“
I came over to apologize.”
“What?” I was shocked, awed, and shocked some more
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
It was a good kiss."
"Yes, it was."
"What does that mean?"
"It means I'm a fabulous kisser and you're easy.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
He said, 'Damianos.'
Before Damen could tell him to rise, he heard it again, echoed in another voice, and then another. It was passing over the gathered men in the courtyard, his name in tones of shock and of awe. The steward beside Nikandros was kneeling. And then four of the men in the front ranks. And then more, dozens of men, rank after rank of soldiers.
And as Damen looked out, the army was dropping to its knees, until the courtyard was a sea of bowed heads, and silence replaced the murmur of voices, the words spoken over and over again.
'He lives. The King's son lives. Damianos.'
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
You don't need to like me to let me fuck you but since I like you, I'd prefer it that way.
”
”
Kristen Ashley (Knight (Unfinished Hero, #1))
“
Zach, we have to stop her!"
But Zach just held me. He looked at me with shock and awe and just a little bit of wonder. In spite of everything, I thought that he might laugh.
"Gallagher Girl," he told me, "you are the school.
”
”
Ally Carter (United We Spy (Gallagher Girls, #6))
“
Just hear me out. While you were napping, I was busy chatting up our allies. Didn't you know--your woman's a golden-tongued ambassador! My sisters always said I graduated from the shock-and-awe school of diplomacy, but joke 'em if they can't take a fuck, right?
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
... you've always been home to me.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
You're dirty, Kels."
"That's like Satan calling me a bad boy.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
I'm not asking you to buy the milk, O'Flaherty, I just want you to grope the cow.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
Kelly held up a finger. “No half-assed middle school kissing, either.”
“Okay.”
“I want the whole deal.”
“This is starting to feel like I’m leasing a car or something.”
“I’m serious, I want the Irish special.”
Nick rolled his eyes and looked up at the ceiling. “Fine. Jesus.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
Now you should be thinking about me fucking you," he hissed. "Because I sure as hell am."
"Oh God," Kelly breathed.
"No, you don't say his name when I fuck you. You say mine.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
Oh God,” Kelly breathed.
“No, you don’t say his name when I fuck you. You say mine.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
Okay.”
“I want the whole deal.”
“This is starting to feel like I’m leasing a car or something.”
“I’m serious, I want the Irish special.”
Nick rolled his eyes and looked up at the ceiling. “Fine. Jesus.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start."
"You are a music lover," said the wide-eyed cashier.
"No, I'm a kleptomaniac." And she dashed out the door.
He was so utterly shocked that it took him a moment to run after her.
With a meaningful nod in the direction of the astounded Cahills, she barreled down the cobblestone street with her load.
"Fermati!" shouted the cashier, scrambling in breathless pursuit.
Nellie let a few CDs drop and watched with satisfaction over her shoulder as the clerk stopped to pick them up. The trick would be to keep the chase going just long enough for Amy and Dan to search Disco Volante.
Yikes, she reflected suddenly, I'm starting to think like a Cahill....
And if she was nuts enough to hang around this family, it was only going to get worse.
”
”
Gordon Korman (One False Note (The 39 Clues, #2))
“
Your opening needs to be a kind of pleasant shock therapy. It should grab people. And in grabbing them, it should both awe the guests and honor them. It must plant in them the paradoxical feeling of being totally welcomed and deeply grateful to be there.
”
”
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
“
I want to know what it feels like to kiss a guy. And you've had a lot of practice, so I know you're a good kisser.
Are you simultaneously complimenting me and calling me a whore?
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
She is beautiful.
The thought came out of nowhere and shocked me into next week.
- Romeo about Rimmel
”
”
Cambria Hebert (#Nerd (Hashtag, #1))
“
Look, I love you." Kelly told him. "You love me. We've bled for each other. Why can't that turn into more?
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
Allison."
I almost collapsed in relief. "Yeah," I whispered, forcing a pained smile as he stared at me as if I were a ghost. "It's me. Damn you, Kanin. You were a pain in the ass to find, you know that?"
Kanin didn't answer. Without warning, his hands rose, pressing to either side of my face as I went rigid. His stare was awed, hopeful, as if he couldn't quite believe I was real and had to touch me to make sure I wasn't a phantom.
"You're here." I barely caught the whisper, and Kanin's eyes closed again as he bowed his head. It was a broken sound, a man desperately grasping at the last thread of hope, when he had been in the darkness for so long. "You came."
And, as I stood, shocked, against the wall of the cell, Kanin sank to his knees in front of me, holding the backs of my legs. The top of his bowed head pressed against my thighs. "You came," he repeated, a chant holding him to sanity. I swallowed the lump in my throat and touched his broad shoulders, biting my lips to keep the tears in check, as the cell door opened with a creak, and the Prince beckoned us both to freedom.
”
”
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
“
Take these sunflower seeds and put them in your pockets' said one Ukrainian woman to a Russian soldier on her street, 'At least when you die, something will grow.' Others ask soldiers, 'How do you explain to your mother why you are here?' The soldiers are disheartened, no shock and awe, no Zelenskyy slinking off to another country, not what Putin expected.
”
”
Shellen Lubin
“
Shock is when language and emotion get overwritten by trauma's numbing code.
”
”
Stewart Stafford
“
It feels good,” Kelly finally whispered, sounding surprised.
“Will it hurt?”
“I’m not going to fuck you, Kels.”
“Why not?”
“Because you’re hurt and I get rough.”
Kelly swallowed hard, his breath quickening.
“How rough?”
Nick cocked his head and smiled slowly.
“That’s kind of hot.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
Nick was still looking at him sideways, but a flush began to appear on his cheeks. Kelly swallowed hard, growing warmer. “You remember that night?” “Yeah, I do.” “You . . . you were, um . . . impressive.” “I knew you were watching,” Nick murmured. “Exhibitionist.” “Voyeur.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
Don't worry, keep at it, you will soon shock the world
”
”
TemitOpe Ibrahim
“
I love you. You crazy bastard.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
There was a sudden, shocking sound that echoed through Garion's head like an explosion.
"What was that?" Zakath exclaimed.
"You heard it, too?" Garion was amazed. "You shouldn't have been able to hear it!"
"It shook the earth, Garion. Look there." Zakath pointed off toward the north where a huge pillar of fire was soaring up toward the murky, starless sky. "What is it?"
"Aunt Pol did something. She's never that clumsy..."
Belgarath and Beldin were both pale and shaken, and even Durnik seemed awed.
"She hasn't done anything that noisy since she was about sixteen," Beldin said,m blinking in astonishment. He looked suspiciously at Durnik. "Have you gone and got her pregnant?
”
”
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
“
Nick’s lips twitched. “How long did you practice that before you came out here?” “About an hour,” Kelly answered, breaking into a smile. “Was it good? How’d I do?” Nick nodded. “It was good.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
[T]he luminous and shocking beauty of the everyday is something I try to remain alert to, if only as an antidote to the chronic cynicism and disenchantment that seems to surround everything, these days. It tells me that, despite how debased or corrupt we are told humanity is and how degraded the world has become, it just keeps on being beautiful. It can’t help it.
”
”
Nick Cave (Faith, Hope and Carnage)
“
This could work out pretty nice for both of us, Nicko. I’ve never been with anyone where it was so easy so fast. Where it felt like home. But you’ve always been home to me.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
I had a lot of nights alone,” Kelly said. Nick raised his head, and their noses brushed. Kelly’s breath was warm against his lips. “I called your name every damn time.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
Are you beating the meat? Flogging the bishop? Spanking the monkey?
”
”
Matthew Bracey
“
The kiss was so consuming that Nick got lost in it, all his senses absorbed by it. It was still crazy to think this was the Doc he was kissing, to think he was getting turned on just sitting here and kissing Kelly. He would have to pole-vault over that hurdle too, because this was too damn good to pass up just because it was weird.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
Her eyes are shockingly black—shocking not because black eyes are particularly rare, but because she’s wearing smoky gray eyeshadow and dark eyeliner to accentuate them further. Makeup, while the world is ending. You don’t know whether to be awed or affronted by that.
”
”
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
“
You’re so fucking hot, you know that?” Kelly whispered.
“I bet you tell that to all your oldest friends as you’re jacking them off.”
Kelly snickered and arched his back, seeking contact. “No, just you.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
You saying you can’t handle that?” Kelly needled, grinning. Nick could see that grin in the moonlight, had seen that grin a thousand times before. Now, though, he wanted to wipe it away with another kiss. Jesus, if they didn’t do something about this now, it was going to linger.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
Glamour could be defined as the lie you tell so well you believe it yourself, and make others believe it too.
”
”
Simon Reynolds (Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-first Century)
“
I’m not under the influence anymore. Much. Even if I was, I’ve done things way worse than you that I’ve never regretted.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
I’m pretty sure that wasn’t there before,” Nick grumbled.
Kelly laughed harder. “I’m pretty sure it was.”
“Shut up.”
“You’re high.”
“Oh, look at the pothead calling the kettle names,” Nick said in a singsong voice as he settled onto the wide chaise beside Kelly.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
Nick lowered his head, licking his lips. “I never thanked you for what you did.”
“What?”
“Ty is my best friend,” Nick said. “He’s been the most constant thing I’ve had in my life. I know if you had forced him to choose between us, he would have chosen you. And he should have,” Nick added quickly with a glance at Zane. “Thank you for not making him choose.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
We’ve already altered our relationship with last night,” Nick said. “We’ll never get that back.”
“I know,” Kelly said softly.
“We can stop here and just go to sleep.
”Kelly narrowed his eyes, a smile flitting across his lips. “You’re going to look for the exit at every turn, aren’t you?”
Nick huffed.
Kelly began to unbutton his shirt. “Well there ain’t no exits on this ride, babe, ’cause I know all your tricks.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
(Kyler's song about Lennon?)
Stop hiding in the darkness,
step out into the light.
The sky is filled with all these stars,
so come and kiss the night.
Infinity is waiting,
calling you by name.
The world is yours for the taking,
so take it just the same.
Shock and awe, surprise them,
those who think you're weak.
Look to the sky and chase them,
those answers that you seek.
The stars will light the sky for us,
they'll illuminate the way.
They show you how to find me,
they'll make you want to stay.
”
”
L.D. Crichton (All Our Broken Pieces)
“
La faculté divine est une faculté divine et mystérieuse; car c’est par le rêve que l’homme communique avec le monde ténébreux dont il est environné.
”
”
Charles Beaudelaire
“
A world without rape would be a world in which women moved freely without fear of men. That some men rape provides a sufficient threat to keep all women in a constant state of intimidation, forever conscious of the knowledge that the biological tool must be held in awe for it may turn to weapon with sudden swiftness borne of harmful intent...Rather than society's abberants or"spoilers of purity," men who rape have serves in effect as front-line masculine shock troops, terrorists guerrillas in the longest sustained battle the world has ever known.
”
”
Susan Brownmiller
“
Poetic Terrorism
WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ...
Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc.
Go naked for a sign.
Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty.
Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement...
The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails.
PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now.
An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE.
Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you.
Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.
”
”
Hakim Bey (TAZ: The Temporary Autonomous Zone (New Autonomy))
“
The barman reeled for a moment, hit by a shocking, incomprehensible sense of distance. He didn’t know what it meant, but he looked at Ford Prefect with a new sense of respect, almost awe.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
Most are desperate boys yearning to salve a deep wound. Insignificance. Worthlessness. Social invisibility. This boy has dreamed and prayed, for so long, of someone loving him, noticing him, above all respecting him. Not that he deserves it. He sure doesn’t respect himself. When hope runs dry, prayers unanswered, a fraction of these boys kill themselves. That ends the pain but doesn’t mend the wound. Suicide confirms their pathetic status. But a thunderstroke, desolation of a community, shock across the country—that rates awe. Respect. He is heralded as a mastermind. Everything he craved.
”
”
Dave Cullen (Columbine)
“
Caz cups my face with one steady, slender hand and traces a gentle line down my cheek, and my mind—my mind teeters toward oblivion. My breathing betrays me. His ink-black eyes lock on mine, and I am staring up at him, half in shock and maybe awe. He’s unreasonably beautiful and he’s so close it makes me ache and I want him closer still. I want him even though I shouldn’t. I want him to want me too.
”
”
Ann Liang (This Time It's Real)
“
He reached down and fingered his hoodie on the bed. 'You sleeping with this?' His voice grew raspy. I shrugged. 'Maybe.' He growled, wrapped his arms around me, and buried his face in my shoulder. 'You really test my limits,' he said. Then I heard him mumble, 'Already.' 'Your limits?' I asked, pulling back to look at him. 'If you were any other girl, I would already have you naked and beneath me.' His words should have shocked me. Maybe made me angry. They didn't. They turned me on. I shivered with newfound desire. He groaned and sat me aside and stood from the bed. 'You're killing me, Smalls.' 'Smalls?' I giggled. He grinned. 'That's what we call the small players on the team.' 'I'm not on your team.' I pointed out. 'No. But you are mine.'"
"- Romeo & Rimmel
”
”
Cambria Hebert (#Nerd (Hashtag, #1))
“
How do you feel about a little bait and switch?”
Kelly licked his lips, then grinned slowly. “Sounds about as fun as you bending me over one of those interrogation desks.”
Nick groaned and pushed his chair back so they were no longer in contact. “Don’t fucking tempt me, okay? Those rooms have video feeds.”
“Really? Do they record?”
Nick had to get up and walk away as Kelly laughed merrily at his desk. “You’re killing me, Kels,” he called over his shoulder. “Killing me!
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
TO BE EVERYTHING AND NOTHING AT THE SAME TIME Is it possible to start to feel, in this very moment, that our bodies, our minds, and even our personalities are ways through which our spiritual essence connects with the world around us? That these bodies and minds are actually sensing organs for spirit? Our physical forms are the vehicle through which spiritual essence gets to experience its own mysterious creation—to be bewildered by its creation, shocked by it, in awe of it, and even confused by it. Spirit is pure potential that contains every possible outcome. From the standpoint of our spiritual essence, nothing is to be avoided. No experiences need to be turned from. Everything, in its way, is a gift—even the painful things. In reality, all of life—every moment, every experience—is an expression of spirit.
”
”
Adyashanti (Falling Into Grace)
“
I know “professional” historians like to talk about how Yonkers represented a “catastrophic failure of the modern military apparatus,” how it proved the old adage that armies perfect the art of fighting the last war just in time for the next one. Personally, I think that’s a big ’ole sack of it. Sure, we were unprepared, our tools, our training, everything I just talked about, all one class-A, gold-standard clusterfuck, but the weapon that really failed wasn’t something that rolled off an assembly line. It’s as old as…I don’t know, I guess as old as war. It’s fear, dude, just fear and you don’t have to be Sun freakin Tzu to know that real fighting isn’t about killing or even hurting the other guy, it’s about scaring him enough to call it a day. Break their spirit, that’s what every successful army goes for, from tribal face paint to the “blitzkrieg” to…what did we call the first round of Gulf War Two, “Shock and Awe”? Perfect name, “Shock and Awe”! But what if the enemy can’t be shocked and awed? Not just won’t, but biologically can’t! That’s what happened that day outside New York City, that’s the failure that almost lost us the whole damn war. The fact that we couldn’t shock and awe Zack boomeranged right back in our faces and actually allowed Zack to shock and awe us! They’re not afraid! No matter what we do, no matter how many we kill, they will never, ever be afraid!
”
”
Max Brooks (World War Z: An Oral History of the Zombie War)
“
Q. Your original, self-published version of The Martian became a phenomenon online. Were you expecting the overwhelmingly positive reception the book received? A. I had no idea it was going to do so well. The story had been available for free on my website for months, and I assumed anyone who wanted to read it had already read it. A few readers had requested I post a Kindle version because it’s easier to download that way. So I went ahead and did it, setting the price to the minimum Amazon would allow. As it sold more and more copies I just watched in awe. Q. Film rights to The Martian were sold to writer-producer Simon Kinberg (Mr. & Mrs. Smith, Sherlock Holmes, X-Men: First Class). What was your first reaction? A. Of course I’m thrilled to have a movie in the works. The movie deal and print publishing deal came within a week of each other, so I was a little shell-shocked. In fact, it was such a sudden launch into the big leagues that I literally had a difficult time believing it. I actually worried it could all be an elaborate scam. So I guess that was my first reaction: “Is this really happening!?
”
”
Andy Weir (The Martian)
“
(Kyler's song about Lennon?)
Stop hiding in the darkness,
step out into the light.
The sky is filled with all these stars,
so come and kiss the night.
Infinity is waiting,
calling you by name.
The world is yours for the taking,
so take it just the same.
Shock and awe, surprise them,
those who think you're weak.
Look to the sky and chase them,
those answers that you seek.
Because it's there you'll find me,
talking to the moon.
Telling him my secrets,
asking about you.
The stars will light the sky for us,
they'll illuminate the way.
They show you how to find me,
they'll make you want to stay.
”
”
L.D. Crichton (All Our Broken Pieces)
“
Oh Jesus, hello prostate," he gasped.
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
We are all making it up as we go along, unmaking our minds and remaking ourselves.
”
”
Simon Reynolds (Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-first Century)
“
But antibiotics are shock-and-awe weapons. They kill the bacteria we want as well as those we don't - an approach that's like nuking a city to deal with a rat.
”
”
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
“
Wells recognized that these crude novels correctly foresaw modern warfare as aiming at the massive destruction of the physical structures of an enemy civilization and the terrorizing if not annihilating of its noncombatant population. His Martians anticipate with uncomfortable accuracy, for example, American bombings of Dresden and Tokyo, followed by Hiroshima and Nagasaki, and boastful proclamations of “shock and awe” tactics against Iraq.
”
”
H.G. Wells (The War of the Worlds)
“
Part of the excitement of attraction is knowing it’s reciprocated, right?”
Kelly nodded. “We found out last night that we, um...”
“Reciprocate,” Nick provided. They both grinned, meeting each other’s eyes. The warmth and excitement of new attraction were bolstered by years of history. Years of camaraderie. Years of comfort. It was something entirely new, and it was something that just felt right.
Kelly inhaled sharply as the realization hit him. “This would be so easy.”
Nick bit his lip, not responding. Instead he reached out and ran his fingers over Kelly’s wrist.
“God, O, this would be so easy,” Kelly said more emphatically. He moved carefully and leaned on the railing beside Nick. “You and me? Just... can you imagine?
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
Without the restless insects the place seemed stunned, stupefied, shocked by the ballet of gossamer violence, the wonder of plain and simple things drawn together to conjure such beauty, transforming that bubble of urban air into a theatre where an astonishing performance was fleetingly played to an awed audience of one, the memory of which would sparkle for a lifetime. And he knew it then, in that moment of dead happiness, what a gift, what a thing he had seen, what a treasure he held.
”
”
Chris Packham (Fingers in the Sparkle Jar: A Memoir)
“
It no longer shocks me that while I watch a highly intelligent man (like Atty. Nicanor “Nick” De Leon, CPA) speaks the truth, I couldn't help but think how he possesses an ideal trait that is strongly compelled by love. And it inspires a deep sense of awe in me.
”
”
Bea Pilotin
“
I remember wondering if he’d ever been blown before. The shock and awe in his voice had been so raw. So sexy. So I’d wondered, but not for long. Not when he started whispering the hottest, filthiest commands at me. “More,” he muttered. “Take more. Take it all.” I sucked him deeper into my mouth, almost to the base, and just when he moaned, I released him, gliding my tongue along the long, hard length of him until his dick was glistening. I lapped at the moisture leaking out of his tip, and the taste of him infused my tongue, making my head spin.
”
”
Sarina Bowen (Him (Him, #1))
“
Did women actually faint, I wondered, or was that an invention of bad Victorian novels and Friday night picture shows? Or perhaps women simply contrived to collapse at convenient moments to delay the burden of hearing and seeing and feeling, just for a little while. I sympathized.
”
”
Alix E. Harrow (The Ten Thousand Doors of January)
“
I do not think we can ever adequately define or understand love; I do not think we were ever meant to. We are meant to participate in love without really comprehending it. We are meant to give ourselves, live ourselves into love’s mystery.
It is the same for all important things in life; there is a mystery within them that our definitions and understandings cannot grasp. Definitions and understandings are images and concepts created by our brains to symbolize what is real. Our thoughts about something are never the thing itself. Further, when we think logically about something, our thoughts come sequentially – one after another. Reality is not confined to such linearity; it keeps happening all at once in each instant. The best our thoughts can do is try to keep a little running commentary in rapid, breathless sequence. . .
A certain asceticism of mind, a gentle intellectual restraint, is needed to appreciate the important things in life. To be open to the truth of love, we must relinquish our frozen comprehensions and begin instead to appreciate. To comprehend is to grasp; to appreciate is to value. Appreciation is gentle seeing, soft acknowledgement, reverent perception. Appreciation can be a pleasant valuing: being awed by a night sky, touched by a symphony, or moved by a caress without needing to understand why. It can also be painful: feeling someone’s suffering, being shocked by loss or disaster without comprehending the reason. Appreciation itself is a kind of love; it is our direct human responsiveness, valuing what we cannot grasp. Love, the life of our heart, is not what we think. It is always ready to surprise us, to take us beyond our understandings into a reality that is both insecure and wonderful.
”
”
Gerald G. May (The Awakened Heart: Opening Yourself to the Love You Need)
“
He ate three cold roast chickens,” said Felicity in a shocked voice. “Three, at breakfast time!” She spoke as though she was not certain which to be more offended by, the quantity or the hour. “And he still does not look happy,” added Evylin, big blue eyes even bigger and bluer than usual in awe.
”
”
Gail Carriger (Soulless (Parasol Protectorate, #1))
“
In those years, my early twenties, when I was bursting into my faith with a burning-hot first fervour, many of my friends and I wanted to see the miracles of the New Testament. I still do. But as the years have passed and that first fervour has given birth to a deeper and more persistent and admiring second love, I've come to see that kindness is a miracle, self-control a shocking characteristic, gentleness and humility rare commodities, and Christian unity almost worthy of greater awe than dead-raising. We were looking for the "grand" stuff, but surprisingly, the "little" stuff was harder to come by.
”
”
Strahan Coleman (Beholding: Deepening Our Experience in God)
“
Let’s ask him,” Lincoln Steffens suggested. The two men dashed across to headquarters and burst into Roosevelt’s office. Riis put the question directly. Was he working to be President? The effect, wrote Steffens, “was frightening.” TR leaped to his feet, ran around his desk, and fists clenched, teeth bared, he seemed about to throttle Riis, who cowered away, amazed. “Don’t you dare ask me that,” TR yelled at Riis. “Don’t you put such ideas into my head. No friend of mine would ever say a thing like that, you—you—” Riis’s shocked face or TR’s recollection that he had few friends as devoted as Jake Riis halted him. He backed away, came up again to Riis, and put his arm over his shoulder. Then he beckoned me close and in an awed tone of voice explained. “Never, never, you must never either of you remind a man at work on a political job that he may be President. It almost always kills him politically. He loses his nerve; he can’t do his work; he gives up the very traits that are making him a possibility. I, for instance, I am going to do great things here, hard things that require all the courage, ability, work that I am capable of … But if I get to thinking of what it might lead to—” He stopped, held us off, and looked into our faces with his face screwed up into a knot, as with lowered voice he said slowly: “I must be wanting to be President. Every young man does. But I won’t let myself think of it; I must not, because if I do, I will begin to work for it, I’ll be careful, calculating, cautious in word and act, and so—I’ll beat myself. See?” Again he looked at us as if we were enemies; then he threw us away from him and went back to his desk. “Go on away, now,” he said, “and don’t you ever mention the—don’t you ever mention that to me again.”141
”
”
Edmund Morris (The Rise of Theodore Roosevelt)
“
Obama occasionally pointed out that the post–Cold War moment was always going to be transitory. The rest of the world will accede to American leadership, but not dominance. I remember a snippet from a column around 9/11: America bestrides the world like a colossus. Did we? It was a story we told ourselves. Shock and awe. Regime change. Freedom on the march. A trillion dollars later, we couldn’t keep the electricity running in Baghdad. The Iraq War disturbed other countries—including U.S. allies—in its illogic and destruction, and accelerated a realignment of power and influence that was further advanced by the global financial crisis. By the time Obama took office, a global correction had already taken place. Russia was resisting American influence. China was throwing its weight around. Europeans were untangling a crisis in the Eurozone.
Obama didn’t want to disengage from the world; he wanted to engage more. By limiting our military involvement in the Middle East, we’d be in a better position to husband our own resources and assert ourselves in more places, on more issues. To rebuild our economy at home. To help shape the future of the Asia Pacific and manage China’s rise. To open up places like Cuba and expand American influence in Africa and Latin America. To mobilize the world to deal with truly existential threats such as climate change, which is almost never discussed in debates about American national security.
”
”
Ben Rhodes (The World As It Is: Inside the Obama White House)
“
I suppose a part of me wished when I put my key in the door, it would magically open into a different apartment, a different life, a place so bright with joy and excitement that I'd be temporarily blinded when I first saw it. I pictured what a documentary film crew would capture in my face as I glimpsed this whole new world before me, like in those home improvement shows Reva liked to watch when she came over. First, I'd cringe with surprise. But then, once my eyes adjusted to the light, they'd grow wide and glisten with awe. I'd drop the keys and the coffee and wander in, spinning around with my jaw hanging open, shocked at the transformation of my dim, gray apartment into a paradise of realized dreams. But what would it look like exactly? I had no idea. When I tried to imagine this new place, all I could come up with was a cheesy mural of a rainbow, a man in a white bunny costume, a set of dentures in a glass, a huge slice of watermelon on a yellow plate—an odd prediction, maybe, of when I'm ninety-five and losing my mind in an assisted-living facility where they treat the elderly residents like retarded children. I should be so lucky, I thought. I opened the door to my apartment, and, of course, nothing had changed.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
But what the dragons in general hadn’t realized was that, in the absence of physical predators, time itself becomes a predator. Dragons got accustomed to being top dogs. They started to enjoy the whole shock-and-awe thing. They forgot that humans weren’t just dumb sheep with thumbs.
First the dragons grew complacent; then they got lazy. And the universe cannot suffer laziness because it leads to species-killing mistakes. The dragons’ mistake was when they started keeping familiars, because before you knew it, the humans had moved on up from carrying logs and shoveling dragon shit to bringing home the bacon.
Next thing, those familiars were doing the books and giving pedicures, making themselves indispensable, making themselves invisible. Dragons allowed those humans to build quarters for themselves inside the walls. Dragons blabbed on about politics and strategy while their familiars were in the room. And goddamn if those familiars weren’t taking notes.
It didn’t take more than five hundred years and half a dozen failed revolutions before those smart little humans were running the show, and any dragons who had survived the purge were reduced to hiring themselves out as muscle or skulking around in various inhospitable shitholes.
And still humans ran the show, keeping themselves sharp by becoming their own predators, which was twisted as hell.
”
”
Eoin Colfer (Highfire)
“
Again the king sighed. "That is a different matter."
"Fine," Dragon said promptly. "I shall solve your problem for you." He made to rise.
Rycca did not mask her response. She grabbed hold of his wrist with both her hands and yanked hard. "Sit down," she said emphatically, and then just to soften it, "I pray you,my lord."
After a moment's shock, Alfred laughed. He shook his head ruefully. "You three must know how men envy you? The beauty of your wives is spoken of with awe, yet I am pleased to see they are not lacking in spirit either."
"Mayhap too much spirit," Dragon growled, but he did not look truly angry, merely frustrated.
"Your killing Wolscroft will only cause more trouble," Alfred said. "No, this must be handled within the law."
Slowly, Dragon resumed his seat but he looked in no way pleased about it. Rycca returned her hands to her lap and tried hard to look abashed. He wasn't fooled but he did reach over, take hold of her chair, and haul it up close to his so that he could rest an arm around her shoulders. A rather heavy arm, she thought, reminded of his strength and will.Not that she minded. Above all, she wanted him near her,not off risking his life against her father.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
Major - de Coverley was a splendid, awe-inspiring, grave old man with a massive leonine head and an angry shock of wild white hair that raged like a blizzard around his stern, patriarchal face. His duties as squadron executive officer did consist entirely, as both Doc Daneeka and Major Major had conjectured, of pitching horseshoes, kidnaping Italian laborers, and renting apartments for the enlisted men and officers to use on rest leaves, and he excelled at all three....He also iked to arrive in a city just before the occupying Allied force so that he could ride in a jeep at the front of the conquering army.
”
”
Joseph Heller (Catch-22)
“
Happy birthday,” he whispered, his breath landing warm and suddenly close to my lips, making my insides flip. And just as quickly as he’d surprised me with the cake, he kissed me, one frosting-covered hand moving from my hair to the back of my neck, the other solid and warm in the small of my back, pressing us together, my chest against his ribs, my hip bones just below his, the tops of our bare summer legs hot and touching. I stopped breathing. My eyes were closed and his mouth tasted like marzipan flowers and clove cigarettes, and in ten seconds the whole of my life was wrapped up in that one kiss, that one wish, that one secret that would forever divide my life into two parts.
Up, down. Happy, sad. Shock, awe. Before, after.
In that single moment, Matt, formerly known as friend, became something else entirely.
I kissed him back. I forgot time. I forgot my feet. I forgot the people outside, waiting for us to rejoin the party. I forgot what happens when friends cross into this space. And if my lungs didn’t fill and my heart didn’t beat and my blood didn’t pump without my intervention, I would have forgotten about them, too.
I could have stayed like that all night, standing in front of the sink, Matt’s black apple hair brushing my cheeks, heart thumping, lucky and forgetful…
”
”
Sarah Ockler (Twenty Boy Summer)
“
Okay,” I finally said. “Can we all agree that this is maybe the most screwed-up situation we’ve ever found ourselves in?”
“Agreed,” they said in unison.
“Awesome.” I gave a little nod. “And do either of you have any idea what we should do about it?”
“Well, we can’t use magic,” Archer said.
“And if we try to leave, we get eaten by Monster Fog,” Jenna added.
“Right. So no plans at all, then?”
Jenna frowned. “Other than rocking in the fetal position for a while?”
“Yeah, I was thinking about taking one of those showers where you huddle in the corner fully clothed and cry,” Archer offered.
I couldn’t help but snort with laughter. “Great. So we’ll all go have our mental breakdowns, and then we’ll somehow get ourselves out of this mess.”
“I think our best bet is to lie low for a while,” Archer said. “Let Mrs. Casnoff think we’re all too shocked and awed to do anything. Maybe this assembly tonight will give us some answers.”
“Answers,” I practically sighed. “About freaking time.”
Jenna gave me a funny look. “Soph, are you…grinning?”
I could feel my cheeks aching, so I knew that I was. “Look, you two have to admit: if we want to figure out just what the Casnoffs are plotting, this is pretty much the perfect place.”
“My girl has a point,” Archer said, smiling at me. Now my cheeks didn’t just ache, they burned.
Clearing her throat, Jenna said, “Okay, so we all go up to our rooms, then after the assembly tonight we can regroup and decide what to do next.”
“Deal,” I said as Archer nodded.
“Are we all going to high-five now?” Jenna asked after a pause.
“No, but I can make up some kind of secret handshake if you want,” Archer said, and for a second, they smiled at each other.
But just as quickly, the smile disappeared from Jenna’s face, and she said to me, “Let’s go. I want to see if our room is as freakified as the rest of this place.”
“Good idea,” I said. Archer reached out and brushed his fingers over mine.
“See you later, then?” he asked. His voice was casual, but my skin was hot where he touched me.
“Definitely,” I answered, figuring that even a girl who has to stop evil witches from taking over the world could make time for kissage in there somewhere.
He turned and walked away. As I watched him go, I could feel Jenna starting at me. “Fine,” she acknowledged with a dramatic roll of her eyes. “He’s a little dreamy.”
I elbowed her gently in the side. “Thanks.”
Jenna started to walk to the stairs. “You coming?”
“Yeah,” I said. “I’ll be right up. I just want to take a quick look around down here.”
“Why, so you can be even more depressed?”
Actually, I wanted to stay downstairs just a little longer to see if anyone else showed up. So far, I’d seen nearly everyone I remembered from last year at Hex Hall. Had Cal been dragged here, too? Technically he hadn’t been a student, but Mrs. Casnoff had used his powers a lot last year. Would she still want him here?
To Jenna, I just said, “Yeah, you know me. I like poking bruises.”
“Okay. Get your Nancy Drew on.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
The solidity of the building, its quite interiors, the monumental presence of its white facade in the middle of the city- in all its deliberate order and calm, the hotel underlined its separateness from its setting. Its effect was felt most keenly by the menial staff, who traveled each day from their homes in the flood-threatened outskirts of Allahabad and approached their place of work with something like awe. They looked very ill at ease in their green uniforms and were obsequiously polite with guests, calling to mind the Indians who had come to serve in the new city of Allahabad built by the British after the rude shock of the Indian Mutiny of 1857, the city whose simple colonial geography was plain from my sixth-floor hostel room, the railway tracks partitioning the congested "black town," with its minarets and temple domes, from the tree-lined grid of "white town," where for a long period no Indians, apart from servants, could appear in native dress.
”
”
Pankaj Mishra (Temptations of the West: How to Be Modern in India, Pakistan, Tibet, and Beyond)
“
since then.’ I grinned at Nathan, but he regarded me suspiciously. I could tell straight away that he was possessive of his mother. The minute we got to Anjie’s house, he wanted to play-fight with me in the garden. It took a few hours of playfully throwing him around for me to break the ice with him, and that was it – we were fine after that. It was time for Anjie to meet Danny, who was four, and Becky, who was not quite two. This was a different kettle of fish as both my kids loved her the second they set eyes on her. Danny immediately sat next to her and listened, all ears, as she read him a story, while Becky just gazed at her in awe. Anjie was a natural mother, through and through. When Nathan first met Danny, he shyly invited him up to his room to play computer games. Danny was thrilled – he didn’t have anything like that at home. Suddenly, a boy eight years older than him was inviting him to play on the PlayStation with him. That was awesome! They remained locked up
”
”
Darren Galsworthy (The Evil Within: Murdered by her stepbrother – the crime that shocked a nation. The heartbreaking story of Becky Watts by her father)
“
Bloody hell,” Charlie gasped. “That’s twenty-five quid each, Isaac.”
“Language.”
“Shit.” Isaac blew out a breath. “A hundred quid, Mum.”
“Isaac, language.”
“Hey no,” Dex said, holding up a hand. “I mean a hundred each. I could use these as stencils. At this size I could pretty much charge double that, if not more, each time they’re used. Probably twice again if they have them in colour.”
The three of us looked at Dex in awe. He wanted to buy my talented boy’s drawings for a hundred pounds each.
“Well?” I prompted.
“Fuck yeah.”
“Language,” I said, barely above a whisper, still in a state of shock.
“It’s a deal.” Dex grinned. “Speaking of which, I said I’d show you my designs, but I gotta be honest, I’m not sure they’re as good as these.”
“Oh fuck,” I muttered.
“Language,” Charlie cried.
As Dex stripped off his shirt, I genuinely thought I heard a choir of angels sing and saw a shaft of light shine through the darkness outside and into my lounge.
There was only one word for what I was looking at – wondrous. He could honestly market himself as a tourist attraction and sell tickets.
”
”
Nikki Ashton (Pelvic Flaws (An American in the UK #2))
“
I felt the sense of time and self drop away from me. No now, no to-morrow, no yesterday, no I! Only eternity, one vast whole—sun-shot, star-sprent, love-filled, changeless. And in it all, one spot of consciousness more acute than other spots; and that was the something that had eaten hugely, and that now felt the inward-flung glory of it all; the swooning, half-voluptuous sense of awe and wonder, the rippling, shimmering, universal joy. And then suddenly and without shock—like the shifting of the wood smoke—the mood veered, and there was nothing but I. Space and eternity were I—vast projections of myself, tingling with my consciousness to the remotest fringe of the outward swinging atom-drift; through immeasurable night, pierced capriciously with shafts of paradoxic day; through and beyond the awful circle of yearless duration, my ego lived and knew itself and thrilled with the glory of being. The slowly revolving Milky Way was only a glory within me; the great woman-star jeweling the summit of a cliff, was only an ecstasy within me; the murmuring of the river out in the dark was only the singing of my heart; and the deep, deep blue of the heavens was only the splendid color of my soul.
”
”
John G. Neihardt (The River and I)
“
What do all of these involuntary shakes and shivers have in common? Why do we quake when frightened or tremble in anger? Why do we quiver at sexual climax? And what might be the physiological function of trembling in spiritual awe? What is the commonality of all these shivers and shakes, quivers and quakes? And what have they to do with transforming trauma, regulating stress and living life to its fullest? These gyrations and undulations are ways that our nervous system “shakes off” the last rousing experience and “grounds” us in readiness for the next encounter with danger, lust and life. They are mechanisms that help restore our equilibrium after we have been threatened or highly aroused. They bring us back down to earth, so to speak. Indeed, such physiological reactions are at the core of self-regulation and resilience. The experience of emergent resilience gives us a treasure beyond imagination. In the words of the ancient Chinese text, the I Ching, The fear and trembling engendered by shock comes to an individual at first in such a way that he sees himself placed at a disadvantage … this is only transitory. When the ordeal is over, he experiences relief, and thus the very terror he had to endure at the outset brings good fortune in the long run.
”
”
Peter A. Levine
“
Month by month, year by year, there took shape in Paul’s mind a new and lucid image of his world, an image at once terrible and exquisite, tragic and farcical. It is difficult to give an idea of this new vision of Paul’s, for its power depended largely on the immense intricacy and diversity of his recent experience; on his sense of the hosts of individuals swarming upon the planet, here sparsely scattered, there congested into great clusters and lumps of humanity. Speaking in ten thousand mutually incomprehensible dialects, living in manners reprehensible or ludicrous to one another, thinking by concepts unintelligible to one another, they worshipped in modes repugnant to one another. This new sense of the mere bulk and variety of men was deepened in Paul’s mind by his enhanced apprehension of individuality in himself and others, his awed realization that each single unit in all these earth-devastating locust armies carried about with it a whole cognized universe. On the other hand, since he was never wholly forgetful of the stars, the shock between his sense of human littleness in the cosmos and his new sense of man’s physical bulk and spiritual intensity increased his wonder. Thus in spite of his perception of the indefeasible reality of everyday things, he had also an overwhelming conviction that the whole fabric of common experience, nay the whole agreed universe of human and biological and astronomical fact, though real, concealed some vaster reality.
”
”
Olaf Stapledon (Last Men in London)
“
At a time when moguls vied to impress people with their possessions, Rockefeller preferred comfort to refinement. His house was bare of hunting trophies, shelves of richly bound but unread books, or other signs of conspicuous consumption. Rockefeller molded his house for his own use, not to awe strangers. As he wrote of the Forest Hill fireplaces in 1877: “I have seen a good many fireplaces here [and] don’t think the character of our rooms will warrant going into the expenditures for fancy tiling and all that sort of thing that we find in some of the extravagant houses here. What we want is a sensible, plain arrangement in keeping with our rooms.”3 It took time for the family to adjust to Forest Hill. The house had been built as a hotel, and it showed: It had an office to the left of the front door, a dining room with small tables straight ahead, upstairs corridors lined with cubicle-sized rooms, and porches wrapped around each floor. The verandas, also decorated in resort style, were cluttered with bamboo furniture. It was perhaps this arrangement that tempted John and Cettie to run Forest Hill as a paying club for friends, and they got a dozen to come and stay during the summer of 1877. This venture proved no less of a debacle than the proposed sanatorium. As “club guests,” many visitors expected Cettie to function as their unlikely hostess. Some didn’t know they were in a commercial establishment and were shocked upon returning home to receive bills for their stay.
”
”
Ron Chernow (Titan: The Life of John D. Rockefeller, Sr.)
“
Chris- the one who wrote the halfway creepy thing about missing me so much when I didn't post and thinking I was dead- found it mind-boggling that before the Julie/Julia Project began, I had never eaten an egg. She asked, "How can you have gotten through life without eating a single egg? How is that POSSIBLE???!!!!!"
Of course, it wasn't exactly true that I hadn't eaten an egg. I had eaten them in cakes. I had even eaten them scrambled once or twice, albeit in the Texas fashion, with jalapeños and a pound of cheese. But the goal of my egg-eating had always been to make sure the egg did not look, smell, or taste anything like one, and as a result my history in this department was, I suppose, unusual. Chris wasn't the only person shocked. People I'd never heard of chimed in with their awe and dismay. I didn't really get it. Surely this is not such a bizarre hang-up as hating, say, croutons, like certain spouses I could name.
Luckily, eggs made the Julia Child way often taste like cream sauce. Take Oeufs en Cocotte, for example. These are eggs baked with some butter and cream in ramekins set in a shallow pan of water. They are tremendous. In fact the only thing better than Oeufs en Cocotte is Ouefs en Cocotte with Sauce au Cari on top when you've woken up with a killer hangover, after one of those nights when somebody decided at midnight to buy a pack of cigarettes after all, and the girls wind up smoking and drinking and dancing around the living room to the music the boy is downloading from iTunes onto his new, ludicrously hip and stylish G3 Powerbook until three in the morning. On mornings like this, Oeufs en Cocotte with Sauce au Cari, a cup of coffee, and an enormous glass of water is like a meal fed to you by the veiled daughters of a wandering Bedouin tribe after one of their number comes upon you splayed out in the sands of the endless deserts of Araby, moments from death- it's that good.
”
”
Julie Powell (Julie & Julia: My Year of Cooking Dangerously)
“
The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows.
Lily shook her head thoughtfully. "Charming, but too innocent."
Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie."
Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her.
Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît."
Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
beyond them. The Six Diseases If we want to look at how we practice all forms of rivalry, there are six diseases my father wrote about, all of which stem from the desire we have to win at all costs. These diseases rely on being in competition, which is typically where we go in a relationship the moment any discord pops up. When we relate to others in these ways, we are disconnecting from them and disconnecting from our true selves in order to access some form of outside validation. In other words, there is no relationship, no collaboration, no cocreation. There is only the victor and the loser. The Six Diseases are: The desire for victory I have to be the winner. If I don’t win, I’m a loser. If I win, everyone else is a loser. The desire to resort to technical cunning I rely on the power of my wits to show you how great I am. Who cares about people or their feelings as long as everyone can see how clever I am? The desire to display all that has been learned Check me out. I know lots of things. I can speak at length about anything. It doesn’t matter what anyone else has to say (especially if it’s dumb). The desire to awe the enemy I am a force to be reckoned with. Look out! I will wow you to get your approval even if I have to do something shocking and wild to get your attention. The desire to play the passive role I am so easy to get along with. Who wouldn’t like me? I am so unobtrusive and sweet. I will put anything that’s important to me aside to make sure that you see how likeable and wonderful I am. How could you not like me when I sacrifice everything just for you? The desire to rid oneself of whatever disease one is affected by I am not okay as I am. I will perform constant self-work and read as many books as I can and take so many classes to make myself good that you will see that I am always trying to be a good person even if I continue to do lots of shitty things. I know I’m not okay as I am. And I know you know that I know I’m not okay as I am, which makes it okay not to get truly better as long as it looks like I’m trying.
”
”
Shannon Lee (Be Water, My Friend: The Teachings of Bruce Lee)
“
Raging storm. The universe booms around me. She approaches. Frightfully, I stand. Yes. Stuck. Stuck in wonderment. Something so strong, so beautiful. Swirling around me. Will it absorb me? Maybe. Or might it pass by? It could. Rolling waves of rage and chaos. Cracks of thunder echo in my chest. I am in the storm now. How? Dancing in the wind. In her chaos. Can I become a part of her forever? I must be able to. This feeling, so wonderful. Maybe she will only pass me by. Leave me to fall from the sky? I hope not. This raging storm around me. So dangerous. So pure. Nothing but nature in her utter glory. Pushing me into motion. I spin in the midst of her, taking in the power. The walls of motion. Confusion surrounds me. Particles forcing together and cracking apart. I’m frightful again, the noise overpowering me. I hunch into a ball, scared of what will become of me. Still suspended in the air. But she silences. The sky clears around me. It must be the eye of the storm. The center of everything. The center of her. Yes. The sunshine blinds me. I raise my hand to shield my face. The silence a melody in my ear. Ah, finally soothed. How extraordinary this is, floating and rising. It overcomes me. This space. Joy? But then I feel the air shift. The power making my hair rise. And suddenly, I’m moving again. She moves along. This raging, rolling storm. The air sucking me up and down. Ripping me apart. Spinning. Spinning. Spinning. Fear consumes me again as the storm takes hold. Confusion. So much confusion. I cry, thinking I might die. But it’s over. I look at my hands. My feet. Back on the ground. She rolls away. Spinning beautifully onward. My, the power. But the question. Always the question. Do I love? Do I hate? Her beautiful, frightening glory. My dear raging storm. I drop the note into my lap. My hand comes up, covering my mouth in shock. I blink down at the note, trying to slow down my heart rate. Because Noah wrote this. He wrote all of this. And he wrote it about me. About how I make him feel. I think back to his project. How he told me it was about me. The eye of the storm. Chaos. Confusion. Awe.
”
”
Jillian Dodd (The Party (London Prep #5))
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Another dangerous neoliberal word circulating everywhere that is worth zooming in on is the word ‘resilience’. On the surface, I think many people won’t object to the idea that it is good and beneficial for us to be resilient to withstand the difficulties and challenges of life. As a person who lived through the atrocities of wars and sanctions in Iraq, I’ve learnt that life is not about being happy or sad, not about laughing or crying, leaving or staying. Life is about endurance. Since most feelings, moods, and states of being are fleeting, endurance, for me, is the common denominator that helps me go through the darkest and most beautiful moments of life knowing that they are fleeing. In that sense, I believe it is good for us to master the art of resilience and endurance. Yet, how should we think about the meaning of ‘resilience’ when used by ruling classes that push for wars and occupations, and that contribute to producing millions of deaths and refugees to profit from plundering the planet? What does it mean when these same warmongers fund humanitarian organizations asking them to go to war-torn countries to teach people the value of ‘resilience’? What happens to the meaning of ‘resilience’ when they create frighteningly precarious economic structures, uncertain employment, and lay off people without accountability? All this while also asking us to be ‘resilient’…
As such, we must not let the word ‘resilience’ circulate or get planted in the heads of our youth uncritically. Instead, we should raise questions about what it really means. Does it mean the same thing for a poor young man or woman from Ghana, Ecuador, Afghanistan vs a privileged member from the upper management of a U.S. corporation? Resilience towards what? What is the root of the challenges for which we are expected to be resilient? Does our resilience solve the cause or the root of the problem or does it maintain the status quo while we wait for the next disaster? Are individuals always to blame if their resilience doesn’t yield any results, or should we equally examine the social contract and the entire structure in which individuals live that might be designed in such a way that one’s resilience may not prevail no matter how much perseverance and sacrifice one demonstrates? There is no doubt that resilience, according to its neoliberal corporate meaning, is used in a way that places the sole responsibility of failure on the shoulders of individuals rather than equally holding accountable the structure in which these individuals exist, and the precarious circumstances that require work and commitment way beyond individual capabilities and resources. I find it more effective not to simply aspire to be resilient, but to distinguish between situations in which individual resilience can do, and those for which the depth, awareness, and work of an entire community or society is needed for any real and sustainable change to occur. But none of this can happen if we don’t first agree upon what each of us mean when we say ‘resilience,’ and if we have different definitions of what it means, then we should ask: how shall we merge and reconcile our definitions of the word so that we complement not undermine what we do individually and collectively as people. Resilience should not become a synonym for surrender. It is great to be resilient when facing a flood or an earthquake, but that is not the same when having to endure wars and economic crises caused by the ruling class and warmongers.
[From “On the Great Resignation” published on CounterPunch on February 24, 2023]
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Louis Yako
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Bannon’s strategic view of government was shock and awe. Dominate rather than negotiate. Having daydreamed his way into ultimate bureaucratic power, he did not want to see himself as a bureaucrat. He was of a higher purpose and moral order. He was an avenger. He was also, he believed, a straight shooter. There was a moral order in aligning language and action—if you said you were going to do something, you do it.
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Michael Wolff (Fire and Fury: Inside the Trump White House)
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After the initial shock therapy of honoring and awing, you have your guests’ attention. They want to be there. They feel lucky to be there. They might well be considering giving the gathering their all. Your next task is to fuse people, to turn a motley collection of attendees into a tribe. A talented gatherer doesn’t hope for disparate people to become a group. She makes them a group.
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Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
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In the aftermath of 9/11, the United States tried to address terrorism concerns in Pakistan by transferring $10 billion in helicopters, guns, and military and economic support; in that same period, the United States became steadily more unpopular in Pakistan, the Musharraf government less stable and extremists more popular. Imagine if we had used the money instead to promote education and microfinance in rural Pakistan, through Pakistani organizations. The result would likely have been greater popularity for the United States and greater involvement of women in society. And, as we’ve argued, when women gain a voice in society, there’s evidence of less violence. Swanee Hunt, a former U.S. ambassador to Austria now at Harvard, recalled the reaction of a Pentagon official in 2003 in the aftermath of the “shock and awe” invasion of Iraq: “When I urged him to broaden his search for the future leaders of Iraq, which had yielded hundreds of men and only seven women, he responded, Ambassador Hunt, we’ll address women’s issues after we get the place secure.’ I wondered what ‘women’s issues’ he meant. I was talking about security.
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Nicholas D. Kristof (Half the Sky: Turning Oppression into Opportunity for Women Worldwide)
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Its most memorable scene takes place in the piazza at Cesena early one morning in 1502, where the local governor, Remirro de Orco, is found in two pieces, with a bloody knife and a block of wood between them. “The ferocity of the spectacle,” Machiavelli recalls, “left the people at once satisfied and stupefied.” Cesare Borgia had made Remirro the governor of Romagna with instructions to pacify the rebellious province. This he did, but so brutally that he’d never have the loyalty of its people. So Borgia didn’t just sack his subordinate: he disassembled him and displayed the pieces. The shock and awe accomplished its purpose: at the cost of one life, others were saved that would have been lost if a new revolt had broken out.
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John Lewis Gaddis (On Grand Strategy)
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Vulnerability minus boundaries is not vulnerability. It’s confession, manipulation, desperation, or shock and awe, but it’s not vulnerability.
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Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
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Normally the police like to turn up nice and early, preferably around 6 a.m., because not only are people liable to be actually at home but that early in the morning they’re rarely playing with a full deck. Today we were going in Sunday lunchtime because we weren’t looking for shock and awe but aiming for sinister and creepy instead.
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Ben Aaronovitch (Lies Sleeping (Rivers of London, #7))
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A lie."
The other ladies exchange shocked glances. "Spiriter?" Seeva tips her head to the side. One nod from Britta, and Seeva's eyes flare a touch in awe...
"It's an honor to work beside a Spiriter," Seeva says, giving a small bow to Britta. "Let's fight.
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Erin Summerill (Ever the Brave (A Clash of Kingdoms, #2))
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If you want to avoid hurting somebody, convince them that fighting you is a Bad Idea. This is hard to do in the heat of the moment, especially if you look like a perky high school cheerleader, so it's best to make the threat credible beforehand through your reputation. Failing that, go for Shock and Awe. If it works, great, if it doesn't you're halfway done anyway.
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Marion G. Harmon (Wearing the Cape (Wearing the Cape, #1))
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Just ahead of the Van Doren Quartet in the line is Trevor Hickey, aka ‘The Duke’, who with no visible means of making music is staring into space, mumbling a speech to himself: ‘… since the dawn of time… our oldest and most indefatigable foe…’
Geoff keeps catching snatches of this, and curiosity eventually reels him in. ‘Uh, Trevor, where’s your instrument?’
‘Shock and amaze – oh, I’m not giving a musical performance.’
‘Not musical…?’ Geoff repeats, and then the penny drops. ‘Here, you’re not going to do Diablos, are you?’
‘Mmm-hmm.’
Geoff gazes at him with a mixture of awe and concern. ‘It’s just,’ he says, after a moment, ‘you know, the Automator’s in there.’
‘Mmm-hmm.’ Trevor’s ceaseless shifting from foot to foot is only partly to do with nerves; he has eaten five cans of beans on either side of going to bed in order to build up a plentiful supply of trapped wind, or as he calls it, ‘The Power’.
‘I’m just wondering, you know, whether the Christmas concert might not be more of a family-type show?’
‘Your family don’t fart?’ Trevor turns on him.
‘Well, they mostly wouldn’t set them on fire –’
‘That’s the beauty of what I do, you see,’ Trevor interjects, eyes a-glimmer, already lost in his own myth. ‘Turning tedious bodily functions into a magical encounter with the elements – it’s what the whole world dreams of…
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Paul Murray (Skippy Dies)
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Over and over, early Christian writings tell us of how Christians were branded atheists by the imperial courts and executed for this capital crime. They had lost all faith in the empire and had become faithful to God alone as the one who could preserve peace and prosperity. They claimed Jesus as their only emperor (Acts 17:7), they preached the kingdom of their God, and they pledged allegiance to the slaughtered Lamb. Today, there are many things I love about “America the Beautiful,” and yet the book of Revelation sounds a clear warning that any glory we give to Babylon is glory that belongs only to God. As my friend Tony Campolo says, “We may live in the best Babylon in the world, but it is still Babylon, and we are called to ‘come out of her.’” John warns the church in Asia Minor to be “faithful unto death” (Rev. 2:10). He describes a marriage between God and God’s people. They are to be loyal to their lover, Yahweh, their faith remaining in God alone, adorned as a bride, the New Jerusalem. Describing Rome as the whoring seductress Babylon the Great, John warns the Christians that the empire will entice them with a counterfeit splendor, and he warns against flirting with her pleasures and treasures, which will soon come to ruin. They are not to be shocked and awed by Babylon’s power nor dazzled by her jewels. Rather than drinking humanity’s blood from her golden cup of suffering (17:6), they are to choose the eucharistic cup filled with the blood of the new covenant. We are faithful not to the triumphant golden eagle (ironically, also an imperial symbol of power in Rome) but to the slaughtered Lamb.
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Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
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Well before Trump, we had wars fought as televised entertainment. The 1990 Gulf War was dubbed the first video-game war, complete with its own logo and theme music on CNN. But that was nothing compared with the show put on during the 2003 Iraq invasion, based on a military strategy called “Shock and Awe.” The attacks were designed as a spectacle for cable news consumers, but also for Iraqis, to maximize their sense of helplessness, to “teach them a lesson.” Now, that fearsome technology is in the hands of the first reality TV president.
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Naomi Klein (No Is Not Enough: Resisting Trump's Shock Politics and Winning the World We Need)
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Cabalistic mystics speak about God having an Unmanifest as well as a Manifest aspect. According to this terminology, 5-meo-DMT allows us to directly experience the Unmanifest aspect of the Godhead, which Cabalists call the Eyn Sof, “understood as God prior to any self-manifestation in the production of any spiritual realm,” unending,” or “infinity,” according to Wikipedia. On the other hand, nn-DMT opens the gate to the Manifest aspect of the Divine. Both induce high-voltage shocks of awe and ecstasy.
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Daniel Pinchbeck (Afterlife: Is There Consciousness After Death?)
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With her love of finery, her unmade beds, her litters of unfinished scrapbooks, her taboos, superstitions, and prudishness, her remarkable dignity, her pity for the persecuted, her awe of the gentry, and her detailed knowledge of the family trees of all the Royal Houses of Europe, she was a disorganized mass of unreconciled denials, a servant girl born to silk. Yet in spite of all this, she fed our oafish wits with steady, imperceptible shocks of beauty. Though
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Laurie Lee (Cider with Rosie: A Memoir (The Autobiographical Trilogy, 1))
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The necropolitical core of patriarchal capitalism is snuff pornography, the abject centre that no one wants to face. It is the logical conclusion of a system that treats women as “things”, of an irrational hatred that rapes and murders countless women every minute of the day simply because they are not male. We have entered the era of shock and awe misogyny.
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Abigail Bray (Misogyny Re-Loaded)
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imagine he’s just given me a compliment because his face is one-half awe, one-half shock. It’s the face of a man who’s just realized his grandma smokes pot.
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Tarryn Fisher (F*ck Marriage)