She Removed Herself Quotes

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Brod's life was a slow realization that the world was not for her, and that for whatever reason, she would never be happy and honest at the same time. She felt as if she were brimming, always producing and hoarding more love inside her. But there was no release... So she had to satisfy herself with the idea of love--loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make it beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist.
Jonathan Safran Foer
I can give her no greater power than she has already, said the woman; don't you see how strong that is? How men and animals are obliged to serve her, and how well she has got through the world, barefooted as she is. She cannot receive any power from me greater than she now has, which consists in her own purity and innocence of heart. If she cannot herself obtain access to the Snow Queen, and remove the glass fragments from little Kay, we can do nothing to help her.
Hans Christian Andersen (The Snow Queen (Everyman's Library Children's Classics Series))
Soon, however, she began to reason with herself, and try to be feeling less. Eight years, almost eight years had passed, since all had been given up. How absurd to be resuming the agitation which such an interval had banished into distance and indistinctness! What might not eight years do? Events of every description, changes, alienations, removals,--all, all must be comprised in it; and oblivion of the past--how natural, how certain too! It included nearly a third part of her own life. Alas! with all her reasonings, she found, that to retentive feelings eight years may be little more than nothing.
Jane Austen (Persuasion)
It feels like shit to be alone. To be in a place full of people and feel like they don't want you there. To feel like you're at a party you weren't invited to. No one even knows your name. No one wants to. No one cares. Are they laughing at you? Talking about you? Are they sneering at you like their perfect world would be so much better if you weren't there, messing up their view? Are they just wishing you'd get the hint already and leave? I feel like that a lot. I know it's pathetic to want a place among other people, and I know you'll say it's better to stand in a crowd and be wrong, but... I still feel that need all the time. Do you ever feel it? I wonder if the cheerleader feels it. When the music stops and everyone goes home? When the day is gone and she doesn't have anyone to entertain herself with? When she removes her makeup, taking off her brave face for the day, do the demons she keeps buried start playing with her when there's no one else to play with? I guess not. Narcissists don't have insecurities, right? Must be nice.
Penelope Douglas (Punk 57)
Melody exploded. "THIS ISN'T LIKE GETTING A FISH TO SEE IF I COULD BE RESPONSIBLE ENOUGH FOR A PUPPY!" She took a deep breath, calmed herself and lowered her voice. She then repeated the statement as if doing so removed the stink of the outburst. "I'm well aware of that," said Lonnie. "And not to poke it with a stick, but you don't see any puppies sniffing around that empty fish bowl, do you?
B.M.B. Johnson (Melody Jackson v. the Woman in White (It happened on Lafayette Street Book 1))
Gregory,” she said, “you cannot leave me here. What if someone finds you and removes you from the house? Who will know I am here? And what if…and what if…and then what if…” He smiled, enjoying her officiousness too much to actually listen to her words. She was definitely herself again. “When this is all over,” he said, “I shall bring you a sandwich.” That stopped her short. “A sandwich? A sandwich?
Julia Quinn (On the Way to the Wedding (Bridgertons, #8))
So she had to satisfy herself with the idea of love - loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make it beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist.
Jonathan Safran Foer
her eyes are unfathomable to me, hostile, even, as if she had removed herself to a place where I cannot reach her - somewhere I cannot know.
Carol Lee (To Die For)
For quite a while, Francie had been spelling out letters, sounding them and then putting the sounds together to mean a word. But one day, she looked at a page and the word "mouse" had instantaneous meaning. She looked at the word, and the picture of a gray mouse scampered through her mind. She looked further and when she saw "horse," she heard him pawing the ground and saw the sun glint on his glossy coat. The word "running" hit her suddenly and she breathed hard as though running herself. The barrier between the individual sound of each letter and the whole meaning of the word was removed and the printed word meant a thing at one quick glance. She read a few pages rapidly and almost became ill with excitement. She wanted to shout it out. She could read! She could read!
Betty Smith (A Tree Grows in Brooklyn)
The world, as you see it, is not real. And the way you imagine it—it does not even come close. Certain things seem obvious to you, but they simply do not exist.” “And you, do you not exist?” Sasha couldn’t help herself. “Are you not real?” Portnov removed the scarf from her face. Under his gaze, she blinked confusedly. “I exist,” he said seriously. “But I am not at all what you think.
Marina Dyachenko (Vita Nostra (Метаморфозы, #1))
She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make it beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist.
Jonathan Safran Foer
So she had to satisfy herself with the idea of love – loving the loving of things whose existence she didn’t care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist.
Jonathan Safran Foer (Everything is Illuminated)
Sylvia was an early literary manifestation of a young woman who takes endless selfies and posts them with vicious captions calling herself fat and ugly. She is at once her own documentarian and the reflexive voice that says she is unworthy of documentation. She sends her image into the world to be seen, discussed, and devoured, proclaiming that the ordinariness or ugliness of her existence does not remove her right to have it.
Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
His steward his here,too." "Oh,look, the King's gone out to greet him." "With a gun," said Bramble. Everyone leaned forward. "Pistols!" cried Clover. She fled the room. "Clover-duels aren't-oh,hang," said Bramble. "She's going to do something rash. Well, at least we can see it from here." Two seconds later, Clover streaked out the entrance hall doors, down the marble stairs, her skirts flying behind her.The gentlemen had a split moment to look up before Clover threw herself onto the King in a scatter of gravel, sobbing as she hung about his neck. The window muffled their voices. Everyone leaned even farther forward. Clover fell to her knees and kissed the hem of the King's coat. "Oh,now,let's not go overboard," Bramble muttered. Fairweller removed his coat and set it over Clover's shoulders; the King threw it off and put his own coat over her shoulders.
Heather Dixon Wallwork (Entwined)
….I thought we’d be okay apart, but I was sorely mistaken. I don’t need much, Haven, but I do need you.” “I need you, too, you know,” she said. “You make me feel safe.” Despite everything, she trusted him. She believed in him. She loved him. And he loved her . . . more than anything in the world. She had given herself to him again, every barrier between them broken down. All of those unanswered questions, all of the worry, every single bit of it had been resolved the moment they came back together. “Haven,” he said. “If I could have anything, I know what I’d ask for now.” She pulled back from their hug to look at him with genuine curiosity. “What?” Carmine took a step back, reaching around his neck to pull off the gold chain. He unfastened it, removing the small ring, and eyed it in his palm momentarily before dropping to his knee. “If I could have anything in the world, it would be for you to marry me.
J.M. Darhower (Redemption (Sempre, #2))
Bartender," she said to an invisible person, "a Jeremy special." She grabbed two plastic cups. "Coming right up," she replied to herself. The Jeremy special ended up being an elaborate mix of fruit juices and vodka, and wasn't half bad. "i think you have a successful bartending career ahead of you," I said as we made our way into the living room. "Later I'll make you the Sebby special," she said. "It's used to remove paint from cars.
Kate Scelsa (Fans of the Impossible Life)
In the hall, Tina whisper hisses, "Retreat! Retreat!" The sounds of heels clip clopping follows before... stumble crash bang Mimi laughs her ass off and says, "We have a man down! I repeat. We are a man down!" Lola laughs hard and yells out, "We're so bad at this! Best mission ever! The sound of giggles and heels approach my room. I put an arm under my head to elevate it. I want to see what these goofballs are doing. Tina's first through the door and looks sheepish while rubbing her elbow. That is until she see Nat, Helena and Nina all sitting on my bed. Then she yells out, "Pajama party!" And literally throws herself on to my bed, hurt elbow forgotten. She belly flops onto my stomach, My body jolts upwards, the wind is knocked out of me and I groan. Tina looks up at me with wide eyes. She rushed out, "Ash, honey! I'm so sorry!" Then she rubs what she thinks is my stomach. Only its my cock. Removing her hands from me, I tell her, "Tina, I don't think Nik would like you in my bed rubbing my junk.
Belle Aurora (Love Thy Neighbour (Friend-Zoned, #2))
Down the Peninsula at Cypress Lawn Cemetery, a woman in a paisley turban climbed out of a battered automobile and trudged up the hillside to a new grave. She stood there for a moment, humming to herself, then removed a joint from a tortoise-shell cigarette case and laid it gently on the grave. "Have fun," she smiled. "It's Colombian.
Armistead Maupin (Tales of the City (Tales of the City, #1))
She loved sinking into her bed on evenings like this, but apparently she shouldn't, because it worried her aunts, who thought she ought to be out dancing. It worried her a little bit, too, because what if they were right, and because sometimes a great loneliness welled up in her and threatened all the dams she built to hold it back. You couldn't cure loneliness by wallowing in it, up above the world, on an island removed from everything. She knew that. But she had such a hard time with all the cures. They seemed rough and brusque and brutal, as if they abused her skin with a pot scrubber . . . forcing herself into a mass of people, a stranger among strangers. . . . But it was much more tempting to curl up with a book under her thick white comforter. Still, sometimes after she curled up, she regretted her lack of courage and felt bleakly lonely. It was important to have a really good book.
Laura Florand (The Chocolate Kiss (Amour et Chocolat, #2))
While the other women turned back to their talk of Saint-Germain, she took the opportunity to curl into her chair again and read, and so remove herself from all her greater cares and all the people causing them.
Susanna Kearsley (A Desperate Fortune (Mary & Hugh, #1))
The relations one has with a woman one loves (and that can apply also to love for a youth) can remain platonic for other reasons than the chastity of the woman or the unsensual nature of the love she inspires. The reason may be that the lover is too impatient and by the very excess of his love is unable to await the moment when he will obtain his desires by sufficient pretence of indifference. Continually, he returns to the charge, he never ceases writing to her whom he loves, he is always trying to see her, she refuses herself, he becomes desperate. From that time she knows, if she grants him her company, her friendship, that these benefits will seem so considerable to one who believed he was going to be deprived of them, that she need grant nothing more and that she can take advantage of the moment when he can no longer bear being unable to see her and when, at all costs, he must put an end to the struggle by accepting a truce which will impose upon him a platonic relationship as its preliminary condition. Moreover, during all the time that preceded this truce, the lover, in a constant state of anxiety, ceaselessly hoping for a letter, a glance, has long ceased thinking of the physical desire which at first tormented him but which has been exhausted by waiting and has been replaced by another order of longings more painful still if left unsatisfied. The pleasure formerly anticipated from caresses will later be accorded but transmuted into friendly words and promises of intercourse which brings delicious moments after the strain of uncertainty or after a look impregnated with such coldness that it seemed to remove the loved one beyond hope of his ever seeing her again. Women divine all this and know they can afford the luxury of never yielding to those who, from the first, have betrayed their inextinguishable desire. A woman is enchanted if, without giving anything, she can receive more than she generally gets when she does give herself.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
Because she was looking down and focusing her attention so precisely, Alice lost track of time and of herself. She wouldn't be able to put it into words, except to say she felt removed from the world. Or just at its edge. At the edge of the wild and beautiful world. She felt small, too. But part of something large. She was happy.
Kevin Henkes (Junonia)
He knew that was just the way she handled stress - she evaded, she avoided, she removed herself, but by the end of the week she would come back to him.
Emily St. John Mandel (The Glass Hotel)
The Man and His Two Sweethearts A MIDDLE-AGED MAN, whose hair had begun to turn gray, courted two women at the same time. One of them was young, and the other well advanced in years. The elder woman, ashamed to be courted by a man younger than herself, made a point, whenever her admirer visited her, to pull out some portion of his black hairs. The younger, on the contrary, not wishing to become the wife of an old man, was equally zealous in removing every gray hair she could find. Thus it came to pass that between them both he very soon found that he had not a hair left on his head. Those who seek to please everybody please nobody.
Aesop (Aesop's Fables (Illustrated))
Oh, magic hour when a child first knows it can read printed words! For quite a while, Francie had been spelling out letters, sounding them and then putting the sounds together to mean a word. But, one day, she looked at a page and the word "mouse" had instantaneous meaning. She looked at the word, and a picture of a gray mouse scampered through her mind. She looked further and when she saw "horse," she heard him pawing the ground and saw the sun glint on his glossy coat. The word "running" hit her suddenly and she breathed hard as though running herself. The barrier between he individual sound of each letter and the whole meaning of the word was removed and the printed word meant a thing at one quick glance. She read a few pages rapidly and almost became ill with excitement. She wanted to shout it out. She could read! She could read! From that time on, the world was hers for the reading. She would never be lonely again, never miss the lack of intimate friends. Books became her friends and there was one for every mood. There was poetry for quiet companionship. There was adventure when she tired of quiet hours. There would be love stories when she came to adolescence and when she wanted to feel a closeness to someone she could read a biography. On that day when she first knew she could read, she made a vow to read one book a day as long as she lived.
Betty Smith (A Tree Grows in Brooklyn)
She had the power to remove a child from an unkind parent and she sometimes did. But remove herself from an unkind husband? When she was weak and desolate? Where was her protective judge?
Ian McEwan (The Children Act)
She removed the wraps, which covered her shoulders, before the glass, so as once more to see herself in all her glory. But suddenly she uttered a cry. She had no longer the necklace around her neck!
Guy de Maupassant (The Necklace)
After some discussion, the four men {the board] reached a consensus: they would remove Elizabeth as CEO. She had proven herself too young and inexperienced for the job. Tom Brodeen would step in to lead the company for a temporary period until a more permanent replacement could be found. They called in Elizabeth to confront her with what they had learned and inform her of their decision. But then something extraordinary happened. Over the course of the next two hours, Elizabeth convinced them to change their minds.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
Man is obsessed with woman (this does not seem to be mutual). Possession does not set him free from obsession. Above and beyond jouissance, his obsession with her remains. It is an obsession with something like an eternally feminine prior state, an idea or fleshly form which was there before you and will outlive you. All other obsessions refer back to this one. It is fuelled by the secret desire to wrest from woman more than she gives you or has ever given you, to wrest from her her femininity itself. Woman-as-object is the purest expression of this obsession, since it is the object that is ungraspable. And it is in becoming-object that woman puts herself out of reach, and becomes the horizon of the obsessional desire. Just as it would be necessary to remove many other veils to wrest from women the secret of their power, so it would take many other tortures to wrest from men the secret underlying their unafraidness of death.
Jean Baudrillard (Cool Memories V: 2000 - 2004)
She spent much of her childhood and adolescence planning elaborate scheme to remove herself from family conflict: staying completely silent, keeping her face and body expressionless and immobile, wordlessly leaving the room and making her way to her bedroom, closing the door quietly behind her. Locking herself in the toilet. Leaving the house for an indefinite number of hours and sitting in the school car park by herself. None of these strategies had ever proven successful. In fact her tactics only seemed to increase the possibility that she would be punished as the primary instigator.
Sally Rooney (Normal People)
My friend has never been to a picture show, nor does she intend to: "I'd rather hear you tell the story, Buddy. That way I can imagine it more. Besides, a person my age shouldn't squander their eyes. When the Lord comes, let me see him clear." In addition to never having seen a movie, she has never: eaten in a restaurant, traveled more than five miles from home, received or sent a telegram, read anything except funny papers and the Bible, worn cosmetics, cursed, wished someone harm, told a lie on purpose, let a hungry dog go hungry. Here are a few things she has done, does do: killed with a hoe the biggest rattlesnake ever seen in this county (sixteen rattles), dip snuff (secretly), tame hummingbirds (just try it) till they balance on her finger, tell ghost stories (we both believe in ghosts) so tingling they chill you in July, talk to herself, take walks in the rain, grow the prettiest japonicas in town, know the recipe for every sort of oldtime Indian cure, including a magical wart remover.
Truman Capote (A Christmas Memory)
So many gods. Which was the god of test scores? Which was the god of unmarried shopgirls who wished to stay that way? She decided to simply pray to all of them. “If you exist, if you’re up there, help me. Give me a way out of this shithole. Or, if you can’t do that, give the import inspector a heart attack.” She looked around the empty temple. What came next? She had always imagined that praying involved more than just speaking out loud. She spied several unused incense sticks lying by the altar. She lit the end of them by dipping it in the brazier, and then waved it experimentally in the air. Was she supposed to hold the smoke to the gods? Or should she smoke the stick herself? She had just held the burned end to her nose when a temple custodian strode out from behind the altar. They blinked at each other. Slowly, Rin removed the incense stick from her nostril. “Hello,” she said. “I’m praying.” “Please leave,” he said.
R.F. Kuang (The Poppy War (The Poppy War, #1))
She had the look of someone who’d declared herself, and seeing it, my indignation collapsed and her mutinous bath turned into something else entirely. She’d immersed herself in forbidden privileges, yes, but mostly in the belief she was worthy of those privileges. What she’d done was not a revolt, it was a baptism. I saw then what I hadn’t seen before, that I was very good at despising slavery in the abstract, in the removed and anonymous masses, but in the concrete, intimate flesh of the girl beside me, I’d lost the ability to be repulsed by it. I’d grown comfortable with the particulars of evil. There’s a frightful muteness that dwells at the center of all unspeakable things, and I had found my way into it. As Handful began to shove the vessel back across the piazza, I tried to speak. “. . . . . . Wait. . . . . . I’ll. . . . . . help . . .” She turned and looked at me, and we both knew. My tongue would once again attempt its suicide.
Sue Monk Kidd (The Invention of Wings)
in the end she had not wanted a life spent treading water in his story. She still did not—and yet she regarded herself in the glass a little ruefully. To have that choice removed by time and age was painful.
Kij Johnson (The Dream-Quest of Vellitt Boe)
When the day is gone and she doesn’t have anyone to entertain herself with? When she removes her makeup, taking off her brave face for the day, do the demons she keeps buried start playing with her when there’s no one else to play with?
Penelope Douglas (Punk 57)
Why do movies make this look so simple?” He leaned back and looked her straight in the eye, the smile winning. “One-handed bra removal is not easy. I call false reality.” “Teen boys all over the world are going to hate themselves for not being able to do it.” “Grown men, too.” “Don’t forget Irish men.” Melody readjusted herself and sat up straighter. “Declan?” she whispered, tipping her face toward his. Then she ran her tongue over his mouth and pinned his other hand against his side. “I don’t want you to hate yourself. Don’t give up. You’ve got this.
Brooklyn Skye (Just One Reason(What Happens In Vegas, #5))
Please. Prayer is lovely. She herself prays every day. But for such a threat, Marie will need more powerful weapons than prayer. Perhaps she doesn’t know this, having been removed from the world these many years, but to engage in war with the world, one needs the world’s weapons.
Lauren Groff (Matrix)
It was a relief to see his father, who'd always been an unfailing source of reassurance and comfort. They clasped hands in a firm shake, and used their free arms to pull close for a moment. Such demonstrations of affection weren't common among fathers and sons of their rank, but then, they'd never been a conventional family. After a few hearty thumps on the back, Sebastian drew back and glanced over him with the attentive concern that hearkened to Gabriel's earliest memories. Not missing the traces of weariness on his face, his father lightly tousled his hair the way he had when he was a boy. "You haven't been sleeping." "I went carousing with friends for most of last night," Gabriel admitted. "It ended when we were all too drunk to see a hole through a ladder." Sebastian grinned and removed his coat, tossing the exquisitely tailored garment to a nearby chair. "Reveling in the waning days of bachelorhood, are we?" "It would be more accurate to say I'm thrashing like a drowning rat." "Same thing." Sebastian unfastened his cuffs and began to roll up his shirtsleeves. An active life at Heron's Point, the family estate in Sussex, had kept him as fit and limber as a man half his age. Frequent exposure to the sunlight had gilded his hair and darkened his complexion, making his pale blue eyes startling in their brightness. While other men of his generation had become staid and settled, the duke was more vigorous than ever, in part because his youngest son was still only eleven. The duchess, Evie, had conceived unexpectedly long after she had assumed her childbearing years were past. As a result there were eight years between the baby's birth and that of the next oldest sibling, Seraphina. Evie had been more than a little embarrassed to find herself with child at her age, especially in the face of her husband's teasing claims that she was a walking advertisement of his potency. And indeed, there have been a hint of extra swagger in Sebastian's step all through his wife's last pregnancy. Their fifth child was a handsome boy with hair the deep auburn red of an Irish setter. He'd been christened Michael Ivo, but somehow the pugnacious middle name suited him more than his given name. Now a lively, cheerful lad, Ivo accompanied his father nearly everywhere.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
The room she found herself in, when they had tied her to yet another chair and removed the sack, was larger than the last one. It was also clean, but in the fashion of a room that can be easily sluiced down to get the bloodstains off the walls. That was a happy thought. I’m so glad I had it.
T. Kingfisher (The Wonder Engine (Clocktaur War, #2))
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
Human infants begin to develop specific attachments to particular people around the third quarter of their first year of life. This is the time at which the infant begins to protest if handed to a stranger and tends to cling to the mother or other adults with whom he is familiar. The mother usually provides a secure base to which the infant can return, and, when she is present, the infant is bolder in both exploration and play than when she is absent. If the attachment figure removes herself, even briefly, the infant usually protests. Longer separations, as when children have been admitted to hospital, cause a regular sequence of responses first described by Bowlby. Angry protest is succeeded by a period of despair in which the infant is quietly miserable and apathetic. After a further period, the infant becomes detached and appears no longer to care about the absent attachment
Anthony Storr (Solitude: A Return to the Self)
And thus far it was a life: in the void. Wragby was there, the servants . . . but spectral, not really existing. Connie went for walks in the park, and in the woods that joined the park, and enjoyed the solitude and the mystery, kicked the brown leaves of autumn, and picked the primroses of spring. But it was all a dream; or rather it was the simulacrum of reality. The oak-leaves were to her like oak-leaves seen ruffling in a mirror, she herself was a figure somebody had read about, picking primroses that were only shadows or memories, or words. No substance to her or anything . . . no touch, no contact! Only this life with Clifford, this endless spinning of webs of yarn, of the minutiae of consciousness, these stories Sir Malcolm said there was nothing in, and they wouldn't last. Why should there be anything in them, why should they last? Sufficient unto the day is the evil thereof. Sufficient unto the moment is the appearance of reality.
D.H. Lawrence (Lady Chatterley’s Lover)
I wonder if the cheerleader feels it. When the music stops and everyone goes home? When the day is gone and she doesn’t have anyone to entertain herself with? When she removes her makeup, taking off her brave face for the day, do the demons she keeps buried start playing with her when there’s no one else to play with?
Penelope Douglas (Punk 57)
Inej kept her eyes averted, shuffling a stack of papers into a pile on the desk as Kaz stripped out of his vest and shirt. She wasn’t sure if she was flattered or insulted that he didn’t seem to give a second thought to her presence. “How long will we be gone?” she asked, darting a glance at him through the open doorway. He was corded muscle, scars, but only two tattoos—the Dregs’ crow and cup on his forearm and, above it, a black R on his bicep. She’d never asked him what it meant. It was his hands that drew her attention as he shucked off his leather gloves and dipped a cloth in the washbasin. He only ever removed them in these chambers, and as far as she knew, only in front of her. Whatever affliction he might be hiding, she could see no sign of it, only slender lockpick’s fingers, and a shiny rope of scar tissue from some long ago street fight. “A few weeks, maybe a month,” he said as he ran the wet cloth under his arms and the hard planes of his chest, water trickling down his torso. For Saints’ sake, Inej thought as her cheeks heated. She’d lost most of her modesty during her time with the Menagerie, but really, there were limits. What would Kaz say if she suddenly stripped down and started washing herself in front of him? He’d probably tell me not to drip on the desk, she thought with a scowl.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Kat happened to get a spot in the cafeteria line-up just behind the young woman lawyer who presented the case against her grandfather. She had removed her black robe too, and Kat found her much less threatening in her cream coloured jacket and trousers. The woman grabbed a carton of milk and then a tossed salad from behind the Plexiglas door. "Stay clear of the noodle soup," she said to Kat pleasantly. "It's vile." Kat smiled back at her. How odd that this woman could be so nice. It must all be in a day's work for her to tear apart and impoverish families. Kat grabbed some red Jell-O and a carton of orange juice for herself. She didn't really feel like eating: she was just going through the motions.
Marsha Forchuk Skrypuch (Hope's War)
When Annie flirted she didn’t always admit to herself that she was flirting. Sometimes she preferred to suspend her mental faculties so that she could flirt, as it were, without her mind watching. It was as if her body and mind separated, her body stepping behind a screen to remove its clothing while her mind, on the other side of the screen, paid no attention.”.
Jeffrey Eugenides (Fresh Complaint: Stories)
Above all, Hurston is essential universal reading because she is neither self-conscious nor restricted. She was raised in the real Eatonville, Florida, an all-black town; this unique experience went some way to making Hurston the writer she was. She grew up a fully human being, unaware that she was meant to consider herself a minority, an other, an exotic or something depleted in rights, talents, desires and expectations. As an adult, away from Eatonville, she found the world was determined to do its best to remind her of her supposed inferiority, but Hurston was already made, and the metaphysical confidence she claimed for her life (“I am not tragically colored”) is present, with equal, refreshing force, in her fiction. She liked to yell “Culllaaaah Struck!”9 when she entered a fancy party—almost everybody was. But Hurston herself was not. “Blackness,” as she understood it and wrote about it, is as natural and inevitable and complete to her as, say, “Frenchness” is to Flaubert. It is also as complicated, as full of blessings and curses. One can be no more removed from it than from one’s arm, but it is no more the total measure of one’s being than an arm is.
Zadie Smith (Changing My Mind: Occasional Essays)
Lady Sheringham, having provided herself with a smelling-bottle to fortify her nerves during an interview with her only child, removed the stopper and inhaled feebly. ‘I am sure I do not know what would become of me if I had not my good brother to support me in my lonely state,’ she said, in the faint, complaining tone which so admirably concealed a constitution of iron and a strong determination to have her own way.
Georgette Heyer (Friday's Child)
It was not often that she could turn her eyes on Mr. Darcy himself; but, whenever she did catch a glimpse, she saw an expression of general complaisance, and in all that he said she heard an accent so removed from hauteur or disdain of his companions, as convinced her that the improvement of manners which she had yesterday witnessed however temporary its existence might prove, had at least outlived one day. When she saw him thus seeking the acquaintance and courting the good opinion of people with whom any intercourse a few months ago would have been a disgrace--when she saw him thus civil, not only to herself, but to the very relations whom he had openly disdained, and recollected their last lively scene in Hunsford Parsonage--the difference, the change was so great, and struck so forcibly on her mind, that she could hardly restrain her astonishment from being visible. Never, even in the company of his dear friends at Netherfield, or his dignified relations at Rosings, had she seen him so desirous to please, so free from self-consequence or unbending reserve, as now, when no importance could result from the success of his endeavours, and when even the acquaintance of those to whom his attentions were addressed would draw down the ridicule and censure of the ladies both of Netherfield as Rosings.
Jane Austen (Pride and Prejudice)
A few moments later, a group of white birds landed on the steps to watch her. "Hello there!" she said and removed some birdseed from her pocket, laying it on the steps for them to eat. When they were finished, they stayed to watch her work. She didn't mind. It helped to have company, even if they couldn't talk. She found herself talking to them sometimes. True, some might call her mad for conversing with animals, but who was paying attention?
Jen Calonita (Mirror, Mirror)
She looked at her own image and removed the bandana, shaking down her hair, not fixed in a braid today but with a sticky twistiness still in it. As her voice had come out of her startled mouth younger than she was, she looked younger in this antique, forgiving mirror. It was slightly tipped; she looked up into it, pleased that the flesh beneath her chin did not show. In the bathroom mirror at home she looked terrible, a hag with cracked lips and a dented nose with broken veins in her septum, and when, driving in the Subaru, she stole a peek of herself in the rearview mirror, she looked worse yet, corpselike in color, the eyes wild and a single stray lash laid like a beetle-leg across one lower lid. As a tiny girl Alexandra had imagined that behind every mirror a different person waited to peek back out, a different soul. Like so much of what we fear as a child, it turned out to be in a sense true.
John Updike (The Witches of Eastwick)
He hadn't dreamed the look of fury on her face nor the harsh words she'd spoken, not allowing him the opportunity to explain. The picture of her simple beauty, loose-limbed grace, and blatant fury shimmered before him. So far removed from any other female he'd ever come across. The outrage rippling through her, so intense it radiated like heat from her body. Her eyes flashing, no sign of fear for herself. He hadn't wanted her to flee. He wanted to know more.
Tea Cooper (The Woman in the Green Dress)
Although often with good intentions, our parents and teachers attribute negative definitions to us, which last for many years and prevent us from developing ourselves with pleasure. In psychomagic, we call these definitions “labels” because they stick to the self. So that the consultant can free herself from them, I advise: ▶ The consultant writes on adhesive labels as many definitions as they gave her, for example: “You have no ear for music,” “You don’t know how to use your hands,” “You’re a freeloader, liar, thief,” “You’re egotistical, weak, dumb, fat, skinny, vain, ungrateful,” and so on. The consultant glues these labels to every part of the body— many of them to the face—and goes out in public that way for as many hours as possible. When the consultant returns home, she should remove the labels, roll them into a ball, take the ball to the city dump, and throw it on top of the garbage pile, having beforehand caressed her body with hands soaked in pleasant perfume.
Alejandro Jodorowsky (Manual of Psychomagic: The Practice of Shamanic Psychotherapy)
She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago. Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk. Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not. Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.” “It is my book,” Irex said. There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?” Arin’s answer was low. “No.” “Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.” “He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.” “Yes, your property. Let us not forget that we are also discussing my property.” “He will be returned to you.” “So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.” Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.” Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.” Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her. “Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.” “I think we’ll enjoy this method more.” “A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
An it isn’t just children…A woman who experienced early sexual abuse would sabotage her adult relationships-whether they were happy or not, by removing herself emotionally. She dissociated even though she cared deeply about her partner. She’d go through the motions of being in the relationship-compliance-but, as you say, it was a hollow compliance. She wasn’t really there. But after working with a therapist to create and maintain healthy relationships, she now actively practiced staying present.
Oprah Winfrey (What Happened To You?: Conversations on Trauma, Resilience, and Healing)
One of these days, I’m going to learn not to sneak up on you.” The fiasco in the barn flashed through her mind. Yesterday she’d showered him with oats and today she’d pummeled him with a broom. At this rate, he’d be dead by the end of the week. “Mr. Westcott, I’m so sorry. I had no idea you were there.” Adelaide dropped the broom as if distancing herself from the weapon could remove some of her guilt. He wiggled his jaw one final time and then lowered his hand. “I don’t think you did any permanent damage.
Karen Witemeyer (Head in the Clouds)
Books had always been a comfort to her. More than comfort. There were times when reading came close to an addiction. When things had been tough at home, Harriet’s solution had been to remove herself from life and disappear. She’d chosen to be invisible. Sometimes physically, by hiding under the table, but sometimes psychologically by diving into a literary world unlike her own. As a child she’d liked to sink into the pages and lose herself for hours at a time. When she was reading, she didn’t just leave her own life behind, she stepped into someone else’s. There were times when she’d read for hours without noticing the passage of time or the onset of darkness. When it grew too dark to read, she simply switched on her flashlight and read under the covers so that she didn’t disturb her sister, who was sleeping in the next bed. At school, she carried her book around. When things were difficult, the weight of her bag would comfort her. It helped just to know the book was there, waiting for her. At various points in the day she’d feel the edges bump against her thigh, reminding her of its existence. It was like having a friend close by, telling her I’m still here and we can spend time together later. Even now, more than a decade on from that difficult time of her life, she found herself instinctively reaching for a book when she was stressed. Comfort was different things to different people. To some it was a bar of chocolate or a glass of wine, a run in the park or coffee with a friend. To Harriet, it was a book.
Sarah Morgan (Moonlight Over Manhattan (From Manhattan with Love, #6))
Later, he'd walked by the open bathroom door and heard her talking to herself as she removed her makeup. "I repent nothing," he'd heard her say to her reflection in the mirror. He'd turned and walked away, but the words stayed with him. Years later in Toronto, on the plywood second storey of the King Lear set, the words clarified the problem. he found he was a man who repented almost everything, regrets crowding in around him like moths to a light. This was actually the main difference between twenty-one and fifty-one, he decided, the sheer volume of regret.
Emily St. John Mandel (Station Eleven)
She was the first close friend who I felt like I’d re­ally cho­sen. We weren’t in each other’s lives be­cause of any obli­ga­tion to the past or con­ve­nience of the present. We had no shared his­tory and we had no rea­son to spend all our time to­ gether. But we did. Our friend­ship in­ten­si­fied as all our friends had chil­dren – she, like me, was un­con­vinced about hav­ing kids. And she, like me, found her­self in a re­la­tion­ship in her early thir­ties where they weren’t specif­i­cally work­ing to­wards start­ing a fam­ily. By the time I was thirty-four, Sarah was my only good friend who hadn’t had a baby. Ev­ery time there was an­other preg­nancy an­nounce­ment from a friend, I’d just text the words ‘And an­other one!’ and she’d know what I meant. She be­came the per­son I spent most of my free time with other than Andy, be­cause she was the only friend who had any free time. She could meet me for a drink with­out plan­ning it a month in ad­vance. Our friend­ship made me feel lib­er­ated as well as safe. I looked at her life choices with no sym­pa­thy or con­cern for her. If I could ad­mire her de­ci­sion to re­main child-free, I felt en­cour­aged to ad­mire my own. She made me feel nor­mal. As long as I had our friend­ship, I wasn’t alone and I had rea­son to be­lieve I was on the right track. We ar­ranged to meet for din­ner in Soho af­ter work on a Fri­day. The waiter took our drinks or­der and I asked for our usual – two Dirty Vodka Mar­ti­nis. ‘Er, not for me,’ she said. ‘A sparkling wa­ter, thank you.’ I was ready to make a joke about her un­char­ac­ter­is­tic ab­sti­nence, which she sensed, so as soon as the waiter left she said: ‘I’m preg­nant.’ I didn’t know what to say. I can’t imag­ine the ex­pres­sion on my face was par­tic­u­larly en­thu­si­as­tic, but I couldn’t help it – I was shocked and felt an un­war­ranted but in­tense sense of be­trayal. In a de­layed re­ac­tion, I stood up and went to her side of the ta­ble to hug her, un­able to find words of con­grat­u­la­tions. I asked what had made her change her mind and she spoke in va­garies about it ‘just be­ing the right time’ and wouldn’t elab­o­rate any fur­ther and give me an an­swer. And I needed an an­swer. I needed an an­swer more than any­thing that night. I needed to know whether she’d had a re­al­iza­tion that I hadn’t and, if so, I wanted to know how to get it. When I woke up the next day, I re­al­ized the feel­ing I was ex­pe­ri­enc­ing was not anger or jeal­ousy or bit­ter­ness – it was grief. I had no one left. They’d all gone. Of course, they hadn’t re­ally gone, they were still my friends and I still loved them. But huge parts of them had dis­ap­peared and there was noth­ing they could do to change that. Un­less I joined them in their spa­ces, on their sched­ules, with their fam­i­lies, I would barely see them. And I started dream­ing of an­other life, one com­pletely re­moved from all of it. No more chil­dren’s birth­day par­ties, no more chris­ten­ings, no more bar­be­cues in the sub­urbs. A life I hadn’t ever se­ri­ously con­tem­plated be­fore. I started dream­ing of what it would be like to start all over again. Be­cause as long as I was here in the only Lon­don I knew – mid­dle-class Lon­don, cor­po­rate Lon­don, mid-thir­ties Lon­don, mar­ried Lon­don – I was in their world. And I knew there was a whole other world out there.
Dolly Alderton (Good Material)
Inventor and businesswoman Harriet Strong (1844 – 1926) said “I’d train every girl so that instead of prefacing some innovation by saying ‘A man suggested this,’ she would rely upon her own judgment. Left destitute by her husband’s suicide with four daughters to raise, Strong also said “It is quite possible for every gentlewoman to make herself familiar with business methods, papers, etc.; to prepare herself for any and all emergencies, so that if the head of the household be removed, the home that he established may be kept intact, may be preserved on its financial basis.
Harriet Strong
The words trailed off, and she smiled helplessly as she waited for him to rescue her from her own sentence. Nate's thoughts had been far removed from relationship issues, and he didn't feel like getting drawn into another of these conversations. He also didn't like being pressured to provide reassurances on demand, being made to perform his affection at someone else's bidding, like a trained seal. Besides, it seemed that in soliciting reassurance - after everything that had been said the other night - Hannah was allowing herself to give in to a neurotic compulsion. That wasn't something he wanted to reward.
Adelle Waldman (The Love Affairs of Nathaniel P.)
Prostitution clearly promotes the depersonalisation of sex, which can never be good news for women—any women. Prostitution has a ripple effect. It creates the illusory view in the minds of men that women are not human beings as men are, but simply the walking carrier of a product, and that they serve one principal function, whether or not they are paid for it, which is to be used as vessels for the sexual release of men. They are effortlessly and imperceptibly relegated from the realms of the human. They are not people on a par with their male counterparts. How could they be, when their principal function is as something to be fucked? Prostitution obscures women’s humanity from society generally, but it also causes women specifically to lose sensitivity to their own humanity by way of tolerating the prostitution of others of their gender. When women tolerate prostitution they are actually tolerating the dehumanisation of their own gender in a broader and more encompassing sense. Countries with male-majority governments are implementing the legalisation of prostitution with frightening rapidity throughout the western world. Where is the female revolt towards all this? There is no widespread female revolt because female sexuality has so long been viewed as a commodity that woman have begun to believe in the necessity of a separate class of women to provide it. If a woman tolerates this treatment of her fellow women, if she accepts it under the banner of ‘liberalism’ or anything else, then she must also accept that she herself is only removed from prostitution by lack of the circumstances necessary to place her there. Should these circumstances ever occur, her body, too, would be just as welcome for mauling, sucking and fucking by the clients of the brothels and would be just as reviled by the men who are on the look-out for a wife. The acceptance of prostitution makes all women potential prostitutes in the public view since there are only two requirements for a woman to work in a brothel: one is that circumstance has placed her so (and who knows when that can happen, to any of us?) and the other is that she has a vagina, and all women are born meeting at least one of these requirements. It bears repeating: if the commodification of women is to be accepted then all women fall under that potential remit. If a woman accepts prostitution in society, then she accepts this personal indenture, whether she knows it or not; and yes, that is a loss. As
Rachel Moran (Paid For: My Journey Through Prostitution)
Rey had Begged The Vision to Reveal her parents, and 2 dark shadows had approached the mirror and merged into one figure, which matched it's hand to hers. but when the frost over the glass cleared. She saw only... herself. "i thought i'd find answers here" She said, forlorn I Was Wrong" 'I'd never felt so alone". 'you're not alone" Kylo whispered. "neither are you" She told Him, 'it isn't too late". She held out a hand and he removed his glove and reached for her. their fingers's touched and a Tear Slipped down Rey's cheek. just then, Luke burst through the door of her hut, Saw the Force Vision of Kylo and Yelled 'Stop"!!!
Delilah S. Dawson
In some instances, even when crisis intervention has been intensive and appropriate, the mother and daughter are already so deeply estranged at the time of disclosure that the bond between them seems irreparable. In this situation, no useful purpose is served by trying to separate the mother and father and keep the daughter at home. The daughter has already been emotionally expelled from her family; removing her to protective custody is simply the concrete expression of the family reality. These are the cases which many agencies call their “tragedies.” This report of a child protective worker illustrates a case where removing the child from the home was the only reasonable course of action: Division of Family and Children’s Services received an anonymous telephone call on Sept. 14 from a man who stated that he overheard Tracy W., age 8, of [address] tell his daughter of a forced oral-genital assault, allegedly perpetrated against this child by her mother’s boyfriend, one Raymond S. Two workers visited the W. home on Sept. 17. According to their report, Mrs. W. was heavily under the influence of alcohol at the time of the visit. Mrs. W. stated immediately that she was aware why the two workers wanted to see her, because Mr. S. had “hurt her little girl.” In the course of the interview, Mrs. W. acknowledged and described how Mr. S. had forced Tracy to have relations with him. Workers then interviewed Tracy and she verified what mother had stated. According to Mrs. W., Mr. S. admitted the sexual assault, claiming that he was drunk and not accountable for his actions. Mother then stated to workers that she banished Mr. S. from her home. I had my first contact with mother and child at their home on Sept. 20 and I subsequently saw this family once a week. Mother was usually intoxicated and drinking beer when I saw her. I met Mr. S. on my second visit. Mr. S. denied having had any sexual relations with Tracy. Mother explained that she had obtained a license and planned to marry Mr. S. On my third visit, Mrs. W. was again intoxicated and drinking despite my previous request that she not drink during my visit. Mother explained that Mr. S. had taken off to another state and she never wanted to see him again. On this visit mother demanded that Tracy tell me the details of her sexual involvement with Mr. S. On my fourth visit, Mr. S. and Mrs. S. were present. Mother explained that they had been married the previous Saturday. On my fifth visit, Mr. S. was not present. During our discussion, mother commented that “Bay was not the first one who had Tracy.” After exploring this statement with mother and Tracy, it became clear that Tracy had been sexually exploited in the same manner at age six by another of Mrs. S.'s previous boyfriends. On my sixth visit, Mrs. S. stated that she could accept Tracy’s being placed with another family as long as it did not appear to Tracy that it was her mother’s decision to give her up. Mother also commented, “I wish the fuck I never had her.” It appears that Mrs. S. has had a number of other children all of whom have lived with other relatives or were in foster care for part of their lives. Tracy herself lived with a paternal aunt from birth to age five.
Judith Lewis Herman (Father-Daughter Incest (with a new Afterword))
I note this woman’s shape-shifting performance. How by saying a thing, she becomes it. As she complains about how boring it is to hear her friend complain about her mother, as she goes into detail, masterfully reenacting specific boring conversations (both between her and her friend, and her friend and her friend’s mother), she is essentially becoming them both, becoming the boredom she claims to want to remove from her life and mind, but which have complete control of her, and she doesn’t notice that by saying “I don’t like this” over and over she is just drawing herself closer to it, essentially becoming her friend and subjecting us all to what she claims to hate.
Halle Butler (The New Me)
John Isidore said, “I found a spider.” The three androids glanced up, momentarily moving their attention from the TV screen to him. “Let’s see it,” Pris said. She held out her hand. Roy Baty said, “Don’t talk while Buster is on.” “I’ve never seen a spider,” Pris said. She cupped the medicine bottle in her palms, surveying the creature within. “All those legs. Why’s it need so many legs, J. R.?” “That’s the way spiders are,” Isidore said, his heart pounding; he had difficulty breathing. “Eight legs.” Rising to her feet, Pris said, “You know what I think, J. R.? I think it doesn’t need all those legs.” “Eight?” Irmgard Baty said. “Why couldn’t it get by on four? Cut four off and see.” Impulsively opening her purse, she produced a pair of clean, sharp cuticle scissors, which she passed to Pris. A weird terror struck at J. R. Isidore. Carrying the medicine bottle into the kitchen, Pris seated herself at J. R. Isidore’s breakfast table. She removed the lid from the bottle and dumped the spider out. “It probably won’t be able to run as fast,” she said, “but there’s nothing for it to catch around here anyhow. It’ll die anyway.” She reached for the scissors. “Please,” Isidore said. Pris glanced up inquiringly. “Is it worth something?” “Don’t mutilate it,” he said wheezingly. Imploringly. With the scissors, Pris snipped off one of the spider’s legs. In the living room Buster Friendly on the TV screen said, “Take a look at this enlargement of a section of background. This is the sky you usually see. Wait, I’ll have Earl Parameter, head of my research staff, explain their virtually world-shaking discovery to you.” Pris clipped off another leg, restraining the spider with the edge of her hand. She was smiling. “Blowups of the video pictures,” a new voice from the TV said, “when subjected to rigorous laboratory scrutiny, reveal that the gray backdrop of sky and daytime moon against which Mercer moves is not only not Terran—it is artificial.” “You’re missing it!” Irmgard called anxiously to Pris; she rushed to the kitchen door, saw what Pris had begun doing. “Oh, do that afterward,” she said coaxingly. “This is so important, what they’re saying; it proves that everything we believed—” “Be quiet,” Roy Baty said. “—is true,” Irmgard finished. The TV set continued, “The ‘moon’ is painted; in the enlargements, one of which you see now on your screen, brush strokes show. And there is even some evidence that the scraggly weeds and dismal, sterile soil—perhaps even the stones hurled at Mercer by unseen alleged parties—are equally faked. It is quite possible in fact that the ‘stones’ are made of soft plastic, causing no authentic wounds.” “In other words,” Buster Friendly broke in, “Wilbur Mercer is not suffering at all.” The research chief said, “We at last managed, Mr. Friendly, to track down a former Hollywood special-effects man, a Mr. Wade Cortot, who flatly states, from his years of experience, that the figure of ‘Mercer’ could well be merely some bit player marching across a sound stage. Cortot has gone so far as to declare that he recognizes the stage as one used by a now out-of-business minor moviemaker with whom Cortot had various dealings several decades ago.” “So according to Cortot,” Buster Friendly said, “there can be virtually no doubt.” Pris had now cut three legs from the spider, which crept about miserably on the kitchen table, seeking a way out, a path to freedom. It found none.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
She had become more, had become something that did not need air to breathe, something that did not understand hate or love or fear or grief. It had scared her more than anything else. That utter lack of feeling. How good it had felt to be so removed. ... She had been aware, yes. Had killed the kelpie because she wished it dead. But all the weight, the echoing thoughts, the hatred and guilt that sliced her like knives- they had vanished. And it had been so seductive, so freeing and lovely, that she'd known the Mask had to be destroyed. If only to save herself from it. ... Everyone else would be safe from its temptation and power- except for her. The one who most needed to be barred from it.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Getting dressed was complicated. She did not want to raise her parents’ suspicions, but she wanted to look nice on her wedding day. While Emily waited, Lisbeth spent considerable time sorting through her gowns. In addition to wanting an attractive dress, she needed one that she could remove herself. She did not know if someone would be available to help her undress. She did not allow herself to think about where or with whom she would be undressing that night, but she would have to get used to dressing herself in the future. Her new life was beginning today. Eventually she chose a Swiss dot with a light-blue background and bright-blue dots that buttoned down the front. It was not particularly tight in the bodice, so she could wear a corset that laced on the side
Laila Ibrahim (Yellow Crocus (Freedman/Johnson, #1))
Marketa really desired, with both her body and her senses, the women she considered Karel's mistresses. And she also desired them with her head: fulfilling the prophecy of her old math teacher, she wanted - at least to the limits of the disastrous contract - to show herself enterprising and playful, and to astonish Karel. But as soon as she found herself naked with them on the wide daybed, the sensual wanderings immediately vanished from her mind, and seeing her husband was enough to return her to her role, the role of the better one, the one who is wronged, Even when she was with Eva, whom she loved very much and of whom she was not jealous, the presence of the man she loved too well weighed heavily on her, stifling the pleasure of the senses. The moment she removed his head from the body, she felt the strange and intoxicating touch of freedom. That anonymity of the body was a suddenly discovered paradise. With an odd delight, she expelled her wounded and too vigilant soul and was transformed into a simple body without past or memory, but all the more eager and receptive. She tenderly caressed Eva's face, while the headless body moved vigorously on top of her. But here the headless body interrupted his movements and, in a voice that reminded her unpleasantly of Karel's, uttered unbelievably idiotic words: "I'm Bobby Fischer! I'm Bobby Fischer!" It was like being awakened from a dream. And just then, as she lay snuggled against Eva (as the awakening sleeper snuggles against his pillow to hide from the dim first light of day), Eva had asked her, "All right?" and she had consented with a sign, pressing her lips against Eva's. She had always loved her, but today for the first time sh loved her with all her senses, for herself, for her body, and for her skin, becoming intoxicated with this fleshly love as with a sudden revelation. Afterward, while they lay side by side on their stomachs, with their buttocks slightly raised, Marketa could feel on her skin that the infinitely efficient body was again fixing its eyes on hers and at any moment was going to start again making love to them. She tried to ignore the voice talking about seeing beautiful Mrs. Nora, tried simply to be a body hearing nothing while lying pressed between a very soft-skinned girlfriend and some headless man.
Milan Kundera (The Book of Laughter and Forgetting)
It had seemed such a domestic scene and she ached now, as she had ached then, to be a part of it. Instead, she had sat twenty feet away, as far removed from him in spirit as if she had been twenty miles away. Yet she loved him still. Not as she had before, when she had loved him as if he were a prince in a fairy-tale romance. He had been perfection itself. Now she loved him as a woman, with knowledge of all his faults and with full realization that they could never be together again. But she loved him. And for the first time since it had happened, she admitted to herself that she would not have altered any of those events even if she had known of the separation and pain ahead. At least she had known love and at least there was one man in this world who meant everything to her.
Mary Balogh (A Chance Encounter (Denning-Mainwaring, #1))
However, the Bleeding Hearts were kind hearts; and when they saw the little fellow cheerily limping about with a good-humoured face, doing no harm, drawing no knives, committing no outrageous immoralities, living chiefly on farinaceous and milk diet, and playing with Mrs Plornish's children of an evening, they began to think that although he could never hope to be an Englishman, still it would be hard to visit that affliction on his head. They began to accommodate themselves to his level, calling him 'Mr Baptist,' but treating him like a baby, and laughing immoderately at his lively gestures and his childish English—more, because he didn't mind it, and laughed too. They spoke to him in very loud voices as if he were stone deaf. They constructed sentences, by way of teaching him the language in its purity, such as were addressed by the savages to Captain Cook, or by Friday to Robinson Crusoe. Mrs Plornish was particularly ingenious in this art; and attained so much celebrity for saying 'Me ope you leg well soon,' that it was considered in the Yard but a very short remove indeed from speaking Italian. Even Mrs Plornish herself began to think that she had a natural call towards that language. As he became more popular, household objects were brought into requisition for his instruction in a copious vocabulary; and whenever he appeared in the Yard ladies would fly out at their doors crying 'Mr Baptist—tea-pot!' 'Mr Baptist—dust-pan!' 'Mr Baptist—flour-dredger!' 'Mr Baptist—coffee-biggin!' At the same time exhibiting those articles, and penetrating him with a sense of the appalling difficulties of the Anglo-Saxon tongue.
Charles Dickens (Little Dorrit)
Suppose he really is in love. What about her? She never has anything good to say about him.” “Yet she blushes whenever he enters a room. And she stares at him a good deal. Or hadn’t you noticed that, either?” “As a matter of fact, I have.” Gazing up at him, she softened her tone. “But I do not want her hurt, Isaac. I must be sure she is desired for herself and not her fortune. Her siblings had a chance of not gaining their inheritance unless the others married, so I always knew that their mates loved them, but she…” She shook her head. “I had to find a way to remove her fortune from the equation.” “I still say you’re taking a big risk.” He glanced beyond her to where Celia was talking to the duke. “Do yo really think she’d be better off with Lyons?” But she doesn’t love him…If you’d just give her a chance- “I do not know,” Hetty said with a sigh. “I do not know anything anymore.” “Then you shouldn’t meddle. Because there’s another outcome you haven’t considered. If you try to manipulate matters to your satisfaction, she may balk entirely. Then you’ll find yourself in the sticky position of having to choose between disinheriting them all or backing down on your ultimatum. Personally, I think you should have given up that nonsense long ago, but I know only too well how stubborn you can be when you’ve got the bit between your teeth.” “Oh?” she said archly. “Have I been stubborn with you?” He gazed down at her. “You haven’t agreed to marry me yet.” Her heart flipped over in her chest. It was not the first time he had mentioned marriage, but she had refused to take him seriously. Until now. It was clear he would not be put off any longer. He looked solemnly in earnest. “Isaac…” “Are you worried that I am a fortune hunter?” “Do not be absurd.” “Because I’ve already told you that I’ll sign any marriage settlement you have your solicitor draw up. I don’t want your brewery or your vast fortune. I know it’s going to your grandchildren. I only want you.” The tender words made her sigh like a foolish girl. “I realize that. But why not merely continue as we have been?” His voice lowered. “Because I want to make you mine in every way.” A sweet shiver swept along her spine. “We do not need to marry for that.” “So all you want from me is an affair?” “No! But-“ “I want more than that. I want to go to sleep with you in my arms and wake with you in my bed. I want the right to be with you whenever I please, night or day.” His tone deepened. “I love you, Hetty. And when a man loves a woman, he wants to spend his life with her.” “But at our age, people will say-“ “Our age is an argument for marriage. We might not have much time left. Why not live it to the fullest, together, while we’re still in good health? Who cares about what people say? Life is too short to let other people dictate one’s choices.” She leaned heavily on his arm as they reached the steps leading up to the dais at the front of the ballroom. He did have a point. She had been balking at marrying him because she was sure people would think her a silly old fool. But then, she had always been out of step with everyone else. Why should this be any different? “I shall think about it,” she murmured as they headed to the center of the dais, where the family was gathering. “I suppose I’ll have to settle for that. For now.” He cast her a heated glance. “But later this evening, once we have the chance to be alone, I shall try more effective methods to persuade you. Because I’m not giving up on this. I can be as stubborn as you, my dear.” She bit back a smile. Thank God for that.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Livia, I’m here to say it’s okay. It’s okay if you want to leave, live a normal life, have a husband with a great job and beautiful children with your gray eyes.” His breath caught a little as he finished. Livia, just a gut feeling, but let him come to you…Listen to him. Livia stayed silent instead of rushing in with words. “I’m asking permission to watch you from a distance, just to make sure you’re safe,” Blake continued. “You won’t even know I’m there. I promise.” Blake removed his hands from her face. “Are you done?” Livia wanted to make sure. Blake stepped back and nodded as if they’d just completed a painful business transaction, like buying a coffin. Livia shook her head and launched herself at him. He caught her as she wrapped her legs around his waist. She held his face like he’d just held hers. His green eyes were unsure, but a tiny spark danced within them. “Blake Hartt, I choose you. I deserve you. I want you.” Livia proved it by kissing his cold lips until they were warm. Blake laughed and pulled away to look at her with tears and rain in his eyes. “Really? Really. Really!” Livia nodded. “Absolutely.” Blake kissed Livia this time. He started out gently and then became more serious. He carried her over to the station’s brick wall and pressed her back against it. He put her feet on the ground as he grabbed a fistful of her soaking wet hair. Livia reached under his T-shirt to feel his stomach and then his chest. Blake moaned and pushed her harder against the building. But again he pulled back to look at her. “Me? I want you to be sure,” he said. “You,” Livia whispered. “Me.” His eyes were full of intent. “Always you.” Livia gave him her biggest, heartfelt smile. “Five hundred.” Blake touched her face as if she might be a mirage and smiled back only when she didn’t disappear.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
The patient had done everything my parents had been told to do. She'd signed a standard living will asking for the discontinuance of life support if she were comatose or expected to die within six months. In the opinion of the medical team, she was neither. She'd appointed three relatives to act as her medical surrogates when she could not speak for herself. But [medical ethicist] Bramstedt questioned whether the hostile relative had 'decision-making capacity'. The request for the removal of life support had been 'made in tandem with loud and aggressive behavior,' Bramstedt wrote, which 'could be a signal that projection is occurring, the emotional fervor being a possible mechanism of expressing the surrogate's own values and preferences,' rather than the patient's. The emotional fervor and aggression of the doctors, and the possibility that they were expressing their own values and preferences, were not discussed in the article.
Katy Butler (Knocking on Heaven's Door: The Path to a Better Way of Death)
The dog whines, and Julia leans down and lifts her up. “Don’t cry,” she says into Suzanne’s fur. “You shouldn’t police her emotions,” Alma says, but then, frowning, asks, “Are you okay?” It’s a rare display of interpersonal concern as far as Alma goes, and Julia wishes for a second that she weren’t okay, that she could call upon her daughter for some kind of nontraumatic assistance, splinter removal or a dislocated shoulder, something that would require close bodily contact with this person she’s borne, so long as Alma is—such a rarity from her narcissistic lioness—offering. As it is, there isn’t a way to navigate deftly. To allude to something physiological will make her daughter (who doesn’t particularly enjoy her parents’ live presence but also doesn’t want them dead) suspicious and to tell the truth—that she’d been steeling herself for an encounter with her husband following an encounter with the woman who’d almost ended their marriage—is obviously out of the question.
Claire Lombardo (Same As It Ever Was)
Elsa walked to her desk and looked down at the small porcelain jar and candlestick. She had been using them as stand-ins for the orb and scepter she would have to hold, like her father did during his coronation. As she had many times before, Elsa closed her eyes and tried to imagine herself inside the chapel where the ceremony would take place. She thought of the choir that would be singing in the balcony, and she could see the pulpit she would be standing at in front of the priest and all her people, as well as nobles and visiting dignitaries. With no family, she'd be up there alone. Elsa tried not to think about that as she imagined the priest placing the jeweled tiara on her head. Then he'd hold out the pillow with the orb and scepter for her to take. She couldn't wear her teal gloves during that portion of the ceremony, so she removed them for practice. She wore gloves all the time these days. Perhaps it was silly, but she thought the gloves helped her conceal her magic. This was her battle cry: Conceal it. Don't feel it. Don't let it show.
Jen Calonita (Conceal, Don't Feel)
If she could push him out of her mind and enter his, what else could she do? What might she be able to do with regard to someone else? Someone less skilled, untrained in the ways of the Force? The single guard posted just inside the front of her cell, for example? “You!” He turned toward her, patently unconcerned and not a little bored. She studied him closely. As he was about to speak, she addressed him clearly and firmly—and not only with her voice. “You will remove these restraints. And you will leave this cell, with the door open, and retire to your living quarters.” The guard eyed her silently. He did not look in the least intimidated. Her confidence wavering as she shifted slightly in her bonds, she repeated what she had said with as much authority as she could muster. “You will remove these restraints. And you will leave this cell, with the door open, and retire to your living quarters. You will speak of this encounter to no one.” Raising the heavy, black-and-white rifle he held, he came toward her. Heart pounding, she watched him approach. Was she going to be killed, freed, or maybe laughed at? Halting before her, he looked down into her eyes. When he spoke again, there was a notable alteration in his voice. It was significantly less confrontational and—distant. “I will remove these restraints. And leave this cell, with the door open, and retire to my living quarters. I will speak of this encounter to no one.” Working methodically, he unlatched her shackles. He stood and stared at her for a moment, then turned and wordlessly started for the doorway. Lying in shock on the reclined platform, Rey hardly knew what to do next. She was free. No, she corrected herself: She was free of this cell. That hardly constituted freedom. But it was a beginning. As the guard reached the doorway, she spoke hastily. “And you will drop your weapon.” “I will drop my weapon,” he responded in the same uninflected voice. This he proceeded to do, setting the rifle down on the floor, then turning left into the outside corridor to depart in silence. For a long moment she stared at the open portal. Deciding that it was not a joke and that the guard was not waiting for her just outside the cell, she moved to pick up the weapon and leave. —
Alan Dean Foster (The Force Awakens (Star Wars: Novelizations #7))
This Sarah Perez had the most beautiful eyes in the world, those green eyes spangled with gold that you love so much: the eyes of Antinous. In Rome, such eyes would have made her a concubine of Adrian; in Madrid they helped her become the princess of Eboli ensconced in the bed of the king. But Philip II was extremely jealous of those wonderful emerald eyes and their delicate transparency, and the princess - who was bored with the funereal palace and the even more funereal society of the king - had the fancy and the misfortune to cast her admirable gaze upon the Marquis de Posa while she was leaving church one day. It was on the threshold of the chapel, and the princess believed herself to be alone with her camarera mayor, but the vigilance of the clergy was equal to the challenge. She was betrayed, and that very evening, in the intimacy of their bedroom, in the course of some violent argument or tempestuous tussle, Philip threw his mistress to the floor. Blind with rage he leapt upon her, tore out her eye and devoured it in a single gulp. 'Thus was the princess covered in blood - a good title for a conte cruel, that, which Villiers de l'Isle Adam has somehow omitted to write! The princess was henceforth one-eyed: the royal pet had a gaping hole in her face. Philip II, who had the Jewess in his blood, could not cleave so closely to a princess who had only one eye. He made amends to her with some new titles and estates in the provinces and - regretful of the beautiful green eye that he had spoiled - he caused to be inserted into the empty and bloody orbit a superb emerald enshrined in silver, upon which surgeons then inscribed the semblance of a gaze. Oculists have made progress since then; the Princess of Eboli, already hurt by the ruination of her eye, died some little time afterwards, of the effects of the operation. The ways of love and surgery were equally barbarous in the time of Philip II! 'Philip, the inconsolable lover, gave the order to remove the emerald from the face of the dead princess before she was laid in the tomb, and had it mounted in a ring. He wore it about his finger, and would never take it off, even when he went to sleep - and when he died in his turn, he had the ring bearing the green tear clasped in his right hand.
Jean Lorrain (Monsieur De Phocas)
Most people, who choose or are coerced into only identifying with “positive” feelings, usually wind up in an emotionally lifeless middle ground – bland, deadened, and dissociated in an unemotional “no-man’s-land.” Moreover, when a person tries to hold onto a preferred feeling for longer than its actual tenure, she often appears as unnatural and phony as ersatz grass or plastic flowers. If instead, she learns to surrender willingly to the normal human experience that good feelings always ebb and flow, she will eventually be graced with a growing ability to renew herself in the vital waters of emotional flexibility. The repression of the so-called negative polarities of emotion causes much unnecessary pain, as well as the loss of many essential aspects of the feeling nature. In fact, much of the plethora of loneliness, alienation, and addictive distraction that plagues modern industrial societies is a result of people being taught and forced to reject, pathologize or punish so many of their own and others’ normal feeling states. Nowhere, not in the deepest recesses of the self, or in the presence of his closest friends, is the average person allowed to have and explore any number of normal emotional states. Anger, depression, envy, sadness, fear, distrust, etc., are all as normal a part of life as bread and flowers and streets. Yet, they have become ubiquitously avoided and shameful human experiences. How tragic this is, for all of these emotions have enormously important and healthy functions in a wholly integrated psyche. One dimension where this is most true is in the arena of healthy self-protection. For without access to our uncomfortable or painful feelings, we are deprived of the most fundamental part of our ability to notice when something is unfair, abusive, or neglectful in our environments. Those who cannot feel their sadness often do not know when they are being unfairly excluded, and those who cannot feel their normal angry or fearful responses to abuse, are often in danger of putting up with it without protest. Perhaps never before has humankind been so alienated from so many of its normal feeling states, as it is in the twenty-first century. Never before have so many human beings been so emotionally deadened and impoverished. The disease of emotional emaciation is epidemic. Its effects on health are often euphemistically labeled as stress, and like the emotions, stress is often treated like some unwanted waste that must be removed.
Pete Walker (Complex PTSD: From Surviving to Thriving)
He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
What the-“ he began, already heading toward the house, with Elizabeth walking quickly behind him. Ian opened the front door just as Jake came hurrying in from the back of the cottage. “I got some milk-“ Jake began, then he stopped abruptly as the stench hit him. His gaze snapped from Ian and Elizabeth, who were just rushing inside, to Lucinda, who was sitting exactly where she had been, serenely indifferent to the smell of burning bacon and incinerated eggs as she fanned herself with a black silk fan. “I took the liberty of removing the utensil from the stove,” she informed them. “However, I was not in time to save its contents, which I sincerely doubt were worth saving in any case.” “Couldn’t you have moved ‘em before they burned?” Jake burst out. “I cannot cook, sir.” “Can you smell?” Ian demanded. “Ian, there’s nothing for it-I’ll have to ride to the village and hire a pair o’ wenches to come up here and get this place in order for us or we’ll starve.” “My thoughts exactly!” Lucinda seconded promptly, already standing up. “I shall accompany you.” “Whaat?” Elizabeth burst out. “What? Why?” Jake echoed, looking balky. “Because selecting good female servants is best done by a woman. How far must we go?” If Elizabeth weren’t so appalled, she’d have laughed at Jake Wiley’s expression. “We can be back late this afternoon, assumin’ there’s anyone in the village to do the work. But I-“ “Then we’d best be about it.” Lucinda paused and turned to Ian, passing a look of calculating consideration over hum; then she glanced at Elizabeth. Giving her a look that clearly said “Trust me and do not argue,” she said, “Elizabeth, if you would be so good as to excuse us, I’d like a word alone with Mr. Thornton.” With no choice but to do as bidden, Elizabeth went out the front door and stared in utter confusion at the trees, wondering what bizarre scheme Lucinda might have hatched to solve their problems. In the cottage Ian watched through narrowed eyes as the gray-haired harpy fixed him with her basilisk stare. “Mr. Thornton,” she said finally, “I have decided you are a gentleman.” She made that pronouncement as if she were a queen bestowing knighthood on a lowly, possibly undeserving serf. Fascinated and irritated at the same time, Ian leaned his hip against the table, waiting to discover what game she was playing by leaving Elizabeth alone here, unchaperoned. “Don’t keep me in suspense,” he said coolly. “What have I done to earn your good opinion?” “Absolutely nothing,” she said without hesitation. “I’m basing my decision on my own excellent intuitive powers and on the fact that you were born a gentleman.
Judith McNaught (Almost Heaven (Sequels, #3))
Pasting on her most endearing smile, Bronwyn stood up and interrupted, "I must beg everyone's pardon for retiring early. I have been needing to speak with my husband all day. So, we will see you in the morning." She then looked down at Ranulf to ensure he understood that she was serious. He arched a single brow, but said nothing as he rose to join her, ignoring the short coughs and snorts of laughter of his men. Bronwyn instantly froze as she realized what the small group-including her husband-believed she had meant. Mustering up the remnants of her pride,she forced herself to march on. "It's nice to know you've been wanting me all day, but if you desire for us to be alone, there are more discreet ways of letting me know," Ranulf teased as he lifted the flap of their tent. Bronwyn knew her already red face was turning an even more brilliant color, but she refused to let Ranulf believe he had totally won. "You,husband, are far more in need of a modesty lesson than I." Ranulf let go the heavy material and then crossed his arms with a smug look of satisfaction Bronwyn wanted to both remove and indulge. "Don't believe in modesty.Never have.Kind of liking the fact that you don't either," he said, hinting at what he thought was about to come next. Bronwyn took a step back and waved a finger. "I said I wanted to speak with you alone...about tomorrow.
Michele Sinclair (The Christmas Knight)
Oh, magic hour when a child first knows it can read printed words! For quite a while, Francie had been spelling out letters, sounding them and then putting the sounds together to mean a word. But one day, she looked at a page and the word “mouse” had instantaneous meaning. She looked at the word and the picture of the gray mouse scampered through her mind. She looked further and when she saw “horse”, she heard him pawing at the ground and saw the sun glint on his glossy coat. The word “running” hit her suddenly and she breathed hard as though running herself. The barrier between the individual sound of each letter and the whole meaning of the word was removed sound of each letter and the printed word meant a thing at one quick glance. She read a few pages rapidly and almost became ill with excitement. She wanted to shout it out. She could read! She could read! From that time on, the world was hers for the reading, She would never be lonely again, never miss the lack of intimate friends. Books became her friends and there was one for every mood. There was a poetry for quiet companionship. There was adventure when she tired of quiet hours. There would be love stories when she came into adolescence and when she wanted to feel the closeness to someone she could read a biography. On that day she first knew she could read, she made a vow to read one book a day as long as she lived.
Betty Smith (A Tree Grows in Brooklyn)
God, Jane, you’re exactly as I imagined. Only better.” “You’re exactly…as I imagined,” she said in a strained tone. “Only bigger.” That got his attention. He drew back to stare at her. “Are you all right?” She forced a smile. “Now I’m rethinking the seduction.” He brushed a kiss to her forehead. “Let’s see what I can do about that.” He grabbed her beneath her thighs. “Hook your legs around mine if you can.” When she did, the pressure eased some, and she let out a breath. “Better?” he rasped. She nodded. Covering her breast with his hand, he kneaded it gently as he pushed farther into her below. “It will feel even better if you can relax.” Relax? Might as well ask a tree to ignore the ax biting into it. “I’ll try,” she murmured. She forced herself to concentrate on other things than his very thick thing--like how he was touching her, how he was fondling her…how amazing it felt to be joined so intimately to the man she’d been waiting nearly half her life for. Then it got easier. She actually seemed to adjust to his size. And when he slid his hand down from her breast to stroke that special spot between her legs that sent her flying, it was most effective. She wasn’t quite flying, exactly, but she was definitely leaping a bit. A giggle escaped her at that thought, and he bit out, “Something strike you as funny, sweeting?” “I never guessed that…this would feel…so odd.” “You’ll get used to it.” The hint of a future for them melted her even more than his hand down there. And that’s when he began to move, sliding out and then back in. Heavens. That was intriguing. Rather nice, actually. The more he did it, the better it felt. Then he removed his hand so he could better grip her hips, and he plunged harder into her. Oh, now that was quite…oh my. Very, very nice. His gaze burned into her as he drove deep. “Less odd now?” he managed. “Definitely…less odd.” She kissed the taut line of his jaw. “Quite…enjoyable, in fact.” He grunted and buried his face in her hair the way he was burying his…thing inside her, and it was deliciously sinful. Now she really was flying, up toward the sun. As if he realized it, he dug his hands into her hips and thrust fiercely, repeatedly, and she met his rhythm with a pushing of her own that sent her soaring. “Dom…oh, Dom…oh my…” “Jane,” he rasped as his strokes grew frenzied. “It’s always…been you. Only you.” “Only you,” she echoed. She’d been fooling herself about Edwin. There had only ever been one man in her heart. And as he drove himself deep inside her, he sent her vaulting into the sun. When he followed her into the bliss, she clutched him close to her chest and prayed that he would let her inside his heart as deeply as she’d let him into hers. That she wasn’t making a mistake by taking up with him again. Because it was too late to go back now. This time, he had her for better or worse.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
I am filthy,” she said, looking down at herself. “The lake’s right there,” he said. “It’s so cold.” “A bath, then?” She smiled seductively. “You’ll join me?” “But of course.” He held out his arm and together they began to stroll back toward the house. “Should we have told them we forfeit?” Kate asked. “No.” “Colin’s going to try to steal the black mallet, you know.” He looked at her with interest. “You think he’ll attempt to remove it from Aubrey Hall?” “Wouldn’t you?” “Absolutely,” he replied, with great emphasis. “We shall have to join forces.” “Oh, indeed.” They walked on a few more yards, and then Kate said, “But once we have it back . . .” He looked at her in horror. “Oh, then it’s every man for himself. You didn’t think—” “No,” she said hastily. “Absolutely not.” “Then we are agreed,” Anthony said, with some relief. Really, where would the fun be if he couldn’t trounce Kate? They walked on a few seconds more, and then Kate said, “I’m going to win next year.” “I know you think you will.” “No, I will. I have ideas. Strategies.” Anthony laughed, then leaned down to kiss her, mud and all. “I have ideas, too,” he said with a smile. “And many, many strategies.” She licked her lips. “We’re not talking about Pall Mall any longer, are we?” He shook his head. She wrapped her arms around him, her hands pulling his head back down to hers. And then, in the moment before his lips took hers, he heard her sigh— “Good.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Let me remind you of some of the characteristic phrases used in the Work. One is: “If you change your Being, your life changes.” Now everyone probably wishes his or her life to change. Everyone feels he or she ought to have a better life. But the Work says that your Being attracts your life and that if you want to change your life you have to begin to work on yourself and change your Being which is constantly attracting this life that you made. In other words, you have to begin to quarrel with your Being, with the kind of person you are. Now this is quite impossible unless you observe your Being from what you are taught to observe in this Work. A very great difficulty lies here because everyone is quite satisfied with himself of herself. Owing to the actions of buffers in us, which are like big blocks of wood, we live peaceably with ourselves without seeing all our contradictions. As you know, if these buffers, which life has made in us and which lie in the Personality, were suddenly removed and we saw all our contradictions and became conscious at the same time in all our different ‘I’s, we should go mad. We could not stand such an experience. It would utterly destroy all our self-conceit and our self-complacency and our excellent estimation of ourselves. But the action of self-observation in the Work makes us gradually conscious of our contradictions and gradually undermines this curious static frozen state that we are all in as regards ourselves. Then we can begin to work on our Being because we begin to see at what level our Being is.
Maurice Nicoll (PSYCHOL COMMENTARIES 5)
For the lady’s husband to become actively jealous was considered both doltish and dishonorable, a breach of the spirit of courtesy. Yet the record suggests that this was a fairly common occurrence and one of the occupational hazards of being a troubadour. The most famous crime passionnel of the epoch was the murder of Guilhem de Cabestanh, a troubadour knight whose love for the Lady Seremonda aroused the jealousy of her husband, Raimon de Castel-Roussillon. The story goes that Raimon killed Guilhem while he was out hunting, removed the heart from the body, and had it served to his wife for dinner, cooked and seasoned with pepper. Then comes the great confrontation: “And when the lady had eaten of it, RAimon de Castel-Roussillon said unto her: “Know you of what you have eaten?’ And she said, ‘I know not, save that the taste thereof is good and savoury.’ Then he said to her that that she had eaten of was in very truth the head of SIr Guilhem of Cabestanh, and caused the head to be brought before her, that she might the more readily believe it. And when the lady had seen and heard this, she straightway fell into a swoon, and when she was recovered of it, she spake and said: “Of a truth, my Lord, such good meat have you given me that never more will I eat of other.” THen he, hearing this, ran upon her with his sword and would have struck at her head, but the lady ran to a balcony, and cast herself down, and so died.” ...the story is probably apocryphal… grisly details...borrowed from an ancient legend...the Middle Ages believed it and drew the intended moral conclusion-that husbands should leave well enough alone. Raimon was held up to scorn while Guilhem became one of the great heroes of the troubadour epoch.
Horizon Magazine, Summer 1970
A woman decides to have a facelift for her 50th birthday. She spends $15,000 and feels pretty good about the results. On her way home, she stops at a news stand to buy a newspaper. Before leaving, she says to the clerk, "I hope you don’t mind my asking, but how old do you think I am?" "About 32," is the reply. "Nope! I’m exactly 50," the woman says happily. A little while later she goes into McDonald’s and asks the counter girl the very same question. The girl replies, "I’d guess about 29." The woman replies with a big smile, "Nope, I’m 50." Now she’s feeling really good about herself. She stops in a drug store on her way down the street. She goes up to the counter to get some mints and asks the clerk this burning question. The clerk responds, "Oh, I’d say 30." Again she proudly responds, "I’m 50, but thank you!" While waiting for the bus to go home, she asks an old man waiting next to her the same question. He replies, "I’m 78 and my eyesight is going. Although, when I was young, there was a sure-fire way to tell how old a woman was. If you permit me to put my hands under your bra, then, and only then can I tell you EXACTLY how old you are." They wait in silence on the empty street until her curiosity gets the best of her. She finally blurts out, "What the hell, go ahead." He slips both of his hands under her blouse and begins to feel around very slowly and carefully. He bounces and weighs each breast and he gently pinches each nipple. He pushes her breasts together and rubs them against each other. After a couple of minutes of this, she says, "Okay, okay...How old am I?" He completes one last squeeze of her breasts, removes his hands, and says, " Ma dam, you are 50." Stunned and amazed, the woman says, "That was incredible, how could you tell?" The old man says, "Promise you won’t get mad?" "I promise I won’t," she says. "I was behind you in McDonald’s.
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
Geraldine nodded and headed for Mrs. Armstrong's lawn. I felt sorry for her in her carrot pajamas, having no idea what was really going on. I followed the other girls and stood behind the shrubs. Mrs. Armstrong's house was ginormous. Her house was even bigger than Aunt Jeanie's. There was one light on upstairs. I figured that was the bedroom. The rest of the house was dark. Geraldine went to the far end of the yard and removed a can of spray paint from the bag. She shook it and began to spray. "She's such an idiot," Ava said, taking out her phone to record Geraldine's act of vandalism. "You guys are going to get her into so much trouble," I said. "So what?" Hannah replied. "She got us in trouble at the soup kitchen, it's not like she's ever going to become a Silver Rose anyway. She's totally wasting her time." Geraldine slowly made her way up and down the huge yard carefully spraying the grass. It would take her forever to complete it and there wasn't nearly enough spray paint. "Hey, guys!" Geraldine yelled from across the lawn. "How about I spray a rose in the grass? That would be cool, right?" I cringed. The light on upstairs meant the Armstrongs were still awake. Geraldine was about to get us all caught. "O-M-G," Hannah moaned. "Shhhh," Summer hissed, but Geraldine kept screaming at the top of her lungs. "Well, what do you guys think?" My heart dropped into my stomach as a light from downstairs clicked on. We ducked behind the hedges and froze. "Who's out there?" called a man's voice. I couldn't see him and I couldn't see Geraldine. I heard the door close and I peeked over the hedges. "He went back inside," I whispered, ducking back down. At that moment something went shk-shk-shk and Geraldine screamed. We all stood to see what was happening. Someone had turned the sprinklers on and Geraldine was getting soaked. The door flew open and I heard Mrs. Armstrong's voice followed by a dog's vicious barking. "Get 'em, Killer!" "Killer!" Ava screamed and we all took off running down the street with a soggy Geraldine trailing behind us. I was faster than all the other girls. I had no intentions of being gobbled up by a dog named Killer. We stopped running when we got to Ava's street and Killer was nowhere in sight. We walked back to the house at a normal pace. "So, did I prove myself to the sisterhood?" Geraldine asked. Hannah turned to her. "Are you kidding me? Your yelling woke them up, you moron. We got chased down the street by a dog because of you." Geraldine frowned and looked down at the ground. Hopefully what I had told her before about the girls not being her friends was starting to settle in. Inside all the other girls wanted to know what had happened. Ava was giving them the gory details when a knock on the door interrupted her. It was Mrs. Armstrong. She had on a black bathrobe and her hair was in curlers. I chuckled to myself because I was used to seeing her look absolutely perfect. We all sat on our sleeping bags looking as innocent as possible except for Geraldine who still stood awkwardly by the door, dripping wet. Mrs. Armstrong cleared her throat. "Someone has just vandalized my lawn with spray paint. Silver spray paint. Since I know it's a tradition for the Silver Roses to pull a prank on me on the night of the retreat, I'm going to assume it was one of you. More specifically, the one who's soaking wet right now." All eyes went to Geraldine. She looked at the ground and said nothing. What could she possibly say to defend herself? She even had silver spray paint on her fingers. Mrs. Armstrong looked her up and down. "Young lady, this is your second strike and that's two strikes too many. Your bid to become a Junior Silver Rose is for the second time hereby revoked." Geraldine's shoulders drooped, but most of the girls were smirking. This had been their plan all along and they had accomplished it.
Tiffany Nicole Smith (Bex Carter 1: Aunt Jeanie's Revenge (The Bex Carter Series))
Over To Candleford Chapter XXVIII: Growing Pains "This accumulated depression of months slid from her at last in a moment. She had run out into the fields one day in a pet and was standing on a small stone bridge looking down on brown running water flecked with cream-coloured foam. It was a dull November day with grey sky and mist. The little brook was scarcely more than a trench to drain the fields; but overhanging it were thorn bushes with a lacework of leafless twigs; ivy had sent trails down the steep banks to dip in the stream, and from every thorn on the leafless twigs and from every point of the ivy leaves water hung in bright drops, like beads. A flock of starlings had whirred up from the bushes at her approach and the clip, clop of a cart-horse's hoofs could be heard on the nearest road, but these were the only sounds. Of the hamlet, only a few hundred yards away, she could hear no sound, or see as much as a chimney-pot, walled in as she was by the mist. Laura looked and looked again. The small scene, so commonplace and yet so lovely, delighted her." It was so near the homes men and yet so far removed from their thoughts. The fresh green moss, the glistening ivy, and the reddish twigs with their sparkling drops seemed to have been made for her alone and the hurrying, foam-flecked water seemed to have some message for her. She felt suddenly uplifted. The things which had troubled her troubled her no more. She did not reason. She had already done plenty of reasoning. Too much, perhaps. She simply stood there and let it all sink in until she felt that her own small affairs did not matter. Whatever happened to her, this, and thousands of other such small, lovely sights would remain and people would come suddenly upon them and look and be glad. A wave of pure happiness pervaded her being, and, although it soon receded, it carried away with it her burden of care. Her first reaction was to laugh aloud at herself. What a fool she had been to make so much of so little.
Flora Thompson (Over to Candleford)
The last cake in his hand, he turned to her. “Alexandra.” Placing the candle on the side table, she knelt to retrieve the cloth. “We missed you at the last few meals. But you could have asked if you wanted more.” She straightened, setting the cloth on the table, too. “I’d have sent them to you in the workshop.” He tilted his head, giving her a look so calculatedly innocent—his smile vague, his eyes deliberately blank—that she laughed again. “I’m going to tell everyone you’re a sweet thief.” The cake fell from his fingers and landed with a little plop on the carpet. “Alexandra,” he repeated and reached for her, dragging her into his arms. Though stunned, she went willingly. With their faces just a hair’s breadth apart, he hesitated, making her shiver with anticipation. Then their lips met—she couldn’t tell who closed the gap—and her heart rolled over in her chest. The way they were pressed together from shoulder down to navel seemed incredibly intimate and thrilling—and very different from the friendly or sisterly sort of embrace she was used to. She could feel the searing heat of his skin through the fine fabric of his dressing gown. He wrapped his arms around her back. She buried her hands in his soft hair. He tasted of sugar and chocolate and Tris, a deliciously sweet combination. No, make that dangerously sweet. It took a herculean effort to retreat the barest inch. “We cannot,” she whispered. The look he gave her was so odd and intense, it seemed to go right through her. “I—I need to go back to my room,” she stammered, removing herself from his arms. When he didn’t reply, she added, “I’m sorry,” even though she wasn’t sure what she was apologizing for. He nodded, his lips curving in a sad almost-smile. “We should both go back to our rooms,” she said more firmly. “Good night.” “’Night,” he echoed and turned to exit the far end of the room. Almost against her will, she followed him to the doorway and watched him slowly traverse the long length of the torchlit great hall, standing there until he disappeared into the dark corridor that led to the guest chambers. He didn’t look back. She released a long, shuddering breath before retrieving her candle
Lauren Royal (Alexandra (Regency Chase Brides #1))
You see, Lady Celia?" he said in his harsh rasp. "A man can do anything he wants if he has a woman alone." Her pleasure died instantly. Had this just been about teaching her a lesson? Anger roared up in her. How dare he? Remembering the pistol, she shoved it up under his chin and cocked the hammer. "And if he does, the woman has a right to defend herself. Don't you agree?" The surprise on his face was immensely gratifying, but it didn't last long. Eyes narrowing, he leaned closer to hiss, "Go ahead then. Fire." She swallowed. Though there was no ball, the powder alone would do serious damage. She could never... While she hesitated, he removed the pistol from her numb fingers. His glittering gaze bore into her. "Never brandish a gun unless you're prepared to use it." She crossed her arms over her chest, feeling suddenly exposed. "Most men would be cowed by the very sight of a pistol," she muttered. "I wasn't." "You're not most men," she said tightly. He acknowledged that with a curt nod. Then he walked over to one of the pots, aimed down at the dirt, and fired. When the smoke cleared from the muzzle flash, he noted the lack of a hole in the dirt and faced her. "Powder." He glared at her. "Did it occur to you that unless you fired at point-blank range, you might merely anger the man you're aiming for?" "I only need it for men who get close to me," she bit out. "All the same, the next time you need to protect yourself, forget the pistol and bring your knee up between the man's legs as hard as you can. It'll make your point just as effectively and give you plenty of time to escape." Color flooded her cheeks. Since she had brothers, she knew what he meant, but it wasn't something she would ever have thought to do. A pity, for it would have served her well with Ned. "Why are you telling me this?" "I want you to know how to defend yourself if someone's taking liberties." "Even if the someone is you?" A strange light glinted in his eyes as he pocketed her pistol. "Especially if it's me." What did he mean by that? "Mr. Pinter, about our kiss..." "I was making a point," he said tersely. "Nothing more. Complain to your brothers about it and get me dismissed if you must, but don't worry-regardless of what you do, it won't happen again.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
The front door swung open and a gust of wind rushed inside. Boots scuffled along the floor, and Camille turned to see what pig had shown up at Daphne’s so early in the day. Her heart thumped as the door slammed. Stuart McGreenery tucked his arched captain’s hat under his arm and pulled off his white gloves. “A charming establishment,” he said. He turned up his nose, and sniffed the air. “Is that desperation I smell?” Oscar threw his fork and knife on the table and kicked back his chair. “Did you decide to join us for breakfast?” McGreenery lunged forward and Oscar rose to his feet. “I came to see what you know about the hole in the hull of my ship, you insolent whelp,” McGreenery said. Oscar’s cheek twitched with pleasure. “Why not just have me escorted down to it with a knife in my back?” Camille stood and inserted herself between the two men. Daphne sat in the corner of the parlor rolling cigars, her wide eyes darting from McGreenery to Oscar. “We heard the explosion,” Camille said. “What makes you think we had anything to do with it?” McGreenery retreated one small step and stared down the slope of his nose at her. This time he kept his icy stare level with her eyes. “Because it was not an accident. The explosion was set in a deliberate attempt to keep me from departing for Port Adelaide.” Camille tried to subdue the shake of her knees. “We certainly didn’t see it. Oscar and I were in our room.” McGreenery cocked his head. “I heard you were sharing a room.” He glanced at Oscar. “I doubt William would be fond of that.” “You don’t have the right to even speak his name,” Oscar said, strangling each word. McGreenery gracefully removed the hat out from under his arm and slipped it back on. “It doesn’t matter. Nothing will stop me from reaching the stone, least of all a little girl and her trained monkey.” Camille rushed forward, ready to smack McGreenery across the cheek. Oscar grabbed her around the waist and held her back. McGreenery bowed slightly, grinning with pleasure, and then whisked out the front door. She shrugged out form Oscar’s grasp and watched through the windows as McGreenery sauntered down the street toward the Stealth, where she could hear the echo of repairs already under way. “One day that prick is going to get what he deserves,” Oscar muttered. “I just hope I’m the one who gets to give it to him.
Angie Frazier (Everlasting (Everlasting, #1))
The successful individual sales producer wins by being as selfish as possible with her time. The more often the salesperson stays away from team members and distractions, puts her phone on Do Not Disturb (DND), closes her door, or chooses to work for a few hours from the local Panera Bread café, the more productive she’ll likely be. In general, top producers in sales tend to exhibit a characteristic I’ve come to describe as being selfishly productive. The seller who best blocks out the rest of the world, who maintains obsessive control of her calendar, who masters focusing solely on her own highest-value revenue-producing activities, who isn’t known for being a “team player,” and who is not interested in playing good corporate citizen or helping everyone around her, is typically a highly effective seller who ends up on top of the sales rankings. Contrary to popular opinion, being selfish is not bad at all. In fact, for an individual contributor salesperson, it is a highly desirable trait and a survival skill, particularly in today’s crazed corporate environment where everyone is looking to put meetings on your calendar and take you away from your primary responsibilities! Now let’s switch gears and look at the sales manager’s role and responsibilities. How well would it work to have a sales manager who kept her office phone on DND and declined almost every incoming call to her mobile phone? Do we want a sales manager who closes her office door, is concerned only about herself, and is for the most part inaccessible? No, of course not. The successful sales manager doesn’t win on her own; she wins through her people by helping them succeed. Think about other key sales management responsibilities: Leading team meetings. Developing talent. Encouraging hearts. Removing obstacles. Coaching others. Challenging data, false assumptions, wrong attitudes, and complacency. Pushing for more. Putting the needs of your team members ahead of your own. Hmmm. Just reading that list again reminds me why it is often so difficult to transition from being a top producer in sales into a sales management role. Aside from the word sales, there is truly almost nothing similar about the positions. And that doesn’t even begin to touch on corporate responsibilities like participating on the executive committee, dealing with human resources compliance issues, expense management, recruiting, and all the other burdens placed on the sales manager. Again,
Mike Weinberg (Sales Management. Simplified.: The Straight Truth About Getting Exceptional Results from Your Sales Team)
Excerpt from Storm’s Eye by Dean Gray With a final drag and drop, Jordan Rayne sent his latest creation winging its way toward the publisher. He looked up, squinted at that little clock in the right hand corner of his monitor, and removed his glasses to rub the bridge of his nose. His cover art was finished and shipped, just in time for lunch. He sighed and stood, rolling his shoulders and bending side to side, his back cracking in protest as the muscles loosened after having been hunched over the screen for so long. Sam raised his head, tilting it enquiringly at him, and Jordan laughed. “Yeah, I know what you want, some lunch and a nice long walk along the beach, hmm?” Jordan smiled fondly at the furry ball of energy he’d saved from certain death. With his mom’s recent death it was just Sam and him in the house. Sometimes he wondered what kept him here, now that the last thread tethering him to the island was severed. Sam limped over and nuzzled at his hand. When Jordan had first found him out on the main road, hurt and bleeding, he hadn’t been sure the pooch would make it. Taylor, his best friend and the local vet, had done what she could. At the time, Jordan simply didn’t have the deep pockets for the fancy surgery needed to mend Sam’s leg perfectly, he could barely afford the drugs to keep his mom in treatment. So they’d patched him up as well as they could, Taylor extending herself further than he could ever repay, and hoped for the best. The dog had made a startling recovery, urged on by plenty of rest and good food and lots of love, and had flourished, the slight limp now barely noticeable. Jordan’s conscience still twinged as he watched Sam limp over to his dish, but he had barely been keeping things together at the time. He had done the best he could. He’d done his best to find Sam’s real owners as well, papering downtown Bar Harbor with a hand-drawn sketch of the dog, but to no avail. The only thing it had prompted was one kind soul wanting to buy the illustration. But no one had ever come forward to claim the “goldendoodle,” which Taylor had told him was a golden retriever/standard poodle cross. Who had a dog breed like that anyway? Summer people! Jordan shook his head, grinning at the dog’s foolish antics, weaving in and around his legs like he was still a little pup instead of the fifty-pound fuzzball he actually was now. So without meaning to at all, Sam had drifted into Jordan’s life and stayed, a loyal, faithful companion.
Dean Gray
Lila who has connected, is connecting, our personal knowledge of poverty and abuse to the armed struggle against the fascists, against the owners, against capital. I admit it here, openly, for the first time: in those September days I suspected that not only Pasquale—Pasquale driven by his history toward the necessity of taking up arms—not only Nadia, but Lila herself had spilled that blood. For a long time, while I cooked, while I took care of my daughters, I saw her, with the other two, shoot Gino, shoot Filippo, shoot Bruno Soccavo. And if I had trouble imagining Pasquale and Nadia in every detail—I considered him a good boy, something of a braggart, capable of fierce fighting but of murder no; she seemed to me a respectable girl who could wound at most with verbal treachery—about Lila I had never had doubts: she would know how to devise the most effective plan, she would reduce the risks to a minimum, she would keep fear under control, she would be able to give murderous intentions an abstract purity, she knew how to remove human substance from bodies and blood, she would have no scruples and no remorse, she would kill and feel that she was in the right. So there she was, clear and bright, along with the shadow of Pasquale, of Nadia, of who knows what others. They drove through the piazza in a car and, slowing down in front of the pharmacy, fired at Gino, at his thug’s body in the white smock. Or they drove along the dusty road to the Soccavo factory, garbage of every type piled up on either side. Pasquale went through the gate, shot Filippo’s legs, the blood spread through the guard booth, screams, terrified eyes. Lila, who knew the way well, crossed the courtyard, entered the factory, climbed the stairs, burst into Bruno’s office, and, just as he said cheerfully: Hi, what in the world are you doing around here, fired three shots at his chest and one at his face. Ah yes, militant anti-fascism, new resistance, proletarian justice, and other formulas to which she, who instinctively knew how to avoid rehashing clichés, was surely able to give depth. I imagined that those actions were necessary in order to join, I don’t know, the Red Brigades, Prima Linea, Nuclei Armati Proletari. Lila would disappear from the neighborhood as Pasquale had. Maybe that’s why she had tried to leave Gennaro with me, apparently for a month, in reality intending to give him to me forever. We would never see each other again. Or she would be arrested, like the leaders
Elena Ferrante (Those Who Leave and Those Who Stay (Neapolitan Novels #3))
For a moment, she could do nothing but stare at the vaulted ceiling, sucking in deep breaths. She didn’t know. Stars above, she didn’t know it could feel like this. The attentions she’d given herself had never felt that good. In her dreams, it had never felt that good. But then, it wasn’t him in the flesh. Not like now. Nikolai removed his fingers, then placed a gentler openmouthed kiss on her sex, licking slowly with the flat of his tongue. Sienna whimpered and scooted up the bed, far too sensitive there now. He gazed up and grinned, licking his bottom lip before he sucked the two fingers he’d had inside of her with a long slide from his mouth. “I could taste you forever.” “My heart would give out in a day,” she panted, incredulous he would do and say something so naughty. “Perhaps in an hour.” He chuckled and launched himself up and over her. “I like seeing that flush in your cheeks.” He nipped her lips. “And hearing that smile in your voice.” She wondered how he could see anything, but then again, he was vampire. “Well, I like breathing.” She panted heavily still. “So give me a moment to catch my breath.” He settled beside her, pulled the covers over them, and wrapped a strong arm around her waist, pulling her over till her head rested on his chest. “Take all the time you need.” His voice was light and airy, unlike his usual brooding self. She tilted her head toward him. “You’re happy with yourself, aren’t you?” “Quite.” “I’ve never experienced something like that before.” She had no experience with men, but she thought she knew enough from watching farm animals. Apparently not. “I am certainly glad to hear that,” he said only slightly more serious. “If another man tried to do that to you, I’d have to rip out his tongue.” “You’re very territorial.” “Very. Glad you’ve noted.” Strange how that act of intimacy had washed away the angst and tension from before. Then she realized that was exactly what he was trying to do. He’d wanted her pleasure alone, he’d said. He’d certainly gotten it. “Is it always like that?” she asked, almost too shy, but enjoying the intimacy that had grown between them in the dark. “No.” He flatted his palm, fingers spread, over her abdomen under the covers. “It will be better next time.” “Better?” He laughed and lowered his head, sweeping his lips across hers. Not a kiss, but a reminder that they’d knocked down a wall between them and there was no rebuilding it. Then he whispered, “Wait till you see what it feels like when I’m buried deep inside you.
Juliette Cross (The Red Lily (Vampire Blood, #2))
When I Want to Be More Like Jesus Whoever keeps His word, truly the love of God is perfected in him. By this we know that we are in Him. He who says he abides in Him ought himself also to walk just as He walked. 1 JOHN 2:5-6 NOTHING REVEALS to a woman how close or far away she is from being like Jesus than the relationship she has with her husband. The way she thinks, talks, acts, and reacts around him—or in response to him—shows her how far she has to go in order to become all that God wants her to be. Marriage is one of the true testing grounds for what is in all of us. Any selfishness, inconsideration, or lack of love in either a husband or wife will be revealed as they live together day after day, year after year. But if ever a woman doesn’t like what she sees happening in herself with regard to her marriage relationship, she can seek to be more like Jesus, so that His love, selflessness, and kindness will grow in her and be revealed to those around her—especially her husband. (A man can and should do the same thing, of course, but this is about you right now.) Ask God to help you walk as Jesus walked. The only way to actually do that is by the power of the Holy Spirit. If you have received Jesus, then you have His Holy Spirit in you, and you can live God’s way because the Holy Spirit enables you to do so. The way to have the perfect love of Jesus grow in you is to be daily in God’s Word so you can hear from Him about how to live, and you can read about the way Jesus lived, and you can let the Word live in you so you can be led by God’s Spirit to make the right choices about how to live your life. The Bible says if we say we know God and do not keep His commandments, we have no truth in us (1 John 2:4). Thank God that you have the mind of Christ and therefore all you need to become more Christlike. Ask the Holy Spirit to lead you and teach you and enable you to have the same compassion, selflessness, forgiveness, mercy, and love toward your husband that Jesus has toward you. Ask Him to fill you with His truth. My Prayer to God LORD, help me to think like You, act like You, and talk like You—with compassion, love, grace, and mercy. Take away everything in me that is not of You—all anger, bitterness, criticism, and lack of love. Remove every tendency in me to function in the flesh and lash out with my words or actions. Take away any desire in me to withdraw from my husband, whether physically, emotionally, or mentally. I know that holding myself apart from him is not what You want me to do, for Your nature is to have us draw close to each other as You draw close to us, and I want to imitate You. Lead me in Your ways, Lord. Teach me what Your unconditional love means and help me to display it. Fill me so full of Your love and forgiveness that it overflows from me to my husband. Mold my heart into the way You want it to be. Change me every time I read Your Word. Help me to be so sold out to You that I cannot move or speak apart from the love You put in my heart. Lord, You are beautiful, kind, gentle, faithful, true, unselfish, wise, lovely, peaceful, good, and holy. You are light and life. Enable me to be more like You. In Jesus’ name I pray.
Stormie Omartian (The Power of a Praying Wife Devotional)
What is it that makes a person the very person that she is, herself alone and not another, an integrity of identity that persists over time, undergoing changes and yet still continuing to be—until she does not continue any longer, at least not unproblematically? I stare at the picture of a small child at a summer’s picnic, clutching her big sister’s hand with one tiny hand while in the other she has a precarious hold on a big slice of watermelon that she appears to be struggling to have intersect with the small o of her mouth. That child is me. But why is she me? I have no memory at all of that summer’s day, no privileged knowledge of whether that child succeeded in getting the watermelon into her mouth. It’s true that a smooth series of contiguous physical events can be traced from her body to mine, so that we would want to say that her body is mine; and perhaps bodily identity is all that our personal identity consists in. But bodily persistence over time, too, presents philosophical dilemmas. The series of contiguous physical events has rendered the child’s body so different from the one I glance down on at this moment; the very atoms that composed her body no longer compose mine. And if our bodies are dissimilar, our points of view are even more so. Mine would be as inaccessible to her—just let her try to figure out [Spinoza’s] Ethics—as hers is now to me. Her thought processes, prelinguistic, would largely elude me. Yet she is me, that tiny determined thing in the frilly white pinafore. She has continued to exist, survived her childhood illnesses, the near-drowning in a rip current on Rockaway Beach at the age of twelve, other dramas. There are presumably adventures that she—that is that I—can’t undergo and still continue to be herself. Would I then be someone else or would I just no longer be? Were I to lose all sense of myself—were schizophrenia or demonic possession, a coma or progressive dementia to remove me from myself—would it be I who would be undergoing those trials, or would I have quit the premises? Would there then be someone else, or would there be no one? Is death one of those adventures from which I can’t emerge as myself? The sister whose hand I am clutching in the picture is dead. I wonder every day whether she still exists. A person whom one has loved seems altogether too significant a thing to simply vanish altogether from the world. A person whom one loves is a world, just as one knows oneself to be a world. How can worlds like these simply cease altogether? But if my sister does exist, then what is she, and what makes that thing that she now is identical with the beautiful girl laughing at her little sister on that forgotten day? In this passage from Betraying Spinoza, the philosopher and novelist Rebecca Newberger Goldstein (to whom I am married) explains the philosophical puzzle of personal identity, one of the problems that engaged the Dutch-Jewish thinker who is the subject of her book.5 Like her fellow humanist Dawkins, Goldstein analyzes the vertiginous enigma of existence and death, but their styles could not be more different—a reminder of the diverse ways that the resources of language can be deployed to illuminate a topic.
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
Speaking of shooting, my lady,” Mr. Pinter said as he came around the table, “I looked over your pistol as you requested. Everything seems to be in order.” Removing it from his coat pocket, he handed it to her, a hint of humor in his gaze. As several pair of male eyes fixed on her, she colored. To hide her embarrassment, she made a great show of examining her gun. He’d cleaned it thoroughly, which she grudgingly admitted was rather nice of him. “What a cunning little weapon,” the viscount said and reached for it. “May I?” She handed him the pistol. “How tiny it is,” he exclaimed. “It’s a lady’s pocket pistol,” she told him as he examined it. Oliver frowned at her. “When did you acquire a pocket pistol, Celia?” “A little while ago,” she said blithely. Gabe grinned. “You may not know this, Basto, but my sister is something of a sharpshooter. I daresay she has a bigger collection of guns than Oliver.” “Not bigger,” she said. “Finer perhaps, but I’m choosy about my firearms.” “She has beaten us all at some time or another at target shooting,” the duke said dryly. “The lady could probably hit a fly at fifty paces.” “Don’t be silly,” she said with a grin. “A beetle perhaps, but not a fly.” The minute the words were out of her mouth, she could have kicked herself. Females did not boast of their shooting-not if they wanted to snag husbands. “You should come shooting with us,” Oliver said. “Why not?” The last thing she needed was to beat her suitors at shooting. The viscount in particular would take it very ill. She suspected that Portuguese men preferred their women to be wilting flowers. “No thank you,” she said. “Target shooting is one thing, but I don’t like hunting birds.” “Suit yourself,” Gabe said, clearly happy to make it a gentlemen-only outing, though he knew perfectly well that hunting birds didn’t bother her. “Come now, Lady Celia,” Lord Devonmont said. “You were eating partridges at supper last night. How can you quibble about shooting birds?” “If she doesn’t want to go, let her stay,” Gabe put in. “It’s not shooting birds she has an objection to,” Mr. Pinter said in a taunting voice. “Her ladyship just can’t hit a moving target.” She bit back a hot retort. Don’t scare off the suitors. “That’s ridiculous, Pinter,” Gabe said. “I’ve seen Celia-ow! What the devil, Oliver? You stepped on my foot!” “Sorry, old chap, you were in the way,” Oliver said as he went to the table. “I think Pinter’s right, though. Celia can’t hit a moving target.” “Oh, for heaven’s sake,” she protested, “I most certainly can hit a moving target! Just because I choose not to for the sake of the poor, helpless birds-“ “Convenient, isn’t it, her sudden dislike of shooting ‘poor, helpless birds’?” Mr. Pinter said with a smug glance at Lord Devonmont. “Convenient, indeed,” Lord Devonmont agreed. “But not surprising. Women don’t have the same ability to follow a bird in flight that a man-“ “That’s nonsense, and you know it!” Celia jumped to her feet. “I can shoot a pigeon or a grouse on the wing as well as any man here.” “Sounds like a challenge to me,” Oliver said. “What do you think, Pinter?” “A definite challenge, sir.” Mr. Pinter was staring at her with what looked like satisfaction. Blast it all, had that been his purpose-to goad her into it? Oh, what did it matter? She couldn’t let a claim like this or Lord Devonmont’s stand. “Fine. I’ll join you gentlemen for the shooting.” “Then I propose that whoever bags the most birds gets to kiss the lady,” Lord Devonmont said with a gleam in his eye. “That’s not much of a prize for me,” Gabe grumbled. She planted her hands on her hips. “And what if I bag the most birds?” “Then you get to shoot whomever you wish,” Mr. Pinter drawled. As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))