She's A Dime Quotes

I didn't realize there was a ranking." I said. "Sadie frowned. "What do you mean?" "A ranking," I said. "You know, what's crazier than what." "Oh, sure there is," Sadie said. She sat back in her chair. "First you have your generic depressives. They're a dime a dozen and usually pretty boring. Then you've got the bulimics and the anorexics. They're slightly more interesting, although usually they're just girls with nothing better to do. Then you start getting into the good stuff: the arsonists, the schizophrenics, the manic-depressives. You can never quite tell what those will do. And then you've got the junkies. They're completely tragic, because chances are they're just going to go right back on the stuff when they're out of here." "So junkies are at the top of the crazy chain," I said. Sadie shook her head. "Uh-uh," she said. "Suicides are." I looked at her. "Why?" "Anyone can be crazy," she answered. "That's usually just because there's something screwed up in your wiring, you know? But suicide is a whole different thing. I mean, how much do you have to hate yourself to want to just wipe yourself out?

When someone works for less pay than she can live on — when, for example, she goes hungry so that you can eat more cheaply and conveniently — then she has made a great sacrifice for you, she has made you a gift of some part of her abilities, her health, and her life. The 'working poor,' as they are approvingly termed, are in fact the major philanthropists of our society. They neglect their own children so that the children of others will be cared for; they live in substandard housing so that other homes will be shiny and perfect; they endure privation so that inflation will be low and stock prices high. To be a member of the working poor is to be an anonymous donor, a nameless benefactor, to everyone else.

When someone works for less pay than she can live on -- when, for example, she goes hungry so that you can eat more cheaply and conveniently -- than she has made a great sacrifice for you, she has made of a gift of some part of her abilities, her health, and her life.

Can I brush your hair?” she asked as she led the way, her disposition doing a 180 on a dime. Kids. Can’t live with ’em. Can’t eat ’em for lunch.

By first believing in Santa Claus, then the Easter Bunny, then the Tooth Fairy, Rant Casey was recognizing that those myths are more than pretty stories and traditions to delight children. Or to modify behavior. Each of those three traditions asks a child to believe in the impossible in exchange for a reward. These are stepped-up tests to build a child's faith and imagination. The first test is to believe in a magical person, with toys as the reward. The second test is to trust in a magical animal, with candy as the reward. The last test is the most difficult, with the most abstract reward: To believe, trust in a flying fairy that will leave money. From a man to an animal to a fairy. From toys to candy to money. Thus, interestingly enough, transferring the magic of faith and trust from sparkling fairy-dom to clumsy, tarnished coins. From gossamer wings to nickels... dimes... and quarters. In this way, a child is stepped up to greater feats of imagination and faith as he or she matures. Beginning with Santa in infancy, and ending with the Tooth Fairy as the child acquires adult teeth. Or, plainly put, beginning with all the possibility of childhood, and ending with an absolute trust in the national currency.

He loved her. Was in love with her. Had always loved her. And it seemed that she loved him, too. It was funny how the world could change on a dime like that. One minute, you were some poor chump pining after a girl you thought didn’t feel the same way about you, and the next, you were lying together, arms entwined, chest to chest, so close you could feel her heartbeat under her soft skin. You were looking into her eyes and seeing your whole future written there.

These days, you’ve gotta milk a dollar out of every dime.

People give me such a headache. Everybody wants to nickel-and-dime. Ten bags of mulch for, like, four thousand square feet. Jesus.' His hands dropped and he looked at her. 'You know that's crazy, right?' How the hell would she know? Mom was lucky she could work the mower.

In the dime stores and bus stations
 People talk of situations
 Read books, repeat quotations
 Draw conclusions on the wall
 Some speak of the future
 My love she speaks softly
 She knows there’s no success like failure
 And that failure’s no success at all -Bob Dylan, “Love Minus Zero / No Limit” (1965)

By the way, did you fellows know that a hummingbird weighs as much as a quarter? Do you think a hummingbird also weighs the same as two dimes and a nickel? But then she asked a question of her own: How do they weigh a hummingbird?

Buying her shit only pissed her off, and trust me, I’d had my people filling her wardrobe with designer shoes and dresses. She gave them all away to the homeless shelter down the street like they weren’t worth a dime. In fact, there’s a crazy homeless woman in downtown Boston walking around in a Stella McCartney suit and a pair of Jimmy Choo’s, yelling at traffic lights that she was the real Messiah. Yeah.

I opted for the rear door, both as a courtesy and so she couldn't freak out about me showing up on her front doorstep for all of East Falls to see. Being the village pariah does make social calls most trying. -Paige

...Maybe it's low-wage work in general that has the effect of making feel like a pariah. When I watch TV over my dinner at night, I see a world in which almost everyone makes $15 an hour or more, and I'm not just thinking of the anchor folks. The sitcoms and dramas are about fashion designers or schoolteachers or lawyers, so it's easy for a fast-food worker or nurse's aide to conclude that she is an anomaly — the only one, or almost the only one, who hasn't been invited to the party. And in a sense she would be right: the poor have disappeared from the culture at large, from its political rhetoric and intellectual endeavors as well as from its daily entertainment. Even religion seems to have little to say about the plight of the poor, if that tent revival was a fair sample. The moneylenders have finally gotten Jesus out of the temple.

A woman lies down with the devil, she should expect to cach some hell. One way or another.

I wandered out like a haggard ghost, and there she was, Frisco - long, bleak streets with trolley wires all shrouded in fog and whiteness. I stumbled around a few blocks. Weird bums (Mission and Third) asked me for dimes in the dawn.

In 1945, when the male soldiers started coming back home from Europe, she and all the other women pilots that had served as WASPs during the war were unceremoniously told to go home and never received a dime or even thanks from the government.

Standing at the window, reading the menu of Obediah's services, the Minotaur wishes he could believe in what she has to offer: a promise woven into deep lines of his palm, some turn of fate told by a card. But faith is a nebulous thing and charlatans a dime a dozen; it's always been that way. The Minotaur both envies and pities the devout.

Then my abuelita booms out words, loud and clear. She always says the words should be round as dimes and as wild as blossoms blooming.

She wasn't like a jukebox; you never had to put in a dime and she never came unplugged.

Calico Kitty My calico kitty was painted and primed she could prowl the night away ~ without spending a dime...

Does helping others really confer happiness or prosperity on the helper? I know of no evidence showing that altruists gain money from their altruism, but the evidence suggests that they often gain happiness. People who do volunteer work are happier and healthier than those who don’t; but, as always, we have to contend with the problem of reverse correlation: Congenitally happy people are just plain nicer to begin with,24 so their volunteer work may be a consequence of their happiness, not a cause. The happiness-as-cause hypothesis received direct support when the psychologist Alice Isen25 went around Philadelphia leaving dimes in pay phones. The people who used those phones and found the dimes were then more likely to help a person who dropped a stack of papers (carefully timed to coincide with the phone caller’s exit), compared with people who used phones that had empty coin-return slots. Isen has done more random acts of kindness than any other psychologist: She has distributed cookies, bags of candy, and packs of stationery; she has manipulated the outcome of video games (to let people win); and she has shown people happy pictures, always with the same finding: Happy people are kinder and more helpful than those in the control group.

Weeper “I hate to lose something,”  then she bent her head, “even a dime, I wish I was dead. I can't explain it. No more to be said. ‘Cept I hate to lose something. “I lost a doll once and cried for a week. She could open her eyes, and do all but speak. I believe she was took, by some doll-snatching sneak. I tell you, I hate to lose something. “A watch of mine once, got up and walked away. It had twelve numbers on it and for the time of day. I'll never forget it and all I can say Is I really hate to lose something. “Now if I felt that way ‘bout a watch and a toy, What you think I feel ‘bout my lover-boy? I ain't threatening you, madam, but he is my evening's joy. And I mean I really hate to lose something.

It’s public knowledge. It’s not my problem you just found out,” his mother is saying, pacing double-time down a West Wing corridor. “You mean to tell me,” Alex half shouts, jogging to keep up, “every Thanksgiving, those stupid turkeys have been staying in a luxury suite at the Willard on the taxpayers’ dime?” “Yes, Alex, they do—” “Gross government waste!” “—and there are two forty-pound turkeys named Cornbread and Stuffing in a motorcade on Pennsylvania Avenue right now. There is no time to reallocate the turkeys.” Without missing a beat, he blurts out, “Bring them to the house.” “Where? Are you hiding a turkey habitat up your ass, son? Where, in our historically protected house, am I going to put a couple of turkeys until I pardon them tomorrow?” “Put them in my room. I don’t care.” She outright laughs. “No.” “How is it different from a hotel room? Put the turkeys in my room, Mom.” “I’m not putting the turkeys in your room.” “Put the turkeys in my room.” “No.” “Put them in my room, put them in my room, put them in my room—” That night, as Alex stares into the cold, pitiless eyes of a prehistoric beast of prey, he has a few regrets. THEY KNOW, he texts Henry. THEY KNOW I HAVE ROBBED THEM OF FIVE-STAR ACCOMMODATIONS TO SIT IN A CAGE IN MY ROOM, AND THE MINUTE I TURN MY BACK THEY ARE GOING TO FEAST ON MY FLESH. Cornbread stares emptily back at him from inside a huge crate next to Alex’s couch. A farm vet comes by once every few hours to check on them. Alex keeps asking if she can detect a lust for blood. From the en suite, Stuffing releases another ominous gobble.

What I have to face is that 'Barb,' the name on my ID tag, is not exactly the same person as Barbara. 'Barb' is what I was called as a child, and still am by my siblings, and I sense that at some level I'm regressing. Take away the career and the higher education, and maybe what you're left with is this original Barb, the one who might have ended up working at Wal-Mart for real if her father hadn't managed to climb out of the mines. So it's interesting, and more than a little disturbing, to see how Barb turned out — that she's meaner and slyer than I am, more cherishing of grudges, and not quite as smart as I'd hoped.

She doesn't care what it means to be a dancer. What sacrifices it takes. And she knows that Mr. K will easily let me go. That I'm nothing. I can be replaced. Girls are a dime a dozen in ballet-not like the boys who are treated like princes. Another girl will be plucked from some audition somewhere.

Middling monsters died at the point of pitchforks, burned with torches, or at the butt of silver-capped canes wielded by angry, geriatric Poles. Middling people were dime-a-dozen, emptied souls, shorn sheeple, human husks. A good monster didn’t worry about what it was doing; it just did it. A true predator didn’t worry about guilt, or being popular, or anything. It just cruised along, living for the kill, surviving. A good person, well, she’d put a bullet in her head or weigh her feet down and throw herself into the Chicago River, holding her breath until she went to the sludgy, filthy bottom, and had to open wide and breathe water until she died.

As a child, my own mother told me the human heart spun on an axis smaller than a dime. Like her father, she sold "life for love" insurance. For the price of ten years off your life, you could purchase insurance on a ten-year love affair. Plans were also available in increments of twenty-five and fifty. If your love affair failed before your insurance expired, they'd provide you with a clone of the loved one for the duration of the term. Sometimes the clone worked out even better than the original.

When I stepped outside, the Wiccans stopped, turning as one body and bestowing beatific smiles on me... "Sister Winterbourne" the first one said. She threw open her arms, embrace me, planted a kiss on my lips, then another on my left breast. I yelped... I grabbed the nearest discarded robe. "Could you please put this-- Could you all put these-- Could you get dressed, please?" The woman only bestowed a serene smile on me. "We are as the Goddess requires." "The Goddess requires you to be naked on my lawn?" "We aren't naked child, we're skyclad."... "That's --uh--very-- I mean--" I stammered. Be polite, I reminded myself. Witches should respect Wiccans, even if we didn't quite get the whole Goddesss-Worship thing. I knew some Wiccans, and they were very nice people, though I must admit they'd never arrived in my backyard naked and kissed my tits before.

Intenta pasar seis meses junto a la cama de un moribundo y luego dime que las historias de amor con final feliz no son una bendición de Dios.

The victim was wearing a strapless leotard when she shit herself. A roll of dimes was found on the body. Her grandmother has been contacted to inform her how badly she failed.

I’VE never seen such a look of mortal agony on a human face before. She screamed quite a bit before she died, and the last shriek was forever frozen on her face.

She didn’t take a dime. She took everything that mattered.

Hanley shook her hand, and she could see on his face that he recognized he’d just paid dollars to someone ready to accept dimes.

Almost everyone smokes as if their pulmonary well-being depended on it — the multinational mélange of gooks; the dishwashers, who are all Czechs here; the servers, who are American natives — creating an atmosphere in which oxygen is only an occasional pollutant. My first morning at Jerry's, when the hypoglycemic shakes set in, I complain to one of my fellow servers that I don't understand how she can go so long without food. 'Well, I don't understand how you can go so long without a cigarette,' she responds in a tone of reproach. Because work is what you do for other; smoking is what you do for yourself. I don't know why the atismoking crusaders have never grasped the element of defiant self-nurturance that makes the habit so endearing to its victims — as if, in the American workplace, the only thing people have to call their own is the tumors they are nourishing and the spare moments they devote to feeding them.

I dust a whole shelf of books on pregnancy, breastfeeding, the first six months, the first year, the first two years — and I wonder what the child care-deprived Maddy makes of all this. Maybe there's been some secret division of the world's women into breeders and drones, and those at the maid level are no longer supposed to be reproducing at all. Maybe this is why our office manager, Tammy, who was once a maid herself, wears inch-long fake nails and tarty little outfits — to show she's advanced to the breeder caste and can't be sent out to clean anymore.

Your Mama's so stupid"- Lassiter dematerialized and re-formed on the far side, spinning the rods- "she thinks a California dime is something you dial a phone with." ~ Lassiter ' The Shadows' page 11

Everyone in yuppie-land — airports, for example — looks like a nursing baby these days, inseparable from their plastic bottles of water. Here, however, I sweat without replacement or pause, not in individual drops but in continuous sheets of fluid soaking through my polo shirt, pouring down the backs of my legs ... Working my way through the living room(s), I wonder if Mrs. W. will ever have occasion to realize that every single doodad and objet through which she expresses her unique, individual self is, from another vantage point, only an obstacle between some thirsty person and a glass of water.

She was cuckoo about dime stores, where she bought cosmetics and pins and combs. After we locked the expensive purchases in the station wagon we went into McCory's or Kresge's and were there by the hour, up and down the aisles with the multitude, mostly of women, and in the loud-played love music. Some things Thea liked to buy cheaply, they maybe gave her the best sense of the innermost relations of pennies and nickels and explained the real depth of money. I don't know. But I didn't think myself too good to be wandering in the dime store with her. I went where and as she said and did whatever she wanted because I was threaded to her as if through the skin. So that any trifling object she took pleasure in could become important to me at once; anything at all, a comb or hairpin or piece of line, a compass inside a tin ring that she bought with great satisfaction, or a green billed baseball cap for the road, or the kitten she kept in the apartment - she would never be anywhere without an animal.

Surely, somewhere in the back of Bulfinch, in a part Lillian had not gotten to, there is an obscure (abstruse, arcane, shadowy, and even hidden) version of Proserpine in he Underworld in which a tired Jewish Ceres schleps through the outskirts of Tartarus, an ugly village of tired whores who must double as laundresses and barbers, a couple of saloons, a nearly empty five-and-dime, and people too poor to pull up stakes. In this version, Ceres looks all over town for her Proserpine, who crossed the River Cyane in a pretty sailboat with Pluto, having had the good sense to come to an understanding with the king early on. Pluto and Proserpine picnic in a charming park, twinkling lights overhead and handsome wide benches like the ones in Central Park. When Ceres comes, tripping a little on her hem as she walks through the soft grass, muttering and trying to yank Proserpine to her feet so they can start the long trip home to Enna and daylight (which has lost much of its luster, now that Proserpine is queen of all she surveys), the girl does not jump up at the sight of her mother, but takes her time handing out the sandwiches and pours cups of sweetened tea for the three of them. She lays a nicely ironed napkin in her lap and another in the lap of her new husband, the king. Proserpine does not eat the pomegranate seeds by mistake, or in a moment of desperate hunger, or fright, or misunderstanding. She takes the pomegranate slice out of her husband’s dark and glittering hand and pulls the seeds into her open, laughing mouth; she eats only six seeds because her mother knocks it out of her hand before she can swallow the whole sparkling red cluster. “We have to get home,” Ceres says. “I am home,” her daughter says.

dime. For a moment he simply stares at her. She can’t seriously be hoping to rekindle what they had. What is she doing here? His uneasiness grows. ‘It’s been almost ten years,’ she says. ‘A long time to think.’ ‘About what?’ ‘The accident.’ She looks at him intently. ‘Do you still think about it?’ ‘I try not to. But sometimes.’ ‘I do, a lot.’ A silence descends between them. ‘You miss Lindsey. Of course you do,’ he says finally. ‘I do too.

cash-register lady at the Piggly Wiggly, Mrs. Singletary, who had recently taken to teaching Kya the difference between quarters, nickels, and dimes—she already knew about pennies. But Mrs. Singletary could also get nosey.

Wow wow wow is all I can say! Remember how I always buy lunchtime Scratch-Off ticket? Have I said? Maybe did not say? Well, every Friday, to reward self for good week, I stop at store near home, treat self to Butterfinger, plus Scratch-Off ticket. Sometimes, if hard week, two Butterfingers. Sometimes, if very hard week, three Butterfingers. But, if three Butterfingers, no Scratch-Off. But Friday won ten grand!! On Scratch-Off! Dropped both Butterfingers, stood there holding dime used to scratch, mouth hanging open. Kind of reeled into magazine rack. Guy at register took ticket, read ticket, said, Winner! Guy righted magazine rack, shook my hand. Raced home on foot, forgetting car. Raced back for car. Halfway back, thought, What the heck, raced home on foot. Pam raced out, said, Where is car? Showed her Scratch-Off ticket. She stood stunned in yard. Are we rich now? Thomas said, racing out, dragging Ferber by collar. Not rich, Pam said. Richer, I said. Richer, Pam said. Damn. All began dancing around yard, Ferber looking witless at sudden dancing, then doing dance of own, by chasing own tail.

Ma had painted the estuaries and sunsets in oils and watercolors so rich they seemed peeled from the earth. She had brought some art supplies with her and could buy bits and pieces at Kress’s Five and Dime. Sometimes Ma had let Kya paint her own pictures on brown paper bags from the Piggly Wiggly.

And even though she couldn’t write, Kya had found a way to label her specimens. Her talent had matured and now she could draw, paint, and sketch anything. Using chalks or watercolors from the Five and Dime, she sketched the birds, insects, or shells on grocery bags and attached them to her samples.

Many of us have forgotten how we used to be bedazzled by such everyday wonders as marveling at a spider web, finding an animal shape in the clouds, exploring the delicate intricacy of the pistils and stamens of a flower. It is time to rediscover the emotional vitality of the child within us. Our inner child can find enduring satisfaction in simple pleasures because s/he does not pursue them purely to escape inner emotional turmoil. Perhaps the vision of the emotionally vital poet Walt Whitman will motivate you to reconnect with the ardor of your abandoned inner child: I believe a leaf of grass is no less than the journey-work of the stars, And the running blackberry would adorn the parlours of heaven, And a mouse is miracle enough to stagger sextillions of infidels . . . And I or you pocketless of a dime may purchase the pick of the earth, And to glance with an eye or show a bean in its pod confounds the learning of all times . . .

Since Troo was in her office at least once a week for doing one bad thing or another, Sister told me she's thinking of having the chair in the corner of her office engraved permanently with Troo's name. (If she bothered to look at the back, she could save a few bucks. Troo stole a penknife out of the Five and Dime last summer.)

The show brought Claudia sadness finer than any requiem or any gravestone or anything beautiful or sorrowful that she could think of. On afternoons when she wasn't working with her husband or rotating on the platform in the Human Picture Gallery at Luna, she would go off by herself and pay her dime and linger in the corridors of the exhibit.

Did you ever hear the famous story about breakfast on the day Mother and Father were leaving for Sweden to accept the Nobel Peace Prize? It was in The Saturday Evening Post one time. Mother cooked a big breakfast. And then, when she cleared off the table, she found a quarter and a dime and three pennies by Father's coffee cup. He'd tipped her.

No Loser, No Weeper “I hate to lose something,”  then she bent her head, “even a dime, I wish I was dead. I can't explain it. No more to be said. ‘Cept I hate to lose something. “I lost a doll once and cried for a week. She could open her eyes, and do all but speak. I believe she was took, by some doll-snatching sneak. I tell you, I hate to lose something. “A watch of mine once, got up and walked away. It had twelve numbers on it and for the time of day. I'll never forget it and all I can say Is I really hate to lose something. “Now if I felt that way ‘bout a watch and a toy, What you think I feel ‘bout my lover-boy? I ain't threatening you, madam, but he is my evening's joy. And I mean I really hate to lose something.

Interestingly enough, commitment tests usually only show up when a woman begins to feel that your loyalty to her is threatened. If she begins to feel as if your priorities are elsewhere, that you’ve lost interest in her, or that she can be easily replaced at the drop of a dime she’s going to start throwing commitment tests at you in order to ease her insecurities.

Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.

What’s the, like, symbol, for five years? Paper?” “Paper is first year,” I said. At the end of Year One’s unexpectedly wrenching treasure hunt, Amy presented me with a set of posh stationery, my initials embossed at the top, the paper so creamy I expected my fingers to come away moist. In return, I’d presented my wife with a bright red dime-store paper kite, picturing the park, picnics, warm summer gusts. Neither of us liked our presents; we’d each have preferred the other’s. It was a reverse O. Henry. “Silver?” guessed Go. “Bronze? Scrimshaw? Help me out.” “Wood,” I said. “There’s no romantic present for wood.” At the other end of the bar, Sue neatly folded her newspaper and left it on the bartop with her empty mug and a five-dollar bill. We all exchanged silent smiles as she walked out. “I got it,” Go said. “Go home, fuck her brains out, then smack her with your penis and scream, ‘There’s some wood for you, bitch!’ 

Go change your shirt.” “Why?” I asked, before I remembered I wasn’t supposed to talk back. My mother yanked at my uniform blouse, which had a stain the size of a dime near my ribs. I scowled. “Mama, no one’s even going to see it once I put my sweater on.” “And if you take that sweater off?” she asked. “You don’t go to school with a stain on your shirt, because if you do, people aren’t going to judge you for being sloppy. They’re going to judge you for being Black.

The only people she ever spoke to were Pa now and then and, even less often, the cash-register lady at the Piggly Wiggly, Mrs. Singletary, who had recently taken to teaching Kya the difference between quarters, nickels, and dimes—she already knew about pennies. But Mrs. Singletary could also get nosey. “Dahlin’, what’s yo’ name, anyhow? And why don’t yo’ ma come in anymore? Haven’t seen ’er since the turnips put out.” “Ma’s got lots of chores, so she sends me to the store.” “Yeah, dear, but ya never buy nears enough for yo’ family.” “Ya know, ma’am, I gotta go. Ma needs these grits right away.

We’re to blame because we let them steal,” she told him. “Let them? We caused ‘em to steal?” “Yes. We caused them to steal. Penny at a time. Nickel at a time. Dime. A quarter. A dollar. We were easy going. We were good-natured. We didn’t want money just for the sake of having money. We didn’t want other folks’ money If it meant they had to do without. We smiled across their counters a penny at a time. We smiled in through their cages a nickel at a time. We handed a quarter out our front door. We handing them money along the street. We signed our names to their old papers. We didn’t want money, so we didn’t steal money, and we spoiled them, we petted them, and we humored them. We let them steal from us. We knew that they were hooking us. We knew it. We knew when they jacked up their prices. We knew when they cut down on the price of our work. We knew that. We knew they were stealing. We taught them how to steal. We let them. We let them think they they could cheat us because we are just plain old common everyday people. They got the habit.” “They really got the habit,” Tike said. “Like dope. Like whiskey. Like tobacco. Like snuff. Like morphine or opium or old smoke of some kind. They got the regular habit of taking us for damned old silly fools.” House of Earth Woody Guthrie

She brought the tea into the living room on a lacquered tray. The pot and cups were Japanese with unglazed rims. She poured. "Thanks," I said. "Well?" "Huh?" "Your family," she reminded. I sipped the tea. "This is really good. Really delicious." She raised her eyebrows. "That's what I thought. You're a good listener, Davy, and you can change the subject on a dime. You've hardly talked about yourself at all." "I talk... too much." "You talk about books, you talk about plays, you talk about movies, you talk about places, you talk about food, you talk about current events. You don't talk about yourself." I opened my mouth, then shut it again. I hadn't really thought about it. Sure, I didn't talk  about the jumping, but the rest? "Well, there's not much to say. Not like those stories of growing up with four brothers." She smiled. "It's not going to work. If you don't want to talk about it, that's fine. But I'm not going to be distracted again, nor fooled into talking about those idiots again." She poured more tea into my cup. I frowned. "Do I really do that?" "What? Not talk about yourself? Yes." "No, try and distract you." She stared at me. "You are fucking amazing. I've never seen someone so good at changing the subject." "I don't do it on purpose." She laughed. 

I was greeted by the Ulmers’ eleven-year-old daughter, a girl of remarkable poise. Mrs. Ulmer was busily typing a manuscript that needed to make the evening mail and after welcoming me, in a very friendly manner, she returned to work. There were two other children and Mr. Ulmer, who was writing the manuscript just as his wife was typing it. The youngest child, who could have been no more than five or six, had the task of relaying the handwritten pages from his father to his eldest sister, who would quickly scan them for errors, and from her to his mother. The middle child, a little girl of seven or eight, lay on the floor with a large dictionary and would look up words when called upon by her parents or sister.

My mother is finally rolling out her kulebiaka dough, maneuvering intently on a dime size oasis of kitchen counter. I inhale the sweetish tang of fermented yeast once again and try to plumb my unconscious for some collective historical taste memory. No dice. There's no yeast in my DNA. No heirloom pie recipes passed down by generations of women in the yellowing pages of family notebooks, scribbled in pre-revolutionary Russian orthography. My two grandmothers were emaciated New Soviet women, meaning they barely baked, wouldn't be caught dead cooking 'czarist.' Curious and passionate about food all her life, Mom herself only became serious about baking after we emigrated. In the USSR she relied on a dough called na skoruyu ruku ('flick of a hand'), a version involving little kneading and no rising. It was a recipe she'd had to teach her mother. My paternal babushka, Alla, simply wasn't interested.

But as they walked home together through the leaf-plastered streets, under that eerie refulgence, her father seemed to have divined her plans. This was in his manner, not his words: they were halfway home before he spoke. “Amanda,” he said. He paused. “I want you to realize the consequences before you do something youll be sorry for.” He did not look at her, and she too kept her eyes to the front. “You know that when I say a thing I mean it—I mean it to the hilt. So tell your young man this, Amanda. Tell him that the day you marry without my consent I’ll cut you off without a dime. Without so much as one thin dime, Amanda. I’ll cut you off, disown you, and what is more I’ll never regret it. I’ll never so much as think your name again.” Up to now he had spoken slowly, pausing between phrases. But now the words came fast, like fencing thrusts. “Tell your young man that, Amanda, and see what he says.” Major

Jackie, can you tell me if someone’s dead or not?’ “Who it be? Maybe I heard something.” “Miranda Lopez.” I pulled out the charm and balanced it on my fingertips, and then I realized the photo was probably a better likeness. I pocketed the milagro ad held up the Polaroid. “I find out for you if you get me a dime.” I sighed and put the photo away. “You can’t smoke crack. You’re dead. And even if you weren’t, I’m not gonna score for you. I’m a cop. “ “You so full of shit. You ain’t no cop neither.” “Would I be wearing this fucking suit if I wasn’t a cop?” “I don’t know. I always thought you sold cars or something.” I tucked my chin toward my chest and stomped toward my gate. Jackie couldn’t help me. And how dare she call me a used car salesman? I wasn’t always a dork in a blazer. Once upon a time I was actually cool. Until the Cook County Mental Health Centre, anyway. After that, I guess I kinda stopped caring.

Onions! Fresh, hot, sweet onions,” Sam called as Mary Lou pulled the cart down Main Street. “Eight cents a dozen.” It was a beautiful spring morning. The sky was painted pale blue and pink—the same color as the lake and the peach trees along its shore. Mrs. Gladys Tennyson was wearing just her nightgown and robe as she came running down the street after Sam. Mrs. Tennyson was normally a very proper woman who never went out in public without dressing up in fine clothes and a hat. So it was quite surprising to the people of Green Lake to see her running past them. “Sam!” she shouted. “Whoa, Mary Lou,” said Sam, stopping his mule and cart. “G’morning, Mrs. Tennyson,” he said. “How’s little Becca doing?” Gladys Tennyson was all smiles. “I think she’s going to be all right. The fever broke about an hour ago. Thanks to you.” “I’m sure the good Lord and Doc Hawthorn deserve most of the credit.” “The Good Lord, yes,” agreed Mrs. Tennyson, “but not Dr. Hawthorn. That quack wanted to put leeches on her stomach! Leeches! My word! He said they would suck out the bad blood. Now you tell me. How would a leech know good blood from bad blood?” “I wouldn’t know,” said Sam. “It was your onion tonic,” said Mrs. Tennyson. “That’s what saved her.” Other townspeople made their way to the cart. “Good morning, Gladys,” said Hattie Parker. “Don’t you look lovely this morning.” Several people snickered. “Good morning, Hattie,” Mrs. Tennyson replied. “Does your husband know you’re parading about in your bed clothes?” Hattie asked. There were more snickers. “My husband knows exactly where I am and how I am dressed, thank you,” said Mrs. Tennyson. “We have both been up all night and half the morning with Rebecca. She almost died from stomach sickness. It seems she ate some bad meat.” Hattie’s face flushed. Her husband, Jim Parker, was the butcher. “It made my husband and me sick as well,” said Mrs. Tennyson, “but it nearly killed Becca, what with her being so young. Sam saved her life.” “It wasn’t me,” said Sam. “It was the onions.” “I’m glad Becca’s all right,” Hattie said contritely. “I keep telling Jim he needs to wash his knives,” said Mr. Pike, who owned the general store. Hattie Parker excused herself, then turned and quickly walked away. “Tell Becca that when she feels up to it to come by the store for a piece of candy,” said Mr. Pike. “Thank you, I’ll do that.” Before returning home, Mrs. Tennyson bought a dozen onions from Sam. She gave him a dime and told him to keep the change. “I don’t take charity,” Sam told her. “But if you want to buy a few extra onions for Mary Lou, I’m sure she’d appreciate it.” “All right then,” said Mrs. Tennyson, “give me my change in onions.” Sam gave Mrs. Tennyson an additional three onions, and she fed them one at a time to Mary Lou. She laughed as the old donkey ate them out of her hand.

But we were chumps and we knew it. As makers of sentences we were practically fetal, beneath notice, unlaunched, fooling around in our spare time or on somebody else’s dime. Nobody loved our sentences as we loved them, and so they congealed or grew sour on our tongues. We barely glanced at our wall-scribblings for fear of what a few weeks or even hours might expose in our infatuations. Our photocopied fortune slips we’d find in muddy clogs in storm drains, tangled with advertising flyers, unheeded. Our manuscripts? Those were unspeakable secrets, kept not only from the world but from each other. My pages were shameful, occluded everywhere with xxxxxx’s of regret. I scurried to read Clea’s manuscript every time she left the apartment but never confessed that I even knew it existed. Her title was “Those Young Rangers Thought Love Was a Scandal Like a Bald White Head.” Mine was “I Heard the Laughter of the Sidemen from Behind Their Instruments.

The rain eased. A single drop, here then there, shook a leaf like the flick of a cat’s ear. Kya hopped up, cleaned out the Frigidaire-cupboard, mopped the stained plywood kitchen floor, and scraped off months of caked-on grits from the woodstove burners. Early the next morning, she scrubbed Pa’s sheets, reeking of sweat and whiskey, and draped them over the palmettos. She went through her brothers’ room, not much bigger than a closet, dusting and sweeping. Dirty socks were piled in the back of the closet and yellowed comic books strewn next to the two soiled mattresses on the floor. She tried to see the boys’ faces, the feet that went with the socks, but the details blurred. Even Jodie’s face was fading; she’d see his eyes for an instant, then they’d slip away, closing. The next morning, carrying a gallon can, she walked the sandy tracks to the Piggly and bought matches, backbone, and salt. Saved out two dimes. “Can’t get milk, gotta get gas.

I kissed Polly good night as we stood at her front door Now she's quite a proper lady, so I didn't ask for anything more But I was feeling oh so groovy that I went down to the movie And I sat down and guess just what I saw? I saw Polly in a porny Down at the dirty flicks I saw Polly in a porny I didn't know she knew them tricks What I seen nearly struck me blind I never knew she was theatrically inclined I saw Polly in a porny with a pony and it nearly blowed my mind Was she gallopin'? (no no no) Oh was she trottin'? (no no no) Oh was she riding across the country with some tall dark handsome person Oh was she wearin' her cowboy hat? Well, not exactly that But at least I recall she had her spurs on I love ol' Polly in a porny I keep on going back In the very last row I'm singin' low with my coat bouncin' in my lap I spend each dime I can afford I swear she's gonna win an Academy Award I saw Polly in a porny with a pony and the pony seemed a little bored

At six years old we didn't have any money; there was my mother, my brother and I. We had a deadbeat dad; left us before we were two, but she took us at Christmas-time to downtown Los Angeles. We had little cars going around in circles, it was pretty cool, and decorations in the window. She gave my brother and I a dime and told us, "Boys whole half of it each, give it to the man ringing the bell in the bucket." We put it in this bucket, we said, "Mom, why did we give that man a dime? That's like two soda pops." This is 1951, two soda pops, three candy bars. And mom said, "Boys, that's the Salvation Army. They take care of people that have no place to live and no food. And we don't have a lot of money, but we can afford a dime this year. Boys, always remember in life: give a little something to those in need, they'll always be somebody that's not as well-off as you are. No matter where you are or how far down you are, try and help someone along the way." It stuck with me.

I'd been spending my professional life, at GQ and Esquire both, reading fiction by men about men. The sub-subjects: The Land of Marriage. A middle-aged man coming to terms with Something. Extramarital affairs. Hotel rooms. Adult life as unwinnable game. A man trying, and failing, to be a man - whatever that thing was. A wife. A waif. Oh, God, the mothers. How many trailer parks were there upon the greensward? There sure were a lot of trains. Why were there so many prostitutes? And why were so many of the women dead? Rarely did any children appear in the stuff I read, and when they did, they tended to serve as devices for the teaching of moral lessons - touching ones, usually. And the women - voluble, irrational, rarely all that smart, but, with any luck, sexy, sexy, sexy - functioned as instruments to male enlightenment. Oh, if I had a dime for each time I read the sentence "She made me feel alive..." (to which my private stock response was always "And you made her feel dead").

When the card came back you couldn't have found any red on it with a microscope. The pitchman handed down a ponderous mohair Teddybear and Ballard slapped down three dimes again. When he had won two bears and a tiger and a small audience the pitchman took the rifle away from him. That's it for you, buddy, he hissed. You never said nothin about how many times you could win. Step right up, sang the barker. Who's next now. Three big grand prizes per person is the house limit. Who's our next big winner. Ballard loaded up his bears and the tiger and started off through the crowd. They lord look at what all he's won, said a woman. Ballard smiled tightly. Young girls' faces floated past, bland and smooth as cream. Some eyed his toys. The crowd was moving toward the edge of a field and assembling there, Ballard among them, a sea of country people watching into the dark for some midnight contest to begin. A light sputtered off in the field and a blue tailed rocket went skittering toward Canis Major. High above their upturned faces it burst, sprays of lit glycerine flaring across the night, trailing down the sky in loosely falling ribbons of hot spectra soon. burnt to naught. Another went up, a long whishing sound, fishtailing aloft. In the bloom of its opening you could see like its shadow the image of the rocket gone before, the puff of black smoke and ashen trails arcing out and down like a huge and dark medusa squatting in the sky. In the bloom of light too you could see two men out in the field crouched over their crate of fireworks like assassins or bridge blowers. And you could see among the faces a young girl with candy apple on her lips and her eyes wide. Her pale hair smelled of soap, woman child from beyond the years, rapt below the sulphur glow and pitch light of some medieval fun fair. A lean sky long candle skewered the black pools in her eyes. Her fingers clutched. In the flood of this breaking brimstone galaxy she saw the man with the bears watching her and she edged closer to the girl by her side and brushed her hair with two fingers quickly.

Love Minus Zero / No Limit" My love she speaks like silence Without ideals or violence She doesn't have to say she's faithful Yet she's true, like ice, like fire People carry roses And make promises by the hours My love she laughs like the flowers Valentines can't buy her In the dime stores and bus stations People talk of situations Read books, repeat quotations Draw conclusions on the wall Some speak of the future My love she speaks softly She knows there's no success like failure And that failure's no success at all The cloak and dagger dangles Madams light the candles In ceremonies of the horsemen Even a pawn must hold a grudge Statues made of match-sticks Crumble into one another My love winks, she does not bother She knows too much to argue or to judge The bridge at midnight trembles The country doctor rambles Bankers' nieces seek perfection Expecting all the gifts that wise men bring The wind howls like a hammer The night blows rainy My love she's like some raven At my window with a broken wing Bringing It All Back Home (1965)

He got up out of bed, walked across the room, and put his glowing hand to her face with hesitation. On a sigh she leaned into the imprint of his palm and the warmth of his flesh. “Is this you?” he said hoarsely. She nodded and reached out to his cheeks, which were a little red. “You’ve been crying.” He captured her hand. “I feel you.” “Me, too.” He touched her neck, her shoulder, her sternum. Brought her arm forward and looked at it…well, through it. “Um…so I can sit on things,” she said for no particular reason. “I mean…while I was waiting out there, I sat on the couch. I also moved a picture on the wall, put a penny back in your change dish, picked up a magazine. It’s a little weird, but all I have to do is concentrate.” Shit. She had no idea what she was saying. “The, ah…the Scribe Virgin said I could eat but I didn’t have to. She said…I could drink, too. I’m not sure how it all works, but she seems to know. Yeah. So. Anyway, I think it’s going to take some time to figure out the drill, but…” He put his hand into her hair and it felt the same as it had before. Her nonexistent body registered the sensations exactly as it had before. He frowned, then looked downright angry. “She said it required a sacrifice. To bring someone back. What did you give her? What did you bargain with?” “How do you mean?” “She doesn’t give things away without demanding something in return. What did she take from you?” “Nothing. She never asked me for anything.” He shook his head and seemed like he was going to speak. But then he wrapped his heavy arms around her and held her against his trembling, glowing body. Unlike the other times when she had to concentrate to find solidity, with V it just happened. Against him, she was corporeal with no effort on her part. She could tell he was crying by the way he breathed and the fact that he leaned on her, but she knew that if she made any mention of it, or tried to soothe him with words, he would stop on a dime. So she just held him and let him go. Then again, she was kind of busy holding herself together. “I thought I would never get to do this again,” he said in a voice that cracked. -Vishous & Jane

1. Each husband’s section opens with an illustrative moniker (for example, “Poor Ernie Diaz,” “Goddamn Don Adler,” “Agreeable Robert Jamison”). Discuss the meaning and significance of some of these descriptions. How do they set the tone for the section that follows? Did you read these characterizations as coming from Evelyn, Monique, an omniscient narrator, or someone else? 2. Of the seven husbands, who was your favorite, and why? Who surprised you the most? 3. Monique notes that hearing Evelyn Hugo’s life story has inspired her to carry herself differently than she would have before. In what ways does Monique grow over the course of the novel? Discuss whether Evelyn also changes by the end of her time with Monique, and if so, what spurs this evolution. 4. On page 147, Monique says, "I have to 'Evelyn Hugo' Evelyn Hugo." What does it mean to "Evelyn Hugo"? Can you think of a time when you might be tempted to "Evelyn Hugo"? 5. Did you trust Evelyn to be a reliable narrator as you were reading? Why, or why not? Did your opinion on this change at all by the conclusion, and if so, why? 6. What role do the news, tabloid, and blog articles interspersed throughout the book serve in the narrative? What, if anything, do we learn about Evelyn’s relationship to the outside world from them? 7. At several points in the novel, such as pages 82–83 and 175–82, Evelyn tells her story through the second person, “you.” How does this kind of narration affect the reading experience? Why do you think she chooses these memories to recount in this way? 8. How do you think Evelyn’s understanding and awareness of sexuality were shaped by her relationship with Billy—the boy who works at the five-and-dime store? How does her sensibility evolve from this initial encounter? As she grows older, to what extent is Evelyn’s attitude toward sex is influenced by those around her? 9. On page 54, Evelyn uses the saying “all’s well that ends well” as part of her explanation for not regretting her actions. Do you think Evelyn truly believes this? Using examples from later in her life, discuss why or why not. How do you think this idea relates to the similar but more negatively associated phrase “the ends justify the means”?

Reason No. 1. Overcoming the fear of losing money. I have never met anyone who really likes losing money. And in all my years, I have never met a rich person who has never lost money. But I have met a lot of poor people who have never lost a dime. . .investing, that is. The fear of losing money is real. Everyone has it. Even the rich. But it's not fear that is the problem. It's how you handle fear. It's how you handle losing. It's how you handle failure that makes the difference in one's life. That goes for anything in life, not just money. The primary difference between a rich person and a poor person is how they handle that fear. It's OK to be fearful. It's OK to be a coward when it comes to money. You can still be rich. We're all heroes at something and cowards at something else. My friend's wife is an emergency room nurse. When ; she sees blood, she flies into action. When I mention investing, she runs'j away. When I see blood, I don't run. I pass out. My rich dad understood phobias about money. "Some people are terrified of snakes. Some people are terrified about losing money. Both are phobias," he would say. So his solution to the phobia of losing money was this little rhyme: "If you hate risk and worry. . .start early.

March 12 Dear Stargirl, Hey, you're a big girl now. Stop being such a baby. You think you're the only one who's ever lost a boyfriend? Boyfriends are a dime a dozen. You want to talk loss, look at all the loss around you. How about the man in the red and yellow plaid scarf? He lost Grace. BELOVED WIFE. I'll bet they were married over 50 years. You barely had 50 days with Leo. And you have the gall to be sad in the same world as that man. Betty Lou. She's lost the confidence to leave her house. Look at you. Have you ever stopped to appreciate the simple ability to open your front door and step outside? And Alvina the floor sweeper-she hates herself, and it seems she's got plenty of company. All she's losing is her childhood, her future, a worldful of people who will never be her friends. How would you like to trade places with her? Oh yes, lets not forget the footshuffling guy at the stone piles. Moss-green pom-pom. What did he say to you? "Are you looking for me?" It seems like he hasn't lost much, has he? Only...HIMSELF! Now look at you, sniveling like a baby over some immature kid in Arizona who didn't know what a prize he had, who tried to remake you into somebody else, who turned his back to you and left you to the wolves, who hijacked your heart and didn't even ask you to the Ocotillo Ball. What don't you understand about the message? Hel-loooo? Anybody home in there? You have your whole life ahead of you, and all your doing is looking back. Grow up, girl. There are some things they don't teach you in homeschool. Your Birth Certificate Self, Susan Caraway

Lydia the Tattooed Lady" Oh Lydia, oh Lydia, say have you met Lydia? Lydia, the Tattooed Lady She has eyes that folks adore so And a torso even more so Lydia, oh Lydia, that encyclopydia Oh Lydia the Queen of Tattoo On her back is the Battle of Waterloo Beside it the wreck of the Hesperus, too And proudly above waves the red, white, and blue You can learn a lot from Lydia La, La, La La, La, La When her robe is unfurled, she will show you the world If you step up and tell her where For a dime you can see Kankakee or Paris Or Washington crossing the Delaware La, La, La La, La, La Oh Lydia oh Lydia, say have you met Lydia? Oh Lydia the Tattooed Lady When her muscles start relaxin' Up the hill comes Andrew Jackson Lydia oh Lydia, that encyclopydia Oh Lydia the queen of them all For two bits she will do a mazurka in jazz With a view of Niagara that nobody has And on a clear day you can see Alcatraz You can learn a lot from Lydia La, La, La La, La, La Come along and see Buff'lo Bill with his lasso Just a little classic by Mendel Picasso Here is Captain Spaulding exploring the Amazon Here's Godiva but with her pajamas on La, La, La La, La, La Here is Grover Whalen unveilin' the Trilon Over on the West Coast we have Treasure Island Here's Najinsky a-doin' the rhumba Here's her social security numba Oh Lydia, oh Lydia that encyclopydia Oh Lydia the champ of them all She once swept an Admiral clear off his feet The ships on her hips made his heart skip a beat And now the old boy's in command of the fleet For he went and married Lydia I said Lydia (He said Lydia) They said said Lydia (We said Lydia) Groucho Marx, At the Circus (1939) Written by Yip Harburg and Harold Arlen

In Riverview, we stopped at Larkin’s Drugstore for a cold drink. Leaving the rest of us to scramble out unaided, John offered Hannah his hand. Although I’d just seen her leap out of a tree as fearless as a cat, she let him help her. At the soda fountain, Hannah took a seat beside John. In her white dress, she was as prim and proper as any lady you ever saw. Quite frankly, I liked her better the other way. I grabbed the stool on the other side of Hannah and spun around on it a couple of times, hoping to get her to spin with me, but the only person who noticed was Mama. She told me to sit still and behave myself. “You act like you have ants in your pants,” she said, embarrassing me and making Theo laugh. While I was sitting there scowling at Theo in the mirror, John leaned around Hannah and grinned at me. “To celebrate your recovery, Andrew, I’m treating everyone to a lemon phosphate--everyone, that is, except you.” He paused dramatically, and Hannah gave him a smile so radiant it gave me heartburn. She was going to marry John someday, I knew that. But while I was here, I wanted her all to myself, just Hannah and me playing marbles in the grove, talking, sharing secrets, climbing trees. She had the rest of her life to spend with stupid John Larkin. “As the guest of honor,” John went on, “you may pick anything your heart desires.” Slightly placated by his generosity, I stared at the menu. It was amazing what you could buy for a nickel or a dime in 1910. “Choose a sundae,” Theo whispered. “It costs the most.” “How about a root beer float?” Hannah suggested. “Egg milk chocolate,” Mama said. “It would be good for you, Andrew.” “Tonic water would be even better,” John said, “or, best of all, a delicious dose of cod-liver oil.” When Hannah gave him a sharp poke in the ribs, John laughed. “Andrew knows I’m teasing. Come on, what will it be, sir?” Taking Theo’s advice, I asked for a chocolate sundae. “Good choice,” John said. “You’d have to go all the way to St. Louis to find better ice cream.

Convinced that struggle was the crucible of character, Rockefeller faced a delicate task in raising his children. He wanted to accumulate wealth while inculcating in them the values of his threadbare boyhood. The first step in saving them from extravagance was keeping them ignorant of their father’s affluence. Until they were adults, Rockefeller’s children never visited his office or refineries, and even then they were accompanied by company officials, never Father. At home, Rockefeller created a make-believe market economy, calling Cettie the “general manager” and requiring the children to keep careful account books.16They earned pocket money by performing chores and received two cents for killing flies, ten cents for sharpening pencils, five cents per hour for practicing their musical instruments, and a dollar for repairing vases. They were given two cents per day for abstaining from candy and a dime bonus for each consecutive day of abstinence. Each toiled in a separate patch of the vegetable garden, earning a penny for every ten weeds they pulled up. John Jr. got fifteen cents an hour for chopping wood and ten cents per day for superintending paths. Rockefeller took pride in training his children as miniature household workers. Years later, riding on a train with his thirteen-year-old daughter, he told a traveling companion, “This little girl is earning money already. You never could imagine how she does it. I have learned what my gas bills should average when the gas is managed with care, and I have told her that she can have for pin money all that she will save every month on this amount, so she goes around every night and keeps the gas turned down where it is not needed.”17 Rockefeller never tired of preaching economy and whenever a package arrived at home, he made a point of saving the paper and string. Cettie was equally vigilant. When the children clamored for bicycles, John suggested buying one for each child. “No,” said Cettie, “we will buy just one for all of them.” “But, my dear,” John protested, “tricycles do not cost much.” “That is true,” she replied. “It is not the cost. But if they have just one they will learn to give up to one another.”18 So the children shared a single bicycle. Amazingly enough, the four children probably grew up with a level of creature comforts not that far above what Rockefeller had known as a boy.

Her name was Penny, and she was good looking. She wasn’t a dime, but she wasn’t a nickel either. If there were a coin worth 7.5 cents, she’d be that. And I’d be the vending machine that accepts those coins.

I step up on the little wooden bridge that arches over the huge clear koi pond in the lobby. The blue and gray tiles on the floor of the pond are littered with pennies, dimes, quarters; my father would say That’s a lot of money to throw away on wishes. I’m jittering my fingers on the wooden railing, watching a pure gold koi get jostled by his big spotted pondmates, when a small dark silhouette ripples beside me. I hear the crunch of a plastic snack bag, catch a glimpse of an amber ring. Now that she’s here, I think about running. But I don’t. “Gummy bear?” she says. I whisper, “How old are you?” “Guess.” “You look twelve.” “I’m seventeen. But thanks. That never gets old.

She smiles at his innocence then ponders the what if and the maybe

Hold. On.” I said with excitement, “Can you see the future?” “Not down here I can’t,” she muttered, running her hand through her already frightening hair. “My boss... that would be GOD to you... much to my great disgust gave you imbeciles free will. So even if I could see the future, it can change on a dime because you idiots are as flighty as gnats.

Have you noticed our culture has a one-way expectation that a husband should give his wife what she “needs” (sending flowers to work, doing his share of the dirty work around the house, being a great dad, remembering and celebrating anniversaries) without asking for anything in return? But, as we know, this fantasy man isn’t a real husband; he’s a character in a dime-store romance novel. The kind of marriage I want is one in which we’re both doing all we can to honor and love each other. The kind of marriage I want is one in which we’re both doing all we can to honor and love each other, putting each other’s needs above our own. Philippians 2:3-4 says it best: “Do nothing out of selfish ambition or vain conceit, but in humility consider others better than yourselves. Each of you should look not only to your own interests, but also to the interests of others.

Jersey chasers are a dime a dozen, always willing to take a ride on the football side, but you’ve got to be careful with the overly eager ones, the ones who aren’t just trying to make a trophy outta you, but a fuckin’ Lifetime Achievement award. As in, poking holes in condoms and look at that, you’re a baby daddy. I don’t know if Josie falls into that latter category, but she’s a little too eager for my taste.

When I watch TV over my dinner at night, I see a world in which almost everyone makes $15 an hour or more, and I’m not just thinking of the anchor folks. The sitcoms and dramas are about fashion designers or schoolteachers or lawyers, so it’s easy for a fast-food worker or nurse’s aide to conclude that she is an anomaly—the only one, or almost the only one, who hasn’t been invited to the party.

I hate to lose something,” then she bent her head, “even a dime, I wish I was dead. I can’t explain it. No more to be said. ’Cept I hate to lose something.

There was a movie theater here once. It played silent films. It was like watching the world through dark glasses on a rainy evening. One night the piano player mysteriously disappeared. We were left with the storming sea that made no sound, and a beautiful woman on a long, empty bench whose tears rolled down silently as she watched me falling asleep in my mother's arms.

She personally read Sam Walton’s book (his autobiography, Made in America)

She had one Match in the tool boxes to dime the Lights.

When I think about exactly why twelve-step programs worked for me, I believe it was because: I was desperate, and it was free and the only help available. I was relatively cozy with Judeo-Christian verbiage. I had a positive memory of it. My dad had gone to ACOA and my mom had tried OA, but she stopped because she was worried that “word would get around town.” And she’s totally right. It does get around town. I could easily change my worldview on a dime (see also Suzuki, Dale Carnegie). Everyone looked like me or my mom. I do not know.

she found that two organizational “perks”—dinner and a free ride home—were central to the long hours synonymous with banking culture. If workers stayed at the office until seven p.m., they could order dinner on the company dime. “With no time to shop for groceries or cook, they soon become dependent on this service and even on the occasional day when they can leave before seven p.m., they stay in order to have dinner,” she writes in Liquidated: An Ethnography of Wall Street. Then, if bankers reached the nine p.m. milestone, the company paid for their ride home. While complimentary dinners and rides home might keep bankers working late, another device, the BlackBerry, kept them “chained to the office while at home or ‘on vacation,’ ” according to Ho.

At home, Rockefeller created a make-believe market economy, calling Cettie the “general manager” and requiring the children to keep careful account books.16They earned pocket money by performing chores and received two cents for killing flies, ten cents for sharpening pencils, five cents per hour for practicing their musical instruments, and a dollar for repairing vases. They were given two cents per day for abstaining from candy and a dime bonus for each consecutive day of abstinence. Each toiled in a separate patch of the vegetable garden, earning a penny for every ten weeds they pulled up. John Jr. got fifteen cents an hour for chopping wood and ten cents per day for superintending paths. Rockefeller took pride in training his children as miniature household workers. Years later, riding on a train with his thirteen-year-old daughter, he told a traveling companion, “This little girl is earning money already. You never could imagine how she does it. I have learned what my gas bills should average when the gas is managed with care, and I have told her that she can have for pin money all that she will save every month on this amount, so she goes around every night and keeps the gas turned down where it is not needed.

January 28: Marilyn attends a March of Dimes fashion show at the Waldorf Astoria, held to benefit children with polio. She is photoraphed with several children, smiling and talking with them, as well as posing for the camera.

Nothing much changed in Walter Brennan’s domestic life even after he won his Academy Award and received rave reviews for both Come and Get It and Banjo on My Knee. He remembered hurrying home with his gold statuette, strutting in his borrowed tuxedo, and asking his wife how it felt to be married to an Academy Award winner. Ruth gave him a look and said, “Turn out the lights and go to bed. I lived with you when you didn’t have a dime.” His rare moment of bragging caught her off guard, and he had never spoke of stardom. It all seemed just work to him—or so Ruth supposed. Years later, she admitted she had not taken in the honor bestowed on her husband.

Yo momma's so skinny she can use a bracelet as a hula hoop. Yo momma's so thin that if she stands in front of a wall she looks like a crack. Yo momma's so skinny she can't sideways when taking a selfie. Yo momma's so skinny she played the part of the staff in the story of Moses. Yo momma's so skinny she hid behind a stick during a game of hide and seek. Yo momma's so skinny, her pants have one belt loop. Yo momma's so skinny when she is taking a shower, she has to run around to get wet. Yo momma's legs so skinny, she looks like a blow pop. Yo momma's so skinny she can hang glide off a dorito. Yo momma's so skinny I put a dime on her head and people mistook her for a Nail. Yo momma's so skinny, she can grate cheese on her ribs. Yo momma's so skinny, when I slapped her I got a paper cut! Yo momma's so skinny, if she had a sesame seed on her head, she'd look like a push pin. Yo momma's so skinny the Olsen Twins called and said they want their eating disorder back. Yo momma's so skinny, if she turned sideways and stuck out her tongue, she would look like a zipper. Yo momma's so skinny, she can see out the peephole with both eyes. Yo momma's so skinny, she could dive through a fence.

I understand. I’ll call my brother and he’ll come get me.” Gracie’s hand flew up and her eyes went wide. “Wait, what?” “I don’t want to hurt anyone.” After thirteen years, she was used to giving up her desires to do the right thing; she only wished it wasn’t so hard. “You’re right, it’s best if I go home.” “No!” Gracie shouted. She straightened and stepped closer to Maddie. “No! That’s not what I meant. I was only trying to say, ‘be careful.’” The men chose that moment to burst in the door like a bunch of rambunctious puppies, filling the room with chaos and testosterone. Gracie placed her hand over her forehead. “Oh, shit, he’s going to kill me.” Mitch stopped on a dime, his attention going first to Maddie and then to Gracie. A muscle in his jaw jumped. “What did you do?” All three men turned to Gracie. They advanced on her, gleaming with sweat. Alarm stirred. Maddie didn’t need to see their faces. The aggression was clear in their stance. The sheriff crossed his arms over his broad chest, and the muscles in his back rippled with the movement. Like Mitch, he also had a tribal-looking tattoo, although it was on his left shoulder instead of wrapping around his bicep. “You couldn’t keep your mouth shut, huh?” Gracie seemed to regain some of her composure, and her chin tilted. “I was only . . .” She cleared her throat. “Being friendly. And helpful.” Sam pinched the bridge of his nose with his thumb and forefinger. “Didn’t I tell you to leave it alone?” “Yes, but . . .” Gracie glanced at Maddie. “I was worried, and—” Mitch sliced a hand through the air. “What happened?” The men reminded Maddie so much of her brothers and their tactics lit her temper. “That’s enough!” They all swung around. The men’s eyes were sharp, hard with leftover adrenaline. It gave her a moment of pause, before she brushed their daunting presence aside and vaulted off her position by the sink. They tracked her as she stomped around them to stand in front of Gracie. “Stop intimidating her.” Charlie laughed, a wry, amused sound. “Honey, we couldn’t intimidate her if we tried.” His gaze slid over Gracie in a familiar, intimate way. “Although I do think she’s angling for a spanking.” “Ha! You wish.” Gracie placed a hand on Maddie’s shoulder. “Thanks for trying to rescue me. You’re a doll.” She sniffed. “It’s nice to have another female here. I never have anyone on my side.” Sam shook his head. “What did I tell you?” Maddie planted her hands on her hips. “She didn’t do anything, so stop it.” Mitch’s eyes narrowed. “What did she say, Maddie?” “I was just—” Gracie said. “Nothing.” Maddie cut her off as a sudden loyalty toward the woman behind her swelled in her chest. “It has nothing to do with any of you. Now back off.” Charlie’s lips curled into a smile. “Aren’t you a feisty little thing?” “I might be little,” Maddie said, in a righteous tone. “But I’m used to dealing with my brothers, who are all bigger and scarier than you.” Charlie laughed and elbowed Mitch in the ribs. “That sounds like a challenge.” Maddie risked a glance at Mitch to find his expression still hard, not amused at all. He crossed his arms. “I want to talk to Maddie. Alone.” Sam jutted his chin toward the door. “Let’s go.” Gracie squeezed Maddie’s shoulders. “Thanks for sticking up for me. And remember, I’m right next door if you need anything.” “She won’t,” Mitch said, his tone matching the dark expression he wore. Strangely,

She said that her husband's mind had been inflamed by the constant reading of sensational literature of the dime-novel order;

the French fries were fantastic, they weren’t enough, not even close, to forget about the man she couldn’t have. The problem was she didn’t have any room in her life for him, and if she let him linger any more in her heart, she’d surely lose the game tonight. Tonight was for winning. CHAPTER TWO The venture capitalist with the laughing tell was back, and he spent most of the game staring at Julia. But Hunter must have gotten a tip to strike that laugh from his repertoire because the first time he chuckled Julia went all in, and lost a cool grand. He’d really had three kings. No bluffing. He’d likely snagged himself a poker tutor, some former pro player who now trained eager wannabe card sharks in the ways of the game, or a grizzled old veteran needing to earn a dime or two after he’d retired. She’d seen it before among the hotshots. A pivot here, a change-up there–all

A good catcher is, shall we say, a dime a dozen, but a great catcher is worth her weight in gold. A great catcher has an uncanny ability to withstand pain and play through it. she's expected to provide power with her bat, have a rocket launcher for a throwing arm and must be one of, if not the smartest player on the field.

No matter how much she wanted to deny it, she had nothing on Natalia. Everything about her screamed dime while everything on Trinity couldn’t even mumble nickel.

I suppose you’re wondering where I’ve been,” Caleb said, sounding damnably pleased with himself as he climbed down from the gelding’s back. “I wasn’t wondering any such thing.” Lily’s arms were folded, and her chin was thrust out. She couldn’t help noticing that Caleb wasn’t wearing his uniform—he had on dark trousers and a cotton shirt. On his head in place of the tasseled campaign hat was a slouchy leather one. Although he wasn’t wearing a holster and pistol, there was a rifle in the scabbard on his saddle. Caleb grinned as he reached up for his saddlebags. “That being the case, you probably wouldn’t be interested in the presents I brought you.” Lily took a reluctant step nearer. “Presents?” He slung the bulging saddlebags over one sturdy shoulder and gave a long-suffering sigh. “You won’t want to see them, of course.” Lily bit her lower lip. “That would depend,” she said. Caleb laughed. “On what?” There was no helping it; Lily had to smile. “On what they are, silly.” He tossed the saddlebags to Lily, and they nearly knocked her over. “Go ahead, sodbuster. Have a look.” Feeling self-conscious, Lily opened the flap of one saddlebag and peeked inside. It was bulging with fragrant, tangy oranges, and Lily’s mouth watered at the prospect of such a treat. In the other saddlebag she found two dime novels, Wilhelmina and the Wild Indians and Evelyn and the Mountain Man, along with a bar of chocolate and two pretty tortoiseshell combs for her hair. “I don’t know what to say,” Lily whispered. She’d never received so many wonderful presents at one time in her life. “Except for thank you, of course.” Caleb kissed her forehead. “Am I back in your good graces now?” Lily looked up at him, clutching the saddlebags to her chest. “That depends on whether or not you’ve decided to marry me.” His jawline tightened, and for one terrible moment Lily was afraid he meant to take back the oranges and the books and the chocolate and the combs. “I’ve decided,” he answered. His voice was so cold that Lily didn’t need to ask what that decision was. She flung the saddlebags with their cherished contents back into his arms, whirled on one heel, and strode back to the garden plot, where she began hoeing again with a vengeance.

I’ve been wanting to do this for a long time,” he said in a dangerous drawl, “and you just gave me the excuse I needed.” “What—what are you talking about?” Lily demanded, stepping backwards. A drop of rainwater from the leaky roof landed with a disconcerting ker-plop on the top of her head. Caleb was unbuttoning his cuffs, rolling up his sleeves. “I’m talking,” he replied evenly, “about raising blisters on your sweet little backside.” Lily was careful to keep to the opposite side of the table. “Now, Caleb, that wouldn’t be wise.” “Oh, I think it would be about the smartest thing I’ve ever done,” Caleb answered, advancing on her again. Lily kept the table between them. “I might be pregnant!” she reasoned desperately. “Then again,” Caleb countered, “you might not.” The muscles of his forearms were corded, the skin covered with maple-sugar hair. “I wasn’t going to shoot you—I only wanted to scare you away.” Lily dodged him, moving from one side of the table to the other, always keeping it between them. “Caleb, be reasonable. I wouldn’t shoot you—I love you!” “I love you, too,” Caleb returned in a furious croon, “and right now I’d like nothing better than to shoot you!” Lily picked up a chair and held it as she’d seen a lion tamer do in an illustration in one of her beloved dime novels. Helga of the Circus, if she remembered correctly. “Now, just stay back, Caleb. If you lay a hand on me, I assure you, you’ll regret it!” “I doubt that very much,” Caleb replied. And then he gripped one leg of the chair, and Lily realized what a pitiful defense it had been. He set it easily on the floor even as his other arm shot out like a coiled snake and caught Lily firmly by the wrist. Like a man sitting down to a cigar and a glass of port after a good dinner Caleb dropped comfortably into the chair. With a single tug he brought Lily facedown across his lap. Quick as mercury he had her skirts up and her drawers down, and when she struggled he simply imprisoned her between his thighs scissor fashion. “Caleb Halliday,” Lily gasped, writhing between his legs, “you let me go this instant!” “Or else you’ll do what?” he asked evenly. Lily felt his hand caress one cheek of her bottom and then the other, as though charting them for assault. “I’ll scream, and Hank Robbins will run over here and shoot you for the rascal you are!” Caleb laughed thunderously at that. “You’ve had your little joke,” Lily huffed, “now let me up!” “No,” Caleb replied. Lily threw back her head and screamed as loudly as she could. “You can do better than that,” Caleb said. “Hell, nobody would hear a whimper like that in this rain.” Lily filled her lungs to capacity and screamed again. She was as surprised as Caleb when the door flew open and Velvet burst in, ready for battle. Color filled her face when she understood the situation. In no particular rush, Caleb released Lily, and she scrambled to her feet unassisted, blushing painfully as she righted her drawers and lowered her skirts. Caleb chuckled at her indignation and then stood up respectfully.

She was talking about those odds and ends of “futuristic” Thirties and Forties architecture you pass daily in American cities without noticing; the movie marquees ribbed to radiate some mysterious energy, the dime stores faced with fluted aluminum, the chrome-tube chairs gathering dust in the lobbies of transient hotels.