Crooks And Castles Quotes

Benedicto: May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds. May your rivers flow without end, meandering through pastoral valleys tinkling with bells, past temples and castles and poets towers into a dark primeval forest where tigers belch and monkeys howl, through miasmal and mysterious swamps and down into a desert of red rock, blue mesas, domes and pinnacles and grottos of endless stone, and down again into a deep vast ancient unknown chasm where bars of sunlight blaze on profiled cliffs, where deer walk across the white sand beaches, where storms come and go as lightning clangs upon the high crags, where something strange and more beautiful and more full of wonder than your deepest dreams waits for you -- beyond that next turning of the canyon walls.

the runway style. With her short hair freshly died platinum blonde she had to slay the scene in a black Crooks and Castle snapback, diamond stud earrings, gold collar necklace, red Crooks and Castle sweatshirt, Cartier gold men’s watch, black leather leggings, Saint Laurent suede peep-toe lace-up booties and a extra sickening red $7750 VBH Brera ostrich satchel bag.

Oh,Mercer," he murmured against my temple once we'd come up for air, "we are so screwed." I pressed my face against his neck, breathing him in. "I know." "So what do we do?" Reluctantly, I tried to move away. It was hard to think when he was so close to me. "If we were good people, we'd never see each other again." His arms locked around my waist, pulling me back. "Okay,well, that's not happening. Plan B?" I smiled up at him, feeling ridiculously giddy for someone on the verge of ruining her life. "I don't have one.You?" He shook his head. "Nothing.But...look. I've spent basically my whole life pretending to be someone I'm not, faking some feelings, hiding others." Reaching down, he clasped my hand and lifted it so that our joined hands were trapped between our chests. "This thing with us is the only real thing I've had in a long time.You're the only real thing." He raised our hands and kissed my knuckles. "And I'm done pretending I don't want you." I had read a lot about swooning in the romance novels Mom had tried to hide from me,but I'd never felt in danger of doing it until now. Which was why a snarky comment was definitely called for. "Wow,Cross.I think you missed your calling.Screw demon hunting: you should clearly be writing Hallmark cards." His face broke into that crooked grin that was maybe my favorite sight in the whole world. "Shut up," he muttered before lowering his head and kissing me again. "Why is it," I said against his lips several moments later, "that we're always kissing in gross, dirty places like cellars and abandoned mills?" He laughed, pressing kisses to my jaw, then my neck. "Next time it'll be a castle, I promise.This is England, after all. Can't be too hard to find one.

But the Lady Amalthea and Prince Lir walked and spoke and sang together as blithely as though King Haggard's castle had become a green wood, wild and shadowy with spring. They climbed the crooked towers like hills, picnicked in stone meadows under a stone sky, and splashed up and down stairways that had softened and quickened into streams.

The standard salute involved taking the left arm and holding it directly in front of you, parallel with the ground.  Then, the right arm was swung up, catching the left hand in the crook of the elbow.  Then they rotated their hands to face forward and waved at me.

And the Crooked Man heard her dreams, because that was where he wandered. His place was the land of the imagination, the world where stories began. The stories were always looking for a way to be told, to be brought to life through books and reading. That was how they crossed over from their world into ours. But with them came the Crooked Man, prowling between his world and ours, looking for stories of his own to create, hunting for children who dreamed bad dreams, who were jealous and angry and proud. And he made kings and queens of them, cursing them with a kind of power, even if the real power lay always in his hands. And in return they betrayed the objects of their jealousy to him, and he took them into his lair deep beneath the castle...

I asked whether the High Fae came into the pub. Lulu gave me a crooked smile. “High Fae?” she asked. “You know. The gentry, elves, those posh gits with extradimensional castles, stone spears and unicorns.” “You mean them what step between worlds?” “Could be.” “Who walk on paths unseen and wax and wane with the moon?” “Them sort of people,” I said. “Yeah.” “Not in here, squire,” she said. “I run a respectable pub.

Tom smiled at the Fleming — a bright, friendly smile — and bobbed his head courteously. That confused the jolt-head. Then, by way of making conversation while his confederates gained their positions, he said, "I suppose someone must have told you — your mother, perhaps, or your father, though I doubt you ever knew him — that you're an idle-headed canker. A rank pustule? No? Not even an irksome, crook-pated, pathetical nit?" The Fleming, his face as red as hot steel, roared and swung a fist like a blacksmith's hammer.

Dear nineteen-year-old self, I hear you whispering to that flashing black star. yes, you are ugly in that nightgown. you are ugly in that silver moon night, crookedly holding a margarita. you are as ugly as the day you were born. as ugly as a field of tulips bursting red as ugly as glittering snow on evergreens as ugly as laughter. mary, do you understand what I am saying? you are a creation, a gift. tell them you were born for this life. tell them your heart is a bludgeoned castle, tell them you’ve got room, you’ve got safe stone. when they say that you laugh too much, tell them that your laughter is a skeleton key. you laugh because you’ve seen so much dying. you laugh because living is an absurd joy. to laugh is to be grateful for salt for sweat, for crying. you know this. mary, I know that the kitchen linoleum feels like an answer to a puzzle. I know you lay on it, chain-smoking, wishing you were a supporting actor in someone else’s life or at the very least, a chipping floor. something that stays in place; something not girl. mary, stop trying to die

Catherine Marks came to stand on the other side of the doorway as if she were a fellow sentinel guarding the castle gate. Leo glanced at her covertly. She was dressed in lavender, unlike her usual drab of colors. Her mousy brown hair was pulled back into such a tight chignon as to make it difficult for her to blink. The spectacles sat oddly on her nose, one of the wire earpieces crimped. It gave her the appearance of a befuddled owl. "What are you looking at?" she asked tersely. "Your spectacles are crooked," Leo said, trying not to smile. She scowled. "I tried to fix them, but it only made them worse." "Give them to me." Before she could object, he took them from her face and began to fiddle with the bent wire. She spluttered in protest. "My lord, I didn't ask you to- if you damage them-" "How did you bend the earpiece?" Leo asked, patiently straightening the wire. "I dropped them on the floor, and as I was searching, I stepped on them." "Nearsighted, are you?" "Quite." Having reshaped the earpiece, Leo scrutinized the spectacles carefully. "There." He began to give them to her and paused as he stared into her eyes, all blue, green, and gray, contained in distinct dark rims. Brilliant, warm, changeable. Like opals. Why had he never noticed them before? Awareness chased over him, making his skin prickle as if exposed to a sudden change in temperature. She wasn't plain at all. She was beautiful, in a fine, subtle way, like winter moonlight, or the sharp linen smell of daisies. So cool and pale... delicious. For a moment, Leo couldn't move.

That I haven’t told you the parable of the man, the boy, and the mule.” Cettie nodded eagerly. He stared down at the book, thumbing through its pages. “I heard this one when I first went away to study the Mysteries. It was shared with all of us, but I don’t think all of us heard it the same way. That’s the thing about stories. They can touch on truths that some people just are not ready to hear. The tale goes like this. Long before the first flying castles and sky ships and cauldrons of molten steel—before the Fells—life was simpler. A man and his son needed to sell their mule to buy food to last the winter. So they started walking to get to the market, which was very far. They met a fellow traveler along the way who criticized them for not riding the mule. So the man, realizing that his beast of burden wasn’t being used for its purpose, put his son on it to ride. But when they arrived at the first village on their path, some men in the square scoffed and said how inconsiderate the son was for making his father walk. They stopped and watered the beast, and so the father ordered the boy to walk while he rode. Again, they reached the next village, and what did they hear? Some washerwomen complained that the father must be evil to force his son to walk while he rode. Ashamed by their words, the father decided to change yet again. Do you know what he did?” Cettie shook her head no, eager for him to continue. Fitzroy wagged his finger at her. “So they both rode the mule into the next town. By this time, the mule was getting very tired, and when they reached the next village, they were ridiculed for being lazy and working the poor beast half to death! The market was in the very next town, and they feared they’d not be able to sell the poor creature, now it was so spent. And so the father and son cut down a sapling, lashed the mule to the pole, and carried it to the next town. You can imagine what the townsfolk thought as they saw the father and son laboring and exhausted as they approached the town. Who were these country bumpkins who carried a mule on their own shoulders? As they crossed the bridge into town, suffering the jeers and taunts of passersby, one of the ropes broke loose, and the mule kicked free. The boy dropped his end of the pole, and the beast fell into the river and drowned.” “No!” Cettie said, mouth wide open. Fitzroy nodded sagely. “A man with a crooked staff had been following them into town. As

With great care, Amy opened the cellar door. With ladylike demeanor, she descended the stairs. And as her reward, she had the satisfaction of catching His Mighty Lordship sitting on the cot, his knee crooked sideways and his ankle pulled toward him, cursing at the manacle. “I got it out of your own castle,” she said. Northcliff jumped like a lad caught at a mischief. “My . . . castle?” At once he realized what she meant. “Here on the island, you mean. The old ancestral pile.” “Yes.” She strolled farther into the room. “I went down into the dungeons, crawled around in among the spider webs and the skeleton of your family’s enemies—” “Oh, come on.” He straightened his leg. “There aren’t any skeletons.” “No,” she admitted. “We had them removed years ago.” For one instant, she was shocked. So his family had been ruthless murderers! Then she realized he was smirking. The big, pompous jackass was making a jest of her labors. “If I could have found manacles that were in good shape I’d have locked both your legs to the wall.” “Why stop there? Why not my hands, too?” He moved his leg to make the chain clink loudly. “Think of your satisfaction at the image of my starving, naked body chained to the cold stone—” “Starving?” She cast a knowledgeable eye at the empty breakfast tray, then allowed her lips to curve into a sarcastic smile. “You’d love a look at my naked body, though, wouldn’t you?” He fixed his gaze on her, and for one second she thought she saw a lick of golden flame in his light brown eyes. “Isn’t that what this is all about?” “I beg your pardon.” She took a few steps closer to him—although she remained well out of range of his long arms. What are you talking about?” “I spurned you, didn’t I?” What? What What was he going on about? “You’re a girl from my past, an insignificant debutante I ignored at some cotillion or another. I didn’t dance with you.” He stretched out on the cot, the epitome of idle relaxation. “Or I did, but I didn’t talk to you. Or I forgot to offer you a lemonade, or—” “I don’t believe you.” She tottered to the rocking chair and sank down. “Are you saying you think this whole kidnapping was done because you, the almighty marquees of Northcliff, treated me like a wallflower?” “It seems unlikely I treated you as a wallflower. I have better taste than that.” He cast a critical glance up and down her workaday gown, then focused on her face. “You’re not in the common way, you must know that. With the proper gown and your hair swirled up in that style you women favor—” He twirled his fingers about his head—“you would be handsome. Perhaps even lovely.” She gripped the arms of the chair. Even his compliments sounded like insults! “We’ve never before met, my lord.” As if she had not spoken, he continued, “but I don’t remember you, so I must have ignored you and hurt your feelings—” “Damn!” Exploding out of the chair, she paced behind it, gripping the back hard enough to break the wood. His arrogance was amazing. Invulnerable! “Haven’t you heard a single word I’ve said to you? Are you so conceited you can’t conceive of a woman who isn’t interested in you as a suitor?” “It’s not conceit when it’s the truth.” He sounded quite convinced.

Speaking of busy, what make you of this?” I held out the letter. Oria took it and frowned slightly as she read. When she reached the end, she said, “It seems straightforward enough, except…Merindar. Isn’t she some relation to the old king?” “Sister,” I said. “The Marquise of Merindar.” “Isn’t she a princess?” “While they ruled, the Merindars only gave the title ‘prince’ or ‘princess’ to their chosen heir. She carried the family title, which predates their years on the throne.” Oria nodded, pursing her lips. “So what does this mean?” “That’s what I’m trying to figure out. I did help bring about the downfall of her brother. I think a nasty letter threatening vengeance, awful as it would be to get, would be more understandable than this.” Oria smiled. “Seems honest enough. She wants to meet you.” “But why? And why now? And what’s this about ‘guidance’?” Oria looked back at the letter, her dark brows slightly furrowed, then whistled softly. “I missed that, first time through. What do you think she’s hinting at, that she thinks the new king ought not to be king?” “That is the second thing I’ve been wondering about,” I said. “If she’d make a good ruler, then she ought to be supported…” “Well, would she?” “I don’t know anything about her.” Oria handed the letter back, and she gave me a crooked grin. “Do you want to support her bid for the crown, or do you just want to see the Marquis of Shevraeth defeated?” “That’s the third thing on my mind,” I said. “I have to admit that part of me--the part that still rankles at my defeat last year--wants him to be a bad king. But that’s not being fair to the country. If he’s good, then he should be king. This concerns all the people of Remalna, their safety and well-being, and not just the feelings of one sour countess.” “Who can you ask, then?” “I don’t know. The people who would know her best are all at Court, and I wouldn’t trust any of them as far as I could throw this castle.

And, long since ashore with his men and his booty, Crawford of Lymond, man of wit and crooked felicities, bred to luxury and heir to a fortune, rode off serenely to Midculter to break into his new sister-in-law’s castle.

In this Choose Your Own Story book, you make the decisions, and you get to go to Wendigo’s Academy for young witches and wizards. If you have always dreamed of receiving an invitation for a mysterious school of witchcraft and wizardry, this book is your dream come true. Your decisions will influence the house that you are sorted into and the friends you make. If you’re smart enough and brave enough, you can save the school, and maybe the world. Or maybe you’ll decide to join the other side and rise to power in the shadow of evil. Or forget all that serious stuff and prove your skills on a broom. The important thing is that in this book, it’s all up to you. There are 53 endings to choose from and hundreds of stories to tell! Wendigo’s Wizarding Academy is the premiere school of wizardry in North America. Nestled in the Rocky Mountains, the crooked, old castle is only accessible by airship. The ancient school has three houses named after the mythological creatures that live in and around the castle: the free-spirited Satyrs, the loving Unicorns, and the prodigious Jackalopes. It’s magic-soaked halls are full of adventure and treasures to find. Students can always be seen on the fields outside, playing Zithur, the school’s favourite game. To play it, one needs three teams, a full set of broomsticks, a winged toad, four flying ferrets and one mysterious golden box, called the Zithur. READ IT NOW! Get a free Choose Your Own Story book by signing up here! To get the latest news about when my next book comes out, free stories, and

I've never seen a battle like this. Never." He gaped at Carah, his hand over his heart as he stared, open-mouthed, in complete adoration of the maiden warrior. "She. Is. So...." He didn't seem able to finish his thought. Carah turned and gave him a crooked, knowing smile. "What did you think of that, young warrior?" 'That..." Jerin stammered, "That was sooo completely amazing." She winked. "You bet'cha it was.

To read for pleasure?’ Crooks suggested. ‘Yes, it is the finest thing in the world. It opens up such vistas, like being able to travel the whole world without rising from your chair. The thoughts and visions of all mankind are laid before you, at your fingertips.

She would no longer speak fear into my world with good intent, but instead she would leave it for me to inherit. To warn other women through story that wickedness lurks, but hidden in the words was a secret. A clue. To escape to the Castle Moreau. Each story called to the downtrodden, to the woman who had no place to find freedom. In every story the woman with the crooked hand ever told me, it always ended with the words, "Beauty is found in walls of stone, beauty where love begins." Hidden among the travesties and nightmares of violence, all the abused must know that of this place. Only they would recognize the words for what they were. For only the broken are searching for a place to heal.

Hello, my loves." Padraig enters carrying a stack of wood. My heart reaches for him; it has never stopped moving toward him since the evening at the castle, or maybe even before, on a bridge over the River Cherwell when he ran after me to walk me halfway to the Kilns. Padraig's hair is silver, pure silver, as if a child with a paint box took his bright red curls and painted them. His face is lined with wrinkles to mark his smiles. Twenty best-sellers my husband has written now, fairy tales and legends of the Irish countryside, even while tutoring at Merton for all these years. But the book young George and I are reading? Once Upon a Wardrobe. I wrote it. My brother illustrated it. Of course, he hadn't known he was illustrating a book; he merely drew while I told him stories. The book came later. Much later. Padraig drops the logs into the fire and comes to kiss us both. "What part are we on?" "The end," George says, "until we read it again." I look up to Padraig, and he smiles down at me with that crooked and dear grin that melts everything in me. I think of the first time I knew what that smile meant - on my front porch on Christmas morning - but it was at my brother's final good-bye that I knew for sure.

Briette sighed. “I don’t think your intentions were bad, Sir Ansley. And in the end, you warned Calister of what the king planned to do. I simply have a favor to ask.” She smiled. “Which brings me to Calister.” Calister stiffened. “At your service, my lady.” Briette raised her voice so they would all hear. “At the castle, King Jarrod tried to have me arrested. Calister not only fended off the knights, he fought actually King Jarrod himself. A man nearly a foot taller and three times his weight. I have never seen such courage. Noble deeds deserve a noble reward, don’t you think? Calister… come here, please.” Calister crept toward her, uncertain. Briette carefully extracted the long sword she wore at her side. “I must ask you to kneel before me.” “Kneel?” Calister looked confused, then his eyes popped with understanding. “Oh!” He dropped to one knee. Briette lifted the sword and touched the flat of it to his shoulder. “Calister, do swear that you will honor and defend the kingdom of Runa under Princess Maelyn?” “I will,” said Calister. “That you will defend truth and justice, and strive to protect those weaker than yourself?” “I will,” said Calister. “And that you will uphold the noble ideals of chivalry to the benefit of your good name and the greater glory of our land?” “I will,” said Calister. Briette smiled. “Then, by the power invested in me, I now dub you Sir Calister, a knight of Runa Realm. Quite possibly the youngest knight this kingdom has ever known. You may rise.” Calister stood, blinking hard to hold back tears. “Th-thank you, my lady. I – I promise to be a faithful knight, and….” His face crumpled and he fell against Briette and squeezed her tightly. “Thank you, my lady!” “Bree. I am always Bree to you,” she said, returning the hug. She could see the servants over his shoulder. Rupy sobbed openly, Sir Ansley beamed with pride, Old Shivey nodded her head, and Havi wore a crooked smile. The duke, however, remained hard and impassive, his eyes turned away. Calister released her and wiped his eyes. Briette turned back to the group. “I will send for Calister in a few days. We shall make arrangements for him to be transferred to Lumen Fortress where he will continue his training with the knights there. Sir Ansley, I will rely on you to check on him regularly and see that he is progressing in his studies. Can you do this?” “Of course I can! Gladly!” said Sir Ansley. “Thank you. His lost hand is but a minor setback and I intend to have equipment made that will compensate for it. And please continue taking him to visit his mother. I’m sure she will be very proud of him.” Calister smiled, his face red. He rubbed his eyes again and laughed at himself. “I’m sorry, a knight shouldn’t cry.” “The good ones do.” Briette grinned and held out the sword. “Here. Take this as my gift to you. And wear it proudly! I’m sure you will have many adventures, Sir Calister.” Calister clasped the sword and bowed grandly. “I will strive to be worthy of this honor, my lady Bree.” “Oh, he’s adorable!” Miriella cried. Maelyn’s smile was more reserved. Briette hadn’t told her that she would knight a fourteen-year-old

I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.

That’s quite okay, sir,” Pete said with a smile. “I don’t only like Patsy Cline.” Beatriz caught that sir in midair, like a bird, and studied it in her mind. For some, a sir in this situation might have been used for an equally rude effect, sarcastically spitting politeness at the party who had wronged them. For others, it might have been automatic, someone who said sir so often that it didn’t mean anything at all. For Pete, it was launched with deference. I’m no threat, that sir declared, with a peacekeeping smile. You’re still king of the castle. Antonia’s dogs were always fighting among one another, and the battles ended when one rolled onto its back to show it had no fight in it. That was Pete’s sir in this particular exchange. Beatriz found this unfair, as Pete had done nothing wrong, but also frustrating, as Pete would think Joaquin was always petulant, which was far from the truth. The kindness made Joaquin crosser,

Few records exist to establish a definitive date as to when the first ships were built in the Piscataqua region. Fishing vessels were probably constructed as early as 1623, when the first fishermen settled in the area. Many undoubtedly boasted a skilled shipwright who taught the fishermen how to build “great shallops”as well as lesser craft. In 1631 a man named Edward Godfrie directed the fisheries at Pannaway. His operation included six large shallops, five fishing boats, and thirteen skiffs, the shallops essentially open boats that included several pairs of oars, a mast, and lug sail, and which later sported enclosed decks.5 Records do survive of the very first ship built by English settlers in the New World. In 1607, at the mouth of the Kennebec River in Maine, the Plymouth Company erected a short-lived fishing settlement. A London shipwright named Digby organized some settlers to construct a small vessel with which to return them home to England, as they were homesick and disenchanted with the New England winters. The small craft was named, characteristically, the Virginia. She was evidently a two-master and weighed about thirty tons, and she transported furs, salted cod, and tobacco for twenty years between various ports along the Maine coast, Plymouth, Jamestown, and England. She is believed to have wrecked somewhere along the coast of Ireland.6 By the middle of the seventeenth century, shipbuilding was firmly established as an independent industry in New England. Maine, with its long coastline and abundant forests, eventually overtook even Massachusetts as the shipbuilding capital of North America. Its most western town, Kittery, hovered above the Piscataqua. For many years the towns of Kittery and Portsmouth, and upriver enclaves like Exeter, Newmarket, Durham, Dover, and South Berwick, rivaled Bath and Brunswick, Maine, as shipbuilding centers, with numerous shipyards, blacksmith shops, sawmills, and wharves. Portsmouth's deep harbor, proximity to upriver lumber, scarcity of fog, and seven feet of tide made it an ideal location for building large vessels. During colonial times, the master carpenters of England were so concerned about competition they eventually petitioned Parliament to discourage shipbuilding in Portsmouth.7 One of the early Piscataqua shipwrights was Robert Cutts, who used African American slaves to build fishing smacks at Crooked Lane in Kittery in the 1650s. Another was William Pepperell, who moved from the Isle of Shoals to Kittery in 1680, where he amassed a fortune in the shipbuilding, fishing, and lumber trades. John Bray built ships in front of the Pepperell mansion as early as 1660, and Samuel Winkley owned a yard that lasted for three generations.8 In 1690, the first warship in America was launched from a small island in the Piscataqua River, situated halfway between Kittery and Portsmouth. The island's name was Rising Castle, and it was the launching pad for a 637-ton frigate called the Falkland. The Falkland bore fifty-four guns, and she sailed until 1768 as a regular line-of-battle ship. The selection of Piscataqua as the site of English naval ship construction may have been instigated by the Earl of Bellomont, who wrote that the harbor would grow wealthy if it supplemented its export of ship masts with “the building of great ships for H.M. Navy.”9 The earl's words underscore the fact that, prior to the American Revolution, Piscataqua's largest source of maritime revenue came from the masts and spars it supplied to Her Majesty's ships. The white oak and white pine used for these building blocks grew to heights of two hundred feet and weighed upward of twenty tons. England depended on this lumber during the Dutch Wars of the

Nehemia tucked the book into the crook of her arm. “Then you’re like every ignorant fool in this castle, Lillian,