Shell Escape Quotes

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This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war.
Erich Maria Remarque (All Quiet on the Western Front)
escape from the black widow spider is a miracle as great as art. what a web she can weave slowly drawing you to her she'll embrace you then when she's satisfied she'll kill you still in her embrace and suck the blood from you.
Charles Bukowski (Love Is a Dog from Hell)
Here is a moment of extravagant beauty: I drink it liquid from the shells of my hands and almost all of it runs sparkling through my fingers: but beauty is like that, it is a fraction of a second, quickness of a flash and then immediately it escapes.
Clarice Lispector (A Breath of Life)
This life is difficult. We lose fathers, brothers, mothers, songbirds and pieces of ourselves. Whips strike the innocent, honors go to the guilty, and there is too much loneliness. I would be a fool to pray for my children to escape all of that. Ask for too much and it might actually turn out worse. But I can pray for small things, like fertile fields, a mother’s love, a child’s smile—a life that’s less bitter than sweet.
Nadia Hashimi (The Pearl that Broke Its Shell)
When things are rough, people look for an escape. A way out. Sometimes it's hard to find the right way.
Nadia Hashimi (The Pearl That Broke Its Shell)
My mouth is a fire escape. The words coming out don't care that they are naked. There is something burning in here. When it burns I hold my own shell to my ear, listen for the parade from when I was seven, when the man who played the bagpipes wore a skirt. He was from Scotland. I wanted to move there. Wanted my spine to be the spine of an unpublished book, my faith the first and last page. The day my ribcage became monkey bars for a girl hanging on my every word they said, "You are not allowed to love her." Tried to take me by the throat to teach me, "You are not a boy." I had to unlearn their prison speak, refusing to make wishes on the star on the sheriff's chest. I started taking to the stars in the sky instead. I said, "Tell me about the big bang." The stars said, "It hurts to become.
Andrea Gibson (The Madness Vase)
I'll never forget the first day in Auschwitz, the first time in Mauthausen. At that second place, as time wore on, I also picked them up from the bottom of the great cliff, when their escapes fell awfully awry. There were broken bodies and dead m sweet hearts. Still, it was better than the gas. Some of them I caught when they were only halfway down, Saved you, I'd think, holding their souls in midair as the rest of their being-their physical shells-plummeted to the earth. All of them were like, like the cases of empty walnuts. Smoky sky in those places. The smell like a stove, but still so cold.
Markus Zusak (The Book Thief)
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
I extract significance from melodrama, a significance which it does not in fact contain; but occasionally, from out of this matter, there escapes a thin beam of light that, seen at the right angle, can crack the shell of mortality.
Tom Stoppard (Rosencrantz and Guildenstern Are Dead)
This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war.
Erich Maria Remarque (All Quiet on the Western Front)
I am Cinna's bird, ignited, flying frantically to escape something inescapable. The feathers of flame that grow from my body. Beating my wings only fans the blaze. I consume myself, but to no end. Finally, my wings begin to falter, I lose height, and gravity pulls me into a foamy sea the color of Finnick's eyes. I float on my back, which continues to burn beneath the water, but the agony quiets to pain. When I am adrift and unable to navigate, that's when they come. The dead. The ones I loved fly as birds in the open sky above me. Soaring, weaving, calling to me to join them. I want so badly to follow them, but the seawater saturates my wings, making it impossible to lift them. The ones I hated have taken to the water, horrible scaled things that tear my salty flesh with needle teeth. Biting again and again. Dragging me beneath the surface. The small white bird tinged in pink dives down, buries her claws in my chest, and tries to keep me afloat. "No, Katniss! No! You can't go!" But the ones I hated are winning, and if she clings to me, she'll be lost as well. "Prim, let go!" And finally she does.
Suzanne Collins
I'm the girl who's desperate to get out of her small town because if she doesn't she knows she'll die. She knows her soul will start to rot, like fruit gone bad.
Heather Demetrios (Bad Romance)
Did you know a crab will escape its shell thirty times before it dies? ... This world can be a trying place ... Sometimes you have to shed who you were to live who you are
Mitch Albom (The Stranger in the Lifeboat)
Are the Trials starting?” The girl claps her hands over her mouth. “I'm sorry,” she whispers. “I—” “It's all right.” I don't smile at her. It will only scare her. For a female slave, a smile from a Mask is not usually a good thing. “I'm actually wondering the same thing. What's your name?” “S-slave-Girl.” Of course. My mother would already have scourged her name out of existence. “Right. You work for the Commandant?” I want her to say no. I want her to say that my mother roped her into this. I want her to say she's assigned to the kitchens or infirmary, where slaves aren't scarred or missing body parts. But the girl nods in response to my question. Don't let my mother break you, I think. The girl meets my eyes, and there is that feeling again, low and hot and consuming. Don't be weak. Fight. Escape. A gust of wind whips a strand free from her bun and across her cheekbone. Defiance flashes across her face as she holds my gaze, and for a second, I see my own desire for freedom mirrored, intensified in her eyes. It's something I've never detected in the eyes of a fellow student, let alone a Scholar slave. For one strange moment, I feel less alone. But then she looks down, and I wonder at my own naiveté. She can't fight. She can't scape. Not from Blackcliff. I smile joylessly; in this, at least, the slave and I are more similar than she'll ever know.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
The time has come. You know it in your soul. For I am your soul... You cannot escape me... You are puny, you are small – you are nothing – a hollow shell, a rusty trap that cannot hold me – Smoldering, I burn you – burning you, I flare, hot and bright and fierce and beautiful – You cannot stop me – not with wine or vows or the weight of age – You cannot stop me, but still you try – still you run – You try to drown me out... but your voice is weak...
Frank Miller (The Legend of Batman, Vol. 5: The Dark Knight Returns)
She's a she-wolf. Her nature demands she's dominated, even if she tries to fight it. She'll listen to an amount of force – positive force, not negative force. But leave the run wide open with no boundaries and she won't listen to you at all. All she'll listen to is the call of freedom, even if it leads her straight into a trap. Stop thinking like a human. She's a wolf.
Dianna Hardy (Blood Shadow (Blood Never Lies, #1))
Tru nodded, then started at the beginning. For the first time that morning, Hope seemed to emerge from her shell, escaping in the moment the
Nicholas Sparks (Every Breath)
From the place by the railing at the edge of the tracks on the summer evening I return across the city to my own room. I am vividly aware of my own life that escaped the winter on the boat. How many such lives I have lived. Then I only made a dollar and a half a day and now I sometimes make more than that in a few minutes. How wonderful to be able to write words. ... Again I begin the endless game of reconstructing my own life, jerking it out of the shell that dies, striving to breathe into it beauty and meaning. ... I wonder why my life, why all lives, are not more beautiful.
Sherwood Anderson
There were people who escaped Hiroshima and rushed to Nagasaki to see that their loved ones were safe. Arriving just in time to be incinerated. He went there after the war with a team of scientists. My father. He said that everything was rusty. Everything looked covered with rust. There were burnt-out shells of trolleycars standing in the streets. The glass melted out of the sashes and pooled on the bricks. Seated on the blackened springs the charred skeletons of the passengers with their clothes and hair gone and their bones hung with blackened strips of flesh. Their eyes boiled from their sockets. Lips and noses burned away. Sitting in their seats laughing. The living walked about but there was no place to go. They waded by the thousands into the river and died there. They were like insects in that no one direction was preferable to another. Burning people crawled among the corpses like some horror in a vast crematorium. They simply thought that the world had ended. It hardly even occurred to them that it had anything to do with the war. They carried their skin bundled up in their arms before them like wash that it not drag in the rubble and ash and they passed one another mindlessly on their mindless journeyings over the smoking afterground, the sighted no better served than the blind. The news of all this did not even leave the city for two days. Those who survived would often remember these horrors with a certain aesthetic to them. In that mycoidal phantom blooming in the dawn like an evil lotus and in the melting of solids not heretofore known to do so stood a truth that would silence poetry a thousand years. Like an immense bladder, they would say. Like some sea thing. Wobbling slightly on the near horizon. Then the unspeakable noise. They saw birds in the dawn sky ignite and explode soundlessly and fall in long arcs earthward like burning party favors. p.116
Cormac McCarthy (The Passenger (The Passenger #1))
I will gladly shell out $24.95 or $9.99 or 99 cents on iTunes to read or see or listen to the 24-karat treasure that you have refined from your pain and your vision and your imagination. I need it. We all do. We're struggling here in the trenches. That beauty, that wisdom, those thrills and chills, even that mindless escape on a rainy October afternoon — I want it. Put me down for it.
Steven Pressfield (Turning Pro)
But first things first. First, to escape this shell, this egg in which I have gestated, all eyes will be on the fire, all eyes blinded by the smoke, and when I walk out of here, out into your large world with its billions, no one will even see. It's the beauty of light, don't you see, Sam? It reveals, but it also distracts and blinds. It's even better than darkness. (Chapter Twenty-Seven | 1 Hour, 29 Minutes)
Michael Grant (Light (Gone, #6))
A girl who travels knows that deep down she is escaping reality. So she’ll want someone to give her hope and land back to the idea that reality isn’t as bad as it seems in the end. And if she tells you she loves you - it is exactly because you give her that hope
lauren klarfeld
Certain memories, certain thoughts,are holes...holes ripped in you, through which precious things escape and leave you wanting, needing, gaping open. Laughter and belonging and comfort gush out, leaving their tracks but not their substance. And you are left empty, a skeleton,a shell with wind rushing through you and a sensation of sinking, barely existing...
Danielle Younge-Ullman (Falling Under)
You get near my tigress, she’ll sink her claws in you and you’ll be looking at your innards spilling out before your last breath escapes your body.
Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
That was her escape, I realized. Where her body couldn’t take her, her mind went.
Nadia Hashimi (The Pearl that Broke Its Shell)
I realized, when I saw the forest burning, how fascinating the firelight is. It's beautiful, and people stare at it, don't they? It destroys things and kills people, but humans love it. Is it because they crave their own destruction, Sam? I want to understand your kind. I am going out into the wider world, and I must learn. But first things first. First, to escape this shell, this egg in which I have gestated, all eyes will be on the fire, all eyes blinded by the smoke, and when I walk out of here, out into your large world with its billions, no one will even see. It's the beauty of light, don't you see, Sam? It reveals, but it also distracts and blinds. It's even better than darkness.
Michael Grant (Light (Gone, #6))
It was a sunny day in early summer, and he could hear birdsong. In a nearby orchard that had so far escaped shelling, apple trees were blossoming bravely. Men were the only animals that slaughtered their own kind by the million, and turned the landscape into a waste of shell craters and barbed wire. Perhaps the human race would wipe itself out completely, and leave the world to the birds and trees, Walter thought apocalyptically. Perhaps that would be for the best.
Ken Follett (Fall of Giants (The Century Trilogy #1))
The cats are asleep at the end of my bed and all around me, the thundery silence of L'Escarènere, caught at last in the rising flood of warm air, carrying the sand from the south. The Alps are folded above in the flickering light. And on the desk in the room beneath lies the writing which insists that the only escape is through the absolute destruction of everything you have ever known, loved, cared for, believed in, even the shell of yourself must be discarded with contempt; for freedom costs no less than everything, including your generosity, self-respect, integrity, tenderness - is that really what i wanted to say? It's what I have said. Worse still, I have pointed out the sheer creative joy of this ferocious destructiveness and the liberating wonder of violence. And these are dangerous messages for which I am no longer responsible.
Patricia Duncker
I answered that what I wanted more than anything else in the world was to write, nothing else but that, nothing. Jealous. She's jealous. No answer, just a quick glance immediately averted, a slight shrug, unforgettable. I'll be the first to leave. There are still a few years to wait before she loses me, loses this one of her children. For the sons there's nothing to fear. But this one, she knows, one day she'll go, she'll manage to escape.
Marguerite Duras (The Lover)
...my beloved Eudosia [a member of Buckley's household staff], who is Cuban, very large, quite old, and altogether superstitious, and speaks only a word or two of English (even though she has been with us for 19 years), is quite certain that the gentleman who raped the 16-year-old girl in New Caanan three years ago and escaped has successfully eluded the police only because of his resourceful determination to ravage Eudosia before he dies. Accordingly she demanded, and I gave her, a shotgun, into which I have inserted two empty shells. Still, Eudosia with blank cartridges is more formidable than Eugene McCarthy with The Bomb.
William F. Buckley Jr. (Cruising Speed: A Documentary)
First, all I could see was this beautiful face, this beautiful girl's face; like a white, slightly luminous mask, swimming detachedly against enfolding darkness. As if a little private spotlight of its own was trained on it from below. It was so beautiful and so false, and I seemed to know it so well, and my heart was wrung. There was no danger yet, just this separate, shell-like face mask standing out. But there was danger somewhere around, I knew that already; and I knew that I couldn't escape it. I knew that everything [ was about to do, I had to do, I couldn't avoid doing. And yet, oh, I didn't want to do it. I wanted to turn and flee, I wanted to get out of wherever this was. ("Nightmare")
Cornell Woolrich (Baker's Dozen: 13 Short Mystery Novels)
All my life, I’d felt incomplete—trapped inside a fleshy shell, not knowing how to escape. It turns out, all I needed was one singular…spark.
Carly Spade (Apollo (Contemporary Mythos, #2))
It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war.” - Paul Baumer
Erich Maria Remarque (All Quiet on the Western Front)
Did you know a crab will escape its shell thrity times before it dies? This world can be a trying place...sometimes you have to shed who you were to live who you are.
Mitch Albom (The Stranger in the Lifeboat)
You had a lucky escape with Mum and the photo albums this time, Eleanor,” Raymond said. “She’ll bore the pants off you next time about the grandkids, just you wait and see.” He was making a lot of assumptions there, I thought, but I let it pass.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
I'm lonely, Yes! I'm so lonely. I'm Just a sad tear that came out of the depths of pain. I have neither friend nor a lover. I live in an empty dark shell. Punctuated by the lights of my dreams. I hear a whisper. I hear an echo. Why everything I love in this world. It's expensive, or it makes me sad. Beyond my shell, there is an empty world. A world filled with hatred and lies. A world filled with vanity and treason. A world filled with injustice and selfishness. There is a noise in my silence, but I shout quietly. So as to your pure heart can hear me. I tried to escape from my bitter reality. A reality that walks against my dreams. I found out that sleep is my best shelter. Because life is easy when eyes are closed. So I give up my eyes, and went to sleep. Then suddenly! I felt a call, something tried to wake me up. I felt whispers caressing my soul. That together we stand, divided we fall. That you are the king of my thrown, And only beside you, I feel like I have everything. I love you my shell, my home.
Eyden I. (Kiss Friendzone Goodbye)
Animal welfare - yes. Animal rights - don't make me laugh. I'm not an animals rights activist. I certainly do not love animals. In fact, I secretly mistrust all four-legged / furry / two-winged / feathered / shelled ar scaly brothers and sisters. If I were them, I would by now be plotting ultimate revenge on a scale previously unknown to man. ... I stick to a vegan diet only for reasons of self-preservertion. Call it insurance. When the time of the great animal uprising comes, I may have a small chance of escaping ...
Sharon Dodua Otoo (the things i am thinking while smiling politely …)
I want to apologize to you,” she says calmly. “Oh yeah? For what?” I don’t have time for this. We don’t have time for this. I push away thoughts of what will happen to Hana even if I manage to escape. She’ll be here, in the house . . . My stomach is clenching and unclenching. I’m worried the bread will come straight back up. I have to stay focused. What happens to Hana isn’t my concern, and it isn’t my fault, either. “For telling the regulators about 37 Brooks,” she says. “For telling them about you and Alex.” Just like that, my brain powers down. “What?" “I told them.” She lets out a tiny exhalation, as though saying the words has given her relief. “I’m sorry. I was jealous.” I can’t speak. I’m swimming through a fog. “Jealous?” I manage to spit out. “I—I wanted what you had with Alex. I was confused. I didn’t understand what I was doing.” She shakes her head again. I have a swinging, seasick feeling. It doesn’t make any sense. Hana—golden girl Hana, my best friend, fearless and reckless. I trusted her. I loved her. “You were my best friend.” “I know.” Again she looks troubled, as though trying to recall the meaning of the words. “You had everything.” I can’t stop my voice from rising. The anger is vibrating, ripping through me like a live current. “Perfect life. Perfect grades. Everything.” I gesture to the spotless kitchen, to the sunshine pouring over the marble counters like drizzled butter. “I had nothing. He was my one thing. My only—” The sickness surges up and I take a step forward, clenching my fists, blind with rage. “Why couldn’t you let me have it? Why did you have to take it? Why did you always take everything?
Lauren Oliver (Requiem (Delirium, #3))
This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by war.
Erich Maria Remarque (All Quiet on the Western Front)
In the passenger seat, Nahil is all questions. Was Kabul safe? How was the food? Did he [Idris] get sick? Did he take pictures and videos of everything? He does his best. He describes for her the shell-blasted schools, the squatters living in roofless buildings, the beggars, the mud, the fickle electricity, but it's like describing music. He cannot bring it to life. Kabul's vivid, arresting details--the bodybuilding gym amid the rubble, for instance, a painting of Schwarzenegger on the window. Such details escape him now, and his descriptions sound to him generic, insipid, like those of an ordinary AP story.
Khaled Hosseini (And the Mountains Echoed)
Broken / Home Because the turtle carries its home on its back, it does not have to search for one. It is born with a soft shell that hardens as it grows. The turtle’s backbone is part of its shell, meaning an accident or attack could break the turtle’s back, leaving the turtle with a broken home it cannot escape from.
Dean Atta (The Black Flamingo)
The war was a factory that cranked out casualties with all the frightful efficiency of the modern assembly line. That had become its real purpose, she knew, regardless of all the patriotic blather about duty, honor, and country or putting paid to the depradations of the Hun. Those were excuses, delusions, lies. Men had begun the war, but it had long since escaped them, acquiring its own implacable momentum. And as long as fresh recruits kept coming, as long as hospitals like this one patched up the wounded and sent them back, it seemed likely to go on producing its horrors. The very scale of the slaughter ensured its continuance, for to stop in the face of such appalling losses would be to acknowledge that the dead had perished in vain. The war was its own thing now, a machine for grinding up people's lives. Or no, she thought, not a machine at all: it was alive, a bloated creature as red and raw as a shell wound, a battlefield birth of splintered bone, hot shrapnel, and glutinous mud, suckled on blood, with a hunger that increased the more it was fed.
Paul Witcover (Dracula : Asylum)
In the meantime, none of the folks who had come from Sedan with Monique and Jacqueline had departed. Nor had the Halévy family from Brussels. Homeless and shell-shocked, none of them seemed to know where else to go or what else to do. The Europe they had all known, the Europe they had all grown up in and loved, was gone, in the hands of a madman who was now attempting to conquer Britain and North Africa as well.
Joel C. Rosenberg (The Auschwitz Escape)
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled. So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale. So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.
Phillip Gibbs
enlargement of our being. We want to be more than ourselves. Each of us by nature sees the whole world from one point of view with a perspective and a selectiveness peculiar to himself. And even when we build disinterested fantasies, they are saturated with, and limited by, our own psychology. To acquiesce in this particularity on the sensuous level—in other words, not to discount perspective—would be lunacy. We should then believe that the railway line really grew narrower as it receded into the distance. But we want to escape the illusions of perspective on higher levels too. We want to see with other eyes, to imagine with other imaginations, to feel with other hearts, as well as with our own.      [138] We are not content to be Leibnitzian monads. We demand windows. Literature as Logos is a series of windows, even of doors. One of the things we feel after reading a great work is ‘I have got out’. Or from another point of view, ‘I have got in’; pierced the shell of some other monad and discovered what it is like inside. Good reading, therefore, though it is not essentially an affectional or moral or intellectual activity, has something in common with all three. In love we escape from our self into one other. In the moral sphere, every act of justice or charity involves putting ourselves in the other person’s place and thus transcending our own competitive particularity. In coming to understand anything we are rejecting the facts as they are for us in favour of the facts as they are. The primary impulse of each is to maintain and aggrandise himself. The secondary impulse is to go out of the self, to correct its provincialism and heal its loneliness. In love, in virtue, in the pursuit of knowledge, and in the reception of the arts, we are doing this. Obviously this process can be described either as an enlargement or as a temporary annihilation of the self. But that is an old paradox; ‘he that loseth his life shall save it’. We therefore delight to enter into other
C.S. Lewis (An Experiment in Criticism)
Bill and Fleur’s cottage stood alone on a cliff overlooking the sea, its walls embedded with shells and whitewashed. It was a lonely and beautiful place. Wherever Harry went inside the tiny cottage or its garden, he could hear the constant ebb and flow of the sea, like the breathing of some great, slumbering creature. He spent much of the next few days making excuses to escape the crowded cottage, craving the cliff-top view of open sky and wide, empty sea, and the feel of cold, salty wind on his face.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
The three thousand miles in distance he put between himself and Emma tonight is nothing compared with the enormous chasm separating them when they sit next to each other in calculus. Emma's ability to overlook his existence is a gift-but not one that Poseidon handed down. Rachel insists this gift is uniquely a female trait, regardless of the species. Since their breakup, Emma seems to be the only female utilizing this particular gift. Even Rayna could learn a few lessons from Emma in the art of torturing a smitten male. Smitten? More like fanatical. He shakes his head in disgust. Why couldn't I just sift when I turned of age? Why couldn't I find a suitable mild-tempered female to mate with? Live a peaceful life, produce offspring, grow old, and watch my own fingerlings have fingerlings someday? He searches through his mind for someone he might have missed in the past. For a face he overlooked before but could now look forward to every day. For a docile female who would be honored to mate with a Triton prince-instead of a temperamental siren who mocks his title at every opportunity. He scours his memory for a sweet-natured Syrena who would take care of him, who would do whatever he asked, who would never argue with him. Not some human-raised snippet who stomps her foot when she doesn't get her way, listens to him only when it suits some secret purpose she has, or shoves a handful of chocolate mints down his throat if he lets his guard down. Not some white-haired angelfish whose eyes melt him into a puddle, whose blush is more beautiful than sunrise, and whose lips send heat ripping through him like a mine explosion. He sighs as Emma's face eclipses hundreds of mate-worthy Syrena. That's just one more quality I'll have to add to the list: someone who won't mind being second best. His just locks as he catches a glimpse of his shadow beneath him, cast by slithers of sterling moonlight. Since it's close to three a.m. here, he's comfortable walking around without the inconvenience of clothes, but sitting on the rocky shore in the raw is less than appealing. And it doesn't matter which Jersey shore he sits on, he can't escape the moon that connects them both-and reminds him of Emma's hair. Hovering in the shallows, he stares up at it in resentment, knowing the moon reminds him of something else he can' escape-his conscience. If only he could shirk his responsibilities, his loyalty to his family, his loyalty to his people. If only he could change everything about himself, he could steal Emma away and never look back-that is, if she'll ever talk to him again.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Ode, Elegy, Aubade, Pslam" 1 The songbird that escapes from a burning house will build its nest in the shape of a cage. 2 This is one thing we know: song begs for the places that make it grow from seed to starling, 3 places that put the heart’s hemlock in an empty rowboat and heave it from the shore. 4 We only praise what we cannot keep: violin strings berried with rain, teacups overflowing with brandywine, radios sickened with static. 5 Glass tossed out with the tide will come back smoother and stranger, but never to the same person. 6 This is something we want to know. The woman in love never touches her ears. 7 The man in his house is always lost without her. 8 Morning pulls light from the dark like a boy hoisting a trout from the lake by its clean, pink gills. 9 When the woman escapes from a burning house she will know the path of the wind, 10 how it writes its scripture in peach blossoms blown into a baby’s empty pram. 11 She’ll feel it compose its words against her body, against the night, against the water, in an endless, artless psalm.
Ryan Teitman (Litany for the City)
If we were all on board ship and there was trouble among the stewards, I can just conceive their chief spokesman looking with disfavor on anyone who stole away from the fierce debates in the saloon or pantry to take a breather on deck. For up there, he would taste the salt, he would see the vastness of the water, he would remember that the ship had a whither and a whence. He would remember things like fog, storms, and ice. What had seemed, in the hot, lighted rooms down below to be merely the scene for a political crisis, would appear once more as a tiny egg-shell moving rapidly through an immense darkness over an element in which man cannot live. It would not necessarily change his convictions about the rights and wrongs of the dispute down below, but it would probably show them in a new light. It could hardly fail to remind him that the stewards were taking for granted hopes more momentous than that of a rise in pay, and the passengers forgetting dangers more serious than that of having to cook and serve their own meals. Stories of the sort I am describing are like that visit to the deck. They cool us.
C.S. Lewis (Of Other Worlds: Essays and Stories)
she saw all those who were in the pickup truck with her husband. Their clothes were torn. Their hands and faces were covered in blood and dust. They looked as shell-shocked as they felt. What’s more, they were hungry and thirsty and exhausted and grieving their families and friends and the town they had left behind. “I heard, on the wireless,” Claire said without missing a beat. “It’s all anyone is talking about. Thank God you’re okay. Come in. All of you, please come in. We will get you something to eat and give you a place to sleep and a hot bath. Come in; don’t be shy. You’re with friends here.
Joel C. Rosenberg (The Auschwitz Escape)
An aurora swirled in the night skies above Bataan, radiating around the smoke-shrouded peaks of the Mariveles Mountains. Intermittent flashes from phosphorus bombs and incendiary shells bathed the jungle in blinding bursts of white light. The rumbling, subterranean tremors had scarcely subsided when American stockpiles of TNT and ammunition dumps were detonated, causing the peninsula to convulse. Thousands of rounds of projectiles, from artillery and mortar shells to rifle bullets, streaked across the sky in arcing rainbows. "Never did a 4th of July display equal it in noise, lights, colors or cost," observed one officer.
John D. Lukacs (Escape From Davao: The Forgotten Story of the Most Daring Prison Break of the Pacific War)
the days and weeks in which we distraught Germans tried to escape the Stalingrad encirclement, finally fleeing headlong across the frozen Don under the shattering live fire from the approaching one hundred Russian tanks. This incident ended a never-to-be-forgotten experience as, almost deafened from the roar of the exploding shells and the incessant clatter of tracks, and blinded by the flashing close behind us, we made our way over mountains of emaciated corpses and wounded comrades whose blood stained the snow red, to the safety of the other bank of the Don, which, the day before, had seemed so peaceful covered in a mantle of fresh snow.
Gunther K. Koschorrek (Blood Red Snow: The Memoirs of a German Soldier on the Eastern Front)
Baking with a salt crust! Salt is mixed with egg whites and then spread over the top of the dish to form a thick crust. This ensures no moisture escapes during baking, keeping the goodness of the ingredients concentrated inside. It's said that centuries ago, when Shogun Hideyoshi Toyotomi was deployed on maneuvers, he'd cover his fish in a salt crust to prevent it from rotting. Because of the insulating wall of salt, the dish is heated gently and evenly while in the oven... ... its juiciness and deliciousness slowly growing within its protective shell. The dish is considered complete... ... when you crack open the now golden-brown salt crust.
Yūto Tsukuda (食戟のソーマ 30 [Shokugeki no Souma 30] (Food Wars: Shokugeki no Soma, #30))
CONDENSATION COVERS THE walls, dimpling into tiny individual drops that follow an almost fractal pattern, like someone has been writing out the secrets of the universe in the most transitory medium they can find. The smell of damp steel assaults my nose as I walk the hall, uncomfortable boots clumping heavily with every step I force myself to take. The space is tight, confined, unyielding; it is like living inside a coral reef, trapped by the limits of our own necessary shells. We are constantly envious of those who escape its limitations, and we fear for them at the same time, wishing them safe return to the reef, where they can be kept away from all the darkness and predations of the open sea.
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
There was no escaping math, after all. It was everywhere, especially in nature. You could go as far to say that math was nature. Pi describe the arc of a rainbow, the way ripples spread in a body of water, the dimensions of the moon and sun. Fractals could be observed in halved sections of red cabbage, the topography of deserts, the branching of lightning bolts. And take the old man glaring out from his shirt, Leonardo Fibonacci, who discovered that a basic number sequence predicted the arrangement of scales on a pinecone, the distribution of petals on flowers, the spiral of a snail shell, the furcation of veins in the human body, even the structure of DNA. When all the people were gone, the numbers would persist.
Nathaniel Rich (Odds Against Tomorrow)
When a baby chick hatches, it often struggles for a long, long time, and you can get impatient watching the little guy struggle. You might be tempted to help him out and break a little bit of the shell away and make it easier for him to escape, but if you do, he will die. You will rob him of a process specifically designed to make him strong. It is only through this struggle that he can gain the strength to survive his life. It is crucial (if you love him) that you let him struggle his way out of this challenge on his own. Your life works the same way. The challenges you currently face are there to help you become stronger and smarter too. They are probably forcing you to learn and grow. If you were rescued from this situation, it might rob you of a process you need to become the person you are meant to be.
Kimberly Giles (Choosing Clarity: The Path to Fearlessness)
The oyster’s radar and defensive mechanisms are critical for its survival, for mouths other than human mouths hunger for oyster flesh. Oysters have several principal predators: the starfish wraps its arms around the oyster, forces its shell apart and ingests it; the boring sponge bores tiny holes in its shell, honeycombing it with tunnels; the slipper-limpet and the mussel smother the oysters or starve them by attaching themselves to an oyster’s shell and eating all their food; the dog-whelk and the whelk-tingle also bore into the shell and suck out the flesh. The oyster, beset by such enemies, writes M.F.K. Fisher, ‘lives motionless, soundless, her own cold ugly shape her only dissipation, and if she escapes the menace of duck-slipper-mussel Black-Drum-leech-sponge-borer-starfish, it is for man to eat because of man’s own hunger’.
Rebecca Stott (Oyster (Animal))
I’m here!” Squirrelflight’s voice was high-pitched with terror. “I’m going to push a branch through to you. You can run along it to escape before it catches fire.” “Right. We’ll be ready,” Lionblaze replied. Hollyleaf felt a jolt of gratitude for her brother’s courage. Without him, she was certain she would have panicked, trapped between the fire and the long drop into the camp. But they would stick together, the three of them, protected by the prophecy as they had always been. Hollyleaf could hear the sound of something heavy being dragged through the undergrowth beyond the flames. Her burst of confidence blew away like ash. “She’ll never manage it,” she muttered to Lionblaze. “What about her wound? She’s not strong enough.” “Squirrelflight will always do what she has to,” Lionblaze replied. Small tongues of flame were creeping through the grass now; rain
Erin Hunter (Long Shadows (Warriors: Power of Three, #5))
I’d like you to come to Kauai with me,” I say. “And Scottie. I think it would be good to get her away from the hospital for a day. We can leave in the morning, find him, and be home tomorrow night. If it takes us a day longer, that’s fine, but we won’t stay more than two nights. That’s our deadline. If we don’t find him, then at least we know we tried.” “And this will make you feel better somehow?” “It’s for her,” I say. “Not for him or me.” “What if he’s a wreck? What if he loses his shit?” “Then I’ll take care of him.” I imagine Brian Speer wailing on my shoulder. I imagine him and my daughters by Joanie’s bed, her lover and his loud sobs shaming us. “Just so you know, I am angry. I’m not this pure and noble guy. I want to do this for her, but I also want to see who he is. I want to ask him a few things.” “Just call him. Tell his office it’s an emergency. They’ll have him call you.” “I want to tell him in person. I haven’t told anyone over the phone, and I don’t want to start now.” “You told Troy.” “Troy doesn’t count. I just need to do this. On the phone he can escape. If I see him in person, he’ll have nowhere to go.” We both look away when our eyes meet. She hasn’t crossed the border into my room. She never does during her nighttime doorway chats. “Were you guys having trouble?” Alex asks. “Is that why she cheated?” “I didn’t think we were having trouble,” I say. “I mean, it was the same as always.” This was the problem, that our marriage was the same as always. Joanie needed bumps. She needed rough terrain. It’s funny that I can get lost in thoughts about her, but when she was right in front of me, I didn’t think much about her at all. “I wasn’t the best husband,” I say. Alex looks out the window to avoid my confession. “If we go on this trip, what will we tell Scottie?” “She’ll think we’re going on a trip of some sort. I want to get her away from here.
Kaui Hart Hemmings (The Descendants)
DEATH’S DIARY: THE PARISIANS Summer came. For the book thief, everything was going nicely. For me, the sky was the color of Jews. When their bodies had finished scouring for gaps in the door, their souls rose up. When their fingernails had scratched at the wood and in some cases were nailed into it by the sheer force of desperation, their spirits came toward me, into my arms, and we climbed out of those shower facilities, onto the roof and up, into eternity’s certain breadth. They just kept feeding me. Minute after minute. Shower after shower. I’ll never forget the first day in Auschwitz, the first time in Mauthausen. At that second place, as time wore on, I also picked them up from the bottom of the great cliff, when their escapes fell awfully awry. There were broken bodies and dead, sweet hearts. Still, it was better than the gas. Some of them I caught when they were only halfway down. Saved you, I’d think, holding their souls in midair as the rest of their being—their physical shells—plummeted to the earth. All of them were light, like the cases of empty walnuts. Smoky sky in those places. The smell like a stove, but still so cold. I shiver when I remember—as I try to de-realize it. I blow warm air into my hands, to heat them up. But it’s hard to keep them warm when the souls still shiver. God. I always say that name when I think of it. God. Twice, I speak it. I say His name in a futile attempt to understand. “But it’s not your job to understand.” That’s me who answers. God never says anything. You think you’re the only one he never answers? “Your job is to …” And I stop listening to me, because to put it bluntly, I tire me. When I start thinking like that, I become so exhausted, and I don’t have the luxury of indulging fatigue. I’m compelled to continue on, because although it’s not true for every person on earth, it’s true for the vast majority—that death waits for no man—and if he does, he doesn’t usually wait very long. On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down …. Please believe me when I tell you that I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear. I took them all away, and if ever there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away. Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They were French, they were Jews, and they were you.
Markus Zusak (The Book Thief)
It was as though I had even to trick my own mind by chattering in such a casual and blase manner; any other way stopped at the point of motivation. It was as though I were emotionally constipated and the words could not otherwise escape my lips. If it were not for the methods I had devised, my words, like my screams and so many of my sobs, would have remained silent. People would push me to get to the point. When what I had to say was negative, this was quite simple. Opinions that had nothing to do with my own identity or needs rolled off my tongue like wisecracks from a stand-up comedian. ....Hiding behind the characters of Carol and Willie, I could say what I thought, but the problem was that I could not say what I felt. One solution was to become cold and clinical about topics I might feel something about. Everyone does this to an extent, in order to cover up what they feel, but I had actually to convince myself about things; it made me a shell of a person.
Donna Williams (Nobody Nowhere: The Extraordinary Autobiography of an Autistic Girl)
Clay’s heart was beating fast. Peril tilted her head at Starflight. “He is smart,” she said. “Just like you said. I guess I could do that.” She sounded like she wasn’t entirely convinced. “If you’re really sure you want to escape tonight.” “Of course we are,” Tsunami said, springing to her feet. “Let’s get out of here.” “But Sunny —” Starflight said. “We hide somewhere and wait until Peril can free her tomorrow,” Tsunami said. “And Glory,” Clay said. “We have to save Glory, too.” “Glory?” Peril’s brow creased in a frown. “The RainWing. Queen Scarlet’s new artwork,” Clay said. “Oh,” Peril said. “Her. She’s very beautiful.” She narrowed her eyes at Clay, which confused him. “Let’s run away now and worry about that later,” Tsunami said. “Is there somewhere we can hide?” Peril snapped her wings open. “Below the waterfall. There’s a cave only I know about.” She turned, nearly smacking Clay with her tail, and hopped over the pool into the fire. Clay watched in amazement as she wrapped her claws around two of the black rocks and picked them up. She stepped into the tunnel, and the fire from the rocks went with her, blazing around her talons. Carefully she piled the fire on the rock floor outside until there was a gap big enough for the dragonets to jump through. Tsunami went first, and then Clay, and then Starflight. When they were all out in the tunnel, Peril rebuilt the wall of fire across the cave entrance. “There,” she said with satisfaction. “Now she’ll have no idea how you got out.” “Can you get these off our wings?” Starflight whispered, pointing to the bindings. Peril gave him a hard look. “Maybe,” she said. “But maybe I’ll wait until I know you won’t leave without saying good-bye.” “We wouldn’t leave without our friends,” Clay promised. She scowled. “Which way to the waterfall?” Tsunami asked. Peril nodded up the tunnel and slithered off, leading the way. “Stop making her mad,” Tsunami hissed in Clay’s ear as they followed. “Me?” he said, genuinely surprised. “What did I do?” “Well, you’re a handsome idiot,” she said affectionately. “And I’ll tell you later.” Which didn’t clear things up at all. Shortly
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
A woman pushed her way through the swarm of people. “She’s the daughter of Matthias, head scribe to Herod Antipas, and known to be a fornicator.” I called out again in protest, but my denial was swallowed by the black odium that boiled out of their hearts. “Show us your pocket!” a man yelled. One by one, they took up the petition. Gripping my forearm, Chuza let their shouts grow fevered before he reached for my sleeve. I writhed and kicked. I was a fluttering moth, a hapless girl. My skirmish yielded nothing but jeers and laughter. He snatched the sheet of ivory from my coat and lifted it over his head. A roar erupted. “She is a thief, a blasphemer, and a fornicator!” Chuza cried. “What would you do with her?” “Stone her!” someone cried. The chant began, the dark prayer. Stone her. Stone her. I shut my eyes against the dazzling blur of anger. Their hearts are boulders and their heads are straw. They seemed to be not a multitude of persons, but a single creature, a behemoth feeding off their combined fury. They would stone me for all the wrongs ever done to them. They would stone me for God. Most often victims were dragged to a cliff outside the city and thrown off before being pelted, which lessened the laborious effort of having to throw so many stones—it was in some way more merciful, at least quicker—but I saw I would not be accorded that lenience. Men and women and children plucked stones from the ground. These stones, God’s most bountiful gift to Galilee. Some rushed into the building site, where the stones were larger and more deadly. I heard the sizzle of a rock fly over my head and fall behind me. Then the commotion and noise slowed, elongating, receding to some distant pinnacle, and in that strange slackening of time, I no longer cared to fight. I felt myself bending to my fate. I ached for the life I would never live, but I yearned even more to escape it. I sank onto the ground, making myself as small as I could, my arms and legs tucked beneath my chest and belly, my forehead pressed to the ground. I fashioned myself into a walnut shell. I would be broken apart and God could have the meat. A stone struck my hip in a sunburst of pain. Another fell beside my ear. I heard the stomp of sandals running toward me, then a voice glittering with indignation. “Cease your violence! Would you stone her on the word of this man?” The mob quieted, and I dared to raise my head. Jesus stood before them, his back to me. I stared at the bones in his shoulders. The way his hands were drawn into fists. How he’d planted himself between me and the stones.
Sue Monk Kidd (The Book of Longings)
What were you singing?" Merritt asked. "A lullaby?" "An old song from the islands, about a selkie." Seeing the word was unfamiliar, he explained, "A changeling, who looks like a seal in the water but takes the form of a man on land. In the song he woos a human maiden, who gives birth to his son. Seven years later, he comes back to take the child." Keir hesitated before adding absently, "But before they leave, the selkie tells the mother he'll give the boy a gold chain to wear on his neck, so she'll recognize him if they meet someday." "Are she and her son ever reunited?" Merritt asked. Keir shook his head. "Someone brings her the gold chain one day, and she realizes he's dead. Shot by-" He broke off as he saw Merritt's face begin to crumple. "Och," he exclaimed softly. "No... dinna do that..." "It's so terribly sad," she said in a watery voice, damning herself for being emotional. A chuckle broke from Keir as he moved closer. "I won't tell you the rest, then." His hand cupped the side of her face, his thumb wiping an escaping tear. "'Tis only a song, lass. Ah, you've a tender heart." His blue eyes sparkled as he looked down at her. "I warn you, no more tears or I'll have to put you on my shoulder and pat you asleep as I did the bairnie." It left Merritt temporarily speechless, that he sincerely seemed to believe she would regard that as a threat.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Are we dead now?" Will said to the boatman. "Makes no difference," he said. "There's some that came here never believing they were dead. They insisted all the way that they were alive, it was a mistake, someone would have to pay; made no difference. There's others who longed to be dead when they were alive, poor souls; lives full of pain and misery; killed themselves for a chance of a blessed rest, and found that nothing had changed except for the worse, and this time there was no escape; you can't make yourself alive again. And there's been others so frail and sickly, little infants, sometimes, that were scarcely born in to the living before they come down to the dead. I've rowed this boat with a little crying baby on my lap many, many times, that never knew the difference between up there and down here. And old folk, too, the rich ones are the worst, snarling and savage and cursing me, railing and screaming: what did I think I was? Hadn't they gathered and saved all the gold they could garner? Wouldn't I take some now, to put them back ashore? They'd have the law on me, they had powerful friends, they knew the Pope and the king of this and the duke of that, they were in a position to see I was punished and chastised...But they knew what the truth was in the end: the only position they were in was in my boat going to the land of the dead, and as for those kings and Pope,s they'd be in here, too, in their turn, sooner than they wanted. I let 'em cry and rave; they can't hurt me; the fall silent in the end. So if you don't know whether you're dead or not, and the little girls swears blind she'll come out again to the living, I say nothing to contradict you. What you are, you'll know soon enough.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
In the half darkness, piles of fish rose on either side of him, and the pungent stink of fish guts assaulted his nostrils. On his left hung a whole tuna, its side notched to the spine to show the quality of the flesh. On his right a pile of huge pesce spada, swordfish, lay tumbled together in a crate, their swords protruding lethally to catch the legs of unwary passersby. And on a long marble slab in front of him, on a heap of crushed ice dotted here and there with bright yellow lemons, where the shellfish and smaller fry. There were ricco di mare---sea urchins---in abundance, and oysters, too, but there were also more exotic delicacies---polpi, octopus; aragosti, clawless crayfish; datteri di mare, sea dates; and grancevole, soft-shelled spider crabs, still alive and kept in a bucket to prevent them from making their escape. Bruno also recognized tartufo di mare, the so-called sea truffle, and, right at the back, an even greater prize: a heap of gleaming cicale. Cicale are a cross between a large prawn and a small lobster, with long, slender front claws. Traditionally, they are eaten on the harbor front, fresh from the boat. First their backs are split open. Then they are marinated for an hour or so in olive oil, bread crumbs, salt, and plenty of black pepper, before being grilled over very hot embers. When you have pulled them from the embers with your fingers, you spread the charred, butterfly-shaped shell open and guzzle the meat col bacio----"with a kiss," leaving you with a glistening mustache of smoky olive oil, greasy fingers, and a tingling tongue from licking the last peppery crevices of the shell. Bruno asked politely if he could handle some of the produce. The old man in charge of the display waved him on. He would have expected nothing less. Bruno raised a cicala to his nose and sniffed. It smelled of ozone, seaweed, saltwater, and that indefinable reek of ocean coldness that flavors all the freshest seafood. He nodded. It was perfect.
Anthony Capella (The Food of Love)
thought there might not be a sky: he had an idea that the formless rock went on and on in a great arch overhead—but when he thought about it, that did not seem possible. Christopher always knew in his dream that you could get to Almost Anywhere from The Place Between. He called it Almost Anywhere because there was one place that did not want you to go to it. It was quite near, but he always found himself avoiding it. He set off sliding, scrambling, edging across bulging wet rock, and climbing up or down, until he found another valley and another path. There were hundreds of them. He called them the Anywheres. The Anywheres were mostly quite different from London. They were hotter or colder, with strange trees and stranger houses. Sometimes the people in them looked ordinary, sometimes their skin was bluish or reddish and their eyes were peculiar, but they were always very kind to Christopher. He had a new adventure every time he went on a dream. In the active adventures people helped him escape through cellars of odd buildings, or he helped them in wars, or in rounding up dangerous animals. In the calm adventures, he got new things to eat and people gave him toys. He lost most of the toys as he was scrambling back home over the rocks, but he did manage to bring back the shiny shell necklace the silly ladies gave him, because he could hang it around his neck. He went to the Anywhere with the silly ladies several times. It had blue sea and white sand, perfect for digging and building in. There were ordinary people in it, but Christopher only saw them in the distance. The silly ladies came and sat on rocks out of the sea and giggled at him while he made sand castles. “Oh clistoffer!” they would coo, in lisping voices. “Tell uth what make you a clistoffer.” And they would all burst into screams of high laughter. They were the only ladies he had seen without clothes on. Their skins were greenish and so was their hair. He was fascinated by the way the ends of them were big silvery tails that could curl and flip
Diana Wynne Jones (The Chronicles of Chrestomanci, Vol. I: Charmed Life and The Lives of Christopher Chant)
…we seek an enlargement of our being. We want to be more than ourselves. … We want to see with other eyes, to imagine with other imaginations, to feel with other hearts, as well as with our own. … One of the things we feel after reading a great work is ‘I have got out’. Or from another point of view, ‘I have got in’; pierced the shell of some other monad and discovered what it is like inside. Good reading, therefore, though it is not essentially an affectional or moral or intellectual activity, has something in common with all three. In love we escape from our self into one other. In the moral sphere, every act of justice or charity involves putting ourselves in the other person’s place and thus transcending our own competitive particularity. In coming to understand anything we are rejecting the facts as they are for us in favour of the facts as they are. The primary impulse of each is to maintain and aggrandise himself. The secondary impulse is to go out of the self, to correct its provincialism and heal its loneliness. In love, in virtue, in the pursuit of knowledge, and in the reception of the arts, we are doing this. Obviously this process can be described either as an enlargement or as a temporary annihilation of the self. But that is an old paradox; ‘he that loseth his life shall save it’. … Those of us who have been true readers all our life seldom fully realise the enormous extension of our being which we owe to authors. We realise it best when we talk with an unliterary friend. He may be full of goodness and good sense but he inhabits a tiny world. In it, we should be suffocated. The man who is contented to be only himself, and therefore less a self, is in prison. My own eyes are not enough for me, I will see through those of others. Reality, even seen through the eyes of many, is not enough. I will see what others have invented. Even the eyes of all humanity are not enough. I regret that the brutes cannot write books. … Literary experience heals the wound, without undermining the privilege, of individuality. There are mass emotions which heal the wound; but they destroy the privilege. In them our separate selves are pooled and we sink back into sub-individuality. But in reading great literature I become a thousand men and yet remain myself. Like the night sky in the Greek poem, I see with a myriad eyes, but it is still I who see. Here, as in worship, in love, in moral action, and in knowing, I transcend myself; and am never more myself than when I do.
C.S. Lewis (An Experiment in Criticism)
Slothrop is just settling down next to a girl in a prewar Worth frock and with a face like Tenniel’s Alice, same forehead, nose, hair, when from outside comes this most godawful clanking, snarling, crunching of wood, girls come running terrified out of the eucalyptus trees and into the house and right behind them what comes crashing now into the pallid lights of the garden but—why the Sherman Tank itself! headlights burning like the eyes of King Kong, treads spewing grass and pieces of flagstone as it manoeuvres around and comes to a halt. Its 75 mm cannon swivels until it’s pointing through the French windows right down into the room. “Antoine!” a young lady focusing in on the gigantic muzzle, “for heaven’s sake, not now. . . .” A hatch flies open and Tamara—Slothrop guesses: wasn’t Italo supposed to have the tank?—uh—emerges shrieking to denounce Raoul, Waxwing, Italo, Theophile, and the middleman on the opium deal. “But now,” she screams, “I have you all! One coup de foudre!” The hatch drops—oh, Jesus—there’s the sound of a 3-inch shell being loaded into its breech. Girls start to scream and make for the exits. Dopers are looking around, blinking, smiling, saying yes in a number of ways. Raoul tries to mount his horse and make his escape, but misses the saddle and slides all the way over, falling into a tub of black-market Jell-o, raspberry flavor, with whipped cream on top. “Aw, no . . .” Slothrop having about decided to make a flanking run for the tank when YYYBLAAANNNGGG! the cannon lets loose an enormous roar, flame shooting three feet into the room, shock wave driving eardrums in to middle of brain, blowing everybody against the far walls. A drape has caught fire. Slothrop, tripping over partygoers, can’t hear anything, knows his head hurts, keeps running through the smoke at the tank—leaps on, goes to undog the hatch and is nearly knocked off by Tamara popping up to holler at everybody again. After a struggle which shouldn’t be without its erotic moments, for Tamara is a swell enough looking twist with some fine moves, Slothrop manages to get her in a come-along and drag her down off of the tank. But loud noise and all, look—he doesn’t seem to have an erection. Hmm. This is a datum London never got, because nobody was looking. Turns out the projectile, a dud, has only torn holes in several walls, and demolished a large allegorical painting of Virtue and Vice in an unnatural act. Virtue had one of those dim faraway smiles. Vice was scratching his shaggy head, a little bewildered. The burning drape’s been put out with champagne. Raoul is in tears, thankful for his life, wringing Slothrop’s hands and kissing his cheeks, leaving trails of Jell-o wherever he touches. Tamara is escorted away by Raoul’s bodyguards. Slothrop has just disengaged himself and is wiping the Jell-o off of his suit when there is a heavy touch on his shoulder. “You were right. You are the man.” “That’s nothing.” Errol Flynn frisks his mustache. “I saved a dame from an octopus not so long ago, how about that?” “With one difference,” sez Blodgett Waxwing. “This really happened tonight. But that octopus didn’t.
Thomas Pynchon (Gravity's Rainbow)
An ambulance finally arrived, and the injured were picked up. Ahmed, whose family is comprised of five sons and three daughters, escaped with his family in the middle of the night. According to Ahmed, a family including women and children was running away ahead of them when a shell hit and killed them. “We decided to hide by walking on the sidewalk close to the wall,” Ahmed narrated how he and his family barely escaped death as mortars fell near them. “My children were crying and we walked as fast as we could till we got to al-Shujayeh Square where ambulances picked us up.” When they got to al-Shifa hospital, Ahmed was reunited with the rest of his family. He saw his dead brother for only a short time as bodies were being piled on top of each other as new ambulances arrived. Hamada al-Ghafeer described his and his family’s survival as “a miracle.” As bombs fell down, he and his family hid under the stairs, broken glass showering over them. “I prayed that I’d die before my kids and not live to see them torn and burnt in front of my eyes,” 39-year-old Hamad said.
Anonymous
Breastfeeding mothers’ diet to escape allergies and colic. No babies in my closest family had allergies, gases or colic. I think that is to the result of a mother’s diet we recommend from generation to generation. We do not eat any gas-forming foods like broccoli or cabbage, and we avoid allergens like red fruits. I did, however, drink a lot of milk, which can cause gases. In addition, and contradicting advice on how to stay fit after birth, I ate tons of butter. It was an obsession during that time, for I do not usually consume dairy that much. It did not cause digestion problems for my baby, but it made my milk really thick. She got nice cheeks. I think my body knew more about needs of the baby than my brain. In general, I ate meat and neutral vegetables–no sweets, no soda, and not much shell fish. It may seem difficult to limit yourself to certain kinds of food, but it is not at all. Eat steaks with sweet potato, spring beans, or salad. It is tasty, balanced and quite habitual for many Americans. Sometimes mothers do have to give up some food preferences for several months to help their babies grow healthy and feel good. My cousin, a Korean girl, continued to eat spicy food during breastfeeding. It was not good for my newborn niece, who had an allergic reaction all over her face and body and was scratching herself badly. She had red spots all over.
Julia Shayk (Baby's First Year: 61 secrets of successful feeding, sleeping, and potty training: Parenting Tips)
On the summits of these heights I found shells such as are picked up at the seaside. The Indians accounted for their appearance there by saying that once a great sea rolled over the face of the country and only one man in a boat escaped with his family. He had sailed about in the boat until the waters retired to their place, and, living there, became the father of all Indians.
Fanny Kelly (Narrative of My Captivity Among the Sioux Indians)
A most unusual place of concealment had been chosen, and one where the money had escaped discovery, although on several occasions, in searching the house, the detectives had literally held it in their hands. Schwartz had taken a quantity of the cartridges he bought for his shot-gun, and emptying them, had put in each shell one of the fifty- or one-hundred-dollar bills, upon which he had then loaded in the powder and the shot in the usual way, so that the shells presented the ordinary appearance as they lay in the drawer.
Cleveland Moffett (True Detective Stories From the archives of the Pinkertons)
Are you so scared you were going to run?” She nodded, and he ran a finger along the line of her jaw. “Let’s try to get through this,” he said. “Even if it works, there’s no way I can ever repay you,” Paige said. He just shook his head. “I don’t want anything from you, Paige. Except that no one ever hits you again. Ever.” Paige just had to touch his face. She put her small palm against his cheek and whispered, “You are such an angel.” “Naw. I’m just an average guy.” He laughed a little. “A below-average guy.” She shook her head and a tear escaped and rolled down her cheek. Preacher carefully wiped it away. “It doesn’t make any sense to me,” he said. “If a man has a family like this—you and Christopher and a new baby coming—why? It seems like he’d do anything in the world to keep you safe, not hurt you. I wish...” He shook his head sadly. “What do you wish, John?” “You deserve to have a man who loves you and never lets you forget it. Someone who wants to raise Christopher into a solid and strong man, a good man who respects women.” He put his hand against her hair, grabbing a silky fistful. “If I had a woman like you, I’d be so careful,” he said in a whisper. She looked into his tender eyes and smiled, but it was tinged with fear and sadness. “Come here, let me hold you,” he said, pulling her to him. She slipped onto his lap, pulled up her legs and curled against him, her head on his shoulder, his arm around her back. She nestled like a little kitten against his broad chest. Preacher leaned back in the chair and closed his eyes, his arms around her, holding her against him. All I have to offer is this, he thought. Help. Safety. We’ll get this bastard out of her life, she’ll grow strong and confident again. And then she’ll go. Somewhere down the line there will be a man—one who treats her right. But until then, sometimes she might need someone to hold her for a little while. And if it gets to be me, those few times, I’ll make the most of it. He sat like that until the small clock on the wall said that it was midnight. Paige had not moved in hours; she slept in his arms. He could stay there until dawn, just feeling her small body against his. With a deep sigh, he kissed the top of her head. Then he stood, carefully lifting her in his arms. She roused briefly, looking up at his face. “Shh,” he said. “Let’s get you to bed. We have a big day tomorrow.” He carried her up the back stairs and into his old room. Preacher lowered her to the bed, next to her son, and brushed the hair away from her brow. “Thank you, John,” she whispered. “You don’t have to thank me,” he said. “I’m doing what I want to do.” *
Robyn Carr (Shelter Mountain (Virgin River, #2))
And I sit down at the kitchen table and realize that Mom really died. That she’ll never come back. And that I am alone. Cold hands reach out for me, threaten to pull me into a dark place where I might never escape, and I let them. It’s like I’m trapped in a block of ice that nothing can penetrate. Everything around me is just a blur of colour, a flash of movement, garbled sounds. I can’t quite decipher and don’t want to. Time passes like sludge
Michelle Krys (Hexed (The Witch Hunter, #1))
My God!” Sophia sat back, her eyes wide with horror. “It’s a drug! He’s drugging her and she doesn’t even know it.” Here we go. “It’s common knowledge that we’re genetic traders—the fact that we have more than one means to attract a mate of an entirely different species should come as no surprise,” he pointed out. “You…you cold blooded bastard.” Sophia shook her head. “Poor Liv—she has no idea what he’s doing to her.” “It wouldn’t matter even if she did,” Sylvan explained patiently, ignoring her insults. “The mating scent is too strong to fight, even with advanced warning. Stronger species than yours have tried and they have all failed. With very few exceptions.” He closed his eyes briefly thinking of Feenah, of her pure white hair and pale crystal eyes. I’m sorry, Sylvan… “It’s not right. You’re not fighting fair.” Sophia’s words pushed back the painful memory and Sylvan opened his eyes again to see the look of despair and anger on her lovely face. She looked almost on the brink of tears. Wonderful—she was even more upset and irrational than he had thought she would be. He supposed he ought to feel irritated. Instead, the illogical urge to hold and comfort her came over him so strongly that he had to sit back and cross his arms over his chest to keep from reaching for her. “I believe you humans have a saying that covers this—‘All’s fair in love and war.’ Is that right?” he said softly. “Yes, but that doesn’t mean—” Sylvan leaned forward again and took her soft, small hands between his own larger ones. “You must understand, Sophia—Baird isn’t trying to trick your sister into anything. He’s simply using every power at his disposal to keep her. Because he needs her—he loves her. She is the only woman in the entire universe for him and the bond that will form between them will be one of undying love and devotion.” “Maybe for him.” She looked down as though mesmerized by the sight of her own small hands being engulfed in his much larger ones. “But not for Liv. He’s going to trick her into having bonding sex with him —whatever that is—and then she’ll spend the rest of her life hating him once she finds out how he did it.” She looked up at Sylvan. “You don’t know her like I do—she hates being lied to. Her last boyfriend cheated on her and then lied about it and she dumped him and never looked back. If she knew what Baird was doing to her…” “It’s not as though it’s a conscious choice on his part,” Sylvan tried to explain. “It’s the way our bodies react chemically to our chosen mates. We can’t turn it off, even if we try. Sometimes it comes even when it’s not wanted. We have a saying for it—‘The blood knows what the mind does not wish to see.’” Lifting a hand, he cupped her cheek and brushed away the single tear that had escaped her wide green eyes with his thumb. “It cannot be helped.” Sophia
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
I turned and flipped the latch on the door, then pulled hard on the handle, stumbling over the threshold into the fresh air. I would have fallen in the dirt for the second time that day except that someone standing outside caught me. Terrified that my escape was being thwarted, I struck out at whoever it was, feeling a sharp pain when my fist connected with the person’s jaw. “Empress, you hit hard!” a male voice exclaimed, then he captured my arms and trapped them behind my back. By the strange expletive he had used, I knew him to be Cokyrian--my luck was golden. “What’s going on here?” The butcher staggered into the doorway, squinting in the sunlight. “Your girl’s a thief,” he muttered at sight of the man who held me, sparing a glower for me as though warning me to be quiet. I ground my teeth and looked away, intending to do just that. Now that I had stopped struggling, the Cokyrian soldier released me, and I considered whether or not to run. Then I saw who had been restraining me--Saadi, the man with whom Narian and my uncle had dealt after my failed prank. There would be no point in running if he remembered who I was. “My girl?” Saadi repeated, his pale blue eyes calculating. “She is no Cokyrian. Besides, I would expect you to show any comrade of mine more respect than that.” “My apologies,” the butcher forced himself to say, and rage filled me at his newly respectful attitude. “She broke into my store and I assumed from her clothing…I also assume you’ll see her punished for her crime.” “You were about to punish her yourself, weren’t you?” Saadi scrutinized me, noting the red marks around my wrists and perhaps the beginnings of the bruises I would have across my mouth. “In Cokyri, you would be killed for what you did to her--what you tried to do.” “It’s good we’re not in Cokyri then,” the butcher sneered. Saadi’s jaw clenched, and he seemed to be fighting a deep urge to pummel the merchant who stood before him. “I should take you to join the men at the gallows.” “I would welcome it.” “I can see why,” Saadi coldly retorted, with a subtle look up and down at the heavyset man. “But I’m afraid the lack of your business might dampen the economy in the province, and that is something my sister would frown upon. She’ll be disappointed, though--she does so enjoy seeing men like you hang.” “And I enjoy seeing women in skirts as God intended.” Another strained moment passed, then Saadi laughed. “Perhaps if your God had paid less attention to clothing and more to abilities, you and your kind wouldn’t be in this position right now.” The butcher shifted uncomfortably, and Saadi quickly dispensed with him. “If you want me to arrest her for thievery, I’ll also arrest you for assault. So I would advise that you go back to your meat and your customers, may they be few.” The man did not need to be told twice. He slammed the door in our faces, and I could hear the lock click into place. It was then that I noticed the canvas bag at Saadi’s feet. He must have seen flight in my eyes, for he started running at almost the same moment I did.
Cayla Kluver (Sacrifice (Legacy, #3))
An Introduction to CFD Trading Increase, commit, and individuals trying to trade systems and their cash in different areas are usually trying to find new strategies. Like several good buyer, you won’t be joining the group, instead you had want in order to change lives begin or to create one. Stocks trading is really 80s within the sensation that perhaps young kids today understand how it operates, and have the ability to survive without any formal education. If you should be looking for a new company shift, you should provide a try to this new venture. First what’s a CFD? CFD stands for contract for difference. It’s thought as a small business contract an entrepreneur and by an expense business. If the contract expires, both parties can trade notes concerning the differences between the original and final price indices of particular monetary things like shares of items and futures. This is exactly what CFD Trading is focused on. The one edge that traders have within this economic contract is the fact that they get to purchase these factors at lower costs despite the fact that it includes nonvoting stocks where the trader can’t vote on all aspects of the company as opposed to what stockholders are blessed to do. Another thing is the fact that a CFD does not hold taxes on files even if these aspects are acquired in large amounts. In simple terms, it’s a in which a derivative asset is founded on an underlying asset’s cost between two entities that transactions the differences. These parties will need to pay the differences required to eachother. The way in which CFD Trading works is that among the entities gives the difference before contract ends included to the other. Just about like what occurs in spreadbetting, the trader continues the opposite end-of the deal with investment institution or CFD service, where the trader anticipates which cost will increase and having three selections to take whether to buy, to slide or to sell the component required. Another similarity with spreadbetting is the fact that you can find no tax tasks since CFD’s don’t involve buying of assets to become settled. It just requires the activity of the fee. Since the investor is just needed to spot a minor amount on these things, that are also called edges, the earnings and in addition losses will soon be on the basis of the money set in. In other words, a CFD is good for the entrepreneur since it gives him the chance of owning main assets without so much problem. Does It Work A good example of that is to ingest a share worth $20 and the entrepreneur buys 100 of these. He will be cost $2,000 by this exchange. Employing a stockbroker will demand the entrepreneur to shell 50% of this amount out. That is $1,000. A meager initial cashout is needed which amounts as much as only $100, should you evaluate that to an expenditure finished with a CFD representative. However, allow it to be regarded that whenever an investor enters a deal of difference, the cost place usually begins in a loss. Which damage is definitely equal to the spread. Which means the spread is at $8 along with if you come into a deal, the underlying resource must generate $8 merely to break even. Let us say if the actual resource reaches a quote cost of $ 20, then the CFD price will be a few cents less than that since the dealer will have to escape at that point. So as opposed to increasing your money to $40, he will must settle for several dollars. Nevertheless not really a terrible package to get a purchase with less trouble.
H2O Markets
Find Sam Temple. Tell him you escaped.” Jack gulped and bobbed his head. “Better yet, find that girl, Astrid.” Diana recovered some of her mocking attitude. “Astrid the Genius. She’ll be desperate to save Sam.” “Okay. Okay.” He steeled himself. “I better go.” Diana touched his arm. “Tell them about Andrew.” Jack froze with his hand on the key. “That’s what you want me to do?” “Jack, if Sam blinks out, Drake will turn on me, and Caine won’t be able to stop him. Drake is stronger than before. I need Sam alive. I need someone for Drake to hate. I need balance. Tell Sam about the temptation. Warn him that he’ll be tempted to surrender to the big jump, but maybe, maybe, if he says no…” She sighed. It was not a hopeful sound. “Now: go.
Michael Grant
Suffering builds character and impels you to penetrate life’s secrets. It’s the path of great artists, great religious leaders, great social reformers. The problem is not suffering per se, but rather our identification with our own ego: our divided, dualistic, cramped view of things. “We are too ego-centered,” Suzuki tells Cage. “The ego-shell in which we live is the hardest thing to outgrow. We seem to carry it all the time from childhood up to the time we finally pass away.” Adolescent love gives us the first chance to break the shell. Sexual love makes the ego lose itself in the object it loves. “When the ego-shell is broken and the ‘other’ is taken into its own body, we can say that the ego has denied itself or that the ego has taken its first steps towards the infinite.…The religious consciousness is now fully awakened, and all the possible ways of escaping from the struggle or bringing it to an end are most earnestly sought in every direction. Books are read, lectures are attended, sermons are greedily taken in, and various religious exercises or disciplines are tried.” Suzuki says that sexual love is a vehicle of liberation? A crack in the ego shell? A path to the infinite? At this point, if I were Cage, I would buy the book and take it home.
Kay Larson
We’re at a time of decision, and we don’t know what the decision represents or what choices we have, or even where they lead. Our world is gone, our old world. We can turn and go with it, die with it. The crab can stay in his worn-out shell and perish. We’ve been fortunate, the three of us. We’ve been pushed out to the lip of the shell. We can stand and look around us. The others have already left, gone with the old. Soon we can follow them. Or we can find something else.” “And if we don’t?” “Well, if we don’t we simply die with the rest. Our being picked out this way, the three of us, gives us a chance to escape. We become free agents for a moment. The cosmic process hangs poised. We can start it spinning in any direction we want. Like the figure in the Greek play. He looks around him. What is he going to do?
Philip K. Dick (Gather Yourselves Together)
No, I am dragon.” “Sure you are, and even if I believed you, dragons are still shifters.” “Don’t let my mother hear you say that. She’ll wash your mouth out with castor oil.” “Does your mother know you escaped your room?” A padded room he’d wager, given her delusion.
Eve Langlais (Becoming Dragon (Dragon Point, #1))
We learn much through suffering,” she said. “But I think what we learn most is who we really are. I’ve known the true you for some time, Owen. But you were like a chick struggling to escape its shell. Now you’re free to grow and become what the Fountain intended you to become. You may have thought what the Fountain forced you to endure was unpleasant, even cruel. But now you know yourself. Now you know what you would have chosen without any foreknowledge of the consequences. That’s why I couldn’t tell you, Owen.
Jeff Wheeler (The King's Traitor (Kingfountain, #3))
Thomas glanced back at the stairs, excited nerves leaping in his stomach. “Is Eliza coming?” After the words escaped his mouth he realized how comical he sounded. Of course she was coming. “I mean to say, is Eliza ready?” A wide grin washed over Kitty’s face, as if she were hiding something. “She’ll be down shortly.” Thomas nodded and rested his fidgety hands on the back of the embroidered chair. Nathaniel led Kitty to the other seat and helped her to sit. At that moment, the dainty tap of Eliza’s shoes on the stairs forced Thomas to whirl around. Nathaniel came up behind him. “Steady, boy.” Thomas clenched his jaw to keep it from gaping and dropped his hands to his sides. His eyes traced Eliza’s dainty form. She was even more radiant in that gown than he’d imagined and her face glittered with the most magnificent smile he’d ever seen. The fitted gown accentuated her perfect curves and impossibly tiny waist. The white lace around the neckline tickled her creamy skin, while the dusty-pink color drew out the rosy nature of her cheeks and lips. He tried, but he couldn’t stop staring. Her hair was curled like Kitty’s and wrapped with a delicate ribbon that matched the color of her gown. Her creamy complexion and the velvety look of her long neck were so enticing he had to fight the sudden urge to taste it. Eliza curtsied low and dipped her head. Upon rising she lifted her lashes and spoke to him in a tantalizing timbre. “Good evening, Thomas.” Thomas’s heart beat with such profound strength, it ripped every word from his mind. He wanted to say how beautiful she was. He wanted to tell her he was sorry for keeping his distance when she needed him. Even more than that, he wanted to move his face near hers, and inhale her graceful rose scent deep into his lungs before tasting her lips once again. Every appropriate response fled his mind as his blood raced around his body. He bowed. “Good evening, Eliza.” “Do my eyes deceive me?” Nathaniel, back to his charismatic self, pushed Thomas aside and kissed Eliza’s hand as he bowed with dramatic flare. “You are even more alluring than Aphrodite herself, my dear.” Eliza smiled again and giggled low in her throat. “You are too generous, Doctor.” “I am too enamored. You and your sister shine like the stars themselves.” A hearty grin flashed across his proud face. “Shall we go in to dinner?” He took his place beside Kitty and sent a flashing glance to Thomas, no doubt intended to instruct him to make the most of the moment. Thomas could kill himself. Good evening? That’s all he could say? Eliza’s body faced away from him, but she turned in his direction and the rest of her followed, her gown sweeping across the floor. Thomas closed the space between them, offering his arm. “Shall we go in?” Her slender hand grasped his arm. “You look very nice this evening, Thomas.” Thomas’s tongue dried up in his mouth, shriveling his ability to speak. He could never compete with Nathaniel’s theatrical praises. He’d have to just say what he thought. “You’re a vision, Eliza.” Her
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
Man is encased, as though in a shell, in the particular ranking of the simplest values and value-qualities which represent the objective side of his *ordo amoris*, values which have not yet been shaped into things and goods. He carries this shell along with him wherever he goes and cannot escape from it no matter how quickly he runs. He perceives the world and himself through the windows of this shell, and perceives no more of the world, of himself, or of anything else besides what these windows show him, in accordance with their position, size, and color. The structure and total content of each man's environment, which is ultimately organized according to its value structure, does not wander or change, even though he himself wanders further and further in space. It is simply filled out anew with certain individual things. However, even this fulfillment must obey the law of formation prescribed by the value structure of the milieu. The goods along the route of a man's life, the practical things, the resistances to willing and acting against which he sets his will, are from the very first always inspected and "sighted," as it were, by the particular selective mechanism of his *ordo amoris*. Wherever he arrives, it is not the same men and the same things, but the same types of men and things (and this are in every case *types* of values), that attract or repulse him in accordance with certain constant rules of preference and rejection. What he actually notices, what he observes or leaves unnoticed and unobserved, is determined by this attraction and this repulsion; these already determine the material of *possible* noticing and observing. Moreover, the attraction and repulsion are felt to come from things, not from the self, in contrast to the case of so-called active attention, and are themselves governed and circumscribed by potentially effective attitudes of interest and love, experienced as readiness for being affected." —from_Ordo Amoris_
Max Scheler
Professora.” Miles ducked a nod to her, smiling in turn. “Is she here? Is she in? Is she well? You said this would be a good time. I’m not too early, am I? I thought I’d be late. The traffic was miserable. You’re going to be around, aren’t you? I brought these. Do you think she’ll like them?” The sticking-up red flowers tickled his nose as he displayed his gift while still clutching the rolled-up flimsie, which had a tendency to try to unroll and escape whenever his grip loosened.
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
But he froze before he had reached far enough, halted, certainly, by the same sexret doubt I had seen in others, the querulous look and fear that asked, Is there yet someone alive in that shell? Some living human being, watching, waiting to come back to life [...]. Might there yet be some ember that could burst suddenly into flame, escaping, falling away to earth like a maggot dropping from a carcass?
Paul Sayer (Comforts of Madness)
When the mess truck moved on, we made our way back to my gun position and sat on the edge of the innerspring mattress with our feet dangling into the trench as we ate our supper. There was the usual amount of shelling during the night, and with each series of blasts we would roll off the mattress into the trench and hug the
Edgar D. Whitcomb (Escape From Corregidor)
In a strange sort of way, all this illegality actually set these people free. During the war, they had only two grim choices: they could either become soldiers in their enemy’s army or slave away as civilian war workers. The soldiers would be sent to the front to be used as human shields against the shells. The laborers would be worked to the bone—and sometimes death—in coal mines or munitions factories. The life of an outlaw was a kind of liberation.
Masaji Ishikawa (A River in Darkness: One Man's Escape from North Korea)
Such as a grain of sand easily penetrates the shell of an oyster, so does evil have the potential to enter and grow in any 176 being. How do we fight this when we are surrounded by sand? As sand surrounds the oceans of earth, so does evil surround all beings. We cannot fight against the sand! It is not the sand in our shells that we should fight against but what we do with the sand that enters us that matters.
Tephra Miriam (Escape to Clown Town (Clown Town Adventures, #1))
Such as a grain of sand easily penetrates the shell of an oyster, so does evil have the potential to enter and grow in any being. How do we fight this when we are surrounded by sand? As sand surrounds the oceans of earth, so does evil surround all beings. We cannot fight against the sand! It is not the sand in our shells that we should fight against but what we do with the sand that enters us that matters.
Tephra Miriam (Escape to Clown Town (Clown Town Adventures, #1))
It has been the thesis of this book that freedom has a twofold meaning for modern man: that he has been freed from traditional authorities and has become an “individual,” but that at the same time he has become isolated, powerless, and an instrument of purposes outside of himself, alienated from himself and others; furthermore, that this state undermines his self, weakens and frightens him, and makes him ready for submission to new kinds of bondage. Positive freedom on the other hand is identical with the full realization of the individual’s potentialities, together with his ability to live actively and spontaneously. Freedom has reached a critical point where, driven by the logic of its own dynamism, it threatens to change into its opposite. The future of democracy depends on the realization of the individualism that has been the ideological aim of modern thought since the Renaissance. The cultural and political crisis of our day is not due to the fact that there is too much individualism but that what we believe to be individualism has become an empty shell. The victory of freedom is possible only if democracy develops into a society in which the individual, his growth and happiness, is the aim and purpose of culture, in which life does not need any justification in success or anything else, and in which the individual is not subordinated to or manipulated by any power outside of himself, be it the State or the economic machine; finally, a society in which his conscience and ideals are not the internalization of external demands, but are really his and express the aims that result from the peculiarity of his self. These aims could not be fully realized in any previous period of modern history; they had to remain largely ideological aims, because the material basis for the development of genuine individualism was lacking. Capitalism has created this premise. The problem of production is solved—in principle at least—and we can visualize a future of abundance, in which the fight for economic privileges is no longer necessitated by economic scarcity. The problem we are confronted with today is that of the organization of social and economic forces, so that man—as a member of organized society—may become the master of these forces and cease to be their slave.
Erich Fromm (Escape from Freedom)
The smell of hurrying passed my nostrils with the smell of sea water and fresh fish wind, there was history which had taught my eyes to look for escape even beneath the almond leaves fat as women, the conch shell tiny as sand, the rock stone old like water. I learned to read this from a woman whose hand trembled at the past, then even being born to her was temporary, wet and thrown half dressed among the dozens ofbrown legs itching to run.
Dionne Brand (No Language Is Neutral)
Being a Christian woman does not promise you a smooth sailing neither does it promise a life without calamities. It does not guarantee a life where, when one desires a husband, she'll be granted one immediately. It does not provide an escape from marriage trials nor prevent the prodigality of the kids.
Ntombizodwa Siyaya (Meeting Mr Right)
It was as though I had even to trick my own mind by chattering in such a casual and blase manner; any other way stopped at the point of motivation. It was as though I were emotionally constipated and the words could not otherwise escape my lips. If it were not for the methods I had devised, my words, like my screams and so many of my sobs, would have remained silent. People would push me to get to the point. When what I had to say was negative, this was quite simple. Opinions that had nothing to do with my own identity or needs rolled off my tongue like wisecracks from a stand-up comedian. ....Hiding behind the characters of Carol and Willie, I could say what I thought, but the problem was that I could not say what I felt. One solution was to become cold and clinical about topics I might feel something about. Everyone does this to an extent, in order to cover up what they feel, but I had actually to convince myself about things; it made me a shell of a person. These were the same tactics l employed when l found it necessary to create Carol in order to communicate all those years ago. Deep down, Donna never learned to communicate. Anything that l felt in the present still had either to be denied or expressed in a form of conversation others called waffling, chattering, babbling, or "wonking." l called it "talking in poetry.
Donna Williams (Nobody Nowhere: The Extraordinary Autobiography of an Autistic Girl)
It was as though I had even to trick my own mind by chattering in such a casual and blase manner; any other way stopped at the point of motivation. It was as though I were emotionally constipated and the words could not otherwise escape my lips. If it were not for the methods I had devised, my words, like my screams and so many of my sobs, would have remained silent. People would push me to get to the point. When what I had to say was negative, this was quite simple. Opinions that had nothing to do with my own identity or needs rolled off my tongue like wisecracks from a stand-up comedian. ....Hiding behind the characters of Carol and Willie, I could say what I thought, but the problem was that I could not say what I felt. One solution was to become cold and clinical about topics I might feel something about. Everyone does this to an extent, in order to cover up what they feel, but I had actually to convince myself about things; it made me a shell of a person.
Donna Williams (Nobody Nowhere: The Extraordinary Autobiography of an Autistic Girl)
The bombardment, which had heavily damaged the lower portion of the city, the only part the shells could reach, would last 567 days, the longest siege in American history.
Cate Lineberry (Be Free or Die: The Amazing Story of Robert Smalls' Escape from Slavery to Union Hero)
For the longest time, maman was the flawless beauty who graced France as its queen. Yet now she is a shell of that woman. It is quite ironic really. It was for many years her prison and yet it seems as if she will never escape the ancien régime or the gilded halls of Versailles. Yes, she has left France but it seems as if it will always be a part of her.
Elizabeth K. Corbett (Alternate Endings: A Short Story Anthology of Historical What Ifs)
She is a tiny woman with feelings and opinions and a sense of humour and I want her to be mine alone. She is a little girl who blows out her cheeks to do impressions of puffer fish whenever she’s bored. She fits in my arms so perfectly now, but sometime soon she’ll be desperate to escape them and this is where it begins. This is where she starts to learn to live without me.
Anna Whitehouse (Underbelly)