . but short words were slippery, unpredictable, changing their meanings without any pattern. Or so he seemed to grok. Short human words were never like a short Martian word—such as “grok” which forever meant exactly the same thing. Short human words were like trying to lift water with a knife.
Robert A. Heinlein (Stranger in a Strange Land)
In response to suspected leaks to the press about Vietnam, Kissinger had ordered FBI wiretaps in 1969 on the telephones of 17 journalists and White House aides, without court approval. Many news stories based on the purported leaks questioned progress in the American war effort, further fueling the antiwar movement. In a tape from the Oval Office on February 22, 1971, Nixon said, “In the short run, it would be so much easier, wouldn’t it, to run this war in a dictatorial way, kill all the reporters and carry on the war.” “The press is your enemy,” Nixon explained five days later in a meeting with Admiral Thomas H. Moorer, the chairman of the Joint Chiefs of Staff, according to another tape. “Enemies. Understand that? . . . Now, never act that way . . . give them a drink, you know, treat them nice, you just love it, you’re trying to be helpful. But don’t help the bastards. Ever. Because they’re trying to stick the knife right in our groin.
Carl Bernstein (All the President's Men)
Late December, in Bridgwater, Somerset, Western Province, a middle-aged man named Thomas Wharnton, going home from work shortly after midnight, was set upon by youths. These knifed him, stripped him, spitted him, basted him, carved him, served him—all openly and without shame in one of the squares of the town. A hungry crowd clamoured for hunks and slices, kept back—that the King's Peace might not be broken—by munching and dripping greyboys.
Anthony Burgess (The Wanting Seed)
The man was of fine figure, swarthy, and stern in aspect; and he showed in profile a facial angle so slightly inclined as to be almost perpendicular. He wore a short jacket of brown corduroy, newer than the remainder of his suit, which was a fustian waistcoat with white horn buttons, breeches of the same, tanned leggings, and a straw hat overlaid with black glazed canvas. At his back he carried by a looped strap a rush basket, from which protruded at one end the crutch of a hay-knife, a wimble for hay-bonds being also visible in the aperture. His measured, springless walk was the walk of the skilled countryman as distinct from the desultory shamble of the general labourer; while in the turn and plant of each foot there was, further, a dogged and cynical indifference personal to himself, showing its presence even in the regularly interchanging fustian folds, now in the left leg, now in the right, as he paced along.
Thomas Hardy (The Mayor of Casterbridge)
I have two arms but not a bone, I can’t be hurt with knife or stone. I have a head but lack a face, I don’t need eyes to match your pace. I’m shifty, a thief, a trick of the eyes, My robes are made of mystery and lies. I am short, I am thin, I am monstrous and tall, But when midnight comes, I am nothing at all.
Mary E. Pearson (Vow of Thieves (Dance of Thieves, #2))
His wounds, incidentally, must have healed up by now, he felt no handicap anymore, which was astonishing; for, as recalled, after he had nicked his finger with a knife over a month ago, the injury had still been hurting the day before yesterday. "Am I less sensitive now?" he wondered, greedily sucking at the cheese, which had promptly exerted a more emphatic attraction on him than any of the other food. His eyes watered with contentment as he gulped down the cheese, the vegetables, and the sauce in rapid succession. By contrast, he did not relish the fresh foods, he could not even stand their smells, and he actually dragged the things he wanted to eat a short distance away.
Franz Kafka (The Metamorphosis, In the Penal Colony, and Other Stories: The Great Short Works of Franz Kafka)
And my eyes, my mother gave me my eyes, no eyelids, as if they were carved on a jack-o'-lantern with two swift cuts of a short knife. I used to push my eyes in on the sides to make them rounder. Or I'd open them very wide until I could see the white parts. But when I walked around the house like that, my father asked me why I looked so scared.
Amy Tan
Love’s a knife with pain and ecstasy converging at the piercing tip.
Jorge David Awe (Essence & Folly: Twelve Short Stories)
She kissed their knife marred bodies, for every act of war has, at its heart, an act of mercy.
Spencer Ellsworth (Swords & Steam Short Stories (Gothic Fantasy))
And life is as short as a shot in the dark And as sweet as a knife in the back. (Prof. J. Hörbicher, glacial cosmogonist, amateur poet, in Astrofisico.
Steven William Lawrie (Astrofisico: The End of Learning)
In the early 1800s there arose in England a fashion for inhaling nitrous oxide, or laughing gas, after it was discovered that its use ‘was attended by a highly pleasurable thrilling11’. For the next half-century it would be the drug of choice for young people. One learned body, the Askesian Society, was for a time devoted to little else. Theatres put on ‘laughing gas evenings’12 where volunteers could refresh themselves with a robust inhalation and then entertain the audience with their comical staggerings. It wasn’t until 1846 that anyone got around to finding a practical use for nitrous oxide, as an anaesthetic. Goodness knows how many tens of thousands of people suffered unnecessary agonies under the surgeon’s knife because no-one had thought of the gas’s most obvious practical application.
Bill Bryson (A Short History of Nearly Everything)
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
Even if we act to erase material poverty, there is another greater task, it is to confront the poverty of satisfaction - purpose and dignity - that afflicts us all. Too much and for too long, we seemed to have surrendered personal excellence and community values in the mere accumulation of material things. Our Gross National Product, now, is over $800 billion dollars a year, but that Gross National Product - if we judge the United States of America by that - that Gross National Product counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl. It counts napalm and counts nuclear warheads and armored cars for the police to fight the riots in our cities. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country, it measures everything in short, except that which makes life worthwhile. And it can tell us everything about America except why we are proud that we are Americans. If this is true here at home, so it is true elsewhere in world.
Robert F. Kennedy
All things considered, science is the best means of understanding almost everything around us. It works well on the human scale and stands as a stark counter-point to beliefs that by their very nature refute the notion of evidence. And I would be the last person to attack people encouraging the rest of us to use our ability to be rational, thereby defending the value and the necessity of science. But I will lift a querying hand when the notion of ‘science’ is held to be immutable, because ‘science’ as such does not exist. Science is a process to be sure, a way of thinking, but what science is above all is that which scientists do, and alas, scientists are people, too. As potentially fallible, irrational, biased, greedy, in short, as flawed, as the rest of us. So, by all means defend science as a process. But don’t confuse it with the very human endeavor of science as a profession. Because they’re not the same thing. And this is why when some guy in a white lab-coat says ‘you can trust me, I’m a scientist,’ best take it with a big bucket of salt, and then say ‘Fine, now show me the evidence and more to the point, show me how you got to it.
Steven Erikson (Rejoice, A Knife to the Heart)
I'm afraid they're not very well-designed creatures, dragons." Vimes listened. "They would never have survived at all except that their home swamps were isolated and short of predators. Not that a dragon made good eating, anyway-once you'd taken away the leathery skin and the enormous flight muscles, what was left must have been like biting into a badly-run chemical factory. No wonder dragons were always ill. They relied on permanent stomach trouble for supplies of fuel. Most of their brain power was taken up with controlling the complexities of then-digestion, which could distill flame-producing fuels from the most unlikely ingredients. They could even rearrange their internal plumbing overnight to deal with difficult processes. They lived on a chemical knife-edge the whole time. One misplaced hiccup and they were geography. And when it came to choosing nesting sites, the females had all the common sense and mothering instinct of a brick." Vimes wondered why people had been so worried about dragons in the olden days. If there was one in a cave near you, all you had to do was wait until it self-ignited, blew itself up, or died of acute indigestion.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
The sparkling smile became enormous. ‘Do you think she has a dagger there? Do you? Ask her, M. Francis? For,’ said the most noble and most powerful Princess Mary Stewart, Queen of Scotland, delving furiously under all the stiff red velvet, showing shift, hose and garters, shoes, knees and a long ribboned end of something recently torn loose, and emerging therefrom with a fist closed tight on an object short and hard and glittering, ‘for I have!’ And breathlessly, flinging back her head, with the little knife offered like a quill, ‘Try to stab me!’ she encouraged her visitor. There was a queer silence, during which the eyes of Oonagh O’Dwyer and her love of one night met and locked like magnet and iron. The child, waiting a moment, offered again, the ringing, joyful defiance still in her voice. ‘Try to stab me! … Go on, and I’ll kill you all dead!’ Her throat dry, Oonagh spoke. ‘Save your steel for those you trust. They are the ones who will carry your bier; the men who cannot hate, nor can they know love. Send away the cold servants.’ The red mouth had opened a little; the knife hung forgotten in her hand. ‘I would,’ said Mary, surprised. ‘But I do not know any.’ And, anxiously demonstrating her point, she caught Lymond by the hand.
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
WORTH IT? It is no credit to our phase of civilization if it is fear rather than ambition that drives most of those who bankrupt themselves on the vanities, or who end up under the surgeon's knife. It is the fear of falling short, of being inadequate in the eyes of others, including loved ones. [...] It is unfitting, one might say, improper, treating one's owm body as a tool rather than a part of oneself. [...] The bottom line is that it dishonors ourselves, for we ought to think better of ourselves than that.
Simon Blackburn (Mirror, Mirror: The Uses and Abuses of Self-Love)
Ask a pig, sometime, about the trouble predicting the future from the past." "I stared at him, trying to decide if he was joking. "I've been short on prognosticating pigs." "Life is perfect for a pig," Ruc said. "Plenty of slops. A shed to keep off the rain. A good wallow. Every day for months a pig wakes up to the same perfect life. Sometimes for years. Then someone ties his hind legs together and cuts his throat while he squeals... The fact that my head's still attached at my neck doesn't mean no one's sharpening a knife.
Brian Staveley (Skullsworn (Chronicle of the Unhewn Throne, #4))
The summer getting is good, but no amount of talk or trade will encourage Mary to let any of the family up the trail, not today, today is important. The tables arranged in a circle. A bell placed under a special chair in the centre. Those lucky four allowed to come are dressed all in black like Mary and her husband. Mary stands on a box staring through a wall. It was her idea to remove the eyes from the white wolf portrait. It was beautiful and if Mary had of paid she might have thought twice before putting a knife to it, but it was a gift, Tabbot's has a secret admirer.
Bradley Heywood (Short Tales from Earth's Final Chapter: Book 2)
Stop staring at Kevin so much. You're making me fear for your life over here." "What do you mean?" "Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats." "Can you take the creepy down a level?" Aaron asked. "What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push." "I don't need a push," Neil said. "I'm fine on my own." "Seriously, how are you not bored of your hand by now?" "I'm done with this conversation," Neil said. "This and every future variation of it. [...]" The stadium door slammed open as Andrew showed up at last. He swept them with a wide-eyed look as if surprised to see them all there. "Kevin wants to know what's taking you so long. Did you get lost?" "Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...] "Wow, Nicky," Andrew said. "You start early." "Can you really blame me?" Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?" "You know I'd never hurt him. If he says yes-" "I said no." "Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-" He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. If Nicky so much as breathed wrong right now, Andrew would cut his lungs to ribbons, any and all consequences be damned. Neil wondered if Andrew's medicine would let him grieve, or if he'd laugh at Nicky's funeral too. Then he wondered if a sober Andrew would act any different. Was this Andrew psychosis or his medicine? Was he flying too high to understand what he was doing, or did his medicine only add a smile to Andrew's ingrained violence? [...] Andrew let go of Nicky and spun away. [...] Aaron squized Nicky's shoulder on his way out. Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all. "On second thought, you're not my type after all,” Nicky said [...]. "Don't let him get away with things like that." Nicky considered him for a moment, his smile fading into something small and tired. "Oh, Neil. You're going to make this so hard on yourself. Look, [...] Andrew is a little crazy. Your lines are not his lines, so you can get all huff and puff when he tramps across yours but you'll never make him understand what he did wrong. Moreover, you'll never make him care. So just stay out of his way." "He's like this because you let him get away with it," Neil said. [...] "That was my fault. [...] I said something I shouldn't have, and got what I deserved.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
it would be interesting in surgery if you could swallow the surgeon. You put the mechanical surgeon inside the blood vessel and it goes into the heart and “looks” around. (Of course the information has to be fed out.) It finds out which valve is the faulty one and takes a little knife and slices it out.
Richard P. Feynman (The Pleasure of Finding Things Out: The Best Short Works of Richard P. Feynman (Helix Books))
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.” “Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively. “We all did. Hop to it.” “What about Sam?” Tucker asked. “His woman is the one who got us into this.” “I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps. Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted. “He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.” “That hurt,” Sam said, turning back. “Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.” “Fat help you are,” Sam accused. “I could use a little confidence here.” Kyle snorted. “You don’t have a chance, buddy.” “Goin’ to meet your maker,” Gator added solemnly. Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.” “Have you ever actually used a sword before?” Kadan asked, all innocent. Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.” “You’re all a big help,” Sam said and stepped out into the hall. This was the biggest moment of his life. If they turned him down, he was lost.
Christine Feehan (Samurai Game (GhostWalkers, #10))
Ildiko shuddered.  Her hope to never again see or eat the Kai’s most beloved and revolting delicacy had been in vain.  When Brishen informed her that the dish was one of Serovek’s favorites, she resigned herself to another culinary battle with her food and put the scarpatine on the menu.  She ordered roasted potatoes as well, much to the head cook’s disgust. When servants brought out the food and set it on the table, Brishen leaned close and whispered in her ear.  “Revenge, wife?” “Hardly,” she replied, keeping a wary eye on the pie closest to her.  The golden top crust, with its sprinkle of sparkling salt, pitched in a lazy undulation.  “But I’m starving, and I have no intention of filling up on that abomination.” Their guest of honor didn’t share their dislike of either food.  As deft as any Kai, Serovek made short work of the scarpatine and its whipping tail, cleaved open the shell with his knife and took a generous bite of the steaming gray meat. Ildiko’s stomach heaved.  She forgot her nausea when Serovek complimented her.  “An excellent choice to pair the scarpatine with the potato, Your Highness.  They are better together than apart.” Beside her, Brishen choked into his goblet.  He wiped his mouth with his sanap.  “What a waste of good scarpatine,” he muttered under his breath. What a waste of a nice potato, she thought.  However, the more she thought on Serovek’s remark, the more her amusement grew. “And what has you smiling so brightly?”  Brishen stared at her, his lambent eyes glowing nearly white in the hall’s torchlight. She glanced at Serovek, happily cleaning his plate and shooting the occasional glance at Anhuset nearby.  Brishen’s cousin refused to meet his gaze, but Ildiko had caught the woman watching the Beladine lord more than a few times during dinner. “That’s us, you know,” she said. “What is us?” “The scarpatine and the potato.  Better together than alone.  At least I think so.” One of Brishen’s eyebrows slid upward.  “I thought we were hag and dead eel.  I think I like those comparisons more.”  He shoved his barely-touched potato to the edge of his plate with his knife tip, upper lip curled in revulsion to reveal a gleaming white fang. Ildiko laughed and stabbed a piece of the potato off his plate.  She popped it into her mouth and chewed with gusto, eager to blunt the taste of scarpatine still lingering on her tongue.
Grace Draven (Radiance (Wraith Kings, #1))
A large country house was likely to have a gun room, lamp room, still-room, pastry room, butler’s pantry, fish store, bakehouse, coal store, game larder, brewery, knife room, brush room, shoe room and at least a dozen more. Lanhydrock House in Cornwall had a room exclusively for dealing with bedpans. Another in Wales, according to Juliet Gardiner, had a room set aside for ironing newspapers. The grandest or oldest homes might also have a saucery, spicery, poultery, buttery and others of more exotic provenance, such as a ewery (a room for keeping water jugs; the word is somehow derived from aquaria), chandry (for candles), avenery (for game beasts), napery (for linen) and more.
Bill Bryson (At Home: A Short History of Private Life)
There have been ample opportunities since 1945 to show that material superiority in war is not enough if the will to fight is lacking. In Algeria, Vietnam and Afghanistan the balance of economic and military strength lay overwhelmingly on the side of France, the United States, and the Soviet Union, but the will to win was slowly eroded. Troops became demoralised and brutalised. Even a political solution was abandoned. In all three cases the greater power withdrew. The Second World War was an altogether different conflict, but the will to win was every bit as important - indeed it was more so. The contest was popularly perceived to be about issues of life and death of whole communities rather than for their fighting forces alone. They were issues, wrote one American observer in 1939, 'worth dying for'. If, he continued, 'the will-to-destruction triumphs, our resolution to preserve civilisation must become more implacable...our courage must mount'. Words like 'will' and 'courage' are difficult for historians to use as instruments of cold analysis. They cannot be quantified; they are elusive of definition; they are products of a moral language that is regarded sceptically today, even tainted by its association with fascist rhetoric. German and Japanese leaders believed that the spiritual strength of their soldiers and workers in some indefinable way compensate for their technical inferiority. When asked after the war why Japan lost, one senior naval officer replied that the Japanese 'were short on spirit, the military spirit was weak...' and put this explanation ahead of any material cause. Within Germany, belief that spiritual strength or willpower was worth more than generous supplies of weapons was not confined to Hitler by any means, though it was certainly a central element in the way he looked at the world. The irony was that Hitler's ambition to impose his will on others did perhaps more than anything to ensure that his enemies' will to win burned brighter still. The Allies were united by nothing so much as a fundamental desire to smash Hitlerism and Japanese militarism and to use any weapon to achieve it. The primal drive for victory at all costs nourished Allied fighting power and assuaged the thirst for vengeance. They fought not only because the sum of their resources added up to victory, but because they wanted to win and were certain that their cause was just. The Allies won the Second World War because they turned their economic strength into effective fighting power, and turned the moral energies of their people into an effective will to win. The mobilisation of national resources in this broad sense never worked perfectly, but worked well enough to prevail. Materially rich, but divided, demoralised, and poorly led, the Allied coalition would have lost the war, however exaggerated Axis ambitions, however flawed their moral outlook. The war made exceptional demands on the Allied peoples. Half a century later the level of cruelty, destruction and sacrifice that it engendered is hard to comprehend, let alone recapture. Fifty years of security and prosperity have opened up a gulf between our own age and the age of crisis and violence that propelled the world into war. Though from today's perspective Allied victory might seem somehow inevitable, the conflict was poised on a knife-edge in the middle years of the war. This period must surely rank as the most significant turning point in the history of the modern age.
Richard Overy (Why the Allies Won)
Is cooking dangerous?" Most would answer no. But what is a gas range but a short - range flame thrower? Any number of flammable materials might lie waiting beneath the average kitchen sink. Shelves lined with pots could weaken and fall in an avalanche of iron and steel. A butcher's knife could kill as easily as a dagger. Yet few people would consider cooking a dangerous profession, and indeed, the actual danger is remote. Anyone who has spent any time in a kitchen is familiar with the inherent risks, such as they are, and knows what can be done safely and what can't. Never throw water on an oil fire, keep the knife pointed away from your carotid artery, don't use rat poison when the recipe calls for parmesan cheese.
Hiroshi Sakurazaka (All You Need Is Kill)
She grabbed her shorts off the floor and stomped past me. “Fucking ugly bitch. Fucking asshole,” she muttered as she practically tripped in her rush to get to the stairs. King stood in the doorway. “And if I hear you ever talk shit about her again, I’ll find you and take that butterfly tattoo back.” “Oh yeah?” she shouted, stopping on the landing. “How the fuck are you going to do that?” King was in the doorway one second and an inch from her face the next. “I’ll tell you how,” he seethed. “I’m going to find you, and then I’m going to take my time carving those fucking butterfly wings from that nasty pussy of yours with my knife. Sleep on that before you decide to open that good for nothing dick-sucker of yours again.
T.M. Frazier (King (King, #1))
am so sick of it. All of it. I’m sick of my dad and his it’s-your-fault-for-wearing-a-skirt-that’s-too-short BS. I’m sick of people acting like I’m crazy. Anytime a woman gets mad or sad or emotional, boom, let’s put a big stamp on that feeling that says it isn’t valid. That it’s maybe even pathological. You know as many as 70 percent of women got diagnosed as hysterical by certain doctors back in the day? But what if none of them were Crazy Bitches? What if they were just tired? Tired of pretending everything was okay when it wasn’t, and living in a world that was designed to be against them, and being told to smile through the knife wounds. Maybe pretending to be okay in the middle of a tornado is the truly crazy thing.
Rachael Allen (Harley Quinn: Reckoning (DC Icons, #1))
A knife with a worn blade and a cracked wooden handle lay at his feet. Reflexively, he bent to pick it up, and recoiled from it as if from a coiled snake. Something screamed in the emptiness, something deeper than resentment and thoughts of water, food, and healing. He backed away from the knife and stumbled through the open door into the darkest night ever known.     We
Gene Wolfe (Return to the Whorl: The Final Volume of 'The Book of the Short Sun')
…the worshipers here are not likely to kill one another, they all offer the same sacrifice, and how the fat spits and the carcasses sizzle as God in the sublime heavens inhales the odors of all this carnage with satisfaction. Jesus pressed his lamb to his breast, unable to fathom why God could not be appeased with a cup of milk poured over His altar, that sap of life which passes from one being to another, or with a handful of wheat, the basic substance of immortal bread. Soon he will have to part with the old man’s generous gift, his for such a short time, the poor little lamb will not live to see the sun set this day, it is time to mount the stairs of the Temple, to deliver it to the knife and sacrificial fire, as if it were no longer worthy of existence or being punished…
José Saramago (The Gospel According to Jesus Christ)
The ragged cat drags its belly across where the grass is short and the stones are sharp, under the lilacs that have no flowers. The flower smell is gone and the white falls off the trees. Seeds, Lark says, little seeds with parachutes to fly them, Termite, all in your hair, and she runs her fingers through his hair, saying how long and how pretty. He wants the grass long and strong, sounding whispers when it moves, but the mower cuts it. The mower cuts and cuts like a yowling knife. He hears the mower cutting and smells the grass pouring out all over the ground, the green stain so sharp and wet it spills and spills. The mower cuts everything away and Nick Tucci follows the mower, cutting and cutting while the orange cat growls low to move its soft parts across the chipped sharp stones. Deep under the lilacs where no one sees, the orange cat waits for the roar to stop.
Jayne Anne Phillips (Lark & Termite)
Curiously, among the few survivors from this culinary onslaught is one that is most difficult to understand: the fish knife. Though it remains the standard instrument for dealing with fish of all kinds, no one has ever identified a single advantage conferred by its odd scalloped shape or worked out the original thinking behind it. There isn’t a single kind of fish that it cuts better or bones more delicately than a conventional knife does.
Bill Bryson (At Home: A Short History of Private Life)
Curiously, among the few survivors from this culinary onslaught is one that is most difficult to understand: the fish knife. Though it remains the standard instrument for dealing with fish of all kinds, no one has ever identified a single advantage conferred by its odd scalloped shape or worked out the original thinking behind it. There isn't a single kind of fish that it cuts better or bones more delicately than a conventional knife does.
Bill Bryson (At Home: A Short History of Private Life)
A friend of mine (Albert R. Hibbs)* suggests a very interesting possibility for relatively small machines. He says that, although it is a very wild idea, it would be interesting in surgery if you could swallow the surgeon. You put the mechanical surgeon inside the blood vessel and it goes into the heart and “looks” around. (Of course the information has to be fed out.) It finds out which valve is the faulty one and takes a little knife and slices it out.
Richard P. Feynman (The Pleasure of Finding Things Out: The Best Short Works of Richard P. Feynman (Helix Books))
The marquess held the weapon out, as formally as if he were passing a sword. Soberly, Ned accepted it. He placed the sacrificial citrus on the table in front of him, and then with one careful incision, eviscerated it. He speared deep into its heart, his hands steady, and then cut it to pieces. Jenny allotted herself one short moment of wistful sorrow for her afterdinner treat gone awry as the juice ran everywhere. “Enough.” She reached out and covered his hand midstab. “It’s dead now,” she explained gravely. He pulled his hand away and nodded. Lord Blakely took back his knife and cleaned it with a handkerchief. Jenny studied the corpse. It was orange. It was pulpy. It was going to be a mess to clean up. Most importantly, it gave her an excuse to sit and think of something mystical to say—the only reason for this exercise, really. Lord Blakely demanded particulars. But in Jenny’s profession, specifics were the enemy.
Courtney Milan (Proof by Seduction (Carhart, #1))
You hwill follow me!” You did not disobey someone who added h’s to their w’s. Clara and Nutcracker hurried after Mother Svetlana, who could glide down the hall with extreme grace for someone her size. Nuns rushed past them in frocks of beige, their starched wimples brushing Clara. Mother Svetlana parted them like the Red Sea. Something flashed in one of their hands—a butcher knife? “How dare these ungodly creatures assault a house of the Lord!” Mother Svetlana’s voice filled to the arches. “Hwe are hwomen of peace!” “Yes…” Nutcracker eyed a short nun who scampered past with an ax. She looked positively gleeful. “Hwe hwill hold the rats off, with God’s help,” Mother Svetlana continued. Down the hall, gunshots sounded, echoing through the gardens. A nun rushed past, carrying an eye-stinging bucket of lye. Another feeble old woman scuttled past with a huge rifle, gleefully squeaking: Lawks, lawks, I’m just a little old nun!
Heather Dixon Wallwork (The Enchanted Sonata)
One does not need education to be intelligent, and these men might be short on what educated men use in the way of information, but their wits were sharp, their minds were alert, they were prepared to move, to change, to adapt at the slightest need. “All about them were conditions and circumstances to which they must adjust, attack by Indians or outlaw trappers was an ever-present danger, they lived on the very knife-edge of reality, and when this is so, the mind becomes a beautifully tuned instrument.
Louis L'Amour (The Lonesome Gods)
It is easier to leave right after the prayers are prayed, right after somebody meets Jesus, while the tears are still fresh and the hope is solid enough to cut with a knife. While everyone is doing okay, taking pictures that we can take home and cling to, framing the ones where everyone is smiling. We, the do-gooders, stay for a short while, because we crave the knowledge that we have done something of value in the world. And we leave before we have a chance to see how poor in relationships we really are.
D.L. Mayfield (Assimilate or Go Home: Notes from a Failed Missionary on Rediscovering Faith)
About me as a drinker: I wasn't much of one and had a short, bad history of doing it. The few times I'd tried drinking I either became too much like myself or not enough, but either way it was always calamity on top of calamity and I found myself saying way too much about too little and doing the wrong things in the wrong places. Once, at my boss's Christmas party, I passed out for a minute - passed out but still, like a zombie, remained fully ambulatory and mostly functional - and when I came to, I found myself in my boss's kitchen, the refrigerator door open and me next to it at the counter, spreading mayonnaise onto two slices of wheat bread and licking the knife after each pass before I stuck it back in the jar. I heard someone cough or gag, looked up, and saw the kitchen's population staring at me, all of their mouths open and slack, obviously wondering what I thought I was doing, exactly, and all I could think to say was, "Sandwich." Which is what I said. And then, to prove my point, whatever the point was, I ate it. The sandwich, that is.
Brock Clarke (An Arsonist's Guide to Writers' Homes in New England)
A song about my life If there were to be a song ‘bout my life It would sting like a bee It would cut like a knife If there were to be a song ‘bout my life It would dig deep Scratch old wounds and make them bleed If there were to be a song ‘bout my life It would be quite a burden to carry Painful and heavy If there were to be a song ‘bout my life It could be labelled ‘Titanic’ The unsinkable ship that sinks If there were to be a song ‘bout my life It would be an incomplete one Short of words and unsung I guess this is how it ends
Aman Kumar (A Book of Poems)
Arin nearly got his throat cut. “The god of life preserve you,” Cheat gasped. He staggered back, his knife glinting in the shadows of his small bedroom. “What the hell are you doing here? Breaking into my home like a thief in the night. Climbing through the window. You’re lucky I saw your face in time.” “There’s something I have to tell you.” “Start with why you couldn’t come by the auction house at a decent hour. I thought you had a free pass. What about the girl’s seal ring?” “Unavailable.” Cheat squinted up at Arin, tapping the flat of the short blade against his thigh. In the dim light of a streetlamp, a slow grin spread across his face. “Had a falling-out with your lady, did you? A lovers’ quarrel?” Arin felt his face go dark and tight. “Easy, lad. Just tell me: are the rumors true?” “No.” “All right.” Cheat held up his hands as if in surrender, the knife held loosely. “If you say they’re not, they’re not.” “Cheat. I broke curfew, scaled the general’s wall, and stole through a guarded city to speak with you. Don’t you think we have more important things to discuss than Valorian gossip?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Be big enough to offer the truth to people and if it short circuits them I think that's tragic. I think that's sad but, I will not strike no unholy bargains to self erase. I wont do it. I don't care how many people fucked up their lives. I don't care how many bad choices people have made. I don't care how much pettiness they've consumed and spat out. I don't care how much viciousness , rage, abuse, spanking they've dealt out. I am gonna tell the truth as I see it and I'm going to be who I fucking am and if that causes the world to shift in it's orbit and half the evil people get thrown off the planet and up into space well, you shouldn't of been standing in evil to begin with because, there is gravity in goodness. So, sorry; I have to be who I am. Everyone ells is taken. There is no other place I can go than in my own head. I can't jump from skull to skull until I find one that suits bad people around me better. I don't have that choice. So, be your fucking self. Speak your truth and if there are people around you who tempt you with nonexistence , blast through that and give them the full glory of who you are. Do not withhold yourself from the world. Do not piss on the incandescent gift of your existence. Don't drown yourself in the petty fog and dustiness of other peoples ancient superstitions, beliefs, aggressions, culture, and crap. No, be a flare. We're all born self expressive. We are all born perfectly comfortable with being incredibly inconvenient to our parents. We shit, piss, wake up at night, throw up on their shoulders, scream, and cry. We are in our essence, in our humanity, perfectly comfortable with inconveniencing others. That's how we are born. That's how we grow. That's how we develop. Well, I choose to retain the ability to inconvenience the irrational. You know I had a cancer in me last year and I'm very glad that the surgeons knife and the related medicines that I took proved extremely inconvenient to my cancer and I bet you my cancer was like "Aw shit. I hate this stuff man." Good. I'm only alive because medicine and surgery was highly inconvenient to the cancer within me. That's the only reason I'm alive. So, be who you are. If that's inconvenient to other people that's their goddamn business, not yours. Do not kill yourself because other people are dead. Do not follow people into the grave. Do not atomize yourself because, others have shredded themselves into dust for the sake of their fears and their desire to conform with the history of the dead.
Stefan Molyneux
set off on her journey to his country. Then the queen, her mother, packed up a great many costly things—jewels, and gold, and silver, trinkets, fine dresses, and in short, everything that became a royal bride; for she loved her child very dearly; and she gave her a waiting-maid to ride with her, and give her into the bridegroom's hands; and each had a horse for the journey. Now the princess' horse was called Falada, and could speak. When the time came for them to set out, the old queen went into her bed-chamber, and took a little knife, and cut off a lock of her hair, and gave it to her daughter, saying, "Take care of it, dear child; for it is a charm that may be
Jacob Grimm (Grimm's Fairy Stories)
IT IS NOT often that anyone entering a great city for the first time has the luck to witness such an incident as engaged Shelley’s attention when he drove into Naples. A youth ran out of a shop pursued by a man armed with a knife. The man overtook him and with one blow in the neck laid him dead on the road. Shelley had a tender heart. He didn’t look upon it as a bit of local colour; he was seized with horror and indignation. But when he expressed his emotions to a Calabrian priest who was travelling with him, a fellow of gigantic strength and stature, the priest laughed heartily and attempted to quiz him. Shelley says he never felt such an inclination to beat anyone.
W. Somerset Maugham (Collected Short Stories: Volume 1 of 4)
In addition to the ax, knife, quiver, and arrows, Ötzi had shoes, clothing, two birchbark canisters, a sheath, a bowstave, miscellaneous small tools, some berries, a piece of ibex meat, and two spherical lumps of birch fungus, each about the size of a large walnut and carefully threaded with sinew. One of the canisters had contained glowing embers wrapped in maple leaves, for starting fires. Such an assemblage of personal effects was unique. Some of the items were, as it were, really unique in that they had never been imagined, much less seen. The birch fungus was a particular mystery because it was obviously treasured, and yet birch fungus is not known to be good for anything.
Bill Bryson (At Home: A Short History of Private Life)
I shall expose and reopen all the wounds which have already healed. Someone will object: ‘What kind of consolation is this, to bring back forgotten ills and to set the mind in view of all its sorrows when it can scarcely endure one?’ But let him consider that those disorders which are so dangerous that they have gained ground in spite of treatment can generally be treated by opposite methods. Therefore I shall offer to the mind all its sorrows, all its mourning garments: this will not be a gentle prescription for healing, but cautery and the knife. What shall I achieve? That a soul which has conquered so many miseries will be ashamed to worry about one more wound in a body which already has so many scars.
Seneca (On the Shortness of Life)
If You're Gonna Be Dumb, You Gotta Be Tough" If your gonna be dumb, you gotta be tough When you get knocked down you gotta get back up, If your gonna be dumb, you gotta be tough When you get knocked down you gotta get back up, I ain't the sharpest knife in the drawer but I know enough, to know, If your gonna be dumb, you gotta be tough I lit my brain with Rot-Gut whiskey 'Till all my pain was chicken fried And I had dudes with badges frisk me Teach me how to swallow pride I took advice no fool would take I got some habits I can't shake I ain't the sharpest knife in the drawer, but I know enough to know If you're gonna be dumb, you gotta be tough If you're gonna be dumb, you gotta be tough When you get knocked down, you gotta get back up That's the way it is in life and love If you're gonna be dumb, you gotta be tough I've been up and down and down and out I've been left and right and wrong Well I've walked the walk and I've run my mouth I've been on the short end for too long But if they gave medals for honky tonk wars Hell, I'd keep mine in my chest of drawers With my IRS bills and divorce papers and all that stuff If you're gonna be dumb, you gotta be tough If you're gonna be dumb, you gotta be tough When you get knocked down, you gotta get back up I ain't the sharpest knife in the drawer, but I know enough to know If you're gonna be dumb, you gotta be tough If you're gonna be dumb you gotta be tough
Karen O
Approaching the trail, he broke through the thicket a short distance ahead of the Empath. Causing the Empaths horse to startle as the surprised rider jerked on the reins. Cap was equally surprised to find a young girl before him instead of an older, experienced male Empath. Cap brought his horse to a quick halt. The young girl pulled a small knife from her boot and cautioned him. "I don't know where you came from, but I'm not easy prey.” Her voice shook slightly with fear as she raised the knife. Not sure how to proceed, they stared silently at each other. Cap had always believed that Empaths didn't carry weapons. This pretty, chestnut haired girl couldn't be more than 18 years old. Her long straight tresses covered the spot on her jacket where the Empathic Emblem was usually worn, causing Cap to doubt she was the one he sought. Not wanting to frighten her any more than he already had, Cap tried to explain. "I'm Commander Caplin Taylor. I’m looking for an Empath that is headed for the Western Hunting Lodge.” "My name is Kendra; I am the Empath you seek.” She answered cautiously, still holding the blade. A noise from the brush drew her attention as a small rodent pounced out, trying to evade an unseen predator. Cap was just close enough to lurch forward and snatch the dirk from her hand. Her head jerked back in alarm. "Bosen May has been mauled by a Sraeb, his shoulder is a mass of pulp." Cap spoke quickly not wanting to hesitate any longer. That was all Kendra needed to hear. She pushed her horse past him and headed quickly down the trail. "Wait!" Cap called after her, turning his horse around. Reining in the horse, she turned back to face him annoyed by the delay. "Are you a good horseman?" Cap asked, as he stuffed her dirk in his jacket. "I've been in the saddle since I was a child." She answered, abruptly. "Okay so just a few years then?" Cap's rebuke angered her. Jerking the horse back toward the trail, she ignored him. "Wait, I'm sorry!" Cap called after her. "It's just that I know a quicker way, if you can handle some rough terrain." "Let’s go then." Kendra replied, gruffly, turning back to face him. Without another word, Cap dove back into the brush and the girl followed.
Alaina Stanford (Tempest Rise (Treborel, #1))
That accounts for his crying so. Poor creature!” ”Well--you must do the sticking--there's no help for it. I'll showyou how. Or I'll do it myself--I think I could. Though as it issuch a big pig I had rather Challow had done it. However, his basketo' knives and things have been already sent on here, and we can use'em.” ”Of course you shan't do it,” said Jude. ”I'll do it, since it mustbe done.” He went out to the sty, shovelled away the snow for the space of acouple of yards or more, and placed the stool in front, with theknives and ropes at hand. A robin peered down at the preparationsfrom the nearest tree, and, not liking the sinister look of thescene, flew away, though hungry. By this time Arabella had joinedher husband, and Jude, rope in hand, got into the sty, and noosed theaffrighted animal, who, beginning with a squeak of surprise, rose torepeated cries of rage. Arabella opened the sty-door, and togetherthey hoisted the victim on to the stool, legs upward, and while Judeheld him Arabella bound him down, looping the cord over his legs tokeep him from struggling. The animal's note changed its quality. It was not now rage, but thecry of despair; long-drawn, slow and hopeless. ”Upon my soul I would sooner have gone without the pig than have hadthis to do!” said Jude. ”A creature I have fed with my own hands.” ”Don't be such a tender-hearted fool! There's the sticking-knife--the one with the point. Now whatever you do, don't stick un toodeep.” ”I'll stick him effectually, so as to make short work of it. That'sthe chief thing.” ”You must not!” she cried. ”The meat must be well bled, and to dothat he must die slow. We shall lose a shilling a score if the meatis red and bloody! Just touch the vein, that's all. I was broughtup to it, and I know. Every good butcher keeps un bleeding long.He ought to be eight or ten minutes dying, at least.” ”He shall not be half a minute if I can help it, however the meat maylook,” said Jude determinedly. Scraping the bristles from the pig'supturned throat, as he had seen the butchers do, he slit the fat;then plunged in the knife with all his might. ”'Od damn it all!” she cried, ”that ever I should say it! You'veover-stuck un! And I telling you all the time--” ”Do be quiet, Arabella, and have a little pity on the creature!
Thomas Hardy (Jude the Obscure)
...he could do anything he liked with a woman. The ContrOleur could not imagine what it was they saw in him. He was casual with them and rather brutal. He took what they gave him, but seemed incapable of gratitude. He used them for his pleasure and then flung them indifferently away. Once or twice this had got him into trouble, and Mr Gruyter had had to sentence an angry father for sticking a knife in Ginger Ted’s back one night, and a Chinese woman had sought to poison herself by swallowing opium because he had deserted her. Once Mr Jones came to the ContrOleur in a great state because the beachcomber had seduced one of his converts. The ContrOleur agreed that it was very deplorable, but could only advise Mr Jones to keep a sharp eye on these young persons.
W. Somerset Maugham (65 Short Stories)
Serafina had thought Mrs. Coulter beautiful, for a short-life; but Ruta Skadi was as lovely as Mrs. Coulter, with an extra dimension of the mysterious, the uncanny. She had trafficked with spirits, and it showed. She was vivid and passionate, with large black eyes; it was said that Lord Asriel himself had been her lover. She wore heavy gold earrings and a crown on her black curly hair ringed with the fangs of snow tigers. Serafina’s dæmon, Kaisa, had learned from Ruta Skadi’s dæmon that she had killed the tigers herself in order to punish the Tartar tribe who worshiped them, because the tribesmen had failed to do her honor when she had visited their territory. Without their tiger gods, the tribe declined into fear and melancholy and begged her to allow them to worship her instead, only to be rejected with contempt; for what good would their worship do her? she asked. It had done nothing for the tigers. Such was Ruta Skadi: beautiful, proud, and pitiless.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
Angels! Halt and listen to me! I am the witch Ruta Skadi, and I want to talk to you!” They turned. Their great wings beat inward, slowing them, and their bodies swung downward till they were standing upright in the air, holding their position by the beating of their wings. They surrounded her, five huge forms glowing in the dark air, lit by an invisible sun. She looked around, sitting on her pine branch proud and unafraid, though her heart was beating with the strangeness of it, and her dæmon fluttered to sit close to the warmth of her body. Each angel-being was distinctly an individual, and yet they had more in common with one another than with any human she had seen. What they shared was a shimmering, darting play of intelligence and feeling that seemed to sweep over them all simultaneously. They were naked, but she felt naked in front of their glance, it was so piercing and went so deep. Still, she was unashamed of what she was, and she returned their gaze with head held high. “So you are angels,” she said, “or Watchers, or bene elim. Where are you going?” “We are following a call,” said one. She was not sure which one had spoken. It might have been any or all of them at once. “Whose call?” she said. “A man’s.” “Lord Asriel’s?” “It may be.” “Why are you following his call?” “Because we are willing to,” came the reply. “Then wherever he is, you can guide me to him as well,” she ordered them. Ruta Skadi was four hundred and sixteen years old, with all the pride and knowledge of an adult witch queen. She was wiser by far than any short-lived human, but she had not the slightest idea of how like a child she seemed beside these ancient beings. Nor did she know how far their awareness spread out beyond her like filamentary tentacles to the remotest corners of universes she had never dreamed of; nor that she saw them as human-formed only because her eyes expected to. If she were to perceive their true form, they would seem more like architecture than organism, like huge structures composed of intelligence and feeling. But they expected nothing else: she was very young.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
This skirmish with Beaverbrook was mostly stage combat. Having been friends for so long, they knew well how to jolt each other’s composure, and when to stop. This was one reason Churchill liked having Beaverbrook in his government and found such value in his near-daily presence. Beaverbrook was never predictable. Exasperating, yes, but always a source of energy and cold-eyed clarity, with a mind like an electric storm. Both men took a certain delight in dictating letters to each other. To both it was like acting—Churchill strutting about in his gold-dragon nightclothes and jabbing the air with a dead cigar, savoring the sound and feel of words; Beaverbrook like a knife thrower at a carnival, hurling whatever cutlery came to hand. The physical character of the resulting letters revealed the men’s contrapuntal natures. Where Churchill’s paragraphs were long and precisely worded, full of complex grammatical structures and historical allusions (in one note to Beaverbrook he used the word “ichthyosaurus”), each of Beaverbrook’s paragraphs was a single, brief knife thrust serrated with short, crisp words, not so much savored as sputtered.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Even if we act to erase material poverty, there is another greater task; it is to confront the poverty of satisfaction – purpose and dignity – that afflicts us all. Too much and for too long, we seemed to have surrendered personal excellence and community values in the mere accumulation of material things. Our Gross National Product, now, is over $800 billion a year, but that Gross National Product … counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl. It counts napalm and counts nuclear warheads and armored cars for the police to fight the riots in our cities. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the Gross National Product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country. It measures everything in short, except that which makes life worthwhile.
Nic Marks (The Happiness Manifesto)
There is no solution for Europe other than deepening the democratic values it invented. It does not need a geographical extension, absurdly drawn out to the ends of the Earth; what it needs is an intensification of its soul, a condensation of its strengths. It is one of the rare places on this planet where something absolutely unprecedented is happening, without its people even knowing it, so much do they take miracles for granted. Beyond imprecation and apology, we have to express our delighted amazement that we live on this continent and not another. Europe, the planet's moral compass, has sobered up after the intoxication of conquest and has acquired a sense of the fragility of human affairs. It has to rediscover its civilizing capabilities, not recover its taste for blood and carnage, chiefly for spiritual advances. But the spirit of penitence must not smother the spirit of resistance. Europe must cherish freedom as its most precious possession and teach it to schoolchildren. It must also celebrate the beauty of discord and divest itself of its sick allergy to confrontation, not be afraid to point out the enemy, and combine firmness with regard to governments and generosity with regard to peoples. In short, it must simply reconnect with the subversive richness of its ideas and the vitality of its founding principles. Naturally, we will continue to speak the double language of fidelity and rupture, to oscillate between being a prosecutor and a defense lawyer. That is our mental hygiene: we are forced to be both the knife and the wound, the blade that cuts and the hand that heals. The first duty of a democracy is not to ruminate on old evils, it is to relentlessly denounce its present crimes and failures. This requires reciprocity, with everyone applying the same rule. We must have done with the blackmail of culpability, cease to sacrifice ourselves to our persecutors. A policy of friendship cannot be founded on the false principle: we take the opprobrium, you take the forgiveness. Once we have recognized any faults we have, then the prosecution must turn against the accusers and subject them to constant criticism as well. Let us cease to confuse the necessary evaluation of ourselves with moralizing masochism. There comes a time when remorse becomes a second offence that adds to the first without cancelling it. Let us inject in others a poison that has long gnawed away at us: shame. A little guilty conscience in Tehran, Riyadh, Karachi, Moscow, Beijing, Havana, Caracas, Algiers, Damascus, Yangon, Harare, and Khartoum, to mention them alone, would do these governments, and especially their people, a lot of good. The fines gift Europe could give the world would be to offer it the spirit of critical examination that it has conceived and that has saved it from so many perils. It is a poisoned gift, but one that is indispensable for the survival of humanity.
Pascal Bruckner (The Tyranny of Guilt: An Essay on Western Masochism)
For many years,Rides the Wind cared only for Walks the Fire. Together they read this Book she speaks of.My daughter has told me of this.Walks the Fire would tel the words in the Book. Rides the Wind repeated them,then he would tell how the words would help him in the hunt or in the council.Walks the Fire listened as he spoke. She respected him.She did as he said." As Talks a Lot spoke,the people remembered the years since Walks the Fire had come to them.Many among them recalled kindness beyond the saving of Hears Not.Many regretted the early days, when they had laughed at the white woman.They remembered Prairie Flower and Old One teaching her,and many could recall times when some new stew was shared with their family or a deerskin brought in by Rides the Wind found its way to their tepee. Prairie Flower's voice was added to the men's. "Even when no more sons or daughters came to his tepee-even then, Rides the Wind wanted only Walks the Fire." She turned to look at Running Bear, another elder, "Even when you offered your own beautiful daugher, Rides the Wind wanted only Walks the Fire.This is true. My father told me. When he walked the earth,Rides the Wind wanted only Walks the Fire.Now that he lies upon the earth,you must know that he would say, 'Do this for her.'" Jesse had continued to dig into the earth as she listened. When Prairie Flower told of the chief's having offered his daughter,she stopped for a moment.Her hand reached out to lovingly caress the dark head that lay so still under the clear sky.Rides the Wind had never told her of this.She had been afraid that he might take another wife when it became evident they would have no children.Now she knew that he had chosen her alone-even in the face of temptation. From the women's group there was movement. Prairie Flower stepped forward, her digging tool in her hand. Defiantly she sputtered, "She is my friend..." and stalked across the short distance to the shallow grave. Dropping to her knees beside Jesse, she began attacking the earth.Ferociously she dug.Jesse followed her lead, as did Old One.They began again,three women working side by side.And then there were four women,and then five, and six, until a ring of many women dug together. The men did nothing to stop them, and Running Bear decided what was to be done. "We will camp here and wait for Walks the Fire to do what she must. Tonight we will tell the life of Rides the Wind around the fire.Tomorrow, when this is done, we will move on." And so it was.Hours later Rides the Wind, Lakota hunter, became the first of his village to be laid in a grave and mourned by a white woman. Before his body was lowered into the earth, Jesse impulsively took his hunting knife, intending to cut off the two thick, red braids that hung down her back. It seemed so long ago that Rides the Wind had braided the feathers and beads in, dusting the part.Had it really been only this morning? He had kissed her,too, grumbling about the white man's crazy ways.Jesse had laughed and returned his kiss.
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
I don’t know why you’re doing this!” “Well.” Halim busied himself putting away the salt and the herbs. “There’s the mystery, of course. But also…” “Also?” “I would like to save you.” He looked slightly embarrassed by the admission. “I have never been of much use to anyone, you see.” “I’m not exactly a fair maiden to be saved by a questing knight,” she said. “It’s not as if I’m beautiful.” “No,” said Halim. “I know I should say you are, because that would be chivalrous. But I’m not handsome, either, and I’m not rich, and men don’t feel the slightest urge to follow me into battle, and I already told you about the tourneys , so I’ve failed on most counts as a knight. It would be nice to do something and not fail at it. And you’re…um.” He shrugged. “Interesting. And sad.” Toadling had been sad for a long time, but she was not used to being interesting. She had been nearly invisible for so long in her father’s house that it surprised her. “Interesting,” she said. “Huh.” “And you look a bit like my friend Faizan used to, when he’d done something wrong and was waiting for his mother to find out,” said Halim. “His mother was much fiercer than mine. But he always said the dread was the worst.” The words slipped under her ribs like the blessed knife had not. Toadling’s breath came out in a short, pained huff. He was not wrong. She had lived in dread for two hundred years. He was going to climb the tower, and she could think of no way to stop him. And inside, some tiny mad voice was saying, Perhaps it will be alright. “Tomorrow,” she said shortly. “Bring the knife.
T. Kingfisher (Thornhedge)
Gilan," Will said. "I've been thinking...." Gilan raised his eyebrows to heaven in mock despair. Again the expression reminded Will forcefully of Halt. "Always a problem," said the Ranger. "And what, pray tell, have you been thinking?" "Well," began Will slowly, "this double knife business is all well and good. But wouldn't it be better just to shoot the swordsmen before he got to close quarters?" "Yes, Will. It certainly would," Gilan agreed patiently. "But what if you were about to do that and your bowstring broke?" "I could run and hide," he suggested, but Gilan pressed him. "What if there were nowhere to run? You're trapped against a sheer cliff. Nowhere to go. Your bowstring just broke and an angry swordsman is coming at you. What then?" Will shook his head. "I suppose I'd have to fight," he admitted reluctantly. "Exactly," Gilan agreed. "We avoid close combat whenever possible. But if the time comes when there's no other choice, it's a good idea to be prepared, isn't it?" "I guess," Will said. Then Horace chimed in with a question. "What about an axman?" he said. Gilan looked at him, nonplussed for a moment. "An axman?" he asked. "Yes," said Horace, warming up to his theme. "What about if you're facing an enemy with a battleax? Do your knives work then?" Gilan hesitated. "I wouldn't advise anyone to face a battleax with just two knives," he said carefully. "So what should I do?" Will joined in. Gilan glared from one boy to the other. He had the feeling he was being set up. "Shoot him," he said shortly. Will shook his head, grinning. "Can't," he said. "My bowstring's broken." "Then run and hide," said Gilan, between gritted teeth. "But there's a cliff," Horace pointed out. "A sheer drop behind him and an angry axman coming at him." "What do I do?" prompted Will. Gilan took a deep breath and looked them both in the eye, one after the other. "Jump off the cliff. It'll be less messy that way.
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
[...] Kevin had grown up playing left-handed. Seeing him take on Andrew right-handed was ballsy enough, seeing him actually score was surreal. Kevin kicked them off the court [...], but instead of following [...] he stayed behind with Andrew to keep practicing. Neil watched them over his shoulder. "I saw him first," Nicky said. "I thought you had Erik," Neil said. "I do, but Kevin's on the List," Nicky said. When Neil frowned, Nicky explained. "It's a list of celebrities we're allowed to have affairs with. Kevin is number three." Neil pretended to understand and changed the topic. "How does anyone lose against the Foxes with Andrew in your goal?" "He's good, right? [...] Coach bribed Andrew into saving our collective asses with some really nice booze." "Bribed?" Neil echoed. "Andrew's good," Nicky said again, "but it doesn't really matter to him if we win or lose. You want him to care, you gotta give him incentive." "He can't play like that and not care." "Now you sound like Kevin. You'll find out the hard way, same as Kevin did. Kevin gave Andrew a lot of grief this spring [...]. Up until then they were fighting like cats and dogs. Now look at them. They're practically trading friendship bracelets and I couldn't fit a crowbar between them if it'd save my life." "But why?" Neil asked. "Andrew hates Kevin's obsession with Exy." "The day they start making sense to you, let me know," Nicky said [...]. "I gave up trying to sort it all out weeks ago. [...] But as long as I'm doling out advice? Stop staring at Kevin so much. You're making me fear for your life over here." "What do you mean?" "Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats." "Can you take the creepy down a level?" Aaron asked. "What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push." "I don't need a push," Neil said. "I'm fine on my own." "Seriously, how are you not bored of your hand by now?" "I'm done with this conversation," Neil said. "This and every future variation of it [...]." The stadium door slammed open as Andrew showed up at last. [...] "Kevin wants to know what's taking you so long. Did you get lost?" "Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...] "Wow, Nicky," Andrew said. "You start early." "Can you really blame me?" Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?" "You know I'd never hurt him. If he says yes-" "I said no." "Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-" He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. [...] "Hey, are we playing or what?" Neil asked. "Kevin's waiting." [...] Andrew let go of Nicky and spun away. [...] Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all. "On second thought, you're not my type after all [...].
Nora Sakavic (The Foxhole Court (All for the Game, #1))
The Rabbit The rabbit wanted to grow. God promised to increase his size if he would bring him the skins of a tiger, of a monkey, of a lizard, and of a snake. The rabbit went to visit the tiger. “God has let me into a secret,” he said confidentially. The tiger wanted to know it, and the rabbit announced an impending hurricane. “I’ll save myself because I’m small. I’ll hide in some hole. But what’ll you do? The hurricane won’t spare you.” A tear rolled down between the tiger’s mustaches. “I can think of only one way to save you,” said the rabbit. “We’ll look for a tree with a very strong trunk. I’ll tie you to the trunk by the neck and paws, and the hurricane won’t carry you off.” The grateful tiger let himself be tied. Then the rabbit killed him with one blow, stripped him, and went on his way into the woods of the Zapotec country. He stopped under a tree in which a monkey was eating. Taking a knife, the rabbit began striking his own neck with the blunt side of it. With each blow of the knife, a chuckle. After much hitting and chuckling, he left the knife on the ground and hopped away. He hid among the branches, on the watch. The monkey soon climbed down. He examined the object that made one laugh, and he scratched his head. He seized the knife and at the first blow fell with his throat cut. Two skins to go. The rabbit invited the lizard to play ball. The ball was of stone. He hit the lizard at the base of the tail and left him dead. Near the snake, the rabbit pretended to be asleep. Just as the snake was tensing up, before it could jump, the rabbit plunged his claws into its eyes. He went to the sky with the four skins. “Now make me grow,” he demanded. And God thought, “The rabbit is so small, yet he did all this. If I make him bigger, what won’t he do? If the rabbit were big, maybe I wouldn’t be God.” The rabbit waited. God came up softly, stroked his back, and suddenly caught him by the ears, whirled him about, and threw him to the ground. Since then the rabbit has had big ears, short front feet from having stretching them out to break his fall, and pink eyes from panic. (92)
Eduardo Galeano (Genesis (Memory of Fire Book 1))
Cansrel could sit with Fire and do something no one else could: give her lessons to improve the skill of her mind. They could communicate without saying a word, they could touch each other from opposite ends of the house. Fire’s true father was like her—was, in fact, the only person in the world like her. He always asked the same question when he first arrived: “My darling monster girl! Was anyone mean to you while I was gone?” Mean? Children threw stones at her in the road. She was tripped sometimes, slapped, taunted. People who liked her hugged her, but they hugged her too hard and were too free with their hands. And still, Fire learned very young to answer no to his question—to lie, and to guard her mind from him so he wouldn’t know she was lying. This was the beginning of another of her confusions, that she would want his visits so much but fall immediately to lying once he came. When she was four she had a dog she’d chosen from a litter born in Brocker’s stables. She chose him, and Brocker let her have him, because the dog had three functional legs and one that dragged, and would never be any use as a worker. He was inky gray and had bright eyes. Fire called him Twy, which was short for Twilight. Twy was a happy, slightly brainless fellow with no idea he was missing something other dogs had. He was excitable, he jumped around a lot, and had a tendency on occasion to nip his favorite people. And nothing worked him into a greater frenzy of excitement, anxiety, joy, and terror than the presence of Cansrel. One day in the garden Cansrel burst upon Fire and Twy unexpectedly. In confusion, Twy leapt against Fire and bit her more than nipped her, so hard that she cried out. Cansrel ran to her, dropped to his knees, and took her into his arms, letting her fingers bleed all over his shirt. “Fire! Are you all right?” She clung to him, because for just a moment Twy had scared her. But then, as her own mind cleared, she saw and felt Twy throwing himself against a pitch of sharp stone, over and over. “Stop, Father! Stop it!” Cansrel pulled a knife from his belt and advanced on the dog. Fire shrieked and grabbed at him. “Don’t hurt him, Father, please! Can’t you feel that he didn’t mean it?
Kristin Cashore (Fire)
...literature does its best to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant; it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself, with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks, investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances about them for which it has neither time nor liberty in health.
Virginia Woolf (On Being Ill)
literature does itsnbest to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant; it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself, with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks, investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances about them for which it has neither time nor liberty in health.
Virginia Woolf (On Being Ill)
You might well wonder how on earth, after all their countless betrayals and cruelties, men like Agathocles could sit safe on their thrones for years and even defend themselves against foreign enemies without their citizens ever conspiring against them; and this while many others, equally ready to use cruelty, weren’t even able to hold on to their power in peacetime, never mind in war. I think it’s a question of whether cruelty is well or badly used. Cruelty well used (if we can ever speak well of something bad) is short-lived and decisive, no more than is necessary to secure your position and then stop; you don’t go on being cruel but use the power it has given you to deliver maximum benefits to your subjects. Cruelty is badly used when you’re not drastic enough at the beginning but grow increasingly cruel later on, rather than easing off. A leader who takes the first approach has a chance, like Agathocles, of improving his position with his subjects and with God too; go the other way and you have no chance at all. It’s worth noting that when you take hold of a state, you must assess how much violence and cruelty will be necessary and get it over with at once, so as not to have to be cruel on a regular basis. When you’ve stopped using violence your subjects will be reassured and you can then win them over with generosity. If you don’t do all it takes at the beginning, because you were badly advised or didn’t have the nerve, then you’ll always have to be wielding the knife; and you’ll never be able to count on your subjects, since with all the violence you’re handing out they won’t be able to count on you. So get the violence over with as soon as possible; that way there’ll be less time for people to taste its bitterness and they’ll be less hostile. Favours, on the other hand, should be given out slowly, one by one, so that they can be properly savoured. Most of all, though, a ruler should have the kind of relationship with his subjects where nothing that can happen, good or bad, will force him to change his approach, because if hard times demand it, your cruelty will come too late, while any concessions you make will be seen as wrung out of you and no one will be impressed. 9 Monarchy with public support Now let’s turn to our second case, where a private citizen becomes king in his own country not by crime or unacceptable violence, but with the support of his fellow-citizens. We can call this a monarchy with public support and to become its king you don’t have to be wholly brilliant or extraordinarily lucky, just shrewd in a lucky way. Obviously, to take control of this kind of state you need the support of either the common people or the wealthy families, the nobles. In
Niccolò Machiavelli (The Prince)
A dark-haired young woman was waiting in the atrium by the fountain. When she saw Arin, her face filled with light and tears. He almost ran across the short space between them to gather her in his arms. “Sister or lover?” Kestrel said. The woman looked up from their embrace. Her expression hardened. She stepped away from Arin. “What?” “Are you his sister or lover?” She walked up to Kestrel and slapped her across the face. “Sarsine!” Arin hauled her back. “His sister is dead,” Sarsine said, “and I hope you suffer as much as she did.” Kestrel’s fingers went to her cheek to press against the sting--and cover a smile with the heels of her tied hands. She remembered the bruises on Arin when she had bought him. His surly defiance. She had always wondered why slaves brought punishment upon themselves. But it had been sweet to feel a tipping of power, however slight, when that hand had cracked across her face. To know, despite the pain, that for a moment Kestrel had been the one in control. “Sarsine is my cousin,” Arin said. “I haven’t seen her in years. After the war, she was sold as a house slave. I was a laborer, so--” “I don’t care,” Kestrel said. His shadowed eyes met hers. They were the color of the winter sea--the water far below Kestrel’s feet when she had looked down and imagined what it would be like to drown. He broke the gaze between them. To his cousin he said, “I need you to be her keeper. Escort her to the east wing, let her have the run of the suite--” “Arin! Have you lost your mind?” “Remove anything that could be a weapon. Keep the outermost door locked at all times. See that she wants for nothing, but remember that she is a prisoner.” “In the east wing.” Sarsine’s voice was thick with disgust. “She’s the general’s daughter.” “Oh, I know.” “A political prisoner,” Arin said. “We must be better than the Valorians. We are more than savages.” “Do you truly think that keeping your clipped bird in a luxurious cage will change how the Valorians see us?” “It will change how we see ourselves.” “No, Arin. It will change how everyone sees you.” He shook his head. “She’s mine to do with as I see fit.” There was an uneasy rustle among the Herrani. Kestrel’s heart sickened. She kept trying to forget this: the question of what it meant to belong to Arin. He reached for her, pulling her firmly toward him as her boots dragged and squeaked against the tiles. With the flick of a knife, he cut the bonds at her wrists, and the sound of leather hitting the floor was loud in the atrium’s acoustics--almost as loud as Sarsine’s choked protest. Arin let Kestrel go. “Please, Sarsine. Take her.” His cousin stared at him. Eventually, she nodded, but her expression made clear that she thought he was indulging in something disastrous.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Long story short, I got lured into a trap. A Mage using that concealment spell tried to knife me. Then someone else tried to blow my brains out with a bullet." "A Mage attacked you?" Alain asked, feeling a sick sensation inside. "She tried. I knew they'd been watching me. I didn't give them any reason to try to kill me." Mari looked at him. "Did I?" "It is my fault," Alain admitted. "Even though I have tried to keep them from finding out who you are, they still believe that you are dangerous." She gave him another look, then shook her head. "From the looks of things, I'm mainly dangerous to my friends and myself. Just how much trouble did you actually get in because of spending time with me in Dorcastle?" Alain looked into the fire. "My Guild did not believe that I had been with you in Dorcastle. The elders thought that the woman I had been seen with in that city was a common I had sought out because she researched the Mechanic I had met in Ringhmon." "Why would you want to find a common who looked like me?" Mari asked. "For physical satisfaction." The simple statement would have created no reaction in a Mage, but he saw the outraged look in Mari's face and hurriedly added more. "I would not have done that. But the elders assumed that I did. I told you that they believed I was attracted to you." "Alain, 'attracted to' doesn't bring to mind the idea of finding another woman who resembles me so that you can pretend that you're—" she choked off the words, glaring into the night. "The elders assumed that. I never wanted it. I would never do it. There is no other woman like you." Somehow he must have said the right thing, because she relaxed. "But because of that belief of theirs," Mari said, "your elders thought you might look for me again." "They actually thought that you would seek me," Alain explained. "They were very concerned that you would..." His "social skills" might need work, but Alain realized that he probably should not say the rest. Too late. Mari bent a sour look his way. "What did they think I would do?" "It is not important." "Alain..." He exhaled slowly, realizing that Mari would not give up on this question. "The elders thought that you would seek to ensnare me, using your physical charms, and through me work to strike at the Mage Guild." She stared back in disbelief. "Ensnare? They actually used the word ensnare?" "Yes. Many times." "Using my physical charms?" Mari seemed unable to decide whether to laugh or get angry. She looked down at herself. "I'm a little low on ammunition when it comes to physical charms, or hadn't these elders of yours noticed?" "You are beautiful beyond all other women," Alain objected. Mari rolled her eyes. "And you ate seriously deluded. I hadn't realized how badly until this moment.
Jack Campbell (The Hidden Masters of Marandur (The Pillars of Reality, #2))
The picture of human life in the market-place, though its general tint was the sad gray, brown, or black of the English emigrants, was yet enlivened by some diversity of hue. A party of Indians—in their savage finery of curiously embroidered deerskin robes, wampum-belts, red and yellow ochre, and feathers, and armed with the bow and arrow and stone-headed spear—stood apart with countenances of inflexible gravity, beyond what even the Puritan aspect could attain. Nor, wild as were these painted barbarians, were they the wildest feature of the scene. This distinction could more justly be claimed by some mariners—a part of the crew of the vessel from the Spanish Main—who had come ashore to see the humours of Election Day. They were rough-looking desperadoes, with sun-blackened faces, and an immensity of beard; their wide short trousers were confined about the waist by belts, often clasped with a rough plate of gold, and sustaining always a long knife, and in some instances, a sword. From beneath their broad-brimmed hats of palm-leaf, gleamed eyes which, even in good-nature and merriment, had a kind of animal ferocity. They transgressed without fear or scruple, the rules of behaviour that were binding on all others: smoking tobacco under the beadle's very nose, although each whiff would have cost a townsman a shilling; and quaffing at their pleasure, draughts of wine or aqua-vitae from pocket flasks, which they freely tendered to the gaping crowd around them. It remarkably characterised the incomplete morality of the age, rigid as we call it, that a licence was allowed the seafaring class, not merely for their freaks on shore, but for far more desperate deeds on their proper element. The sailor of that day would go near to be arraigned as a pirate in our own. There could be little doubt, for instance, that this very ship's crew, though no unfavourable specimens of the nautical brotherhood, had been guilty, as we should phrase it, of depredations on the Spanish commerce, such as would have perilled all their necks in a modern court of justice. But the sea in those old times heaved, swelled, and foamed very much at its own will, or subject only to the tempestuous wind, with hardly any attempts at regulation by human law. The buccaneer on the wave might relinquish his calling and become at once if he chose, a man of probity and piety on land; nor, even in the full career of his reckless life, was he regarded as a personage with whom it was disreputable to traffic or casually associate. Thus the Puritan elders in their black cloaks, starched bands, and steeple-crowned hats, smiled not unbenignantly at the clamour and rude deportment of these jolly seafaring men; and it excited neither surprise nor animadversion when so reputable a citizen as old Roger Chillingworth, the physician, was seen to enter the market-place in close and familiar talk with the commander of the questionable vessel.
Nathaniel Hawthorne (The Scarlet Letter)
BACON, EGG, AND CHEDDAR CHEESE TOAST CUPS Preheat oven to 400 degrees F., rack in the middle position. 6 slices bacon (regular sliced, not thick sliced) 4 Tablespoons (2 ounces, ½ stick) salted butter, softened 6 slices soft white bread ½ cup grated cheddar cheese 6 large eggs Salt and pepper to taste Cook the 6 slices of bacon in a frying pan over medium heat for 6 minutes or until the bacon is firmed up and the edges are slightly brown, but the strips are still pliable. They won’t be completely cooked, but that’s okay. They will finish cooking in the oven. Place the partially-cooked bacon on a plate lined with paper towels to drain it. Generously coat the inside of 6 muffin cups with half of the softened butter. Butter one side of the bread with the rest of the butter but stop slightly short of the crusts. Lay the bread out on a sheet of wax paper or a bread board butter side up. Hannah’s 1st Note: You will be wasting a bit of butter here, but it’s easier than cutting rounds of bread first and trying to butter them after they’re cut. Using a round cookie cutter that’s three and a half inches (3 and ½ inches) in diameter, cut circles out of each slice of bread.   Hannah’s 2nd Note: If you don’t have a 3.5 inch cookie cutter, you can use the top rim of a standard size drinking glass to do this. Place the bread rounds butter side down inside the muffin pans, pressing them down gently being careful not to tear them as they settle into the bottom of the cup. If one does tear, cut a patch from the buttered bread that is left and place it, buttered side down, over the tear. Curl a piece of bacon around the top of each piece of bread, positioning it between the bread and the muffin tin. This will help to keep the bacon in a ring shape. Sprinkle shredded cheese in the bottom of each muffin cup, dividing the cheese as equally as you can between the 6 muffin cups. Crack an egg into a small measuring cup (I use a half-cup measure) with a spout, making sure to keep the yolk intact. Hannah’s 3rd Note: If you break a yolk, don’t throw the whole egg away. Just slip it in a small covered container which you will refrigerate and use for scrambled eggs the next morning, or for that batch of cookies you’ll make in the next day or two. Pour the egg carefully into the bottom of one of the muffin cups. Repeat this procedure for all the eggs, cracking them one at a time and pouring them into the remaining muffin cups. When every muffin cup has bread, bacon, cheese and egg, season with a little salt and pepper. Bake the filled toast cups for 6 to 10 minutes, depending on how firm you want the yolks. (Naturally, a longer baking time yields a harder yolk.) Run the blade of a knife around the edge of each muffin cup, remove the Bacon, Egg, and Cheddar Cheese Toast Cups, and serve immediately. Hannah’s 4th Note: These are a bit tricky the first time you make them. That’s just “beginner nerves”. Once you’ve made them successfully, they’re really quite easy to do and extremely impressive to serve for a brunch. Yield: 6 servings (or 3 servings if you’re fixing them for Mike and Norman).
Joanne Fluke (Blackberry Pie Murder (Hannah Swensen, #17))
Sung was a land which was famous far and wide, simply because it was so often and so richly insulted. However, there was one visitor, more excitable than most, who developed a positive passion for criticizing the place. Unfortunately, the pursuit of this hobby soon lead him to take leave of the truth. This unkind traveler once claimed that the king of Sung, the notable Skan Askander, was a derelict glutton with a monster for a son and a slug for a daughter. This was unkind to the daughter. While she was no great beauty, she was definitely not a slug. After all, slugs do not have arms and legs - and besides, slugs do not grow to that size. There was a grain of truth in the traveler's statement, in as much as the son was a regrettable young man. However, soon afterwards, the son was accidentally drowned when he made the mistake of falling into a swamp with his hands and feet tied together and a knife sticking out of his back. This tragedy did not encourage the traveler to extend his sympathies to the family. Instead, he invented fresh accusations. This wayfarer, an ignorant tourist if ever there was one, claimed that the king had leprosy. This was false. The king merely had a well-developed case of boils. The man with the evil mouth was guilty of a further malignant slander when he stated that King Skan Askander was a cannibal. This was untrue. While it must be admitted that the king once ate one of his wives, he did not do it intentionally; the whole disgraceful episode was the fault of the chef, who was a drunkard, and who was subsequently severely reprimanded. .The question of the governance, and indeed, the very existence of the 'kingdom of Sung' is one that is worth pursuing in detail, before dealing with the traveler's other allegations. It is true that there was a king, his being Skan Askander, and that some of his ancestors had been absolute rulers of considerable power. It is also true that the king's chief swineherd, who doubled as royal cartographer, drew bold, confident maps proclaiming that borders of the realm. Furthermore, the king could pass laws, sign death warrants, issue currency, declare war or amuse himself by inventing new taxes. And what he could do, he did. "We are a king who knows how to be king," said the king. And certainly, anyone wishing to dispute his right to use of the imperial 'we' would have had to contend with the fact that there was enough of him, in girth, bulk, and substance, to provide the makings of four or five ordinary people, flesh, bones and all. He was an imposing figure, "very imposing", one of his brides is alleged to have said, shortly before the accident in which she suffocated. "We live in a palace," said the king. "Not in a tent like Khmar, the chief milkmaid of Tameran, or in a draughty pile of stones like Comedo of Estar." . . .From Prince Comedo came the following tart rejoinder: "Unlike yours, my floors are not made of milk-white marble. However, unlike yours, my floors are not knee-deep in pigsh*t." . . .Receiving that Note, Skan Askander placed it by his commode, where it would be handy for future royal use. Much later, and to his great surprise, he received a communication from the Lord Emperor Khmar, the undisputed master of most of the continent of Tameran. The fact that Sung had come to the attention of Khmar was, to say the least, ominous. Khmar had this to say: "Your words have been reported. In due course, they will be remembered against you." The king of Sung, terrified, endured the sudden onset of an attack of diarrhea that had nothing to do with the figs he had been eating. His latest bride, seeing his acute distress, made the most of her opportunity, and vigorously counselled him to commit suicide. Knowing Khmar's reputation, he was tempted - but finally, to her great disappointment, declined. Nevertheless, he lived in fear; he had no way of knowing that he was simply the victim of one of Khmar's little jokes.
Hugh Cook (The Wordsmiths and the Warguild)
Harvey didn’t set his phone to beep or buzz or vibrate like a normal person. Harvey’s phone screeched with a string piece from the Hitchcock movie Psycho, the scene with Janet Leigh in the shower, the knife rising and falling, the string section shrieking with short, staccato stabs, the lone violin slashing through the fermata with discordant glissandos, more violins joining the first, violas adding their teeth, mad strings schooling like orchestral sharks at a blood-drunk feast.
Robert Crais (The Wanted (Elvis Cole, #17; Joe Pike, #6))