Sharon Olds Quotes

I was a late bloomer. But anyone who blooms at all, ever, is very lucky.

There is something in me maybe someday to be written; now it is folded, and folded, and folded, like a note in school.

Once you lose someone it is never exactly the same person who comes back.

I did not know him, I knew my idea of him.

No one wants to read poetry. You have to make it impossible for them to put the poem down--impossible for them to stop reading it, word after word. You have to keep them from closing the book.

I did not deceive him, he did not deceive me, I did not leave him, he did not leave me, I freed him, he freed me.

It is never too late to turn on the light. Your ability to break an unhealthy habit or turn off an old tape doesn't depend on how long it has been running; a shift in perspective doesn't depend on how long you've held on to the old view. When you flip the switch in that attic, it doesn't matter whether its been dark for ten minutes, ten years or ten decades. The light still illuminates the room and banishes the murkiness, letting you see the things you couldn't see before. Its never too late to take a moment to look.

Maybe in order to understand sex fully/one has to risk being destroyed by it.

it is forbidden to love where we are not loved

A family is a mystery.

I put my hand on the altar rail. 'What if ... what if Heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to you for no reason, or ...' Mam's pancakes with Toblerone sauce; Dad dashing up from the bar just to tell me, 'Sleep tight, don't let the bedbugs bite'; or Jacko and Sharon singing 'For She's A Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. 'S'pose Heaven's not like a painting that's just hanging there for ever, but more like ... Like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or ... upstairs windows when you're lost ...

... sometimes I can feel it, the way we are pouring slowly toward a curve and around it through something dark and soft, and we are bound to each other.

I have never thought I could take it, not even for the children. It is all I have wanted to do, to stand between them and and pain. But I come from a long line of women who put themselves first.

Some people think I should be over my ex by now — maybe I thought I might have been over him more by now. Maybe I’m half over who he was, but not who I thought he was, and not over the wound, sudden deathblow as if out of nowhere, though it came from the core of our life together.

We are all too often told by someone that we are too old, too young, too different, too much the same, and those comments can be devastating.

each hour is a room of shame, and I am swimming, swimming, holding my head up, smiling, joking, ashamed, ashamed, like being naked with the clothed, or being a child, having to try to behave while hating the terms of your life.

let’s part equals, as we were in every bed, pure equals of the earth

He fell in love with her because I didn't suit him anymore - nor him, me, though I could not see it, but he saw it for me.

I see them standing at the formal gates of their colleges, I see my father strolling out under the ochre sandstone arch, the red tiles glinting like bent plates of blood behind his head, I see my mother with a few light books at her hip standing at the pillar made of tiny bricks with the wrought-iron gate still open behind her, its sword-tips black in the May air, they are about to graduate, they are about to get married, they are kids, they are dumb, all they know is they are innocent, they would never hurt anybody. I want to go up to them and say Stop, don't do it--she's the wrong woman, he's the wrong man, you are going to do things you cannot imagine you would ever do, you are going to do bad things to children, you are going to suffer in ways you never heard of, you are going to want to die. I want to go up to them there in the late May sunlight and say it, her hungry pretty blank face turning to me, her pitiful beautiful untouched body, his arrogant handsome blind face turning to me, his pitiful beautiful untouched body, but I don't do it. I want to live. I take them up like the male and female paper dolls and bang them together at the hips like chips of flint as if to strike sparks from them, I say Do what you are going to do, and I will tell about it

If I could choose, a place to die,” it would never have been in your arms, old darling

After we flew across the country we got in bed, laid our bodies delicately together, like a map, laid face to face, East to West, my San Francisco against your New York

as if languagelessness was a step up, in evolution, from the chatter of consciousness.

It was strange how he’d made a 180-degree change. Not sure what to make of that curly, bigheaded, bozo yet, she thought, other than fruitcake nuts! “Blah, I’m not sure about your other big brother,” Savanna said, wiggling her nose upward. “I’d rather not chat about him. Do you come to the museum often?” she asked, quickly changing the topic. “I love unusual old history,” she divulged.

Words. I'm surrounding by thousands of words. Maybe millions...Deep within me, words pile up in huge drifts. Mountains of phrases and sentences and connected ideas. Clever expressions. Jokes. Love songs...I have never spoken one single word. I am almost eleven years old.

I want to live. I take them up like the male and female paper dolls and bang them together at the hips like chips of flint as if to strike sparks from them, I say Do what you are going to do, and I will tell about it.

Words. I’m surrounded by thousands of words. Maybe millions. Cathedral. Mayonnaise. Pomegranate. Mississippi. Neapolitan. Hippopotamus. Silky. Terrifying. Iridescent. Tickle. Sneeze. Wish. Worry. Words have always swirled around me like snowflakes—each one delicate and different, each one melting untouched in my hands. Deep within me, words pile up in huge drifts. Mountains of phrases and sentences and connected ideas. Clever expressions. Jokes. Love songs. From the time I was really little—maybe just a few months old—words were like sweet, liquid gifts, and I drank them like lemonade. I could almost taste them. They made my jumbled thoughts and feelings have substance. My parents have always blanketed me with conversation. They chattered and babbled. They verbalized and vocalized. My father sang to me. My mother whispered her strength into my ear. Every word my parents spoke to me or about me I absorbed and kept and remembered. All of them. I have no idea how I untangled the complicated process of words and thought, but it happened quickly and naturally. By the time I was two, all my memories had words, and all my words had meanings. But only in my head. I have never spoken one single word. I am almost eleven years old.

I put my arms around a trunk and squeezed it, then I lay down on my father's grave.

...the liquor like fire in his hand

There Was an Old Woman Called Nothing-at-All, Who Lived in a Dwelling Exceedingly Small; A Man Stretched His Mouth to the Utmost Extent, And Down at One Gulp House and Old Woman Went.

Sometimes I can almost see around our heads, like gnats around a streetlight in summer, The children we could have, The glimmer of them.

I was sitting in the backseat with my brother, Luke, a seven-year-old complexity. Sometimes he acted as if he were two, and sometimes twelve. He was full of questions and energy and opinions except when you wanted him to have any of those things.

Seeing with your heart, speaking from your heart, wearing your heart on your sleeve, and sacrificing for your heart will transform you into an extravagant lover. Hard work? Absolutely. But when you're an old woman at the end of your life and you evaluate your time on earth, I believe that there is only one question- beyond that of your salvation- that will really matter: Did I love well?

Where have I been while this person is leading my life with her patience, will and order? In the garden; on the bee and under the bee; in the crown gathering cumulus and flensing it from the boughs

And you couldn’t say, could you, that the touch you had from me was other than the touch of one who could love for life—whether we were suited or not—for life, like a sentence. And now that I consider, the touch that I had from you became not the touch of the long view, but like the tolerant willingness of one who is passing through.

The Knowing Afterwards, when we have slept, paradise- comaed and woken, we lie a long time looking at each other. I do not know what he sees, but I see eyes of surpassing tenderness and calm, a calm like the dignity of matter. I love the open ocean blue-grey-green of his iris, I love the curve of it against the white, that curve the sight of what has caused me to come, when he’s quite still, deep inside me. I have never seen a curve like that, except the earth from outer space. I don’t know where he got his kindness without self-regard, almost without self, and yet he chose one woman, instead of the others. By knowing him, I get to know the purity of the animal which mates for life. Sometimes he is slightly smiling, but mostly he just gazes at me gazing, his entire face lit. I love to see it change if I cry–there is no worry, no pity, no graver radiance. If we are on our backs, side by side, with our faces turned fully to face each other, I can hear a tear from my lower eye hit the sheet, as if it is an early day on earth, and then the upper eye’s tears braid and sluice down through the lower eyebrow like the invention of farmimg, irrigation, a non-nomadic people. I am so lucky that I can know him. This is the only way to know him. I am the only one who knows him. When I wake again, he is still looking at me, as if he is eternal. For an hour we wake and doze, and slowly I know that though we are sated, though we are hardly touching, this is the coming the other coming brought us to the edge of–we are entering, deeper and deeper, gaze by gaze, this place beyond the other places, beyond the body itself, we are making love.

I am doing something I learned early to do, I am paying attention to small beauties, whatever I have-as if it were our duty to find things to love, to bind ourselves to this world.

The next day, I am almost afraid. Love? It was more like dragonflies in the sun, 100 degrees at noon, the ends of their abdomens stuck together. I close my eyes when I remember. I hardly knew myself, like something twisting and twisting out of a chrysalis, enormous, without language, all head, all shut eyes, and the humming like madness, the way they writhe away, and do not leave, back, back, away, back. Did I know you? No kiss, no tenderness—more like killing, death-grip holding to life, genitals like violent hands clasped tight barely moving, more like being closed in a great jaw and eaten, and the screaming. I groan to remember it, and when we started to die, then I refuse to remember, the way a drunkard forgets. After, you held my hands extremely hard as my body moved in shudders like the ferry when its axle is loosed past engagement, you kept me sealed exactly against you, our hairlines wet as the arc of a gateway after a cloudburst, you secured me in your arms till I slept - clasped, fragrant, buoyant, that was the morning after love.

Who is old enough to ask, is old enough to know.

In all the old stories, the geilt is hypersensitive to the sights and sounds of the civilised world, finding them unendurable. She finds other people unendurable too; only alone in the wild, in nature, can safety and freedom be found.

I've said that he and I had been crazy for each other. But maybe my ex and I were not crazy for each other. Maybe we were sane for each other, as if our desire was almost not even personal - it was personal, but that hardly mattered, since there seemed to be no other woman or man in the world.

You may have heard the old story, usually attributed to a Native American elder, meant to illuminate the power of attention. A grandfather (occasionally it’s a grandmother) imparting a life lesson to his grandson tells him, "I have two wolves fighting in my heart. One wolf is vengeful, fearful, envious, resentful, deceitful. The other wolf is loving, compassionate, generous, truthful, and serene." The grandson asks which wolf will win the fight. The grandfather answers, "The one I feed.

I'm a lesbian and I'd rather you bully me than a thirteen-year-old kid.

I am old, not senile,

We can free ourselves from the old stories that have reduced us & allow real love for ourselves to blossom.

And sometimes I feel as if, already, I am not here—

I guess that's how people go on, without knowing how.

I want to relearn the intervals, to journey with a man among the thirds and fifths, augumented, diminshed, with a light touch, sforzando, rallentando, agitato, the usual adores and dotes - and of course what I reaaly want is some low notes.

Mindfulness won’t ensure you’ll win an argument with your sister. Mindfulness won’t enable you to bypass your feelings of anger or hurt either. But it may help you see the conflict in a new way, one that allows you to break through old patterns.

Long before God the Father, there she was – God the Mother. Where did she vanish to, this great mother goddess? How did we women become so completely dispossessed? It wasn’t that I wanted to replace a male god with a female god; it wasn’t that I wanted to find a religion at all. I was simply looking for some sense that women might have worth. And I found it: there in the old stories of my own native land, I found it. Filled with images of women creating, women weaving the world into being, I took up knitting. Thread by thread, stitch by stitch, I began to knit myself back into being. I had never thought of myself as being a particularly creative soul, but I discovered that creativity was a wide-ranging affair. I simply thought about what brought me joy, and I began to cultivate it. I dug my hands into this strange foreign soil, and I began to grow things. I began to reacquaint myself with the soft animal object that was my body. Slowly, spending more and more time outside, focusing on the wisdom of my senses rather than on what was going on inside my head, I began to weave myself back into the fabric of the Earth. Some

it was as if that long-healed wound was raw again; all the complex memories crowded once more to the forefront of her mind. An old despair should not feel so new, but a new despair could haul an old one out of hiding.

How do they do it, the ones who make love without love? How do they come to the come to the come to the God come to the still waters, and not love the one who came there with them, light rising slowly as steam off their joined skin?

The reality is that Murphy doesn’t visit as much, but when he does, we hardly notice his presence. When Sharon and I were broke, our heating-and-air system quit, and the repair cost $580. It was a huge, hairy deal. Recently I had a new $570 water heater installed because the old one started leaking, and I hardly noticed. I wonder if the stress relief that your Total Money Makeover provides will allow you to live longer?

In the Old Testament the Rose of Sharon is just budding, but in the New Testament it is in full bloom. The whole Bible is all about Jesus.

You aren’t meant to fit in. Your fierce warrior spirit is meant to tear down old systems that lack integrity.

So much had become so connected to him that it seemed to belong to him, so that now, flying, for hours, above the Atlantic still felt like being over his realm.

but he does not want to talk about it, he wants a stillness at the end of it.

and my job is to eat the whole car of my anger, part by part, some parts ground down to steel-dust.

To truly love ourselves, we must open to our wholeness, rather than clinging to the shivers of ourselves represented by old stories. Living in a story of a limited self – to any degree – is not love.

Yet when we do manage to create ourselves anew, isn’t there always a suspicion that the new identity fits over the old like a second skin, at times itchy or uncomfortably tight, not quite covering the most vulnerable patches?

Not everyone wants to take up meditation, but most people can feel an alignment with values like mutual respect, insightful investigation, listening to one another. Meditation is a way to help those values become real in day-to-day life, helping people to understand themselves more and more and have a way to not get lost in old patterns.

ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.

She reached down and picked up one of the stakes she'd dropped, running the tip along her thigh as she straightened. "Want to play hunter and vampire?" Reynard quirked his eyebrow. "Madam, I came equipped with my own stake." "Whoa! Points to the old guy.

I feel like I’ve got to start over. Like I’m this little kid who doesn’t know anything. ’Course, given where I’ve been, starting over’s not a bad thing.” She stopped to take a breath. “Is it really possible for a fifty-year-old woman to be born again, again?

It is here too that I learn about a survey carried out among a group of 95 year olds. If they could do it all again, these wise elders were asked, what would they do differently? They would take more risks. They would take more time for reflection. And they would leave a legacy.

The End of World War One Out of the scraped surface of the land men began to emerge, like puppies from the slit of their dam. Up from the trenches they came out upon the pitted, raw earth wobbling as if new-born. They could not believe they would be allowed to live, the orders had come down: no more killing. They approached the enemy, holding out chocolate and cigarettes. They shook hands, exchanged souvenirs--mess-kits, neckerchiefs. Some even embraced, while in London total strangers copulated in doorways and on the pavement, in the ecstasy of being reprieved. Nine months later, like men emerging from the trenches, first the head, then the body, there were lifted, newborn, from these mothers, the soldiers of World War Two.

Healing is essential for lasting change. ...healing is a transformation, not just a quick fix; a change from an inhibited or impaired state to one of greater health, integration and connection. What was damaged must be soothed, repaired, restored, and given new pathways in which to grow and flourish. In order for change to be thorough, old patterns need to be dissolved, and new, more coherent and refined constructs, formed. In creating coherency in new forms, what has become fragmented or separated, injured or diseased must be made whole again, or perhaps made whole for the first time.

Poem of Thanks Years later, long single, I want to turn to his departed back, and say, What gifts we had of each other! What pleasure — confiding, open-eyed, fainting with what we were allowed to stay up late doing. And you couldn’t say, could you, that the touch you had from me was other than the touch of one who could love for life — whether we were suited or not — for life, like a sentence. And now that I consider, the touch that I had from you became not the touch of the long view, but like the tolerant willingness of one who is passing through. Colleague of sand by moonlight — and by beach noonlight, once, and of straw, salt bale in a barn, and mulch inside a garden, between the rows — once- partner of up against the wall in that tiny bathroom with the lock that fluttered like a chrome butterfly beside us, hip-height, the familiar of our innocence, which was the ignorance of what would be asked, what was required, thank you for every hour. And I accept your thanks, as if it were a gift of yours, to give them — let’s part equals, as we were in every bed, pure equals of the earth.

Freely given, freely shared, between true companions and friends.” That was an old phrase, but Gran had made sure I knew all the old phrases. JoAnn looked—and according to the land, felt—startled. For a long moment, she didn’t move, then she smiled again—a little less firmly—and took the bag from me. “The feast increases, with the goodwill of all.

Every day is a chance for new beginnings as old things die and new things are born. After all, that’s what being born again is about, right? The old self dies, and the new self in Christ is given. And that doesn’t happen only once, does it? The apostle Paul said he died every day. It’s a lifelong process of dying to sin and self and rising again with Christ.

...the townhouses looked bedraggled, unkempt, like an old homeless woman with an interesting history but a perilous future.

He supposed he’d always known he would not make old bones. Scriptures spoke plainly enough on that. For all they that take up the sword shall perish by the sword.

What happens in our hearts is our field of freedom. As long as we carry old wounds and anger in our hearts, we continue to suffer. Forgiveness allows us to move on.

Sleep, baby, Sleep. Our cottage vale is deep. The fearsome lamb is on the green, With woolly fleece so soft and clean. Sleep, baby, sleep. Her Birthday as Ashes in S

Before I turned out the light, he touched my face, then turned away, then the dark.

again, again, unquestioned, not fully seen, not wanting to fully see.

There had been a time in high school, see, when I wrestled with the possibility that I might be gay, a torturous six-month culmination of years of unpopularity and girllessness. At night I lay in bed and cooly informed myself that I was gay and that I had better get used to it. The locker room became a place of torment, full of exposed male genitalia that seemed to taunt me with my failure to avoid glancing at them, for a fraction of a second that might have seemed accidental but was, I recognized, a bitter symptom of my perversion. Bursting with typical fourteen-year-old desire, I attempted to focus it in succession on the thought of every boy I knew, hoping to find some outlet for my horniness, even if it had to be perverted, secret, and doomed to disappointment. Without exception these attempts failed to produce anything but bemusement, if not actual disgust. This crisis of self-esteem had been abruptly dispelled by the advent of Julie Lefkowitz, followed swiftly by her sister Robin, and then Sharon Horne and little Rose Fagan and Jennifer Schaeffer; but I never forgot my period of profound sexual doubt. Once in a while I would meet an enthralling man who shook, dimly but perceptibley, the foundations laid by Julie Lefkowitz, and I would wonder, just for a moment, by what whim of fate I had decided that I was not a homosexual.

There are times when you need the extremity of rock, the hardness of an old, cold place against which you can measure yourself. There are times when you need to retreat to the wilderness. But there are times when you need the subtle flow of a river, the song of a waterfall and the deep, slow presence of trees. Times when you need to Return. There are times for holding on, and times for letting go.

What is marriage, exactly, and how could we explain it to an alien anthropologist? It’s more than just a living arrangement. Is it an endeavor, a pledge, a symbol, or an affirmation? Is it a span of shared years and shared experiences? A vessel for intimacy? Or does the old joke nail it best? ‘If love is an enchanted dream, then marriage is an alarm clock.’ ” Mostly male laughter in the congregation is shushed. “Maybe marriage is difficult to define because of its array of shapes and sizes. Marriage differs between cultures, tribes, centuries, decades even, generations, and—our alien researcher might add—planets. Marriages can be dynastic, common-law, secret, shotgun, arranged, or, as is the case with Sharon and Peter”—she beams at the bride in her dress and the groom in his morning suit—“brought into being by love and respect. Any given marriage can—and will—go through rocky patches and calmer periods. Even within a single day, a marriage can be stormy in the morning, yet by evening turn calm and blue …

I can tell you we were right, our bodies were right, life was really going to be that good, that pleasurable in every cell. Suddenly I remember the exact look of your body, but better than that the bright corners of your eyes, or the light of your face, the rich Long Island puppy-fat of your thighs, or the slick chino of your pants bright in the corners of my eyes, I remember your extraordinary act of courage in loving me

When I play, I don’t pay attention to the individual notes. The notes become the melody. The melody becomes the rhythm. The rhythm is the harmony. Whether I play the blues or boogies, concertos or cantatas, I forget about me. I’m Bach. I’m Beethoven. I’m B.B. King. And the music is me. I’m a three-year-old in Italy, running though a field of daisies. I’m a turquoise-backed African sunbird, soaring over the desert savanna. The music slips out and shines like gold. I’m a tiger running through the jungle, strong and powerful. I’m a panther, dark and mysterious. I am so strong. I am in complete control of this world. Chords. Arpeggios. Cadenzas. Sharps and flats. Major chords. Minor scales. Harmony.

What happened? Stan repeats. To us? To the country? What happened when childhood ends in Dealey Plaza, in Memphis, in the kitchen of the Ambassador, your belief your hope your trust lying in a pool of blood again? Fifty-five thousand of your brothers dead in Vietnam, a million Vietnamese, photos of naked napalmed children running down a dirt road, Kent State, Soviet tanks roll into Prague so you turn on drop out you know you can't reinvent the country but maybe you reimagine yourself you believe you really believe that you can that you can create a world of your own and then you lower that expectation to just a piece of ground to make a stand on but then you learn that piece of ground costs money that you don't have. What happened? Altamont, Charlie Manson, Sharon Tate, Son of Sam, Mark Chapman we saw a dream turn into a nightmare we saw love and peace turn into endless war and violence our idealism into realism our realism into cynicism our cynicism into apathy our apathy into selfishness our selfishness into greed and then greed was good and we Had babies, Ben, we had you and we had hopes but we also had fears we created nests that became bunkers we made our houses baby-safe and we bought car seats and organic apple juice and hired multilingual nannies and paid tuition to private schools out of love but also out of fear. What happened? You start by trying to create a new world and then you find yourself just wanting to add a bottle to your cellar, a few extra feet to the sunroom, you see yourself aging and wonder if you've put enough away for that and suddenly you realize that you're frightened of the years ahead of you what Happened? Watergate Irangate Contragate scandals and corruption all around you and you never think you'll become corrupt but time corrupts you, corrupts as surely as gravity and erosion, wears you down wears you out I think, son, that the country was like that, just tired, just worn out by assassinations, wars, scandals, by Ronald Reagan, Bush the First selling cocaine to fund terrorists, a war to protect cheap gas, Bill Clinton and realpolitik and jism on dresses while insane fanatics plotted and Bush the Second and his handlers, a frat boy run by evil old men and then you turn on the TV one morning and those towers are coming down and the war has come home what Happened? Afghanistan and Iraq the sheer madness the killing the bombing the missiles the death you are back in Vietnam again and I could blame it all on that but at the end of the day at the end of the day we are responsible for ourselves. We got tired, we got old we gave up our dreams we taught ourselves to scorn ourselves to despise our youthful idealism we sold ourselves cheap we aren't Who we wanted to be.

If an adult tells a small child that he or she is a failure, not smart enough, too fat, or not talented, the child will accept this as fact and internalize these beliefs about himself or herself. The child then continues to unconsciously find evidence to support this belief. So, if your mother has been telling you that you’re fat since you were four years old, you probably still think you’re unattractive or overweight, or you worry about your weight (unless you’ve worked hard to undo this belief).

After you flew across the country we got in bed, laid our bodies delicately together, like maps laid face to face, East to West, my San Francisco against your New York, your Fire Island against my Sonoma, my New Orleans deep in your Texas, your Idaho bright on my Great Lakes, my Kansas burning against your Kansas your Kansas burning against my Kansas, your Eastern Standard Time pressing into my Pacific Time, my Mountain Time beating against your Central Time, your sun rising swiftly from the right my sun rising swiftly from the left your moon rising slowly from the left my moon rising slowly from the right until all four bodies of the sky burn above us, sealing us together, all our cities twin cities, all our states united, one nation, indivisible, with liberty and justice for all.

What if . . . what if heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to your for no reason, or . . . ' Mam's pancakes with Mars Bar sauce; Dad dashing up from the bar just to tell me, 'Sleep tight don't let the bedbugs bite'; or Jacko and Sharon singing "For She's a Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. "S'pose heaven's not like a painting that's just hanging there forever, but more like . . . like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or . . . upstairs windows when you're lost . . .

At times, reality is love’s great challenge. When our old stories and dreams are shattered, our first instinct may be to resist, deny, or cling to the way things were. But if we loosen our grip, often what fills the space is a tender forgiveness and the potential for a new and different kind of love.

Words. I’m surrounded by thousands of words. Maybe millions. Cathedral. Mayonnaise. Pomegranate. Mississippi. Neapolitan. Hippopotamus. Silky. Terrifying. Iridescent. Tickle. Sneeze. Wish. Worry. Words have always swirled around me like snowflakes— each one delicate and different, each one melting untouched in my hands. Deep within me, words pile up in huge drifts. Mountains of phrases and sentences and connected ideas. Clever expressions. Jokes. Love songs. From the time I was really little—maybe just a few months old—words were like sweet, liquid gifts, and I drank them like lemonade. I could almost taste them. They made my jumbled thoughts and feelings have substance. My parents have always blanketed me with conversation. They chattered and babbled. They verbalized and vocalized. My father sang to me. My mother whispered her strength into my ear. Every word my parents spoke to me or about me I absorbed and kept and remembered. All of them. I have no idea how I untangled the complicated process of words and thought, but it happened quickly and naturally. By the time I was two, all my memories had words, and all my words had meanings. But only in my head. I have never spoken one single word. I am almost eleven years old. . . .

Free Shoes The pairs of shoes stand in rows, polished and jet, like coffins for small pets, lined with off-white. Evacuated children sit in rows eyeing the pairs, child after child after child, no parents anywhere near. When it's their turn, they get a pair of new shoes and the old ones are taken away. Of course it is kind of the nice people to give them the shoes. Of course it is better to be here in the country, not there where the buildings explode and hurl down pieces of children. Of course, of course. This life that has been given them like a task! This life, this black bright narrow unbroken-in shoe.

But I always related to the Old Woman. The one who haunted the edgelands, the mysterious shadow in the heart of the darkwood. The exile, the rebel, the one who shrugged off the fetters of conventional society; the one who imagined and cultivated her own vision of how the world should be, thank you very much. At the earliest of ages, I already knew that was the old woman I wanted to grow into. The spirited, unpredictable, not-to-be-messed-with elder. An elder who’s always ready to tell you the often-unwelcome truths about the condition of your life — leavened, of course, with compassion, and a glint of fierce humor in her eyes.

The car vibrated violently as the tyres bounced over the old cobbled road. Brennan and Renton found it difficult to remain seated. “This is not helping my undercarriage,” Renton grumbled. He gave his boss a fleeting glance before his head hit the car roof again. Brennan looked down at her nether regions. “If it’s any consolation, it’s not doing mine much good either.

She'd been prepared for him to say he was too old, she must put away that sweet but impractical idea, they would forget all about it and go back to being good friends. She had almost hoped he would say that; it would forestall the complication and entanglement, yet leave her with a grief to harbor, sad but tender, grief like a secret, soothing companion. But this! There was nothing soothing about this.

There is one notable exception to Jablonski and Chaplin’s equation—and it’s the exception that proves the rule. The Inuit—the indigenous people of the subarctic—are dark-skinned, despite the limited sunlight of their home. If you think something fishy’s going on here, you’re right. But the reason they don’t need to evolve the lighter skin necessary to ensure sufficient vitamin D production is refreshingly simple. Their diet is full of fatty fish—which just happens to be one of the only foods in nature that is chock-full of vitamin D. They eat vitamin D for breakfast, lunch, and dinner, so they don’t need to make it. If you ever had a grandmother from the Old World try to force cod liver oil down your throat, she was onto something for the same reason—since it’s full of vitamin D, cod liver oil was one of the best ways to prevent rickets, especially before milk was routinely fortified with it.   IF YOU’RE WONDERING how people who have dark skin make enough vitamin D despite the fact that their skin blocks all those ultraviolet rays, you’re asking the right questions. Remember, ultraviolet rays that penetrate the skin destroy folate—and ultraviolet rays that penetrate the skin are necessary to create vitamin D. Dark skin evolved to protect folate, but it didn’t evolve

Simon’s baby,” he said, rocking on his heels. “Simon’s baby girl. But you are too many, much too many to be Simon’s baby girl. How many are you?” “Seventeen,” I whispered. He was still uncomfortably close. “Lane!” he shouted. I jumped. “Do I have a niece of seventeen?” “Yes,” came Lane’s voice from the door. The old man relaxed. “Then that is as it should be. Lane always knows when things are as they should be. Where is your father, little niece?

Another challenge we face is describing something commonly thought of as ugly,imperfect or disgusting. Again, we’re likely to jump to conclusions. Rather than considering our subject firsthand and describing what we observe, we label it. Because we’ve already established, for instance, that slugs are disgusting, we go on to describe them as “slimy” creatures that leave “gooey trails.” Cliché upon cliché. But when we engage our all-accepting eye, when we look beyond surface prejudices and preconceptions into the actual nature of our subject, clichés disappear. In her poem “The Connoisseuse of Slugs,” Sharon Olds transforms her subject with descriptive phrases like “naked jelly of those gold bodies,/translucent strangers glistening among the/stones” and “glimmering umber horns/rising like telescopes.” Her description forces us to see an old subject in a new way. We no longer have to choose between ugliness and beauty; they have realigned themselves, each side illuminating the other. When we engage our all-accepting eye, we discover the flaw that makes surface beauty interesting as well as the arresting detail that redeems a seemingly ugly image. THE

The Relics" I slipped them into my friend’s palm —  the tiny crucifix, and dove, from off my mother’s pendant watch —  and I asked her to walk them up through the brush toward timberline, and find a place to hurl them, for safekeeping. Now, she writes, “I walked up the canyon at dusk, warm, with a touch of fall blowing down the canyon, came to an outcrop, above a steep drop — far below, a seasonal creek, green willows. I stood on a boulder and held out my hand. I wished your mother all the love in the world, and I sent the talismans flying off the cliff. They were so small, and the wind was blowing, so I never saw or heard them land.” My mother is where I cannot find her, she is gone beyond recall, she lies in her sterling shapes light as the most weightless bone in the body, her stirrup bone, which was ground up and sown into the sea. I do not know what a soul is, I think of it as the smallest, the core, civil right. And she is wild now with it, she touches and is touched by no one knows — down, or droppings of a common nighthawk, root of bird’s foot fern, antenna of Hairstreak or Echo Azure, or stepped on by the huge translucent Jerusalem cricket. There was something deeply right about the physical elements — atoms, and cells, and marrow — of my mother’s body, when I was young, and now her delicate insignias receive the direct touch of the sun, and scatter it, unseen, all over her home.

unshackled by the ferocious cleavings of menopause, I was able to smash through a lifetime habit of insisting on piecing together what was terminally broken. I allowed the process of Nigredo to occur. I faced my dead parts, and let them burn away. The truth is, by the time we reach menopause, we’ve all lived with too much loss; we’ve all been broken open. We’ve accumulated too much pain. Menopause is the time to transform it. To stop trying to stitch ourselves back together again into the same old pattern. To put away that darning needle, blunted by our persistent and insistent repair work. To step into the crucible, and let it do its work. We can’t mend everything. We can’t. And, sometimes, we simply shouldn’t.

Maybe one reason I do not wear makeup is to scare people. If they’re close enough, they can see something is different with me, something unnerving, as if I have no features, I am embryonic, pre-eyebrows, pre-eyelids, pre-mouth, I am like a water bear talking to them, or an amniotic traveler, a vitreous floater on their own eyeball, human ectoplasm risen on its hind legs to discourse with them And such a white white girl, such a sickly toadstool, so pale, a visage of fog, a phiz of mist above a graveyard, no magenta roses, no floral tribute, no goddess, no grown-up woman, no acknowledgment of the drama of secondary sexual characteristics, just the gray matter of spirit talking, the thin features of a gray girl in a gray graveyard— granite, ash, chalk, dust.

But what if our experiences of being bullied did a lot more than just saddle us with some serious psychological baggage? Well, to answer that question, a group of researchers from the UK and Canada decided to study sets of monozygotic “identical” twins from the age of five. Besides having identical DNA, each twin pair in the study, up until that point, had never been bullied. You’ll be glad to know that these researchers were not allowed to traumatize their subjects, unlike how the Swiss mice were handled. Instead, they let other children do their scientific dirty work. After patiently waiting for a few years, the scientists revisited the twins where only one of the pair had been bullied. When they dropped back into their lives, they found the following: present now, at the age of 12, was a striking epigenetic difference that was not there when the children were five years old. The researchers found significant changes only in the twin who was bullied. This means, in no uncertain genetic terms, that bullying isn’t just risky in terms of self-harming tendencies for youth and adolescents; it actually changes how our genes work and how they shape our lives, and likely what we pass along to future generations.

Words. I’m surrounded by thousands of words. Maybe millions. Cathedral. Mayonnaise. Pomegranate. Mississippi. Neapolitan. Hippopotamus. Silky. Terrifying. Iridescent. Tickle. Sneeze. Wish. Worry. Words have always swirled around me like snowflakes— each one delicate and different, each one melting untouched in my hands. Deep within me, words pile up in huge drifts. Mountains of phrases and sentences and connected ideas. Clever expressions. Jokes. Love songs. From the time I was really little—maybe just a few months old—words were like sweet, liquid gifts, and I drank them like lemonade. I could almost taste them. They made my jumbled thoughts and feelings have substance. My parents have always blanketed me with conversation. They chattered and babbled. They verbalized and vocalized. My father sang to me. My mother whispered her strength into my ear. Every word my parents spoke to me or about me I absorbed and kept and remembered. All of them. I have no idea how I untangled the complicated process of words and thought, but it happened quickly and naturally. By the time I was two, all my memories had words, and all my words had meanings. But only in my head. I have never spoken one single word. I am almost eleven years old. 

In Classical mythology, righteous wrath was the province of old women. Three very specific old women, in fact: the Furies (or the Erinyes, in Greek). Fragments of myth featuring the Furies are found in the earliest records of ancient Greek culture. These sisters were much more ancient than any of the Olympian deities, indicating the persistence of an older, female-dominated tradition which endured here and there even when later, more patriarchal, mythologies set in. The role of the Furies was to preside over complaints brought to them by humans about behavior that was thought to be intolerable: from lesser misdemeanors such as the insolence of the young to the aged, of children to parents, of hosts to guests — to crimes that were very much worse. It was their role to punish such crimes by relentlessly hounding their perpetrators. The Greek poet Hesiod names the three sisters as Alecto — “unceasing in anger,” the punisher of moral crimes; Megaera — “jealous one,” the punisher of infidelity, oath-breaking, and theft; and Tisiphone — “avenger of murder.” They were, he said, the daughters of Gaea (the goddess who personified the Earth), who conceived them from the blood of her spouse, Uranus, after he had been castrated by his son, Cronos. They lived in the Underworld, and like other chthonic deities, like seeds that lie buried beneath the Earth, they were also identified with its fertility. The wrath of the Furies manifested itself in a number of ways: a tormenting madness would be inflicted on the perpetrator of a patricide or matricide; murderers usually suffered a dire disease, and nations which harbored such criminals could be stricken with famine and plague. The Furies could only be placated with ritual purification, and the completion of a task specifically assigned by them for atonement. It’s important to understand that although the Furies were feared, they were also respected and perceived to be necessary: they represented justice, and were seen to be defenders of moral and legal order. The Furies were portrayed as the foul-smelling, decidedly haggish possessors of bat-like wings, with black snakes adorning their hair, arms, and waists, and blood dripping from their eyes. And they carried brass-studded scourges in their hands. In my menopausal years, I certainly had days when I could have gone with that look. I’m happy to admit that the existence of seriously not-to-be-messed-with elder women like the Furies in our oldest European mythology gives me great pleasure. And it’s difficult not to see them as the perfect menopausal role models, because sudden upwellings of (mostly righteous) anger are a feature of many women’s experience of menopause

Back in Tahoe, when he had broken the news to her that they had to go home, he had been put on the defensive by the fact that he was the one who’d had personal contact with a murdered woman. He had the feeling now that she was never going to forgive him for what she viewed as rape, and this latest incident had only fueled her fire. For the first time in their married lives, she’d stood up to him and rejected his excuses. He was beginning to think she’d known about his dalliances for years but for her own reasons had chosen to play dumb. But when she’d learned that the police wanted to question him regarding Marsha Benton’s murder, her days of playing dumb seemed to have ended. Penny feigned interest in her magazine, but inside, her thoughts were tumbling wildly. Last night while Mark was in the shower, she’d called Ken Walters, their lawyer. Ken had started off by claiming he couldn’t divulge his conversations with Mark, at which point she promptly reminded him that the money in their house was hers first, not Mark’s, and if he wanted to stay on retainer for the Presley Corporation, he’d better start talking. So he did. Learning that Marsha had been pregnant when she was murdered had nearly sent her to her knees. Knowing that her body had been found on their oil lease outside Tyler only made what she was thinking worse. She’d known Mark was devious, but she’d never believed him capable of murder. Now she wasn’t so sure. What she was certain of was that she wasn’t going to be dragged down with him if he fell. Tonight they were back in Dallas in what had been her father’s home first and was now hers. This was her territory, and she wasn’t leaving anything to chance. Mark glanced up from the chair where he’d been reading, watching the casual attitude with which Penny was sipping her drink. She was flipping through the pages of the magazine in her lap and humming beneath her breath as if nothing was wrong. It was unnerving. As he watched, he began to realize Penny wasn’t her father’s daughter by birth alone. There seemed to be more of the old man in her than he would have believed. Ever since he’d put his hands around her neck back in Tahoe, she had been cold and unyielding, even when he’d apologized profusely. Then, when he’d had to tell her that the police demanded his presence back in Dallas for questioning regarding Marsha Benton’s death, she’d been livid. He’d tried to explain, but she wasn’t having any of it. He didn’t want to lose her. He couldn’t lose her. Even though the world assumed that Mark Presley was the reigning power behind the Presley Corporation, it was really Penny. Mark had the authority simply because Penny was his wife. If she kicked his ass to the curb, the only thing he would be taking with him were the bruises.