“
Whenever something bad happens, keep calm, take a few deep breaths and shift the focus to something positive.
”
”
Roy T. Bennett
“
As I often tell my students, the two most important phrases in therapy, as in yoga, are “Notice that” and “What happens next?” Once you start approaching your body with curiosity rather than with fear, everything shifts.
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
Do you know how there are moments when the world moves so slowly you can feel your bones shifting, your mind tumbling? When you think that no matter what happens to you for the rest of your life, you will remember every last detail of that one minute forever?
”
”
Jodi Picoult (Nineteen Minutes)
“
Whenever you made a choice, especially one you'd been resisting, it always affected everything else, some in big ways, like a tremor beneath your feet, others in so tiny a shift you hardly noticed a change at all. But it was happening.
”
”
Sarah Dessen (This Lullaby)
“
No matter what happens, it’s all for the best!
”
”
Alexander Morpheigh (The Pythagorean)
“
He knew what he was doing – justifying an atrocity. But in war, that’s what always happened. Your red lines – those you swore to defend at all costs when you signed up – shifted, until finally none worth fighting for remained. PTSD wasn’t just about what happened to you; it was about what you did.
”
”
Barry Kirwan (When the children come (Children of the Eye, #1))
“
Much has happened since last we met, Bartimaeus," he went on. "Do you remember how we parted?"
"No." I did.
"You set light to me, old friend. Struck a match and left me burning in a copse."
The crow shifted uneasily beneath the cleaver."That's a gesture of endearment in some cultures. Some hug, some kiss, some set each other on fire in small patches of woodland...
”
”
Jonathan Stroud (Ptolemy's Gate (Bartimaeus, #3))
“
This much I'm certain of: it doesn't happen immediately. You'll finish [the book] and that will be that, until a moment will come, maybe in a month, maybe a year, maybe even several years. You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how. You'll have forgotten what granted you this awareness in the first place
...
You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep.
Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name.
And then the nightmares will begin.
”
”
Mark Z. Danielewski (House of Leaves)
“
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Memories shift like loose snow in a wind, or are a chorale of ghosts all talking over one another. There is only ever a sense that what is real to me is not real to others, and to share a memory with someone is to risk sullying my belief in what has truly happened.
”
”
Hannah Kent (Burial Rites)
“
Those who fail to exhibit positive attitudes, no matter the external reality, are seen as maladjusted and in need of assistance. Their attitudes need correction. Once we adopt an upbeat vision of reality, positive things will happen. This belief encourages us to flee from reality when reality does not elicit positive feelings. These specialists in "happiness" have formulated something they call the "Law of Attraction." It argues that we attract those things in life, whether it is money, relationships or employment, which we focus on. Suddenly, abused and battered wives or children, the unemployed, the depressed and mentally ill, the illiterate, the lonely, those grieving for lost loved ones, those crushed by poverty, the terminally ill, those fighting with addictions, those suffering from trauma, those trapped in menial and poorly paid jobs, those whose homes are in foreclosure or who are filing for bankruptcy because they cannot pay their medical bills, are to blame for their negativity. The ideology justifies the cruelty of unfettered capitalism, shifting the blame from the power elite to those they oppress. And many of us have internalized this pernicious message, which in times of difficulty leads to personal despair, passivity and disillusionment.
”
”
Chris Hedges
“
Qhuinn's eyes shifted away from his buddy--and just happened to measure the distance down to the stone patio below. Hmm . . . doing a swan dive onto all that slate might just get the images of those two out of his head... of course, it would also turn his brain into scrambled eggs, but really, was that such a bad thing?
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
Suddenly, I was just sure he was going to kiss me. He was there, I could feel his breath, the ground solid beneath us. But then something crossed his face, a thought, a hesitation, and he shifted slightly. Not now. Not yet. It was something I'd done so often - weighing what I could afford to risk, right at that moment - that I recognized it instantly. It was like looking in a mirror.
”
”
Sarah Dessen (What Happened to Goodbye)
“
Your... Your aura. It's... amazing. It's shining. I mean, it always shines, but today... Well I've never seen anything like it. I didn't expect that after everything that happened.'
I shifted around uncomfortably. If I lit up around Dimitri normally, what on earth happened to my aura post-sex?
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
It seemed like this day could go in so many directions, like a spiderweb shooting out toward endless possibilities. Whenever you made a choice, especially one you'd been resisting, it always affected everything else, some in big ways, like a tremor beneath your feet, others in so tiny a shift you hardly noticed a change at all. But it was happening.
”
”
Sarah Dessen
“
I think that perhaps everyone has a moment that splits their life in two. When you look back on your own time line there's a sharp spike somewhere along the way, some event that changed you, changed your life more than the others. A moment that creates a before and an after. Maybe it's when you meet your love or you figure out your life's passion or you have your first child. Maybe it's something wonderful. Maybe it's something tragic. But when it happens it tints your memories, shifts your perspective on your own life and it suddenly seems as if everyone you've been through falls under the label of pre or post.
”
”
Taylor Jenkins Reid (One True Loves)
“
To those who are gay, lesbian, bisexual, or transgender -- let me say -- you are not alone. Your struggle, for the end to violence and discrimination, is a shared struggle. Today, I stand with you. And I call upon all countries and people, to stand with you too.
A historic shift is underway. We must tackle the violence, decriminalize consensual same sex relationships and end discrimination. We must educate the public. I call on this council and people of conscience to make this happen.
The time has come.
”
”
Ban Ki-moon
“
awhile, adv.
I love the vagueness of words that involve time. 'It took him awhile to come back' -- it could be a matter of minutes or hours, days or years.
It is easy for me to say it took me awhile to know. That is about as accurate as I can get. There were sneak previews of knowing, for sure. Instance that made me feel, oh, this could be right, But the moment I shifted from a hope that needed to be proven to a certainty that would be continually challenged? There's no pinpointing that.
Perhaps it never happened. Perhaps it happened while I was asleep. Most likely, there's no signal event. There's just the steady accumulation of 'awhile'.
”
”
David Levithan (The Lover's Dictionary)
“
The Shift hasn't happened yet, maybe it never will, but sometimes-just enough times to give me hope-my brain jars back into where it's supposed to be.
”
”
Ned Vizzini (It's Kind of a Funny Story)
“
He wanted to tell her that love was too tame a word for everything that happened inside him where she was concerned. She had shifted him, realigned him from the inside out. Like a planet that suddenly pulls a moon into its orbit, she had bound him to her, given him direction for longer than she knew, gave him purpose to exist.
She was his gravity, his fucking planet, and he was lost without her.
”
”
RuNyx (The Reaper (Dark Verse, #2))
“
All through first and second and third hour, Eleanor rubbed her palm. Nothing happened.
How could it be possible that there were that many never ending all in one place?
And were they always there, or did they just flip on wherever they felt like it? Because, if they were always there, how did she manage to turn doorknobs without fainting?
Maybe this was why so many people said it felt better to drive a stick shift.
”
”
Rainbow Rowell (Eleanor & Park)
“
Without thinking, I moved again, reaching out and touching the hand
resting near my thigh. Call it an experiment, but I wanted to see what would happen
Seth’s head whipped in my direction.
“What are you doing?”
“Nothing.” And nothing was what happened. Confused, I wrapped my fingers around his.
“Doesn’t look like nothing,” His eyes narrowed on me.
“I guess so.” Giving up on my impromptu test, I lifted my hand. “Shouldn’t you be—” Whatever I was about to say died on my lips. Incredibly fast, Seth grabbed my hand and threaded his fingers through mine.
“Is this what you wanted?” he asked, ever so casually.
It happened. Being so close to him this time, I could see where the markings came from. The thick veins in his hand
were the first to darken, branching out before spreading up his arm. Mesmerized, I watched the inky tats cover every piece of exposed skin. Before my eyes, they shifted away from his veins, swirling around his skin. Breaking off into different designs as he—we—continued to hold hands.
”
”
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
“
So," he said as we turned onto the main road, the muffler rattling, "I've been thinking."
"Yeah?"
He nodded. "You really need to go out with me."
I blinked. "I'm sorry?"
"You know. You, me. A restaurant or movie. Together." He glanced over, shifting gears. "Maybe it's a new concept for you? If so, I'll be happy to walk you through it."
"You want to take me to a movie?" I asked.
"Well, not really," he said. "What I really want is for you to be my girlfriend. But I though saying that might scare you off.
”
”
Sarah Dessen (What Happened to Goodbye)
“
Sustained change only happens when we shift at an emotional rather than logical level.
”
”
Robin Sharma (The Leader Who Had No Title: A Modern Fable on Real Success in Business and in Life)
“
His hand rested on my hair, and without knowing quite how it happened, I found myself curled against him, my head just fitting in the hollow of his shoulder.
For so many years," he said, "for so long, I have been so many things, so many different men." I felt him swallow, and he shifted slightly, the linen of his nightshirt rustling with starch.
I was Uncle to Jenny's children, and Brother to her and Ian. 'Milord' to Fergus, and 'Sir' to my tenants. 'Mac Dubh' to the men of Ardsmuir and 'MacKenzie' to the other servants at Helwater. 'Malcolm the printer,' then, and 'Jamie Roy' at the docks." The hand stroked my hair, slowly, with a whispering sound like the wind outside. "But here," he said, so softly I could barely hear him, "here in the dark, with you...I have no name.
”
”
Diana Gabaldon
“
Story is something happening to someone you have been led to care about.
”
”
Stephen King (Night Shift)
“
Frequently, as so many poets and psalmists and songwriters have said, the invisible shift happens through the broken places.
”
”
Anne Lamott (Help Thanks Wow: The Three Essential Prayers)
“
I am so sad. I am so sad it makes me heavier than the sum of my parts. I shift, restless, but it doesn’t help. It’s like—time. All this time in here is on me, has its hooks in me. Maybe if I sleep more, I’ll wake up and I’ll feel different, but I can’t. The storm is really happening now and it makes the room feel emptier. Makes me feel emptier.
”
”
Courtney Summers (This is Not a Test (This is Not a Test, #1))
“
Becoming the observer (step back) you begin to live in process, trusting where our source is taking you. You begin to detach from the outcome. That detachment allows you to stop fighting and allows things to just come to you; you no longer make things happen but allow them to show up. The fight is gone!
”
”
Wayne W. Dyer (The Shift)
“
That's the way it works in movies. Something happens that has an impact on someone's life, and based on that impact, his life shifts course. Well, that's not how it happens in life. Something has an impact on you, and then your life stays the same, and you think, 'Well, what about the impact?' You have epiphanies all the time. They just don't have any effect.
”
”
Carrie Fisher (Postcards from the Edge)
“
All we ask is to be allowed to remain the writers of our own story. That story is ever changing. Over the course of our lives, we may encounter unimaginable difficulties. Our concerns and desires may shift. But whatever happens, we want to retain the freedom to shape our lives in ways consistent with our character and loyalties. This is why the betrayals of body and mind that threaten to erase our character and memory remain among our most awful tortures. The battle of being mortal is the battle to maintain the integrity of one’s life—to avoid becoming so diminished or dissipated or subjugated that who you are becomes disconnected from who you were or who you want to be.
”
”
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
“
Where were you? What happened?” I carved a chunk out of another lizard’s face.
“I just took the kids to fight some ghouls,” Curran said.
Oh, so it was fine, then . . . Wait. “You did what?”
He kicked a lizard. It flew into the others like a cannonball. “I called Jim before we left the house to talk about ghouls, and he said they found some in the MARTA tunnels. So I grabbed the kids and did a little hunting.”
I would kill him. “Just so I get it right, Jim calls you and says, ‘Hey, we found a horde of ghouls in the MARTA tunnels,’ and your first thought was, ‘Great, I’ll take the kids’?”
“They had fun.” A careful note crept into his voice. Curran saw the shark fin in the water but wasn’t sure where the bite would be coming from.
“You even took the dog.”
Grendel chose that moment to try to shove past me. I shoved him back into the Guild and he began running back and forth behind us, growling.
“He had fun, too. Look at him. He’s still excited.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
Excuse me, Mr. Ludefance. Just so you are aware, we are a tightknit group here. We all had knowledge of what happened prior to midnight. You can speak to all of us if you want, but you’ll be hearing the same story. It’s what happened between midnight and eight AM that’s very much in question. Not one officer on that shift saw or heard anything unusual. But if you wish to speak to any of the officers from that shift, we can arrange for you to do so. Now, I suppose you can start with Officer Harrington here. When you finish with her, I’ll call Rhodes. He doesn’t live that far away. The other officers are here on campus.
”
”
Behcet Kaya (Uncanny Alliance (Jack Ludefance PI Series))
“
Christmas Amnesty. You can fall out of contact with a friend, fail to return calls, ignore e-mails, avoid eye contact at the Thrifty-Mart, forget birthdays, anniversaries, and reunions, and if you show up at their house during the holidays (with a gift) they are socially bound to forgive you—act like nothing happened. Decorum dictates that the friendship move forward from that point, without guilt or recrimination. If you started a chess game ten years ago in October, you need only remember whose move it is—or why you sold the chessboard and bought an Xbox in the interim. (Look, Christmas Amnesty is a wonderful thing, but it’s not a dimensional shift. The laws of time and space continue to apply, even if you have been avoiding your friends. But don’t try using the expansion of the universe an as excuse—like you kept meaning to stop by, but their house kept getting farther away. That crap won’t wash. Just say, “Sorry I haven’t called. Merry Christmas” Then show the present. Christmas Amnesty protocol dictates that your friend say, “That’s okay,” and let you in without further comment. This is the way it has always been done.)
”
”
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
“
So I switch to my MacBook and make my rounds: news sites, blogs, tweets. I scroll back to find the conversations that happened without me during the day. When every single piece of media you consume is time-shifted, does that mean it’s actually you that’s time-shifted?
”
”
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
“
It was the first time he had seen her smile. It was the faintest of smiles, yet he felt the tides start to shift all over the world. He knew it was happening.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
For it is dangerous to attach one's self to the crowd in front, and so long as each one of us is more willing to trust another than to judge for himself, we never show any judgement in the matter of living, but always a blind trust, and a mistake that has been passed on from hand to hand finally involves us and works our destruction. It is the example of other people that is our undoing; let us merely separate ourselves from the crowd, and we shall be made whole. But as it is, the populace,, defending its own iniquity, pits itself against reason. And so we see the same thing happening that happens at the elections, where, when the fickle breeze of popular favour has shifted, the very same persons who chose the praetors wonder that those praetors were chosen.
”
”
Seneca
“
Her eyes narrowed, but she wasn't yelling.
I think she liked me... kind of. The way a mother would like an annoying spastic two year old who belonged to someone else.
”
”
Robyn Peterman (Ready to Were (Shift Happens, #1))
“
Jace. This can't happen." I closed my eyes, thinking it would be easier to say without him looking back at me. But it wasn't. "This isn't about us. I can't leave Marc.
”
”
Rachel Vincent (Shift (Shifters, #5))
“
The paradigms were shifting. He could feel it. The old world, a world of infinite vastness and illimitable resources and future, was being confronted by something else—a web of energy, of opinions, of gulfs. People believe, thought Shadow. It’s what people do. They believe. And then they will not take responsibility for their beliefs; they conjure things, and do not trust the conjurations. People populate the darkness; with ghosts, with gods, with electrons, with tales. People imagine, and people believe: and it is that belief, that rock-solid belief, that makes things happen.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
The slow cancellation of the future has been accompanied by a deflation of expectations. There can be few who believe that in the coming year a record as great as, say, the Stooges’ Funhouse or Sly Stone’s There’s A Riot Goin’ On will be released. Still less do we expect the kind of ruptures brought about by The Beatles or disco. The feeling of belatedness, of living after the gold rush, is as omnipresent as it is disavowed. Compare the fallow terrain of the current moment with the fecundity of previous periods and you will quickly be accused of ‘nostalgia’. But the reliance of current artists on styles that were established long ago suggests that the current moment is in the grip of a formal nostalgia, of which more shortly.
It is not that nothing happened in the period when the slow cancellation of the future set in. On the contrary, those thirty years has been a time of massive, traumatic change. In the UK, the election of Margaret Thatcher had brought to an end the uneasy compromises of the so-called postwar social consensus. Thatcher’s neoliberal programme in politics was reinforced by a transnational restructuring of the capitalist economy. The shift into so-called Post-Fordism – with globalization, ubiquitous computerization and the casualisation of labour – resulted in a complete transformation in the way that work and leisure were organised. In the last ten to fifteen years, meanwhile, the internet and mobile telecommunications technology have altered the texture of everyday experience beyond all recognition. Yet, perhaps because of all this, there’s an increasing sense that culture has lost the ability to grasp and articulate the present. Or it could be that, in one very important sense, there is no present to grasp and articulate anymore.
”
”
Mark Fisher (Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures)
“
Then his gaze shifted to the wild bush sprouting from her head. “Wow. Did I do that to your hair?” He looked oddly pleased at the thought.
Rylann made a mental note to throw a flat iron in her purse the next time she had sex in the shower with a billionaire ex-con. Not that there was
going to be a next time. “Not all of us are lucky enough to have freakishly perfect, shampoo-commercial hair. This is what happens when I get wet.”
His expression turned wicked. “I know exactly what happens when you get wet, counselor.”
Yep, she’d walked right into that one.
”
”
Julie James (About That Night (FBI/US Attorney, #3))
“
Sometimes everything changes and you’re left wondering how it happened and where you could have down shifted.
”
”
Shey Stahl (Everything Changes)
“
Tone policing is when someone (usually the privileged person) in a conversation or situation about oppression shifts the focus of the conversation from the oppression being discussed to the way it is being discussed. Tone policing prioritizes the comfort of the privileged person in the situation over the oppression of the disadvantaged person. This is something that can happen in a conversation, but can also apply to critiques of entire civil rights organizations and movements.
”
”
Ijeoma Oluo (So You Want to Talk About Race)
“
We have to stop anyway. I don’t want you to regret this later. And I don’t want your head to explode.” “Really? You’re so good that my head would explode?” It took him a moment. His expression changed from intense to speculative. “It’s a possibility. I’m not a doctor, but Doolittle says it could happen.” “That’s a lot of expectation to live up to.” “I exceed expectations.” So modest, too.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
Grief is a curious thing, when it happens unexpectedly. It is a Band-Aid
being ripped away, taking the top layer off a family. And the underbelly
of a household is never pretty, ours no exception. There were times I
stayed in my room for days on end with headphones on, if only so that I
would not have to listen to my mother cry. There were the weeks that my
father worked round-the-clock shifts, so that he wouldn't have to come
home to a house that felt too big for us.
”
”
Jodi Picoult (My Sister's Keeper)
“
So, what did you think of the Unseelie Court?"
A slow, wicked smile spread on his face. "Oh, Kaye," he breathed. "It was marvelous. It was perfect."
She narrowed her gaze. "I was joking. They were killing things, Corny. For fun. Things like us."
He didn't seem to hear her, his eyes looking past her to the bright window. "There was this knight, not yours. He ... " Corny shivered and seemed to abruptly change the direction of his sentence. "He had a cloak all lined with thorns."
"I saw him talking to the Queen," Kaye said.
Corny shrugged off his jacket. There were long scratches along his arms.
"What happened to you?"
Corny's smile widened, but his gaze was locked in some memory. He shifted it back to her. "Well, obviously I got inside the cloak."
She snorted. "What a euphemism.
”
”
Holly Black (Tithe (Modern Faerie Tales, #1))
“
Andrus turned the engine and gave her a suspicious look. “You smell like...” He shifted into drive. “What?” “Nothing, but—did something happen inside?” Could he really smell…that? He crinkled his nose. “Your face is red and your scent is…” Oh, God. He can! Kill me now! Giant bomb, falling tree, spontaneous combustion…anything!
”
”
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
“
The enthusiasm of today’s youth is as pure and bright as it was in our time. Only one thing has happened: a shift of goals, the replacement of one beauty with another! The entire misunderstanding lies merely in the question of which is more beautiful: Shakespeare or a pair of boots, Raphael or petroleum?
”
”
Fyodor Dostoevsky (Demons)
“
We have to stop anyway. I don't want you to regret this later. And I don't want your head to explode."
"Really? You're so good that my head would explode?"
It took him a moment. His expression changed from intense to speculative. "It's a possibility. I'm not a doctor, but Doolittle says it could happen."
"That's a lot of expectation to live up to."
"I exceed expectations."
So modest, too.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
A woman in her thirties came to see me. As she greeted me, I could sense the pain behind her polite and superficial smile. She started telling me her story, and within one second her smile changed into a grimace of pain. Then, she began to sob uncontrollably. She said she felt lonely and unfulfilled.
There was much anger and sadness. As a child she had been abused by a physically violent father. I saw quickly that her pain was not caused by her present life circumstances but by an extraordinarily heavy pain-body. Her pain-body had become the filter through which she viewed her life situation.
She was not yet able to see the link between the emotional pain and her thoughts, being completely identified with both. She could not yet see that she was feeding the pain-body with her thoughts. In other words, she lived with the burden of a deeply unhappy self. At some level, however, she must have realized that her pain originated within herself, that she was a burden to herself. She was ready to awaken, and this is why she had come.
I directed the focus of her attention to what she was feeling inside her body and asked her to sense the emotion directly, instead of through the filter of her unhappy thoughts, her unhappy story. She said she had come expecting me to show her the way out of her unhappiness, not into it.
Reluctantly, however, she did what I asked her to do. Tears were rolling down her face, her whole body was shaking. “At this moment, this is what you feel.” I said. “There is nothing you can do about the fact that at this moment this is what you feel. Now, instead of wanting this moment to be different from the way it is, which adds more pain to the pain that is already there, is it possible for you to completely accept that this is what you feel right now?”
She was quiet for a moment. Suddenly she looked impatient, as if she was about to get up, and said angrily, “No, I don't want to accept this.” “Who is speaking?” I asked her. “You or the unhappiness in you? Can you see that your unhappiness about being unhappy is just another layer of unhappiness?” She became quiet again. “I am not asking you to do anything. All I'm asking is that you find out whether it is possible for you to allow those feelings to be there. In other words, and this may sound strange, if you don't mind being unhappy, what happens to the unhappiness? Don't you want to find out?”
She looked puzzled briefly, and after a minute or so of sitting silently, I suddenly noticed a significant shift in her energy field. She said, “This is weird. I 'm still unhappy, but now there is space around it. It seems to matter less.”
This was the first time I heard somebody put it like that: There is space around my unhappiness. That space, of course, comes when there is inner acceptance of whatever you are experiencing in the present moment.
I didn't say much else, allowing her to be with the experience. Later she came to understand that the moment she stopped identifying with the feeling, the old painful emotion that lived in her, the moment she put her attention on it directly without trying to resist it, it could no longer control her thinking and so become mixed up with a mentally constructed story called “The Unhappy Me.” Another dimension had come into her life that transcended her personal past – the dimension of Presence. Since you cannot be unhappy without an unhappy story, this was the end of her unhappiness. It was also the beginning of the end of her pain-body. Emotion in itself is not unhappiness. Only emotion plus an unhappy story is unhappiness.
When our session came to an end, it was fulfilling to know that I had just witnessed the arising of Presence in another human being. The very reason for our existence in human form is to bring that dimension of consciousness into this world. I had also witnessed a diminishment of the pain-body, not through fighting it but through bringing the light of consciousness to it.
”
”
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
“
...they knew each other as much as they knew themselves, and their intimacy, rather like too many suitcases, was a matter of perpetual concern; together they moved slowly, clumsily, effecting lugubrious compromises, attending to delicate shifts of mood, repairing breaches. As individuals they didn't easily take offense; but together they managed to offend each other in surprising, unexpected ways; then the offender - it had happened twice since their arrival - became irritated by the cloying susceptibilities of the other, and they would continue to explore the twisting alleyways and sudden squares in silence, and with each step the city would recede as they locked tighter into each other's presence.
”
”
Ian McEwan (The Comfort of Strangers (Vintage International))
“
You’ll never lose me,” I said, my voice breaking.
“Promise.” His gaze searched mine as he ran his fingertip up my spine.
“I promise.” I closed the minuscule gap between us once more, capturing his lips and trying to show him how much I meant it. “I love you. I love our family. I love our life together, and I can’t wait for the day when we’re back home, just the three of us, and this whole war is over. I swear to you that will happen. That will be our future.”
He cradled the back of my head, his palm searing against my skin. “I have waited an eternity for this love. I’m not going to let anyone, Titan or not, take it from us.”
“Promise?” I said, and this time it was Henry’s turn to kiss me.
“I promise.”
“Then do me a favor.”
“Anything.”
I shifted onto my back, rolling him with me. His body pressed against mine in all the right places, and I lifted my head high enough to rest my forehead against his. “Live this love now,” I whispered. “And never stop.
”
”
Aimee Carter (The Goddess Inheritance (Goddess Test, #3))
“
Blue was in a terrible mood. Something had clearly happened while she was on shift, but Gansey’s attempts to prise it from her had established only that it was neither about the toga party nor him. Now, she was the one driving the Pig, which had a threefold benefit. For starters, Gansey couldn’t imagine anyone whose mood wouldn’t be marginally lifted by driving a Camaro. Second, Blue said she never got a chance to practise driving in Fox Way’s communal vehicle. And third, most importantly, Gansey was outrageously and eternally driven to distraction by the image of her behind the wheel of his car. Ronan and Adam weren’t with them, so there was no one to catch them in what felt like an incredibly indecent act.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
What happens when we start to chase what we really want: We resist doing the work that it takes to actually get it because we are so afraid of not having it, any brush with failure makes us rescind our effort and tense up. When we go so long not having what we really want, we create subconscious associations between having it and “being bad,” because we have judged others for having it. When we get it, we fear losing it so badly that we push it away from ourselves so as to not have to withstand the pain. We are so deeply enmeshed in the mental state of “wanting,” we cannot shift to a state of “having.
”
”
Brianna Wiest (The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery)
“
It is not okay for someone you like to treat you poorly and then pretend it didn’t happen, making you question your own grasp on reality. This dynamic is called gaslighting. It’s a common tactic of abusers to shift the focus of the blame from their bad behavior onto the person they are victimizing. One important side effect of gaslighting is having your memory “black out” after a fight (because your brain is trying to protect you from the cruelty of the abuse), which results in not being able to remember how an argument started. You may start to internalize the idea that there is something wrong with you and that you did something to provoke the situation as you’re increasingly beaten down and confused.
”
”
Shannon Weber
“
In Jungian circles, shame is often referred to as the swampland of the soul. I’m not suggesting that we wade out into the swamp and set up camp. I’ve done that and I can tell you that the swampland of the soul is an important place to visit, but you would not want to live there. What I’m proposing is that we learn how to wade through it. We need to see that standing on the shore and catastrophisizing about what could happen if we talked honestly about our fears is actually more painful than grabbing the hand of a trusted companion and crossing the swamp. And, most important, we need to learn why constantly trying to maintain our footing on the shifting shore as we gaze across to the other side of the swamp—where our worthiness waits for us—is much harder work than trudging across.
”
”
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Suppose to Be and Embrace Who You Are: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
“
That won't happen," Blayne's hybrid said, and shifted. Shifted into something only Blayne could truly love.
Yep. I'm gonna have freak grandkids.
”
”
Shelly Laurenston
“
Studies of cancer patients show that attitudes of mind have very little effect on clinical outcome. We may say we are fighting cancer, but cancer is merely fighting us; we may think we have beaten it, when it has only gone away to regroup. It is all just the universe doing its stuff, and we are the stuff it is being done to. And so, perhaps, with grief. We imagine we have battled against it, been purposeful, overcome sorrow, scrubbed the rust from our soul, when all that has happened is that grief has moved elsewhere, shifted its interest.
”
”
Julian Barnes (Levels of Life)
“
There are moments in your life when the big pieces slide and shift. Sometimes the big changes dong happen gradually but all at once. That's how it was for us. That was the day we discovered that friends can do things for you that your parents can't.
”
”
Ann Brashares (3 Willows: The Sisterhood Grows (Sisterhood, #4.5))
“
When a member of the family leaves or dies, it changes the dynamics of a family. People move and shift, take up places they either wanted to have or are forced into roles they never wanted. It happens without anybody noticing, but it's shifting all the time.
”
”
Cecelia Ahern (The Marble Collector)
“
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it."
He grumbled, but I could see relif in his eyes, like he was glad to see me smile.
"SO i was right, wasn't I? It's still youm even in wolf form."
He grunted.
"No sudden uncontrollable urges to go kill something?"
He rolled his eyes.
"Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?"
I got a real look for that one.
"Just covering all the bases."
He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers.
Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it.
"The lack of opposanle thumbs is going to take some getting used to, huh?"
He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it.
"Okay, okay. I'm just trying not to croud you."
That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace.
He grunted.
"Yes, thats better.thanks. now get some rest."
i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that.
and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days?
Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing.
when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep.
i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me.
"S-sorry, I didn't mean-"
He cut me short with a growl, telling me off for apologizing.
”
”
Kelley Armstrong
“
Their next reunion shifted like an oasis on the horizon, and Jude couldn't plot her course. She trudged through her days, haunted by the feeling that real life was happening five thousand kilometers away.
”
”
Emma Donoghue (Landing)
“
In a world of shifting past, these memories are wheat in wind, fleet in dreams, shapes in clouds. Events, once happened, lose reality, alter with a glance, a storm, a night. In time, the past never happened.
”
”
Alan Lightman (Einstein’s Dreams)
“
I cannot decide whether it is an illness or a sin, the need to write things down and fix the flowing world in one rigid form. Bear believed writing dulled the spirit, stilled some holy breath. Smothered it. Words, when they’ve been captured and imprisoned on paper, become a barrier against the world, one best left unerected. Everything that happens is fluid, changeable. After they’ve passed, events are only as your memory makes them, and they shift shapes over time. Writing a thing down fixes it in place as surely as a rattlesnake skin stripped from the meat and stretched and tacked to a barn wall. Every bit as stationary, and every bit as false to the original thing. Flat and still and harmless. Bear recognized that all writing memorializes a momentary line of thought as if it were final.
But I was always word-smitten.
”
”
Charles Frazier
“
And Edward was staring at me curiously, that same, familiar edge of frustation even more distinct now in his black eyes.
I stared back, surprised, expecting him to look quickly away. But instead he continued to gaze with probing intensity into my eyes. There was no question of me looking away. My hands started to shake.
"Mr. Cullen?" the teacher called, seeking the answer to a question that I haden't heard.
"The Krebs Circle," Edward answered, seeming relucant as he turned to look at Mr. Banner.
I looked down at my book as soon as his eyes released me, trying to find my place. Cowardly as ever, I shifted my hair over my right shoulder to hide my face. I couldn't believe the rush of emotion pulsing through me - just because he'd happened to look at me for the first time in a half-dozen weeks. I couldn't allow him to have this level of influence over me. It was pathetic. More than pathetic, it was unhealthy.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
You’re my BFF and I would shred someone’s skin from their body and shove their bones down their dead ass throat for you.
”
”
Robyn Peterman (Ready to Were (Shift Happens, #1))
“
The last thing any of us will want to do is accept that, sometimes, shift just happens.
”
”
Lucy Jones (The Big Ones: How Natural Disasters Have Shaped Us (and What We Can Do About Them))
“
The car was on the FDR drive now and, turning her head, she glanced out at the bleak brown buildings of the projects that stretched for blocks along the drive. Something inside her sank at the sight of all that sameness, and she suddenly felt defeated.
She shifted uncomfortably in her seat. In the past year, she'd started experiencing these moments of desperate emptiness, as if nothing really mattered, nothing was ever going to change, there was nothing new; and she could see her life stretching before her--one endless long day after the next, in which every day was essentially the same. Meanwhile, time was marching on, and all that was happening to her was that she was getting older and smaller, and one day she would be no bigger than a dot, and then she would simply disappear. Poof! Like a small leaf burned up under a magnifying glass in the sun. These feelings were shocking to her, because she'd never experienced world-weariness before. She'd never had time. All her life, she'd been striving and striving to become this thing that was herself--the entity that was Nico O'Neilly. And then, one morning, time had caught up with her and she had woken up and realized that she was there. She had arrived at her destination, and she had everything she'd worked so hard for: a stunning career, a loving (well, sort of) husband, whom she respected, and a beautiful eleven-year-old daughter whom she adored.
She should have been thrilled. But instead, she felt tired. Like all those things belonged to someone else.
”
”
Candace Bushnell (Lipstick Jungle)
“
In a way it scared me, having a summer of experiences and feelings that belonged to me alone. What happened in front of my friends felt read. What happened to me by myself felt partly dreamed, partly imagined, definitely shifted and warped by own fears and wants. And who knows? Maybe there is more truth in how you feel than in what actually happens.
”
”
Ann Brashares (The Sisterhood of the Traveling Pants (Sisterhood, #1))
“
One thing about writing this much… her brain never really shifted out of The World of Mages. When she sat down to write, she didn't have to wade back into the story slowly, waiting to get used to the temperature. She was just there, all the time. All day. Real life was something happening in her peripheral vision.
”
”
Rainbow Rowell (Fangirl)
“
And I knew something bad had happened, that his feelings had shifted. Normally, there was a cord of attachment between us that I could tug and feel him there on the other end. I suddenly had the horrifying sensation that it had been snipped off, and now I had a cord that led nowhere, that was just dangling in space.
”
”
Rufi Thorpe (Margo's Got Money Troubles)
“
The disappearance of theology from the life of the Church, and the orchestration of that disappearance by some of its leaders, is hard to miss today, but oddly enough, not easy to prove. It is hard to miss in the evangelical world--in the vacuous worship that is so prevalent, for example, in the shift form God to the self as the central focus of faith, in the psychologized preaching that follows this shift, in the erosion of its conviction, in its strident pragmatism, in its inability to think incisively about the culture, in its reveling in the irrational.
”
”
David F. Wells (No Place for Truth: or Whatever Happened to Evangelical Theology?)
“
In fiction, falling in love seemed to happen in soft focus, all cheerful montages of pop music and soulful glances. In reality, it was raw and confronting, powerful and passionate, shifting every goalpost.
”
”
Lucy Parker (Battle Royal (Palace Insiders, #1))
“
But in truth, the world is constantly shifting: shape and size, location in space. It's got edges and chasms, too many to count. They open up, close, reappear somewhere else. Geologists nay have mapped out the planet's tectonic plates -hidden shelves of rock that grind, one against the other, forming mountains, creating continents - but thy can't plot the fault lines that run through our heads, divide out hearts.
The map of the world is always changing; sometimes it happens overnight. All it takes is the blink of an eye, the squeeze of a trigger, a sudden gust of wind. Wake up and your life is perched on a precipice; fall asleep, it swallows you whole
”
”
Anderson Cooper (Dispatches from the Edge: A Memoir of War, Disasters, and Survival)
“
Human nature was all about shifting blame...and responsibility. How else could you explain concentration camps and genocide and all the awful things people did to each other every day? They just carried on life and pretended like the evil didn't exist, as long as it was happening out of their direct view.
”
”
Rachel Caine (Daylighters (The Morganville Vampires, #15))
“
The hemulen woke up slowly and recognised himself and wished he had been someone he didn't know. He felt even tireder than when he went to bed, and here it was -- another day which would go on until evening and then there would be another one and another one which would be the same as all days are when they are lived by a hemulen.
He crept under the bedcover and buried his nose in the pillow, then he shifted his stomach to the edge of the bed where the sheets were cool. He took possession of the whole bed with outstretched arms and legs he was waiting for a nice dream that wouldn't come. He curled up and made himself small but it didn't help a bit. He tried being the hemulen that everybody like, he tried being the hemulen that no one liked. But however hard he tried he remained a hemulen doing his best without anything really coming off. In the end he got up and pulled on his trousers.
The Hemulen didn't like getting dressed and undressed, it gave him a feeling that the days passed without anything of importance happening. Even so, he spent the whole day arranging, organising and directing things from morning till night! All around him there were people living slipshod and aimless lives, wherever he looked there was something to be put to rights and he worked his fingers to the bone trying to get them to see how they ought to live.
It's as though they don't want to live well, the Hemulen thought sadly as he brushed his teeth. He looked at the photograph of himself with his boat which was been taken when the boat was launched. It was a beautiful picture but it made him feel even sadder.
I ought to learn how to sail, the Hemulen thought. But I've never got enough time...
Moominvalley in November
Chapter 5, THE HEMULEN
”
”
Tove Jansson (Moominvalley in November (The Moomins, #9))
“
I sat on the bench outside of class today and talked to Jon. I read to him from my journal, it was the part about the accordian player I was watching on the street last weekend. He said that an accordian is such a perfect metaphor for Love, because you are always opening, and closing, shifting, and getting air, and that's how the music happens. True.
”
”
Sabrina Ward Harrison (The True and the Questions: A Journal)
“
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way.
From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW.
Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear.
Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.”
Adam lifted his head and said, “They didn’t start making the Civic until ’73.”
There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.”
Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?”
Without replying, Ronan climbed out of the car and slammed the door.
Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah.
Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Can't it be stopped?" said Lina. She shifted around under her blanket, trying to find a place to sit where rocks weren't digging into her.
Maybe it can be stopped at the beginning," Maddy said. "If someone sees what's happening and is brave enough to reverse the direction."
Reverse the direction?"
Yes, turn it around."
How would you do that?"
You'd do something good," said Maddy. "Or at least you'd keep yourself from doing something bad."
But how could you?" said Lina. "When people have been mean to you, why would you want to be good to them?"
You wouldn't want to," said Maddy. "That's what makes it hard. you do it anyway. Being good is hard. Much harder than being bad.
”
”
Jeanne DuPrau (The People of Sparks (Book of Ember, #2))
“
Funny how I always thought the world would dilate and then snap back with a loud bang the day a boy happened to me. But there was no explosion, no fireworks, no sudden shift in the tectonic plates of the earth. It was more of a Zen moment - Quiet. Everything was instantly quiet. The world, my mind, the flux of time - all still. And in the middle of it was him.
”
”
Ramona Wray (Hex: A Witch and Angel Tale)
“
there was a reason for everything that happened and that all of those reasons were like threads that, over time, wove together into the pattern of a person’s life. Every thread was necessary for the final pattern to be complete.
”
”
Erin Nicholas (She's the One (Just Everyday Heroes: Night Shift, #1))
“
I need wonder. I know that death is coming. I smell it in the wind, read it in the paper, watch it on television, and see it on the faces of the old. I need wonder to explain what is going to happen to me, what is going to happen to us when this thing is done, when our shift is over and our kids' kids are still on the earth listening to their crazy rap music. I need something mysterious to happen after I die. I need to be somewhere else after I die, somewhere with God, somewhere that wouldn't make any sense if it were explained to me right now. At the end of the day, when I am lying in bed and I know the chances of any of our theology being exactly right are a million to one, I need to know that God has things figured out, that if my math is wrong we are still going to be okay. And wonder is that feeling we get when we let go of our silly answers, our mapped out rules that we want God to follow. I don't think there is any better worship than wonder.
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
“
What do you know about bipolar disorder?” I almost say, What do you know about it? But I make myself breathe and smile. “Is that the Jekyll-Hyde thing?” My voice sounds flat and even. Maybe a little bored, even though my mind and body are on alert. “Some people call it manic depression. It’s a brain disorder that causes extreme shifts in mood and energy. It runs in families, but it can be treated.” I continue to breathe, even if I’m not smiling anymore, but here is what is happening: my brain and my heart are pounding out different rhythms; my hands are turning cold and the back of my neck is turning hot; my throat has gone completely dry. The thing I know about bipolar disorder is that it’s a label. One you give crazy people. I know this because I’ve taken junior-year psychology and I’ve seen movies and I’ve watched my father in action for almost eighteen years, even though you could never slap a label on him because he would kill you. Labels like “bipolar” say This is why you are the way you are. This is who you are. They explain people away as illnesses.
”
”
Jennifer Niven (All the Bright Places)
“
Did you happen to see what time slot they gave me?'
'Eight o'clock. All eyes, er, lips will be on you.'
I dug into my purse for a tube of lip balm and tucked it into the front pocket of his tee. ' A friendly deed for a friend in need. Halfway through your shift, you'll thank me.'
He dug out the tube and read the label - creme de menthe flavored. 'For real? This is as close as I'm getting to touching your lips tonight?
”
”
Becca Fitzpatrick (Dangerous Lies)
“
(O)n a whole range of issues, there has been a massive popular shift in public opinion toward a progressive critique of the current political economic system. It is, of course, largely subliminal, not carefully worked out, and lacks a coherent vision for what needs to be done -- but there can be little doubt that this shift has happened, and is deepening. People are increasingly disenchanted, and they are hungry for alternatives.
”
”
Nafeez Mosaddeq Ahmed
“
Shifts within friendships happen in imperceptible increments. There is distance, then assurance. Misconjecture, caution, gradual convergence. So much depends on the respect accorded to vulnerability.
”
”
Gail Jones (Dreams of Speaking)
“
right nostril is a gas pedal. When you’re inhaling primarily through this channel, circulation speeds up, your body gets hotter, and cortisol levels, blood pressure, and heart rate all increase. This happens because breathing through the right side of the nose activates the sympathetic nervous system, the “fight or flight” mechanism that puts the body in a more elevated state of alertness and readiness. Breathing through the right nostril will also feed more blood to the opposite hemisphere of the brain, specifically to the prefrontal cortex, which has been associated with logical decisions, language, and computing. Inhaling through the left nostril has the opposite effect: it works as a kind of brake system to the right nostril’s accelerator. The left nostril is more deeply connected to the parasympathetic nervous system, the rest-and-relax side that lowers blood pressure, cools the body, and reduces anxiety. Left-nostril breathing shifts blood flow to the opposite side of the prefrontal cortex, to the area that influences creative thought and plays a role in the formation of mental abstractions and the production of negative emotions.
”
”
James Nestor (Breath: The New Science of a Lost Art)
“
What happened?"
"This happened." He shifted his arms to reveal a bundle of tiny, knobby joints and fluffy patches of black and white.
A newborn goat.
"Oh, my goodness." She knelt behind him, peering over his shoulder. "Surely not Marigold?"
"I told you so," he said irritably.
As if she'd be intimidated by gruff words from a man cradling a newborn goat in his arms. She'd always known he had a capacity for gentleness.
I told you so, too.
She reached to stroke the little goat's fur.
Gabriel's shoulder muscle flinched in annoyance. "My shirt was ruined, I'll have you know. Completely unsalvageable. And then this runtish little thing wouldn't stop shivering."
"Would it help if I told you that I've never found you so wildly attractive as I do in this moment?"
"No.
”
”
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
“
If ever I was distraught or heartbroken, my mom would always say, Go read history. Her solution for everything... It'd take me a long time to realize history is happening now, and we are a part of it.
History is where you will find people who have been through what you’re experiencing. Not only been there but survived it. Not only survived it but changed it. Whose struggles informed them. History shows you what people have endured before you... History shows that if you were in the minority, if no one believed you, it didn't mean you were wrong. Rather, it meant society was slow to catch up to you. And if those in the minority did not buckle, did not give up their truths, the world would shift below their feet.
”
”
Chanel Miller (Know My Name)
“
Go on," Kell told him without taking his eyes from Lila. " Get some rest."
Hastra shifted. "I can't, sir," he said. "I'm to escort Miss Bard--"
"I'll take that charge," cut in Kell. Hastra bit his lip and retreated several steps.
Lila let her forehead come to rest against his, her face so close the features blurred. And yet, that fractured eye shone with frightening clarity.
"You never told me," he whispered.
"You never noticed," she answered. And then, "Alucard did."
The blow landed, and Kell started to pull away when Lila's eyelids fluttered and she swayed dangerously.
He braced her. "Come on," he said gently. "I have a room upstairs. Why don't we--"
A sleepy flicker of amusement. "Trying to get me into bed?"
Kell mustered a smile. "It's only fair. I've spent enough time in yours."
"If I remember correctly," she said, her voice dreamy with fatigue, "you were on top of the bed the entire time."
"And tied to it," observed Kell.
Her words were soft at the edges. "Those were the days..." she said, right before she fell forward. It happened so fast Kell could do nothing but throw his arms around her.
"Lila?" he asked, first gently, and then more urgently. "Lila?"
She murmured against his front, something about sharp knives and soft corners, but didn't rouse, and Kell shot a glance at Hastra, who was still standing there, looking thoroughly embarrassed.
"What have you done?" demanded Kell.
"It was just a tonic, sir," he fumbled, "something for sleep."
"You drugged her?"
"It was Tieren's order," said Hastra, chastised. "He said she was mad and stubborn and no use to us dead." Hastra lowered his voice when he said this, mimicking Tieren's tone with startling accuracy.
"And what do you plan to do when she wakes back up?"
Hastra shrank back. "Apologize?"
Kell made an exasperated sound as Lila nuzzled-- actually nuzzled-- his shoulder.
"I suggest," he snapped at the young man, "you think of something better. Like an escape route."
Hastra paled, and Kell swept Lila up into his arms, amazed at her lightness... Kell swept through the halls until he reached his room and lowered Lila onto the couch.
Hastra handed him a blanket. "Shouldn't you take off her knives?"
"There's not enough tonic in the world to risk it," said Kell.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Provided with a case of pencils, and some sheets of paper, I used to take a seat apart from them, near the window, and busy myself in sketching fancy vignettes representing any scene that happened momentarily to shape itself in the ever-shifting kaleidoscope of imagination: a glimpse of sea between two rock; the rising moon, and a ship crossing its disc; a group of reeds and water-flags, and a naiad's head, crowned with lotus-flowers, rising out of them; an elf sitting in a hedge-sparrow's nest, under a wreath of hawthorn bloom.
”
”
Charlotte Brontë (Jane Eyre)
“
Saxton shifted exhausted eyes over. "Must we do this?"
"What happened --"
"I think you and he need to talk. And once you do, I won't have to worry about being jumped like a felon again."
Blay frowned. "He and I have nothing to say to each other --"
"with all due respect, the ligature marks on my neck would suggest otherwise.
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one can help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest from of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong.
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
He wanted to tell her that love was too tame a word for everything that happened inside him where she was concerned. She had shifted him, realigned him from the inside out. Like a planet that suddenly pulls a moon into its orbit, she had bound him to her, given him direction for longer than she knew, gave him purpose to exist. She was his gravity, his fucking planet, and he was lost without her.
”
”
RuNyx (The Reaper (Dark Verse, #2))
“
Lena.” Alex’s voice is stronger, more forceful now, and it finally stops me.
He turns so that we’re face-to-face. At that moment my shoes skim off the sand
bottom, and I realize that the water is lapping up to my neck. The tide is coming
in fast. “Listen to me. I’m not who—I’m not who you think I am.”
I have to fight to stand. All of a sudden the currents tug and pull at me. It’s
always seemed this way. The tide goes out a slow drain, comes back in a rush.
“What do you mean?”
His eyes—shifting gold, amber, an animal’s eyes—search my face, and
without knowing why, I’m scared again. “I was never cured,” he says. For a
moment I close my eyes and imagine I’ve misheard him, imagine I’ve only
confused the shushing of the waves for his voice. But when I open my eyes he’s
still standing there, staring at me, looking guilty and something else—sad,
maybe?—and I know I heard correctly. He says, “I never had the procedure.”
“You mean it didn’t work?” I say. My body is tingling, going numb, and I
realize then how cold it is. “You had the procedure and it didn’t work? Like what
happened to my mom?”
“No, Lena. I—” He looks away, squinting, says under his breath, “I don’t
know how to explain.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
In the silence that followed, violent anger hit Blay from out of
nowhere.
Now his hands shook for a different reason.
“So,” Saxton said hoarsely. “How was your night?”
“What the hell happened down there?”
Saxton loosened his tie. Unbuttoned his collar. Took yet another
deep breath. “Family tiff, as it were.”
“Bullsh*t.”
Saxton shifted exhausted eyes over. “Must we do this?”
“What happened—”
“I think you and Qhuinn need to talk. And once you do, I won’t have to worry about being jumped like a felon again.”
Blay frowned. “He and I have nothing to say to each other—”
“With all due respect, the ligature marks around my neck would
suggest otherwise.”
-Lover at Last, pg. 188 of the galleys
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
Right,” said Om. “Now…listen. Do you know how gods get power?” “By people believing in them,” said Brutha. “Millions of people believe in you.” Om hesitated. All right, all right. We are here and it is now. Sooner or later he’ll find out for himself… “They don’t believe,” said Om. “But—” “It’s happened before,” said the tortoise. “Dozens of times. D’you know Abraxas found the lost city of Ee? Very strange carvings, he says. Belief, he says. Belief shifts. People start out believing in the god and end up believing in the structure.
”
”
Terry Pratchett (Small Gods (Discworld, #13))
“
People architect new lives all the time. I know this because I never see them again once they find these new lives. They have children or they move to new cities or even just to new neighborhoods or you hate their spouse or their spouse hates you or they start working the night shift or they start training for a marathon or they stop going to bars or they start going to therapy or they realize they don’t like you anymore or they die. It happens constantly. It’s just me. I haven’t built anything new. I’m the one getting left behind.
”
”
Jami Attenberg (All Grown Up)
“
Imagine the spirit as a mansion. You’ll guess we don’t use many rooms. Apart from a few moments in childhood we don’t dance around it in sunlight. But there’s a traffic of things in and out, and what happens is that unwanted bulks can gather inside. Gather and gather, menacing us. Unable to shift them, we hide in ever-smaller spaces. And in our last hole, life offers a choice: to play out our demise in parallel theatres - psychosis, zealotry, religion, cancer, addiction - or to bow quietly out. But beware: life doesn’t ask these high questions when we’re confident and fresh - it waits for hopelessness.
”
”
D.B.C. Pierre (Lights Out in Wonderland)
“
After the Age of Faith, “Surrender” Is No Longer Smart
Absolutely, surrender and obedience were highly respected during the Age of Faith. Think about your oldest relatives, those born toward the end of that long, long era. Whatever faith they believed in, wasn’t their surrender considered the ultimate sign of goodness, spiritual goodness? ….
Powered by bliss, and caring far more about their consciousness than about human life, what happened? They made one energy-related choice at a time, choices that turned out to be unwise, choices based in belief that noticing energies was equivalent to noticing God.
Sadly, their consciousness lifestyles shifted away from Traditional Enlightenment… and into Extreme Spiritual Addiction.
”
”
Rose Rosetree (Seeking Enlightenment in the Age of Awakening: Your Complete Program for Spiritual Awakening and More, In Just 20 Minutes a Day)
“
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze.
The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine.
And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too.
How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me.
But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it.
Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—”
Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me.
When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?”
“Nothing—”
“Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!”
His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.”
Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.”
“Lee—”
“I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.”
“We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
I just couldn’t understand how you could go from being alive, from having molecules and blood cells constantly shifting around inside you, and thought processes and a mind full of memories and dreams and love and hate, and in just one tiny second these miraculous things stop and you’re dead. How could all that disappear? What happened to your soul, your essence, your wonder? Just because a muscle stops beating? It made absolutely no sense.
”
”
Sarra Manning (Let's Get Lost)
“
He tells her that, when Nola first died, he thought he’d die himself, of the sorrow. He says he’d read that grief has a catabolic effect and he thought for sure it would take him right out, this immense and gnawing pain, that it would eat him alive from the inside out. But it didn’t. It took a long time for him to shift things around so that he could still love and honor Nola but also love and honor life, but it happened. And it will happen to her.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
“
The reporting rate is even lower in New York City, with an estimated 96% of sexual harassment and 86% of sexual assaults in the subway system going unreported, while in London, where a fifth of women have reportedly been physically assaulted while using public transport, a 2017 study found that 'around 90% of people who experience unwanted sexual behavior would not report it... Enough women have experienced the sharp shift from 'Smile, love, it might never happen,' to 'Fuck you bitch why are you ignoring me?'... But all too often the blame is out on the women themselves for feeling fearful, rather than on planners for designing urban spaces and transit environments that make them feel unsafe... Women are often scared in public spaces. In fact, they are around twice as likely to be scared as men. And, rather unusually, we have the data to prove it.
”
”
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
“
I think of all that is happening elsewhere, as I lie here. Nearby, I can hear the sounds of a road crew. Somewhere else, monkeys chatter in trees. A male seahorse becomes pregnant. A diamond forms, a bee dances out directions, a windshield shatters. Somewhere a mother spreads peanut butter for her son's lunch, a lover sighs, a knitter binds off the edge of a sleeve. Clouds gather to make rain, corn ripens on the stalk, a cancer cell divides, a little league team scores. Somewhere blossoms open, a man pushes a knife in deeper, a painter darkens her blue. A cashier pours new dimes into an outstretched hand, rainbows form and fade, plates in the earth shift and settle. A woman opens a velvet box, male spiders pluck gently on the females' webs, falcons fall from the sky. Abstracts are real and time is a lie, it cannot be measured when one moment can expand to hold everything. You can want to live and end up choosing death; and you can want to die and end up living. What keeps us here, really? A thread that breaks in a breeze. And yet a thread that cannot be broken
”
”
Elizabeth Berg (Never Change)
“
Could he, by some miracle, keep this going? Could they hide here until the war ends? Until the armies finish marching back and forth above their heads, until all they have to do is push open the door and shift some stones aside and the house has become a ruin beside the sea? Until he can hold her fingers in his palms and lead her out into the sunshine? He would walk anywhere to make it happen, bear anything; in a year or three years or ten, France and Germany would not mean what they meant now; they could leave the house and walk to a tourists’ restaurant and order a simple meal together and eat it in silence, the comfortable kind of silence lovers are supposed to share.
”
”
Anthony Doerr (All the Light We Cannot See)
“
You get to a place where you begin to be guided by something greater than yourself. You stop fighting and striving (indeed the need to expend this type of energy is often a strong indicator that you are not in flow and where you are meant to be) and instead, surrender to your higher purpose and be guided from there, allowing things to happen, trusting in source, focusing on your why and letting go of the how...
”
”
Wayne W. Dyer (The Shift)
“
When babies fall asleep at one place but wake up at another place, they don’t even feel surprised. They know that their mother must have shifted them during sleep. If something similar happens to you, you will freak out. This attachment to the body and the surroundings is the reason your higher self is not able to shift you to better scenes in life.
”
”
Shunya
“
Nothing that goes on in anyone else’s mind can harm you. Nor can the shifts and changes in the world around you. —Then where is harm to be found? In your capacity to see it. Stop doing that and everything will be fine. Let the part of you that makes that judgment keep quiet even if the body it’s attached to is stabbed or burnt, or stinking with pus, or consumed by cancer. Or to put it another way: It needs to realize that what happens to everyone—bad and good alike—is neither good nor bad.
”
”
Marcus Aurelius (Meditations)
“
My father picked me up from school one day, and we played hooky and went to the beach. It was too cold to go in the water, so we sat on a blanket and ate pizza. When I got home, my sneakers were full of sand, and I dumped it on my bedroom floor. I didn't know the difference. I was six. My mother screamed at me for the mess, but he wasn't mad. He said that billions of years ago, the world shifting and the oceans moving brought that sand to that spot on the beach, and then I took it away. "Every day," he said, "we change the world," which is a nice thought until I think about how many days and lifetimes I would need to bring a shoe full of sand home until there is no beach, until it made a difference to anyone. Every day, we change the world, but to change the world in a way that means anything, that takes more time than most people have. It never happens all at once. It's slow. It's methodical. It's exhausting. We don't all have the stomach for it.
”
”
NOT A BOOK
“
Picture a bird perched on a thin branch," she [Miss Saeki] says. 'The branch sways in the wind, and each time this happens the bird's field of vision shifts. You know what I mean?'
I nod.
'When that happens, how do you think the bird adjusts?'
I shake my head. 'I don't know.'
'It bobs its head up and down, making up for the sway of the branch. Take a good look at birds the next time it's windy. I spend a lot of time looking out that window. Don't you think that kind of life would be tiresome? Always shifting your head every time the branch you're on sways?'
'I do.'
'Birds are used to it. It comes naturally to them. They don't have to think about it, they just do it. So it's not as tiring as we imagine. But I'm a human being, not a bird, so sometimes it does get tiring.
”
”
Haruki Murakami (Kafka on the Shore)
“
Morality binds and blinds. This is not just something that happens to people on the other side. We all get sucked into tribal moral communities. We circle around sacred values and then share post hoc arguments about why we are so right and they are so wrong. We think the other side is blind to truth, reason, science, and common sense, but in fact everyone goes blind when talking about their sacred objects.
If you want to understand another group, follow the sacredness. As a first step, think about the six moral foundations, and try to figure out which one or two are carrying the most weight in a particular controversy. And if you really want to open your mind, open your heart first.
If you can have at least one friendly interaction with a member of the “other” group, you’ll find it far easier to listen to what they’re saying, and maybe even see a controversial issue in a new light. You may not agree, but you’ll probably shift from Manichaean disagreement to a more respectful and constructive yin-yang disagreement.
”
”
Jonathan Haidt (The Righteous Mind: Why Good People Are Divided by Politics and Religion)
“
When next this happens (and it will happen, again and again, because a people remain under occupation and because the relative compelling powers of both revenge and consequence warp beyond recognition once one has been made to bury their child), this same framing can be used. The barbarians instigate and the civilized are forced to respond. The starting point of history can always be shifted, such that one side is always instigating, the other always justified in response.
”
”
Omar El Akkad (One Day, Everyone Will Have Always Been Against This)
“
Many social justice or social activist movements have been rooted in a position. A position is usually against something. Any position will call up its opposition. If I say up, it generates down. If I say right, it really creates left. If I say good, it creates bad. So a position creates its opposition. A stand is something quite distinct from that.
There are synonyms for “stand” such as “declaration” or “commitment,” but let me talk for just a few moments about the power of a stand. A stand comes from the heart, from the soul. A stand is always life affirming. A stand is always trustworthy. A stand is natural to who you are. When we use the phrase “take a stand” I’m really inviting you to un-cover, or “unconceal,” or recognize, or affirm, or claim the stand that you already are.
Stand-takers are the people who actually change the course of history and are the source of causing an idea’s time to come. Mahatma Gandhi was a stand-taker. He took a stand so powerful that it mobilized millions of people in a way that the completely unpredictable outcome of the British walking out of India did happen. And India became an independent nation. The stand that he took… or the stand that Martin Luther King, Jr. took or the stand that Elizabeth Cady Stanton and Susan B. Anthony took for women’s rights—those stands changed our lives today. The changes that have taken place in history as a result of the stand-takers are permanent changes, not temporary changes. The women in this room vote because those women took so powerful a stand that it moved the world.
And so the opportunity here is for us to claim the stand that we already are, not take a position against the macro economic system, or a position against this administration, although some of you may have those feelings. What’s way more powerful than that is taking a stand, which includes all positions, which allows all positions to be heard and reconsidered, and to begin to dissolve.
When you take a stand, it actually does shift the whole universe and unexpected, unpredictable things happen.
”
”
Lynne Twist
“
Words, when they've been captured and imprisoned on paper, become a barrier against the world, one best left unerected. Everything that happens is fluid, changeable. After they've passed, events are only as your memory makes them, and they shift shapes over time. Writing a thing down fixes it in place as surely as a rattlesnake skin strippd from the meat and stretched and tacked to a barn wall. Every bit as stationary, and every bit as false to the original thing. Flat and still and harmless.
”
”
Charles Frazier
“
Meditation begins now, right here. It can't begin someplace else or at some other time. To paraphrase the great Zen master Dogen, "If you want to practice awareness, then practice awareness without delay." If you wish to know a mind that is tranquil and clear, sane and peaceful, you must take it up now. If you wish to free yourself from the frantic television mind that runs our lives, begin with the intention to be present now.
Nobody can bring awareness to your life but you.
Meditation is not a self-help program--a way to better ourselves so we can get what we want. Nor is it a way to relax before jumping back into busyness. It's not something to do once in awhile, either, whenever you happen to feel like it.
Instead, meditation is a practice that saturates your life and in time can be brought into every activity. It is the transformation of mind from bondage to freedom.
In practicing meditation, we go nowhere other than right here where we now stand, where we now sit, where we now live and breathe. In meditation we return to where we already are--this shifting, changing ever-present now.
If you wish to take up meditation, it must be now or never.
”
”
Steve Hagen (Meditation Now or Never: A Practical Guide to Getting Unstuck and Deepening Your Practice with Simple, Accessible Techniques)
“
What I did know was that as we sheltered from our own private tempests, something immutable happened to the bond between Finn Strachan and me, and our unnamed relationship shifted into something far stronger than either of us knew how to control. If I'd had the energy, I might have halted it there, kept my face turned away and driven on through the storm. But right then, I needed the haven that Finn offered more than oxygen.
”
”
Tabitha McGowan (The Tied Man (The Tied Man, #1))
“
The air in the room shifted again. Or was it the air in our lungs? It’s that life-changing thing that happens when you’re seen, valued, and adored. Adoration for girls validates our femininity. When you are a dark-skin girl, no one simply adores you. They laugh with you, tell you their secrets, treat you like one of the boys . . . but there’s no care given to you, no devotion given to you. The absence of that becomes an erasure.
”
”
Viola Davis (Finding Me)
“
And so, perhaps, with grief. We imagine we have battled against it, been purposeful, overcome sorrow, scrubbed the rust from our soul, when all that has happened is that grief has moved elsewhere, shifted its interest. We did not make the clouds come in the first place, and have no power to disperse them. All that has happened is that from somewhere -- or nowhere -- an unexpected breeze has sprung up, and we are in movement again.
”
”
Julian Barnes (Levels of Life)
“
What if life isn’t happening to you? What if the hard stuff, the amazing stuff, the love, the joy, the hope, the fear, the weird stuff, the funny stuff, the stuff that takes you so low you’re lying on the floor crying and thinking, How did I get here? . . . What if none of it is happening to you? What if all of it is happening for you? It’s all about perception, you guys. Perception means we don’t see things as they are; we see things as we are. Take a burning house. To a fireman, a burning house is a job to do—maybe even his life’s work or mission. For an arsonist? A burning house is something exciting and good. What if it’s your house? What if it’s your family who’s standing outside watching every earthly possession you own burning up? That burning house becomes something else entirely. You don’t see things as they are; you see things through the lens of what you think and feel and believe. Perception is reality, and I’m here to tell you that your reality is colored much more by your past experiences than by what is actually happening to you. If your past tells you that nothing ever works out, that life is against you, and that you’ll never succeed, then how likely are you to keep fighting for something you want? Or, on the flip side, if you quit accepting no as the end of the conversation whenever you run up against opposition, you can shift your perception and fundamentally reshape your entire life.
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
retreat, with nothing to look forward to, nowhere to be, nothing to do, we are forced to confront the “wound of existence” head-on, to stare into the abyss and realize that so much of what we do in life—every shift in our seat, every bite of food, every pleasant daydream—is designed to avoid pain or seek pleasure. But if we can drop all that, we can, as Sam once said in his speech to the angry, befuddled atheists, learn how to be happy “before anything happens.” This happiness is self-generated, not contingent on exogenous forces; it’s the opposite of “suffering.” What the Buddha recognized was a genuine game changer.
”
”
Dan Harris (10% Happier)
“
See, I couldn’t control her. No matter how many times I called her, or screamed at her, or begged her to take me back, or made surprise visits to her place, or did other creepy and irrational ex-boyfriend things, I could never control her emotions or her actions. Ultimately, while she was to blame for how I felt, she was never responsible for how I felt. I was. At some point, after enough tears and alcohol, my thinking began to shift and I began to understand that although she had done something horrible to me and she could be blamed for that, it was now my own responsibility to make myself happy again. She was never going to pop up and fix things for me. I had to fix them for myself. When I took that approach, a few things happened. First, I began to improve myself. I started exercising and spending more time with my friends (whom I had been neglecting). I started deliberately meeting new people. I took a big study-abroad trip and did some volunteer work. And slowly, I started to feel better. I
”
”
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
“
I’ve come to understand the cumulative dialogue of my work as a kind of cartography of wisdom about our emerging world. This book is a map in words to important territory we all are on now together. It’s a collection of pointers that treat the margins as seriously as the noisy center. For change has always happened in the margins, across human history, and it’s happening there now. Seismic shifts in common life, as in geophysical reality, begin in spaces and cracks.
”
”
Krista Tippett (Becoming Wise: An Inquiry into the Mystery and Art of Living)
“
If ever I was distraught or heartbroken, my mom would always say, Go read history. Her solution for everything. For so long I believed history was a thick book you carried around in your backpack, not something you could create. It was one hour in an air-conditioned portable classroom after lunch, watching Civil War reenactments.... It'd take me a long time to realize history is happening now, and we are a part of it.
...History shows you what people have endured before you...History shows that if you were in the minority, if no one believed you, it didn't mean you were wrong. Rather, it meant society was slow to catch up to you. And if those in the minority did not buckle, did not give up their truths, the world would shift below their feet.
”
”
Chanel Miller (Know My Name)
“
Could he, by some miracle, keep this going? Could they hide here until the war ends? Until the armies finish marching back and forth above their heads, until all they have to so is push open the door and shift some stones aside and the house has become a ruin beside the sea? Until he can hold her fingers in his palms and lead her out into the sunshine? He would walk anywhere to make it happen, bear anything; in a year or three years or ten, France and Germany would not mean what they meant now; they could leave the house and walk to a tourists' restaurant and order simple meal together and eat it in silence, the comfortable kind of silence lovers are supposed to share.
”
”
Anthony Doerr (All the Light We Cannot See)
“
One tribe moves out and one tribe stays. History broadens, and philosophy shifts, develops a rift, splits one population from the other . . . and a schism happens, minor or major. It’s the way humankind has always proliferated. We go over the next hill, live a few hundred years, change our languages to accommodate things we never saw before—and before we know it, our cousins think we have an accent. Or we think they have a strange attitude. And we don’t really understand our cousins any longer.
”
”
C.J. Cherryh (Downbelow Station (The Company Wars, #1))
“
Did you see the mailman while doing your rounds yesterday?"
Curran's face turned carefully blank. "Yes, I did."
"Did you do anything to scare him?"
"I was perfectly friendly."
"Mhm." Please continue with your nice story. Non-judgemental.
"He was putting things into the mailbox. I was passing by and I said, 'Hello, nice night.' And then I smiled. He jumped into his truck and slammed the door."
"Rude!" Julie volunteered.
"I let it pass," Curran said. "We're new to the neighborhood."
The former Beast Lord, a kind and magnanimous neighbor. "So you sneaked up behind him, startled him by speaking, and when he turned around and saw a six-hundred pound talking lion, you showed him your teeth?"
"I don't think that's what happened," Curran said.
"That's exactly what happened, Your Furriness." I laughed.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
Why does this always happen?” Royce asked. “Why are we always hanging on a wall, waiting to die by slow vivisection? I just want to point out that this was your idea—again.”
“I’ve been waiting for that. But I believe I told you not to come.” Hadrian shifted in his chains and sighed. “I don’t suppose there’s much chance of a beautiful princess coming in here and saving us again.”
“That card’s been dealt.
”
”
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
“
Everything, every cell, every atom in the existence can be a doorway to the beyond if you go steadily at it. But the problem is, people keep shifting and shifting and shifting. That is the biggest problem with today’s world, like never before. People think it is a virtue for them to say, “Our attention spans are very short.” If you keep shifting, nothing happens. Which way you want to go, I am not deciding that – go wherever you want to go, but steadily. Not every day altering it, altering it, altering it.
”
”
Sadhguru (Life and Death in One Breath)
“
In a dizzying shift of perspective, Rune suddenly feels he has become the leper: it’s Rune who looks out through scarred, opaque corneas; Rune who sees cloudy, smeared images with no edges; Rune who discerns light and shadow but remembers what it was like to have moonlight fall on his face; those are Rune’s misshapen, ulcerated feet wrapped in bloodied gunnysack that is secured with coir rope . . . The moment passes. He has no explanation for what just happened, the sense of being momentarily embodied in another.
”
”
Abraham Verghese (The Covenant of Water)
“
Usually by this time in the summer, we were as worn in to one another as pebbles in a riverbed. For three months we’d had complete togetherness and not much outside stimuli. What few stories we had, we’d considered, analyzed, celebrated, cursed, and joked into sand.
Tonight was different. I felt like we were each separate and full to our edges with our own stories, mostly unshared. In a way it scared me, having a summer of experiences and feelings that belonged to me alone. What happened in front of my friends felt real. What happened to me by myself felt partly dreamed, partly imagined, definitely shifted and warped by my own fears and wants. But who knows? Maybe there is more truth in how you feel than in what actually happens.
”
”
Ann Brashares (The Sisterhood of the Traveling Pants (Sisterhood, #1))
“
What would I give, to be seen? To be carefully studied and perfectly understood? Would I let someone carve me up, if it meant feeling like I was loved? I knew the answer was yes, because it had always been yes. I had let others bleed me dry for the sake of feeling wanted, even before Dracula came into my life. I wasn’t any different from the Lover. Staring into a face I adored and finding only pathetic need and madness, my questions shifted. I no longer cared why Dracula had killed and changed me. I wondered why I had let it happen.
”
”
Kiersten White (Lucy Undying)
“
As writer and media strategist Ryan Holiday has noted, epiphanies are not life-altering.9 It’s not radical moments of action that give us long-lasting, permeating change—it’s the restructuring of our habits. The idea is what science philosopher Thomas Kuhn dubbed a “paradigm shift.” Kuhn suggested we don’t change our lives in flashes of brilliance, but through a slow process in which assumptions unravel and require new explanations. It’s in these periods of flux that microshifts happen and breakthrough-level change begins to take shape.
”
”
Brianna Wiest (The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery)
“
I felt like it was important to use my life to help others. I think we all feel that, to some degree. In fact, I know we do. I believe we all have a contribution to make, we have all come here with a specific intention to contribute something unique to who we are. And our job is to identify as best as we are able what that thing is that we are meant to do. What is our gift, what is our contribution.
And when we do that, the world changes. There's a shift that happens that would not be there if it weren't for you, doing what you are meant to do.
”
”
LeVar Burton
“
We talk about how many women were raped last year, not about how many men raped women. We talk about how many girls in a school district were harassed last year, not about how many boys harassed girls. We talk about how many teenaged girls got pregnant in the state of Vermont last year, rather than how many men and teenaged boys got girls pregnant. So you can see how the use of this passive voice has a political effect. It shifts the focus off men and boys and onto girls and women. Even the term violence against women is problematic. It's a passive construction. There's no active agent in the sentence. It's a bad thing that happens to women. It's a bad thing that happens to women, but when you look at that term violence against women, nobody is doing it to them. It just happens. Men aren't even a part of it! Jackson Katz, Ph.D., from his Ted talk "violence against women: it's a men's issue
”
”
Jackson Katz
“
He had never experienced anything like this before outside the Zone. And it had happened in the
Zone only two or three times. It was as though he were in a different world. A million odors cascaded in
on him at once—sharp, sweet, metallic, gentle, dangerous ones, as crude as cobblestones, as delicate
and complex as watch mechanisms, as huge as a house and as tiny as a dust particle. The air became
hard, it developed edges, surfaces, and corners, like space was filled with huge, stiff balloons, slippery
pyramids, gigantic prickly crystals, and he had to push his way through it all, making his way in a dream
through a junk store stuffed with ancient ugly furniture … It lasted a second. He opened his eyes, and
everything was gone. It hadn't been a different world—it was this world turning a new, unknown side to
him. This side was revealed to him for a second and then disappeared, before he had time to figure it out.
”
”
Arkady Strugatsky (Roadside Picnic)
“
A Wild Woman Is Not A Girlfriend.
She Is A Relationship With Nature.
But can you love me in the deep? In the dark? In the thick of it?
Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard?
Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me?
Can you love me then too?
Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight?
Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill?
When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then?
What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted?
Will you trust that Spring will return?
Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life?
Can you trust me, even though you cannot tame me?
Can you love me, even though I am all that you fear and admire?
Will you fear my shifting shape?
Does it frighten you, when my eyes flash like your camera does?
Do you fear they will capture your soul?
Are you afraid to step into me?
The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you.
So do not worry. They belong to me, and I have invited you here.
Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart.
You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky.
If you want to be safe, go back to your tiny room — the night sky is not for you.
If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire.
I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold.
I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching.
So, come to me, and be healed in the unbearable lightness and darkness of all that you are.
There is nothing in you that can scare me. Nothing in you I will not use to make you great.
A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm.
She will plant pear trees in the wake of your disaster.
She will see to it that you shall rise again.
She is the lover who restores you to your own wild nature.
”
”
Alison Nappi
“
The emperor has no clothes, and sooner or later everyone is going to see what’s staring them right in the face. When that happens, perhaps, there will be a major shift; a mass exodus away from the complexity and futility of all spiritual teachings. An exodus not outward toward Japan or India or Tibet, but inward, toward the self; toward self-reliance, toward self-determination, toward a common sense approach to figuring out just what the hell’s going on around here. A wiping of the slate. A fresh start. Sincere, intelligent people dispensing with the past and beginning anew. Beginning by asking themselves, “Okay, where are we? What do we know for sure? What do we know that’s true?” A spiritual revolution.
”
”
Jed McKenna (Spiritual Enlightenment: The Damnedest Thing (The Enlightenment Trilogy Book 1))
“
How, then, can terrorists hope to achieve much? Following an act of terrorism, the enemy continues to have the same number of soldiers, tanks and ships as before. The enemy’s communication network, roads and railways are largely intact. His factories, ports and bases are hardly touched. However, the terrorists hope that even though they can barely dent the enemy’s material power, fear and confusion will cause the enemy to misuse his intact strength and overreact. Terrorists calculate that when the enraged enemy uses his massive power against them, he will raise a much more violent military and political storm than the terrorists themselves could ever create. During every storm, many unforeseen things happen. Mistakes are made, atrocities are committed, public opinion wavers, neutrals change their stance, and the balance of power shifts.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him.
We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility.
...
'Please don't let Daddy die, Susie,' he whispered. 'I need him.'
When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced.
I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately?
'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me.
'Remember?' he said.
I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry.
'Do you remember?' he asked.
'Barber!'
'Adagio for Strings,' he said.
But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why.
'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard.
We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco.
When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back.
'I'm going,' he said.
'Where?' I asked.
'Don't worry, sweetheart. You're so close.'
He turned and walked away, disappearing rapidly into spots and dust. Infinity.
”
”
Alice Sebold
“
Practicing mindfulness calms down the sympathetic nervous system, so that you are less likely to be thrown into fight-or-flight.11 Learning to observe and tolerate your physical reactions is a prerequisite for safely revisiting the past. If you cannot tolerate what you are feeling right now, opening up the past will only compound the misery and retraumatize you further.12 We can tolerate a great deal of discomfort as long as we stay conscious of the fact that the body’s commotions constantly shift. One moment your chest tightens, but after you take a deep breath and exhale, that feeling softens and you may observe something else, perhaps a tension in your shoulder. Now you can start exploring what happens when you take a deeper breath and notice how your rib cage expands.13 Once you feel calmer and more curious, you can go back to that sensation in your shoulder. You should not be surprised if a memory spontaneously arises in which that shoulder was somehow involved.
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
It was as if a door had opened somewhere. Or possibly a series of doors. There was a sensation as of a breeze blowing into the house and bringing with it the half-remembered
scents of childhood. There was a shift in the light which seemed to cause all the shadows in the room to fall differently. There was nothing more definite than that, and yet, as often
happens when some magic is occurring, both Drawlight and the lady had the strongest impression that nothing in the visible world could be relied upon any more. It was as if one might put out one's hand to touch any thing in the room and discover it was no longer
there.
”
”
Susanna Clarke (Jonathan Strange & Mr Norrell)
“
Jacopo, while I could still read, during these past months, I read dictionaries, I studied histories of words, to understand what was happening in my body. I studied like a rabbi. Have you ever reflected that the linguistic term `metathesis' is similar to the oncological term `metastasis'? What is the metathesis? Instead of `clasp' one says `claps.' Instead of `beloved' one says `bevoled.' It's the temurah. The dictionary says that metathesis means the transposition or interchange, while metastasis indicates the change and shifting. How stupid dictionaries are! The root is the same. Either it's the verb metatithemi or the verb methistemi. Metatithemi means I interpose, I shift, I transfer, I substitute, I abrogate a law, I change a meaning. And methistemi? It's the same thing: I move, I transform, I transpose, I switch cliches, I take leave of my senses. And as we sought secret meanings beyond the letter, we all took leave of our senses. And so did my cells, obediently, dutifully. That's why I'm dying, Jacopo, and you know it.
”
”
Umberto Eco (Foucault’s Pendulum)
“
No need to be embarassed. After seeing you in my cousin's nightgown, you've got nothing to hide. But why were you crying in the shower?" he murmured into her hair. She could feel his lips moving against her scalp, and feel the press of his hips through the covers, but his arms were an unyielding cage. She tried to turn over to face him, to welcome him under the covers with her, but he wouldn't let her.
"I was crying because I'm frustrated! Why are you doing this?" she whispered into her pillow.
"We can't, Helen," was all he said. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used.
"Please be patient," he begged as he stopped her hand from reaching back to touch him. She tried to sit up, to push him out of her bed, anything but suffer lying next to someone who would play with her so terribly. They wrestled a bit, but he was much better at it than she was and felt even heavier than he looked. He easily blocked every attempt she made to wrap her arms or legs or lips around him.
"Do you want me at all, or do you just think it's fun to tease me like this?" she asked, feeling rejected and humiliated. "Won't you even kiss me?" She finally struggled onto her back where she could at least see his face.
"If I kiss you, I won't stop," he said in a desperate whisper as he propped himself up on his elbows to look her in the eye.
She looked back at him, really seeing him for the first time that night. His expression was vulnerable and uncertain. His mouth was swollen with want. His body was shaking and there was a fine layer of anxious sweat wilting his clothes. Helen relaxed back into the bed with a sigh. For some reason that obviously had nothing to do with desire, he wouldn't allow himself to be with her.
"You're not laughing at me, are you?" she asked warily, just as a precaution.
"No. There's nothing funny about this," he answered. He shifted himself off her and lay back down alongside her, still breathing hard.
"But for some reason, you and I will never happen," she said, feeling calm.
"Never say never," he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little-girl bed. "The gods love to toy with people who use absolutes."
Lucas ran his lips around her throat and let her put her arms around him, but that was all.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
I can't pretend it isn't about my life, she said to me once, it is m life. It's a difficult thing to live in a country that has erased your past. She fell silent, and the sensation created by her words -- I remember experiencing it as a subtle shift in the air pressure of the room -- deepened in the silence, so that all we could hear was the going and coming outside my office door. She had closed her eyes for a moment, as though she had fallen asleep. But then she continued, her shut eyelids now trembling. There are almost no Native Americans in New York City, and very few in all of the Northeast. It isn't right that people are not terrified by this because this is a terrifying thing that happened to a vast population. And it's not in the past, it is still with us today:; at least, it's still with me.
”
”
Teju Cole
“
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and hold it out to me. It is an old and rarely use gesture of our district, occasionally seen a funerals. It means thanks, it means admiration, it means goodbye to someone you love.
”
”
Collins Suzan
“
If you don't want to sleep your life away like most people do. you have to train yourself to wakefulness. Vigilance is the key. You should be shifting from character to actor many times every hour, in all types of situations, so that it happens smoothly and easily and doesn't detract from your performance." Maggie takes notes and asks for clarification now and then. I wait and proceed when she's ready. "Second." I say. "it trains you to disidentify from the character you're playing. There's a you behind the character you project out into the world, and you can't make any progress as long as you identify with your stage persona. You're an actor playing a character on a stage. That's what the Bhagavad-GIta is all about.
”
”
Jed McKenna (Spiritual Warfare (The Enlightenment Trilogy #3))
“
Their gestures and tastes reveal both ancient memory and the wonderment of a new people. And then they speak. They speak an intermediary tongue that Makina instantly warms to because it’s like her: malleable, erasable, permeable; a hinge pivoting between two like but distant souls, and then two more, and then two more, never exactly the same ones; something that serves as a link.
More than the midpoint between homegrown and anglo their tongue is a nebulous territory between what is dying out and what is not yet born….a shrewd metamorphosis, a self-defensive shift …. if you say Give me fire when they say Give me a light, what is not to be learned about fire, light and the act of giving? It’s not another way of saying things: these are new things. The world happening anew, Makina realizes: promising other things, signifying other things, producing different objects.
”
”
Yuri Herrera (Signs Preceding the End of the World)
“
[Memory]... is a system of near-infinite complexity, a system that seems designed for revision as much as for replication, and revision unquestionably occurs. Details from separate experiences weave together, so that the rememberer thinks of them as having happened together. The actual year or season or time of day shifts to a different one. Many details are lost, usually in ways that serve the self in its present situation, not the self of ten or twenty or forty years ago when the remembered event took place. And even the fresh memory, the 'original,' is not reliable in a documentary sense....Memory, in short, is not a record of the past but an evolving myth of understanding the psyche spins from its engagement with the world.
”
”
John Daniel (Looking After: A Son's Memoir)
“
We began then to see trauma-related disorders not as disorders of events but as disorders of the body, brain, and nervous system. The neurobiological lens also resulted in another paradigm shift: if the brain and body are inherently adaptive, then the legacy of trauma responses must also reflect an attempt at adaptation, rather than evidence of pathology. Through that neurobiological lens, what appears clinically as stuckness and resistance, untreatable diagnoses, or character-disordered behavior simply represent how an individual’s mind and body adapted to a dangerous world in which the only “protection” was the very same caretaker who endangered him or her. Each symptom was an ingenious solution by the body to create some semblance of safety for the developing child or endangered adult. The trauma-related issues with which the client presents for help, I now believe, are in truth a “red badge of courage” that tell the story of what happened even more eloquently than the events each individual consciously remembers.
”
”
Janina Fisher (Healing the Fragmented Selves of Trauma Survivors: Overcoming Internal Self-Alienation)
“
These changes are all fundamentally Darwinian. This point is worth repeating: taking any fast or instant evolutionary shifts as a refutation of the slow, gradual changes we associate with Darwin's vision is a fatal mistake because these quick shifts are still powered by gradualism. The woodrats might have been able to resist creosote by picking up the right bacteria, but those strains had to evolve the ability to break the insecticide on their own. Form their perspective, evolution proceeded through the usual stepwise way; from the host's perspective, everything happened in a flash. That is the power of symbiosis: it allows gradual mutations in microbes to produce instant mutations in hosts. We can let bacteria do the slow work for us, and then quickly change ourselves by associating with them. And if these alliances are beneficial enough, they can spread with blinding speed.
”
”
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
“
She learned how to deal with the moments when his memory lapsed. Sometimes, she felt it happen even without him saying a word. On a sunny fall day, she lay next to him on the ground, and as he dozed she felt his old life, his memories, radiate off his skin. She felt everything leave him but her. She shed her own life, too, to match him. They lay there together like a point in time. A cloud drifted in front of the sun and things to shift inside of him, and when she sensed this, she allowed things to shift inside of her, too. They became their regular selves again, still warm from the lost memory of a minute ago.
But underneath her happiness was a dread that one day this would be all they had. All associations would be lost: the smell of the gloves, the sound of the truck door slamming shut. All the details she still wanted to know. Everything reduced to nothing more than itself.
”
”
Emily Ruskovich (Idaho)
“
Petitions, picket lines, civil disobedience—this kind of political mobilization required a certain shift in vision. “For a protest movement to arise out of [the] traumas of daily life,” the sociologists Frances Fox Piven and Richard Cloward have observed, “the social arrangements that are ordinarily perceived as just and immutable must come to seem both unjust and mutable.” This usually happened during extraordinary times, when large-scale social transformations or economic disturbances—the postwar housing shortage, say—profoundly upset the status quo. But it was not enough simply to perceive injustice. Mass resistance was possible only when people believed they had the collective capacity to change things. For poor people, this required identifying with the oppressed, and counting yourself among them—which was something most trailer park residents were absolutely unwilling to do.
”
”
Matthew Desmond (Evicted: Poverty and Profit in the American City)
“
The left and right sides of the brain also process the imprints of the past in dramatically different ways.2 The left brain remembers facts, statistics, and the vocabulary of events. We call on it to explain our experiences and put them in order. The right brain stores memories of sound, touch, smell, and the emotions they evoke. It reacts automatically to voices, facial features, and gestures and places experienced in the past. What it recalls feels like intuitive truth—the way things are. Even as we enumerate a loved one’s virtues to a friend, our feelings may be more deeply stirred by how her face recalls the aunt we loved at age four.3 Under ordinary circumstances the two sides of the brain work together more or less smoothly, even in people who might be said to favor one side over the other. However, having one side or the other shut down, even temporarily, or having one side cut off entirely (as sometimes happened in early brain surgery) is disabling. Deactivation of the left hemisphere has a direct impact on the capacity to organize experience into logical sequences and to translate our shifting feelings and perceptions into words. (Broca’s area, which blacks out during flashbacks, is on the left side.) Without sequencing we can’t identify cause and effect, grasp the long-term effects of our actions, or create coherent plans for the future. People who are very upset sometimes say they are “losing their minds.” In technical terms they are experiencing the loss of executive functioning. When something reminds traumatized people of the past, their right brain reacts as if the traumatic event were happening in the present. But because their left brain is not working very well, they may not be aware that they are reexperiencing and reenacting the past—they are just furious, terrified, enraged, ashamed, or frozen. After the emotional storm passes, they may look for something or somebody to blame for it. They behaved the way they did way because you were ten minutes late, or because you burned the potatoes, or because you “never listen to me.” Of course, most of us have done this from time to time, but when we cool down, we hopefully can admit our mistake. Trauma interferes with this kind of awareness, and, over time, our research demonstrated why.
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
Written Exercise #1: Investigating Your Core Complaint Focus on a problem that’s most pressing in your life right now. It might be an issue with your health, your job, your relationship—any issue that disrupts your sense of safety, peace, security, or well-being. What is the deepest issue you want to heal? Maybe it’s a problem that feels overwhelming to you. Maybe it’s a symptom or a feeling you’ve had all your life. What do you want to see shift? Don’t edit yourself. Write down what feels important to you. Write it down as it comes to you. For example, you may carry a fear of something terrible happening to you in the future. It doesn’t matter what comes out; just keep writing. If nothing comes, answer this one question: If the feeling or symptom or condition you have never goes away, what would you be afraid could happen to you? Don’t continue reading until you’ve written down your most pressing concern.
”
”
Mark Wolynn (It Didn't Start with You: How Inherited Family Trauma Shapes Who We Are and How to End the Cycle)
“
He swung it open and presented me with a single red rose.
"For you," he said.
"Very gallant," I replied. "Of course you do realize I have the same cut flower in my room."
Ben glanced over his shoulder at the now empty bud vase sitting on his table. "Hmm. Didn't really think that out. Still gallant?"
"Very."
"You happen to look ravishing tonight." He said it with a British accent that made me laugh out loud.
"As do you, sir," I responded in kind.
"Excellent. Shall we go, then?" He extended his arm and I linked my own through it, first shifting my camera bag to my other shoulder so it wouldn't bang between us.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
Stop thinking this is all there is... Realize that for every ongoing war and religious outrage and environmental devastation and bogus Iraqi attack plan, there are a thousand counterbalancing acts of staggering generosity and humanity and art and beauty happening all over the world, right now, on a breathtaking scale, from flower box to cathedral... Resist the temptation to drown in fatalism, to shake your head and sigh and just throw in the karmic towel... Realize that this is the perfect moment to change the energy of the world, to step right up and crank your personal volume; right when it all seems dark and bitter and offensive and acrimonious and conflicted and bilious... there's your opening. Remember magic. And finally, believe you are part of a groundswell, a resistance, a seemingly small but actually very, very large impending karmic overhaul, a great shift, the beginning of something important and potent and unstoppable.
”
”
Mark Morford
“
I know that of all the great shifts that have occurred in America--the freedom of slaves, the rights of women, the equality of gays and lesbians--none has happened easily, and certainly none has happened instantly and without serious attacks and backlash. But the reason we have these things is because the fair-minded people who came before us would not give up. In my life, I have seen elections stolen--either outright or through the electoral college. I have seen wars fought because there was no other way to get peace. I have seen the rich get richer and I have seen the poor get poorer. I have seen facts get harder and harder to hide--and easier and easier to manipulate. I have been angry and I have been frustrated and I have been ecstatic and I have been proven right and wrong and back again. I have given up on some things, but I have refused to give up on most things. And I can honestly say that all of it--all of it--seems to have led me to where we are, here and now.
”
”
David Levithan (Wide Awake)
“
The right nostril is a gas pedal. When you’re inhaling primarily through this channel, circulation speeds up, your body gets hotter, and cortisol levels, blood pressure, and heart rate all increase. This happens because breathing through the right side of the nose activates the sympathetic nervous system, the “fight or flight” mechanism that puts the body in a more elevated state of alertness and readiness. Breathing through the right nostril will also feed more blood to the opposite hemisphere of the brain, specifically to the prefrontal cortex, which has been associated with logical decisions, language, and computing. Inhaling through the left nostril has the opposite effect: it works as a kind of brake system to the right nostril’s accelerator. The left nostril is more deeply connected to the parasympathetic nervous system, the rest-and-relax side that lowers blood pressure, cools the body, and reduces anxiety. Left-nostril breathing shifts blood flow to the opposite side of the prefrontal cortex, to the area that influences creative thought and plays a role in the formation of mental abstractions and the production of negative emotions.
”
”
James Nestor (Breath: The New Science of a Lost Art)
“
The thing is we never needed anyone's consent to get married. What is happening is that the established powers are starting realize how much of jack asses they have looked like for not acknowledging our marriages and our human rights and we are starting to receive the rights we were always entitled too. Therefore, no one is "giving" or "allowing" us anything. We are simply and powerfully starting to reclaim what has always been ours. The moralistic patriarchy has made this a long and bloody battle, but the concept has always been simple and I am glad it is finally sinking in. We are here, we have always been here, we are not going anywhere, and trying to suppress us under false puritanical mores is not smart and will not make us go away. It's not just about the LGBTQ communities but all suppressed minorities. If you listen closely you can here the subtle but real shifting of the winds to a more enlightened and egalitarian society. It won't happen without work, and it won't happen without intelligence. Never stop learning, never stop growing, never be ashamed because you are different, and never stop knowing that there is power in community.
”
”
Kent Marrero
“
The commercialization of molecular biology is the most stunning ethical event in the history of science, and it has happened with astonishing speed. For four hundred years since Galileo, science has always proceeded as a free and open inquiry into the workings of nature. Scientists have always ignored national boundaries, holding themselves above the transitory concerns of politics and even wars. Scientists have always rebelled against secrecy in research, and have even frowned on the idea of patenting their discoveries, seeing themselves as working to the benefit of all mankind. And for many generations, the discoveries of scientists did indeed have a peculiarly selfless quality... Suddenly it seemed as if everyone wanted to become rich. New companies were announced almost weekly, and scientists flocked to exploit genetic research... It is necessary to emphasize how significant this shift in attitude actually was. In the past, pure
scientists took a snobbish view of business. They saw the pursuit of money as intellectually
uninteresting, suited only to shopkeepers. And to do research for industry, even at the prestigious Bell or IBM labs, was only for those who couldn't get a university appointment. Thus the attitude of pure scientists was fundamentally critical toward the work of applied scientists, and to industry in general. Their long-standing antagonism kept university scientists free of contaminating industry ties, and whenever debate arose about technological matters, disinterested scientists were available to discuss the issues at the highest levels. But that is no longer true. There are very few molecular biologists and very few research institutions without commercial affiliations. The old days are gone. Genetic research continues, at a more furious pace than ever. But it is done in secret, and in haste, and for profit.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
You need to be Queen. Everyone who knows anything knows htat, but most people don't know anything, and that is a problem." He scratched at the back of his head and shifted his weight. "I would never take that away from you. No matter what happens, I'd never take the crown from you, and I'd defend you against anybody who tried."
I didn't say anything to that. I'd never heard Tove talk so much before, and I didn't know what he was getting at.
"I know that you're in love with...well, not me," he said carefully. "And I'm not in love with you either. But I do respect you and I like you."
"I respect and like you too," I said, and he gave me a small smile.
"But it's a number of things, and it's none of them." He let out a deep breath. "That didn't make sense. I mean,it's because you need somebody to help you keep the throne, and somebody on your side, and I can do that. But...it's just because I think...I want to."
"What?" I asked, and he actually looked at me, letting his mossy eyes stare into mine.
"Will you...I mean,do you want to get married?" Tove asked. "To me?"
"I,um..." I didn't know what to say.
"If you don't want to,nothing has to change between us," Tove said hurriedly. "I asked because it sounds like a good idea to me."
"Yeah," I said,and I didn't know what I would say until it was comign out of my mouth. "I mean,yes,I do.I will. I would...I'll marry you."
"Yeah?" Tove smiled.
"Yes." I swallowed hard and tried to smile back.
"Good." He exhaled and looked back down the hall. "This is good,right?"
"Yeah,I think so," I said, and I meant it.
"Yeah." He nodded. "I sorta feel like throwing up now,though."
"I think that's normal."
"Good." He nodded again and looked at me. "Well,I'll let you go...do whatever you need to do.And I'll go do what I do."
"okay," I nodded.
"All right." He randomly patted me on the shoulder, then nodded again, and walked away.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
If, by the virtue of charity or the funded Ennet House, you will acquire many exotic new facts. You will find out that once MA’s Department of Social Services has taken a mother’s children away for any period of time, they can always take them away again, D.S.S ., like at will, empowered by nothing more than a certain signature-stamped form. I.e. once deemed Unfit— no matter why or when, or what’s transpired in the meantime— there’s nothing a mother can do.(...)That a little-mentioned paradox of Substance addiction is: that once you are sufficiently enslaved by a Substance to need to quit the Substance in order to save your life, the enslaving Substance has become so deeply important to you that you will all but lose your mind when it is taken away from you. Or that sometime after your Substance of choice has just been taken away from you in order to save your life, as you hunker down for required A.M. and P.M. prayers , you will find yourself beginning to pray to be allowed literally to lose your mind, to be able to wrap your mind in an old newspaper or something and leave it in an alley to shift for itself, without you.(...)That certain persons simply will not like you no matter what you do. Then that most nonaddicted adult civilians have already absorbed and accepted this fact, often rather early on.(...)That evil people never believe they are evil, but rather that everyone else is evil. That it is possible to learn valuable things from a stupid person. That it takes effort to pay attention to any one stimulus for more than a few seconds.(...)That it is statistically easier for low-IQ people to kick an addiction than it is for high-IQ people.(...)That you will become way less concerned with what other people think of you when you realize how seldom they do.(...)That most Substance -addicted people are also addicted to thinking, meaning they have a compulsive and unhealthy relationship with their own thinking. That the cute Boston AA term for addictive -type thinking is: Analysis-Paralysis. That 99% of compulsive thinkers’ thinking is about themselves; that 99% of this self-directed thinking consists of imagining and then getting
ready for things that are going to happen to them; and then, weirdly, that if they stop to think about it, that 100% of the things they spend 99% of their time and energy imagining and trying to prepare for all the contingencies and consequences of are never good.(...)That other people can often see things about you that you yourself cannot see, even if those people are stupid.(...)That certain sincerely devout and spiritually advanced people believe that the God of their understanding helps them find parking places and gives them advice on Mass. Lottery numbers.
”
”
David Foster Wallace (Infinite Jest)
“
Is it not late? A late time to be living? Are not our generations the crucial ones? For we have changed the world. Are not our heightened times the important ones? For we have nuclear bombs. Are we not especially significant because our century is? - our century and its unique Holocaust, its refugee populations, its serial totalitarian exterminations; our century and its antibiotics, silicon chips, men on the moon, and spliced genes? No, we are not and it is not. These times of ours are ordinary times, a slice of life like any other. Who can bear to hear this, or who will consider it?...
Take away the bomb threat and what are we? Ordinary beads on a never-ending string. Our time is a routine twist of an improbable yarn...There must be something heroic about our time, something that lifts it above all those other times. Plague? Funny weather? Dire things are happening...
Why are we watching the news, reading the news, keeping up with the news? Only to enforce our fancy - probably a necessary lie - that these are crucial times, and we are in on them. Newly revealed, and we are in the know: crazy people, bunches of them. New diseases, shifts in power, floods! Can the news from dynastic Egypt have been any different?
”
”
Annie Dillard (For the Time Being: Essays)
“
I chew my bottom lip, urging myself to step up to the plate and tell Dorian how I really feel. “I feel like you’re…doing something to me. Changing me, in a way. The day I met you, it’s like, the earth shifted. Every bit of doubt and reluctance instantly dissolves whenever you’re around me. Things make sense that ordinarily wouldn’t. I don’t fully understand it so it’s incredibly difficult for me to even try to explain it to you. But I know something happened. I know what I felt.”
Dorian’s eyes darken a fraction, the makings of a dark storm brewing behind crystal blue. “You’re overthinking it.”
“Am I? Or am I not thinking about it enough?”
For several heated moments, we stare at each other, both our expressions guarded and defensive. He has secrets, just like I do. But while we may be hell bent on safeguarding the most secluded spaces of our psyches, the devastatingly strong attraction between us keeps penetrating the rouse. In our most intimate moments, he can’t hide from me and I can’t hide from him. And I don’t want to, though I know it’s extremely stupid of me to feel that way.
”
”
S.L. Jennings (Dark Light (Dark Light, #1))
“
What did I tell you about playing the martyr card?" Andrew asked. "You said no one wanted it," Nathaniel said. "You didn't tell me to stop." "It was implied." "I'm stupid, remember? I need things spelled out." "Shut up." "Am I at ninety-four yet?" "You are at one hundred," Andrew said. "What happened to your face?" Nathaniel swallowed hard against a rush of nausea. "A dashboard lighter." He winced at the awful sound Nicky made. The groan of a quickly-shifting mattress almost swallowed up Aaron's ragged curse. Nathaniel looked back without thinking, needing to see who was on the move, and saw Aaron had rolled off the bed to go stand with Nicky. Turning meant the others got a look at his burned cheek. Kevin recoiled so hard he slammed into the wall behind him. He clapped a protective hand over his own tattoo and Nathaniel knew he was imagining Riko's reaction to this atrocity. This time it was Dan stopping Matt from getting up, her knuckles white against his dark shirt and her head turned away. Matt started to fight free but settled for a hoarse, "Jesus, Neil. The fuck did they do to you?
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
Rave emerged spontaneously, neither planned or designed. It was a genuine grass roots phenomenon, egalitarian and welcoming. Thousands danced in fields all through the night, out under the moon, in order to achieve a trance-like, ecstatic state. It was a form of communion and it was pagan as fuck. Needless to say, it couldn't last. The press and the government, appalled by such non-violent having-of-a-good-time, moved quickly to crush it. Ultimately, though, they weren't quick enough. Rave grew too big too quickly, and it attracted the attention of those who felt they could make money from such events. Once this happened and the superstar DJs and the superclubs arrived, the focus shifted from the raw crowd back to the event itself. Rave's spell was broken.
”
”
J.M.R. Higgs (KLF: Chaos Magic Music Money)
“
Life has a strange rhythm. It takes a while to fully be aware of this. Decades. Centuries, even. It’s not a simple rhythm. But the rhythm is there. The tempo shifts and fluctuates; there are structures within structures, patterns within patterns. It’s baffling. Like when you first hear John Coltrane on the saxophone. But if you stick with it, the elements of familiarity become clear. The current rhythm is speeding up. I am approaching a crescendo. Everything is happening all at once. That is one of the patterns: when nothing is happening, nothing continues to happen, but after a while the lull becomes too much and the drums need to kick in. Something has to happen. Often that need comes from yourself. You make a phone call. You say, ‘I can’t do this life any more, I need to change.’ And one thing happens that you are in control of. And then another happens which you have no say over. Newton’s third law of motion. Actions create reactions. When things start to happen, other things start to happen. But sometimes it seems there is no explanation as to why the things are happening – why all the buses are coming along at once – why life’s moments of luck and pain arrive in clusters. All we can do is observe the pattern, the rhythm, and then live it.
”
”
Matt Haig (How to Stop Time)
“
Breathing Under Water,” a title taken from a telling poem by Carol Bieleck, r.s.c.j., which seemed to sum up so much of the common message. I quote it here in full: “Breathing Under Water” I built my house by the sea. Not on the sands, mind you; not on the shifting sand. And I built it of rock. A strong house by a strong sea. And we got well acquainted, the sea and I. Good neighbors. Not that we spoke much. We met in silences. Respectful, keeping our distance, but looking our thoughts across the fence of sand. Always, the fence of sand our barrier, always, the sand between. And then one day, —and I still don’t know how it happened— the sea came. Without warning. Without welcome, even Not sudden and swift, but a shifting across the sand like wine, less like the flow of water than the flow of blood. Slow, but coming. Slow, but flowing like an open wound. And I thought of flight and I thought of drowning and I thought of death. And while I thought the sea crept higher, till it reached my door. And I knew then, there was neither flight, nor death, nor drowning. That when the sea comes calling you stop being neighbors Well acquainted, friendly-at-a-distance, neighbors And you give your house for a coral castle, And you learn to breathe underwater.3
”
”
Richard Rohr (Breathing Underwater)
“
Months later, I learned that what happened that first day at restorative yoga hadn’t been entirely spiritual—I hadn’t just found the exact spot on the astral plane to tap into my sacred core. Instead, my instructor’s techniques happened to be the perfect mechanism to turn down my DMN. The default mode network is so-called because if you put people in an MRI machine for an hour and let their minds wander, the DMN is the system of connections in our brain that will light up. It’s arguably the default state of human consciousness, of boredom and daydreaming. In essence, our ego. So if you’re stuck in a machine for an hour, where does your mind go? If you’re like most people, you’ll ruminate on the past or plan your future. You might think about your relationships, upcoming errands, your zits. And scientists have found that some people who suffer from depression, anxiety, or C-PTSD have overactive DMNs. Which makes sense. The DMN is the seat of responsibility and insecurity. It can be a punishing force when it over-ruminates and gets caught in a toxic loop of obsession and self-doubt. The DMN can be silenced significantly by antidepressants or hallucinogenic substances. But the most efficient cure for an overactive DMN is mindfulness. Here’s how it works: In order for the DMN to start whirring, it needs resources to fuel its internal focus. If you’re intently focused on something external—like, say, filling out a difficult math worksheet—the brain simply doesn’t have the resources to focus internally and externally at the same time. So if you’re triggered, you can short-circuit an overactive DMN by cutting off its power source—shifting all of your brain’s energy to external stimuli instead.
”
”
Stephanie Foo (What My Bones Know)
“
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Many organizations and militaries use VUCA as an acronym to describe the disruptive state of the world, given its Volatility, Uncertainty, Complexity, and Ambiguity.
UN-VICE is an updated way of capturing the state and velocity of the world, with our acronym for UNknown, Volatile, Intersecting, Complex, and Exponential:
- UNknown: Recognizing that you can’t know anything perfectly, and that many of our decisions are based on assumptions. Increased uncertainty lowers the value of ad-vice and requires increased self-reliance.
- Volatile: Our world, and change itself, is evolving faster than ever before. Volatility is not inherently good or bad; it is simply impactful. In volatility we see shifting speed, texture, and magnitude of the changing environment.
- Intersecting: The broader our filters, the more we realize that what we observe overlaps with other things. Boundaries are disappearing, connecting new areas through combinations.
- Complex: These more-than-complicated systems have unreliable input-output relationships and cannot be summarized or modeled without losing their essence. Unpredictable situations with unknown unknowns.
- Exponential: A nonlinear type of change that increases in its growth rate. To an observer, this change may happen gradually, then suddenly. Rapid acceleration of seemingly-small shifts.
”
”
Roger Spitz (Disrupt With Impact: Achieve Business Success in an Unpredictable World)
“
Why do we complain of Nature? She has shown herself kindly; life, if you know how to use it, is long. But one man is possessed by an avarice that is insatiable, another by a toilsome devotion to tasks that are useless; one man is besotted with wine, another is paralyzed by sloth; one man is exhausted by an ambition that always hangs upon the decision of others, another, driven on by the greed of the trader, is led over all lands and all seas by the hope of gain; some are tormented by a passion for war and are always either bent upon inflicting danger upon others or concerned about their own; some there are who are worn out by voluntary servitude in a thankless attendance upon the great; many are kept busy either in the pursuit of other men's fortune or in complaining of their own; many, following no fixed aim, shifting and inconstant and dissatisfied, are plunged by their fickleness into plans that are ever new; some have no fixed principle by which to direct their course, but Fate takes them unawares while they loll and yawn—so surely does it happen that I cannot doubt the truth of that utterance which the greatest of poets delivered with all the seeming of an oracle: "The part of life we really live is small."5 For all the rest of existence is not life, but merely time. Vices beset us and surround us on every side, and they do not permit us to rise anew and lift up our eyes for the discernment of truth, but they keep us down when once they have overwhelmed us and we are chained to lust. Their victims are never allowed to return to their true selves; if ever they chance to find some release, like the waters of the deep sea which continue to heave even after the storm is past, they are tossed about, and no rest from their lusts abides. Think you that I am speaking of the wretches whose evils are admitted? Look at those whose prosperity men flock to behold; they are smothered by their blessings. To how many are riches a burden! From how many do eloquence and the daily straining to display their powers draw forth blood! How many are pale from constant pleasures! To how many does the throng of clients that crowd about them leave no freedom! In short, run through the list of all these men from the lowest to the highest—this man desires an advocate,6 this one answers the call, that one is on trial, that one defends him, that one gives sentence; no one asserts his claim to himself, everyone is wasted for the sake of another. Ask about the men whose names are known by heart, and you will see that these are the marks that distinguish them: A cultivates B and B cultivates C; no one is his own master. And then certain men show the most senseless indignation—they complain of the insolence of their superiors, because they were too busy to see them when they wished an audience! But can anyone have the hardihood to complain of the pride of another when he himself has no time to attend to himself? After all, no matter who you are, the great man does sometimes look toward you even if his face is insolent, he does sometimes condescend to listen to your words, he permits you to appear at his side; but you never deign to look upon yourself, to give ear to yourself. There is no reason, therefore, to count anyone in debt for such services, seeing that, when you performed them, you had no wish for another's company, but could not endure your own.
”
”
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
“
For me, vulnerability is essential to spiritual and creative growth, whereas being invulnerable means being shut down, rigid, small. My experience of creating music and writing songs is finding enormous strength through vulnerability. You’re being open to whatever happens, including failure and shame. There’s certainly a vulnerability to that, and an incredible freedom. […] I think to be truly vulnerable is to exist adjacent to collapse or obliteration. In that place we can feel extraordinarily alive and receptive to all sorts of things, creatively and spiritually. It can be perversely a point of advantage, not disadvantage as one might think. It is a nuanced place that feels both dangerous and teeming with potential. It is the place where the big shifts can happen. The more time you spend there, the less worried you become of how you will be perceived or judged, and that is ultimately where the freedom is.
”
”
Nick Cave (Faith, Hope and Carnage)
“
Joe and Carter and Kelly were coming out of the woods, finishing up their run as I came back from the garden. They were laughing and shoving each other the way brothers do. I loved all three of them. Except. Except. Joe wore a pair of low-slung shorts. Just the smallest things. And that was it. He was almost as big as I was now. We were eye level, or so close that it didn’t matter, which put him a couple of inches over six feet. There was a sheen of sweat over his torso. A spattering of wet blond hairs curling on his chest that looked to be cut out of granite. The soft definition of muscles on his stomach. A line of sweat that hit his happy trail and soaked into the waistband of his shorts. He turned, saying something back to Carter, and I saw the dimples above his ass. The way his legs flexed and shifted as he hopped from one foot to the other. He pointed wildly at something back in the woods and there was a blue vein that stuck out along his bicep and I wanted to trace with my fingers because when had that happened? And those hands. Those big fucking hands and I— Joe had grown up. And somehow, I hadn’t really seen it until it was on full display. Right in front of me. He
”
”
T.J. Klune (Wolfsong (Green Creek, #1))
“
It is naive to think you know someone so well.
To think that whatever time you have shared in knowing their
habits, their history, their stories, their weaknesses, their
strengths, their wounds, and deepest corners of their heart could ever sum them up-- is unjust.
It is a shame to be unaware of the shifts and changes that happen every day, every moment, right before your eyes. The little crinkles around her eyes that get ever-so-slightly deeper and wiser. The silver linings of her hair. The wonders of time and how they show their presence in such ways. You may think that a flower is simply a flower. A flower that looks and smells just as simply as it always has. Or that the ocean is simply salt water and blue. The flower is always moving, changing, blossoming, and giving life to the birds and the bees. The ocean's tides rise and fall with the phases of the moon. The currents change direction. And depending on how the sun hits the water, the colors and shades of blue are in fact, infinite. Everything around you and everyone is always changing. Take time to smell the roses. Take time to watch the tide. Take time to see your love with new eyes. It would be a shame to miss it.
”
”
Kayko Tamaki
“
Look," Steven said, pointing at the sky.
The stars were out in droves. One, far in the distance, was particularly bright. It flickered, then seemed to go out altogether before returning even brighter than before.
"That's them, isn't it?" she said. "The Fall?"
"Yes," Francesca said. "That's it. It looks just like the old texts say it would."
"It was just"-Luce furrowed her brow, squinting-"I can only see it when I-"
"Concentrate," Cam ordered.
"What's happening to it?" Luce asked.
"It is coming into being in this world," Daniel said. "It wasn't the physical transit from Heaven to Earth that took nine days. It was the shift from a Heavenly realm to an Earthly one. When we landed here, our bodies were...different. We became different. That took time."
"Now time is taking us," Roland said, looking at the golden pocket watch that Dee must have given him before she died.
"Then it is time for us to go," Daniel said to Luce.
"Up there?"
"Yes, we must soar up to meet them. We will fly right up to the limits of the Fall, and then you-"
"I have to stop him?"
"Yes."
She closed her eyes thought back to the way Lucifer had looked at her in the Meadow. He looked like he wanted to crush every speck of tenderness there was. "I think I know how."
"I told you she would say that!" Arriane whooped.
Daniel pulled her close. "Are you sure?"
She kissed him, never surer. "I just got my wings back, Daniel. I'm not going to let Lucifer take them away."
So Luce and Daniel said goodbye to their friends, reached for each other's hands, and took off into the night. They flew upward forever, through the thinnest outer skin of the atmosphere, through a film of light at the edge of space.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
You really know how to stir up the hornets’ nest with the women, do you not? Mikhail demanded, even though he understood Gregori completely and felt him justified.
Gregori did not look at him but stared out into the storm. The child she carries if my lifemate. It is female and belongs to me. There was an unmistakable warning note, an actual threat.
In all their centuries together, such a thing had never happened.
In all their centuries together, such a thing had never happened. Mikhail immediately closed his mind to Raven. She could never hope to understand how Gregori felt. Without a lifemate, the healer had no choice but to eventually destroy himself or become the very epitome of evil. The vampire. The walking dead. Gregori had spent endless centuries waiting for his lifemate, holding on when those younger than he had given in. Gregori had defended their people, living a solitary existence so that he might keep race safe. He was far more alone than the others of his kind, and far more susceptible to the call of power as he had to hunt and kill often. Mikhail could not blame his oldest friend for his possessive, protective streak toward the unborn child. He spoke calmly and firmly, hoping to avoid a confrontation. Gregori had held on for so long, this promise of a lifemate could send him careening over the edge into the dark madness if he felt there was a danger to the female child. Raven is not like Carpathian women. You have always known and accepted that. She will not remain in seclusion during this time. She would wither and die.
Gregori actually snarled, a menacing rumble that froze Shea in place, put Jacques into a crouch, and had Mikhail shifting position for a better defense.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Meanings don't just affect the way we feel; they affect all of our relationships and interactions. Some people think the first ten years of a relationship is just the beginning; that they're just now getting to know each other, and it's really exciting. It's an opportunity to go deeper. Other people could be ten days into a relationship, and the first time they have an argument, they think it's the end.
Now tell me, if you think this is the beginning of a relationship, are you going to behave the same way as if it were the end? That one slight shift in perception, in meaning, can change your whole life in a moment. In the beginning of a relationship, if you're totally in love and attracted, what will you do for the other person? The answer is: anything! If he or she asks you to take out the trash, you might leap to your feet and say, "Anything that lights you up, sweetheart!" But after seven days, seven years, or seventy years, people say things like, "What the hell do you think I am, your janitor?!" And they wonder what happened to the passion in their life. I've often shared with couples having trouble in their relationships that if you do what you did in the beginning of the relationship, there wont be an end! Because in the beginning of the relationship, you were a giver, not an accountant. You weren't weighing constantly the meaning of who was giving more. Your entire focus was just lighting up that person, and his or her happiness made you feel like your life was filled with joy.
”
”
Tony Robbins (Money Master the Game: 7 Simple Steps to Financial Freedom)
“
If you put your happiness on self-start, and if you are happy by your own nature, relationships will become a means for you to express your happiness, not to seek happiness. If you are forming relationships to seek happiness, you trying to squeeze happiness out of somebody and that person trying to squeeze happiness out of you, this is going to be a painful relationship after some time. But if you have become a joy by yourself, nobody is going to complain about you because you are in the process of expressing your joy, not seeking joy from the other person. You can hold a million relationships and still hold them well. Now, this whole circus of trying to fulfill somebody else’s expectations does not arise, because if you are an expression of joy, they anyway want to be with you. If you are trying to extract joy from them, then they want to avoid you. Isn’t it so?
Shifting your life from pursuit of happiness to an expression of joyfulness is what needs to happen if relationships really have to work on all levels.
”
”
Sadhguru (Life and Death in One Breath)
“
WHILE ALL OF THE ABOVE MAY MAKE SENSE AS YOU ARE reading it now, I understand that it does little to help in conversations where people are entrenched in their definition of racism that does not consider systems of power. So how do you move forward in discussion of race when accusations of “reverse racism” and “racism against whites” start flying? First off, understand that this is almost always a defensive reaction to feelings of fear, guilt, or confusion. This is an attempt either to move conversation to a place where the person you are talking to is more comfortable, or to end the conversation completely. Consider restating your intention in engaging in this conversation and ask the person you are talking to to confirm what they are talking about: “I am talking about issues of systemic racism, which is measurably impacting the health, wealth, and safety of millions of people of color. What are you talking about right now?” Often, if somebody is just trying to use “reverse racism” arguments to shut you down, this is where they will just repeat themselves or claim that you are a hypocrite if you will not shift the conversation instead to the grievances against them that they just decided to bring up. If this happens, it is pretty obvious that you aren’t actually having a conversation and it is probably best to walk away and maybe try again later if productive conversation is actually your goal.
”
”
Ijeoma Oluo (So You Want to Talk About Race)
“
So what happens if you withdraw attention from the objects in space and become aware of space itself? What is the essence of this room? The furniture, pictures, and so on are in the room, but they are not the room. The floor, walls, and ceiling define the boundary of the room, but they are not the room either. So what is the essence of the room? Space, of course, empty space. There would be no “room” without it. Since space is “nothing,” we can say that what is not there is more important than what is there. So become aware of the space that is all around you. Don’t think about it. Feel it, as it were. Pay attention to “nothing.” As you do that, a shift in consciousness takes place inside you. Here is why. The inner equivalent to objects in space such as furniture, walls, and so on are your mind objects: thoughts, emotions, and the objects of the senses. And the inner equivalent of space is the consciousness that enables your mind objects to be, just as space allows all things to be. So if you withdraw attention from things — objects in space — you automatically withdraw attention from your mind objects as well. In other words: You cannot think and be aware of space — or of silence, for that matter. By becoming aware of the empty space around you, you simultaneously become aware of the space of no-mind, of pure consciousness: the Unmanifested. This is how the contemplation of space can become a portal for you.
”
”
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
“
I still stared at Daemon, completely aware that everyone else except him was watching me. Closely. But why wouldn’t he look at me? A razor-sharp panic clawed at my insides. No. This couldn’t be happening. No way.
My body was moving before I even knew what I was doing.
From the corner of my eye, I saw Dee shake her head and one of the Luxen males step forward, but I was propelled by an inherent need to prove that my worst fears were not coming true.
After all, he’d healed me, but then I thought of what Dee had said, of how Dee had behaved with me. What if Daemon was like her? Turned into something so foreign and cold? He would’ve healed me just to make sure he was okay.
I still didn’t stop.
Please, I thought over and over again. Please. Please. Please. On shaky legs, I crossed the long room, and even though Daemon hadn’t seemed to even acknowledge my existence, I walked right up to him, my hands trembling as I placed them on his chest.
“Daemon?” I whispered, voice thick.
His head whipped around, and he was suddenly staring down at me. Our gazes collided once more, and for a second I saw something so raw, so painful in those beautiful eyes. And then his large hands wrapped around my upper arms. The contact seared through the shirt I wore, branding my skin, and I thought—I expected—that he would pull me against him, that he would embrace me, and even though nothing would be all right, it would be better.
Daemon’s hands spasmed around my arms, and I sucked in an unsteady breath.
His eyes flashed an intense green as he physically lifted me away from him, setting me back down a good foot back.
I stared at him, something deep in my chest cracking. “Daemon?”
He said nothing as he let go, one finger at a time, it seemed, and his hands slid off my arms. He stepped back, returning his attention to the man behind the desk.
“So . . . awkward,” murmured the redhead, smirking.
I was rooted to the spot in which I stood, the sting of rejection burning through my skin, shredding my insides like I was nothing more than papier-mâché.
“I think someone was expecting more of a reunion,” the Luxen male behind the desk said, his voice ringing with amusement. “What do you think, Daemon?”
One shoulder rose in a negligent shrug. “I don’t think anything.”
My mouth opened, but there were no words. His voice, his tone, wasn’t like his sister’s, but like it had been when we first met. He used to speak to me with barely leashed annoyance, where a thin veil of tolerance dripped from every word.
The rift in my chest deepened.
For the hundredth time since the Luxen arrived, Sergeant Dasher’s warning came back to me. What side would Daemon and his family stand on? A shudder worked its way down my spine. I wrapped my arms around myself, unable to truly process what had just happened.
“And you?" the man asked. When no one answered, he tried again. “Katy?”
I was forced to look at him, and I wanted to shrink back from his stare. “What?” I was beyond caring that my voice broke on that one word.
The man smiled as he walked around the desk. My gaze flickered over to Daemon as he shifted, drawing the attention of the beautiful redhead. “Were you expecting a more personal greeting?” he asked. “Perhaps something more intimate?”
I had no idea how to answer. I felt like I’d fallen into the rabbit hole, and warnings were firing off left and right. Something primal inside me recognized that I was surrounded by predators.
Completely.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
The door suddenly jerks open. A wide-eyed teenager bursts out. She stares at me in dazed horror. In a strange way, I both know and don’t know what has just happened. As the fragments begin to converge, they convey a horrible reality: I must have been hit by this car as I entered the crosswalk. In confused disbelief, I sink back into a hazy twilight. I find that I am unable to think clearly or to will myself awake from this nightmare.
A man rushes to my side and drops to his knees. He announces himself as an off-duty paramedic. When I try to see where the voice is coming from, he sternly orders, “Don’t move your head.” The contradiction between his sharp command and what my body naturally wants—to turn toward his voice—frightens and stuns me into a sort of paralysis. My awareness strangely splits, and I experience an uncanny “dislocation.” It’s as if I’m floating above my body, looking down on the unfolding scene.
I am snapped back when he roughly grabs my wrist and takes my pulse. He then shifts his position, directly above me. Awkwardly, he grasps my head with both of his hands, trapping it and keeping it from moving. His abrupt actions and the stinging ring of his command panic me; they immobilize me further. Dread seeps into my dazed, foggy consciousness: Maybe I have a broken neck, I think. I have a compelling impulse to find someone else to focus on. Simply, I need to have someone’s comforting gaze, a lifeline to hold onto. But I’m too terrified to move and feel helplessly frozen.
”
”
Peter A. Levine (In an Unspoken Voice: How the Body Releases Trauma and Restores Goodness)
“
I reach out and trace the dragon relic on his back, my fingers lingering on the raised silver scars, and he stiffens. They're all short, thin lines, too precise to be a whip, no rhyme or reason to their pattern but never intersecting. 'What happened?' I whisper, holding my breath.
'You really don't want to know.' He's tense, but doesn't move away from my touch.
'I do.' They don't look accidental. Someone hurt him deliberately maliciously, and it makes me want to hunt the person down and do the same to them.
His jaw flexes as he looks over his shoulder, and his eyes meet mine. I bite my lip, knowing this moment can go either way. He can shut me out like always or he can actually let me in.
'There's a lot of them,' I murmur, dragging my fingers down his spine.
'A hundred and seven.' He looks away.
The number makes my stomach lurch, and then my hand pauses. A hundred and seven. That's the number Liam mentioned. 'That's how many kids under the age of majority carry the rebellion relic.'
'Yeah.'
I shift so I can see his face. 'What happened, Xaden?'
He brushes my hair back, and the look that passes is over his face is so close to tender that it makes my heart stutter. 'I saw the opportunity to make a deal,' he says softly. 'And I took it.'
'What kind of deal leaves you with scars like that?'
Conflict rages in his eyes, but then he sighs. 'The kind where I take personal responsibility for the loyalty of the hundred and seven kids the rebellion's leaders left behind, and in return, we're allowed to fight for our lives in the Riders Quadrant instead of being put to death like our parents.' He averts his gaze. 'I chose the chance of death over the certainty.'
The cruelty of the offer and the sacrifice he made to save the others hits like a physical blow. I cradle his cheek and guide his face back to mine. 'So if any of them betray Navarre...' I lift my brows.
'Then my life is forfeit. The scars are a reminder.'
It's why Liam says he owes him everything. 'I'm so sorry that happened to you.' Especially when he wasn't the one who led the rebellion.
He looks at me like he sees into the very depths of who I am. 'You have nothing to apologise for.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
The principal difference between childhood and the stages of life into which it invariably dissolves is that as children we occupy a limitless present. The past has scarcely room to exist, since, if it means anything at all, it means only the previous day. Similarly, the future is in abeyance; we are not meant to do anything at all until we reach a suitable size. Correspondingly, the present is enormous, mainly because it is all there is.... Walks are dizzying adventures; the days tingle with unknowns, waiting to be made into wonders. Living so utterly in the present, children have an infinite power to transform; they are able to make the world into anything they wish, and they do so, with alacrity. There are no preconceptions, which is why, when a child tells us he is Napoleon, we had better behave with the respect due to a small emperor. Later in life, the transformations are forbidden; they may prove dangerous. By then, we move into a context of expectations and precedents of past and future, and the present, whenever we manage to catch it and realize it, is a shifting, elusive question mark, not altogether comfortable, an oddness that the scheme of our lives does not allow us to indulge. Habit takes over, and days tend to slip into pigeonholes, accounted for because everything has happened before, because we know by then that life is long and has to be intelligently endured.
”
”
Alastair Reid
“
Even with the questions and worries that flooded her, Lillian was overcome with sudden exhaustion. The waking nightmare had come to a precipitate end, and it seemed that for now there was nothing more she could do. She waited docilely, her cheek resting against the steady support of Marcus’s shoulder, only half hearing the conversation that ensued.
“… have to find St. Vincent…” Marcus was saying.
“No,” Simon Hunt said emphatically, “I’ll find St. Vincent. You take care of Miss Bowman.”
“We need privacy.”
“I believe there is a small room nearby— more of a vestibule, actually…”
But Hunt’s voice trailed away, and Lillian became aware of a new, ferocious tension in Marcus’s body. With a lethal shift of his muscles, he turned to glance in the direction of the staircase.
St. Vincent was descending, having entered the rented room from the other side of the inn and found it empty. Stopping midway down the stairs, St. Vincent took in the curious tableau before him… the clusters of bewildered onlookers, the affronted innkeeper… and the Earl of Westcliff, who stared at him with avid bloodlust.
The entire inn fell silent during that chilling moment, so that Westcliff’s quiet snarl was clearly audible. “By God, I’m going to butcher you.”
Dazedly Lillian murmured, “Marcus, wait—”
She was shoved unceremoniously at Simon Hunt, who caught her reflexively as Marcus ran full-bore toward the stairs. Instead of skirting around the banister, Marcus vaulted the railings and landed on the steps like a cat. There was a blur of movement as St. Vincent attempted a strategic retreat, but Marcus flung himself upward, catching his legs and dragging him down. They grappled, cursed, and exchanged punishing blows, until St. Vincent aimed a kick at Marcus’s head. Rolling to avoid the blow of his heavy boot, Marcus was forced to release him temporarily. The viscount lurched up the stairs, and Marcus sprang after him. Soon they were both out of sight. A crowd of enthusiastic men followed, shouting advice, exchanging odds, and exclaiming in excitement over the spectacle of a pair of noblemen fighting like spurred roosters.
White-faced, Lillian glanced at Simon Hunt, who wore a faint smile. “Aren’t you going to help him?” she demanded.
“Oh no. Westcliff would never forgive me for interrupting. It’s his first tavern brawl.” Hunt’s gaze flickered over Lillian in friendly assessment. She swayed a little, and he placed a large hand on the center of her back and guided her to the nearby grouping of chairs. A cacophony of noise drifted from upstairs. There were heavy thudding sounds that caused the entire building to shake, followed by the noises of furniture breaking and glass shattering.
“Now,” Hunt said, ignoring the tumult, “if I may have a look at that remaining handcuff, I may be able to do something about it.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever."
"Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute.
"What about me?"
St. Clair examines his watch. "Sideburns. You'll be seeing him next month."
He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really.
But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny."
Shut up,Anna. Shut.Up.
St. Clair unbuckles and rebuckles and unbuckles his watchband.
"I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward.
He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it.
"Oof," he says.
"Hey,there's a bed there."
"Thanks for the warning."
"No problem."
"It's freezing in here.Do you have a fan on or something?"
"It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help."
He pats his way around the bed and slides back in. "Ow," he says.
"Yes?"
"My belt.Would it be weird..."
I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor.
"Um," he says. "Would it be weird-"
"Yes."
"Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover.
"All we need now are Sixteen Candles and a game of Truth or Dare."
He coughs. "Wh-what?"
"The movie,pervert.I was just thinking it's been a while since I've had a sleepover."
A pause. "Oh."
"..."
"..."
"St. Clair?"
"Yeah?"
"Your elbow is murdering my back."
"Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm.
NO!
I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life.
I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I smile at my friends, but Mer and Rashmi and Josh are distracted, arguing about something that happened over dinner. St. Clair sees me and smiles back. "Good?"
I nod.He looks pleased and ducks into the row after me. I always sit four rows up from the center, and we have perfectseats tonight.The chairs are classic red. The movie begins,and the title screen flashes up. "Ugh,we have to sit through the credits?" Rashmi asks. They roll first,like in all old films.
I read them happily. I love credits. I love everything about movies.
The theater is dark except for the flicker of blacks and whites and grays on-screen. Clark Gable pretends to sleep and places his hand in the center of an empty bus seat. After a moment of irritation,Claudette Colbert gingerly plucks it aside and sits down. Gable smiles to himself,and St. Clair laughs.
It's odd,but I keep finding myself distracted. By the white of his teeth through the darkness.By a wavy bit of his hair that sticks straight out to the side. By the soft aroma of his laundry detergent. He nudges me to silently offer the armrest,but I decline and he takes it.His arm is close to mine,slightly elevated. I glance at his hands.Mine are tiny compared to his large,knuckly boy hands.
And,suddenly,I want to touch him.
Not a push,or a shove,or even a friendly hug. I want to feel the creases in his skin,connect his freckles with invisible lines,brush my fingers across the inside of his wrist. He shifts. I have the strangest feeling that he's as aware of me as I am of him. I can't concentrate. The characters on the screen are squabbling, but for the life of me, I don't know what about. How long have I not been paying attention?
St. Clair coughs and shifts again. His leg brushes against mine.It stays there. I'm paralyzed. I should move it; it feels too unnatural.How can he not notice his leg is touching my leg? From the corner of my eye,I see the profile of his chin and nose,and-oh,dear God-the curve of his lips.
There.He glanced at me. I know he did.
I bore my eyes into the screen, trying my best to prove that I am Really Interested in this movie.St. Clair stiffens but doesn't move his leg.Is he holding his breath? I think he is.I'm holding mine. I exhale and cringe-it's so loud and unnatural.
Again.Another glance. This time I turn, automatically,just as he's turning away. It's a dance,and now there's a feeling in the air like one of us should say something.Focus,Anna. Focus. "Do you like it?" I whisper.
He pauses. "The film?"
I'm thankful the shadows hide my blush.
"I like it very much," he says.
I risk a glance,and St. Clair stares back. Deeply.He has not looked at me like this before.I turn away first, then feel him turn a few beats later.
I know he is smiling,and my heart races.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
In meditation which is a continuous flow of staying in the state at all times and in every circumstance there is neither suppression nor production of dwelling and proliferation; if there is dwelling, that is the dharmakaya’s own face and if there is proliferation, that is preserved as the self-liveliness of wisdom, so,
“Then, whether there is proliferation or dwelling,”
Whatever comes from mind’s liveliness as discursive thoughts, be it the truth of the source—afflictions of anger, attachment, and so on—or the truth of unsatisfactoriness—the flavours of experience which are the feelings of happiness, sadness, and so on—if the nature of the discursive thoughts is known as dharmata, they become the shifting events of the dharmakaya, so,
“Anger, attachment, happiness, or sadness,”
That does not finish it though; generally speaking if they are met with through the view but not finished with by bringing them to the state with meditation, they fall into ordinary wandering in confusion and if that happens, you are bound into cyclic existence by the discursive thoughts of your own mindstream and, dharma and your own mindstream having remained separate, you become an ordinary person who has nothing special about them. Not to be separated from a great non-meditated self-resting is what is needed . . .
Additionally, whatever discursive thought or affliction arises, it is not something apart from dharmakaya wisdom, rather, the nature of those discursive thoughts is actual dharmakaya, the ground’s luminosity. If that, which is called ‘the mother luminosity resident in the ground’, is recognized, there is self-recognition of the view of self-knowing luminosity previously introduced by the guru and that is called ‘the luminosity of the practice path’. Abiding in one’s own face of the two luminosities of ground and path become inseparable is called ‘the
meeting of mother and son luminosities’ so,
“The previously-known mother luminosity joins with the son.
”
”
Patrul Rinpoche (The Feature of the Expert, Glorious King: “Three Lines That Hit the Key Points.” Root text and commentary by Patrul Rinpoche)
“
Like a child, I close my eyes as if they can't see me either. The fire from the kiss broadcasts itself all over me in the form of a full-body blush.
Galen laughs. "There it is," he says, running his thumb over my bottom lip. "That is my favorite color. Wow."
I'm going to kill him. "Galen. Please. Come. With. Me," I coke out. Gliding past him, my bare feet slap against the tile until I'm stomping on carpet in the hallway, then up the stairs.
I can tell by the prickles on my skin that he's following like a good dead fish. As I reach the ladder to the uppermost level, I nod to him to keep following before I hoist myself up. Pacing the room until he gets through the trap door, I count more Mississipis than I've ever counted in my whole life.
He closes the door and locks it shut but makes no move to come closer. Still, for a person who's about to die, he seems more amused than he should. I point my finger at him, but can't decide what to accuse him of first, so I put it back down.
After several moments of this, he breaks the silence. "Emma, calm down."
"Don't tell me what to do, Highness." I dare him with my eyes to call me "boo."
Instead of the apology I'm looking for, his eyes tell me he's considering kissing me again, right now.
Which is meant to distract me. Tearing my gaze from his mouth, I stride to the window seat and move the mountains of pillows on it. Making myself comfortable, I lean my head against the window. He knows as well as I do that if we had a special spot, this would be it. For me to sit here without him is the worst kind of snub. In the reflection, I see him run his hand through his hair and cross his arms. After a few more minutes, he shifts his weight to the other leg.
He knows what I want. He knows what will earn him entrance to the window seat and my good graces. I don't know if it's Royal blood or manly pride that keeps him from apologizing, but his extended delay just makes me madder. Now I won't accept an apology. Now, he must grovel.
I toss a satisfied smirk into the reflection only to find he's not there anymore. His hand closes around my arm and he jerks me up against him. His eyes are stormy, intense. "You think I'm going to apologize for kissing you?" he murmurs.
"I. Yes. Uh-huh." Don't look at his mouth! Say something intelligent. "We don't have any clothes on." Fan-flipping-tastic. I meant to say he shouldn't kiss me in front of everyone, especially half naked.
"Mmm," he says, pulling me closer. Brushing his lips against my ear, he says, "I did happen to notice that. Which is why I shouldn't have followed you up here.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
The Mongols loved competitions of all sorts, and they organized debates among rival religions the same way they organized wrestling matches. It began on a specific date with a panel of judges to oversee it. In this case Mongke Khan ordered them to debate before three judges: a Christian, a Muslim, and a Buddhist. A large audience assembled to watch the affair, which began with great seriousness and formality. An official lay down the strict rules by which Mongke wanted the debate to proceed: on pain of death “no one shall dare to speak words of contention.” Rubruck and the other Christians joined together in one team with the Muslims in an effort to refute the Buddhist doctrines. As these men gathered together in all their robes and regalia in the tents on the dusty plains of Mongolia, they were doing something that no other set of scholars or theologians had ever done in history. It is doubtful that representatives of so many types of Christianity had come to a single meeting, and certainly they had not debated, as equals, with representatives of the various Muslim and Buddhist faiths. The religious scholars had to compete on the basis of their beliefs and ideas, using no weapons or the authority of any ruler or army behind them. They could use only words and logic to test the ability of their ideas to persuade. In the initial round, Rubruck faced a Buddhist from North China who began by asking how the world was made and what happened to the soul after death. Rubruck countered that the Buddhist monk was asking the wrong questions; the first issue should be about God from whom all things flow. The umpires awarded the first points to Rubruck. Their debate ranged back and forth over the topics of evil versus good, God’s nature, what happens to the souls of animals, the existence of reincarnation, and whether God had created evil. As they debated, the clerics formed shifting coalitions among the various religions according to the topic. Between each round of wrestling, Mongol athletes would drink fermented mare’s milk; in keeping with that tradition, after each round of the debate, the learned men paused to drink deeply in preparation for the next match. No side seemed to convince the other of anything. Finally, as the effects of the alcohol became stronger, the Christians gave up trying to persuade anyone with logical arguments, and resorted to singing. The Muslims, who did not sing, responded by loudly reciting the Koran in an effort to drown out the Christians, and the Buddhists retreated into silent meditation. At the end of the debate, unable to convert or kill one another, they concluded the way most Mongol celebrations concluded, with everyone simply too drunk to continue.
”
”
Jack Weatherford (Genghis Khan and the Making of the Modern World)
“
The Chinese ideograph for forbearance is a heart with a sword dangling over it, another instance of language's brilliant way of showing us something surprising and important fossilized inside the meaning of a word. Vulnerability is built into our hearts, which can be sliced open at any moment by some sudden shift in the arrangements, some pain, some horror, some hurt. We all know and instinctively fear this, so we protect our hearts by covering them against exposure. But this doesn't work. Covering the heart binds and suffocates it until, like a wound that has been kept dressed for too long, the heart starts to fester and becomes fetid. Eventually, without air, the heart is all but killed off, and there's no feeling, no experiencing at all.
To practice forbearance is to appreciate and celebrate the heart's vulnerability, and to see that the slicing or piercing of the heart does not require defense; that the heart's vulnerability is a good thing, because wounds can make us more peaceful and more real—if, that is, we are willing to hang on to the leopard of our fear, the serpent of our grief, the boar of our shame without running away or being hurled off. Forbearance is simply holding on steadfastly with whatever it is that unexpectedly arises: not doing anything; not fixing anything (because doing and fixing can be a way to cover up the heart, to leap over the hurt and pain by occupying ourselves with schemes and plans to get rid of it.) Just holding on for hear life. Holding on with what comes is what makes life dear.
...Simply holding on this way may sound passive. Forbearance has a bad reputation in our culture, whose conventional wisdom tells us that we ought to solve problems, fix what's broken, grab what we want, speak out, shake things up, make things happen. And should none of this work out, then we are told we ought to move on, take a new tack, start something else. But this line of thinking only makes sense when we are attempting to gain external satisfaction. It doesn't take into account internal well-being; nor does it engage the deeper questions of who you really are and what makes you truly happy, questions that no one can ignore for long... Insofar as forbearance helps us to embrace transformative energy and allow its magic to work on us... forbearance isn't passive at all. It's a powerfully active spiritual force, (67-70).
”
”
Norman Fischer (Sailing Home: Using the Wisdom of Homer's Odyssey to Navigate Life's Perils and Pitfalls)
“
I never wanted it to end. I wondered if it felt like this the first time. Seeing him. Really seeing him.
He wiped his eyes. “You really want to know, don’t you.”
“Yeah.”
“Why?”
I gave in. I couldn’t not. I reached over and put my hand on his knee. He tensed briefly but settled when I curled my fingers over his leg, just letting my hand rest there. I couldn’t look at him. I thought my face was on fire.
He said, “That’s….” His voice broke. He cleared his throat. “After the hunters came, something shifted. Between us. I don’t know how or why exactly. You stopped being weird around me.”
“Seems like I’ve picked that right up again.”
He chuckled. “A little. It’s okay, though. It’s like… a beginning. You came to me one day. You were sweating. I remember thinking something bad had happened because you kept wringing your hands until I thought you were going to break your bones. I asked you what was wrong. And you know what you said?
“Probably something stupid.”
“You said that you didn’t think you could ever give up on me. That no matter how long it took, you would be there until I told you otherwise. That you weren’t going to push me for anything but you thought I should know that you had… intentions.”
“Oh dear god,” I said in horror. “And that worked?”
Kelly snorted, and I felt his hand on the back of mine. “Not quite. But what you said next did.”
I looked over at him. “What did I say?”
He was watching me with human eyes, and I thought I could love him. I saw how easy it could be. I didn’t, not yet, but oh, I wanted to. “You said you thought the world of me. That we’d been through so much and you couldn’t stand another day if I didn’t know that. You told me that you were a good wolf, a strong wolf, and if I’d only give you a chance, you’d make sure I’d never regret it.”
I had to know. “Have you?”
“No,” he whispered. “Not once. Not ever.” He looked away. “It was good between us. We took it slow. You smiled all the time. You brought me flowers once. Mom was pissed because you ripped them up from her flower bed and there were still roots and dirt hanging from the bottom, but you were so damn proud of yourself. You said it was romantic. And I believed you.” He plucked a blade of grass and held it in the palm of his hand. “There was something… I don’t know. Endless. About you and me.” He took my hand off his knee and turned it over. He set the blade of grass in my palm and closed his hand over mine. He looked toward the sky and the stars through the canopy of leaves. “We came here sometimes. Just the two of us. And you would pretend to know all the stars. You would make up stories that absolutely weren’t true, and I remember looking at you, thinking how wonderful it was to be by your side. And if we were lucky, there’d be—ah. Look. Again.” His voice was wet and soft, and it cracked me right down the middle.
Fireflies rose around us, pulsing slowly. At first there were only two or three, but then more began to hang heavy in the air. They were yellow-green, and I wondered how this could be real. Here. Now. This moment. How I ever could have forgotten this.
Forgotten him.
It had to have been the strongest magic the world had ever known.
That was the only way I’d have ever left his side.
He reached out with his other hand, quick and light, and snatched a firefly out of the air. He was careful not to crush it. He leaned his head toward mine like he was about to tell me a great secret.
Instead he opened his hand between us.
The firefly lay near the bottom of his ring finger. Its shell was black with a stripe down the middle. It barely moved.
“Just wait,” Kelly whispered.
I did.
It only took a moment.
The firefly pulsed in his hand.
“There it is,” he said. He pulled away and lifted his hand. The firefly took to its wings, lifting off and flying away.
He stared after it.
I only had eyes for him.
”
”
T.J. Klune (Heartsong (Green Creek, #3))
“
She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.”
He said the word like a caress, like velvet again, and my face began to heat.
“Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.”
He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep.
“Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.”
His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it.
“The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.”
Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.”
I was hot and strange. I was light and lighter, and curiously my breath came so slow.
“Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…”
It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers.
“And by his hand, in the bliss of her unraveling, she touched the stars…”
Lora’s breath hitched. Her heart skipped-then stopped.
If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself-
Her eyes opened, went instantly to his. Panic lit her gaze.
Then she was gone.
His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
What did I do now?” He reluctantly pulled the car the curb.
I needed to get out of this car – like now. I couldn’t breathe.
I unbuckled and flung open the door.
“Thanks for the ride. Bye.”
I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself.
“What happened?” James asked, matching my pace.
“Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily.
“Stop,” he ordered.
Damn it, he’s strong!
“What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace.
“It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!”
“No!” He squeezed tighter, pulling me closer.
“Leave me alone!” I spit the words like venom, pulling my arm with all my might.
“What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls.
We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic.
“Fireball?” he murmured softly.
“What?” I replied quietly, defeated.
Hesitantly, he asked, “Did I say something to make you sad?”
I wasn’t going to mention the boyfriend thing; there was no way.
“Yes,” I whimpered.
That’s just great, way to sound strong there, now he’ll have no reason not to pity you!
“I’m sorry,” came his quiet reply.
Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done!
“Whatever.”
“What can I do to make it all better?”
“There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure.
Jesus!
“What do you think you’re doing?” I asked him softly; his face was only a few inches from mine.
“What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck.
I can’t believe I just did that!
“That’s better.”
Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically.
“James,” I murmured softly.
“Fireball,” he whispered back.
“What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats.
James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him.
“What are you doing?” My bewilderment was audible in the hush.
I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips.
I wanted it. Badly. My lips parted a fraction, letting a thread of air escape.
“Can I?” His breath was warm on my lips.
Fuck it!
“Yeah,” I whispered back. He closed the distance until his lush lips covered mine.
My first kiss…damn!
His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
”
”
Sarah Tork (Young Annabelle (Y.A #1))
“
It takes some getting used to,' Mr. Forkle said. 'But what you're seeing is a visual representation of each other's moods.'
'So that means if I do this...' Keefe tickled Sophie's neck.
'GAH--everything just went supersonic!' Fitz said.
Sophie snatched Keefe's wrist as he reached to tickle her again. 'Don't. You. Dare.'
'Whoa, now everything's red and ripply,' Fitz said. 'Is that because she's angry?'
'Precisely, Mr. Vacker. Every time her emotions shift, the patterns and colors will change. And with practice, you'll learn to interpret what you see.'
'Okay, but...can't they just say, "Hey, I'm feeling this?"' Keefe asked.
'People aren't always honest about their feelings--even with themselves,' Mr. Forkle told him. 'Plus, many telepathic missions involve stealth and secrecy. So for this exercise I'm going to need both of you to forget everything around you. Let the world drop away, leaving only you two.'
Keefe sighed. 'Just tell them to stare into each other's eyes and they'll be good.'
'None of that, Mr. Sencen. From this moment on, you have one job and one job only: to judge their translations of the various emotions I'll be triggering.'
'Triggering how?' Sophie asked.
'You'll see soon enough. And you'll go first, Miss Foster. For this to work, Mr. Vacker, it's crucial that you not react externally. No yelling or thrashing or screaming or--'
'Uhhh, what are you going to do to me?' Fitz asked.
'Nothing you won't survive. Consider it an exercise in self-control. And try not to listen to his thoughts, Miss Foster. Study only the changes in his emotional center and make your deduction. We begin now.'
Sophie closed her eyes and focus on the colors weaving around Fitz's mind. She was about to ask if she was missing something when the pattern exploded into a swirl of pale blue tendrils. The color felt to bright to be sad, but also too wild to be peaceful.
'Tension?' she guessed.
'Kinda close,' Keefe told her.
The laughter in his voice made her wonder what had happened to poor Fitz.
She tried to think of other emotions as his mind turned electric blue.
'Shock?' she guessed.
'That counts,' Keefe said. 'Though the best answer would've been "surprise."'
'Is that an emotion?' she asked.
'Indeed it is,' Mr. Forkle said. 'One of the most common emotions you'll experience as you navigate someone's mind--hence why I chose it as our starting point.'
'Can I talk now?' Fitz asked. 'Because that was seriously disgusting!'
Sophie opened her eyes and tried not to laugh when she saw red fruit smashed all over Fitz's face. He wiped his cheeks on his sleeves, but that only smeared the pulp.
'I think I'm going to like this assignment,' Keefe said. 'What else can we fling at Fitz?'
'Nothing for the moment,' Mr. Forkle told him. 'It's his turn to interpret. Everyone close your eyes. And remember, no cues of any kind, Miss Foster.'
Sophie counted the seconds, bracing for the worst--and when nothing chaned, she opened her eyes and found Mr. Forkle with his finger over his lips in a 'shhh' sign.
'Um...confusion,' Fitz guessed.
'That works,' Keefe said. 'It started as anticipation, but then it shifted.'
'Very good,' Mr. Forkle said. 'And well done, Mr. Sencen. I wasn't sure you'd recognize confusion. It's one of the more challenging emotions for Empaths.'
'Maybe on other people,' Keefe said. 'But on Foster it's easy. Why are her emotions so much stronger?'
'Honestly, I'm not sure,' Mr. Forkle admitted. 'I suspect it stems from the combination of her inflicting ability and her human upbringing. But it was one of the surprises of her development. Much like her teleporting. Okay, Miss Foster, it's your turn to guess again.'
She closed her eyes and watched as the lines of color in Fitz's mind blossomed to a snowflake of purple.
'Pride?' she guessed.
Keefe laughed. 'Wow, add more fail points to Sophitz.'
'Quiet,' Mr. Forkle told him.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
I would like to see you cheat,” Elizabeth said impulsively, smiling at him.
His hands stilled, his eyes intent on her face. “I beg your pardon?”
“What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.”
Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards.
Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand.
In it there were four kings.
Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards.
She won three shillings and was pleased as could be.
He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?”
“Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her.
“Who is Celton?” Jordan inquired.
“Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand.
In it there were four aces.
She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening.
Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?”
“Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.”
“There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration.
“Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.”
The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting.
“It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.”
Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips.
“With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.”
Ian chuckled. “Not a bad idea. What would your role be?”
“Breaking us out of Newgate!” Elizabeth laughed.
“Exactly.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))