Bach Quotes

We've searched our database for all the quotes and captions related to Bach. Here they are! All 200 of them:

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Beethoven tells you what it's like to be Beethoven and Mozart tells you what it's like to be human. Bach tells you what it's like to be the universe.
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Douglas Adams
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Can miles truly separate you from friends... If you want to be with someone you love, aren't you already there?
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Richard Bach
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The bond that links your true family is not one of blood, but of respect and joy in each other's life. Rarely do members of one family grow up under the same roof.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years.
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Richard Bach
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Your conscience is the measure of the honesty of your selfishness. Listen to it carefully.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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Don’t believe what your eyes are telling you. All they show is limitation. Look with your understanding. Find out what you already know and you will see the way to fly.
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Richard Bach (Jonathan Livingston Seagull)
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You're never given a dream without also being given the power to make it true.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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I’m here not because I am supposed to be here, or because I’m trapped here, but because I’d rather be with you than anywhere else in the world.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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I do not exist to impress the world. I exist to live my life in a way that will make me happy.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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What the caterpillar calls the end of the world, the master calls a butterfly.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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A professional writer is an amateur who didn't quit.
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Richard Bach
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Your only obligation in any lifetime is to be true to yourself.
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Richard Bach (Illusions)
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You have the freedom to be yourself, your true self, here and now, and nothing can stand in your way".
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Richard Bach (Jonathan Livingston Seagull)
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Bach is an astronomer, discovering the most marvellous stars. Beethoven challenges the universe. I only try to express the soul and the heart of man.
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FrΓ©dΓ©ric Chopin
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Every person, all the events of your life are there because you have drawn them there. What you choose to do with them is up to you.
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Richard Bach
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Music is an agreeable harmony for the honor of God and the permissible delights of the soul.
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Johann Sebastian Bach
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If your happiness depends on what somebody else does, I guess you do have a problem.
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Richard Bach
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Argue for your limitations and, sure enough, they're yours.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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As you read a book word by word and page by page, you participate in its creation, just as a cellist playing a Bach suite participates, note by note, in the creation, the coming-to-be, the existence, of the music. And, as you read and re-read, the book of course participates in the creation of you, your thoughts and feelings, the size and temper of your soul.
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Ursula K. Le Guin
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We teach best what we most need to learn.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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Remember where you came from, where you're going, and why you created this mess you got yourself into in the first place.
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Richard Bach (Illusions)
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If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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That’s why love stories don’t have endings! They don’t have endings because love doesn’t end.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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Jonathan sighed. The price of being misunderstood, he thought. They call you devil or they call you god.
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Richard Bach (Jonathan Livingston Seagull)
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Listen to what you know instead of what you fear.
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Richard Bach
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Boredom between two people doesn't come from being together physically. It comes from being apart mentally and spiritually.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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Here is a test to find whether your mission on Earth is finished: If you're alive it isn't.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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You're always free to change your mind and choose a different future, or a different past.
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Richard Bach
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No matter how qualified or deserving we are, we will never reach a better life until we can imagine it for ourselves and allow ourselves to have it.
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Richard Bach
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Bad things are not the worst things that an happen to us. NOTHING is the worst thing that can happen to us.
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Richard Bach (One)
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A tiny change today brings a dramatically different tomorrow.
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Richard Bach (One)
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Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, teachers.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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Overcome space, and all we have left is Here. Overcome time, and all we have left is Now.
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Richard Bach (Jonathan Livingston Seagull)
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A soulmate is someone who has locks that fit our keys, and keys to fit our locks. When we feel safe enough to open the locks, our truest selves step out and we can be completely and honestly who we are; we can be loved for who we are and not for who we’re pretending to be. Each unveils the best part of the other. No matter what else goes wrong around us, with that one person we’re safe in our own paradise. Our soulmate is someone who shares our deepest longings, our sense of direction. When we’re two balloons, and together our direction is up, chances are we’ve found the right person. Our soulmate is the one who makes life come to life.
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Richard Bach
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The opposite of Loneliness is not Togetherness , It's Intimacy
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Richard Bach
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When you have come to the edge of all the light you have And step into the darkness of the unknown Believe that one of the two will happen to you Either you'll find something solid to stand on Or you'll be taught how to fly!
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Richard Bach
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That’s what learning is, after all; not whether we lose the game, but how we lose and how we’ve changed because of it, and what we take away from it that we never had before, to apply to other games. Losing, in a curious way is winning.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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Wrong turns are as important as right turns. More important, sometimes.
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Richard Bach (One)
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You are never given a dream without also being given the power to make it true. You may have to work for it, however.
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Richard Bach
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To bring anything into your life, imagine that it's already there.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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Listen,' he said. 'It's important. We are all. Free. To do. Whatever. We want. To do.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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You will begin to touch heaven, Jonathan, in the moment that you touch perfect speed. And that isn’t flying a thousand miles an hour, or a million, or flying at the speed of light. Because any number is a limit, and perfection doesn’t have limits. Perfect speed, my son, is being there.
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Richard Bach (Jonathan Livingston Seagull)
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We can lift ourselves out of ignorance, we can find ourselves as creatures of excellence and intelligence and skill.
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Richard Bach (Jonathan Livingston Seagull)
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He was not bone and feather but a perfect idea of freedom and flight, limited by nothing at all
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Richard Bach (Jonathan Livingston Seagull)
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There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts.
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Richard Bach
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You are never given a wish without also being given the power to make it come true.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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What can you say about a twenty-five year old girl who died? That she was beautiful and brilliant. That she loved Mozart and Bach. The Beatles. And me.
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Erich Segal
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We choose our next world through what we learn in this one. Learn nothing, and the next world is the same as this one, all the same limitations and lead weights to overcome.
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Richard Bach (Jonathan Livingston Seagull)
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The only thing that shatters dreams is compromise.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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I play the notes as they are written, but it is God who makes the music.
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Johann Sebastian Bach
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Perhaps Bach and Beethoven are strange bedfellows for Mickey Mouse, but it's all been a lot of fun.
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Walt Disney Company
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Your whole body, from wingtip to wingtip," Jonathan would say, other times, "is nothing more than your thought itself, in a form you can see. Break the chains of your thought, and you break the chains of your body, too.
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Richard Bach (Jonathan Livingston Seagull)
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True love stories never have endings.
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Richard Bach
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There are no mistakes. The events we bring upon ourselves, no matter how unpleasant, are necessary in order to learn what we need to learn; whatever steps we take, they're necessary to reach the places we've chosen to go.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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In order to live free and happily, you must sacrifice boredom. It is not always an easy choice.
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Richard Bach
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Believe you know all the answers, and you know all the answers. Believe you're a master, and you are.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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Jonathan Seagull discovered that boredom and fear and anger are the reasons that a gull's life is so short, and with those gone from his thought, he lived a long fine life indeed.
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Richard Bach (Jonathan Livingston Seagull)
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It must happen to us all…We pack up what we’ve learned so far and leave the familiar behind. No fun, that shearing separation, but somewhere within, we must dimly know that saying goodbye to safety brings the only security we’ll ever know.
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Richard Bach (Running from Safety: An Adventure of the Spirit)
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The gull sees farthest who flies highest
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Richard Bach (Jonathan Livingston Seagull)
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Bach's music is the only argument proving the creation of the Universe cannot be regarded as a complete failure. Without Bach, God would be a complete second-rate figure.
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Emil M. Cioran
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Meaning lies as much in the mind of the reader as in the Haiku.
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Douglas R. Hofstadter (GΓΆdel, Escher, Bach: An Eternal Golden Braid)
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Look in the mirror and one thing is sure: what we see is not who we are.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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This is a test to see if your mission in this life is complete, if you are alive, it isn't.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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The best way to avoid responsibility is to say, 'I've got responsibilities.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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You'll have a good, secure life when being alive means more to you than security, love more than money, your freedom more than public or partisan opinion, when the mood of Beethoven's or Bach's music becomes the mood of your whole life … when your thinking is in harmony, and no longer in conflict, with your feelings … when you let yourself be guided by the thoughts of great sages and no longer by the crimes of great warriors … when you pay the men and women who teach your children better than the politicians; when truths inspire you and empty formulas repel you; when you communicate with your fellow workers in foreign countries directly, and no longer through diplomats...
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Wilhelm Reich (Listen, Little Man!)
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Of course there’s destiny, but destiny doesn’t push you where you don’t want to go. You’re the ones who choose. Destiny is up to you.
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Richard Bach (One)
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Heaven is not a place, and it's not a time. Heaven is being perfect.
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Richard Bach (Jonathan Livingston Seagull)
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The final aim and reason of all music is nothing other than the glorification of God and the refreshment of the spirit.
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Johann Sebastian Bach
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The world is your exercise book, the pages on which you do your sums. It is not reality, though you may express reality there if you wish. You are also free to write lies, or nonsense, or to tear the pages.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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One way to pick a future is to believe it’s inevitable.
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Richard Bach (One)
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Heaven is not a place, and it is not a time. Heaven is being perfect. -And that isn't flying a thousand miles an hour, or a million, or flying at the speed of light. Because any number is a limit, and perfection doesn't have limits. Perfect speed, my son, is being there.
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Richard Bach (Jonathan Livingston Seagull)
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You seek problems because you need their gifts.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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There’s no disaster that can’t become a blessing, and no blessing that can’t become a disaster.
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Richard Bach (One)
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To fly as fast as thought, to anywhere that is, you must begin by knowing that you have already arrived.
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Richard Bach (Jonathan Livingston Seagull)
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if you argue for your limitations they are yours
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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We know now that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day's work at Auschwitz in the morning.
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George Steiner
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What can you say about a twenty-five-year-old girl who died? That she was beautiful. And brilliant. That she loved Mozart and Bach. And the Beatles. And me.
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Erich Segal
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The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in a while and watch your answers change.
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Richard Bach
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If our friendship depends on things like space and time, then when we finally overcome space and time, we've destroyed our own brotherhood! But overcome space, and all we have left is Here. Overcome time, and all we have left is Now. And in the middle of Here and Now, don't you think that we might see each other once or twice?
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Richard Bach
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Sometimes it seems as though each new step towards AI, rather than producing something which everyone agrees is real intelligence, merely reveals what real intelligence is not.
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Douglas R. Hofstadter (GΓΆdel, Escher, Bach: An Eternal Golden Braid)
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The meaning I picked, the one that changed my life: Overcome fear, behold wonder.
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Richard Bach
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Live never to be ashamed if anything you do or say is published around the world -- even if what is published is not true.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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It doesn’t take time to change once you understand the problem...Somebody hands you a rattlesnake, it doesn’t take long to drop it, does it?
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Richard Bach (One)
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If their work is satisfying people don't need leisure in the old-fashioned sense. No one ever asks what Newton or Darwin did to relax, or how Bach spent his weekends. At Eden-Olympia work is the ultimate play, and play the ultimate work.
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J.G. Ballard (Super-Cannes)
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Next to β€˜God’, β€˜love’ is the word most mangled in every language.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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Get this in mind early: We never grow up.
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Richard Bach
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An easy life doesn't teach us anything. In the end it's the learning that matters: what we've learned and how we've grown
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Richard Bach (One)
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If I decide to be an idiot, then I’ll be an idiot on my own accord.
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Johann Sebastian Bach
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One school is finished, and the time has come for another to begin.
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Richard Bach (Jonathan Livingston Seagull)
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There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
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Johann Sebastian Bach
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What I have achieved by industry and practice, anyone else with tolerable natural gift and ability can also achieve.
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Johann Sebastian Bach
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The world is a dream, you say, and it’s lovely, sometimes. Sunset. Clouds. Sky.” β€œNo. The image is a dream. The beauty is real. Can you see the difference?
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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Character comes from following our highest sense of right, from trusting ideas without being sure they’ll work.
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Richard Bach (One)
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She took a deep breath, "Last chance. Are you in need of rescuing?" His expression turned very strange, almost as if she'd struck him, "Yes," he said finally.
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Holly Black (The Coldest Girl in Coldtown)
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You don't love hatred and evil, of course. You have to practice and see the real gull, the good in every one of them, and to help them see it in themselves. That's what I mean by love.
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Richard Bach (Jonathan Livingston Seagull)
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There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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The aim and final end of all music should be none other than the glory of God and the refreshment of the soul.
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Johann Sebastian Bach
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Any powerful idea is absolutely fascinating and absolutely useless until we choose to use it.
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Richard Bach (One)
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nobody means to get carried away in mediocrity, but it happens, it happens unless you think about everything you do, unless you make every choice the best one you know how to make.
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Richard Bach (One)
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If you love something, set it free; if it comes backs it's yours, if it doesn't, it never was.
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Richard Bach
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It may be that when the angels go about their task praising God, they play only Bach. I am sure, however, that when they are together en famille they play Mozart.
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Karl Barth
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How easy it is to be compassionate when it's yourself you see in trouble.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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Do you have any idea how many lives we must have gone through before we even got the first idea that there is more to life than eating, or fighting, or power in the Flock? A thousand lives, Jon, ten thousand!
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Richard Bach (Jonathan Livingston Seagull)
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Soccer isn't the same as Bach or Buddhism. But it is often more deeply felt than religion, and just as much a part of the community's fabric, a repository of traditions.
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Franklin Foer (How Soccer Explains the World)
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Don't turn away from possible futures before you're certain you don't have anything to learn from them.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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The simplest things are often the truest.
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Richard Bach
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The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly.
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Richard Bach
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The original sin is to limit the Is. Don't.
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Richard Bach (Illusions)
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You are never given a wish without also being given the power to make it true. You may have to work for it however.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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Never shame your comrades by letting their death get you killed
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Rachel Bach (Fortune's Pawn (Paradox, #1))
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Choose a love and work to make it true, and somehow, something will happen, something you couldn’t plan, will come along to move like to like, to set you loose, to set you on the way to your next brick wall.
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Richard Bach (Running from Safety: An Adventure of the Spirit)
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Everything is exactly as it is for a reason. The crumb on your table is no mystical reminder of this morning's cookie, it is there because you have chosen not to remove it. No exceptions.
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Richard Bach (Messiah's Handbook: Reminders for the Advanced Soul)
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When we put up with any situation we don’t have to put up with, it’s not because we’re dumb. We put up with it, because we want the lesson only that situation can teach, and we want it more than freedom myself.
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Richard Bach (Running from Safety: An Adventure of the Spirit)
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There are grand rewards for those who pick the high hard roads, but those rewards are hidden by years.
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Richard Bach (One)
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Dan wanted me to stay. I wanted Elf to stay. Everyone in the whole world was fighting with somebody to stay. When Richard Bach wrote "If you love someone, set them free" he can't have been directing his advice at human beings.
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Miriam Toews (All My Puny Sorrows)
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Nothing good is a miracle, nothing lovely is a dream.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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The paraphrase of GΓΆdel's Theorem says that for any record player, there are records which it cannot play because they will cause its indirect self-destruction.
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Douglas R. Hofstadter (GΓΆdel, Escher, Bach: An Eternal Golden Braid)
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You are an instrument of God. Don't leave the instrument sitting in its case, my son. Play! Leave no part of your instrument unexplored. Why settle for 'Three Blind Mice' when you can can play the 'Gloria'? No, not Bach's 'Gloria.' Yours! Your 'Gloria' lives within you. The greatest sin is not finding it, ignoring what God made possible in you.
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Abraham Verghese (Cutting for Stone)
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We'll win, of course," he said. "You don't want that," said the demon. "Why not, pray?β€œ β€œListen," said Crowley desperately, "how many musicians do you think your side have got, eh? First grade, I mean." Aziraphale looked taken aback. "Well, I should think-" he began. "Two," said Crowley. "Elgar and Liszt. That's all. We've got the rest. Beethoven, Brahms, all the Bachs, Mozart, the lot. Can you imagine eternity with Elgar?
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Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
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don't you think between here and now we will see each other once or twice?
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Richard Bach
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It was morning, and the new sun sparkled gold across the ripples of a gentle sea.
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Richard Bach (Jonathan Livingston Seagull)
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Like everything else, Fletcher. Practice.
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Richard Bach (Jonathan Livingston Seagull)
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The worst lies are the lies we tell ourselves. We live in denial of what we do, even what we think. We do this because we're afraid.We fear we will not find love,and when we find it we fear we'll lose it. We fear that if we don't have love we will be unhappy.
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Richard Bach
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How much to learn if we could spend one hour, spend twenty minutes, with the us we will become! How much could we say to the us we were.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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It’s not when you start that makes your success in the world, but when you quit.
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Richard Bach (Nothing by Chance)
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For most gulls it was not flying that matters, but eating. For this gull, though, it was not eating that mattered, but flight.
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Richard Bach (Jonathan Livingston Seagull)
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It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.
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Johann Sebastian Bach
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How gullible are you? Is your gullibility located in some "gullibility center" in your brain? Could a neurosurgeon reach in and perform some delicate operation to lower your gullibility, otherwise leaving you alone? If you believe this, you are pretty gullible, and should perhaps consider such an operation.
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Douglas R. Hofstadter (GΓΆdel, Escher, Bach: An Eternal Golden Braid)
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Know that ever about you stands the reality of love, and each moment you have the power to transform your world by what you have learned.
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Richard Bach (One)
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Harmony is next to Godliness
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Johann Sebastian Bach
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You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them. You're always free to change your mind and choose a different future, or a different past.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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What matters is how I use what I know, every minute of every day; how I use it to remember, in the midst of the game.
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Richard Bach (Running from Safety: An Adventure of the Spirit)
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One challenge of our adventure on earth is to rise above dead systems...wars, nations, destructions...to refuse to be a part of them, and express the highest selves we know how to be.
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Richard Bach (One)
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He spoke of very simple things- that it is right for a gull to fly, that freedom is the very nature of his being, that whatever stands against that freedom must be set aside, be it ritual or superstition or limitation in any form. "Set aside," came a voice from the multitude, "even if it be the Law of the Flock?" "The only true law is that which leads to freedom," Jonathan said. "There is no other.
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Richard Bach (Jonathan Livingston Seagull)
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If it's never our fault, we can't take responsibility for it. If we can't take responsibility for it, we'll always be its victim.
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Richard Bach
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Ϊ†Ψ±Ψ§ دشوارΨͺΨ±ΫŒΩ† Ϊ©Ψ§Ψ± Ψ―Ψ± Ψ¬Ω‡Ψ§Ω† Ψ§ΫŒΩ† Ψ§Ψ³Ψͺ Ϊ©Ω‡ ΩΎΨ±Ω†Ψ―Ω‡ ای Ψ±Ψ§ Ω…ΨͺΩ‚Ψ§ΨΉΨ― Ϊ©Ω†ΫŒΨŒ Ψ’Ψ²Ψ§Ψ― Ψ§Ψ³Ψͺ؟
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Richard Bach (Jonathan Livingston Seagull)
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Having made the decision to love, had I chosen life instead of death?
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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This idea that there is generality in the specific is of far-reaching importance.
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Douglas R. Hofstadter (GΓΆdel, Escher, Bach: An Eternal Golden Braid)
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A moment later Jonathan’s body wavered in the air, shimmering, and began to go transparent. β€œDon’t let them spread silly rumors about me, or make me a god. O.K., Fletch? I’m a seagull. I like to fly, maybe…
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Richard Bach (Jonathan Livingston Seagull)
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Why, Jon, why?" his mother asked. "Why is it so hard to be like the rest of the flock, Jon? Why can't you leave low flying to the pelicans, the alhatross? Why don't you eat? Son, you're bone and feathers!" "I don't mind being bone and feathers mom. I just want to know what I can do in the air and what I can't, that's all. I just want to know.
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Richard Bach (Jonathan Livingston Seagull)
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Most gulls don't bother to learn more than the simplest facts of flight - how to get from shore to food and back again
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Richard Bach (Jonathan Livingston Seagull)
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He whom the gods love dies young.
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Menander (The Plays and Fragments)
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All music should have no other end and aim than the glory of God and the soul's refreshment; where this is not remembered there is no real music but only a devilish hubbub.
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Johann Sebastian Bach
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Whatever enchants also guides and protects.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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I was obliged to be industrious. Whoever is equally industrious will succeed . . . equally well.
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Johann Sebastian Bach
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Nothing pisses me off like having my sacrifices undermined.
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Rachel Bach (Honor's Knight (Paradox, #2))
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Little mouse," a voice said through the keyhole. "Don't you know the more you wriggle, the greater the cat's delight?
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Holly Black (The Coldest Girl in Coldtown)
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[...] provability is a weaker notion than truth
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Douglas R. Hofstadter (GΓΆdel, Escher, Bach: An Eternal Golden Braid)
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It's like, at the end, there's this surprise quiz: Am I proud of me? I gave my life to become the person I am right now. Was it worth what I paid?
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Richard Bach
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Part of us is always the observer, and no matter what, it observes. It watches us. It does not care if we are happy or unhappy, if we are sick or well, if we live or die. It’s only job is to sit there on our shoulder and pass judgment on whether we are worthwhile human beings.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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I chose the specialty of surgery because of Matron, that steady presence during my boyhood and adolescence. 'What is the hardest thing you can possibly do?' she said when I went to her for advice on the darkest day of the first half of my life. I squirmed. How easily Matron probed the gap between ambition and expediency. 'Why must I do what is hardest?' 'Because, Marion, you are an instrument of God. Don't leave the instrument sitting in its case my son. Play! Leave no part of your instrument unexplored. Why settle for 'Three Blind Mice' when you can play the 'Gloria'? 'But, Matron, I can't dream of playing Bach...I couldn't read music. 'No, Marion,' she said her gaze soft...'No, not Bach's 'Gloria'. Yours! Your 'Gloria' lives within you. The greatest sin is not finding it, ignoring what God made possible in you.
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Abraham Verghese (Cutting for Stone)
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Instead of our drab slogging forth and back to the fishing boats, there's reason to live! We can lift ourselves out of ignorance, we can find ourselves as creatures of excellence and intelligence and skill. We can learn to be free! we can learn to fly!
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Richard Bach (Jonathan Livingston Seagull)
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You teach best what you most need to learn
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Richard Bach
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Amazing. You were so attached to it, and it still disappeared for you." β€œAttached! I was whocking that cloud with everything I had! Fireballs, laser beams, vacuum cleaner a block high...” β€œNegative attachments, Richard. If you really want to remove a cloud from your life, you do not make a big production out of it, you just relax and remove it from your thinking. That’s all there is to it.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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The only obligation we have in any lifetime is to be true to ourselves.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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Every problem has a gift for you in its hands.
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Richard Bach
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I wish my wish would not be granted!
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Douglas R. Hofstadter (GΓΆdel, Escher, Bach: An Eternal Golden Braid)
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Happiness is the reward we get for living to the highest right we know.
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Richard Bach (Running from Safety: An Adventure of the Spirit)
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Why had such a promising world been crucified on the tree of obligation, thorned by duties, hanged by hypocrisy, smothered by customs?
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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We're the bridge across forever, arching above the sea, adventuring for our pleasure, living mysteries for the fun of it, choosing disasters triumphs challenges impossible odds, testing ourselves over and again, learning love and love and love!
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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Passionately obsessed by anything we love--an avalanche of magic flattens the way ahead, levels, rules, reasons, dissents, bears us with it over chasms, fears, doubts. Without the power of that love....
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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Happiness is a choice. It is not always an easy one.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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Soli Deo Gloria
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Johann Sebastian Bach
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Don’t believe what your eyes are telling you. All they show is limitation. Look with your understanding.
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Richard Bach
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The more I want to get something done the less I call it work.
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Richard Bach
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For now, what is important is not finding the answer, but looking for it.
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Douglas R. Hofstadter (GΓΆdel, Escher, Bach: An Eternal Golden Braid)
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But some climbs you have to make alone.
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Ellyn Bache (The Art of Saying Goodbye)
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Where there is devotional music, God is always at hand with His gracious presence.
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Johann Sebastian Bach
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Keep working on love.
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Richard Bach (Jonathan Livingston Seagull)
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Why is it,” Jonathan puzzled, β€œthat the hardest thing in the world is to convince a bird that he is free, and that he can prove it for himself if he’d just spend a little time practicing? Why should that be so hard?
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Richard Bach (Jonathan Livingston Seagull)
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Like attracts like. Just be who you are, calm and clear and bright. Automatically, as we shine who we are, asking ourselves every minute is this what I really want to do, doing it only when we answer yes, automatically that turns away those who have nothing to learn from who we are,and attracts those who do, and from whom we have to learn, as well.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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Gorgeous, amazing things come into our lives when we are paying attention: mangoes, grandnieces, Bach, ponds. This happens more often when we have as little expectation as possible. If you say, "Well, that's pretty much what I thought I'd see," you are in trouble. At that point you have to ask yourself why you are even here. [...] Astonishing material and revelation appear in our lives all the time. Let it be. Unto us, so much is given. We just have to be open for business.
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Anne Lamott (Help Thanks Wow: The Three Essential Prayers)
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I'm going to take off your gag. And if you try to bite me or grab me or anything, I'll hit you with this thing as hard as I can as many times as I can. Understood?
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Holly Black (The Coldest Girl in Coldtown)
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The river delights to lift us free, if only we dare let go.
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Richard Bach
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When you're down, remember your triumphs. [...] Sometimes you get in trouble and crash. Other times: just a bumpy landing.
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Ellyn Bache (The Art of Saying Goodbye)
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All the people, all the events in your life are put there for a reason. What you choose to do with them is up to you
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Richard Bach
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What a delighted fascination it is, to stand aside and watch our dearest friend perform on stage without us.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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Sully,for shame!" Jonathan said in reproach, " and don't be foolish! What are we trying to practice everyday? If our friendship depends on things like space and time, we've destroyed our own brotherhood! But overcome space, and all we have left is Here. Overcome time, and all we have left is Now. And in the middle of Here and Now, don't you think that we might see each other once or twice?
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Richard Bach (Jonathan Livingston Seagull)
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Maybe it was that nearly everyone else was dead and she felt a little bit dead too, but she figured that even a vampire deserved to be saved. Maybe she ought to leave him, but she wasn't going to.
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Holly Black (The Coldest Girl in Coldtown)
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To fail to experience gratitude when walking through the corridors of the Metropolitan Museum, when listening to the music of Bach or Beethoven, when exercising our freedom to speak, or ... to give, or withhold, our assent, is to fail to recognize how much we have received from the great wellsprings of human talent and concern that gave us Shakespeare, Abraham Lincoln, Mark Twain, our parents, our friends. We need a rebirth of gratitude for those who have cared for us, living and, mostly, dead. The high moments of our way of life are their gifts to us. We must remember them in our thoughts and in our prayers; and in our deeds.
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William F. Buckley Jr.
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Remember where you came from, where you’re going, and why you created the mess you got yourself into in the first place. You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind. Take your dying with some seriousness, however. Laughing on the way to your execution is not generally understood by less-advanced life-forms, and they'll call you crazy.
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Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
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Have you ever felt so at one with the world, with the universe, with everything that is, that you were overcome with love? That is reality. That is the truth. What we make of it is up to us, as the painting of the sunrise is up to the artist. In our world humanity has strayed from that love. It lives hatred and power struggles and manipulations of the earth itself for its own narrow reasons. Continue and no one will see the sunrise. The sunrise will always exist, of course, but people on earth will know nothing of it and finally even stories of its beauty will fade from our knowing.
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Richard Bach (One)
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From time to time it's fun to close our eyes, and in that dark say to ourselves, 'I am the sorcerer, and when I open my eyes I shall see a world that I have created, and for which I and only I am completely responsible.' Slowly then, eyelids open like curtains lifting stage-center. And sure enough, there's our world, just the way we've built it.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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If I am against the condition of the world it is not because I am a moralist, it is because I want to laugh more. I don't say that God is one grand laugh: I say that you've got to laugh hard before you can get anywhere near God. My whole aim in life is to get near to God, that is, to get nearer to myself. That's why it doesn't matter to me what road I take. But music is very important. Music is a tonic for the pineal gland. Music isn't Bach or Beethoven; music is the can opener of the soul. It makes you terribly quiet inside, makes you aware that there's a roof to your being.
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Henry Miller (Tropic of Capricorn (Tropic, #2))
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It is by not always thinking of yourself, if you can manage it, that you might somehow be happy. Until you can make room in your life for someone as important to you as yourself, you will always be searching and lost....
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Richard Bach
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He must have been handsome when he was alive and was handsome still, although made monstrous by his pallor and her awareness of what he was. His mouth looked soft, his cheekbones as sharp as blades, and his jaw curved, giving him an off-kilter beauty. His black hair a mad forest of dirty curls.
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Holly Black (The Coldest Girl in Coldtown)
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I had grown up in a house with a fence around it, and in this fence was a white smooth wooden gate, two holes bored round and low together so the dog could see through. One night, the moon high, late for me home from the school dance, I remember that I stopped, hand on the gate, and spoke so quietly to myself and to the woman that I would love that not even the dog could have heard. I don’t know where you are, but you’re living right now, somewhere on this earth. And one day you and I are going to touch this gate where I’m touching it now. Your hand will touch this very wood, here! Then we’ll walk through and we’ll be full of a future and of a past and we’ll be to each other like no one else has ever been. We can’t meet now, I don’t know why. But some day our questions will be answers and we’ll be caught in something so bright...and every step I take is one step closer on a bridge we must cross to meet.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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What is an "I", and why are such things found (at least so far) only in association with, as poet Russell Edson once wonderfully phrased it, "teetering bulbs of dread and dream" -- that is, only in association with certain kinds of gooey lumps encased in hard protective shells mounted atop mobile pedestals that roam the world on pairs of slightly fuzzy, jointed stilts?
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Douglas R. Hofstadter (GΓΆdel, Escher, Bach: An Eternal Golden Braid)
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You don’t want a million answers as much as you want a few forever questions. The questions are diamonds you hold in the light. Study a lifetime and you see different colors from the same jewel. The same questions, asked again, bring you just the answers you need just the minute you need them.
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Richard Bach (Running from Safety: An Adventure of the Spirit)
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Β‘Si nuestra amistad depende de cosas como el espacio y el tiempo, entonces, cuando por fin superemos el espacio y el tiempo, habremos destruido nuestra propia hermandad! Pero supera el espacio, y nos quedarΓ‘ sΓ³lo un AquΓ­. Supera el tiempo, y nos quedarΓ‘ sΓ³lo un Ahora. Y entre el AquΓ­ y el Ahora, ΒΏno crees que podremos volver a vernos un par de veces?
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Richard Bach (Juan Salvador Gaviota)
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At last, the answer why. The lesson that had been so hard to find, so difficult to learn, came quick and clear and simple. The reason for problems is to overcome them. Why, that’s the very nature of man, I thought, to press past limits, to prove his freedom. It isn’t the challenge that faces us, that determines who we are and what we are becoming, but the way we meet the challenge, whether we toss a match at the wreck or work our way through it, step by step, to freedom.
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Richard Bach (Nothing by Chance)
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I am not worried if scientists go and explain everything. This is for a very simple reason: an impala sprinting across the Savannah can be reduced to biomechanics, and Bach can be reduced to counterpoint, yet that does not decrease one iota our ability to shiver as we experience impalas leaping or Bach thundering. We can only gain and grow with each discovery that there is structure underlying the most accessible levels of things that fill us with awe. But there is an even stronger reason why I am not afraid that scientists will inadvertently go and explain everything--it will never happen. While in certain realms, it may prove to be the case that science can explain anything, it will never explain everything. As should be obvious after all these pages, as part of the scientific process, for every question answered, a dozen newer ones are generated. And they are usually far more puzzling, more challenging than than the prior problems. This was stated wonderfully in a quote by a geneticist named Haldane earlier in the century: "Life is not only stranger than we imagine, it is stranger than we can imagine." We will never have our flames extinguished by knowledge. The purpose of science is not to cure us of our sense of mystery and wonder, but to constantly reinvent and reinvigorate it.
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Robert M. Sapolsky (The Trouble with Testosterone and Other Essays on the Biology of the Human Predicament)
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I decided to make spaghetti for lunch again. Not that I was the least bit hungry. But I couldn't just go on sitting on the sofa, waiting for the phone to ring. I had to move my body, to begin working toward some goal. I put water in a pot, turned on the gas, and until it boiled I would make tomato sauce while listening to an FM broadcast. The radio was playing an unaccompanied violin sonata by Bach. The performance itself was excellent, but there was something annoying about it. I didn't know whether this was the fault of the violinist or of my own present state of mind, but I turned off the music and went on cooking in silence. I heated the olive oil, put garlic in the pan, and added minced onions. When these began to brown, I added the tomatoes that I had chopped and strained. It was good to be cutting things and frying things like this. It gave me a sense of accomplishment that I could feel in my hands. I liked the sounds and the smells.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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A non-religious man today ignores what he considers sacred but, in the structure of his consciousness, could not be without the ideas of being and the meaningful. He may consider these purely human aspects of the structure of consciousness. What we see today is that man considers himself to have nothing sacred, no god; but still his life has a meaning, because without it he could not live; he would be in chaos. He looks for being and does not immediately call it being, but meaning or goals; he behaves in his existence as if he had a kind of center. He is going somewhere, he is doing something. We do not see anything religious here; we just see man behaving as a human being. But as a historian of religion, I am not certain that there is nothing religious here… I cannot consider exclusively what that man tells me when he consciously says, β€˜I don’t believe in God; I believe in history,’ and so on. For example, I do not think that Jean-Paul Sartre gives all of himself in his philosophy, because I know that Sartre sleeps and dreams and likes music and goes to the theater. And in the theater he gets into a temporal dimension in which he no longer lives his β€˜moment historique.’ There he lives in quite another dimension. We live in another dimension when we listen to Bach. Another experience of time is given in drama. We spend two hours at a play, and yet the time represented in the play occupies years and years. We also dream. This is the complete man. I cannot cut this complete man off and believe someone immediately when he consciously says that he is not a religious man. I think that unconsciously, this man still behaves as the β€˜homo religiosus,’ has some source of value and meaning, some images, is nourished by his unconscious, by the imaginary universe of the poems he reads, of the plays he sees; he still lives in different universes. I cannot limit his universe to that purely self-conscious, rationalistic universe which he pretends to inhabit, since that universe is not human.
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Mircea Eliade
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You felt, in spite of all bureaucracy and inefficiency and party strife something that was like the feeling you expected to have and did not have when you made your first communion. It was a feeling of consecration to a duty toward all of the oppressed of the world which would be as difficult and embarrasing to speak about as religious experience and yet it was as authentic as the feeling you had when you heard Bach, or stood in Chartres Cathedral or the Cathedral at LeΓ³n and saw the light coming through the great windows; or when you saw Mantegna and Greco and Brueghel in the Prado. It gave you a part in something that you could believe in wholly and completely and in which you felt an absolute brotherhood with the others who were engaged in it. It was something that you had never known before but that you had experienced now and you gave such importance to it and the reasons for it that you own death seemed of complete unimportance; only a thing to be avoided because it would interfere with the performance of your duty. But the best thing was that there was something you could do about this feeling and this necessity too. You could fight.
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Ernest Hemingway (For Whom the Bell Tolls)
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Has it ever happened, you’ve seen a striking film, beautifully written and acted and photographed, that you walk out of the theater glad to be a human being and you say to yourself I hope they make a lot of money from that? I hope the actors, I hope the director earns a million dollars for what they’ve done, what they’ve given me tonight? And you go back and see the movie again and you’re happy to be a tiny part of the system that is rewarding those people with every ticket...the actors I see on the screen, they’ll get twenty cents of this very dollar I’m paying now; they’ll be able to buy an ice cream cone any flavor they want from their share of my ticket alone. Glorious moments in art in books and films and dance, they’re delicious because we see ourselves in glory’s mirror.
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Richard Bach (The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy)
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Something, somewhere, somewhen, must have happened differently... PETUNIA EVANS married Michael Verres, a Professor of Biochemistry at Oxford. HARRY JAMES POTTER-EVANS-VERRES grew up in a house filled to the brim with books. He once bit a math teacher who didn't know what a logarithm was. He's read Godel, Escher, Bach and Judgment Under Uncertainty: Heuristics and Biases and volume one of The Feynman Lectures on Physics. And despite what everyone who's met him seems to fear, he doesn't want to become the next Dark Lord. He was raised better than that. He wants to discover the laws of magic and become a god. HERMIONE GRANGER is doing better than him in every class except broomstick riding. DRACO MALFOY is exactly what you would expect an eleven-year-old boy to be like if Darth Vader were his doting father. PROFESSOR QUIRRELL is living his lifelong dream of teaching Defense Against the Dark Arts, or as he prefers to call his class, Battle Magic. His students are all wondering what's going to go wrong with the Defense Professor this time. DUMBLEDORE is either insane, or playing some vastly deeper game which involved setting fire to a chicken. DEPUTY HEADMISTRESS MINERVA MCGONAGALL needs to go off somewhere private and scream for a while. Presenting: HARRY POTTER AND THE METHODS OF RATIONALITY You ain't guessin' where this one's going.
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Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
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You both love Tolstoy and Dostoyevsky, Hawthorne and Melville, Flaubert and Stendahl, but at that stage of your life you cannot stomach Henry James, while Gwyn argues that he is the giant of giants, the colossus who makes all other novelists look like pygmies. You are in complete harmony about the greatness of Kafka and Beckett, but when you tell her that Celine belongs in their company, she laughs at you and calls him a fascist maniac. Wallace Stevens yes, but next in line for you is William Carlos Williams, not T.S. Eliot, whose work Gwyn can recite from memory. You defend Keaton, she defends Chaplin, and while you both howl at the sight of the Marx Brothers, your much-adored W.C. Fields cannot coax a single smile from her. Truffaut at his best touches you both, but Gwyn finds Godard pretentious and you don't, and while she lauds Bergman and Antonioni as twin masters of the universe, you reluctantly tell her that you are bored by their films. No conflicts about classical music, with J.S. Bach at the top of the list, but you are becoming increasingly interested in jazz, while Gwyn still clings to the frenzy of rock and roll, which has stopped saying much of anything to you. She likes to dance, and you don't. She laughs more than you do and smokes less. She is a freer, happier person than you are, and whenever you are with her, the world seems brighter and more welcoming, a place where your sullen, introverted self can almost begin to feel at home.
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Paul Auster (Invisible (Rough Cut))
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Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays--especially the works of Shaw, Ibsen, and Shakespeare--or poetry readings from Discovery's enormous library of recorded sounds. The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera--usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The "Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years.
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Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))