Sejanus And Coriolanus Quotes

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Sejanus. “My friend, your life has just begun!” And then Coriolanus was laughing; they both were. “So this isn’t our ruin?” “I’d call it our salvation.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Coriolanus felt self-conscious. "Do I look okay?" "Gorgeous. Trust me, that lip's working for you, soldier," said Sejanus, and he headed back toward the house with Maude Ivory.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Coriolanus felt self-conscious. “Do I look okay?” “Gorgeous. Trust me, that lip’s working for you, soldier,” said Sejanus, and he headed back toward the house
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
If having Marcus as a tribute made Sejanus squirm, then good. Let him squirm. Lucy Gray was one thing belonging to Coriolanus that he would never, ever get.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Coryo was a nickname for old friends. For family. For people Coriolanus loved. And this was the moment Sejanus decided to try it out? If he’d had the energy, Coriolanus would have reached over and strangled him.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Coriolanus moved back to his seat - she knew where to find him now - to listen and to savor their actual reunion, which was only a song away. His eyes teared up when she began the song from the zoo. "Down in the valley, valley so low, Late in the evening, hear the train blow. The train, love, hear the train blow. Late in the evening, hear the train blow." Coriolanus felt an elbow nudge his ribs and looked over to see Sejanus beaming at him. It was nice, after all, to have someone else who knew the significance of the song. Someone who knew what they'd been through. "Go build me a mansion, build it so high, So I can see my true love go by. See him go by, love, see him go by. So I can see my true love go by." That's me, Coriolanus wanted to tell people around him. I'm her true love. And I saved her life. "Go write me a letter, send it by mail. Bake it and stamp it to the Capitol jail. Capitol jail, love, to the Capitol jail. Bake it and stamp it to the Capitol jail." Should he say hello first? Or just kiss her? "Roses are red, love; violets are blue. Birds in the heavens know I love you." Kiss her. Definitely, just kiss her. "Know I love you, oh, know I love you, Birds in the heavens know I love you. "Good night, everybody. Hope we see you next week, and until then, keep singing your song," said Lucy Gray, and the whole Covey took one final blow.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Sejanus appeared, in another brand-new suit, with a rumpled little woman in an expensive flowered dress on his arm. It didn't matter. You could put a turnip in a ball gown and it would still beg to be mashed. Coriolanus had no doubt this could only be Ma.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Coriolanus felt a stab of annoyance. Had Sejanus forgotten that it was his own reckless behavior that had led to Coriolanus killing Bobbin? That his selfishness had robbed his friend of the luxury of such a statement? Then he suppressed a laugh at the thought of old Strabo Plinth. A munitions giant with a pacifist heir. He could imagine the conversations that had transpired between father and son. What a waste, he thought. What a waste of a dynasty.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
He had killed Sejanus as surely as if he’d bludgeoned him to death like Bobbin or gunned him down like Mayfair. He’d killed the person who considered him his brother. But even as the vileness of the act threatened to drown him, a tiny voice kept asking, What choice did you have? What choice? No choice. Sejanus had been bent on self-destruction, and Coriolanus had been swept along in his wake, only to be deposited at the foot of the hanging tree himself.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Coriolanus acted engrossed in the show as 8, 6, and 11 called their tributes, but his brain spun with the repercussions of landing Lucy Gray Baird. She was a gift, he knew it, and he must treat her as such. But how best to exploit her showstopping entrance? How to wrangle some success from a dress, a snake, a song? The tributes would be given precious little time with the audience before the Games began. How could he get the audience to invest in her and, by extension, him, in just an interview? He half registered the other tributes, mostly pitiful creatures, and took note of the stronger ones. Sejanus got a towering fellow from District 2, and Livia’s District 1 boy looked like he could be a contender as well. Coriolanus’s girl seemed fairly healthy, but her slight build was more suited to dancing than hand-to-hand combat. He bet she could run fast enough, though, and that was important. As the reaping drew to a close, the smell of food from the buffet wafted over the audience
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
There was one more consideration. He had something Sejanus Plinth wanted, and wanted badly. Sejanus had already usurped his position, his inheritance, his clothes, his candy, his sandwiches, and the privilege due a Snow. Now he was coming for his apartment, his spot at the University, his very future, and had the gall to be resentful of his good fortune. To reject it. To consider it a punishment, even. If having Marcus as a tribute made Sejanus squirm, then good. Let him squirm. Lucy Gray was one thing belonging to Coriolanus that he would never, ever get
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
I heard he was trying to sabotage coal production and accidentally killed the three,” said Sejanus. “Sabotage production? To what end?” asked Coriolanus. “I don’t know,” said Sejanus. “Hoping to get the rebellion going again?” Coriolanus only shook his head. Why did these people think that all they needed to start a rebellion was anger? They had no army, weapons, or authority. At the Academy, they’d been taught that the recent war had been incited by rebels in District 13 who were able to access and disseminate arms and communications to their cohorts around Panem. But 13 had vanished in a nuclear puff of smoke, along with the Snow fortune. Nothing remained, and any thought of re-upping the rebellion was pure stupidity.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
As he helped Sejanus unpack and make his bed, Coriolanus got caught up on the Capitol news. His suspicions about the Hunger Games were right. “By the next morning, there was no mention of it,” said Sejanus. “When I went into the Academy for my review, I heard some of the faculty talking about what a mistake it’d been to involve the students, so I think that was a one-off. But I wouldn’t be surprised if we see Lucky Flickerman back again next year, or the post office open for gifts and betting.” “Our legacy,” said Coriolanus. “So it seems,” said Sejanus. “Satyria told Professor Sickle that Dr. Gaul is determined to keep it going somehow. A part of her eternal war, I guess. Instead of battles, we have the Hunger Games.” “Yes, to punish the districts and remind us what beasts we are,” said Coriolanus, focused on lining up Sejanus’s folded socks in the locker. “What?” asked Sejanus, giving him a funny look. “I don’t know,” said Coriolanus. “It’s like . . . you know how she’s always torturing that rabbit or melting the flesh off something?” “Like she enjoys it?” asked Sejanus. “Exactly. I think that’s how she thinks we all are. Natural-born killers. Inherently violent,” Coriolanus said. “The Hunger Games are a reminder of what monsters we are and how we need the Capitol to keep us from chaos.” “So, not only is the world a brutal place, but people enjoy its brutality? Like the essay on everything we loved about the war,” said Sejanus. “As if it had been some big show.” He shook his head. “So much for not thinking.” “Forget it,” said Coriolanus. “Let’s just be happy that she’s out of our lives.” A downcast Beanpole appeared, reeking of urinals and bleach. Coriolanus introduced him to Sejanus, who, upon learning of his predicament, cheered him up by promising to help him with the drills. “It took me awhile to get it, too, back at school. But if I can master it, so can you.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
It was true. They’d been close enough to recognize him. But they’d hunted down him and Sejanus — Sejanus, who’d treated the tributes so well, fed them, defended them, given them last rites! — even though they could have used that opportunity to kill one another. “I think I underestimated how much they hate us,” said Coriolanus. “And when you realized that, what was your response?” she asked. He thought back to Bobbin, to the escape, to the tributes’ bloodlust even after he’d cleared the bars. “I wanted them dead. I wanted every one of them dead.” Dr. Gaul nodded. “Well, mission accomplished with that little one from Eight. You beat him to a pulp. Have to make up some story for that buffoon Flickerman to tell in the morning. But what a wonderful opportunity for you. Transformative.” “Was it?” Coriolanus remembered the sickening thuds of his board against Bobbin. So he had what? Murdered the boy? No, not that. It was an open-and-shut case of self-defense. But what, then? He had killed him, certainly. There would never be any erasing that. No regaining that innocence. He had taken human life. “Wasn’t it? More than I could’ve hoped. I needed you to get Sejanus out of the arena, of course, but I wanted you to taste that as well,” she said. “Even if it killed me?” asked Coriolanus. “Without the threat of death, it wouldn’t have been much of a lesson,” said Dr. Gaul. “What happened in the arena? That’s humanity undressed. The tributes. And you, too. How quickly civilization disappears. All your fine manners, education, family background, everything you pride yourself on, stripped away in the blink of an eye, revealing everything you actually are. A boy with a club who beats another boy to death. That’s mankind in its natural state.” The idea, laid out as such, shocked him, but he attempted a laugh. “Are we really as bad as all that?” “I would say yes, absolutely. But it’s a matter of personal opinion.” Dr. Gaul pulled a roll of gauze from the pocket of her lab coat. “What do you think?” “I think I wouldn’t have beaten anyone to death if you hadn’t stuck me in that arena!” he retorted. “You can blame it on the circumstances, the environment, but you made the choices you made, no one else. It’s a lot to take in all at once, but it’s essential that you make an effort to answer that question. Who are human beings? Because who we are determines the type of governing we need. Later on, I hope you can reflect and be honest with yourself about what you learned tonight.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Coriolanus let that sink in. So ten years in the Capitol and the privileged life it provided had been wasted on Sejanus. He still thought of himself as a district citizen. Sentimental nonsense.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Sejanus's' lips formed his name, Coryo, and his face contorted in pain. But whether it was a plea for help or an accusation of his betrayal he couldn't tell.
Suzanne Collins (The Ballad of Songbirds and Snakes & The Hunger Games Mockingjay By Suzanne Collins 2 Books Collection Set)