Short Journalism Quotes

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Always carry a notebook. And I mean always. The short-term memory only retains information for three minutes; unless it is committed to paper you can lose an idea for ever.
Will Self
Life is short and we never have enough time for the hearts of those who travel the way with us. O, be swift to love! Make haste to be kind.
Henri-Frédéric Amiel (Amiel's Journal)
When does real love begin? At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity. At what moment does the knife wound sink so deep that the flesh begins to weep with love? At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.
Anaïs Nin (Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin (1934-1937))
Life is short and we have never too much time for gladdening the hearts of those who are traveling the dark journey with us. Oh, be swift to love, make haste to be kind.
Henri-Frédéric Amiel (Amiel's Journal)
This notebook might be all I have left of her. My hand is still hovering over the cover, tempting me to open it and find her again, even if it’s only for a short while, even if it’s only on paper. But part of me is terrified. This might not end well. This might not be anything I want to see. And so help me, if this turns out to be some kind of diary concerning her thoughts and feelings about Kent, I might just throw myself out the window.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.  I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer. We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?” He, of course, replied, “No.” “Well, we’re going to a better place.” When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds. Malison moved beside me. “It’s a graveyard.” “Are you afraid of ghosts?” I asked. “My father’s a ghost,” he whispered. I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.  Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path. “Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
But I am I now; and so many other millions are so irretrievably their own special variety of 'I' that I can hardly bear to think of it. I: how firm a letter; how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratching on the paper…I…I…I…I…I…I.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Because zombies can’t go out into the sun, most of them tend to be afraid of anything that can go into the sun and live to tell the tale.
M.C. Steve
Keeping a journal: The short entries are often as dry as instant tea. Writing them down is like pouring hot water over them to release their aroma.
Ernst Jünger (A German Officer in Occupied Paris: The War Journals, 1941-1945 (European Perspectives: A Series in Social Thought and Cultural Criticism))
Every flower holds the whole mystery in its short cycle, and in the garden we are never far away from death, the fertilizing, good, creative death.
May Sarton (Journal of a Solitude)
I have reveled in my littleness and irresponsibility. It has relieved me of the harassing desire to live, I feel content to live dangerously, indifferent to my fate; I have discovered I am a fly, that we are all flies, that nothing matters. It’s a great load off my life, for I don’t mind being such a micro-organism—to me the honour is sufficient of belonging to the universe—such a great universe, so grand a scheme of things. Not even Death can rob me of that honour. For nothing can alter the fact that I have lived; I have been I, if for ever so short a time. And when I am dead, the matter which composes my body is indestructible—and eternal, so that come what may to my “Soul,” my dust will always be going on, each separate atom of me playing its separate part—I shall still have some sort of a finger in the Pie. When I am dead, you can boil me, burn me, drown me, scatter me—but you cannot destroy me: my little atoms would merely deride such heavy vengeance. Death can do no more than kill you.
W.N.P. Barbellion (The Journal of a Disappointed Man)
You know this girl. Her hair is neither long nor short nor light nor dark. She parts it precisely in the middle. She sits precisely in the middle of the classroom, and when she used to ride the school bus, she sat precisely in the middle of that, too. She joins clubs, but is never the president of them. Sometimes she is the secretary; usually, just a member. When asked, she has been known to paints sets for the school play. She always has a date to the dance, but is never anyone’s first choice. In point of fact, she’s nobody’s first choice for anything. Her best friend became her best friend when another girl moved away. She has a group of girls she eats lunch with every day, but God, how they bore her. Sometimes, when she can’t stand it anymore, she eats in the library instead. Truth be told, she prefers books to people, and the librarian always seems happy to see her. She knows there are other people who have it worse—she isn’t poor or ugly or friendless or teased. Of course, she’s also aware that the reason no one teases is because no one ever notices her. This isn’t to say she doesn’t have qualities. She is pretty, maybe, if anyone would bother to look. And she gets good enough grades. And she doesn’t drink and drive. And she says NO to drugs. And she is always where she says she will be. And she calls when she’s going to be late. And she feels a little, just a little, dead inside. She thinks, You think you know me, but you don’t. She thinks, None of you has any idea about all the things in my heart. She thinks, None of you has any idea how really and truly beautiful I am. She thinks, See me. See me. See me. Sometimes she thinks she will scream. Sometimes she imagines sticking her head in an oven. But she doesn’t. She just writes it all down in her journal and waits. She is waiting for someone to see.
Gabrielle Zevin (Love Is Hell)
He felt the journal in his pocket. It was like a pair of glasses that he had worn for a time, enabling him to see a world he didn't even know existed.
Rebecca Rash (A Handful of Flowers: a short story collection)
A short story is a writer's way of thinking through experience... Journalism aims at accuracy, but fiction's aim is truth. The writer distorts reality in the interest of a larger truth.
John L'Heureux
I feel stuffy, as if there were not enough air to breathe - hot, and uneasy. Two months of no exercise have made me weak and plegmatic mentally and physically. On the short walk from here to the libe I drink the cold pure night air and the clear unbelievably delicate crescent-moonlight with a greedy reverence. Days are bizarre collections of hothouse languidities, mystical and poignant sensuous quotations (white thy fambles, red thy gan, and thy quarrons dainty is ... " Dark, liquid loveliness of words half dimly understood.)
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
An ad for cigars appears in 100,000 newspapers; sales of that brand increase by 3% for a short time thereafter. A new play receives a viciously negative review in a theatrical journal that prints 500 copies; the playwright shoots himself. Who’s the better writer?
Jason Lutes
In becoming forcibly and essentially aware of my mortality, and of what I wished and wanted for my life, however short it might be, priorities and omissions became strongly etched in a merciless light and what I most regretted were my silences. Of what had I ever been afraid? To question or to speak as I believed could have meant pain, or death. But we all hurt in so many different ways, all the time, and pain will either change, or end. Death, on the other hand, is the final silence. And that might be coming quickly, now, without regard for whether I had ever spoken what needed to be said, or had only betrayed myself into small silences, while I planned someday to speak, or waited for someone else's words. And I began to recognize a source of power within myself that comes from the knowledge that while it is most desirable not to be afraid, learning to put fear into a perspective gave me great strength. I was going to die, if not sooner then later, whether or not I had ever spoken myself. My silences had not protected me. Your silence will not protect you.
Audre Lorde (The Cancer Journals)
So now you know that, as dark as the depths of the sea may be, as dark as the night gets without a moon, it is not really true darkness. It's just waiting for light to return. There are places that are truly dark in this world, Ven, but this place here, this open stretch of sea where you are floating, is not one of them. It's not really dark here - it's just night. If you hang on and stay awake, in a short while the edges of the sky will start to turn gray, then pink, and the sun will rise, and there will be blue above and all around you again.
Elizabeth Haydon (The Floating Island (The Lost Journals of Ven Polypheme, #1))
After half an hour of forced family fun, in which I score fifty points and take out at least seventy-five percent of my anger trying to blast Frankie with the ball, our game is cut short. Princess gets stung on the top of her foot by a teeny-tiny newborn baby of a jelly-fish and carries on like some shark just swam away with her torso. For one brief moment I wonder if it's the ghost of my journal, reincarnated after its watery death to claim vengeance by stabbing her with its thin metal spiral. The thought makes me smile on the inside, just a little bit.
Sarah Ockler (Twenty Boy Summer)
We lived on 82nd Street and the Metropolitan Museum was my short cut to Central Park. I wrote: "I go into the museum and look at all the pictures on the walls. Instead of feeling my own insignificance I want to go straight home and paint." A great painting, or symphony, or play, doesn't diminish us, but enlarges us, and we, too, want to make our own cry of affirmation to the power of creation behind the universe. This surge of creativity has nothing to do with competition, or degree of talent. When I hear a superb pianist, I can't wait to get to my own piano, and I play about as well now as I did when I was ten. A great novel, rather than discouraging me, simply makes me want to write. This response on the part of any artist is the need to make incarnate the new awareness we have been granted through the genius of someone else.
Madeleine L'Engle (A Circle of Quiet (Crosswicks Journals #1))
Nudity and explicit sex are far more easily available now than are clear images of death. The quasi-violence of movies and television dwells on the lively acts of killing – flying kicks, roaring weapons, crashing cars, flaming explosions. These are the moral equivalents of old-time cinematic sex. The fictional spurting of gun muzzles after flirtation and seduction but stop a titillating instant short of actual copulation. The results of such aggressive vivacity remain a mystery. The corpse itself, riddled and gaping, swelling or dismembered, the action of heat and bacteria, of mummification or decay are the most illicit pornography.
Katherine Dunn
What sells, today, is whatever Fucks You Up - whatever short-circuits your brain and grounds it out for the longest possible time.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Productivity is in large part a matter of consistency. Once you get it out of your head that you have to work at breakneck speed, you can focus on the process. Short of superhuman willpower, that’s the only way you’ll keep at it.
Ryder Carroll (The Bullet Journal Method: Track the Past, Order the Present, Design the Future)
I stopped short in the path today to admire how the trees grow up without forethought regardless of the time and circumstances. They do not wait as men do—now is the golden age of the sapling—Earth, air, sun, and rain, are occasion enough.
Henry David Thoreau (The Journal, 1837-1861)
Out of suffering comes creativity
Kristine Atkinson (Journal: The Short Life and Mysterious Death of Amy Zoe Mason)
from opinion surveys that journalists are less trusted and less esteemed than used to be the case.
Ian Hargreaves (Journalism: A Very Short Introduction (Very Short Introductions))
But others of us believed that the only true happiness our Sara had ever known in her short life on this earth had been among these people. And we wished for her soul to go to the place the Cheyennes called Seano – the place of the dead – which is reached by following the Hanging Road in the Sky, the Milky Way. Here the Cheyennes believe that all the People who have ever died live with their Creator, He’amaveho’e. In Seano they live in villages just as they did on earth – hunting, working, eating, playing, loving, and making war. And all go to the place of the dead, regardless of whether they were good or bad on earth, virtuous or evil, brave or cowardly – everyone – and eventually in Seano all are reunited with the souls of their loved ones.
Jim Fergus (One Thousand White Women: The Journals of May Dodd (One Thousand White Women, #1))
The press has the power to stimulate people to clean up the environment prevent nuclear proliferation force crooked politicians out of office reduce poverty provide quality health care for all people and even to save the lives of millions of people as it did in Ethiopia in 1984. But instead we are using it to promote sex violence and sensationalism and to line the pockets of already wealthy media moguls.’ Dr Carl Jensen founder of Project Censored
Ian Hargreaves (Journalism: A Very Short Introduction (Very Short Introductions))
Without extraneous words or phrases or clauses, there will be room for implication. The longer the sentence, the less it’s able to imply, And writing by implication should be one of your goals. Implication is almost nonexistent in the prose that surrounds you, The prose of law, science, business, journalism, and most academic fields. It was nonexistent in the way you were taught to write. That means you don’t know how to use one of a writer’s most important tools: The ability to suggest more than the words seem to allow, The ability to speak to the reader in silence.
Verlyn Klinkenborg (Several Short Sentences About Writing)
From what I have said of the Natives of New-Holland they may appear to some to be the most wretched people upon Earth, but in reality they are far more happier than we Europeans; being wholly unacquainted not only with the superfluous but the necessary Conveniences so much sought after in Europe, they are happy in not knowing the use of them. They live in a Tranquillity which is not disturb’d by the Inequality of Condition: The Earth and sea of their own accord furnishes them with all things necessary for life, they covet not Magnificent Houses, Household-stuff &c., they live in a warm and fine Climate and enjoy a very wholesome Air. . . . In short they seem’d to set no Value upon any thing we gave them, nor would they ever part with any thing of their own for any one article we could offer them; this in my opinion argues that they think themselves provided with all the necessarys of Life and that they have no superfluities.
James Cook (The Journals of Captain James Cook on His Voyages of Discovery)
One whose testimony made a major impact more than a decade ago is Ben Barres, formerly Barbara Barres, a biologist at Stanford University. In 2006, he wrote in the journal Nature about the bias he had experienced as a woman in the sciences, from losing fellowships to less qualified male candidates to being told a boyfriend must have helped her with her math. He was told that he was smarter than his sister by a man who confused his former, female self for that sister. (“A Short History of Silence”)
Rebecca Solnit (The Mother of All Questions)
suit. He was reading The Wall Street Journal. The lady across the table was probably Mrs. Dare, though all I could see of her were hot pink fingernails and the cover of Condé Nast Traveler. Why she’d be reading about vacations while she was on vacation, I wasn’t sure. Rachel stood at the porch railing and sighed. She wore Bermuda shorts and her Van Gogh T-shirt. (Yeah, Rachel was trying to teach me about art, but don’t get too impressed. I only remembered the dude’s name because he cut his ear off.)
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Google gets $59 billion, and you get free search and e-mail. A study published by the Wall Street Journal in advance of Facebook’s initial public offering estimated the value of each long-term Facebook user to be $80.95 to the company. Your friendships were worth sixty-two cents each and your profile page $1,800. A business Web page and its associated ad revenue were worth approximately $3.1 million to the social network. Viewed another way, Facebook’s billion-plus users, each dutifully typing in status updates, detailing his biography, and uploading photograph after photograph, have become the largest unpaid workforce in history. As a result of their free labor, Facebook has a market cap of $182 billion, and its founder, Mark Zuckerberg, has a personal net worth of $33 billion. What did you get out of the deal? As the computer scientist Jaron Lanier reminds us, a company such as Instagram—which Facebook bought in 2012—was not valued at $1 billion because its thirteen employees were so “extraordinary. Instead, its value comes from the millions of users who contribute to the network without being paid for it.” Its inventory is personal data—yours and mine—which it sells over and over again to parties unknown around the world. In short, you’re a cheap date.
Marc Goodman (Future Crimes)
He wrote short and he wrote often, which tended to obscure the fact that he wrote well. Unless it leads to obscurity, brevity is rarely praised (or employed) in the journals of, ah, serious literary criticism, and frequency is often equated with frivolity.
Rex Stout (If Death Ever Slept (Nero Wolfe, #29))
By focusing exclusively on the events of the day, journalism all but severs the connection between time and eternity. It makes the world appear to be nothing but an endless jumble of events through which it is difficult, if not impossible, to discern anything beyond the relatively base motivations of lust, calculated self-interest, and the will to power. In short, journalism is not able to communicate wisdom.
Craig M. Gay (The Way of the (Modern) World: Or, Why It's Tempting to Live As If God Doesn't Exist)
They are not faithful. Above all, they have a blemish, a wound, comparable to the bunch of grapes in Stilitano’s pants. In short, the greater my guilt in your eyes, the more whole, the more totally assumed, the greater will be my freedom. The more perfect my solitude and singleness.
Jean Genet (The Thief's Journal)
In 1828 the British historian Macaulay dubbed the press gallery in Parliament a ‘fourth estate’ of the realm. Today the news media appear to have become the first estate able to topple monarchs and turn Parliament into a talking shop which ceases to exist if journalists turn their backs.
Ian Hargreaves (Journalism: A Very Short Introduction (Very Short Introductions))
During discussions in his office, Bradlee frequently picked up an undersize sponge-rubber basketball from the table and tossed it toward a hoop attached by suction cups to the picture window. The gesture was indicative both of the editor's short attention span and of a studied informality. There was an alluring combination of aristocrat and commoner about Bradlee: Boston Brahmin, Harvard, the World War II Navy, press attaché at the U.S. Embassy in Paris, police-beat reporter, news-magazine political reporter and Washington bureau chief of Newsweek. -- Carl Bernstein, Bob Woodward
Carl Bernstein (All the President’s Men)
In politics democracy itself is at stake in this world of high-speed always-on news. Political reporters pronounce sudden verdicts upon the politicians they often outshine in fame and as a result parliaments everywhere feel themselves reduced to side-attractions in the great non-stop media show.
Ian Hargreaves (Journalism: A Very Short Introduction (Very Short Introductions))
Whilst I viewed those mountains, I felt a secret pleasure in finding myself so near the head of the--heretofore conceived--boundless Missouri. But when I reflected on the difficulties which this snowy barrier would most probably throw in my way to the Pacific Ocean, and the sufferings and hardships of myself and the party in them, it in some measure counterbalanced the joy I had felt in the first moments in which I gazed on them. But, as I have always held it little short of criminality to anticipate evils, I will allow it to be a good, comfortable road until I am compelled to believe otherwise. (William Clark)
John Bakeless (The Journals of Lewis and Clark)
News which was once difficult and expensive to obtain today surrounds us like the air we breathe.
Ian Hargreaves (Journalism: A Very Short Introduction (Very Short Introductions))
Satisfying news hunger no longer involves a twice daily diet of a morning newspaper and evening TV news bulletin: news comes in snack-form
Ian Hargreaves (Journalism: A Very Short Introduction (Very Short Introductions))
If the journalist is secretly the tool of some invisible public relations machine or vested commercial interest it is the public whose interest is betrayed
Ian Hargreaves (Journalism: A Very Short Introduction (Very Short Introductions))
journal Science in 1980 contending that women are genetically inferior at mathematics.
Bill Bryson (A Short History of Nearly Everything)
In short, I'm not very concerned with quantity and quality; I just want a reasonable entry for every day of my life, starting now.
Jordan Mechner (The Making of Karateka)
Life is too short. If you have to be anyone, be yourself.
Rita A. Gordon (On A Positive Note: Gratitude Journal)
digestible enough to be written out in short stories and poems, when I had a certain slickness that is enviable now,
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
In the cottage the doctor, sitting on the bed in his room, saw a pile of medical journals on the floor by the bureau. They were still in their wrappers unopened. It irritated him.
Ernest Hemingway (The Complete Short Stories of Ernest Hemingway)
Life is too short for retribution, grudges, and hate. Forgiveness is a beautiful power.
Brandt Legg (The Last Librarian (The Justar Journal #1))
I’m not sure, though, what “for later” means anymore. Something changed in the world. Not too long ago, it changed, and we know it. We don’t know how to explain it yet, but I think we all can feel it, somewhere deep in our gut or in our brain circuits. We feel time differently. No one has quite been able to capture what is happening or say why. Perhaps it’s just that we sense an absence of future, because the present has become too overwhelming, so the future has become unimaginable. And without future, time feels like only an accumulation. An accumulation of months, days, natural disasters, television series, terrorist attacks, divorces, mass migrations, birthdays, photographs, sunrises. We haven’t understood the exact way we are now experiencing time. And maybe the boy’s frustration at not knowing what to take a picture of, or how to frame and focus the things he sees as we all sit inside the car, driving across this strange, beautiful, dark country, is simply a sign of how our ways of documenting the world have fallen short. Perhaps if we found a new way to document it, we might begin to understand this new way we experience space and time. Novels and movies don’t quite capture it; journalism doesn’t; photography, dance, painting, and theater don’t; molecular biology and quantum physics certainly don’t either. We haven’t understood how space and time exist now, how we really experience them. And until we find a way to document them, we will not understand them.
Valeria Luiselli (Lost Children Archive)
Our lives are so short and during that short period there is nothing to learn about the whole field of the psyche, which is the movement of memory; we can only observe it. Observe without any movement of thought, observe without time, without past knowledge, without the observer who is the essence of the past. Just watch. Watch those clouds shaping and reshaping, watch the trees, the little birds. It is all part of life. When you watch attentively, with diligence, there is nothing to learn; there is only that vast space, silence and emptiness, which is all-consuming energy.
J. Krishnamurti (Krishnamurti to Himself: His Last Journal)
Robert Dahl’s assessment of the Court’s role in the political system is from his article “Decision-Making in a Democracy: The Supreme Court as a National Policy-Maker,” Journal of Public Law 6 (1957) 279–95.
Linda Greenhouse (The U.S. Supreme Court: A Very Short Introduction (Very Short Introductions))
Not all that surprisingly, Holmes began to go insane, spending his final years in and out of institutions. At seventy, he was placing ads in mortuary trade journals for a rubber-coated canvas body removal bag that could, he suggested, double as a sleeping bag. Shortly before he died, Holmes is said to have requested that he not be embalmed, though whether this was a function of sanity or insanity was never made clear.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
It is easy for journalism to be morally casual, even as it makes large moral claims for itself. So when journalism is accused by those it serves of privileging sensation before significance, celebrity before achievement, intrusion before purposeful investigation and entertainment before reliability, the charge demands a response. Journalism stands accused of being not so much a public service as a public health hazard.
Ian Hargreaves (Journalism: A Very Short Introduction (Very Short Introductions))
I am a professional humorist, and objectively the third most critically acclaimed British stand-up comedian of the twenty-first century. If I write a stupid thing, on some level I invite you to assume it was deliberate, and that I have, to some extent, created a secondary "columnist" persona, in which I take on the role of the sort of person who would write the absurd things that I am writing, such as this sentence for example.
Stewart Lee (Content Provider: Selected Short Prose Pieces, 2011–2016)
Topic and page number, you capture your thoughts as short, objective sentences known as Bullets. Each Bullet is paired with a specific symbol to categorize your entry. We use Bullets not only because it takes less time,
Ryder Carroll (The Bullet Journal Method: Track the Past, Order the Present, Design the Future)
As for free will, there is such a narrow crack of it for man to move in, crushed as he is from birth by environment, heredity, time and event and local convention. If I had been born of Italian parents in one of the caves in the hills I would be a prostitute at the age of 12 or so because I had to live (why?) and that was the only way open. If I was born into a wealthy New York family with pseudo-cultural leanings, I would have had my coming-out party along with the rest of them, and be equipped with fur coats, social contacts, and a blase pout. How do I know? I don't; I can only guess. I wouldn't be I. But I am I now; and so many other millions are so irretrievably their own special variety of "I" that I can hardly bear to think of it. I: how firm a letter; how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratches on the paper... I... I... I... I... I... I.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
strangely, he wasn’t in the mood to look at files and papers. Not with Heather Cole to look at. For that matter, even the journals might have fallen short—a shocking thought, but one he wasn’t about to analyze at the moment. “I wasn’t sure you’d be here, and
Barbara Delinsky (Straight from the Heart)
I miss the old Berlin of the Republic, the care-free, emancipated, civilized air, the snubnosed young women with short-bobbed hair and the young men with either cropped or long hair—it made no difference—who sat up all night with you and discussed anything with intelligence and passion. The constant Heil Hitler’s, clicking of heels, and brown-shirted storm troopers or black-coated S.S. guards marching up and down the street grate me, though the old-timers say there are not nearly so many brown-shirts about since the purge.
William L. Shirer (Berlin Diary: The Journal of a Foreign Correspondent 1934-41)
Thoughtful conversations have been substituted by social media snark and insult, where your opponent is assumed to have the worst intentions—simply because they are an opponent. Fairness and due process have been supplanted by self-righteous hysteria and public shaming. The meme has replaced good argument, the tweet has replaced the well-reasoned op-ed, and the op-ed has replaced objective journalism. The result is nothing short of information chaos, a culture of contempt, and a deep sense of unhappiness that is blamed on everyone but ourselves
Dan Crenshaw (Fortitude: Resilience in the Age of Outrage)
I must write about the things of the world with no glazing.” She fought doggedly against the great suction into her own subjectivity: “I shall perish if I can write about no one but myself.” Something like this went through nearly every entry in her journal over long periods. In
Sylvia Plath (Johnny Panic and the Bible of Dreams: Short Stories, Prose, and Diary Excerpts)
I felt a warm hand touch mine. “Are you okay?” “If you mean am I injured, then the answer is no. If you mean am I ‘okay’ as in am-I-confident-I’m-still-sane, the answer is still no.” Ren frowned. “We have to find a way to get across the chasm.” “You’re certainly welcome to give it a try.” I waved him off and went back to drinking my water. He moved to the edge and peered across, looking speculatively at the distance. Changing back to a tiger, he trotted a few paces back in the direction we had come from, turned, and ran at full speed toward the hole. “Ren, no!” I screamed. He leapt, clearing the hole easily, and landed lightly on his front paws. Then he trotted a short distance away and did the same thing to come back. He landed at my feet and changed back to human form. “Kells, I have an idea.” “Oh, this I’ve got to hear. I just hope you don’t plan on including me in this scheme of yours. Ah. Let me guess. I know. You want to tie a rope to your tail, leap across, tie it off, and then have me pull my body across the rope, right?” He cocked his head as if considering it, and then shook his head. “No, you don’t have the strength to do something like that. Plus, we have no rope and nothing to tie a rope to.” “Right. So what’s the plan?” He held my hands and explained. “What I’m proposing will be much easier. Do you trust me?” I was going to be sick. “I trust you. It’s just-“ I looked into his concerned blue eyes and sighed. “Okay, what do I have to do?” “You saw that I was able to clear the gap pretty well as a tiger, right? So what I need you to do is to stand right at the edge and wait for me. I’ll run to the end of the tunnel, build up speed, and leap as a tiger. At the same time, I want you to jump up and grab me around my neck. I’ll change to a man in midair so that I can hold onto you, and we’ll fall together to the other side.” I snorted noisily and laughed. “You’re kidding, right?” He ignored my skepticism. “We’ll have to time it precisely, and you’ll have to jump too, in the same direction, because if you don’t, I’ll just hit you full power and drive us both over the edge.” “You’re serious? You seriously want me to do this?” “Yes, I’m serious. Now stand here while I make a few practice runs.” “Can’t we just find another corridor or something?” “There aren’t any. This is the right way.” Reluctantly, I stood near the edge and watched him leap back and forth a few times. Observing the rhythm of his running and jumping, I began to grasp the idea of what he wanted me to do. All too quickly Ren was back in front of me again. “I can’t believe you’ve talked me into doing this. Are you sure?” I asked. “Yes, I’m sure. Are you ready?” “No! Give me a minute to mentally write a last will and testament.” “Kells, it’ll be fine.” “Sure it will. Alright, let me take in my surroundings. I want to make sure I can record every minute of this experience in my journal. Of course, that’s probably a moot point because I’m assuming that I’m going to die in the jump anyway.” Ren put his hand on my cheek, looked in my eyes, and said fiercely, “Kelsey, trust me. I will not let you fall.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The lyrical author is only concerned with his production, enjoys the pleasure of producing, often perhaps only after pain and effort; but he has nothing to do with others, he does not write in order that: in order to enlighten men or in order to help them along the right road, in order to bring about something; in short he does not write in order that.
Søren Kierkegaard (Kierkegaard's Journals and Notebooks, Volume 6: Journals Nb11 - Nb14)
But I am I now; and so many other millions are so irretrievably their own special variety of "I" that I can hardly bear to think of it. I: how firm a letter; how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratches on the paper... I... I... I... I... I... I.
Sylvia Plath (The Journals of Sylvia Plath)
Adrian was a man who, in certain respects, could be seen as slightly less than average. He was slightly shorter than the average man. He was slightly thinner than the average man. But his face… There was nothing average about his face. He was gorgeous. Dreamy blue eyes that were so light they were almost translucent and those blue eyes were only further accentuated by his short, dark hair. However, it was not those eyes that got women caught in his talons. No. It was his smile. His smile served as bait to the unsuspecting. It was a Brad Pitt sort of smile—naughty and sexy at the same time. The type of smile that warned you of the heartbreak to come, but left you powerless to protect yourself against its charms.
Jacqueline Francis - The Journal
Reading Virginia Woolf will change your life, may even save it. If you want to make sense of modern life, the works of Virginia Woolf remain essential reading. More than fifty years since her death, accounts of her life still set the pace for modern modes of living. Plunge (and this Introduction is intended to help you take the plunge) into Woolf ’s works – at any point – whether in her novels, her short stories, her essays, her polemical pamphlets, or her published letters, diaries, memoirs and journals – and you will be transported by her elegant, startling, buoyant sentences to a world where everything in modern life (cinema, sexuality, shopping, education, feminism, politics, war and so on) is explored and questioned and refashioned.
Jane Goldman (The Cambridge Introduction to Virginia Woolf)
If anyone knows how fixed the Pulitzers are, it’s the editors at the Times. I was part of a New York Times team that won the Pulitzer for our coverage of global terrorism. I watched the Times rig them year after year. The Times gives a lot of money to the Columbia Journalism School, which oversees the Pulitzers. The committee in return showers the paper with Pulitzers. It may be better now. I don’t know. But when I was at the paper it was disgraceful. One year the Times war correspondent John Burns wasn’t on the short list. The editors had a fit. He not only magically appeared on a new short list but won. Most people don’t get awards because they’re great reporters, look at Thomas Friedman. They get awards because the establishment wants to validate them. I know who makes up these committees.
Chris Hedges (Unspeakable)
In modern democracies, press freedom was being used as a cloak to shield media conglomerates’ domination of public discussion ‘in which misinformation may be peddled uncorrected and in which reputations may be selectively shredded or magnified. A free press is not an unconditional good.’ When the media mislead, she added, ‘the wells of public discourse and public life are poisoned’. Dr Onora O’Neill
Ian Hargreaves (Journalism: A Very Short Introduction (Very Short Introductions))
Since more people vote in reality television shows than in elections for the European Parliament or municipal authorities the response of politicians has been to try desperately to be more like television: conversational friendly emotional and not too demanding. How else can Congressmen and parliamentarians retain the interest of the young How else to be heard through the cacophony of information overload
Ian Hargreaves (Journalism: A Very Short Introduction (Very Short Introductions))
But the biggest news that month was the departure from Apple, yet again, of its cofounder, Steve Wozniak. Wozniak was then quietly working as a midlevel engineer in the Apple II division, serving as a humble mascot of the roots of the company and staying as far away from management and corporate politics as he could. He felt, with justification, that Jobs was not appreciative of the Apple II, which remained the cash cow of the company and accounted for 70% of its sales at Christmas 1984. “People in the Apple II group were being treated as very unimportant by the rest of the company,” he later said. “This was despite the fact that the Apple II was by far the largest-selling product in our company for ages, and would be for years to come.” He even roused himself to do something out of character; he picked up the phone one day and called Sculley, berating him for lavishing so much attention on Jobs and the Macintosh division. Frustrated, Wozniak decided to leave quietly to start a new company that would make a universal remote control device he had invented. It would control your television, stereo, and other electronic devices with a simple set of buttons that you could easily program. He informed the head of engineering at the Apple II division, but he didn’t feel he was important enough to go out of channels and tell Jobs or Markkula. So Jobs first heard about it when the news leaked in the Wall Street Journal. In his earnest way, Wozniak had openly answered the reporter’s questions when he called. Yes, he said, he felt that Apple had been giving short shrift to the Apple II division. “Apple’s direction has been horrendously wrong for five years,” he said.
Walter Isaacson (Steve Jobs)
I've had so much time to think down here, and I want to say that I think that the most important thing in life are thankfulness, forgiveness, and love. Mama taught me to always be thankful. And when you say thank you it makes other people feel happy. And forgiveness, because, life is too short to be cross. It's also not fun. And, last but not least, love- because when you have love in your heart, nothing and no one can take it away from you.
Sarah Jio (All the Flowers in Paris)
Turjan closed the book, forcing the spell back into oblivion. He robed himself with a short blue cape, tucked a blade into his belt, fitted the amulet holding Laccodel’s Rune to his wrist. Then he sat down and from a journal chose the spells he would take with him. What dangers he might meet he could not know, so he selected three spells of general application: the Excellent Prismatic Spray, Phandaal’s Mantle of Stealth, and the Spell of the Slow Hour.
Jack Vance (Tales of the Dying Earth: The Dying Earth, The Eyes of the Overworld, Cugel's Saga, Rhialto the Marvellous)
described approached so nigh as to receive some interruption from the warders, he dashed his dusky green turban from his head, showed that his beard and eyebrows were shaved like those of a professed buffoon, and that the expression of his fantastic and writhen features, as well as of his little black eyes, which glittered like jet, was that of a crazed imagination. "Dance, marabout," cried the soldiers, acquainted with the manners of these wandering enthusiasts, "dance, or we will scourge thee with our bow-strings till thou spin as never top did under schoolboy's lash." Thus shouted the reckless warders, as much delighted at having a subject to tease as a child when he catches a butterfly, or a schoolboy upon discovering a bird's nest. The marabout, as if happy to do their behests, bounded from the earth, and spun his giddy round before them with singular agility, which, when contrasted with his slight and wasted figure, and
Walter Scott (The Complete Works of Sir Walter Scott: Novels, Short Stories, Poetry, Plays, Journal, Letters, Articles and much more (Illustrated Edition): The Entire ... Guy Mannering, The Antiquary and many more)
I have thought that the word America must mean different things to the people who live under its aegis. I would that for each of them it might be symbolized by one -- at least one -- memory of some aspect of unspoiled nature. America -- wide, far-reaching, insouciant -- has been the amphitheater for our civilization. I wish each of us could appreciate its vast beauty, and could see how far the elements of our civilization fall short of the sheer majesty of our America.
Harvey Broome (Out Under The Sky Of The Great Smokies: A Personal Journal)
Anyway, it will give me something to brew about. And there is still a Jerusalem story* to do, and that story about a husband and wife in Venice† that I told you I wanted to do, where the husband suddenly sees his wife passing in one of those vaporettos on the Grand Canal, and yet he knew he had seen her off to fly home to England that morning! I might get about six longish short stories, that would fit into a book, and be sold separately to Journal or Good Housekeeping, in America.
Daphne du Maurier (Letters from Menabilly: Portrait of a Friendship)
The novels of Daniel Defoe are fundamental to eighteenth-century ways of thinking. They range from the quasi-factual A Journal of the Plague Year, an almost journalistic (but fictional) account of London between 1664 and 1665 (when the author was a very young child), to Robinson Crusoe, one of the most enduring fables of Western culture. If the philosophy of the time asserted that life was, in Hobbes's words, 'solitary, poor, nasty, brutish, and short', novels showed ways of coping with 'brutish' reality (the plague; solitude on a desert island) and making the best of it. There was no questioning of authority as there had been throughout the Renaissance. Instead, there was an interest in establishing and accepting authority, and in the ways of 'society' as a newly ordered whole. Thus, Defoe's best-known heroine, Moll Flanders, can titillate her readers with her first-person narration of a dissolute life as thief, prostitute, and incestuous wife, all the time telling her story from the vantage point of one who has been accepted back into society and improved her behaviour.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
It was a sunny Sunday morning in spring when I got the call from an editor at the literary journal Gunzo telling me that Hear the Wind Sing had been short-listed for their Prize for New Writers. Almost a year had passed since the season opener at Jingu Stadium, and I had already turned thirty. It was around eleven a.m., but I was still fast asleep, having worked very late the night before. I picked up the receiver, but I was so groggy I had no idea at first who was on the other end or what he was trying to say. To tell the truth, by that time I had quite forgotten having sent Hear the Wind Sing to Gunzo. Once I had finished the manuscript and put it in someone else’s hands, my desire to write had completely subsided. Composing it had been, so to speak, an act of defiance—I had written it very easily, just as it came to me—so the idea that it might make the short list had never occurred to me. In fact, I had sent them my only copy. If they hadn’t selected it, it probably would have vanished forever. I probably never would have written another novel. Life is strange, when you think about it.
Haruki Murakami (Novelist as a Vocation)
The girls you loved as a boy, the women you loved as a man, each one different from the others, some round and some lean, some short and some tall, some bookish and some athletic, some moody and some outgoing, some white and some black and some Asian, nothing on the surface ever mattered to you, it was all about the inner light you would detect in her, the spark of singularity, the blaze of revealed selfhood, and that light would make her beautiful to you, even if others were blind to the beauty you saw, and then you would burn to be with her, to be near her, for feminine beauty is something you have never been able to resist.
Paul Auster (Winter Journal)
The Chemical Society of London was not founded until 1841 and didn’t begin to produce a regular journal until 1848, by which time most learned societies in Britain—Geological, Geographical, Zoological, Horticultural, and Linnaean (for naturalists and botanists)—were at least twenty years old and often much more. The rival Institute of Chemistry didn’t come into being until 1877, a year after the founding of the American Chemical Society. Because chemistry was so slow to get organized, news of Avogadro’s important breakthrough of 1811 didn’t begin to become general until the first international chemistry congress, in Karlsruhe, in 1860.
Bill Bryson (A Short History of Nearly Everything)
If the headline asks a question, try answering 'no'. Is This the True Face of Britain's Young? (Sensible reader: No.) Have We Found the Cure for AIDS? (No; or you wouldn't have put the question mark in.) Does This Map Provide the Key for Peace? (Probably not.) A headline with a question mark at the end means, in the vast majority of cases, that the story is tendentious or over-sold. It is often a scare story, or an attempt to elevate some run-of-the-mill piece of reporting into a national controversy and, preferably, a national panic. To a busy journalist hunting for real information a question mark means 'don't bother reading this bit'.
Andrew Marr (My Trade: A Short History of British Journalism)
A short poem from my new book, The Lost Journal of my Second Trip to Pergatory, Thorny Crowns Of course the gold one was for special occasions, weddings, etc, silver for family reunions, office-casual type affairs. Bronze was a everyday choice; during yard work its burnished surface shone in sunlight. There were various colors and holiday appropriate ones. I could never find the hatboxes they were stored in. But the wooden one was reserved for the long suffering caused by family. Stevie’s funeral, my hospital trips and sister’s rebellion rated real wood. One tip filed extra sharp produced a fine and dramatic line of blood droplets on her brow.
Michelle Hartman
The point was made many times that scientific management benefitted workers not at all, perhaps most clearly by a short statement by John P. Frey, editor of the International Molders Journal and participant in a bipartisan survey of the claims of scientific management, 'If generally applied the craftsmen would pass out of existence, and the workers would become dependent for their existence upon the scanty and insignificant industrial knowledge and experience afforded them by their limited opportunities, regulated by those who in addition to their ownership of machinery, had also acquired possession of craft knowledge and the skilled workers’ methods.
Donald Stabile (Prophets of Order: The Rise of the New Class, Technocracy and Socialism in America)
Harvard psychologist Daniel Gilbert talks about this phenomenon in his 2006 book, Stumbling on Happiness. “The greatest achievement of the human brain is its ability to imagine objects and episodes that do not exist in the realm of the real,” he writes. “The frontal lobe—the last part of the human brain to evolve, the slowest to mature, and the first to deteriorate in old age—is a time machine that allows each of us to vacate the present and experience the future before it happens.” This time travel into the future—otherwise known as anticipation—accounts for a big chunk of the happiness gleaned from any event. As you look forward to something good that is about to happen, you experience some of the same joy you would in the moment. The major difference is that the joy can last much longer. Consider that ritual of opening presents on Christmas morning. The reality of it seldom takes more than an hour, but the anticipation of seeing the presents under the tree can stretch out the joy for weeks. One study by several Dutch researchers, published in the journal Applied Research in Quality of Life in 2010, found that vacationers were happier than people who didn’t take holiday trips. That finding is hardly surprising. What is surprising is the timing of the happiness boost. It didn’t come after the vacations, with tourists bathing in their post-trip glow. It didn’t even come through that strongly during the trips, as the joy of travel mingled with the stress of travel: jet lag, stomach woes, and train conductors giving garbled instructions over the loudspeaker. The happiness boost came before the trips, stretching out for as much as two months beforehand as the holiday goers imagined their excursions. A vision of little umbrella-sporting drinks can create the happiness rush of a mini vacation even in the midst of a rainy commute. On some level, people instinctively know this. In one study that Gilbert writes about, people were told they’d won a free dinner at a fancy French restaurant. When asked when they’d like to schedule the dinner, most people didn’t want to head over right then. They wanted to wait, on average, over a week—to savor the anticipation of their fine fare and to optimize their pleasure. The experiencing self seldom encounters pure bliss, but the anticipating self never has to go to the bathroom in the middle of a favorite band’s concert and is never cold from too much air conditioning in that theater showing the sequel to a favorite flick. Planning a few anchor events for a weekend guarantees you pleasure because—even if all goes wrong in the moment—you still will have derived some pleasure from the anticipation. I love spontaneity and embrace it when it happens, but I cannot bank my pleasure solely on it. If you wait until Saturday morning to make your plans for the weekend, you will spend a chunk of your Saturday working on such plans, rather than anticipating your fun. Hitting the weekend without a plan means you may not get to do what you want. You’ll use up energy in negotiations with other family members. You’ll start late and the museum will close when you’ve only been there an hour. Your favorite restaurant will be booked up—and even if, miraculously, you score a table, think of how much more you would have enjoyed the last few days knowing that you’d be eating those seared scallops on Saturday night!
Laura Vanderkam (What the Most Successful People Do on the Weekend: A Short Guide to Making the Most of Your Days Off (A Penguin Special from Portfo lio))
18. A third powerful factor in the diffusion of communism is the conspiracy of silence on the part of a large section of the non-Catholic press of the world. We say conspiracy, because it is impossible otherwise to explain how a press usually so eager to exploit even the little daily incidents of life has been able to remain silent for so long about the horrors perpetrated in Russia, in Mexico and even in a great part of Spain; and that it should have relatively so little to say concerning a world organization as vast as Russian communism. This silence is due in part to short-sighted political policy, and is favored by various occult forces which for a long time have been working for the overthrow of the Christian Social Order.
Pope Pius XI (Divini Redemptoris: On Atheistic Communism)
The coffee served in the coffeehouses wasn’t necessarily very good coffee. Because of the way coffee was taxed in Britain (by the gallon), the practice was to brew it in large batches, store it cold in barrels, and reheat it a little at a time for serving. So coffee’s appeal in Britain had less to do with being a quality beverage than with being a social lubricant. People went to coffeehouses to meet people of shared interests, gossip, read the latest journals and newspapers—a brand-new word and concept in the 1660s—and exchange information of value to their lives and business. Some took to using coffeehouses as their offices—as, most famously, at Lloyd’s Coffee House on Lombard Street, which gradually evolved into Lloyd’s insurance market.
Bill Bryson (At Home: A Short History of Private Life)
He left the classroom, left India and gave up. He returned to his Midwest, picked up a practical degree in journalism, married, lived in Nevada and Mexico, did odd jobs, worked as a journalist, a science writer and an industrial-advertising writer. He fathered two children, bought a farm and a riding horse and two cars and was starting to put on middle-aged weight. His pursuit of what has been called the ghost of reason had been given up. That’s extremely important to understand. He had given up. Because he’d given up, the surface of life was comfortable for him. He worked reasonably hard, was easy to get along with and, except for an occasional glimpse of inner emptiness shown in some short stories he wrote at the time, his days passed quite usually.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
The best way to figure out what Perl is used for is to look at the ... Comprehensive Perl Archive Network (the CPAN, for short). ... [Y]ou'll get the impression that Perl has interfaces to almost everything in the world. With a little thought, you may figure out the reason Perl has interfaces to everything is not so much so Perl itself can talk to everything, but so Perl can get everything in the world talking to everything else in the world. The combinatorics are staggering. The very first issue of The Perl Journal ... contained an article entitled 'How Perl Saved the Human Genome Project'. It explains how all the different genome sequencing laboratories used different databases with different formats, and how Perl was used to massage the data into a cohesive whole.
Larry Wall
When his support team on the surface finally called down to him on September 14, the day his experiment was scheduled to wrap up, it was only August 20 in his journal. He thought only a month had gone by. His experience of time’s passage had compressed by a factor of two. Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next—and disappear. That’s why it’s important to change routines regularly, and take vacations to exotic locales, and have as many new experiences as possible that can serve to anchor our memories. Creating new memories stretches out psychological time, and lengthens our perception of our lives.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
Ideas for Journal Entries You may find the following ideas useful in beginning your journal or keeping the entries varied. If you are not used to expressing your thoughts on paper, it may seem awkward at first. The longer you do it, the easier it will become. You’ll be amazed at the insight you gain into your life. -Write about your most memorable experience with social anxiety. How did you feel? What did you think? How did others react? Why do you think the event happened? -Write about situations that make you anxious every day. Record your thoughts, feelings, and actions. You may want to divide the page into columns with the headings: situation or event; negative thoughts; physical reactions; and actions. Following is an example of how this may look: Situation or Event Should I attend the first art class after school. Negative Thoughts I thought about skipping out. I was afraid of what people would think. I wanted to do a good job. Physical Reactions I felt a shortness of breath. In general, I was nervous and in a bad mood. Actions I took some deep breaths and visualized the class going well. Later, I became engrossed in my drawing. -Write about a time when you were pleased with how you acted in a social situation. -Identify times when anxiety symptoms kept you from doing something that you really wanted to do. How did you feel? What might have happened if you had not been afraid? -Write a letter to someone who made you feel bad about yourself. You aren’t going to show the letter to anyone, so feel free to write whatever you want. -Write out a conversation with your inner voice. Begin the entry with a question directed to yourself, then write your mental response. It may help to label the different voices A and B. Dialogue writing is a very effective way to get to the heart of the matter.
Heather Moehn (Social Anxiety (Coping With Series))
Obama’s embrace of nuance distinguished him sharply from his GOP antagonists. Back in 2004, President George W. Bush told Senator Joe Biden, “I don’t do nuance.” Former Louisiana governor Bobby Jindal, a Republican, even blamed Trump’s ascendance in 2016 on precisely this penchant of Obama’s, writing in the Wall Street Journal that, “after seven years of the cool, weak and endlessly nuanced ‘no drama Obama,’ voters are looking for a strong leader who speaks in short, declarative sentences.” His remarks mirror criticisms made several years earlier by Mitt Romney, who accused the then-president of being “tentative, indecisive, timid and nuanced.” (The response of one liberal pundit shows the fluid perspective clearly: “Obama is ‘nuanced’? Yes, but can someone explain why that’s a bad thing? It’s a complex, ‘turbulent,’ and ever-changing world. Having a chief executive who appreciates and is aware of ‘nuance’ strikes me as positive.”)
Marc Hetherington (Prius Or Pickup?: How the Answers to Four Simple Questions Explain America's Great Divide)
Mystery is good." He drummed his fingertips on my thigh. "Maybe.Maybe not. But I'll let it go. How about this: If I were to open the top drawer of your dresser, what would I find?" "Are we back to discussing my underwear again?" "Only in graphic detail..." He flicked my sore knee, but not where the bruise was. "I keep loose change and my oldest comic books in mine. Some people have journals or photographs or awards..." "Okay,okay." I sighed. "Underwear," I said. "Two ancient swimsuits, and a magazine file." "Of...?" "Pictures I've pulled out of magazines." "Yes,thank you. I gathered that. What's in it?" I squirmed a little and contemplated lying. Travel pix, shoes, hints on getting glue off of Ultrasuede... "Mostly pictures of models with short hair," I confessed finally. "It's sort of a goal of mine." Alex reached up and wrapped a strand around his finger. "I like your hair," he said quietly, "but I think you'd look great whatever you did with it.
Melissa Jensen (The Fine Art of Truth or Dare)
In the fall of 2000 I started getting calls and emails from people asking me to erase their memories. Karim Nader, Glenn Schafe, and I had recently published a paper in the journal Nature with a rather technical title, “Fear Memories Require Protein Synthesis in the Lateral Amygdala for Reconsolidation after Retrieval.”3 In this study we conditioned rats with a tone and shock and then later presented them with the tone alone after a drug that blocks protein synthesis had been infused in the lateral amygdala (LA), a key area of the amygdala where the tone-shock association is stored. When tested the following day, or at any time afterward, the rats behaved as though they had never been conditioned. The procedure, in other words, seemed to erase the memory that the tone was a signal of danger. Toward the end of the short piece, we proposed that it might be possible to use a technique like this (but without having to inject a drug directly into the amygdala) to dampen traumatic memory in people with PTSD.
Joseph E. LeDoux (Anxious)
The newspaper is a Bible which we read every morning and every afternoon, standing and sitting, riding and walking. It is a Bible which every man carries in his pocket, which lies on every table and counter, and which the mail, and thousands of missionaries, are continually dispersing. It is, in short, the only book which America has printed and which America reads. So wide is its influence. The editor is a preacher whom you voluntarily support. Your tax is commonly one cent daily, and it costs nothing for pew hire. But how many of these preachers preach the truth? I repeat the testimony of many an intelligent foreigner, as well as my own convictions, when I say, that probably no country was ever rubled by so mean a class of tyrants as, with a few noble exceptions, are the editors of the periodical press in this country. And as they live and rule only by their servility, and appealing to the worse, and not the better, nature of man, the people who read them are in the condition of the dog that returns to his vomit.
Henry David Thoreau (Civil Disobedience and Other Essays)
I accumulate rash acts: getting into stolen cars, walking in front of stores where I have operated, showing obviously fake papers. I have the feeling that in a very short time everything is bound to break wide open. My rash acts are serious matters and I know that airy-winged catastrophe will emerge from a very, very slight mistake. 1 But while I hope for misfortune as an act of grace, it is well for me to plunge fully into the usual ways of the world. I want to fulfill myself in one of the rarest of destinies. I have only a dim notion of what it will be. I want it to have not a graceful curve, slightly bent toward evening, but a hitherto unseen beauty, lovely because of the danger which works away at it, overwhelms it, undermines it. Oh let me be only utter beauty! I shall go quickly or slowly, but I shall dare what must be dared. I shall destroy appearances, the casings will burn away and one evening I shall appear there in the palm of your hand, quiet and pure, like a glass statuette. You will see me. Round about me there will be nothing left.
Jean Genet (The Thief's Journal)
This is how you lose her. You lose her when you forget to remember the little things that mean the world to her: the sincerity in a stranger’s voice during a trip to the grocery store, the delight of finding something lost or forgotten like a sticker from when she was five, the selflessness of a child giving a part of his meal to another, the scent of new books in the store, the surprise short but honest notes she tucks in her journal and others you could only see if you look closely. You must remember when she forgets. You lose her when you don’t notice that she notices everything about you: your use of the proper punctuation that tells her continuation rather than finality, your silence when you’re about to ask a question but you think anything you’re about to say to her would be silly, your mindless humming when it is too quiet, your handwriting when you sign your name on blank sheets of paper, your muted laughter when you are trying to be polite, and more and more of what you are, which you don’t even know about yourself, because she pays attention. She remembers when you forget. You lose her for every second you make her feel less and less of the beauty that she is. When you make her feel that she is replaceable. She wants to feel cherished. When you make her feel that you are fleeting. She wants you to stay. When you make her feel inadequate. She wants to know that she is enough and she does not need to change for you, nor for anyone else because she is she and she is beautiful, kind and good. You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.
Junot Díaz
Before dinner on the last night, while the guys were on the deck drinking whiskey and talking about Elon Musk, Liz and I went on a walk and she told me about a dream she’d been fixating on, a dream about what happens after mothers die. “We are all in this place. All the mothers who had to leave early.” (I would repeat her unforgettable phrasing—had to leave early—to Edward as we went to sleep that night.) “It’s huge, big as an airplane hangar, and there are all these seats, rows and rows, set up on a glass floor, so all the moms can look down and watch their kids live out their futures.” How dominant the ache to know what becomes of our children. “There’s one rule: you can watch as much and as long as you want, but you can only intervene once.” I nodded, tears forming. “So I sat down. And I watched. I watched them out back by the pool, swimming with Andy, napping on a towel. I watched them on the jungle gym, walking Lambchop, reading their Lemony Snicket books. I watched Margo taking a wrong turn or forgetting her homework. I watched Dru ignoring his coach. I watched Gwennie logging her feelings in a journal. And every time I went to intervene, to warn one of the kids about something or just pick them up to hold them, a more experienced mother leaned across and stopped me. Not now. He’ll figure it out. She’ll come around. And it went on and on like that and in the end,” she said, smiling with wet eyes, “I never needed to use my interventions.” Her dream was that she had, in her too-short lifetime, endowed her children with everything they’d require to negotiate the successive obstacle courses of adolescence, young adulthood, and grown-up life. “I mean, they had heartaches and regret and fights and broken bones,” she said, stopping to rest. “They made tons of mistakes, but they didn’t need me. I never had to say anything or stop anything. I never said one word.” She put her arm through mine and we started moving again, back toward the house, touching from our shoulders to our elbows, crunching the gravel with our steps, the mingled voices of our children coming from the door we left open.
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
I was born near Sydney, Australia, a long time ago. A lovely young woman named Dawn married me in 1972 and we were blessed with three wonderful sons – Daniel, Ben and Nathan. Sometime during the 1980s Dawn suggested I write a short story for the three boys, so each lunchbreak I would sit in my car and write and each night I would type what I had written. This was a very different challenge to the journalism I had been trained in as a reporter on a New South Wales country newspaper. When a chapter was completed I would read it to the family and their enthusiasm would encourage me to keep writing (the fact that Daniel, Ben and Nathan were also the starring characters may have strengthened their support!). The short story became a novel which was released in 1989 as “The Fortress of Migdol”. The feedback I received was very positive, and to my pleasant surprise this came from all ages and both genders. These positive responses, as well as our belief that the story had something worth sharing, eventually sparked the idea of giving it a new and more effective distribution. I took the opportunity to rework a lot of the writing and even added whole new events that brought greater depth and breadth to the world of Eldengard and its themes. Finally, after somehow ending up twenty thousand words longer, the new version was finished. “Dewthor and the Fortress of Migdol” was ready to leave home. Dawn and I live in the small bayside community of Woody Point, just north of Brisbane in Queensland, Australia. We have been married for 40 years and our three sons are now in their 30s.
P.J. Hartnett (Dewthor and the fortress of Migdol)
My whole life, people who ask about my scar within one week of knowing me have invariably turned out to be egomaniacs of average intelligence or less. And egomaniacs of average intelligence or less often end up in the field of TV journalism. So, you see, if I tell the whole story here, then I will be asked about it over and over by the hosts of Access Movietown and Entertainment Forever for the rest of my short-lived career.
Tina Fey (Bossypants)
Keep your dreams close to heart. Make a short-note about your dreams in a journal. Take a daily action to make your dreams a reality.
Lailah Gifty Akita
From a nitty-gritty, practical standpoint, here is the drill that can get you there:   Loose Papers Pull out all miscellaneous scraps of paper, business cards, receipts, and so on that have crept into the crevices of your desk, clothing, and accessories. Put it all into your in-basket for processing.   Process Your Notes Review any journal entries, meeting notes, or miscellaneous notes scribbled on notebook paper. List action items, projects, waiting-fors, calendar events, and someday/ maybes, as appropriate. File any reference notes and materials. Stage your “Read/Review” material. Be ruthless with yourself, processing all notes and thoughts relative to interactions, projects, new initiatives, and input that have come your way since your last download, and purging those not needed.   Previous Calendar Data Review past calendar dates in detail for remaining action items, reference information, and so on, and transfer that data into the active system. Be able to archive your last week’s calendar with nothing left uncaptured.   Upcoming Calendar Look at future calendar events (long- and short-term). Capture actions about arrangements and preparations for any upcoming events.   Empty Your Head Put in writing (in appropriate categories) any new projects, action items, waiting-fors, someday/maybes, and so forth that you haven’t yet captured.   Review “Projects” (and Larger Outcome) Lists Evaluate the status of projects, goals, and outcomes one by one, ensuring that at least one current kick-start action for each is in your system.   Review “Next Actions” Lists Mark off completed actions. Review for reminders of further action steps to capture.   Review “Waiting For” List Record appropriate actions for any needed follow-up. Check off received items.   Review Any Relevant Checklists Is there anything you haven’t done that you need to do?   Review “Someday/Maybe” List Check for any projects that may have become active and transfer them to “Projects.” Delete items no longer of interest.   Review “Pending” and Support Files Browse through all work-in-progress support material to trigger new actions, completions, and waiting-fors.   Be Creative and Courageous Are there any new, wonderful, hare-brained, creative, thought-provoking, risk-taking ideas you can add to your system?
David Allen (Getting Things Done: The Art of Stress-Free Productivity)