She Who Wears The Crown Quotes

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Inej almost felt sorry for her. Dunyasha really believed she was the Lantsov heir, and maybe she was. But wasn’t that what every girl dreamed? That she’d wake and find herself a princess? Or blessed with magical powers and a grand destiny? Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion. He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table. So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers. “You eat like a fine lady,” she told him. His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water. The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly. “You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason. “Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.” Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty. She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed. Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
He saw her face each time he closed his eyes. She haunted his thoughts, made him wish to do grand and wonderful things in her name, made him want to be a man who deserved to wear a crown.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
That, my beautiful girl,” she’d said, smiling, “is your crown. Your pride. Your self-esteem. The glory of knowing who you are, and that it’s enough. No one has to tell a queen to wear her crown.
Kennedy Ryan (Hook Shot (Hoops, #3))
I would give you a crown if I could,” he said. “I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn.” He reached into his pocket. “And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day.” She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they’d been singed. “You will wed a Taban sister who craves a crown,” she said. “Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I’m not the queen Ravka needs.” “And if you’re the queen I want?” She shut her eyes. “There’s a story my aunt told me a very long time ago. I can’t remember all of it, but I remember the way she described the hero: ‘He had a golden spirit.’ I loved those words. I made her read them again and again. When I was a little girl, I thought I had a golden spirit too, that it would light everything it touched, that it would make me beloved like a hero in a story.” She sat up, drew her knees in, wrapped her arms around them as if she could make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. “But that’s not who I am. Whatever is inside me is sharp and gray as the thorn wood.” She rose and dusted off her kefta. “I wasn’t born to be a bride. I was made to be a weapon.” Nikolai forced himself to smile. It wasn’t as if he’d offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he’d gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All Saints, it stung. “Well,” he said cheerfully, pushing up onto his elbows and looking up at her with all the wry humor he could muster. “Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won’t rule Ravka by my side, what does the future hold, General?” Zoya opened the door to the cargo hold. Light flooded in, gilding her features when she looked back at him. “I’ll fight on beside you. As your general. As your friend. Because whatever my failings, I know this: You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Isn't that what every girl dreamed? That she'd wake and find herself a princess? Or blessed with magical powers and a grand destiny. Maybe there were people who lived those lives, maybe this girl was one of them but what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns, we learn to ring magic from the ordinary, that's how you survived when you weren't chosen, when there was no royal bloods in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Someone told me I'd find a princess of great worth here. One with the strength to be the hero this realm needs." He stared at me with those unsettling blue eyes. They were cold, like ice water - made me shiver from head to toe. Then his gaze seemed to search even deeper. Finally, he looked through me, like I was nothing. In brisk steps, he strode across the marble to the courtyard. But before crossing the threshold, he turned back to glare at me with his lip curled ever so slightly. "It seems she was mistaken."... I felt my own lip curl in response. How rude! Who the Grimm was this peasant to judge me? I was wearing a Glenda original. Original! Not some fairy-godmother knockoff worn by those servant girls turned royal. I was a crown princess, for the love of fairy, and no one dismissed me.
Betsy Schow (Spelled (The Storymakers, #1))
When Batty got back home from walking the dogs, there were teenagers lounging all over the place, some left over from the basketball game, some arriving for the birthday dinner, some who fit into both categories. For once, she hardly cared, too delighted to see that Oliver's sleek car was no longer in the driveway. Hoping that he was gone forever, she rushed into the house and ended up in the kitchen, where dinner preparations were in full swing. Mr. Penderwick was chopping up vegetables for quesadillas, Rosalind was pulling a cake out of the oven, Jeffrey was shredding cheese, and Iantha was cooking up small, plain cheese quesadillas for Lydia, who was to be fed before the big dinner got rolling. Then there were the non-workers: Lydia in her high chair, wearing both her crown and her lamb bib, her new pink rabbit beside her; Jane sitting cross-legged on the floor, in everyone's way; Ben, strutting around, showing off his new Celtics T-shirt; and Asimov, sticking close to Jeffrey, hoping for falling cheese.
Jeanne Birdsall (The Penderwicks in Spring (The Penderwicks, #4))
He saw her face each time he closed his eyes. She haunted his thoughts, made him wish to do grand and wonderful things in her name, made him want to be a man who deserved to wear a crown. But Celaena—he didn’t know how she felt. She kissed him—greedily, at that—but the women he’d loved in the past had always been eager. They’d gazed at him adoringly, while she just looked at him like a cat watching a mouse.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Yes, Ryn, a woman. A soldier who has taken the heads of gods, escaped from countless prisons and dungeons, and decimated an army of mortals by herself. Do not underestimate her simply because she wears a bra.
Bethany K. Lovell (Faetal Distraction (Blood Crown, #1))
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.
G.K. Chesterton
When finally she was alone in her bedroom, she knelt at the window and pleaded with Time until her lips were chapped and her tongue was too dry to go on. Surely he could turn back the clock. Surely he had dominion over her fate. She would spare the Jabberwock this time, if only Jest would live. She would let the beast have Mary Ann, if only Jest would live. She would listen to Hatta’s warnings. She would turn away from Mary Ann’s cries and escape into the Looking Glass. This time, she would not look back, if only Jest would live. She would do anything. Marry any king. Wear any crown. Give her heart to anyone who asked for it. She would serve Time himself if he would bring Jest back to her. Her agony turned to fury when Time refused to answer her. There was no this time, no next time, no time at all.
Marissa Meyer (Heartless)
But wasn't that what every girl dreamed? That she'd wake up and find herself a princess? Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren't chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Speaking of makeovers, anyone notice Hort’s looking even juicier than he did at school?” chirped Dot, biting into the cocoa-pizza she’d swiped off the floor. “Saw him when we came in and he has this swarthy tan from working the moors and mud stains on his cheeks, like he’s Captain Lumberjack or something. But you know how I like woodsy types, with my crush on Robin Hood and all. Anyway, I sneak behind and give him a good sniff and notice he smells like a man now, nothing like that boy who used to wear frog pajamas and reek of baby powder, and all I could think was since there aren’t too many rooms in this place, I wonder if I can get Merlin to put me and him in the same—” “Over my dead body,” bellowed Hort, who stuck his head out from around the corner. Hester glared back, demon twitching. “That can be arranged.” Hort muttered something obscene and vanished behind the wall. Hester saw Dot goggling at her. “What now?” “Did you just defend me?” “Only because you look so stupid in that crown,” Hester grumped. All the girls laughed, even Dot.
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
But wasn't that what every girl dreamed? That she'd wake and find herself a princess? Or blessed with magical powers and a grand destiny? Maybe there were people out there who lived those lives... But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren't chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
But wasn’t that what every girl dreamed? That she’d wake and find herself a princess? Or blessed with magical powers and a grand destiny? Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
BRIDE SONG Too late for love, too late for joy, Too late, too late! You loitered on the road too long, You trifled at the gate: The enchanted dove upon her branch Died without a mate; The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait. Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leaped, The buds gone on to blow, The warm south wind would have awaked To melt the snow. Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair, Now these are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face And the want graven there: Or is the hunger fed at length, Cast off the care? We never saw her with a smile Or with a frown; Her bed seemed never soft to her, Though tossed of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs showed in her locks That used to be so brown. We never heard her speak in haste; Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street. There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet. You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep today That she is dead? Lo we who love weep not today, But crown her royal head. Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread.
Christina Rossetti (Poems of Christina Rossetti)
Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the
H. Rider Haggard (Morning Star)
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that's what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?"... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo
Griff entered the cave, sword in hand. He had no desire to frighten Astelle, but he had to be prepared for anything. She jumped up from her fireside position with a small stifled scream at his entry, then continued to back fearfully towards the shadowed wall. She was quite alone. Griff could sense no other presence – only hers, and the wonder of it. He sheathed his sword, and gazed upon his long-lost love. Her hair had lost all trace of colour while still retaining the texture of youth, giving the appearance of white silk. There was a pulsating light of a blue-lilac shade which clung to the crown of her head, reflecting in the hair – a soul – a lost spirit – someone who had loved her. She was almost as pale as death, for Torking took far too much blood from her, too frequently. She was also much thinner than she should have been, but for all of this, she was still the most beautiful sight of his life. Her body was ravaged with Torking's bites and claw-marks. She was still wearing his old cloak which Griff instantly recognised, though it was little more than a rag, wrapped around her body and tied on one shoulder. Her beautiful dark eyes, those which had so haunted his dreams, seemed over-large in her pale face, as she stared at him with a mingling of shock, disbelief and joy. Griff took a few hesitant steps towards her, unsure of his reception. ‘Astelle?’ His voice grated with emotion. How often had she yearned to hear him speak her name exactly in that way? ‘Astelle – is it really you?’ He was just as divinely handsome as she remembered, and he looked so fine – he looked magnificent in Gremlen battledress. In the flickering torchlight, the blue krulmesh armour glittered over the black leather tunic. The emerald sheen in his raven hair was vivid as ever. Best of all, his dark forest-green eyes were shining with love, and she suddenly understood that Griff was a hundred times more beautiful than Torking, for his eyes held everything that was good, fine and noble. Astelle's heart almost stopped beating as she gazed at him. Her eyes filled with tears, and her lip trembled as she tried to whisper his name.
Bernie Morris (The Fury of the Fae)
You’re a worse liar than Palamedes,” said Camilla, with feeling. “You’re not a good woman, Tridentarius.” “Not my name anymore, and none of us are good,” said Crown. “Except for Nona, of course.” “Thanks,” said Nona, deeply flattered. “What about me?” said Camilla. “You and I don’t even own our own souls,” said Crown. Crown turned around and put her arms around Camilla. For a moment Nona thought that Camilla would break just as she had assumed Crown would break: that there was a softness to the way she stood, a hesitation, a not-knowingness to her knees and feet. And Crown’s hugs were so good—so heated and so tender—as though crown were hugging you solely for her own comfort, as though she wanted your touch more than anyone else’s right then. It was better than lying on tiles that the sun had warmed, which was one of Nona’s chief delights. But Camilla tightened, somehow, and didn’t put her arms around Crown, and Crown withdrew. Camilla said, “My soul’s mine. You give yourself away to anyone who doesn’t want you.” “Well, I never like to wear the same thing twice.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
As she lifted it, it caught the light and sent it out in a fan of intense colour. ‘Take this,’ Yollana said, and if there was a request in the two words, she hid it well. ‘Take this, and wear it. Travel this village, these lands. Speak to the people who make this your home. Visit your graves, your fields, your hills; find the shade in your forest, the cooling waters in your brook and small river.’ She let it fall; Ashaf gasped until she saw the glittering chain that stopped it from reaching the ground. A necklace or a pendant of some sort. She reached out an open palm, and Yollana carefully dropped the stone-for it was a stone, a clear one, like a diamond that would beggar even a Tyr-into her hand. At once, it flared with a deep, blue light; the light ran the length of her arm, shrouding it. Magic. ‘What-what does it do?’ Her voice was, momentarily, a girl’s voice-the girl that she had thought long gone. Dreamer. Seeker of wonder. ‘It is the Lady’s magic,’ Yollana replied, ‘not the Lord’s. It will not protect you; it will not defend you. Where a blade is raised or a spell is thrown, you will find no solace in it.’ Ashaf smiled wryly. ‘I did not ask you what it wasn’t. I asked you what it is.’ ‘It is a keeper’ Yollan said. ‘Of memory. Of affection. Of place. Wear it, as I have told you wear it, and it will take some of what you feel and hold it within depths that you cannot even imagine. Wear it, and you will feel exactly the peace or the joy or the quiet-yes, or the sorrow-that you felt when you donned it.’ ‘Why?’ ‘It is a piece of home,’ Yollana replied gravely. ‘Many of the Voyani women wear them, because the heart-our hearts-so seldom find a home, and when they do, we cannot remain there.
Michelle West (The Broken Crown (The Sun Sword, #1))
A small figure in crimson stood before the bench, sleeves rolled to the elbow, muttering. Dumai cleared her throat. “Master Kiprun?” The alchemist whipped around. He wore round amber panes over his eyes, clipped to his nose, huge and misty with steam. “I did ask for duck feathers,” he said, in a tone of sincere annoyance. Dumai could only blink. His cheeks were flushed, threads of hair were stuck to his forehead, and he brandished a grey feather. “You brought me goose feathers. Goose,” he barked, making her jump. “You do know the difference between a duck and a goose, don’t you? One quacks and the other honks, not to mention the neck. The neck alone—” “Master Kiprun,” Kanifa interjected, “this is Noziken pa Dumai, Crown Princess of Seiiki.” The alchemist sleeved the fog from his eyeglasses. “Ah. Yes.” He interlocked his fingers. Each bore a ring of a different metal: gold, iron, copper. “Princess Dumai. I am Master Kiprun, who shines—well, flickers really—for the Munificent Empress. And you?” he said to Kanifa. “Who are you, the Prince of Seiiki?” “No.” Kanifa cleared his throat. “I’m just a guard, a friend to Princess Dumai. Not a noble.” “Is it not noble to be a guard?” Master Kiprun wafted a brown hand, webbed with scars from burns, like his arms. “No matter. I never understand these things. Yes, your message caught my interest, Princess Dumai of the Faraway Isle. You don’t look much like a princess,” he said, cocking his head. “Aren’t you suppose to wear a crown, or something?” Dumai reunited with her tongue. “Well,” she said, indicating her headpiece, “this is—” “Madam, that is a fish.” After a moment, Dumai decided not to kick against the current. “It is a fish,” she agreed, taking a step toward him. “My fish and I flew here to seek your help, Master Kiprun.” “Yes, I did fear as much. Last time, it was a king who disturbed my work. He found me in the mountains, just to annoy me.” The alchemist snorted. “Once, it was the poor who sought my services, asking me to turn grass to gold. They were, at least, polite, if wildly optimistic. Now I am summoned hither and thither, disturbed by everyone from Golümtan to Ginura.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
Men traveling alone develop a romantic vertigo. Bech had already fallen in love with a freckled embassy wife in Russia, a buck-toothed chanteuse in Rumania, a stolid Mongolian sculptress in Kazakhstan. In the Tretyakov Gallery he had fallen in love with a recumbent statue, and at the Moscow Ballet School with an entire roomful of girls. Entering the room, he had been struck by the aroma, tenderly acrid, of young female sweat. Sixteen and seventeen, wearing patchy practice suits, the girls were twirling so strenuously their slippers were unraveling. Demure student faces crowned the unconscious insolence of their bodies. The room was doubled in depth by a floor-to-ceiling mirror. Bech was seated on a bench at its base. Staring above his head, each girl watched herself with frowning eyes frozen, for an instant in the turn, by the imperious delay and snap of her head. Bech tried to remember the lines of Rilke that expressed it, this snap and delay: did not the drawing remain/that the dark stroke of your eyebrow/swiftly wrote on the wall of its own turning? At one point the teacher, a shapeless old Ukrainian lady with gold canines, a prima of the thirties, had arisen and cried something translated to Bech as, “No, no, the arms free, free!” And in demonstration she had executed a rapid series of pirouettes with such proud effortlessness that all the girls, standing this way and that like deer along the wall, had applauded. Bech had loved them for that. In all his loves, there was an urge to rescue—to rescue the girls from the slavery of their exertions, the statue from the cold grip of its own marble, the embassy wife from her boring and unctuous husband, the chanteuse from her nightly humiliation (she could not sing), the Mongolian from her stolid race. But the Bulgarian poetess presented herself to him as needing nothing, as being complete, poised, satisfied, achieved. He was aroused and curious and, the next day, inquired about her of the man with the vaguely contemptuous mouth of a hare—a novelist turned playwright and scenarist, who accompanied him to the Rila Monastery. “She lives to write,” the playwright said. “I do not think it is healthy.
John Updike (Bech: A Book)
And if someone can lead me to him?” Malaki asks. “Report back to me first. I don’t want to chance losing him. Oh and by the way—” Des’s eyes inadvertently land on Temper, “be discreet.” “Why are you looking at me?” Temper’s voice is several octaves louder than everyone else’s. The Bargainer arches an eyebrow. “I’m as motherfucking discreet as they come,” she says. I’m trying really, really hard not to laugh, but the struggle is real. Malaki manages a sharp nod. “We will be discreet,” he assures Des. The sorceress huffs. “Y’all need to get your heads checked. I am not the problem.” She turns on Malaki. “And you don’t need to go making promises for me. I never even said I was coming along.” “And you don’t need to.” The Bargainer stands. “But if you imagined staying behind so that you could have fun with Callie, then you’ll be sorely disappointed. The future Night Queen has official business that will take her away from the palace.” It takes me a second to realize Des is referring to me. “Wait,” I say, “I haven’t agreed to be queen.” “Yeah,” Temper agrees, “my girl hasn’t agreed—what?” She turns on me. “Bitch, have you lost your mind? Take that crown and wear that shit like it’s your birthright.” Ignoring Temper, Des’s gaze falls on me, his features sharp. “I apologize, the Night King’s consort has official business that will take her away from the palace.” I narrow my eyes at my mate. I might not have jumped onboard with this whole queen business, but I sure as hell don’t want to be known simply as someone else’s consort. “Hoooo!” Temper whoops, falling back into her seat. “You better sleep with one eye open, Desmond. I’ve seen my girl make men pay for less.” He’s still staring intensely at me. “That’s odd. For as long as I’ve known Callie, she’s the one who’s paid for my services. I admit, it’ll be nice to not be the prostitute in our relationship for once.” Temper snickers, appraising Des all over again. “Fuck one eye. Sleep with both eyes open.” I shake my head at Des as I stand, my eyes slitted. “It’s time to go.” We give curt goodbyes to Temper and Malaki, then slip out of the library. “You do realize how close you were to getting glamoured, don’t you?” I say as we head down the hallway. Des’s eyes seem to be laughing at me. “You say that like I’d mind.
Laura Thalassa (Dark Harmony (The Bargainer, #3))
demons. She doesn’t just carry weapons—she is a weapon against the enemy and the greatest weapon God ever created against darkness! Let’s talk about what virtuous means from a scriptural perspective. God defines virtuous woman in the same way He defines virtuous man—as someone who fears God, loves truth, and hates sin. The Hebrew word for virtuous in Proverbs 31 is translated several different ways. Translations of Exodus 18:21 and 1 Kings 1:42, 52 use words such as able, worthy, competent, capable, and honorable. The word virtuous used in Proverbs 31 is used to describe Ruth (Ruth 3:11), and it is also used to describe Boaz in Ruth 2:1—a man of standing (in him is strength). Ruth 3:11 says that everyone in the city knew Ruth was virtuous. That’s because real virtue is something that gets noticed even as the world tries hard not to embrace it. Ruth was the real deal, and everyone knew it. God is very purposeful in the way He makes us as men and women. As I mentioned earlier, Scripture says God made woman to be the crown of her husband (Prov. 12:4). The Hebrew word for crown is derived from atar, which means “to encircle (for attack or protection).”1 If the virtuous woman is the crown of her husband, then she is anointed to secure his domain, to encircle him like spiritual radar, protecting their territory from infiltration. The man who wears his crown securely on his head—who understands who his virtuous wife is and values her role—isn’t intimidated by her. Quite the contrary; he knows she is a spiritual force against the enemy, designed to work in tandem with her husband, offering not only protection in the spiritual but success and prosperity in the natural (Prov. 31:22), manifesting her God-given abilities through her labor (v. 24). The Hebrew word for virtuous is chayil, which accurately defines the role of the virtuous woman. Chayil, from the Hebrew chuwl, means a force [to be reckoned with], whether of men, means or other resources; army; might, power, riches; displaying strength, ability, and moral worth. A virtuous woman is a force to be reckoned with because she is worthy of war,
Kimberly Daniels (Breaking the Power of Familiar Spirits: How to Deal with Demonic Conspiracies)
DEAR MAN, Sometimes you'll just be too much man. Too wise, too handsome, too strong, too confident, too visionary, and too outgoing. Too much of a man that makes a woman feel like she isn't worthy of you, which will start making you feel like you have to be less of a man, in order for the woman who lacks the ability to elevate to have you. One of the biggest mistakes you can make as a man, is demoting your worth and potential for a woman who isn't equipped to wear the crown that matches your position as King. You do not need to devalue yourself to be in the presence of a woman. You need a woman who increases your current value.
Jameel Davis
They ate at a place called El Rey del Taco. At the entrance there was a neon sign: a kid wearing a big crown mounted on a burro that regularly kicked up its hind legs and tried to throw him. The boy never fell, although in one hand he was holding a taco and in the other a kind of scepter that could also serve as a riding crop. The inside was decorated like a McDonald’s, but in an unsettling way. The chairs were straw, not plastic. The tables were wooden. The floor was covered in big green tiles, some of them printed with desert landscapes and episodes from the life of El Rey del Taco. From the ceiling hung piñatas featuring more adventures of the boy king, always accompanied by the burro. Some of the scenes depicted were charmingly ordinary: the boy, the burro, and a one-eyed old woman, or the boy, the burro, and a well, or the boy, the burro, and a pot of beans. Other scenes were set firmly in the realm of the fantastic: in some the boy and the burro fell down a ravine, in others, the boy and the burro were tied to a funeral pyre, and there was even one in which the boy threatened to shoot his burro, holding a gun to its head. It was as if El Rey del Taco weren’t the name of a restaurant but a character in a comic book Fate happened never to have heard of. Still, the feeling of being in a McDonald’s persisted. Maybe the waitresses and waiters, very young and dressed in military uniforms (Chucho Flores told him they were dressed up as federales), helped create the impression. This was certainly no victorious army. The young waiters radiated exhaustion, although they smiled at the customers. Some of them seemed lost in the desert that was El Rey del Taco. Others, fifteen-year-olds or fourteen-year-olds, tried in vain to joke with some of the diners, men on their own or in pairs who looked like government workers or cops, men who eyed them grimly, in no mood for jokes. Some of the girls had tears in their eyes, and they seemed unreal, faces glimpsed in a dream. “This place is like hell,” he said to Rosa Amalfitano. “You’re right,” she said, looking at him sympathetically, “but the food isn’t bad.
Roberto Bolaño (2666)
to Memphis." So Abi returned to the white-walled city of Memphis and sat there sullenly, putting it about that a plot was on foot to deprive him of his heritage. But Kaku shook his head, saying in secret that the Star, Neter-Tua, would arise, for so it was decreed by Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day
H. Rider Haggard (Morning Star)
and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard
H. Rider Haggard (Morning Star)
the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child,
H. Rider Haggard (Morning Star)
Celaena knew the scarlet dress was a little scandalous. And she knew that it was definitely not appropriate for winter, given how low the front dipped, and how much lower the back went. Low enough to reveal through the black lace mesh that she wasn’t wearing a corset beneath it. But Archer Finn had always liked women who were daring with their clothes, who were ahead of the trend. And this dress, with its close-fitting bodice, long, tight sleeves, and gently flowing skirt, was about as new and different as it came. Which was why, when she ran into Chaol on her way out of her rooms, she wasn’t very surprised when he stopped dead and blinked. Then blinked again. Celaena smiled at him. “Hello to you, too.” Chaol stood in the hallway, his bronze eyes traveling down the front of her dress, then up again. “You’re not wearing that.” She snorted and walked past him, deliberately giving him a view of the far more provocative back. “Oh, yes. I am.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Dorian didn’t bother saying anything to anyone and just stared at the glass pitcher of water before him. Celaena hadn’t seemed like herself just now. Actually, for the two months since she’d been named the King’s Champion, she’d been like this. Her lovely dresses and ornate clothes were gone, replaced by an unforgiving, close-cut black tunic and pants, her hair pulled back in a long braid that fell into the folds of that dark cloak she was always wearing. She was a beautiful wraith—and when she looked at him, it was like she didn’t even know who he was.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Her mother, who, since the death of the King, her father, had nothing in the world she cared for so much as this little Princess, was so terribly afraid of losing her that she quite spoiled her, and never tried to correct any of her faults. The consequence was that this little person, who was as pretty as possible, and was one day to wear a crown, grew up so proud and so much in love with her own beauty that she despised everyone else in the world.
Andrew Lang (The Blue Fairy Book: Magical Tales and Enchanted Worlds: A Literary Anthology of Fantasy Stories and Folklore from Around the World)
What has put that look on your face, Sophie?” “What look?” She laid the child in the cradle where Vim had set it near the hearth. “Like you just lost your best friend.” “I was thinking of fostering Kit.” And just like that, she was blinking back tears. She tugged the blankets up around the baby, who immediately set about kicking them away. “Naughty baby,” she whispered. “You’ll catch a chill.” “Sophie?” A large male hand landed on her shoulder. “Sophie, look at me.” She shook her head and tried again to secure Kit’s blankets. “My dear, you are crying.” Another hand settled on the opposite shoulder, and now the kindness was palpable in his voice. Vim turned her gently into his embrace and wrapped both arms around her. It wasn’t a careful, tentative hug. It was a secure embrace. He wasn’t offering her a fleeting little squeeze to buck her up, he was holding her, his chin propped on her crown, the entire solid length of his body available to her for warmth and support. Which had the disastrous effect of turning a trickle of tears into a deluge. “I can’t keep him.” She managed four words around the lump in her throat. “To think of him being passed again into the keeping of strangers… I can’t…” “Hush.” He held a hanky up to her nose, one laden with the bergamot scent she already associated with him. For long minutes, Sophie struggled to regain her equilibrium while Vim stroked his hand slowly over her back. “Babies do this,” Vim said quietly. “They wear you out physically and pluck at your heartstrings and coo and babble and wend their way into your heart, and there’s nothing you can do stop it. Nobody is asking you to give the child up now.” “They won’t have to ask. In my position, I can’t be keeping somebody else’s castoff—” She stopped, hating the hysterical note that had crept into her voice and hating that she might have just prompted the man to whom she was clinging to ask her what exactly her position was. “Kit is not a castoff. He’s yours, and you’re keeping him. Maybe you will foster him elsewhere for a time, but he’ll always be yours too.” She didn’t quite follow the words rumbling out of him. She focused instead on the feel of his arms around her, offering support and security while she parted company temporarily with her dignity. “You are tired, and that baby has knocked you off your pins, Sophie Windham. You’re borrowing trouble if you try to sort out anything more complicated right now than what you’ll serve him for dinner.” She’d grown up with five brothers, and she’d watched her papa in action any number of times. She knew exactly what Vim was up to, but she took the bait anyway. “He loved the apples.” This time when Vim offered her his handkerchief, she took it, stepping back even as a final sigh shuddered through her. “He
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it
H. Rider Haggard (Morning Star)
Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price
H. Rider Haggard (Morning Star)
nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it
H. Rider Haggard (Morning Star)
all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price
H. Rider Haggard (Morning Star)
to Memphis." So Abi returned to the white-walled city of Memphis and sat there sullenly, putting it about that a plot was on foot to deprive him of his heritage. But Kaku shook his head, saying in secret that the Star, Neter-Tua, would arise, for so it was decreed by Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the
H. Rider Haggard (Morning Star)
Well, why doesn’t Thomas play the part?” Nigel said, eyeing the strapping young man. “He’s certainly imposing enough for it.” “That’s entirely the problem,” Lucy said. “He’s too big. When he tried on the robe, it started to rip across the shoulders.” “Surely there’s someone else…” Nigel trailed off at the look on Lucy’s face. “Good Gad, no,” he exclaimed. “You cannot begin to think—” “Of course!” Amelia’s face lit up as she grabbed his arm. With the small portion of his mind not taken up with the horror of Lucy’s plan to make a complete fool out of him, he noted that Amelia did seem to be touching him rather a lot this evening. Now she was also bouncing up and down in her pretty white and gold spangled shoes. “You’d make a splendid Father Christmas, Mr. Dash, because you have such an easy way with children. I’m sure the robe will fit, and we can adjust the wreath in an instant.” “The wreath?” Nigel repeated in a hollow voice. He fastened his appalled gaze on Philbert, who nodded in masculine sympathy “Well, Father Christmas must wear his crown of mistletoe, Nigel,” Lucy said in coaxing voice. “He wouldn’t look authentic without it.” “Surely, there must be someone else,” Nigel said, trying not to sound as desperate as he felt. “One of the other servants, perhaps.” Lucy shook her head. “The footmen are too big and the scullery boy is too small.” When the corner of her mouth quirked up, Nigel had the sneaking suspicion she was beginning to enjoy the absurdity of the situation. Lucy knew he disdained costume balls and masquerades as undignified romps and refused to step foot in them. “I know it’s a lot to ask, Nigel, my dear, but you are certainly the best candidate to replace Philbert.” Amelia was still clutching his sleeve, but now she brought her pleading gaze to bear on him as well. “Please, Mr. Dash, it would mean so much to the children. I would be enormously grateful if you would be so kind as to play the part of Father Christmas.” Her beautiful brown eyes, full of concern for her younger siblings, pleaded with him. Blast it, the young ones had probably been looking forward to the treat for days, and would be sorely disappointed if it failed to materialize. And he had a feeling Amelia had been looking forward to it too, if for no other reason than to see the excitement on the children’s faces. With a mental sigh, Nigel consigned his dashing new persona to the dust heap. Life, it would seem, had consigned him to play only one role—that of dependable old Nigel Dash, always ready to take on whatever necessary task fate and the ladies of the beau monde decreed for him. “Of course, Miss Easton,” he said. “I am only too happy to help.
Anna Campbell (A Grosvenor Square Christmas)
fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of
H. Rider Haggard (Morning Star)
the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price of her own life, and smiled upon Pharaoh her husband, and
H. Rider Haggard (Morning Star)
My courses are late, Husband.” This merited her a sigh and a kiss to her cheek. Her cheek? “Being the sort of intimate husband I am—and being married to the lusty sort of wife you are—one noticed this.” She liked that he thought she was lusty… But he’d noticed? What else had he noticed? “Did you notice that I was scared to death on that horse today?” “Of course. The more frightened you are, the calmer you get. Usually.” Another kiss to her other cheek. “Though you were not particularly calm on our wedding night.” Oh, he would bring that up. Eve had wanted to ease into the topic, to whisk right over it, to drop hints and let him draw conclusions. Subtlety was wanted for the disclosure she had in mind. “I was not chaste.” God help her, she’d spoken those words aloud. Deene’s chin brushed over her right eyebrow then her left; his arms cradled her a little more closely. “You were chaste.” “No, I was not. I had given my virtue… Lucas, are you listening to me?” “I always listen to you. You did not give your virtue to anyone. It was taken from you by a cad and a bounder who’d no more right to it than he did to wear the crown jewels.” Eve’s husband spoke in low, fierce tones, even as the hand he smoothed over her hair was gentle. “How did you know?” He’d known? All this time he’d known and said nothing? “I thought at first you were simply nervous as any bride would be nervous of her first encounter with her husband, but then I realized you were not nervous, you were frightened. Of me, of what I would think of you. As if…” He rolled with her so she was sprawled on his chest and his arms were wrapped around her. By the limited light in the room, Eve met his gaze. “Your brother Bartholomew caught up with the fool man first, and the idiot was so stupid as to brag of the gift you’d bestowed on him. He was further lunatic enough to brag about the remittance his silence would cost your family. He bragged on his cleverness, duplicity, bad faith, and utter lack of honor to your own brother.” “Bart never said… Devlin never breathed a word.” “I don’t think Devlin knew. By the time Devlin arrived on the scene, Bart had beaten the man near to death and summoned a press gang. I know of this only because I happened to share a bottle—a few bottles—with Lord Bart the night before we broke the siege at Ciudad Rodrigo. He regretted the harm to you. He regretted not avenging your honor unto the death. He regretted a great deal, but not that you’d survived your ordeal and had some chance to eventually be happy.” “You have always known, and you have never breathed a word.” “I have always known, and I have done no differently than any other gentleman would do when a lady has been wronged. You are the one who has kept your silence, Evie, even from your own husband.” He was not accusing her of any sin; he was expressing his sorrow for her. Eve tucked herself tightly against him, mashed her nose against his throat, and felt relief, grief, and an odd sort of joy course through her. “All
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
The Mask,” Rhys murmured, “the Harp, and the Crown.” Nesta had a feeling none of them were good. Feyre frowned at her mate. “They’re different from the objects of power in the Hewn City? What can they do?” Nesta had tried her best to forget that night she and Amren had gone to test her so-called gift against the hoard within those unhallowed catacombs. The objects had been half-imprisoned in the stone itself: knives and necklaces and orbs and books, all shimmering with power. None of it pleasant. For the Dread Trove to be worse than what she’d witnessed … “The Mask can raise the dead,” Amren answered for Rhys. “It is a death mask, molded from the face of a long-forgotten king. Wear it and you may summon the dead to you, command them to march at your will. The Harp can open any door, physical or otherwise. Some say between worlds. And the Crown …” Amren shook her head. “The Crown can influence anyone, even piercing through the mightiest of mental shields. Its only flaw is that it requires close physical proximity to initially sink its claws into a victim’s mind. But wear the Crown, and you could make your enemies do your bidding. Could make a parent slaughter their child, aware of the horror but unable to stop themselves.” “And these things were lost?” Nesta demanded. Rhys threw her a frown. “Those who possessed them grew careless. They were lost in ancient wars, or to treachery, or simply because they were misplaced and forgotten.” “What does it have to do with the Cauldron?” Nesta pushed. “Like calls to like,” Feyre murmured, looking to Amren, who nodded. “Because the Trove was Made by the Cauldron, so might the Trove find its Maker.” She angled her head. “Briallyn was Made, though. Can’t she track the Cauldron herself?” Amren drummed her fingers on the arm of her chair. “The Cauldron aged Briallyn to punish her.” A glance at Nesta. “Or punish you, I suppose.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
In 1429, a seventeen-year-old girl who would soon come to be renowned as Jehanne la Pucelle (“Jeanne, the maiden”) left a small town in northeast France to offer her services as a military strategist to Charles VII, the Dauphin—or heir to the throne—whose forces were losing a protracted war against English partisans threatening to displace him. At first, no one took her seriously, but Jehanne’s determination overcame initial resistance: her skill and insight helped the French develop new battle plans and her courage inspired the demoralized troops. Under Jehanne’s leadership, the French forces successfully thwarted a siege on the city of Orleans. Later she led a campaign to retake the city and cathedral of Reims, where the kings of France had been crowned ever since the Frankish tribes were united under one ruler, allowing the Dauphin to be crowned king in the ancient tradition. Jehanne’s remarkable successes seemed divinely ordained, which necessarily implied Charles’s divine right to rule France. In 1430 Jehanne was captured in battle and imprisoned. An ecclesiastical tribunal stacked with English partisans tried her for heresy. But Jehanne’s faith was beyond reproach. She showed an astonishing familiarity with the intricacies of scholastic theology, evading every effort to lure her into making a heretical statement. Unable to discredit her faith through her verbal testimony, the tribunal seized on the implicit statements made by Jehanne’s attire. In battle, she wore armor, which required linen leggings and a form-fitting tunic fastened together with straps—both traditionally masculine attire—and, like the men she fought alongside, she adopted this martial attire when off the battlefield as well. Citing the biblical proscription in Deuteronomy 22:5 (KJV) which warns, “A woman shall not wear anything that pertains to a man, nor shall a man put on a women’s garment, for all who do are an abomination to the Lord your God,” the tribunal charged Jehanne with heresy. They burned her at the stake in 1431.
Richard Thompson Ford (Dress Codes: How the Laws of Fashion Made History)
Rhea was, admittedly, no more our Great Mother than the great love-goddess was ours alone. Amongst our Oriental neighbours, in Asia Minor and Syria and in regions still farther east, it is not always easy to distinguish between the two.) In Asia Minor, especially, Rhea was worshipped as Meter ereia, “Mountain-mother”, to mention one of her many names, which were almost always formed from the name of a mountain and indicated a relationship to a mountain landscape—such names as Berekyntia, Dindymene, Idaia. In the territory of Asia Minor, from which her cult was spread and, indeed, often came back to us, she was called, in Phrygia, Matar Kubile, which in our language is Kybele. She can be recognised in the Cretan Mistress of the Beasts, who appears, flanked by two lions, on the summit of a mountain. Her well-known enthroned figure, however, she first acquired as Phrygian Mother of the Gods. She usually wears a rampart-crown, like a city on her head, and plays with a lion or drives a chariot drawn by lions.
Karl Kerényi (The Gods of The Greeks)
It is the time of dark and of cold,” she said, “when the fields are unyielding with frost and life sleeps in the earth. During this time, the world dreams, and in her dreams, she relieves the past. Images of the dead appear to those who are aware enough to perceive them.” “I know of this festival,” Shan said. “In our village, we would put out saucers of blood and milk for the spirits. Girls would wear red ribbons in their hair and the lads red garters on their knees. On the night of the Grave, we’d build a bonfire on the green, and dance in a circle to keep the spirits at bay.” “These are old customs,” said Sinaclara, “memories of old practices. In ancient times, the Night of the Grave was called Aya’even, which in the old tongue meant the forest of the dead. It is but one point on the great wheel of life, death, and rebirth. Because of its associations with darkness and the dead, it has within it inherent hope, for without death, there can not be life. This is why it is celebrated by those who no longer remember its true meaning. The memory of that hope lives on.
Storm Constantine (The Crown of Silence (The Chronicles of Magravandias, #2))
Miss Trent thought that she had seldom seen Patience in such good looks, and reflected that nothing became a girl so well as a glow of pleasurable excitement. She was inevitably dimmed by Tiffany, who was in great beauty, and wearing a dashing bonnet with a very high crown and a huge, upstanding poke framing her face, but there was something very taking about her countenance; and her eyes, though lacking the brilliance of Tiffany’s, held a particularly sweet expression.
Georgette Heyer (The Nonesuch)
Rapunzel, I'm not anything heroic or wonderful or whatever you thought," he said sadly. "I'm a sneak thief mostly out for my own good. The rest of it's a lie. My name isn't even Flynn Rider." "Um, what?" Of all the many things she thought he might say, this was not one of them. "My real name is Eugene Fitzherbert. At least, that was what was on record at the orphanage." There might have been a glint from inside a guard's helmet at that, as if he couldn't help sniggering a little. Rapunzel's jaw actually fell open. "Eugene?" she asked. "Yes." "And doesn't Fitz mean--" "Yes, it does," he interrupted in annoyance. "But who knows if that's really my family name, or a real name, or whatever. I think of myself as Flynn Rider. Daring hero, escape artist, adventurer extraordinaire... Eugene is someone who wastes away in an orphanage, who nobody wants. Eugene eats porridge once or twice a day, maybe, and wears the old clothes that bigger kids grew out of a generation ago." "I like Eugene," Rapunzel protested, patting his hand. "I like it better than Flynn. It sounds more... real. Like who you really are." "Thanks," he muttered. "No, really! Eugene doesn't abandon his friends. Eugene makes snarky remarks... and then hangs around witchy goat farms to see how he can help. Eugene pauses his wild, adventurous life to make sure the people around him get their happy endings. Eugene gives crowns back to their rightful owners." "Eugene winds up drained of his blood in a castle ruled by a demonic she-beast," Flynn said, looking up to gauge his captors' possibly violent response. They didn't move. "Flynn Rider is somewhere off riding into the sunset--" "Without his princess," Rapunzel interrupted, hands on hips. Flynn smiled sadly at her.
Liz Braswell (What Once Was Mine)
An orphan who was kept as a prisoner in a tower with plague signs to keep away?" Gina gently teased. "Seems like a lot of work. Nahh, I bet you're a princess of some sort." Rapunzel stared at her. Then she began guffawing: big, hearty barks of laughter. "She doesn't sound like one," Flynn observed. "She wears a pretty dress like one," Gina pointed out. "Your skin is creamy and perfect," Flynn said. "I mean, um, I guess." "You have a crown," Gina said. "It's not my crown," Rapunzel shouted, still laughing. "I grew up in two rooms... not a giant castle. I don't have any servants, or ladies-in-waiting..." "... or crowns you didn't steal," Flynn added. "... or a white horse, or velvet capes, or a scepter..." "You do have that magnificent hair, though," Flynn pointed out. "I mean, just look at it. It looks fancy and expensive and royal. A normal person, even a lord or lady, couldn't manage locks half that long. Even if it ever came in silver, which seems reeealllly unlikely." He leaned forward to get a better look, and at first Rapunzel did nothing, suddenly aware of his closeness. Whatever he said about her skin, Flynn's was also clear, healthy, and peachy. He had a little bit of hair on his chin (not a full beard like she had seen in pictures), a tiny feathery thing that she kind of wanted to touch.
Liz Braswell (What Once Was Mine)
Her hair is secured back in the same braid she wears as she tends to the injured and ill with gentle healer’s hands and a thorough eye, the same braid she wore while pouring magic into her garden and cultivating the plants that grow under her careful eyes, the same braid she wore as she eased my cousin's baby into the world, breaking curses and holding the infant with care. All of these females are one and the same, each a facet of the same witch, driven out of the Southern Lands long ago by a war and a fate that terrified a child of the forest who’d known only peace and neutrality.
J. Bree (The Crown of Oaths and Curses (The Mortal Fates, #1))
A crown of thorns," he said, leaning into the room. "You ought to be careful." Harriet's hair was stuck in with a few wilting roses and thick tangles of thorns. She looked like a woman of the garden, born to the roses herself. She had somehow convinced her husband that dressing in this rather than in some ghoulish mask was superior, and though any kind of costume would have been uncomfortable, she supposed she would prefer to be surrounded by thorns she had saved from when she'd pruned back the garden. Something about it strengthened her.
Chelsea Iversen (The Peculiar Garden of Harriet Hunt)