Fat Sister Quotes

We've searched our database for all the quotes and captions related to Fat Sister. Here they are! All 100 of them:

‎"Was that your plan all along? Show me where to go, then convince me there's nothing I can do to save my sister?" "Actually, my plan all along was to become a rockstar, travel the world collecting fan girls, and then getting really fat and spending the rest of my life playing video games while the girls kept comin', thinking I look good as I did in my music videos." He shrugs as if to say, 'who knew the world would turn out so different?
Susan Ee (Angelfall (Penryn & the End of Days, #1))
I had a long talk with my dear Fat Mary that night, because I had many questions. Could someone actually be beaten to death by such a nun? Did Mother Rufina, the new Superior, know that Sister Clotilda was so cruel? Who let her work with children? Could nuns go to hell? Fat Mary told me she didn’t know the answers to my questions, but she reminded me that it was her role to take my worries and burdens and keep them for me until a time when I could understand them.
Maria Nhambu (Africa's Child (Dancing Soul Trilogy, #1))
we all have stories we tell ourselves. We tell ourselves we are too fat, too ugly, or too old, or too foolish. We tell ourselves these stories because they allow us to excuse our actions, and they allow us to pass off the responsibility for things we have done-maybe to something within our control, but anything other than the decisions we have made.
Eleanor Brown (The Weird Sisters)
She chokes on her drink with her laugh. "Chunk? You call your little sister Chunk?" "We all call her Chunk. She was a fat baby." She laughs. "You have nicknames for everyone," she says. "You call Sky Cheese Tits. You call Holder Hopeless. What do you call me when I'm not around?
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
the lost women I need to know their names those women I would have walked with, jauntily the way men go in groups swinging their arms, and the ones those sweating women whom I would have joined After a hard game to chew the fat what would we have called each other laughing joking into our beer? where are my gangs, my teams, my mislaid sisters? all the women who could have known me, where in the world are their names?
Lucille Clifton
It comes with being sixteen," Mom said. "You teenagers, you go into a cocoon when you turn fifteen and don't come out for years." "So they become butterflies when they finally come out?" my little sister Christina asked. "No," Mom said. "They're still caterpillars, only now they're big fat caterpillars that smell.
Neal Shusterman (The Schwa Was Here (Antsy Bonano, #1))
I was so mad, I reached into the drawer for her fake sushi eraser and put it in my pocket. Serves her right for being such a big, fat, Eggo-scarfing liar.
Sarah Darer Littman (Want to Go Private?)
Sisters are like fat thighs. They stick together. -T-shirt
Lani Lynn Vale (Center Mass (Code 11-KPD SWAT, #1))
The thinking that women of all shapes and sizes can be beautiful is still hugely problematic, because it is predicated on the idea that the most important thing a woman has to offer the world is her appearance. Men are raised to worry about their legacies, not their upper arm and thigh fat, stretch marks, crows-feet, saggy elbows, ugly armpits, thin eyelashes, and normal-smelling genitals.
Jessica Knoll (The Favorite Sister)
There's a moment when you realise all your worst fears have come true. When the fat girl stuffing her face in the corner finally recognises food gives her the comfort she can't find in anyone else. When the gorgeous man with the body of a god realises he changes women like shoes because he's scared one won't find enough reason to stay. When you see the world for what it really is, see it for all the horrors the news can't or won't report. There's a moment when you realise and accept that you are the worthless piece of shit your father always said you were, because even a diseased crack-head wouldn't kill their own sister. It was a moment Kerestyan, a defining moment...an epiphany of imperfection.
Jennifer Turner (Eternal Seduction (A Darkness Within, #1))
You ever met one of those guys who, in a totally calm and composed way, can scare the shit out of you? Like an MMA fighter, or the fat Kardashian sister who married Lamar Odom?
Tucker Max (Sloppy Seconds: The Tucker Max Leftovers)
Every night I had nightmares. I dreamed of rats the size of cats, dead bodies, and needles stuck into me. After we found out that the Nazi's had made soup out of Jewish fat, I dreamed that soap bars spoke to me in the voices of my parents and sisters, asking me, "Why are you washing with us?
Eva Mozes Kor (Surviving the Angel of Death: The True Story of a Mengele Twin in Auschwitz)
To turn black women into objectified others was to underline their difference; they may be beautiful, but they are of another kind, separate from the dominant understanding of attractiveness.
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
I’m fifteen and I feel like girl my age are under a lot of pressure that boys are not under. I know I am smart, I know I am kind and funny, and I know that everyone around me keeps telling me that I can be whatever I want to be. I know all this but I just don’t feel that way. I always feel like if I don’t look a certain way, if boys don’t think I’m ‘sexy’ or ‘hot’ then I’ve failed and it doesn’t even matter if I am a doctor or writer, I’ll still feel like nothing. I hate that I feel like that because it makes me seem shallow, but I know all of my friends feel like that, and even my little sister. I feel like successful women are only considered a success if they are successful AND hot, and I worry constantly that I won’t be. What if my boobs don’t grow, what if I don’t have the perfect body, what if my hips don’t widen and give me a little waist, if none of that happens I feel like what’s the point of doing anything because I’ll just be the ‘fat ugly girl’ regardless of whether I do become a doctor or not. I wish people would think about what pressure they are putting on everyone, not just teenage girls, but even older people – I watch my mum tear herself apart every day because her boobs are sagging and her skin is wrinkling, she feels like she is ugly even though she is amazing, but then I feel like I can’t judge because I do the same to myself. I wish the people who had real power and control the images and messages we get fed all day actually thought about what they did for once. I know the girls on page 3 are probably starving themselves. I know the girls in adverts are airbrushed. I know beauty is on the inside. But I still feel like I’m not good enough.
Laura Bates (Everyday Sexism)
we don’t just eat with our mouths; we eat with our eyes and ears too. So if we watch or listen to poisonous negativity, violence, gossip, and pretty much anything that is not conducive to our growth or maturity as adults, then it’s no different than eating only refined sugars, fried foods and saturated fats; we’re bound to get sick. That sickness, however, takes the form of fear, paranoia, anxiety, greed, insecurity, a lack of trust in our fellow brothers and sisters, and discontentment with life altogether.
Timber Hawkeye (Buddhist Boot Camp)
We all have stories we tell ourselves. We tell ourselves we are too fat, or too ugly, or too old, or too foolish. We tell ourselves these stories because they allow us to excuse our actions, and they allow us to pass off the responsibility for things we have done - maybe to something within our control, but anything other than the decisions we have made...And it is past time, I think, for you to stop telling that particular story, and tell the story of yourself. Stop defining yourself in terms of them. You don't just have to exist in the empty spaces they leave. There are times in our lives when we have to realize our past is precisely what it is, and we cannot change it. But we can change the story we tell ourselves about it, and by doing that, we can change the future.
Eleanor Brown (The Weird Sisters)
Randall looks at me with fire in his eye, but he nods and decides to smile at my banter. He gets to his feet, bows low, and says, "I believe I saw my sister's fat friend Pickering down below. Shall we all go to dinner and hear more tales of your adventures?" Hey, Ezra ain't fat, he's... well... sleek is what he is. Sleek, like a well-fed seal. Or, hey, maybe even a silkie...
L.A. Meyer
I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins. Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went. Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
Tim Tharp (The Spectacular Now)
(We loved Mother too, completely, but we were finding out, as Father was too, that it is good for parents and for children to be alone now and then with one another...the man alone or the woman, to sound new notes in the mysterious music of parenthood and childhood.) That night I not only saw my Father for the first time as a person. I saw the golden hills and the live oaks as clearly as I have ever seen them since; and I saw the dimples in my little sister's fat hands in a way that still moves me because of that first time; and I saw food as something beautiful to be shared with people instead of as a thrice-daily necessity.
M.F.K. Fisher (The Gastronomical Me)
... Anyway, you put too much stock in hierarchy and fear.” “Me?” “Who else? I could spot it a mile away. All you cared about was your mission, whatever it is. You’re like a driven arrow with a very depressing shadow. First time I met you, I knew you’d cut my throat to get whatever it is you want.” She waits for a moment. “What is it that you want, by the way?” “To win,” I say. “Oh, please. You’re not that simple.” “You think you know me?” The rabbit hisses out fat over the fire. “I know you cry in your sleep for a girl named Eo. Sister? Or a girl you loved? It is a very offColor name. Like yours.” “I’m a farplanet hayseed. Didn’t they tell you?” “They wouldn’t tell me anything. I don’t get out much.” She waves a hand. “Anyway, doesn’t matter. All that matters is that no one trusts you because it’s obvious you care more about your goal than you do about them.” “And you’re something different?” “Oh, very much so, Sir Reaper. I like people more than you do. You are the wolf that howls and bites. I am the mustang that nuzzles the hand. People know they can work with me. With you? Hell, kill or be killed.
Pierce Brown (Red Rising (Red Rising Saga, #1))
I realized after I got Jesus, I'd marry "that good woman who put me right with the Lord, got me away from the bottle and taught me what life is really all about." Which was to say, some church girl that resembles a pile of loose fat upholstered with pale goopy skin, and whose whole life is chocolate cake and visiting her sister.
John Barnes (Tales of the Madman Underground)
Gardens come and go, but I find myself getting attached to certain perennials. My tulips are bridesmaids, with fat faces and good posture. Hollyhocks are long necked sisters. Daffodils are young girls running out of a white church, sun shining on their heads. Peonies are pink-haired ladies, so full and stooped you have to tie them up with string. And roses are nothing but (I hate to say it) bitches--pretty show-offs who'll draw blood if you don't handle them just right. -Vangie Galliard Nepper, From her "Garden Diary," March 1952
Michael Lee West (She Flew the Coop)
She felt their envy and this broke her. The story ended, she couldn’t tell the rest, they’d hate her, she had to stop, she wasn’t any good, shut up you bad, bad, bad ugly girl and you don’t deserve any of this and so the spell was broken and she ran home through a tangle of words where the letters jumbled and made no sense and meant nothing, and the words were ugly and she was not to be heard or seen, she was blemished and too fat, too thin, not smart, too smart, not good, not a storyteller, not a creator, not a woman, not, not, not. All the things that girls feel they are not when they fear that if they become, if they are, they will no longer be loved by the sisters whose hearts have not meant to break. And besides, if the sisters are gone and only the beloved remains with his dense curls and his lips, how safe are you then? You have to have him or you will die if the sisters are gone with their listening ears and their feet to rub and their bodies to dress and their shared loneliness.
Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
At some point, to counter the list of the dead, I had begun keeping my own list of the living. It was something I noticed Len Fenerman did too. When he was off duty he would note the young girls and elderly women and every other female in the rainbow in between and count them among the things that sustained him. The young girl in the mall whose pale legs had grown too long for her now too-young dress and who had an aching vulnerability that went straight to both Len's and my own heart. Elderly women, wobbling with walkers, who insisted on dyeing their hair unnatural versions of the colors they had in youth. Middle-aged single mothers racing around in grocery stores while their children pulled bags of candy off the shelves. When I saw them, I took count. Living, breathing women. Sometimes I saw the wounded- those who had been beaten by husbands or raped by strangers, children raped by their fathers- and I would wish to intervene somehow. Len saw these wounded women all the time. They were regulars at the station, but even when he went somewhere outside his jurisdiction he could sense them when they came near. The wife in that bait-'n'-tackle shop had no bruises on her face but cowered like a dog and spoke in apologetic whispers. The girl he saw walk the road each time he went upstate to visit his sisters. As the years passed she'd grown leaner, the fat from her cheeks had drained, and sorrow had loaded her eyes in a way that made them hang heavy and hopeless inside her mallowed skin. When she was not there it worried him. When she was there it both depressed and revived him. ~Len Fenerman on stepping back/letting go/giving up pgs 271-272
Alice Sebold (The Lovely Bones)
Wendell turned to the chalkboard and wrote I AM A WORTHLESS FAT-BODY.
Michael Buckley (The Unusual Suspects (The Sisters Grimm #2))
We all have stories we tell ourselves. We tell ourselves we are too fat, or too ugly, or too old, or too foolish. We tell ourselves these stories because they allow us to excuse our actions and they allow us to pass off the responsibilities for things we have done, maybe for something within our control, but anything other than the decisions we have made. . . There are times in our lives that we have to realize that our past is precisely what it is and we cannot change it. But we can change the story we tell ourselves about it, and by doing that, we can change the future.
Eleanor Brown (The Weird Sisters)
Middle children weep longer than their brothers and sisters. Over her mother’s shoulder, stilling her pains and her injured pride, Jackie Lacon watched the party leave. First, two men she had not seen before: one tall, one short and dark. They drove off in a small green van. No one waved to them, she noticed, or even said goodbye. Next, her father left in his own car; lastly a blond, good-looking man and a short fat one in an enormous overcoat like a pony blanket made their way to a sports car parked under the beech trees. For a moment she really thought there must be something wrong with the fat one, he followed so slowly and so painfully. Then, seeing the handsome man hold the car door for him, he seemed to wake, and hurried forward with a lumpy skip. Unaccountably, this gesture upset her afresh. A storm of sorrow seized her and her mother could not console her.
John Le Carré (Tinker, Tailor, Soldier, Spy)
That's when I started thinking about my sister. I thought about the time when she and her friends painted my fingernails, and how that was okay because my brother wasn't there. And the time she let me use her dolls to make up plays or let me watch whatever I wanted to watch on TV. And when she started becoming a "young lady," and no one was allowed to look at her because she thought she was fat. And how she really wasn't fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really like a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. And then I wondered how her face would look when she came out from behind those doors.
Stephen Chbosky (The Perks of Being a Wallflower)
There was hair. So much hair. Dead hair, hair of my gone self, wisps of spiderweb hair, old uniform lint hair, pillow sponge and tangerine strings hair. A whole life pulled itself up by my hair, the hair that locked the year I broke my tooth, hair that locked the day we caught cane ashes in the yard. Hair of our lean years, hair of the fat, pollen of marigolds hair, my mother's aloe vera hair, my sisters weaving wild ixoras in my hair, the pull of the tides at our sea village hair, grits of sand hair, hair of salt tears, hair thick with the blood of my own cut wrists. Hair of my binding, hair of my unbeautiful wanting, hair of his bitter words, hair of the cruel world, hair roping me to my father's belt, hair wrestling the taunts of baldheads in the street, hair of my lone self, hair wrapped atop the ghost woman in white's hair, red thread of hair, centuries of hair, galloping future of incorrigible hair, all cut away from me.
Safiya Sinclair (How to Say Babylon)
I know Jojo is innocent because I can read it in the unmarked swell of him: his smooth face, ripe with baby fat; his round, full stomach; his hands and feet soft as younger sister's. He looks even younger when he falls asleep. His baby sister has flung across him, and both of them slumber like young feral cats: open mouths, splayed arms and legs, exposed throats. When I was thirteen, I knew much more than him. I knew that metal shackles could grow into the skin. I knew that leather could split flesh like butter. I knew that hunger could hurt, could scoop me hollow as a gourd, and that seeing my siblings starving could hollow out a different part of me, too. Could make my heart ricochet through my chest desperately.
Jesmyn Ward (Sing, Unburied, Sing)
I couldn’t resist the urge to reach over to the gearshift and put my hand over Wesley’s. His skin was warm and soft, and I could feel his pulse throbbing steadily beneath my palm. I forgot about my stupid car and my fight with Casey. I just wanted Wesley to smile again. Even that cocky grin would have worked. I hated that he was so hurt by the possibility of losing his sister’s respect. I wanted to comfort him. I cared about him. Oh my God. I actually cared?
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
Get fat if you can, boys. Tomorrow's bringin' her sister.
Gary Prisk
you see, my whole life is tied up to unhappiness it's father cooking breakfast and me getting fat as a hog or having no food at all and father proving his incompetence again i wish i knew how it would feel to be free it's having a job they won't let you work or no work at all castrating me (yes it happens to women too) it's a sex object if you're pretty and no love or love and no sex if you're fat get back fat black woman be a mother grandmother strong thing but not woman gameswoman romantic woman love needer man seeker dick eater sweat getter fuck needing love seeking woman it's a hole in your shoe and buying lil sis a dress and her saying you shouldn't when you know all too well that you shouldn't but smiles are only something we give to properly dressed social workers not each other only smiles of i know your game sister which isn't really a smile joy is finding a pregnant roach and squashing it not finding someone to hold let go get off get back don't turn me on you black dog how dare you care about me you ain't go no good sense cause i ain't shit you must be lower than that to care it's a filthy house with yesterday's watermelon and monday's tears cause true ladies don't know how to clean it's intellectual devastation of everybody to avoid emotional commitment "yeah honey i would've married him but he didn't have no degree" it's knock-kneed mini skirted wig wearing died blond mamma's scar born dead my scorn your whore rough heeeled broken nailed powdered face me whose whole life is tied up to unhappiness cause it's the only for real thing i know
Nikki Giovanni
Good gods, you look like cold shit.” Ghleanna gazed at her brother and again wondered why she hadn’t smashed his bloody egg when she had the chance. Her mother would have eventually forgiven her. “Thank you, brother. And you look fat and happy. Having an easy time of it here, are you?” “Fat? Fat?” He speared the moaning human at his feet. “How dare you! My human form is in fighting trim, you callous cow.” “If you say so.
G.A. Aiken (Supernatural (Lords of Deliverance, #1.5; Demonica, #6.5; Guardians of Eternity, #7.6; Nightwalkers, #1.5; Dragon Kin, #0.4))
We used to have a family game, invented by my sister and a friend of hers - it was called 'Agatha's Husbands'. The idea was that they picked out two or at the most three of the most repellent looking strangers in a room, and it was then put to me that i had to choose one of them as a husband, on pain of death or slow torture by the Chinese. 'now then, Agatha, which will you have - the fat young one with pimples, and the scurfy head, or that black one like a gorilla with the bulging eyes?' 'Oh I can't - they're so awful.' 'You must - it's got to be one of them. Or else red hot needles and water torture.' 'Oh dear, then the gorilla.
Agatha Christie (Agatha Christie: An Autobiography)
So here is what I see when we reclaim the church ladies: a woman loved and free is beautiful. She is laughing with her sisters, and together they are telling their stories, revealing their scars and their wounds, the places where they don't have it figured out. They are nurturers, creating a haven where the young, the broken, the tenderhearted, and the at-risk can flourish. These women are dancing and worshiping, hands high, faces tipped toward heaven, tears streaming. They are celebrating all shapes and sizes, talking frankly and respectfully about sexuality and body image, promising to stop calling themselves fat. They are saving babies tossed in rubbish heaps, rescuing child soldiers, supporting mamas trying to make ends meet halfway around the world, thinking of justice when they buy their daily coffee. They are fighting sex trafficking. They are pastoring and counseling. They are choosing life consistently, building hope, doing the hard work of transformation in themselves. They are shaking off the silence of shame and throwing open the prison doors of physical and sexual abuse, addictions, eating disorders, and suicidal depression. Poverty and despair are being unlocked - these women know there are many hands helping turn that key. There isn't much complaining about husbands and chores, cattiness, or jealousy when a woman knows she is loved for her true self. She is lit up with something bigger than what the world offers, refusing to be intimidated into silence or despair.
Sarah Bessey (Jesus Feminist: An Invitation to Revisit the Bible's View of Women)
Suddenly, as Avis clung to her father’s neck and ear while, with a casual arm, the man enveloped his lumpy and large offspring, I saw Lolita’s smile lose all its light and become a frozen little shadow of itself, and the fruit knife slipped off the table and struck her with its silver handle a freak blow on the ankle which made her gasp, and crouch head forward, and then, jumping on one leg, her face awful with the preparatory grimace which children hold till the tears gush, she was gone — to be followed at once and consoled in the kitchen by Avis who had such a wonderful fat pink dad and a small chubby brother, and a brand-new baby sister, and a home, and two grinning dogs, and Lolita had nothing.
Vladimir Nabokov (Lolita)
The thinking that women of all shapes and sizes can be beautiful is still hugely problematic, because it is predicated on the idea that the most important thing a woman has to offer the world is her appearance. Men are raised to worry about their legacies, not their upper arm and thigh fat, stretch marks, crows-feet, saggy elbows, ugly armpits, thin eyelashes, and normal-smelling genitals. This is how society keeps us out of the C-suite—it booby-traps the way to the top with self-loathing, then reroutes us on a never-ending path of self-improvement
Jessica Knoll (The Favorite Sister)
The younger sister was piqued, and in turn disparaged the life of a tradesman, and stood up for that of a peasant. “I would not change my way of life for yours,” said she. “We may live roughly, but at least we are free from anxiety. You live in better style than we do, but though you often earn more than you need, you are very likely to lose all you have. You know the proverb, ‘Loss and gain are brothers twain.’ It often happens that people who are wealthy one day are begging their bread the next. Our way is safer. Though a peasant’s life is not a fat one, it is a long one. We shall never grow rich, but we shall always have enough to eat.” The elder sister said sneeringly: “Enough? Yes, if you like to share with the pigs and the calves! What do you know of elegance or manners! However much your good man may slave, you will die as you are living-on a dung heap-and your children the same.” “Well, what of that?” replied the younger. “Of course our work is rough and coarse. But, on the other hand, it is sure; and we need not bow to any one. But you, in your towns, are surrounded by temptations; today all may be right, but tomorrow the Evil One may tempt your husband with cards, wine, or women, and all will go to ruin. Don’t such things happen often enough?
Leo Tolstoy (How Much Land Does a Man Need? and Other Stories)
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.” “Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively. “We all did. Hop to it.” “What about Sam?” Tucker asked. “His woman is the one who got us into this.” “I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps. Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted. “He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.” “That hurt,” Sam said, turning back. “Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.” “Fat help you are,” Sam accused. “I could use a little confidence here.” Kyle snorted. “You don’t have a chance, buddy.” “Goin’ to meet your maker,” Gator added solemnly. Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.” “Have you ever actually used a sword before?” Kadan asked, all innocent. Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.” “You’re all a big help,” Sam said and stepped out into the hall. This was the biggest moment of his life. If they turned him down, he was lost.
Christine Feehan (Samurai Game (GhostWalkers, #10))
Caesar snorts. ‘Maybe it was. Maybe the fat guy was really a suicide arsonist. He crawled up into the chimney and lit himself on fire.’ ‘Maybe he was just desperate to lose weight,’ Paulie adds, and the other guys crack up. ‘Enough,’ I say. ‘Aw, Fitz, you gotta admit it’s pretty funny – ’ ‘Not to that man’s parents. Not to his family.
Jodi Picoult (My Sister's Keeper)
In the beginning was the Word'. I have taken as my text this evening the almighty Word itself. Now get this: 'There was a man sent from God, whose name was John. The same came for a witness, to bear witness of the Light, that all men through him might believe.' Amen, brothers and sisters, Amen. And the riddle of the Word, 'In the beginning was the Word....' Now what do you suppose old John meant by that? That cat was a preacher, and, well, you know how it is with preachers; he had something big on his mind. Oh my, it was big; it was the Truth, and it was heavy, and old John hurried to set it down. And in his hurry he said too much. 'In the beginning was the Word, and the Word was with God, and the Word was God.' It was the Truth, all right, but it was more than the Truth. The Truth was overgrown with fat, and the fat was God. The fat was John's God, and God stood between John and the Truth. Old John, see, he got up one morning and caught sight of the Truth. It must have been like a bolt of lightning, and the sight of it made him blind. And for a moment the vision burned on the back of his eyes, and he knew what it was. In that instant he saw something he had never seen before and would never see again. That was the instant of revelation, inspiration, Truth. And old John, he must have fallen down on his knees. Man, he must have been shaking and laughing and crying and yelling and praying - all at the same time - and he must have been drunk and delirious with the Truth. You see, he had lived all his life waiting for that one moment, and it came, and it took him by surprise, and it was gone. And he said, 'In the beginning was the Word....' And man, right then and there he should have stopped. There was nothing more to say, but he went on. He had said all there was to say, everything, but he went on. 'In the beginning was the Word....' Brothers and sisters, that was the Truth, the whole of it, the essential and eternal Truth, the bone and blood and muscle of the Truth. But he went on, old John, because he was a preacher. The perfect vision faded from his mind, and he went on. The instant passed, and then he had nothing but a memory. He was desperate and confused, and in his confusion he stumbled and went on. 'In the beginning was the Word, and the Word was with God, and the Word was God.' He went on to talk about Jews and Jerusalem, Levites and Pharisees, Moses and Philip and Andrew and Peter. Don't you see? Old John had to go on. That cat had a whole lot at stake. He couldn't let the Truth alone. He couldn't see that he had come to the end of the Truth, and he went on. He tried to make it bigger and better than it was, but instead he only demeaned and encumbered it. He made it soft and big with fat. He was a preacher, and he made a complex sentence of the Truth, two sentences, three, a paragraph. He made a sermon and theology of the Truth. He imposed his idea of God upon the everlasting Truth. 'In the beginning was the Word....' And that is all there was, and it was enough.
N. Scott Momaday (House Made of Dawn)
Greebo was one of her blind spots. While intellectually she would concede that he was indeed a fat, cunning, evil-smelling multiple rapist, she nevertheless instinctively pictured him as the small fluffy kitten he had been decades before. The fact that he had once chased a female wolf up a tree and seriously surprised a she-bear who had been innocently digging for roots didn’t stop her worrying that something bad might happen to him.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
So the spell was broken and she ran home through a tangle of words where the letters jumbled and made no sense and meant nothing, and the words were ugly and she was not to be heard or seen, she was blemished and too fat, too thin, not smart, too smart, not beautiful, not a woman not not not. All the things that girls feel they are not when they fear that if they become, if they are, they will no longer be loved by the sisters whose hearts they have not meant to break.
Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
I was no longer lonely but I was. I had Dominic, my sister’s diabetic foxhound, who followed me from room to room, lumbering onto my lap, unaware of his bulk. I liked the smell of his meaty breath, which he didn’t know was rancid. I liked the warmth of his fat belly, the primal way he crouched when he took a shit. It felt so intimate scooping his gigantic shits, the big hot bags of them. I thought, This is the proper use of my love, this is the man for me, this is the way.
Melissa Broder (The Pisces)
My sister Meghan was smart and beautiful... if only she'd lose weight. Fat was a concern, an error, something to be cured of; a but between you and everything good. I hated overhearing these comments, hated how they made my ears flush red in embarrassment and anger, hated how they revealed a secret side of life where even the people who love you the most could also be privately cataloging your flaws. What did they not like about me? What ways could I be improved upon? I hated even more how relieved I was to be skinny, and what a coward I was to overhear all this and say nothing in defense of the people I loved.
Nora McInerny (Bad Vibes Only (and Other Things I Bring to the Table))
And while we’ve got you on the table, we can do a little lipo on the thighs. You barely need anything. But a lot of women these days are doing that and then having some of the fat injected into their labia to plump things up down there.” Yes. So Rachel can enjoy that for years to come, because what woman doesn’t fret over this? After all, don’t we all walk around with mirrors in our panties, making sure our labia looks plump enough? I try to fix my face, but I’m fairly sure my disgust shows. “We can even do a little vaginal tightening to enhance sexual pleasure for both you and your husband.” My sister bursts into tears. Thank God.
Kristan Higgins (If You Only Knew)
The professional endures adversity. He lets the birdshit splash down on his slicker, remembering that it comes clean with a heavy-duty hosing. He himself, his creative center, cannot be buried, even beneath a mountain of guano. His core is bulletproof. Nothing can touch it unless he lets it. I saw a fat happy old guy once in his Cadillac on the freeway. He had the A/C going, Pointer Sisters on the CD, puffing on a stogie. His license plate: DUES PD The professional keeps his eye on the doughnut and not on the hole. He reminds himself it's better to be in the arena, getting stomped by the bull, than to be up in the stands or out in the parking lot.
Steven Pressfield (The War of Art)
I unpacked and took a shower, trying to wash the road and a little of my mingled grief and anger off me. Rachel had a point, but was it wrong to want a single, peaceful evening? The smell of roasting hens, peppery and succulent, wafted up the stairs as I got dressed, like a sensory argument for respite. Birchie would serve them with fat slices of the summer’s first heirloom tomatoes from the back garden and her famous cornbread. To make it, she saved bacon drippings in a coffee can by the stove, and she’d put some of that grease into the cast-iron skillet and set it in the oven. She’d make batter while the rendered fat got so hot that it was close to smoking. The sizzle of the batter landing in that pan was the kitchen soundtrack of my youth.
Joshilyn Jackson (The Almost Sisters)
Ooh, I'm very hungry,' said Gerty Green dragon to her sister, Greta. 'Ooh, me too,' said Greta Green dragon to her sister, Gerty. 'Let's have our picnic. What did you bring for us to eat? Ooh, I hope there's Lime jelly.' Greta was very excited, and she began to look around for a suitable picnic spot. 'I didn't bring the picnic,' said a very dismayed Gerty Green dragon. 'I thought you were bringing it, Greta.' Greta Green dragon was distraught. 'But I thought you did Gerty.' A big, fat tear rolled down Greta Green dragon's cheek. A big, fat tear rolled down Gerty Green dragon's cheek. 'Waaaaagghhh.' They both cried in unison. 'Now what shall we do?' The twin green dragons sat on the grass verge at the side of the dusty lane and cried. They cried, and cried, and cried.
Ann Perry (The Dragon Sanctuary)
In Eudora Welty’s masterful story “Why I Live at the P.O.” (1941), the narrator is engaged in a sibling rivalry with her younger sister, who has come home after leaving under suspicious if not actually disgraceful circumstances. The narrator, Sister, is outraged at having to cook two chickens to feed five people and a small child just because her “spoiled” sister has come home. What Sister can’t see, but we can, is that those two fowl are really a fatted calf. It may not be a grand feast by traditional standards, but it is a feast, as called for upon the return of the Prodigal Son, even if the son turns out to be a daughter. Like the brothers in the parable, Sister is irritated and envious that the child who left, and ostensibly used up her “share” of familial goodwill, is instantly welcomed, her sins so quickly forgiven. Then
Thomas C. Foster (How to Read Literature Like a Professor Revised: A Lively and Entertaining Guide to Reading Between the Lines)
Maybe you want a harem girl. Is that right? You think I don’t know about those types of loose girls, those poutanes? Yes, I do. I’m not so stupid. You like a fat girl shaking her belly in your face? With a jewel in her fat belly? You want one of those? Let me tell you something. Do you know why those Turkish girls cover their faces? You think it’s because of religion? No. It’s because otherwise no one can stand to look at them!” And now she shouted, “Shame on you, Eleutherios! What’s the matter with you? Why don’t you get a girl from the village?” It was at this point that Lefty, who was now brushing off his jacket, called his sister’s attention to something she was overlooking. “Maybe you haven’t noticed,” he said, “but there aren’t any girls in this village.” Which, in fact, was pretty much the case. Bithynios had never been a big village, but in 1922 it was smaller than ever.
Jeffrey Eugenides (Middlesex)
Samwell Tarly looked at him for a long moment, and his round face seemed to cave in on itself. He sat down on the frost-covered ground and began to cry, huge choking sobs that made his whole body shake. Jon Snow could only stand and watch. Like the snowfall on the barrowlands, it seemed the tears would never end. It was Ghost who knew what to do. Silent as shadow, the pale direwolf moved closer and began to lick the warm tears off Samwell Tarly's face. The fat boy cried out, startled... and somehow, in a heartbeat, his sobs turned to laughter. Jon Snow laughed with him. Afterward they sat on the frozen ground, huddled in their cloaks with Ghost between them. Jon told the story of how he and Robb had found the pups newborn in the late summer snows. It seemed a thousand years ago now. Before long he found himself talking of Winterfell. "Sometimes I dream about it," he said. "I'm walking down this long empty hall. My voice echoes all around, but no one answers, so I walk faster, opening doors, shouting names. I don't even know who I'm looking for. Most nights it's my father, but sometimes it's Robb instead, or my little sister Arya, or my uncle." The thought of Benjen Stark saddened him; his uncle was still missing. The Old Bear had sent out rangers in search of him. Ser Jaremy Rykker had led two sweeps, and Quorin Halfhand had gone forth from the Shadow Tower, but they'd found nothing aside from a few blazes in the trees that his uncle had left to mark his way. In the stony highlands to the northwest, the marks stopped abruptly and all trace of Ben Stark vanished. "Do you ever find anyone in your dream?" Sam asked. Jon shook his head. "No one. The castle is always empty." He had never told anyone of the dream, and he did not understand why he was telling Sam now, yet somehow it felt good to talk of it. "Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It's black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don't want to. I'm afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it's not them I'm afraid of. I scream that I'm not a Stark, that this isn't my place, but it's no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream." He stopped, frowning, embarrassed. "That's when I always wake." His skin cold and clammy, shivering in the darkness of his cell. Ghost would leap up beside him, his warmth as comforting as daybreak. He would go back to sleep with his face pressed into the direwolf s shaggy white fur.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Garnish soft comfort foods with crunchy crumbs, toasted nuts, or crisp bits of bacon to make things interesting. Serve rich meats with bright, acidic sauces and clean-tasting blanched or raw vegetables. Serve mouth-drying starches with mouthwatering sauces, and recognize that a well-dressed, juicy salad can serve as both a side dish and a sauce. On the other hand, pair simply cooked meats, such as grilled steak or poached chicken, with roasted, sautéed, or fried vegetables glazed with Maillard’s dark lacquer. Let the seasons inspire you; foods that are in season together naturally complement one another on the plate. For example, corn, beans, and squash grow as companions in the field, then the three sisters find their way together into succotash. Tomatoes, eggplant, zucchini, and basil become ratatouille, tian, or caponata depending on where you are on the Mediterranean coast. Sage, a hardy winter herb, is a natural complement to winter squash because its leaves—and its flavor—stand up to the cold of winter.
Samin Nosrat (Salt, Fat, Acid, Heat: Mastering the Elements of Good Cooking)
When this all goes to shit and my best friend rightfully punches me the fuck out, takes my company, and kicks me out of his life, I'm going to remember this moment right here. The moment it all seems worth it." Her lips start to lift, and I tell myself that I'm doing the right thing. The right thing for me, for once in my damn life. "With you standing in front of me, back straight, fire in your eyes, hair a mess from my hands, and that ring on your finger. When that happens, help me remember, okay?" Courtney nods, licking her lips and moving into my space. She presses me into the counter with her body, bare tits pressed to my chest and hope in her eyes. Hope for me. For us. And it's beautiful and sweet and all I ever wanted. "It'll be okay, Kaede. It'll be finer than fine, I promise." Sure, it will. I nod, even though I don't believe her. I'm only risking ... everything. Court might lose some face, and yeah, Ross will be mad at her. But she's his sister. He'll forgive her. But he legit might kill me. I kiss her anyway, signing my own death certificate.
Lauren Landish (My Big Fat Fake Engagement)
Meeting the Prince of Wales I’ve known her [the Queen] since I was tiny so it was no big deal. No interest in Andrew and Edward--never thought about Andrew. I kept thinking, ‘Look at the life they have, how awful’ so I remember him coming to Althorp to stay, my husband, and the first impact was ‘God, what a sad man.’ He came with his Labrador. My sister was all over him like a bad rash and I thought, ‘God, he must really hate that.’ I kept out of the way. I remember being a fat, podgy, no make-up, unsmart lady but I made a lot of noise and he liked that and he came up to me after dinner and we had a big dance and he said: ‘Will you show me the gallery?’ and I was just about to show him the gallery and my sister Sarah comes up and tells me to push off and I said ‘At least, let me tell you where the switches are to the gallery because you won’t know where they are,’ and I disappeared. And he was charm himself and when I stood next to him the next day, a 16-year old, for someone like that to show you any attention--I was just so sort of amazed. ‘Why would anyone like him be interested in me?’ and it was interest. That was it for about two years. Saw him off and on with Sarah and Sarah got frightfully excited about the whole thing, then she saw something different happening which I hadn’t twigged on to, i.e. when he had his 30th birthday dance I was asked too. ‘Why is Diana coming as well?’ [my] sister asked. I said: ‘Well, I don’t know but I’d like to come.’ ‘Oh, all right then,’ that sort of thing. Had a very nice time at the dance--fascinating. I wasn’t at all intimidated by the surroundings [Buckingham Palace]. I thought, amazing place. Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.
Andrew Morton (Diana: Her True Story in Her Own Words)
When Miss Minchin sent her sister, Miss Amelia, to see what the child was doing, she found she could not open the door. “I have locked it,” said a queer, polite little voice from inside. “I want to be quite by myself, if you please.” Miss Amelia was fat and dumpy, and stood very much in awe of her sister. She was really the better-natured person of the two, but she never disobeyed Miss Minchin. She went downstairs again, looking almost alarmed. “I never saw such a funny, old-fashioned child, sister,” she said. “She has locked herself in, and she is not making the least particle of noise.” “It is much better than if she kicked and screamed, as some of them do,” Miss Minchin answered. “I expected that a child as much spoiled as she is would set the whole house in an uproar. If ever a child was given her own way in everything, she is.” “I’ve been opening her trunks and putting her things away,” said Miss Amelia. “I never saw anything like them--sable and ermine on her coats, and real Valenciennes lace on her underclothing. You have seen some of her clothes. What do you think of them?” “I think they are perfectly ridiculous,” replied Miss Minchin, sharply; “but they will look very well at the head of the line when we take the schoolchildren to church on Sunday. She has been provided for as if she were a little princess.” And upstairs in the locked room Sara and Emily sat on the floor and stared at the corner round which the cab had disappeared, while Captain Crewe looked backward, waving and kissing his hand as if he could not bear to stop.
Frances Hodgson Burnett (A Little Princess)
Ah yes, the people concerned. That is very important. You remember, perhaps, who they were?’ Depleach considered. ‘Let me see-it’s a long time ago. There were only five people who were really in it, so to speak-I’m not counting the servants-a couple of faithful old things, scared-looking creatures-they didn’t know anything about anything. No one could suspect them.’ ‘There are five people, you say. Tell me about them.’ ‘Well, there was Philip Blake. He was Crale’s greatest friend-had known him all his life. He was staying in the house at the time.He’s alive. I see him now and again on the links. Lives at St George’s Hill. Stockbroker. Plays the markets and gets away with it. Successful man, running to fat a bit.’ ‘Yes. And who next?’ ‘Then there was Blake’s elder brother. Country squire-stay at home sort of chap.’ A jingle ran through Poirot’s head. He repressed it. He mustnot always be thinking of nursery rhymes. It seemed an obsession with him lately. And yet the jingle persisted. ‘This little pig went to market, this little pig stayed at home…’ He murmured: ‘He stayed at home-yes?’ ‘He’s the fellow I was telling you about-messed about with drugs-and herbs-bit of a chemist. His hobby. What was his name now? Literary sort of name-I’ve got it. Meredith. Meredith Blake. Don’t know whether he’s alive or not.’ ‘And who next?’ ‘Next? Well, there’s the cause of all the trouble. The girl in the case. Elsa Greer.’ ‘This little pig ate roast beef,’ murmured Poirot. Depleach stared at him. ‘They’ve fed her meat all right,’ he said. ‘She’s been a go-getter. She’s had three husbands since then. In and out of the divorce court as easy as you please. And every time she makes a change, it’s for the better. Lady Dittisham-that’s who she is now. Open anyTatler and you’re sure to find her.’ ‘And the other two?’ ‘There was the governess woman. I don’t remember her name. Nice capable woman. Thompson-Jones-something like that. And there was the child. Caroline Crale’s half-sister. She must have been about fifteen. She’s made rather a name for herself. Digs up things and goes trekking to the back of beyond. Warren-that’s her name. Angela Warren. Rather an alarming young woman nowadays. I met her the other day.’ ‘She is not, then, the little pig who cried Wee Wee Wee…?’ Sir Montague Depleach looked at him rather oddly. He said drily: ‘She’s had something to cry Wee-Wee about in her life! She’s disfigured, you know. Got a bad scar down one side of her face. She-Oh well, you’ll hear all about it, I dare say.’ Poirot stood up. He said: ‘I thank you. You have been very kind. If Mrs Crale didnot kill her husband-’ Depleach interrupted him: ‘But she did, old boy, she did. Take my word for it.’ Poirot continued without taking any notice of the interruption. ‘Then it seems logical to suppose that one of these five people must have done so.’ ‘One of themcould have done it, I suppose,’ said Depleach, doubtfully. ‘But I don’t see why any of themshould. No reason at all! In fact, I’m quite sure none of themdid do it. Do get this bee out of your bonnet, old boy!’ But Hercule Poirot only smiled and shook his head.
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
Hundreds of men crowded the yard, and not a one among them was whole. They covered the ground thick as maggots on a week old carcass, the dirt itself hardly anywhere visible. No one could move without all feeling it and thus rising together in a hellish contortion of agony. Everywhere men moaned, shouting for water and praying for God to end their suffering. They screamed and groaned in an unending litany, calling for mothers and wives and fathers and sisters. The predominant color was blue, though nauseations of red intruded throughout. Men lay half naked, piled on top of one another in scenes to pitiful to imagine. Bloodied heads rested on shoulders and laps, broken feet upon arms. Tired hands held in torn guts and torsos twisted every which way. Dirty shirts dressed the bleeding bodies and not enough material existed in all the world to sop up the spilled blood. A boy clad in gray, perhaps the only rebel among them, lay quietly in one corner, raised arm rigid with a finger extended, as if pointing to the heavens. His face was a singular portrait of contentment among the misery. Broken bones, dirty white and soiled with the passing of hours since injury, were everywhere abundant. All manner of devices splinted the damaged and battered limbs: muskets, branches, bayonets, lengths of wood or iron from barns and carts. One individual had bone splinted with bone: the dried femur of a horse was lashed to his busted shin. A blind man, his eyes subtracted by the minié ball that had enfiladed him, moaned over and over “I’m kilt, I’m kilt! Oh Gawd, I’m kilt!” Others lay limp, in shock. These last were mostly quiet, their color unnaturally pale. It was agonizingly humid in the still air of the yard. The stink of blood mixed with human waste produced a potent and offensive odor not unlike that of a hog farm in the high heat of a South Carolina summer. Swarms of fat, green blowflies everywhere harassed the soldiers to the point of insanity, biting at their wounds. Their steady buzz was a noise straight out of hell itself, a distress to the ears.
Edison McDaniels (Not One Among Them Whole: A Novel of Gettysburg)
The store smells of roasted chicken and freshly ground coffee, raw meat and ripening stone fruit, the lemon detergent they use to scrub the old sheet-linoleum floors. I inhale and feel the smile form on my face. It's been so long since I've been inside any market other than Fred Meyer, which smells of plastic and the thousands of people who pass through every day. By instinct, I head for the produce section. There, the close quarters of slim Ichiban eggplant, baby bok choy, brilliant red chard, chartreuse-and-purple asparagus, sends me into paroxysms of delight. I'm glad the store is nearly empty; I'm oohing and aahing with produce lust at the colors, the smooth, shiny textures set against frilly leaves. I fondle the palm-size plums, the soft fuzz of the peaches. And the berries! It's berry season, and seven varieties spill from green cardboard containers: the ubiquitous Oregon marionberry, red raspberry, and blackberry, of course, but next to them are blueberries, loganberries, and gorgeous golden raspberries. I pluck one from a container, fat and slightly past firm, and pop it into my mouth. The sweet explosion of flavor so familiar, but like something too long forgotten. I load two pints into my basket. The asparagus has me intrigued. Maybe I could roast it with olive oil and fresh herbs, like the sprigs of rosemary and oregano poking out of the salad display, and some good sea salt. And salad. Baby greens tossed with lemon-infused olive oil and a sprinkle of vinegar. Why haven't I eaten a salad in so long? I'll choose a soft, mild French cheese from the deli case, have it for an hors d'oeuvre with a beautiful glass of sparkling Prosecco, say, then roast a tiny chunk of spring lamb that I'm sure the nice sister will cut for me, and complement it with a crusty baguette and roasted asparagus, followed by the salad. Followed by more cheese and berries for dessert. And a fruity Willamette Valley Pinot Noir to wash it all down. My idea of eating heaven, a French-influenced feast that reminds me of the way I always thought my life would be.
Jennie Shortridge (Eating Heaven)
I worry about you too,” I said softly as I caressed her head resting against my chest. “You look tired.” Lark didn’t speak for a minute. When she finally looked at me, I saw a lot of different emotions swirling in those bright green eyes. “I feel like shit. I’m tired and dizzy. I can’t eat ninety percent of the food I used to eat. I feel awful, but I’m afraid to complain.” “Why?” “Maddy just had her baby and she was so tough about the whole thing. I’m surprised she didn’t give birth in the middle of the grocery store then go back to picking up things for dinner. Next to her, I’m a weakling. Also, Farah is going to be all brave and awesome too. I don’t want to be the whiner.” “First of all, Maddy’s got that natural breeder look about her. Some chicks are like that and you can’t let the exception be your rule. Besides, you’re having twins. You have more baby cooking to do than she did, so screw comparisons.” “I just don’t want people to think less of me.” “By people, do you mean Aaron?” “We barely met and got married and now I’m getting fat and I’m tired all the time. I don’t want him to lose interest.” “Oh, Lark, you’re so fucking stupid sometimes.” “Yeah, I know,” she said, grinning. “We have that in common.” “So true.” “Mom said that I’m like her and she had a guy like Aaron and she suffocated him and he ditched her. I know Mom sucks, but what if she’s right and I wear down Aaron and he stops loving me?” “Any man who would want Mom must be shit. Aaron isn’t shit.” “I know, but I get scared of messing up everything I have.” Kissing her forehead, I stood up and walked to the bedroom door. “Hey, Mister Clean, get over here.” Laughing, Lark followed me into the hallway where Aaron appeared, clearly loving his new nickname. “Listen up, Yul Brynner,” I said, sending Lark into giggles. “My sister is cooking up two kids that you stuck inside her. She needs more damn love than you’re giving. If you don’t do a better job of babying her, I’m going to have to replace you. Hmm, I just saw this guy Jake that I knew from high school. He’s ripped and works at the gym. The gym, Aaron.” My brother-in-law stared unaffected until I finished then he gazed down at his wife. Lark must have known what was coming because she started giggling. “My sweet muse,” he murmured and she laughed harder, “do you need more love than I’m giving?” Aaron swept Lark into his arms and cradled her like a kid. “Poor thing. I’ll just need to pay more attention.” As he kissed all over her, Lark stopped giggling and began moaning affirmations. “Good thing you obeyed because I think Jake might be gay.” After giving me a wink, Aaron gestured for me to go away. I was the one to obey this time. Leaving them to cuddle and more in the bedroom, I watched television and finished the popcorn. Professor joined me, but Pollack was wary. I think it was because I was always barking at her. In my defense, she started it.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
First came the flower girls, pretty little lasses in summery frocks, skipping down the aisle, tossing handfuls of petals and, in one case, the basket when it was empty. Next came the bridesmaids, Luna, strutting in her gown and heels, a challenging dare in her eyes that begged someone to make a remark about the girly getup she was forced to wear. Next came Reba and Zena, giggling and prancing, loving the attention. This time, Leo wasn’t thrown by Teena’s appearance, nor was he fooled. How could he have mistaken her for his Vex? While similar outwardly, Meena’s twin lacked the same confident grin, and the way she moved, with a delicate grace, did not resemble his bold woman at all. How unlike they seemed. Until Teena tripped, flailed her arms, and took out part of a row before she could recover! Yup, they were sisters all right. With a heavy sigh, and pink cheeks, Teena managed to walk the rest of the red carpet, high heels in hand— one of which seemed short a heel. With all the wedding party more or less safely arrived, there was only one person of import left. However, she didn’t walk alone. Despite his qualms, which Leo heard over the keg they’d shared the previous night, Peter appeared ready to give his daughter away. Ready, though, didn’t mean he looked happy about it. The seams of the suit his soon-to-be father-in-law wore strained, the rented tux not the best fit, but Leo doubted that was why he looked less than pleased. Leo figured there were two reasons for Peter’s grumpy countenance. The first was the fact that he had to give his little girl away. The second probably had to do with the snickers and the repetition of a certain rumor, “I hear he lost an arm-wrestling bet and had to wear a tie.” For those curious, Leo had won that wager, and thus did his new father-in-law wear the, “gods-damned-noose” around his neck. However, who cared about that sore loser when upon his arm rested a vision of beauty. Meena’s long hair tumbled in golden waves over her shoulders, the ends curled into fat ringlets that tickled her cleavage. At her temples, ivory combs swept the sides up and away, revealing the creamy line of her neck. The strapless gown made her appear as a goddess. The bust, tight and low cut, displayed her fantastic breasts so well that Leo found himself growling. He didn’t like the appreciative eyes in the crowd. Yet, at the same time, he felt a certain pride. His bride was beautiful, and it was only right she be admired. From her impressive breasts, the gown cinched in before flaring out. The filmy white fabric of the skirt billowed as she walked. He noted she wore flats. Reba’s suggestion so she wouldn’t get a heel stuck. Her gown didn’t quite touch the ground. Zena’s idea to ensure she wouldn’t trip on the hem. They’d taken all kinds of precautions to ensure her the smoothest chance of success. She might lack the feline grace of other ladies. She might have stumbled a time or two and been kept upright only by the smooth actions of her father, but dammit, in his eyes, she was the daintiest, most beautiful sight he’d ever seen. And she is mine.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Looking for Family When I first became a follower of Jesus, I had high hopes for finding brothers and sisters, even fathers and mothers, who could help me grow as a new believer. The Christian language of family deeply appealed to me. It sounded like a place of belonging. I imagined times when the fatted calf would be roasted for the next few prodigals who arrived home. I looked for small groups, church meetings, and the fellowship of the “one anothers”1 to offer me what I thought was the norm for the Christian experience of life. I have found that I am not alone in my quest. Many of us are looking for the same thing. Yet our search for a place to belong and for a people to “do” life with often leaves us disappointed and disillusioned. No matter how hard we try, no matter how many places we look, friendship and community can be a superficial experience that never satisfies the soul. We long for the deep friendships of David and Jonathan and Ruth and Naomi, but with the busyness of life, who has time to foster such friendships? What was meant to be community often turns into “catch up” times over coffee where we share safe stories of vacations and children. What God has reminded me is that in every group, every family, and every church, people are wearing their own graveclothes. So am I. But I forget this so often, hoping that this group could be the place where I can finally deal with something important in my life, and all my needs will be met—finally.
Stephen W. Smith (The Lazarus Life: Spiritual Transformation for Ordinary People)
fallen, healing the sick, releasing the imprisoned, and keeping faith with all those who lie in dust. Who is like You, King, who nurtures life and salvation? She felt two fat tears make their way down her cheeks to the corners of her mouth. She licked them away. They were delicious. Her growling stomach led her to her cousin’s kitchen. She
Naomi Ragen (The Sisters Weiss)
Yes, it is necessary. I am offering my services for free, and in return for excellent companionship and help, please allow me to call your fat poet names. It gives me great pleasure.
Anya Wylde (Seeking Philbert Woodbead (Fairweather Sisters, #2))
I know we thought to keep this to ourselves, but I feel the children should know my intentions. I want to marry your sister. I want for us to be a family.” “You’re too old,” Andy blurted out. “Besides, I want her to marry William. He knows how to take care of the ranch and break horses, and he’s not old.” “Or fat,” Marty declared. Lockhart turned beet red, while Hannah coughed nervously into her napkin. She had no idea why Andy would suggest marriage to William Barnett, but it had definitely irritated Mr. Lockhart. She wanted to say something, but Andy piped up again quickly. “Hannah needs to marry somebody like William who can work hard.” Her brother turned to look at her. “She works too hard and so she needs a man who can help her with the work.” “And who isn’t fat,” Marty added in a most solemn manner. “Martha Dandridge, mind your manners,” Hannah managed before turning to her brother. “And you . . . finish your dessert so that we might retire to our room.” Lockhart, however, was not to be put aside. “Miss Dandridge, am I to understand that Mr. Barnett has become a rival in winning your affections?” Hannah shook her head. “There is no rivalry, Mr. Lockhart.” He smiled rather smugly and leaned back to tuck his thumbs in his vest pockets. “I could not imagine that there would be.” She didn’t wait to continue. “There is no rivalry, because I have no affections for you.” His expression fell. “Furthermore, I am not of a mind to consider matrimony at this time.” Marty leaned closer to her sister. “He’s losin’ all his hair, Hannah. You can’t marry a man who doesn’t have any hair.” Her sister’s serious consideration of a beau very nearly sent Hannah into peals of laughter, but she held herself in check. “Marty, it doesn’t matter as much what a fella looks like, but rather what’s in their heart—if they love Jesus and if they are trustworthy.
Tracie Peterson (Chasing The Sun (Land of the Lone Star, #1))
Saverland v Newton (1837) Caroline Newton was indicted for assaulting Thomas Saverland and biting off his nose. The complainant, whose face bore incontestible evidence of the severe injury inflicted, the fleshy part of the left nostril being completely gone, stated that on the day after Christmas Day he was in a tap-room where were defendant and her sister. The sister laughingly observed that she had left her young man down at Birmingham, and had promised him no man should kiss her while absent. Complainant regarded this observation as a challenge, especially it being holiday time, and caught hold of her and kissed her. She took it in good part as joke, but defendant became angry, and desired she might have as little of that kind of fun as he pleased. Complainant told her if she was angry he would kiss her also and tried to do it. A scuffle ensued, and they both fell to the ground. After they got up complainant went and stood by the fire, and the defendant followed and struck at him. He again closed with her and tried to kiss her, and in the scuffle he was heard to cry out, She has got my nose in her mouth.” When they parted he was bleeding profusely from the nose, and a portion of it, which defendant had bitten off, she was seen to spit out of her month upon the ground. The defendant, a fat, middle-aged woman, treated the matter with great levity, and said he had no business to kiss her sister, or attempt to kiss her, in a public house; they were not such kind of people. If she wanted to be kissed, she had a husband to kiss her, and he was a much handsomer man than [complainant] ever was, even before he lost his nose. The Chairman told the jury that it mattered little which way their verdict went. If they found her guilty the court would not fine her more than 1s., as the prosecutor had brought the punishment on himself. The jury, without hesitation, acquitted her. The Chairman told the prosecutor he was sorry for the loss of his nose, but if he would play with cats, he must expect to get scratched. Turning to the jury, the Chairman afterwards said, “Gentlemen, my opinion is that if a man attempts to kiss a woman against her will, she has a right to bite his nose off if she has a fancy for so doing.” ”And eat it too,” added a learned gentleman at the bar. The case caused much laughter to all except the poor complainant.
Bell’s New Weekly Messenger
And as your big sister, it’s my job to keep that heart unbroken or break the kneecaps of whoever breaks your heart. And let’s be honest, breaking Kaede’s kneecaps is gonna be hella difficult for me. So help me to help you. No broken hearts, no broken kneecaps, and no jail for me.
Lauren Landish (My Big Fat Fake Engagement)
Two of my sorority sisters had gotten married in the past six months, and three girls I’d grown up with had had babies. How had this happened? We’d all been allotted the same number of years, and they’d taken that time and built lives. Families. Meanwhile I was living in my parents’ attic, working at a job that could replace me in five minutes if I got hit by a bus, with nothing going for me but a fat tuxedo cat—sorry, Benedick—and a half bottle of wine. 
Jen DeLuca (Well Played (Well Met, #2))
Are they leaving to have sex?" Ross makes a gagging sound as if he can't fathom his sister having sex, much less fucking me in the elevator, which feels like a very real possibility. I wonder if there are security cameras there too? "More likely to find the closest Justice of the Peace," Courtney answers. I recognize her and her husband, Kaede, from the wedding when I first met Abigail. And I like the way she thinks. If I put a ring on Abigail's finger and my cock inside her, I could stop her from ever leaving me again. The idea has merit.
Lauren Landish (My Big Fat Fake Honeymoon)
As i take my place at the microphone, a hot flash of nerves spikes, washing away my previous desire in an instant. But I speak from the heart, wishing my sister a lifetime of happiness and threatening her new husband with death and dismemberment if he so much as says one mean word to her. He smiles like I'm kidding, and I slash a line across my throat with my thumb to show that I'm dead serious.
Lauren Landish (My Big Fat Fake Honeymoon)
He made the mistake of telling Jaya about his new friend. “He sounds like a fat-mouthed little shithead,” his sister declared.
Fonda Lee (Jade Legacy (The Green Bone Saga, #3))
You ungrateful little bitch!’ Isobel exploded. ‘I treated you like a sister. I took you under my wing, wasted my time and money trying to raise you out of your miserable little life with your fat wimp of a husband and your ugly brat of a child. I should have known better. You’re nothing. Just another coconut bastard. I wish you unluck for the rest of your pathetic life.
Nikki May (Wahala)
each other’s ass, but I think the result would be the same . . . that I feel accepted. Loved. Enough. “I don’t know anyone else good enough for my baby sister,” Ross says, as emotional about this as I am. “Hey, I’m getting in on this action,” Courtney says, and suddenly, our hug becomes a three-way. “Take care of my boy, Court,” he tells her, and I can’t help but smile. Ross has always been a pivot point for us, the one who brought us together, and in a way, the one who kept us apart. But now that I know he’s not just okay with me and Court but is actually happy for us, it’s like a weight has been lifted off my shoulders. No, like a truck, because that fucker was heavy. Violet joins in too. “Don’t make me cry. I don’t have time for lasagna and redoing my makeup.” Courtney reaches to a bowl on the counter and unwraps a piece of chocolate. “Open.” Violet does as commanded and eats the candy with that wiggle of happiness all women do when you feed them good food. “Just to be clear . . . we’re not telling Archie that you’re my brother,” Ross says as Violet heads back to her lasagna. “Agreed.” We fist bump on that, and I draw us back to the issue of the evening
Lauren Landish (My Big Fat Fake Engagement)
for a fleeting instant knew what it was to be a fat old man, pickled in wine, fighting old wars that no one cared about anymore, hanging grimly onto the precipice of late middle-age for fear of dropping off into antiquity, but only with one hand, because with the other he was giving the finger to Death.
Terry Pratchett (Wyrd Sisters (Discworld, #6))
IT WAS ALMOST December, and Jonas was beginning to be frightened. No. Wrong word, Jonas thought. Frightened meant that deep, sickening feeling of something terrible about to happen. Frightened was the way he had felt a year ago when an unidentified aircraft had overflown the community twice. He had seen it both times. Squinting toward the sky, he had seen the sleek jet, almost a blur at its high speed, go past, and a second later heard the blast of sound that followed. Then one more time, a moment later, from the opposite direction, the same plane. At first, he had been only fascinated. He had never seen aircraft so close, for it was against the rules for Pilots to fly over the community. Occasionally, when supplies were delivered by cargo planes to the landing field across the river, the children rode their bicycles to the riverbank and watched, intrigued, the unloading and then the takeoff directed to the west, always away from the community. But the aircraft a year ago had been different. It was not a squat, fat-bellied cargo plane but a needle-nosed single-pilot jet. Jonas, looking around anxiously, had seen others—adults as well as children—stop what they were doing and wait, confused, for an explanation of the frightening event. Then all of the citizens had been ordered to go into the nearest building and stay there. IMMEDIATELY, the rasping voice through the speakers had said. LEAVE YOUR BICYCLES WHERE THEY ARE. Instantly, obediently, Jonas had dropped his bike on its side on the path behind his family’s dwelling. He had run indoors and stayed there, alone. His parents were both at work, and his little sister, Lily, was at the Childcare Center where she spent her after-school hours. Looking through the front window, he had seen no people: none of the busy afternoon crew of Street Cleaners, Landscape Workers, and Food Delivery people who usually populated the community at that time of day. He saw only the abandoned bikes here and there on their sides; an upturned wheel on one was still revolving slowly. He had been frightened then. The sense of his own community silent, waiting, had made his stomach churn. He had trembled. But it had been nothing. Within minutes the speakers had crackled again, and the voice, reassuring now and less urgent, had explained that a Pilot-in-Training had misread his navigational instructions and made a wrong turn. Desperately the Pilot had been trying to make his way back before his error was noticed. NEEDLESS TO SAY, HE WILL BE RELEASED, the voice had said, followed by silence. There was an ironic tone to that final message, as if the Speaker found it amusing; and Jonas had smiled a little, though he knew what a grim statement it had been. For a contributing citizen to be released from the community was a final decision, a terrible punishment, an overwhelming statement of failure.
Lois Lowry (The Giver (The Giver, #1))
When I was young, I thought womanhood would bring autonomy. Glamour. Fur coats and fat wallets. Days entirely of my design. I planned, as a girl, to become the kind of woman who kept a pen in her breast pocket; it seemed important that when I grew up I always had my own pen, that I never had to borrow anything from anyone else. Now that I’m on my own, the thing I miss most is time spent in a parked van with my sisters, waiting for one of us to root through her bag and find whatever it was the other needed the most.
Claire Luchette (Agatha of Little Neon)
Are you waiting for the other shoe to drop?” I ask. There’s a term for this irrational fear of joy: cherophobia (chero is the Greek word for “rejoice”). People with cherophobia are like Teflon pans in terms of pleasure—it doesn’t stick (though pain cakes on them as if to an ungreased surface). It’s common for people with traumatic histories to expect disaster just around the corner. Instead of leaning into the goodness that comes their way, they become hypervigilant, always waiting for something to go wrong. That might be why Rita still fumbled for tissues in her purse even though she knew a fresh box was beside her on the table. Better not to get used to a full box of tissues, or a surrogate family next door, or people purchasing your art, or the man you’re dreaming about giving you a big fat kiss in the parking lot. Don’t delude yourself, sister! The second you get too comfortable—whoosh!—it will all go away. For Rita, joy isn’t pleasure; it’s anticipatory pain.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Sweetheart, you can’t get back something you never lost. I told you, and the entire world in Vegas, it’s always been you.
Lyndsey Gallagher (My Big Fat Fabulous Christmas (Sexton Sisters #1))
I don’t even care that I look kinda fat or have a giant pimple throbbing on my chin. I’m going to try my best to have a good day. Well, as good as it can be when your sister is dead and you feel like you might lose your mind at any moment.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
The members of our meeting began responding to the altar call. My mom was one of the first to arrive, as usual. Soon nearly everyone was up there but me and one old woman who was too fat to walk. I had never been saved. It was a scandal. My sister periodically turned from the front of the church to give me stink eye, but I couldn’t budge. I would never, ever go to the altar. Even when I tried imagining, as my Vacation Bible School teacher had urged me to do, my heart opening up like a lily to accept God’s love, I felt nothing in my chest but my own stubborn, hard-beating muscle, not even remotely flower-like. If the Rapture came, as my brother threatened it was about to, I knew what my fate would be, and I was ready for it: I would be left with just my godless daddy and Minnie Hodson and her chickens, which we would take one by one, and kill, and eat.
Haven Kimmel (A Girl Named Zippy)
And please check out my other books and series: Hartwell Women Series The Beach House Hotel Series Fat Fridays Group Salty Key Inn Series Chandler Hill Inn Series Seashell Cottage Books The Desert Sage Inn Series Soul Sisters at Cedar Mountain Lodge Series The Sanderling Cove Inn Series The Lilac Lake Inn Series
Judith Keim (Finding Me (Salty Key Inn #1))
Dallas latched on to the forearm of my hand curled around her throat and plastered her back against the hood of the car as I continued fucking her hard. The door behind us opened, and Jared walked in. “Oh, sorry. I didn’t mean to—” “Get the fuck out,” I roared. My demand shook the walls so hard I was surprised they hadn’t cracked. The door promptly closed. Perhaps because it was, by far, the most pleasurable experience I’d ever had, the orgasm wasn’t instant. It skulked forward, gripping each of my limbs with its claws, taking over me like a drug. I knew I’d regret what was about to happen. Yet, I could not even entertain the idea of stopping. Dallas quaked beneath me. The muscles of her thighs strained. Sliding into her hot tightness a few more times, I finally erupted inside her. It was glorious. And at the same time, felt as if someone had sucked my chest empty. I came, and I came, and I came into Dallas’s cunt. When I finally pulled out, everything between us was sticky. I peered down between her legs. My thick white cum dripped from her swollen red slit to the hood of my car. Pink flakes of blood scattered inside the cloudy, milky liquid. Panting and out of breath, I realized this marked the first time that I’d lost myself to a moment. That I’d forgotten everything. Including the fact that she was present. My gaze rode up her bruised pussy to her torso. Sometime during sex, I’d torn the top of her dress without even noticing. Red marks covered her exposed breasts. Full of scratches and bites. Her neck still bore the imprints of my fingers—how hard had I grabbed her? And though I dreaded seeing the aftermath on her face, I couldn’t stop myself. I looked up and nearly keeled over to vomit. Flushed pink cloaked her face. A single silent tear traveled down her cheek. A glossy sheen coated her hazel eyes, almost golden in their tone and empty as my chest. The corner of her lips had produced a thin line of blood. Her doing. Not mine. She’d bitten them to tamp down her pained cries. Shortbread wanted me to fuck her bareback so badly, she’d suffered through the entire ordeal. Incomparable guilt slammed into me. Bitterness hit the back of my throat. I’d taken her without considering her pleasure. Against my better judgment. And in the process, I’d ruined her first genuine experience of sex. “Sorry.” I jerked away from Dallas, shoved my dripping half-mast cock back into my pants, and zipped up. “Jesus. Fuck. I’m so—” The rest of the sentence vanished in my throat. I shook my head, still in disbelief that I’d fucked her to the point of blood and tears. Without even sparing her a glance. She sat up. That lone tear still shimmered from her cheek, somehow even worse than a loud sob. “Do you have any gum?” The perfect, even composure braided into her voice rattled me. In fact, everything about Dallas rattled me. On autopilot, I produced two pieces of gum from my tin container, forking them over to her. She tucked both into her pretty pink mouth that I would never kiss and fuck again. “Shortbread…” I stopped. An apology wouldn’t even begin to cover it. “No. It’s my time to speak.” She made no move to flee. To slap me. To call the police, her parents, her sister. My cum still dripped fat white drops through her exposed pussy. A single streak of blood smeared across the hood of my car. I stood far enough from her that I wasn’t a threat and listened.(Chapter 44)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
I wanted what Homa had. I wanted her family. Her living father, her kind mother. I wanted her fat, edible baby sister. I wanted the warmth and safety of her home.
Marjan Kamali (The Lion Women of Tehran)
Mel was just here. She’s complaining about the food.” “Huh?” Jack answered. “Mel?” “Yeah. She says my food is making her fat.” Jack chuckled. “Oh, that. Yeah, she’s making noises about that. Don’t worry about it.” “She didn’t make it sound like I shouldn’t worry about it. She was pretty much loaded for bear.” “She had two babies in fourteen months, plus a hysterectomy. And—she doesn’t like to be reminded about this—she’s getting older in spite of herself. Women get a little thicker. You know.” “How do you know that?” “Four sisters,” Jack said. “It’s all women ever worry about—the size of their butts and boobs. And thighs—thighs come up a lot.” “She yelled at me,” he said, still kind of startled. Paul laughed and Jack just shook his head. “Did you tell her that?” Preacher asked. “About women getting thicker with age?” “Do I look like I have a death wish? Besides, I don’t think she’s getting fat—but my opinion about that doesn’t count for much.” “She wants salads. And fresh fruit.” “How hard is that?” Jack asked. “Not hard,” Preacher said with a shrug. “But I don’t stuff that pie down her neck every day.” A sputter of laughter escaped Paul, and Jack said, “You’re gonna want to watch that, Preach.” “She wants me to use less butter and cream, take a few calories out of my food. Jack, it isn’t going to taste as good that way. You can’t make sauces and gravies without cream, butter, fat, flour. People love that stuff, salmon in dill sauce, fettuccine Alfredo, stuffed trout, brisket and garlic mash. Stews with thick gravy. People come a long way for my food.” “Yeah, I know, Preach. You don’t have to change everything—but make Mel a little something, huh? A salad, a broiled chicken breast, fish without the cream sauce, that kind of thing. You know what to do. Right?” “Of course. You don’t think she wants everyone in this town on a diet? Because she says it’s not healthy, the way I cook.” “Nah. This is a phase, I think. But if you don’t want to hear any more about it, just give her lettuce.” He grinned. “And an apple instead of the pie.” Preacher shook his head. “See, I think no matter what she says, that’s going to make her pissy.” “She said it’s what she wants, right?” “Right.” “May the force be with you,” Jack said with a grin.
Robyn Carr (Temptation Ridge)
Jack had seen his brothers-in-law, all puffed up with testosterone pride when they’d gotten their wives pregnant, when the babies came. He never pretended to really understand it. He was too busy with his career, with his troops, when it seemed to him a woman getting pregnant was probably the worst career suicide a man could suffer. He didn’t get their male egos; he thought his sisters were just getting fat and mean. He got it now. He felt as though his chest might explode. There was a fire in his belly and it was all he could do to keep from running up a flag. He couldn’t wait until he and Mel could make some plans, get married, tell the world they were lifetime partners and bringing a baby on board. She
Robyn Carr (Virgin River (Virgin River #1))
Fat Cat looked at the coach. He nodded silently. “When Dax was not yet seven el Presidente himself held the gun as Dax pulled the trigger that executed the murderers of his mother and sister.” The coach was silent for a moment.
RosettaBooks (The Adventurers)
You were brushing your hair,” he guessed. “Which means you were almost ready for bed. I apologize for intruding.” He wandered to her vanity and picked up a brush inlaid with ivory. “It was a gift from the old earl,” she said, watching him fingering her belongings. He ran his thumbnail down the teeth of her comb and picked up a blue ribbon coiled in a tray of hairpins. “I have been considering how best to apologize to you,” he said, winding the ribbon around his finger, “but I’m not sure exactly what label to put on my transgression.” Call it a kiss, Emmie silently rejoined. “And was an apology the purpose of this conversation?” she asked, not knowing where in the room to put herself. She wasn’t about to sit on the bed, and not on the fainting couch by the cold hearth either. She also didn’t want to sit at her vanity, not with him standing there, acquainting his big, tanned hands with her belongings. “I’m not just here to apologize.” He smiled a slow, lazy smile at her. Not one of his company smiles, not a smile he’d give to Winnie or Lord Amery either. “Come sit, Emmie.” He patted the low back of the chair at her vanity. “You are uneasy, wondering when I’ll say something uncouth or alienate another neighbor. I regret that.” He patted the back of the chair again, and on dragging feet, Emmie crossed the room. She seated herself and expected the earl to take the end of the fainting couch or to slouch against the mantel. He caught her completely off guard by standing behind her and drawing her hair over her shoulders. “I miss doing this for my sisters,” he said, running the brush down the length of her hair, “and even for Her Grace when I was very young.” “She raised you?” Emmie asked, knowing she should grab the brush from him. “From the age of five on. You have utterly glorious hair. Winnie will be the envy of her peers if she ends up with hair like this.” He drew a fat coil up to his nose and inhaled, then let it drop and resumed his brushing. “You should not be doing this,” Emmie said, but even that weak admonition was an effort. “I should not be letting you do this.” “I interrupted you. It’s only fair I should perform the task I disturbed. Besides, I wanted to talk to you about this trip Douglas has proposed.” Emmie
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
How’s it going so far?” “Eh.” I examined my hair for split ends. “That good, huh?” “Well, let’s see. My sister just called my ex ‘babe,’ my mom may have suggested I got fat, and my dad might think I’m a lesbian.” Cade laughed. Like hard. “Okay. First off, you’re not fat. I should know. I’ve seen you naked.” My face warmed. “That you have.” “Very naked. In fact, picturing it right now.” He made a low satisfied sound. “Nope, definitely not fat.” I laughed. “Focus, Cade.” “Sorry, so, um, lesbian? What’s that about?” “Dad was teasing me, asking a bunch of questions about you. I told him if he mentioned anything to Mom, I’d tell her I was into girls—it would totally freak her out—then he gets all supportive of my lifestyle choices and says he’d love me no matter my orientation.” “So you told him about me?” I could tell he smiled by the sound of his voice. “Yeah. Though I’m not sure I’ve convinced him of your gender. On a good note, he approves of you, regardless.” Cade chuckled. “Good to know. Guess you said something right.
Renita Pizzitola (Just a Little Flirt (Crush, #2))
Maggie sidled around to the wall, found a mirror, and unpinned her lace mantilla from her hair. She flipped the lace up and off her shoulders, but it snagged on something. A tug did nothing to dislodge the lace, though someone behind her let out a muttered curse. Damn it? Being a lady in company, Maggie decided she’d heard “drat it” and used the mirror to study the situation. Oh, no. Of all the men in all the mansions in all of Mayfair, why him? “If you’ll hold still,” he said, “I’ll have us disentangled.” Her beautiful, lacy green shawl had caught on the flower attached to his lapel, a hot pink little damask rose, full of thorns and likely to ruin her mantilla. Maggie half turned, horrified to feel a tug on her hair as she did. A stray pin came sliding down into her vision, dangling on a fat red curl. “Gracious.” She reached up to extract the pin, but her hand caught in the shawl, now stretched between her and the gentleman’s lapel. Another tug, another curl came down. “Allow me.” It wasn’t a request. The gentleman’s hands were bare and his fingers nimble as he reached up and removed several more pins from Maggie’s hair. The entire flaming mass of it listed to the left then slid down over her shoulders in complete disarray. His dark eyebrows rose, and for one instant, Maggie had the satisfaction of seeing Mr. Benjamin Hazlit at a loss. Then he was handing her several hairpins amid the billows of her mantilla, which were still entangled with the longer skeins of her hair. While Maggie held her mantilla before her, Hazlit got the blasted flower extracted from the lace and held it out to her, as if he’d just plucked it from a bush for her delectation. “My apologies, my lady. The fault is entirely mine.” And he was laughing at her. The great, dark brute found it amusing that Maggie Windham, illegitimate daughter of the Duke of Moreland, was completely undone before the servants, her sisters, and half her father’s cronies from the Lords. She wanted to smack him. Maggie
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Now, before we cut we study the specimen. What can you tell me about this pig, Miss Owens?" What could I tell him about the pig? Seriously? He was little, pink and soon to be removed of all his organs. It was a dismal fate, so I created a better one. "He was the smallest in his litter. His brothers and sisters climbed over him to get to their mama's milk. They called him piglet five, but he thought of himself as Peter. He had dreams to father hundreds of piglets, to live his life slopping around in the mud and to die fat and happy. Life had other plans. They came at night ..." "Miss Owens!" And the story was just getting good. "It's a fetal pig. It was never born." "I know, but it seems wrong to dissect him without at least giving him a story. I mean we could raise a glass for his sacrifice, but you're not allowed to serve alcohol to minors." I leaned closer and added, "But I won't tell if you won't" What the hell was wrong with me? Did one slip slowly into madness or did it happen fast?
L.A. Fiore (Our Unscripted Story)
Shame is a difficult thing. People certainly try to shame me for being fat. When I am walking down the street, men lean out of their car windows and shout vulgar things at me about my body, how they see it, and how it upsets them that I am not catering to their gaze and their preferences and desires. I try not to take these men seriously because what they are really saying is, 'I am not attracted to you. I do not want to fuck you, and this confuses my understanding of my masculinity, entitlement, and place in this world'. It is not my job to please them with my body.
Roxane Gay (Hunger: A Memoir of (My) Body)
Unlike other players – who arrived at the sport because their class and place in society afforded them the possibility – the Williamses fought their way in. Any victory from that point forward would not be out of luck, or proximity to privilege, or pedigree. It would be through sheer strength, work, and will.
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
But that lie – whose purpose was to allow white people to continue to think they weren’t racist, even when their actions and words indicated otherwise – was one in which the Williams sisters, like their father, refused to participate. They rejected the idea that they would assimilate to the white codes of the tennis world. Instead, they posed the question of their difference over and over again – in every clack of their densely beaded hair, in every powerful serve.
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
Williams’s trashiness is the opposite of the tennis image: to be sexy, to admit you have a body, to wear things that are flashy or sparkly, all of it flies in the face of the traditional tennis idea, which corresponds with that of upper-class America.
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
But every step of Williams’s career has been shadowed with the sort of resentment that emerges whenever someone unsettles the status quo in an effective and unapologetic way. Put differently, when she stirred the pot, a whole lot of bullshit rose to the surface – and her refusal to try to perfume its smell has made her unruliness all the more potent.
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
The sign in the pan, stuck to the honey, was no handsome stranger, no trip, no money, but a bone-chilling warning of danger ahead, the frightening footprint of a great giant’s tread. “Bigpaw!” breathed Mama. “Good grief and alas! The Thanksgiving Legend is coming to pass!” “Legend?” asked Sister. “What legend is that?” “It says when the Bears of Bear Country grow greedy and fat, and fail to share Nature’s great bounty, that monster of monsters, Bigpaw, will come and gobble up Bear Country county by county!” “Nonsense!” mocked Papa. “Nonsense and stuff! Nonsensical piffle! Pure Bear Country guff!” But Papa Bear couldn’t have been more wrong. The Thanksgiving Legend was coming on strong.
Stan Berenstain (The Berenstain Bears' Thanksgiving)
The intruders spoke no words as they rushed in. Five boys carrying baseball bats and tire irons. They wore an assortment of Halloween masks and stocking masks. But Derek knew who they were. “No! No!” he cried. All five boys wore bulky shooter’s earmuffs. They couldn’t hear him. But more importantly, they couldn’t hear Jill. One of the boys stayed in the doorway. He was in charge. A runty kid named Hank. The stocking pulled down over his face smashed his features into Play-Doh, but it could only be Hank. One of the boys, fat but fast-moving and wearing an Easter Bunny mask, stepped to Derek and hit him in the stomach with his aluminum baseball bat. Derek dropped to his knees. Another boy grabbed Jill. He put his hand over her mouth. Someone produced a roll of duct tape. Jill screamed. Derek tried to stand, but the blow to his stomach had winded him. He tried to stand up, but the fat boy pushed him back down. “Don’t be stupid, Derek. We’re not after you.” The duct tape went around and around Jill’s mouth. They worked by flashlight. Derek could see Jill’s eyes, wild with terror. Pleading silently with her big brother to save her. When her mouth was sealed, the thugs pulled off their shooter’s earmuffs. Hank stepped forward. “Derek, Derek, Derek,” Hank said, shaking his head slowly, regretfully. “You know better than this.” “Leave her alone,” Derek managed to gasp, clutching his stomach, fighting the urge to vomit. “She’s a freak,” Hank said. “She’s my little sister. This is our home.” “She’s a freak,” Hank said. “And this house is east of First Avenue. This is a no-freak zone.” “Man, come on,” Derek pleaded. “She’s not hurting anyone.” “It’s not about that,” a boy named Turk said. He had a weak leg, a limp that made it impossible not to recognize him. “Freaks with freaks, normals with normals. That’s the way it has to be.” “All she does is—” Hank’s slap stung. “Shut up. Traitor. A normal who stands up for a freak gets treated like a freak. Is that what you want?” “Besides,” the fat boy said with a giggle, “we’re taking it easy on her. We were going to fix her so she could never sing again. Or talk. If you know what I mean.” He pulled a knife from a sheath in the small of his back. “Do you, Derek? Do you understand?” Derek’s resistance died. “The Leader showed mercy,” Turk said. “But the Leader isn’t weak. So this freak either goes west, over the border right now. Or…” He let the threat hang there. Jill’s tears flowed freely. She could barely breathe because her nose was running. Derek could see that by the way she sucked tape into her mouth, trying for air. She would suffocate if they didn’t let her go soon. “Let me at least get her doll.
Michael Grant (Lies (Gone, #3))
Hanging upside down above them was a fat, frog-faced creature. Its head and feet were amphibious, with slimy, bumpy skin and a puffed, bulbous pouch under its lower lip, but it had the arms, legs, and body of a human being. It was the creature’s long sticky green tongue
Michael Buckley (The Unusual Suspects (The Sisters Grimm #2))
The dramatic interplay was more in Lester’s wheelhouse, particularly the scene where Billy Bob contemplates suicide. Wracked with guilt over disappointing his coach (and, in retrospect, possibly suffering from post-concussion syndrome), Billy Bob sits on the back of his pickup with his football trophies, a bottle of tequila, and a Mossberg 12-gauge pump shotgun when he’s confronted by Mox. “Championship trophy. Steelers. We were 9. Remember this shit? Playing Pee Wee?” “Yeah,” Mox says. “It was fun.” “No, it wasn’t. I remember being yelled at.” Billy Bob throws the trophy. “Too fat, Billy Bob!” Bang! “Too slow and dumb!” He pulls the pump handle. Bang! “It was great,” Robbins, the director, says. “I remember that night shooting that scene, and you don’t do that once, you do it over and over again from different angles. And he was just able to deliver that performance over and over again, and those were real tears and real emotion coming out of him.” Lester drew on pain from his personal life, thinking of his late father and his sister Linda, who died at 35. He also pulled from his own struggles with suicide. Inconsolable after Linda passed, he had put a loaded gun to his head and pulled the trigger. Nothing happened. “God,” he says, is the only explanation. “I actually have the bullet, still. It’s not a dud; it’s live. It just didn’t go off,” Lester says. “I was kind of dreading [that scene] because I knew where I’d go. But I’m an actor and I’m making a commitment to the character. To do that, you have to go 100 percent and just hope you pull yourself out of it.
Billy Bob's Blues