Shining Armour Quotes

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I don't want to be saved by some knight in shining armour. I'd like to be the one in the armour, and I'd like to be the one doing the saving.
Kalynn Bayron (Cinderella Is Dead)
I laughed. " So, let me get this straight. You slayed the dragon, jumped over the moat, climbed the tower of the evil King's castle, saved the princes, and rode off with her into sunset aka Shadow land. Why, you're my knight in shining armour.
Jayde Scott (A Job From Hell (Ancient Legends, #1))
I will be brave, thought Despereaux. I will try to be brave like a knight in shining armour. I will be brave for the Princess Pea.
Kate DiCamillo (The Tale of Despereaux)
We were innocent once. This bloodlust was forced upon us by our parents, turning us from prey to predator. We are the demons lurking in the shadow, We are the savage villains in fairy tales told to children. But not for my child. Not for Hope. In her story, we are the knights in shining armour. Without you by my side, I don't think I can survive my own love for my daughter. I need you. I need you, brother. The monster in me can only be checked by the monster in you. Only together can we defeat our demons and save our family.
Klaus Mikaelson
I used to be a girl who believed in fairy tales. You know, the whole knight in shining armour riding in on a white horse that would lead me to my happily-ever-after. About eight months ago I lost hope and faith that I would ever find my prince, or to be more exact, that my prince would ever realise I was the one for him as he tried out all the other princesses. But what I discovered was that I was in the wrong damn fairytale the whole time, chasing the wrong damn prince. There' a Psyche for every Eros, an Elizabeth for every Darcy, an Abby for every Travis. And I only hope you still want me to be the Angel to your Rat. All along I was wearing the wrong wings.
Erin Noelle (Metamorphosis (Book Boyfriend, #1))
Fairytales cleanse and sanitise what were once true stories. In fairytales, knights are chivalrous, clean-shaven and wear shining armour—when in truth they were swarthy, filthy rapists and thugs. Castles are bright and gay when in truth they were grim fortresses.
Matthew Reilly (The Great Zoo of China)
One day, a knight in shining armour may find my daughter, and offer to save her from her life, her problems, her troubles. In that situation, I hope that I have raised a girl that she smiles coolly and tells him, 'No, thank you. I've very much got this.' Then puts on her armour and rides off into the sunset alone to save herself.
Nikita Gill
They aren’t knights in shining armour, no, they are the villains in the dark, with brooding eyes and beast-like tendencies. I never needed a knight. I needed a body to stand with me in the dark, and these snakes? They do.
K.A. Knight (Den of Vipers)
As I princessed in the tower, he knight-in-shining-armoured up the drive.
John Harding (Florence & Giles)
Being, in my own small way, a part of Authority, it never ceases to amaze me how much people believe in it and trust it. I see it from the inside, of course—inefficiencies, stupidities, corruption, bloody-minded ignorance and simple lack of resources to cope with the magnitude of the endless, ever-multiplying problems. But other people see it from the outside. They see the Land Walls. They see the emperor’s head on the coins, with Victory on the reverse. They see the temples. They see soldiers in shining armour. They see, and they believe, that the empire is big, strong, wise, unbeatable.
K.J. Parker (Sixteen Ways to Defend a Walled City (The Siege, #1))
Because of their DNA, most men loved a damsel in distress. Every time a man sees a pretty lass in trouble, even the boorish slob-of-a-man transforms into a chivalrous knight-in-shining-armour. This was why most women (no matter how strong, competent or resourceful) were forced to act shy, demure and helpless so that their men could feel like strong grizzly bears or ferocious mountain lions.
Mallika Nawal (I'm a Woman & I'm on SALE (I'm a Woman, #1))
You're drunk." "That's right I am. I'm fifty-three and I'm as wild as a Welshman with a leek up his arse. Fifty-three. Old slag Gail. What right has she to poke her nose into your shining armour? That's what you're thinking isn't it honey?
Jeanette Winterson (Written on the Body)
May your morning be a beautiful one, with the sun shining on your soldier's armour, for in the afternoon I will defeat you.
Paulo Coelho
The dragon is withered His bones are now crumbled; His armour is shivered, His splendour is humbled! Though sword shall be rusted And throne and crown perish With strength that men trusted And wealth that they cherish, Here grass is still growing, And leaves are yet swinging, The white water flowing, And elves are yet singing Come! Tra-la-la-lally! Come back to the Valley! The stars are far brighter Than gems without measure, The moon is far whiter Than silver in treasure: The fire is more shining On hearth in the gloaming Than gold won by mining, So why go a-roaming? O! Tra-la-la-lally Come back to the Valley! O! Where are you going, So late in returning? The river is flowing, The stars are all burning! O! Wither so laden, So sad and so dreary? Here elf and elf-maiden Now welcome the weary With Tra-la-la-lally Come back to the Valley, Tra-la-la-lally Fa-la-la-lally Fa-la!
J.R.R. Tolkien
Life lessons.... You have faced me head on and still I was reluctant to learn, I looked sideways anyway but in your eyes. I refused to see , ignored the lessons .. all too much. Guess what? Now I have no choice but to open my eyes. My very survival depends on it. I have to learn to depend on me. Finally it has clicked . I am my own knight in shining armour. ' Standing up for me!
Virginia Toole
Yes, they can be cold, evil bastards, and this…this relationship didn’t start off in the best way. But what ever does in real life? They aren’t knights in shining armour, no, they are the villains in the dark, with brooding eyes and beast-like tendencies. I never needed a knight.
K.A. Knight (Den of Vipers)
What a complicated, delicate business it was going to be to love him. We were the stuff of fairy tales-- vampires, witches, knights in shining armour. But there was a troubling reality to face. I had been threatened, and creatures watched me in the Bodleian in hopes I'd recall a book that everyone wanted but no one understood. Mathew's laboratory had been targeted. And our relationship was destabilizing the fragile détente that had long existed among daemons, humans, vampires, and witches.
Deborah Harkness (A Discovery of Witches (All Souls Trilogy, #1))
my knight in shining armour turned out to be a loser in aluminum foil.
Cheryl Lee
Jaxon, of course, my pierced, tattooed, knight in shining armour.
Lisa M. Harley (Destined to Change (Destined, #1))
there are no knights in shining armour, only assholes wrapped in tin foil.
Natasha Thomas (Floating (Devil's Spawn MC, #2))
Mr. Blatantly Offensive had fallen from his white stallion and tarnished his shining armour.
J. Dawn King (The Abominable Mr. Darcy: A Pride and Prejudice Variation (Marrying Mr. Darcy, Regency))
The empires built by bankers and merchants in frock coats and top hats defeated the empires built by kings and noblemen in gold clothes and shining armour.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Many girls dream of a knight in shining armour rescuing them from certain peril. Not me. I stripped the knight, threw his naked ass out, and used his armour to make deadly weapons.
Stephanie Hurst (Muse of Ruin (Twisted Mythos #1))
A water birth was all she could think about apart from getting away from her husband, Mackay, the knight in shining armour who had proved to be a metal-plated misogynist.
Stuart Wakefield (Body of Water (The Orcadian Novels, #1))
When the absolute free will argument loses its shining armour, we are left with one unsettling conclusion; there is but circumstantial free will. - On the End of Free Will
Lamine Pearlheart (To Life from the Shadows)
If there was a knight in shining armour awaiting me in the locker rooms, it was Geraldine Grus.
Caroline Peckham
The door to the courtroom burst open and Lancelot swept in. Dressed in a full suit of armour, the idiot looked like an idiot. His idiot blond hair and idiot chiseled jaw line further contributed to his idiocy. The idiot cleft on his too pretty face and the idiot swagger to his too swaggering proclaimed to anyone that he was the biggest idiot in the kingdom. And, given that the Northlands was full to bursting with idiots, that was quite a feat of idiocy.
Cassandra Gannon (Beast in Shining Armor (A Kinda Fairytale, #2))
I've had enough of it already. Shining armour. Dawn parades. Forced marches. Midnight inspections. Penalties for sloppy salutes, uncombed crests, talking after lights out. The man's mad.
David Gemmell (Legend (The Drenai Saga, #1))
In fairytales, knights are chivalrous, clean-shaven and wear shining armour—when in truth they were swarthy, filthy rapists and thugs. Castles are bright and gay when in truth they were grim fortresses.
Matthew Reilly (The Great Zoo of China)
Oh, bullshit. You didn’t come here to make sure I was okay. You came here because you wanted to save poor little Margo from her troubled little self, so that I would be oh-so-thankful to my knight in shining armour
John Green (Paper Towns)
Suddenly, two 3D animated figures materialized out of thin air. One of them resembled a young, Native American woman in her 20's. The other resembled a knight in shining armour from the 1500's. Both characters stood about 30 feet tall. Just then, a booming voice resounded from the UFO: Well, well! If it isn't the Sky Fighters, and their Houndy Crunchers cohorts! Your pathetic attempts to stop me from taking over this planet are all in vain! Now come forth and bow to your new masters; two of my strongest henchmen! MU-HA-HA-HA-HA-HA!
Ross Eberle (Sky Fighters and Houndy Crunchers (Sky Fighters and Houndy Crunchers, #1))
I had paid for this over and over with moments of neurotic despair, but it had been worth it. I had somehow always countered my desire for a knight in shining armour by forming bonds with men I didn’t like, or with men who were so off the air there was no hope of a permanent relationship.
Robyn Davidson (Tracks: One Woman's Journey Across 1,700 Miles of Australian Outback)
The empires built by bankers and merchants in frock coats and top hats defeated the empires built by kings and noblemen in gold clothes and shining armour. The mercantile empires were simply much shrewder in financing their conquests. Nobody wants to pay taxes, but everyone is happy to invest.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I suppose to some extent all children have a touch of magic about them – like some mysterious living lens they seem to have the capacity to focus the light into the darkest and gloomiest of places – and this one had it in a very high degree. Perhaps it’s the very newness of the young, or perhaps it’s just because the shine hasn’t worn off, but they can and do, if you give them half a chance, make a dent in the toughest armour of life. If you’re very lucky they can dissolve away all those protective barricades so carefully erected over years of living.
Fynn (Mister God, This is Anna)
Sir Galahad and Sir Percivale rencountered in the depths of a great forest. Now, Sir Galahad was dight all in harness of silver, clear and shining; the which is a delight to look upon, but full hasty to tarnish, and withouten the labour of a ready squire, uneath to be kept fair and clean. And yet withouten squire or page, Sir Galahad's armour shone like the moon. And he rode a great white mare, whose bases and other housings were black, but all besprent with fair lilys of silver sheen.
George MacDonald (Phantastes)
The Legend of the Dragon Fairytales cleanse and sanitise what were once true stories. In fairytales, knights are chivalrous, clean-shaven and wear shining armour—when in truth they were swarthy, filthy rapists and thugs. Castles are bright and gay when in truth they were grim fortresses. If dragons were real, then in all likelihood they were not graceful, high-chested, noble creatures; rather they would have been dirty, ugly, reptilian and mean. From: The Power of Myth by Craig Ferguson (Momentum, Sydney, 2013)
Matthew Reilly (The Great Zoo of China)
Most non-European empires of the early modern era were established by great conquerors such as Nurhaci and Nader Shah, or by bureaucratic and military elites as in the Qing and Ottoman empires. Financing wars through taxes and plunder (without making fine distinctions between the two), they owed little to credit systems, and they cared even less about the interests of bankers and investors. In Europe, on the other hand, kings and generals gradually adopted the mercantile way of thinking, until merchants and bankers became the ruling elite. The European conquest of the world was increasingly financed through credit rather than taxes, and was increasingly directed by capitalists whose main ambition was to receive maximum returns on their investments. The empires built by bankers and merchants in frock coats and top hats defeated the empires built by kings and noblemen in gold clothes and shining armour. The mercantile empires were simply much shrewder in financing their conquests. Nobody wants to pay taxes, but everyone is happy to invest.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
shall this armour be furbished, but by the blows of knightly encounter, until the last speck has disappeared from every spot where the battle-axe and sword of evil-doers, or noble foes, might fall; when I shall again lift my head, and say to my squire, 'Do thy duty once more, and make this armour shine.
George MacDonald (Phantastes: A Faerie Romance for Men and Women)
Marry, if you would put me to verses or to dance for your sake, Kate, why you undid me: for the one, I have neither words nor measure, and for the other, I have no strength in measure, yet a reasonable measure in strength. If I could win a lady at leap-frog, or by vaulting into my saddle with my armour on my back, under the correction of bragging be it spoken. I should quickly leap into a wife. Or if I might buffet for my love, or bound my horse for her favours, I could lay on like a butcher and sit like a jack-an-apes, never off. But, before God, Kate, I cannot look greenly nor gasp out my eloquence, nor I have no cunning in protestation; only downright oaths, which I never use till urged, nor never break for urging. If thou canst love a fellow of this temper, Kate, whose face is not worth sun-burning, that never looks in his glass for love of any thing he sees there, let thine eye be thy cook. I speak to thee plain soldier: If thou canst love me for this, take me: if not, to say to thee that I shall die, is true; but for thy love, by the Lord, no; yet I love thee too. And while thou livest, dear Kate, take a fellow of plain and uncoined constancy; for he perforce must do thee right, because he hath not the gift to woo in other places: for these fellows of infinite tongue, that can rhyme themselves into ladies’ favours, they do always reason themselves out again. What! a speaker is but a prater; a rhyme is but a ballad. A good leg will fall; a straight back will stoop; a black beard will turn white; a curled pate will grow bald; a fair face will wither; a full eye will wax hollow: but a good heart, Kate, is the sun and the moon; or, rather, the sun, and not the moon; for it shines bright and never changes, but keeps his course truly. If thou would have such a one, take me; and take me, take a soldier; take a soldier, take a king. And what sayest thou then to my love? speak, my fair, and fairly, I pray thee.
William Shakespeare (Henry V)
When I love God I love the beauty of bodies, the rhythm of movements, the shining of eyes, the embraces, the feelings, the scents, the sounds of all this protean creation. When I love you, my God, I want to embrace it all, for I love you with all my senses in the creations of your love. In all the things that encounter me, you are waiting for me. For a long time I looked for you within myself and crept into the shell of my soul, shielding myself with an armour of inapproachability. But you were outside - outside myself - and enticed me out of the narrowness of my heart into the broad place of love for life. So I came out of myself and found my soul in my senses, and my own self in others.
Jürgen Moltmann (The Source of Life: The Holy Spirit and the Theology of Life)
They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.
George MacDonald (The Princess and Curdie (Princess Irene and Curdie, #2))
Griff entered the cave, sword in hand. He had no desire to frighten Astelle, but he had to be prepared for anything. She jumped up from her fireside position with a small stifled scream at his entry, then continued to back fearfully towards the shadowed wall. She was quite alone. Griff could sense no other presence – only hers, and the wonder of it. He sheathed his sword, and gazed upon his long-lost love. Her hair had lost all trace of colour while still retaining the texture of youth, giving the appearance of white silk. There was a pulsating light of a blue-lilac shade which clung to the crown of her head, reflecting in the hair – a soul – a lost spirit – someone who had loved her. She was almost as pale as death, for Torking took far too much blood from her, too frequently. She was also much thinner than she should have been, but for all of this, she was still the most beautiful sight of his life. Her body was ravaged with Torking's bites and claw-marks. She was still wearing his old cloak which Griff instantly recognised, though it was little more than a rag, wrapped around her body and tied on one shoulder. Her beautiful dark eyes, those which had so haunted his dreams, seemed over-large in her pale face, as she stared at him with a mingling of shock, disbelief and joy. Griff took a few hesitant steps towards her, unsure of his reception. ‘Astelle?’ His voice grated with emotion. How often had she yearned to hear him speak her name exactly in that way? ‘Astelle – is it really you?’ He was just as divinely handsome as she remembered, and he looked so fine – he looked magnificent in Gremlen battledress. In the flickering torchlight, the blue krulmesh armour glittered over the black leather tunic. The emerald sheen in his raven hair was vivid as ever. Best of all, his dark forest-green eyes were shining with love, and she suddenly understood that Griff was a hundred times more beautiful than Torking, for his eyes held everything that was good, fine and noble. Astelle's heart almost stopped beating as she gazed at him. Her eyes filled with tears, and her lip trembled as she tried to whisper his name.
Bernie Morris (The Fury of the Fae)
He thinks of Tyndale in the bleach fields, his human sins whited-out, speaking from within a haze of smoke. He thinks of the river at Advent, its frozen path. There is a poet who writes of winter wars, where sound is frozen. The soil beneath the snow seals in the noise of stampeding feet, the clank of harness, the pleas of prisoners, the groans of the dying. When the first rays of spring warm the ground, the misery begins to thaw. Groans and cries are unloosed, and last season's blood makes the waters foul. Now Tyndale has put on the armour of light. On the last day he will rise in a silver mist, with the broken and the burned, men and women remaking themselves from the ash pile: with Little Bilney and young John Frith, with the lawyers and the scholars and those who could barely read or read not at all but only listen; with Richard Hunne who was hanged in the Lollards Tower, and all those martyrs from the years before we were born, who set forth Wyclif's book. He will clasp hands with Joan Boughton, whom he, the Lord Privy Seal, saw burned to bone when he was a boy. In those blessed days the whole of creation will shine, but till then we see through a glass darkly, not face to face. Somewhere - or Nowhere, perhaps - there is a society ruled by philosophers. They have clean hands and pure hearts. But even in the metropolis of light there are midden and manure-heaps, swarming with flies. Even in the republic of virtue you need a man who will shovel up the shit, and somewhere it is written that Cromwell is his name.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes. On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles. Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world. Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim. It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.
Anna Kavan (Ice)
The Spartans impressed their opponents by entering battle with their armour polished to a brilliant shine, garlanded as if taking part in a religious celebration, their bodies anointed with oil as if in an athletic competition, and their long hair–mark of an adult Spartiate male–carefully combed and dressed
Scott M. Rusch (Sparta At War: Strategy, Tactics and Campaigns, 550–362 BC)
When Madge returned with his mug of ale and a plate of small sandwiches, he smiled and thanked her for fetching them. "It's my job," she said, shrugging. "It's not like I did something extraordinary that deserves a 'thank you.'" "Why should one have to do something extraordinary to receive a 'thank you' for a job well done?" he asked. "It's called chivalry, Madge, and it is not just for knights in shining armour to use on princesses sitting in the castles with their glittering silks and jewels.
E.D. Phillips (Midnight Captive)
We be warriors in this war of life Forging battle-knives as we fight Never-ceasing to sharpen the dull blades Our own Heroes in not so shining armour’" -Lost Voyagers-
Chamindra Warusawitharane (Lost Voyagers)
As I princessed in the tower, he knight-in-shining-armoured up the drive.
John Harding
Sometimes when a man feels bad about himself, he doesn’t want to be with a woman who looks at him with nothing but love. Instead he wants to lie on top of a woman who knows how nasty and shallow and faithless he can be … a woman who doesn’t put him on a pedestal or expect him to be a knight in shining armour … a woman who’s happy with the worst he can be.
Michael Robotham (The Wreckage (Joseph O'Loughlin #5))
And therefore, if ever, Christian, thou hadst need to watch, then is the time—when comforts abound, and God dandles thee most on the knee of his love—when his face shines with clearest manifestations; lest this sin of pride, as a thief in the candle, should swale[43] out thy joy.
William Gurnall (The Christian in Complete Armour - The Ultimate Book on Spiritual Warfare)
Justin Martyr, when converted, professed, ‘That the holiness that shined in Christians’ lives and patience, that triumphed over their enemies’ cruelty at their deaths, made him conclude the doctrine of the gospel was truth.
William Gurnall (The Christian in Complete Armour - The Ultimate Book on Spiritual Warfare)
I'm no knight in shining armour. Just a weather-beaten man in a crumpled overcoat on a street corner with only a grey idea of something you might as well go ahead and call Morality. Sure, I'm none too scrupulous about the things that might benefit my pocket, and I could no more inspire a bunch of young thugs to do good works than I could stand up and sing a solo in the church choir. But of one thing I was sure. I was through looking at my fingernails when there were thieves in the store.
Philip Kerr (The Pale Criminal (Bernie Gunther, #2))
Our armies, with their shining armour and singing swords are rust and dusty bones. We are like... an echo of something that came before.
Jen Williams (The Bitter Twins (The Winnowing Flame Trilogy, #2))
Eärendil was a mariner that tarried in Arvernien; he built a boat of timber felled in Nimbrethil to journey in; her sails he wove of silver fair, of silver were her lanterns made, her prow was fashioned like a swan, and light upon her banners laid. In panoply of ancient kings, in chainéd rings he armoured him; his shining shield was scored with runes to ward all wounds and harm from him; his bow was made of dragon-horn, his arrows shorn of ebony; of silver was his habergeon, his scabbard of chalcedony; his sword of steel was valiant, of adamant his helmet tall, an eagle-plume upon his crest, upon his breast an emerald. Beneath the Moon and under star he wandered far from northern strands, bewildered on enchanted ways beyond the days of mortal lands. From gnashing of the Narrow Ice where shadow lies on frozen hills, from nether heats and burning waste he turned in haste, and roving still on starless waters far astray at last he came to Night of Naught, and passed, and never sight he saw of shining shore nor light he sought. The winds of wrath came driving him, and blindly in the foam he fled from west to east and errandless, unheralded he homeward sped. There flying Elwing came to him, and flame was in the darkness lit; more bright than light of diamond the fire upon her carcanet. The Silmaril she bound on him and crowned him with the living light and dauntless then with burning brow he turned his prow; and in the night from Otherworld beyond the Sea there strong and free a storm arose, a wind of power in Tarmenel; by paths that seldom mortal goes his boat it bore with biting breath as might of death across the grey and long forsaken seas distressed; from east to west he passed away.
J.R.R. Tolkien (The Fellowship of the Ring (BBC Dramatisation of The Lord of the Rings #1))
C​G/B​C To play the drums ​F​C/F​G To be picked for teams ​C​C/F​C A safe place to pee ​Em​Am Tall trees to climb ​F​C/E​G A dark blue bike ​C​G​C For her to notice me ​E Don’t braid my hair ​Am Don’t make me wear ​G That bridesmaid’s dress, oh joy ​C​G/B​C That school today ​F​C/E​G Will be easy I pray ​C​G​C Or to just wake up a boy C (Muscles, muscles, muscles, muscles, muscles, muscles, muscles) C Thou shalt learn to wink ​G Thou shalt learn all the knots ​F Thou shalt cuss liberally ​C Thou shalt not trash talk ​G the girls ​​F Thou shalt not let the world make you hard ​​C Thou shalt learn to dance and lead C (Muscles, muscles, muscles, muscles, muscles, muscles, muscles) C Thou shalt acquire scars ​G Thou shalt start a pine cone war ​F Thou shalt practice throwing punches ​C Thou shalt not wear a skort ​G Get dirty ​​F In your pockets thou shalt keep A special rock a pocket knife your grubby mitts ​C And several melodies G Tomboy! Tomboy! Tomboy! F​Dm​G​C Tomboy! Tomboy! Tomboy! (Muscles, muscles, muscles, muscles, muscles, muscles, muscles) (repeating) C I always have a piece of string G I want to practice French kissing F Don’t cry so much all of the time G I shine my armour every night G Tomboy! Tomboy! Tomboy! F​Dm​G​C Tomboy! Tomboy! Tomboy! C Thou shalt learn to wink G Thou shalt learn all the knots ​F Thou shalt cuss liberally ​C Thou shalt not trash talk ​G the girls ​​F Thou shalt not let the world make you hard make you bad ​​C Thou shalt learn to dance and lead G Tomboy! Tomboy! Tomboy! F​Dm​G​C Just to be a good Tomboy!
Ivan E. Coyote (Tomboy Survival Guide)
We aren’t damsels in distress, we didn’t ask you to do any of this shit, and I’m so fucking sick of having to clean up the mess your knight-in-shining-armour routines keep causing!
Caroline Peckham (Sorrow and Starlight (Zodiac Academy, #8))
I tried to date, like a normal twenty-something, but it didn’t work out. There’s something off about you when you’ve been abused, when you’re damaged, broken. You’re different. Men can sniff out the pain in you, like dogs picking up on a scent. I’d put my makeup on, wear my nicest dresses, go on dates and try to be on my best behaviour but they never bought it. They could see the cracks in my eyes, the holes in my soul, the emptiness waiting to be filled. Men aren’t knights in shining armour – that’s fairytale bullshit. They’re not looking for someone to save. Men like simple girls. Off-the-shelf girls. Ready to go. Easy company. Decent hearts. They’re not there to heal you or rescue you. I thought my looks would help. A bat of my lashes will make a man do a favour for me, but it won’t make a good guy fall for me. My pretty face isn’t valuable enough currency to make up for the scars. The men I dated picked up on the trauma, the voids, the hurt, and they didn’t want it in their lives. They didn’t want it in their homes. They didn’t want its legacy in their children.
Zoe Rosi (Pretty Evil)
Almighty God, as I cross the threshold of this day I commit myself, soul, body, affairs, friends, to Thy care. Watch over, keep, guide, direct, sanctify, bless me. Incline my heart to thy ways. Mould me wholly into the image of Jesus, as a potter forms clay. May my lips be a well-tuned harp to sound Thy praise. Let those around see me living by Thy Spirit, trampling the world underfoot, unconformed to lying vanities, transformed by a renewed mind, clad in the entire armour of God, shining as a never- dimmed light, showing holiness in all my doings. Let no evil this day soil my thoughts, words, hands. May I travel miry paths with a life pure from spot or stain. In needful transactions let my affection be in heaven, and my love soar upwards in flames of fire, my gaze fixed on unseen things, my eyes open to the emptiness, fragility, mockery of earth and its vanities. May I view all things in the mirror of eternity, waiting for the coming of my Lord, listening for the last trumpet call, hastening unto the new heaven and earth. Order this day all my communications according to Thy wisdom, and to the gain of mutual good. Forbid that I should not be profited or made profitable. May I speak each word as if my last word, and walk each step as my final one. If my life should end today, let this be my best day.
Anonymous (Puritan Prayers)
They aren’t knights in shining armour, no, they are the villains in the dark, with brooding eyes and beast-like tendencies.
K.A. Knight (Den of Vipers)
All you Romeos already have their Juliets, where do you think you come in? You have abusive partner, ungrateful kids, endless unappreciated housework while your hard-earned money is sending your knights in shining armour on exclusive holidays partying with other VIPs.
Et Imperatrix Noctem
Isaiah Berlin, the Oxford philosopher, later observed that the Churchill of 1940 was neither 'a sensitive lens, which absorbs and concentrates and reflects . . . the sentiments of others,' nor a politician who played 'on public opinion like an instrument'. Instead, Berlin saw him as a leader who 'imposed his imagination and his will upon his countrymen,' idealizing them 'with such intensity that in the end they approached his ideal and began to see themselves as he saw them'. In doing so, he 'transformed cowards into brave men, and so fulfilled the purpose of shining armour.
William Manchester (The Last Lion: Winston Spencer Churchill: Alone, 1932-40)
Outside, the moon is up - the harvest moon over harvest fields. It casts a sheen upon the empty stubbles, the bare rounding slopes, so altered from the close-crowded landscape of standing corn. It has glimmering secrets among the trees, and pierces into every entanglement of foliage, and lays faint shadows across the paths. Each finds a ghost of himself beside him on the ground. An elusive radiance haunts the country; the distances have a sense of shining mist. The men move homeward from the field; the last load creaking up the hill behind them, the hoofs of horses thudding, their breath sounding short. Peace comes, a vision in the fairy armour of moonlight, the peace of 'man goeth forth unto his work until the evening.
Adrian Bell (Corduroy)
She longed for never-ending tenderness, a hero, or knight in shining armour. Why hadn’t she found someone who would take care of her emotionally, and make the little girl in her soul calmer while still respecting the woman she was
Kenan Hudaverdi (Emotional Rhapsody)
Nennius tells us, what Gildas omits, the name of the British soldier who won the crowning mercy of Mount Badon, and that name takes us out of the mist of dimly remembered history into the daylight of romance. There looms, large, uncertain, dim but glittering, the legend of King Arthur and the Knights of the Round Table. Somewhere in the Island a great captain gathered the forces of Roman Britain and fought the barbarian invaders to the death. Around him, around his name and his deeds, shine all that romance and poetry can bestow. Twelve battles, all located in scenes untraceable, with foes unknown, except that they were heathen, are punctiliously set forth in the Latin of Nennius. Other authorities say, “No Arthur; at least, no proof of any Arthur.” It was only when Geoffrey of Monmouth six hundred years later was praising the splendours of feudalism and martial aristocracy that chivalry, honour, the Christian faith, knights in steel and ladies bewitching, are enshrined in a glorious circle lit by victory. Later these tales would be retold and embellished by the genius of Mallory, Spenser, and Tennyson. True or false, they have gained an immortal hold upon the thoughts of men. It is difficult to believe it was all an invention of a Welsh writer. If it was he must have been a marvellous inventor. Modern research has not accepted the annihilation of Arthur. Timidly but resolutely the latest and best-informed writers unite to proclaim his reality. They cannot tell when in this dark period he lived, or where he held sway and fought his battles. They are ready to believe however that there was a great British warrior, who kept the light of civilisation burning against all the storms that beat, and that behind his sword there sheltered a faithful following of which the memory did not fail. All four groups of the Celtic tribes which dwelt in the tilted uplands of Britain cheered themselves with the Arthurian legend, and each claimed their own region as the scene of his exploits. From Cornwall to Cumberland a search for Arthur’s realm or sphere has been pursued.The reserve of modern assertions is sometimes pushed to extremes, in which the fear of being contradicted leads the writer to strip himself of almost all sense and meaning. One specimen of this method will suffice: "It is reasonably certain that a petty chieftain named Arthur did exist, probably in South Wales. It is possible that he may have held some military command uniting the tribal forces of the Celtic or highland zone or part of it against raiders and invaders (not all of them necessarily Teutonic). It is also possible that he may have engaged in all or some of the battles attributed to him; on the other hand, this attribution may belong to a later date." This is not much to show after so much toil and learning. Nonetheless, to have established a basis of fact for the story of Arthur is a service which should be respected. In this account we prefer to believe that the story with which Geoffrey delighted the fiction-loving Europe of the twelfth century is not all fancy. If we could see exactly what happened we should find ourselves in the presence of a theme as well founded, as inspired, and as inalienable from the inheritance of mankind as the Odyssey or the Old Testament. It is all true, or it ought to be; and more and better besides. And wherever men are fighting against barbarism, tyranny, and massacre, for freedom, law, and honour, let them remember that the fame of their deeds, even though they themselves be exterminated, may perhaps be celebrated as long as the world rolls round. Let us then declare that King Arthur and his noble knights, guarding the Sacred Flame of Christianity and the theme of a world order, sustained by valour, physical strength, and good horses and armour, slaughtered innumerable hosts of foul barbarians and set decent folk an example for all time.
Winston Churchill (A History of the English Speaking People ( Complete All 4 Volumes ) The Birth of Britain / The New World / The Age of Revolution / The Great Democracies)
At a certain point, you have to be your OWN knight in shining armour.
Romi Moondi (Year of the Chick (Year of the Chick #1))
Who did she expect to pick her up? A name had been on her lips. Someone she missed terribly, so much so that the physical longing stabbed at her chest and made her grab it, but there was no knife to pull out. It was invisible but real, and the blade was grinding deeper into her as she realised that she didn’t know who she was missing. There was no knight in shining armour to collect her, or if there was, she didn’t know who he was.
Pamela Harju (A World Other Than Her Own)
This book was inspired by these words.” “The young man was a blacksmith in the village, a magnificent white charger horse was brought to him, and he was ordered to put iron shoes onto the horse's hooves. After doing this he took the horse for a ride in the open field, and thereby a Brook he met a fair maiden. He fell madly in love with her instantly, he claimed that he was a decorated knight, but she could see he was poor, and was a blacksmith. His black working hands betrayed him, but she never mentioned this to the young man. After talking, for about fifteen minutes, in perfect harmony and calm, their meeting was broken up when two ladies that were approached the maiden.” “The maiden took out her handkerchief and gave it to him, he took it without taking his eyes off of her. The maiden dashed off running towards the two women, assuring them that she was alright. That evening a guard came from the castle, took the white charger with the new horseshoes and left. The dashing young man got to work instantly. Making himself a beautiful sword like no other. He then made himself a silver shining armour, beautiful as any knight.” “The young man made wooden replicas of men in battle, and he would practice for hours, finding new ways of defeating the enemy. All of this because of a chance meeting in a field, and the handkerchief he kept pressed against his chest. The danger was looming and there was talk of an invasion, from another country. To preserve the dignity and the honour of the village and the castle that employed all the villagers. “ “The king asked for volunteers for the impending battle. The blacksmith went to the castle as one of the volunteers. He showed up on an old brown horse, that would not be able to stand the first charge in battle. Proudly he was dressed in his silver knight's armour, holding his handmade sword. One of the guards came and took away his horse, the young man looked on sadly as others around the courtyard mocked him. Another guard approached him with the white charger that he nailed the shoes to his hooves; “this will be your steed, the guard said and he helped him onto the horse. There was silence around the forecourt, he turned and rode with the knights out to meet the enemy.” “After five hours of battle, they had secured a brave victory. The young man performed above and beyond the call of duty. He was chosen to be knighted. As he entered the great hall in the castle, there were people on both sides of the hall as he walked up to the spot where he was to be knighted. Waiting patiently, to perform the ceremony of knighthood, was none other than the king himself, and next to him, his young daughter, a princess he met by chance in a field, after the ceremony of knighthood, the princess stepped forward and said, thank you for bringing my horse back to me, a young woman who overlooked his poverty, have him her white horse, and encouraged him with giving him her handkerchief, by speaking to him in a field with kindness, her father the king was rewarded with a knight of chivalry and virtue. All because of accidental meeting and events, that encouraged someone ready in life, to step forth, and take control of his dreams, as impossible, as they seemed at the time.
Kenan Hudaverdi (Emotional Rhapsody)
Never mind about Savoir-faire now, I have high standards. I am not like most men who proclaimed to be knights in shining armour while wearing tin foil to mask their characters. I am incorruptible, my word is my integrity, my justice, my manners, my moral code my philosophy, my principles this is what my word stands for, this is my life. You should be honoured to have a giant of a man like me to call your younger brother!
Kenan Hudaverdi (Emotional Rhapsody)
Christian Winter was not a good man, or a white knight in shining armour. He was a patchwork of light and dark. Imperfectly flawed, making questionable decisions to do what he thought was best. When you have to turn a blind eye to darkness to prevent something worse from happening. Where is the line?
Evelyn Flood (Omega Lost (The Omega War, #2))
Even if there is a chance you may lose your life, you must not give up the fight. Either holler aloud like an eagle unafraid to announce its presence or quietly slink like a rat to look for the chinks in your opponents’ armour. But do not lie down like a dead man struck by lightning. Stand up right now and reclaim your honour with valour. Better to live short but shine like a brilliant flame than cling to your life burning like a stick, flameless and smoke-filled.
Ami Ganatra (Mahabharata Unravelled: Lesser-Known Facets of a Well-Known History)
The dragon is withered, His bones are now crumbled; His armour is shivered, His splendour is humbled! Though sword shall be rusted, And throne and crown perish With strength that men trusted And wealth that they cherish, Here grass is still growing, And leaves are yet swinging, The white water flowing, And elves are yet singing Come! Tra-la-la-lally! Come back to the valley! The stars are far brighter Than gems without measure, The moon is far whiter Than silver in treasure: The fire is more shining On hearth in the gloaming Than gold won by mining, So why go a-roaming? O! Tra-la-la-lally Come back to the Valley.
Tolkien J. R. R.