Shop Opening Invitation Quotes

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Every week seems to bring another luxuriantly creamy envelope, the thickness of a letter-bomb, containing a complex invitation – a triumph of paper engineering – and a comprehensive dossier of phone numbers, email addresses, websites, how to get there, what to wear, where to buy the gifts. Country house hotels are being block-booked, great schools of salmon are being poached, vast marquees are appearing overnight like Bedouin tent cities. Silky grey morning suits and top hats are being hired and worn with an absolutely straight face, and the times are heady and golden for florists and caterers, string quartets and Ceilidh callers, ice sculptors and the makers of disposable cameras. Decent Motown cover-bands are limp with exhaustion. Churches are back in fashion, and these days the happy couple are travelling the short distance from the place of worship to the reception on open-topped London buses, in hot-air balloons, on the backs of matching white stallions, in micro-lite planes. A wedding requires immense reserves of love and commitment and time off work, not least from the guests. Confetti costs eight pounds a box. A bag of rice from the corner shop just won’t cut it anymore.
David Nicholls (One Day)
Dr. Xia was working as a salaried doctor attached to another man's medicine shop, which did not give him much chance to display his skill. But he worked had, and gradually his reputation began to grow. Soon he was invited to go on his first visit to a patient's home. When he came back that evening he was carrying a package wrapped in a cloth. He winked at my mother and his wife and asked them to guess what was inside the package. My mother's eyes was glued to the steaming bundle, and even before she could shout out "Steamed rolls!" she was already tearing the package open. As she was devouring the rolls, she looked up and met Dr. Xia's twinkling eyes. More than fifty years later she can still remember his look of happiness, and even today she says she can remember any food as delicious as those simple wheat rolls.
Jung Chang (Wild Swans: Three Daughters of China)
We are attempting to buy a house. Shopping for houses is amazing. People who would never invite you into their homes under any other circumstances open their doors wide, allow you to peer into their closets, pass judgment on their wallpaper, ask pointed questions about their gutters.
Audrey Niffenegger (The Time Traveler’s Wife)
My life began by flickering out. It may sound strange but it is so. From the very first moment I became conscious of myself, I felt that I was already flickering out. I began to flicker out over the writing of official papers at the office; I went on flickering out when I read truths in books which I did not know how to apply in life, when I sat with friends listening to rumours, gossip, jeering, spiteful, cold, and empty chatter, and watching friendships kept up by meetings that were without aim or affection; I was flickering out and wasting my energies with Minna on whom I spent more than half of my income, imagining that I loved her; I was flickering out when I walked idly and dejectedly along Nevsky Avenue among people in raccoon coats and beaver collars – at parties, on reception days, where I was welcomed with open arms as a fairly eligible young man; I was flickering out and wasting my life and mind on trifles moving from town to some country house, and from the country house to Gorokhovaya, fixing the arrival of spring by the fact that lobsters and oysters had appeared in the shops, of autumn and winter by the special visiting days, of summer by the fêtes, and life in general by lazy and comfortable somnolence like the rest. ... Even ambition – what was it wasted on? To order clothes at a famous tailor's? To get an invitation to a famous house? To shake hands with Prince P.? And ambition is the salt of life! Where has it gone to? Either I have not understood this sort of life or it is utterly worthless; but I did not know of a better one. No one showed it to me.
Ivan Goncharov (Oblomov)
we have an entirely new set-up. We have a safe tunnel leading to three of the finest stores in the world!” “We do indeed!” said Badger. “I’ve seen ’em!” “And you know what this means?” said Mr. Fox. “It means that none of us need ever go out into the open again!” There was a buzz of excitement around the table. “I therefore invite you all,” Mr. Fox went on, “to stay here with me for ever.” “For ever!” they cried. “My goodness! How marvellous!” And Rabbit said to Mrs. Rabbit, “My dear, just think! We’re never going to be shot at again in our lives!” “We will make,” said Mr. Fox, “a little underground village, with streets and houses on each side—separate houses for Badgers and Moles and Rabbits and Weasels and Foxes. And every day I will go shopping for you all. And every day we will eat like kings.
Roald Dahl (Fantastic Mr. Fox)
I’m trying to modify my NYPD piggishness. I have not hit on one single—or married—female in the ATTF. I was actually getting a reputation as a man who was either devoted to duty, or was devoted to some off-scene girlfriend, or was gay, or who had a low libido, or who perhaps had been hit below the belt by one of those bullets. In any case, a whole new world was opening up to me now. Women in the office talked to me about their boyfriends and husbands, asked me if I liked their new hairstyles, and generally treated me in a gender-neutral manner. The girls haven’t yet asked me to go shopping with them or shared recipes with me, but maybe I’ll be invited to a baby shower. The old John Corey is dead, buried under a ton of politically correct memos from Washington. John Corey, NYPD Homicide, is history. Special Contract Agent John Corey, ATTF, has emerged. I feel clean, baptized in Potomac holy water, reborn and accepted into the ranks of the pure angelic hosts with whom I work.
Nelson DeMille (The Lion's Game (John Corey, #2))
And Rhysand … Rhysand … He would be there. He’d give me the money to open my own shop; and because I wouldn’t charge anyone, I’d sell my paintings to pay him back. Because I would pay him back, mate or no. And he’d be here during the summer, flying over the meadow, chasing me across the little streams and up the sloped, grassy mountainside. He would sit with me under the stars, feeding me fat summer berries. And he would be at that table in the town house, roaring with laughter—never again cold and cruel and solemn. Never again anyone’s slave or whore. And at night … At night we’d go upstairs together, and he would whisper stories of his adventures, and I’d whisper about my day, and … And there it was. A future. The future I saw for myself, bright as the sunrise over the Sidra. A direction, and a goal, and an invitation to see what else immortality might offer me. It did not seem so listless, so empty, anymore. And I would fight until my last breath to attain it—to defend it. So I knew what I had to do.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The aspiring writer comes home after a hard day’s work in the plastic shop. Maybe he has a few beers, or a cocktail, but soon he retires to his writing. There he discovers the aroma of burning lavender incense, and a soft red glow streaming from his reading lamp. The strings of a violin sing out softly, romantically. He notices his favorite notebook lying on his desk, submissively, with her blank naked pages spread open for him. He fondles his ballpoint pen and gawks at her 9.75 by 7.5-inch-wide ruled lines. He simply sits and stares at her awhile, lustfully, admiring the soft red lines that run down her legs to form margins. He smiles, feeling shy and perhaps a little apprehensive about this, what is for him, inevitable endeavor. He glances at his eager pen for a moment. It is a small pen. She reassures him that it is not the size of the pen that counts, but rather his prowess with it.        Not having any sort of plan in mind, all the more excited by the spontaneity of it, he sets to writing. He starts out softly, gently, and careful at first, forming each letter of each word with intimate precision. The inhibitions drop with each gentle stroke of his pen. Soon he is inside and one with the inviting quarter blank page. His pen is feverishly scratching against the warm paper. Madly he is marking the page. The blood in his head pounds, as he lets all his energy, all the everything inside him spill out onto the page. Faster and faster he writes with wild abandon, pushing it out onto her! “More” she moans. He grunts a primal grunt that rises up thick and full, from somewhere in the depths of his very soul, and he writes on! From under his pen she screams out in shades of purple passion ecstasy! “YES! OH GOOD GOD, YES! GIVE IT TO ME! YOU MAD MAD POET!” So he writes on, harder and faster, striving for climax. Until it seems at any moment, his pen might explode and spray thick creamy bubbling blue ink everywhere! He comes! To the end of the page. With the ink still wet and strangely sticky between her pages, he closes the notebook. Feeling drained, he lies his head against her soft cardboard cover and dozes off to dream the dreams that writers dream…           Rainbow
Bearl Brooks (Literary Conception: A Collection of Short Stories and Poems)
Come here,” he says, pulling me against him. “I don’t want to go to the wedding anymore. I’d rather have you all to myself.” “No way,” I say, running a slow finger along the side of his jaw. “You’re a tease.” I love this playful side of Alex. It makes me forget all about those demons. “I came to see a Latino wedding, and I expect to see one,” I tell him. “And here I thought you were comin’ to be with me.” “You’ve got a big ego, Fuentes.” “That’s not all I’ve got.” He backs me against my car, his breath warming my neck more than the midday sun. I close my eyes and expect his lips on mine, but instead I hear his voice. “Give me your keys,” he says, reaching around and taking them from my hand. “You’re not going to throw them into the bushes, are you?” “Don’t tempt me.” Alex opens my car door and slides into the driver’s seat. “Aren’t you going to invite me in?” I ask, confused. “No. I’m parkin’ your car in the shop so it doesn’t get jacked. This is an official date. I’m drivin’.” I point to his motorcycle. “Don’t think I’m getting on that thing.” His left eyebrow raises a fraction. “Why not? Julio’s not good enough for you?” “Julio? You named your motorcycle Julio?” “After my great uncle who helped my parents move here from Mexico.” “I like Julio just fine. I just don’t want to ride on him wearing this short dress. Unless you want everyone riding behind us to see my undies.” He rubs his chin, thinking about it. “Now that would be a sight for sore eyes.” I cross my arms over my chest. “I’m jokin’. We’re takin’ my cousin’s car.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
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You do know scones are not donuts, right?" Nina wasn't one to pass up any baked goods, but a donut was a donut. No scone would do. "This is not your white, British-royals high tea, my friend. This is Highland Park high tea. It opened a month ago, and I think we're about to have our whole world rocked." The Jam's exterior was black-and-white---- if you blinked you'd miss it. But when they went inside Nina immediately spotted a colorful mural of dinosaurs seated on velvet cushions, eating donuts and drinking out of porcelain cups. A pristine glass display case on the opposite wall featured rows and rows of endless donuts--- a happy welcoming committee of frosting and dough. "We'll be having tea for two," Jasmine said at the counter. "And for my donut, could I get the Swirly Rosewater, please?" As soon as she saw the names and flavors of the donuts, she instantly knew two things: one, she was going to love these, and two, Leo would absolutely hate them. Nina suddenly felt sympathy for Leo any time a contestant created a unique flavor pairing on the show. She raced to find the donut her friend had ordered in the case, and landed on a frosted pink cake donut that had a lemon rosewater glaze topped with roasted pistachios. "You live your life in pink, Jas." "No better color. So from what I read online, the deal is that instead of scones, they do vegan donuts---" Nina's eyes narrowed, and Jasmine glared right back. "Don't judge. What are you going to get?" "I need chocolate," Nina said. She scanned the rows in search of the perfect solution. "May I recommend our Chocolate from the Crypt donut?" the saleswoman suggested from behind the display. Her sharp bangs and blunt ponytail bobbed as she explained, "It's our fall-themed donut--- chocolate cake with a chocolate glaze, and it's got a kick from the cayenne pepper and cinnamon we add in." "Oh, my donut," Nina said. In the case was an absolutely gorgeous chocolate confection--- the cayenne and cinnamon flakes on the outside created a black-and-orange effect. "I am sold." "You got it." The saleswoman nodded and rang them up. A narrow hallway covered in murals of cartoon animals drinking tea led them to the official tearoom. Soaring ceilings revealed exposed beams and brick walls, signaling that the building was likely older and newly restored. Modern, barrel-back walnut chairs were clustered around ultrasleek Scandinavian round tables. Nina felt like she'd followed Jasmine down a rabbit hole and emerged into the modern interpretation of the Mad Hatter's tea party. "This is like..." Nina began. "It's a fun aesthetic." "I know, right?" Jasmine replied as they sat down. "It makes me feel like I'm not cool enough to be here, but glad I got invited." Nina picked up the prix fixe high tea menu on the table. The Jam's version of finger sandwiches were crispy "chicken" sliders, potato-hash tacos and mini banh mi, and in lieu of scones, they offered cornbread with raspberry jam and their signature donuts. "And it's all vegan...?" "Yes, my friendly carnivore, and hopefully delicious.
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
before,” he said. I tilted my head and took a good look at the space. “Was it just like this? The layout, I mean. Did you have places to sit?” “There were two tables,” he said. I walked toward the curtained-off nook, thinking about the current placement of the bookshelves. There was a lot of wasted space. The building was sizable, and Joe had everything spread out. It did make it feel open and airy, but it wasn’t a very efficient use of the square footage. “What if we had more seating?” I asked. “Not just a couple of tables, put there as an afterthought, but a whole section. There’s room if we move things around.” I gestured toward the rear of the store. “And we’re using that whole area for storage, but couldn’t we put that stuff in the back room? It would free up a ton of space.” “Space for what?” “For people.” I paused for a moment, thinking. “What if this wasn’t just a bookstore? What if it was like… a gathering place? We need ways to encourage people to come in and shop here, instead of ordering online or going to one of the big chain stores.” “Well, sure,” he said. “That’s why we have our local authors section, and the staff recommendations. Those are popular with customers.” “Yeah, but is it enough?” I asked. “If you had places for people to sit, you could host some of those local authors. Invite them to do readings. Open it up to book
Claire Kingsley (His Heart)
We dine in Gion---the geisha district, Kyoto's heart and spiritual center. There are rickety teahouses, master sword makers, and women dressed in kimonos. The restaurant is by invitation only and seats seven, but the chef prefers to keep the guest count under five. His name is Komura, and like the bamboo farmer Shirasu and his son, his two daughters assist him. The sisters light candles in bronze holders and place them around the room. The restaurant is a converted home, the walls a deep ebony stained from years of smoke from the open hearth----it's called kurobikari, black luster. It's a hidden gem nestled between a pachinko parlor and an antiques shop. The table we kneel at is made of thick wood, its surface weathered, worn, and polished, honed by years of hands and plates and cups of tea.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
You may feel sexual energy moving through your entire body in waves during meditation (or at any time— even unprovoked), filling in and activating the lower energy centers with desire. And since imagination is in you all the time and is part of who you are, for reasons other than having sex, you should harness it. There's a big difference between having an "erotic life" and having a "sex life." Having sex or an orgasm isn't even half of what erotic energy means to be energized. It can potentially decrease the energy released by sexual activity. When you don't use orgasm to disburse sexual energy, it builds up and eventually transforms into creative expression and makes you do something you may not have had the ability or boldness to do before. The trick is to harness the emotion instead of allowing it to control your actions or turn you into a slave to your sex drive. I do not suggest you repress or resist sexual urges— that action is fear-based or guilt-driven, which serves no other useful purpose than to cause frustration that slows spiritual advancement. Instead, channel your strength and infuse it into all you do. Your mission to work and life can be inspired, and your family and friendships can be positively influenced as you interact from a love-filled heart that is activated by sexual energy. It can bring bliss, creativity, and joy from grocery shopping to writing a blog post, as it invites you to enjoy the present moment. It's like being drunk or drugged under the influence of sexual energy; it can inspire you to take risks and do things you wouldn't otherwise do. It can lessen the fear that you might feel in a business venture or some other opportunity to take the next step. Before you can channel strong sexual energy to other beneficial pursuits, the energy in your personal space and body must be able to hold and flow in. This can be done as you connect in the present moment to your sacred heart center, without being distracted by the mind's constant chatter. When you feel sexual energy stirring inside you, stay in an awareness space, and feel it as it flows through your body. Note how it pulsates, and give you a sense of strength. Contain it simply and enable it to revitalize and heal the body, lift depression, open blockages, dissolve sexual hang-ups, and spark new ideas. As you hold this powerful presence, you can start by using thought or intention to direct the energy toward some creative endeavor. Ultimately the energy is inside you and can be activated without another person's influence. Yet tantric exploration, practicing heart connection, or sending / receiving energy with another person can increase this energy flow even more and bring euphoric pleasure to the whole body and emotions.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)