Sexually Picture Quotes

We've searched our database for all the quotes and captions related to Sexually Picture. Here they are! All 100 of them:

Oh! You're one to talk!" I whirled on Apollo. "Seriously? If I was to Google 'irresponsible sexual activity', it would be your picture staring back at me!" Apollo made a face at me—actually made a face at me like he was ten years old or something.
Jennifer L. Armentrout (Sentinel (Covenant, #5))
Are You Ready for New Urban Fragrances? Yeah, I guess I'm ready, but listen: Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality. Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature. I want to travel on a train that smells like snowflakes. I want to sip in cafes that smell like comets. Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace. I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve. I want to carry luggage that reeks of the neurons in Einstein's brain. I want a city's gases to smell like the golden belly hairs of the gods. And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.
Tom Robbins (Wild Ducks Flying Backward)
If anyone says that sex, in itself, is bad, Christianity contradicts him at once. But, of course, when people say, 'Sex is nothing to be ashamed of,' they may mean 'the state into which the sexual instinct has now got is nothing to be ashamed of'. If they mean that, I think they are wrong. I think it is everything to be ashamed of. There is nothing to be ashamed of in enjoying your food: there would be everything to be ashamed of if half the world made food the main interest of their lives and spent their time looking at pictures of food and dribbling and smacking their lips.
C.S. Lewis (Mere Christianity)
It's that thing when you're with someone, and you love them and they know it, and they love you and you know it... but it's a party... and you're both talking to other people, and you're laughing and shining... and you look across the room and catch each other's eyes... but - but not because you're possessive, or it's precisely sexual... but because... that is your person in this life. And it's funny and sad, but only because this life will end, and it's this secret world that exists right there in public, unnoticed, that no one else knows about. It's sort of like how they say that other dimensions exist all around us, but we don't have the ability to perceive them. That's - That's what I want out of a relationship. Or just life, I guess.
Greta Gerwig (Frances Ha: A Noah Baumbach Picture)
I hung a picture of him above my bed and learned by hand the internal workings of the female combustion engine.
Shannon Celebi (Small Town Demons)
They say they neither set up those cameras nor took the pictures, they just saw some photos posted on a website everyone has access to, and we are treating them like sexual offenders. They distributed the pictures and were complicit in the crimes, but they don’t understand why that’s wrong. It blows
Cho Nam-Joo (Kim Jiyoung, Born 1982)
I deleted Tinder from my phone, then hit play on About Time again, wondering why picturing myself in any sort of romantic or sexual situation made me feel like I was going to vomit and/or run a mile, while romance in movies felt like the sole purpose of being alive.
Alice Oseman (Loveless)
I have said that His Dark Materials is not fantasy but stark realism, and my reason for this is to emphasise what I think is an important aspect of the story, namely the fact that it is realistic, in psychological terms. I deal with matters that might normally be encountered in works of realism, such as adolescence, sexuality, and so on; and they are the main subject matter of the story – the fantasy (which, of course, is there: no-one but a fool would think I meant there is no fantasy in the books at all) is there to support and embody them, not for its own sake. Dæmons, for example, might otherwise be only a meaningless decoration, adding nothing to the story: but I use them to embody and picture some truths about human personality which I couldn't picture so easily without them. I'm trying to write a book about what it means to be human, to grow up, to suffer and learn. My quarrel with much (not all) fantasy is it has this marvelous toolbox and does nothing with it except construct shoot-em-up games. Why shouldn't a work of fantasy be as truthful and profound about becoming an adult human being as the work of George Eliot or Jane Austen?
Philip Pullman
Wow, Angela and Holly,” Ash said, sounding awed. “Hot.” “Excuse me, what is wrong with you?” Kami demanded. “Other people’s sexuality is not your spectator sport.” Ash paused. “Of course,” he said. “But—” “No!” Kami exclaimed. “No buts. That’s my best friend you’re talking about. Your first reaction should not be ‘Hot.’ ” “It’s not an insult,” Ash protested. “Oh, okay,” Kami said. “In that case, you’re going to give me a minute. I’m picturing you and Jared. Naked. Entwined.” There was a pause. Then Jared said, “He is probably my half brother, you know.” “I don’t care,” Kami informed him. “All you are to me are sex objects that I choose to imagine bashing together at random. Oh, there you go again, look at that, nothing but Lynburn skin as far as the mind’s eye can see. Masculine groans fill the air, husky and..." "Stop it," Ash said in a faint voice. "That isn't fair.
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
Along with the trust issues, one of the hardest parts to deal with is the feeling of not being believed or supported, especially by your own grandparents and extended family. When I have been through so much pain and hurt and have to live with the scars every day, I get angry knowing that others think it is all made up or they brush it off because my cousin was a teenager. I was ten when I was first sexually abused by my cousin, and a majority of my relatives have taken the perpetrator's side. I have cried many times about everything and how my relatives gave no support or love to me as a kid when this all came out. Not one relative ever came up to that innocent little girl I was and said "I am sorry for what you went through" or "I am here for you." Instead they said hurtful things: "Oh he was young." "That is what kids do." "It is not like he was some older man you didn't know." Why does age make a difference? It is a sick way of thinking. Sexual abuse is sexual abuse. What is wrong with this picture? It brings tears to my eyes the way my relatives have reacted to this and cannot accept the truth. Denial is where they would rather stay.
Erin Merryn (Living for Today: From Incest and Molestation to Fearlessness and Forgiveness)
An eleven-year-old girl was raped by eighteen men. The suspects ranged in age from middle schoolers to a twenty-seven-year-old. There are pictures and videos. Her life will never be the same. The New York Times, however, would like you to worry about those boys, who will have to live with this for the rest of their lives, and the poor, poor town. That is not simply the careless language of sexual violence. It is the criminal language of sexual violence.
Roxane Gay (Bad Feminist: Essays)
Just like God, a woman is not a problem to be solved but a vast wonder to be enjoyed. This is so true of her sexuality. Few women can or even want to “just do it.” Foreplay is crucial to her heart, the whispering and loving and exploring of one another that culminates in intercourse. That is a picture of what it means to love her soul. She yearns to be known and that takes time and intimacy. It requires an unveiling. As she is sought after, she reveals more of her beauty. As she unveils her beauty, she draws us to know her more deeply.
John Eldredge (Captivating: Unveiling the Mystery of a Woman's Soul)
For me the real evil of masturbation would be that it takes an appetite which, in lawful use, leads the individual out of himself to complete (and correct) his own personality in that of another (and finally in children and even grandchildren) and turns it back: sends the man back into the prison of himself, there to keep a harem of imaginary brides. And this harem, once admitted, works against his ever getting out and really uniting with a real woman. For the harem is always accessible, always subservient, calls for no sacrifices or adjustments, and can be endowed with erotic and psychological attractions which no real woman can rival. Among those shadowy brides he is always adored, always the perfect lover: no demand is made on his unselfishness, no mortification ever imposed on his vanity. In the end, they become merely the medium through which he increasingly adores himself . . . . And it is not only the faculty of love which is thus sterilized, forced back on itself, but also the faculty of imagination. The true exercise of imagination, in my view, is (a) To help us to understand other people (b) To respond to, and, some of us, to produce, art. But it has also a bad use: to provide for us, in shadowy form, a substitute for virtues, successes, distinctions etc. which ought to be sought outside in the real world—e.g. picturing all I’d do if I were rich instead of earning and saving. Masturbation involves this abuse of imagination in erotic matters (which I think bad in itself) and thereby encourages a similar abuse of it in all spheres. After all, almost the main work of life is to come out of our selves, out of the little, dark prison we are all born in. Masturbation is to be avoided as all things are to be avoided which retard this process. The danger is that of coming to love the prison.
C.S. Lewis
The sight of his bare chest brought me to the dribble point. The jeans pushed me right over. No one wore jeans like David. And having caught a glimpse of him without them only made it worse. My imagination went into some sort of sexual berserker rage. The pictures that filled my head ... I have no idea where they all came from. The images were surprisingly raw and detailed. I was quite certain I wasn't flexible enough to achieve some of them.
Kylie Scott (Lick (Stage Dive, #1))
Norway, Iceland, Australia, Canada, Sweden, Switzerland, Belgium, Japan, the Netherlands, Denmark, and the United Kingdom are among the least religious societies on [E]arth. According to the United Nations' Human Development Report (2005) they are also the healthiest, as indicated by life expectancy, adult literacy, per capita income, educational attainment, gender equality, homicide rate, and infant mortality. Insofar as there is a crime problem in Western Europe, it is largely the product of immigration. Seventy percent of the inmates of France's jails, for instance, are Muslim. The Muslims of Western Europe are generally not atheists. Conversely, the fifty nations now ranked lowest in terms of the United Nations' [H]uman [D]evelopment [I]ndex are unwaveringly religious. Other analyses paint the same picture: the United States is unique among wealthy democracies in its level of religious adherence; it is also uniquely beleaguered by high rates of homicide, abortion, teen pregnancy, sexually transmitted disease, and infant mortality. The same comparison holds true within the United States itself: Southern and Midwestern states, characterized by the highest levels of religious literalism, are especially plagued by the above indicators of societal dysfunction, while the comparatively secular states of the Northeast conform to European norms.
Sam Harris (Letter to a Christian Nation)
All these people who say they want a life free from sexual compulsion, I mean forget it. I mean, what could ever be better than sex? For sure, even the worst blow job is better than, say, sniffing the best rose . . . watching the greatest sunset. Hearing children laugh. I think that I shall never see a poem as lovely as a hot-gushing, butt-cramping, gut-hosing orgasm. Painting a picture, composing an opera, that's just something you do until you find the next willing piece of ass.
Chuck Palahniuk (Choke)
I don't think I could ever live with either a man or a woman for a long time. Male and female are attractive to my mind, but when it comes to the sexual act I am afraid. In every situation I need a lot of stimulation before I am conquered by the forces of passion and lust. But confusion, before and after, is the dominant factor. I dreamed many times about a mature man with experience who would have the vigour of a boy but an adult's polished methods. Strangely enough, I also dreamed about women of my mother's age who were ideal lovers. These dreams came superimposed on one another. Sometimes the masculine element was dominant, sometimes the feminine one. At other times I wasn't sure. I saw a female body with male organs or a male body with female ones. These pictures, blended together in my mind, occasionally brought pleasure but more often pain.
Adam Thirlwell (Politics)
While everybody tries to be as close as possible to the rest, everybody remains utterly alone, pervaded by the deep sense of insecurity, anxiety and guilt which always results when human separateness cannot be overcome. Our civilization offers many palliatives which help people to be consciously unaware of this aloneness: first of all the strict routine of bureaucratized, mechanical work, which helps people to remain unaware of their most fundamental human desires, of the longing for transcendence and unity. Inasmuch as the routine alone does not succeed in this, man overcomes his unconscious despair by the routine of amusement, the passive consumption of sounds and sights offered by the amusement industry; furthermore by the satisfaction of buying ever new things, and soon exchanging them for others. Modern man is actually close to the picture Huxley describes in his Brave New World: well fed, well clad, satisfied sexually, yet without self, without any except the most superficial contact with his fellow men, guided by the slogans which Huxley formulated so succinctly, such as: “When the individual feels, the community reels”; or “Never put off till tomorrow the fun you can have today,” or, as the crowning statement: “Everybody is happy nowadays.” Man’s happiness today consists in “having fun.” Having fun lies in the satisfaction of consuming and “taking in” commodities, sights, food, drinks, cigarettes, people, lectures, books, movies—all are consumed, swallowed.
Erich Fromm (The Art of Loving)
society tolerates sexually explicit images of women as long as they conform to an ideal that doesn’t relate to women’s autonomous erotic pleasure. Encouraged to be hyper-sexualised and available spectacles from a young age, when women focus on their own erotic desires and satisfaction, they are seen as monsters, and even more so when they get rich doing it.
Catherine McCormack (Women in the Picture: What Culture Does with Female Bodies)
To some extent a life of celibacy is a picture of how all of us are to live, containing our passions for God’s purposes.
Eric Metaxas
In court the next morning I sat at a table in the judge’s chambers. On the other side of the table, close enough for me to reach across and touch him, sat Ted Bundy. He’s adorable, I thought, surprised at my first impression, because I’d pictured him in my mind as brooding, dark, intense disdain (p. 83). (Loftus testified as a defense expert for Ted Bundy in 1976, Bundy was found guilty of aggravated kidnapping)
Elizabeth F. Loftus (Witness for the Defense: The Accused, the Eyewitness, and the Expert Who Puts Memory on Trial)
It was drizzling. As people rushed along, they began opening umbrellas over their heads, and all at once the streets were crowded, too. Arched umbrella roofs collided with one another. The men were courteous, and when passing Tereza they held their umbrellas high over their heads and gave her room to go by. But the women would not yield; each looked straight ahead, waiting for the other woman to acknowledge her inferiority and step aside. The meeting of the umbrellas was a test of strength. At first Tereza gave way, but when she realized her courtesy was not being reciprocated, she started clutching her umbrella like the other women and ramming it forcefully against the oncoming umbrellas. No one ever said "Sorry." For the most part no one said anything, though once or twice she did hear a "Fat cow!" or "Fuck you!" The women thus armed with umbrellas were both young and old, but the younger among them proved the more steeled warriors. Tereza recalled the days of the invasion and the girls in miniskirts carrying flags on long staffs. Theirs was a sexual vengeance: the Russian soldiers had been kept in enforced celibacy for several long years and must have felt they had landed on a planet invented by a science fiction writer, a planet of stunning women who paraded their scorn on beautiful long legs the likes of which had not been seen in Russia for the past five or six centuries. She had taken many pictures of those young women against a backdrop of tanks. How she had admired them! And now these same women were bumping into her, meanly and spitefully. Instead of flags, they held umbrellas, but they held them with the same pride. They were ready to fight as obstinately against a foreign army as against an umbrella that refused to move out of their way.
Milan Kundera (The Unbearable Lightness of Being)
...It’s hardly surprising America’s children, most having been well groomed in sexual immorality over 40 years, have ended up on MySpace or Facebook uploading sexy pictures of ourselves. Where else can a hyper sexualized kid get so much attention?
Shelley Lubben (Truth Behind the Fantasy of Porn: The Greatest Illusion on Earth)
Cheryl was aided in her search by the Internet. Each time she remembered a name that seemed to be important in her life, she tried to look up that person on the World Wide Web. The names and pictures Cheryl found were at once familiar and yet not part of her conscious memory: Dr. Sidney Gottlieb, Dr. Louis 'Jolly' West, Dr. Ewen Cameron, Dr. Martin Orne and others had information by and about them on the Web. Soon, she began looking up sites related to childhood incest and found that some of the survivor sites mentioned the same names, though in the context of experiments performed on small children. Again, some names were familiar. Then Cheryl began remembering what turned out to be triggers from old programmes. 'The song, "The Green, Green Grass of home" kept running through my mind. I remembered that my father sang it as well. It all made no sense until I remembered that the last line of the song tells of being buried six feet under that green, green grass. Suddenly, it came to me that this was a suicide programme of the government. 'I went crazy. I felt that my body would explode unless I released some of the pressure I felt within, so I grabbed a [pair ofl scissors and cut myself with the blade so I bled. In my distracted state, I was certain that the bleeding would let the pressure out. I didn't know Lynn had felt the same way years earlier. I just knew I had to do it Cheryl says. She had some barbiturates and other medicine in the house. 'One particularly despondent night, I took several pills. It wasn't exactly a suicide try, though the pills could have killed me. Instead, I kept thinking that I would give myself a fifty-fifty chance of waking up the next morning. Maybe the pills would kill me. Maybe the dose would not be lethal. It was all up to God. I began taking pills each night. Each-morning I kept awakening.
Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
It has been brought to our notice that we have been in the habit of regarding the connection between the sexual instinct and the sexual object as more intimate than it in fact is. Experience of the cases that are considered abnormal has shown us that in them the sexual instinct and the sexual object are merely soldered together—a fact which we have been in danger of overlooking in consequence of the uniformity of the normal picture, where the object appears to form part and parcel of the instinct. We are thus warned to loosen the bond that exists in our thoughts between instinct and object. It seems probable that the sexual instinct is in the first instance independent of its object; nor is its origin likely to be due to its object's attractions.
Sigmund Freud (Three Essays on the Theory of Sexuality)
I think we should kill her…What? She’s ruined my entire day. Made me fight with my wife and now you tell me she’s a spy sent to put us all under the jail. What part of ‘kill your enemies before they kill you’ did you sleep through? Your dad was an assassin, same as my mom. Don’t puss on me now, boy. You know what they’d do if they were here. Hell, your own mother would tear her up, spit her out in pieces, and not blink. (Sway) He’s right. None of you have any reason to help me. Why should you care? (She clicked the vid wall and a picture of a teenage girl was there.) That’s my baby sister, Tempest Elanari Gerran. Her birthday was day before yesterday. She turned sixteen in jail with my mother. I may be out of line, but I’ll bet when you guys turned sixteen, you had a celebration for it with presents and friends wishing you well. You won’t just be killing me. You’ll be killing them, too. Tempest is a prime sexual age and a virgin. Any idea what’s the first thing her new owner will do to her when she’s sold? I don’t want her to ever know the horror that was my sixteenth birthday. (Alix)
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
When I look back at my sexual history - those singular still shots and picture postcards - so little of it involves the actual physical act. Rather the before and after - the buildup to and takeaway from. It's me figuring out what I want and what I'm worth, a long line of cause and effect that started with spinning and ended in electricity.
Megan Stielstra (The Wrong Way to Save Your Life: Essays)
But it was not merely her choice to be a witness of the dirty work on Tier 1A. It was her role. As a woman she was not expected to wrestle prisoners into stress positions or otherwise overpower them, but rather just by her presence, to amplify their sense of powerlessness. She was there as an instrument of humiliation...The MPs knew very little about their prisoners or the culture they came from, and they understood less. But at Fort Lee, before they deployed, they were given a session of “cultural awareness training,” from which they’d taken away the understanding—constantly reinforced by MI handlers—that Arab men were sexual prudes, with a particular hang-up about being seen naked in public, especially by women. What better way to break an Arab, then, than to strip him, tie him up, and have a "female bystander," as Graner describer Harman, laugh at him? American women were used on the MI block in the same way that Major David DiNenna spoke of dogs—as "force multipliers." Harman understood. She didn’t like being naked in public herself. To the prisoners, being photographed may have seemed an added dash of mortification, but to Harman, taking pictures was a way of deflecting her own humiliation in the transaction—by taking ownership of her position as spectator.
Philip Gourevitch (Standard Operating Procedure)
Because really, there are two immutable laws of nature at work here: number one, love will find a way; and number two, if a sexual act can be conceived of, someone will pay money to watch it.
Naomi Kritzer (Cat Pictures Please and Other Stories)
Girls’ and women’s thinking is impaired by self-objectification. Sexualized pictures, for example, lead women to spend mental resources managing their body surveillance, shame, and self-esteem.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
A few years ago, long after it had been closed, Eli said he saw a girl swimming in it, coming out of the water in a bikini, laughing at her frigthtened boyfriend, seaweed snaking around her. He said she looked like a mermaid. Deenie always pictured it like in one of those books of mythology she used to love, a girl rising from the foam gritted with pearls, mussels, the glitter of the sea. "It looks beautiful", her mother had said once when they were driving by at night, its waters opaline. “It is beautiful. But it makes people sick.” To Deenie, it was one of many interesting things that adults said would kill you: Easter lilles, jellyfish, copperhead snakes with their diamond heads, tails bright as sulfur. Don't touch, don't taste, don't get too close. And then, last week.
Megan Abbott (The Fever)
When sleep came, I would dream bad dreams. Not the baby and the big man with a cigarette-lighter dream. Another dream. The castle dream. A little girl of about six who looks -like me, but isn’t me, is happy as she steps out of the car with her daddy. They enter the castle and go down the steps to the dungeon where people move like shadows in the glow of burning candles. There are carpets and funny pictures on the walls. Some of the people wear hoods and robes. Sometimes they chant in droning voices that make the little girl afraid. There are other children, some of them without any clothes on. There is an altar like the altar in nearby St Mildred’s Church. The children take turns lying on that altar so the people, mostly men, but a few women, can kiss and lick their private parts. The daddy holds the hand of the little girl tightly. She looks up at him and he smiles. The little girl likes going out with her daddy. I did want to tell Dr Purvis these dreams but I didn’t want her to think I was crazy, and so kept them to myself. The psychiatrist was wiser than I appreciated at the time; sixteen-year-olds imagine they are cleverer than they really are. Dr Purvis knew I had suffered psychological damage as a child, that’s why she kept making a fresh appointment week after week. But I was unable to give her the tools and clues to find out exactly what had happened.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
For the Orthodox tradition, then, Adam's original sin affects the human race in its entirety, and it has consequences both on the physical and the moral level: it, results not only in sickness and physical death, but in moral weakness and paralysis. But does it also imply an inherited guilt? Here Orthodoxy is more guarded. Original sin is not to be interpreted in juridical or quasi-biological terms, as if it were some physical 'taint' of guilt, transmitted through sexual intercourse. This picture, which normally passes for the Augustinian view, is unacceptable to Orthodoxy. The doctrine of original sin means rather that we are born into an environment where it is easy to do evil and hard to do good; easy to hurt others, and hard to heal their wounds; easy to arouse men's suspicions, and hard to win their trust. It means that we are each of us conditioned by the solidarity of the human race in its accumulated wrong-doing and wrong-thinking, and hence wrong-being. And to this accumulation of wrong we have ourselves added by our own deliberate acts of sin. The gulf grows wider and wider. It is here, in the solidarity of the human race, that we find an explanation for the apparent unjustness of the doctrine of original sin. Why, we ask, should the entire human race suffer because of Adam's fall? Why should all be punished because of one man's sin? The answer is that human beings, made in the image of the Trinitarian God, are interdependent and coinherent. No man is an island. We are 'members one of another'(Eph. 4:25), and so any action, performed by any member of the human race, inevitably affects all the other members. Even though we are not, in the strict sense, guilty of the sins of others, yet we are somehow always involved.
Kallistos Ware (The Orthodox Way)
The first blessing of sexuality is the way it shows us the priority God gives to diversity, which is both highlighted in and sustained by sex difference. The second blessing of sexuality is the gift of children, a fruit of both sex difference and sexual union. And the third blessing of sexuality is that it creates the possibility of marriage as a picture of God’s relationship with his people— and that picture specifically requires sex difference.
Rachel Gilson (Born Again This Way)
You know, you'd do a better job of convincing the men if you dipped your wick in a pussy or two." Cillian's low voice made him tense. The man stood next to Sean's barstool, watching the sexual festivities in boredom. "I have a girlfriend," he mumbled. "I'm sure she won't mind." Sean glanced at the naked women littering the room, picturing the look on Bailey's face if he admitted to "dipping his wick" in a prostie. "She'd rip my balls off," he said dryly.
Elle Kennedy (Midnight Captive (Killer Instincts, #6))
Hmm?” “I’m from Texas. Austin, to be specific.”  It’s something so small. Such a minuscule fact in the grand scheme of it all, but hearing Kai willingly share information beyond his son’s favorite snack or sleep routine holds a weight I didn’t expect. “Country boy, huh?” The mental picture of him in Wranglers, much in the way he wears his baseball pants, is doing all sorts of things to my imagination.  “Miller.” “Hmm?” “You’re sexualizing me in your mind right now, aren’t you?” “Absolutely.
Liz Tomforde (Caught Up (Windy City, #3))
The speaker was good, I liked what he had to say. I had expected a dry recitation on how women should change their gender if they expected to advance in a man's world, since I wasn't about to grow a cock and balls this man gave me hope and inspiration. Women dominated the audience, not surprising since the average African man wouldn’t support a speaker preaching gender equality. Africa was a continent with generational precedent for the alpha male, it was part of their culture, learned at an early age. This led to abuse on many levels. Women were expected to do the physical work, produce male babies and satisfy the sexual urgings of men. Urgings that in other societies would be called rape but in Africa were accepted as common practice. I understood this better than most. Pictures of the Kony boy-soldiers and their adult commander were burned into my memory.
Nick Hahn (Under the Skin)
Yes. Let’s be honest. I’m a privileged white woman who left her kids in a $30,000 minivan watching Dora the Explorer to go in for a Starbucks. Is there any clearer picture of privilege than that? But no matter what color you are, no matter how much money you have, you don’t deserve to be harassed for making a rational parenting choice.” It’s funny, but in all the time that had passed, I had never thought about what was happening in quite those terms—as harassment. When a person intimidates, insults, verbally abuses, or demeans a woman on the street, in the bedroom, at the office, in the classroom, it’s harassment. When a woman is intimidated or insulted or abused because of the way she dresses or her sexual habits or her outspokenness on social media, she is experiencing harassment. But when a mother is intimidated, insulted, abused, or demeaned because of the way she is mothering, we call it concern or, at worst, nosiness. A mother, apparently, cannot be harassed. A mother can only be corrected.
Kim Brooks (Small Animals: Parenthood in the Age of Fear)
Sipe called the priesthood a “homosocial culture. All the values within the culture are male, and the reason there has been such a tolerance across the board of sexual activity by priests or bishops is that there is a boys-will-be-boys atmosphere. It’s kind of a spiritual fraternity—like a college fraternity, but with a spiritual aura around it.
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
We can ill afford to wait until we have worked through all our memories & feelings about incest before learning to rest & play. While it may seem to be a natural impulse to get to the bottom of things & purge ourselves fully, we need to regularly examine the full picture of our lives for balance along the way…Learning to rest & play is an essential part of our healing.
Maureen Brady (Beyond Survival: A Writing Journey for Healing Childhood Sexual Abuse)
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me. My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand. If I pushed her down across my knees, I could spank her ass. She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?” “Did you send me a potato?” Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?” “Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?” Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?” “Yeeeess. The note says to call you before I open it. Why am I afraid?” Kristen giggled. “Open it now. Is Brandon with you?” “Yes, he’s with me. He’s shaking his head.” I could picture his face, that easy smile on his lips. “Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!” Kristen rolled forward, putting her forehead to my shoulder in laughter. “I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!” Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though. “Wait, who’s with you?” Sloan asked. Kristen wiped at her eyes. “Josh is here.” “Didn’t he have a date tonight? Brandon told me he had a date.” “He did, but he came back over after.” “He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting. Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering. “And what did you two talk about?” I asked, arching an eyebrow. I liked that she’d talked about me. Liked it a lot. “Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.” A hot fireman like you.I did my best to hide my smirk. “So do you do this to Sloan a lot?” I asked. “All the time. I love messing with her. She’s so easily worked up.” She reached for her beer. I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?” She took a swig of her beer. “With the fan on medium.” My laugh came so hard Stuntman Mike looked up and cocked his head at me. She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?” “Those candles are a huge fire hazard.” I tipped my beer toward the screen. “Right? And try getting wax out of the carpet. Good luck with that.” I looked at the side of her face. “So what do you think is romantic?” “Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
The awe of a naked female body is different, I thought, completely different. Naked girls exist almost exclusively, and for the longest time, in pictures. Movies, ads, porn. Moving or still images revealing what can only be guessed, grazed, or mentally drawn. Sleeping with a girl is bringing the uncommon, the extraordinary, into the very common: your bed, your body, your hands. Sex with a man, I realized, is initially the opposite. The very common nakedness of guys, glanced at, studiously ignored, forced upon you in locker rooms, sleepovers and showers, is thrown at you in the most uncommon, the most extraordinary setting: a forbidden and overpowering sexual disorientation. When you first sleep with a girl, you get the affirming feeling you’ve arrived. When you first sleep with a guy, you are drunk with displacement.
Benjamin Ashton (How Far Into the Trees)
sexuality isn’t ancillary to Christianity, in the way some other cultural or political issues are. Marriage and sex point, the Bible says, to a picture of the gospel itself, the union of Christ and his church. This is why the Bible spends so much time, as some critics would put it, “obsessed” with sex. That’s why, historically, churches that liberalize on sex tend to liberalize themselves right out of Christianity itself.
Russell D. Moore
We fell in love with that little peep-show projection on the inside of an iris, pictures that amount to nothing more than the thirsty moon over a spot of bloody ground. Those weren’t the nothings we restless sleepwalkers knew, no place no home no song. So we heard her and we followed until she went where we couldn't follow. She went down beyond the mountains and disappeared between the crease of sky and land, like a great eyelid folding shut. No one knows what happened out in the Black Hills, but I imagine she lies buried in a rusty coffin under the stars. And on nights when the desert crickets sing her tune, they say one day she will rise again. On that day, there is no telling the kind of vengeance she'll demand of us. Fair is fair. They say when she fell from Heaven she wore a crown of jagged stars that slit the skies throat. They say she loved them all, in the secret corners of their shallow sleep. Strangers, at the last. They say a lot of things. They’re all lies. Everything is already written.
James Curcio (Party at the World’s End)
People who think that queer life consists of sex without intimacy are usually seeing only a tiny part of the picture, and seeing it through homophobic stereotype. The most fleeting sexual encounter is, in its way intimate. And in the way many gay men and lesbians live, quite casual sexual relations can develop into powerful and enduring friendships. Friendships, in turn, can cross into sexual relations and back. Because gay social life is not as ritualized and institutionalized as straight life, each relation is an adventure in nearly un-charted territory—whether it is between two gay men, or two lesbians, or a gay man and a lesbian, or among three or more queers, or between gay men and the straight women whose commitment to queer culture brings them the punishment of the "fag hag" label. There are almost as many kinds of relationship as there are people in combination. Where there are -patterns, we learn them from other queers, not from our-parents or schools or the state. Between tricks and lovers and exes and friends and fuckbuddies and bar friends and bar friends' tricks and tricks' bar friends and gal pals and companions "in the life," queers have an astonishing range of intimacies. Most have no labels. Most receive no public recognition. Many of these relations are difficult because the rules have to be invented as we go along. Often desire and unease add to their intensity, and their unpredictability. They can be complex and bewildering, in a way that arouses fear among many gay people, and tremendous resistance and resentment from many straight people. Who among us would give them up? Try standing at a party of queer friends and charting all the histories, sexual and nonsexual, among the people in the room. (In some circles this is a common party sport already.) You will realize that only a fine and rapidly shifting line separates sexual culture from many other relations of durability and care. The impoverished vocabulary of straight culture tells us that people should be either husbands and wives or (nonsexual) friends. Marriage marks that line. It is not the way many queers live. If there is such a thing as a gay way of life, it consists in these relations, a welter of intimacies outside the framework of professions and institutions and ordinary social obligations. Straight culture has much to learn from it, and in many ways has already begun to learn from it. Queers should be insisting on teaching these lessons. Instead, the marriage issue, as currently framed, seems to be a way of denying recognition to these relations, of streamlining queer relations into the much less troubling division of couples from friends.
Michael Warner (The Trouble with Normal: Sex, Politics, and the Ethics of Queer Life)
I’ll never forget when I was a vocation director, and a college student asked me, ‘What do you do when you get an urge?’ as if no one else would control it but a priest,” Burns said. “Everyone is called to holiness, particularly in their sexual life. How do we manage our sexual desires? By being people of integrity, with respect for other people’s sexuality, and for our own sexuality. Celibacy is a gift we give, in order to live out a service of life for others. It is a call from God. We are meant to be celibate men, working to build a Kingdom, here and now.
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
During this hour in the waking streets I felt at ease, at peace; my body, which I despised, operated like a machine. I was spaced out, the catchphrase my friends at school used to describe their first experiments with marijuana and booze. This buzzword perfectly described a picture in my mind of me, Alice, hovering just below the ceiling like a balloon and looking down at my own small bed where a big man lay heavily on a little girl I couldn’t quite see or recognize. It wasn’t me. I was spaced out on the ceiling. I had that same spacey feeling when I cooked for my father, which I still did, though less often. I made omelettes, of course. I cracked a couple of eggs into a bowl, and as I reached for the butter dish, I always had an odd sensation in my hands and arms. My fingers prickled; it didn’t feel like me but someone else cutting off a great chunk of greasy butter and putting it into the pan. I’d add a large amount of salt — I knew what it did to your blood pressure, and I mumbled curses as I whisked the brew. When I poured the slop into the hot butter and shuffled the frying pan over the burner, it didn’t look like my hand holding the frying-pan handle and I am sure it was someone else’s eyes that watched the eggs bubble and brown. As I dropped two slices of wholemeal bread in the toaster, I would observe myself as if from across the room and, with tingling hands gripping the spatula, folded the omelette so it looked like an apple envelope. My alien hands would flip the omelette on to a plate and I’d spread the remainder of the butter on the toast when the two slices of bread leapt from the toaster. ‘Delicious,’ he’d say, commenting on the food before even trying it.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
These stories are real, the dreams are real, yet the dilemmas each person faces are founded on the presences that haunt from their past. We see again the twin mechanisms present in all relationships: projection and transference. Each of them, meeting any stranger, reflexively scans the data of history for clues, expectations, possibilities. This scanning mechanism is instantaneous, mostly unconscious, and then the lens of history slips over one's eyes. This refractive lens alters the reality of the other and brings to consciousness a necessarily distorted picture. Attached to that particular lens is a particular history, the dynamics, the script, the outcomes of which are part of the transferred package. Freud once humorously speculated that when a couple goes to bed there are six people jammed together because the spectral presences of the parents are unavoidable. One would have to add to this analogy the reminder that those parents also import their own relational complexes from their parents, so we quickly have fourteen underfoot, not to mention the persistence of even more ancestral influences. How could intimate relationships not be congested arenas? As shopworn as the idea seems, we cannot overemphasize the importance of primal imagoes playing a domineering role in our relational patterns. They may be unconscious, which grants them inordinate power, or we may flee them, but they are always present. Thus, for example, wherever the parent is stuck—such as Damon's mother who only equates sexuality with the perverse and the unappealing, and his father who stands de-potentiated and co-opted—so the child will feel similarly constrained or spend his or her life trying to break away (“anything but that”) and still be defined by someone else's journey. How could Damon not feel depressed, then, at his own stuckness, and how could he not approach intimacy with such debilitating ambivalence?
James Hollis (Hauntings: Dispelling the Ghosts Who Run Our Lives)
I recall a discussion with a highly-respected psychotherapist colleague and friend on the significance of the tragedy of Romeo and Juliet. My friend stated that the trouble with Romeo and Juliet was that they hadn't had adequate counseling. If they had had, they would not have committed suicide. Taken aback, I protested that I didn't think that was Shakespeare's point at all, and that Shakespeare, as well as the other classical writers who have created and molded the literature which speaks to us age after age, is in this drama picturing how sexual love can grasp a man and woman and hurl them into heights and depths—the simultaneous presence of which we call tragic. But my friend insisted that tragedy was a negative state and we, with our scientific enlightenment, had superseded it—or at least ought to at the earliest possible moment. I argued with him, as I do here, that to see the tragic in merely negative terms is a profound misunderstanding. Far from being a negation of life and love, the tragic is an ennobling and deepening aspect of our experience of sexuality and love. An appreciation of the tragic not only can help us avoid some egregious oversimplifications in life, but it can specifically protect us against the danger that sex and love will be banalized also in psychotherapy.
Rollo May (Love and Will)
priestly requirement for celibacy—a life without sexual activity of any kind, including masturbation—is not an ancillary part of the job. “The message pretty much is that celibacy is an absolute requirement,” said King. “Everyone has urges. Married people have the same struggles fundamentally. They get to have sex, but they don’t get to have sex with everybody else and still be faithful to their commitment. There isn’t a person alive who isn’t a sexual human being. But we have to manage it in healthy ways. In many ways, married people struggle with this as much as we do. Celibacy is a gift, but it’s not something that most people are cut out for.
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
But I can cite ten other reasons for not being a father." "First of all, I don't like motherhood," said Jakub, and he broke off pensively. "Our century has already unmasked all myths. Childhood has long ceased to be an age of innocence. Freud discovered infant sexuality and told us all about Oedipus. Only Jocasta remains untouchable; no one dares tear off her veil. Motherhood is the last and greatest taboo, the one that harbors the most grievous curse. There is no stronger bond than the one that shackles mother to child. This bond cripples the child's soul forever and prepares for the mother, when her son has grown up, the most cruel of all the griefs of love. I say that motherhood is a curse, and I refuse to contribute to it." "Another reason I don't want to add to the number of mothers," said Jakub with some embarrassment, "is that I love the female body, and I am disgusted by the thought of my beloved's breast becoming a milk-bag." "The doctor here will certainly confirm that physicians and nurses treat women hospitalized after an aborted pregnancy more harshly than those who have given birth, and show some contempt toward them even though they themselves will, at least once in their lives, need a similar operation. But for them it's a reflex stronger than any kind of thought, because the cult of procreation is an imperative of nature. That's why it's useless to look for the slightest rational argument in natalist propaganda. Do you perhaps think it's the voice of Jesus you're hearing in the natalist morality of the church? Do you think it's the voice of Marx you're hearing in the natalist propaganda of the Communist state? Impelled merely by the desire to perpetuate the species, mankind will end up smothering itself on its small planet. But the natalist propaganda mill grinds on, and the public is moved to tears by pictures of nursing mothers and infants making faces. It disgusts me. It chills me to think that, along with millions of other enthusiasts, I could be bending over a cradle with a silly smile." "And of course I also have to ask myself what sort of world I'd be sending my child into. School soon takes him away to stuff his head with the falsehoods I've fought in vain against all my life. Should I see my son become a conformist fool? Or should I instill my own ideas into him and see him suffer because he'll be dragged into the same conflicts I was?" "And of course I also have to think of myself. In this country children pay for their parents' disobedience, and parents for their children's disobedience. How many young people have been denied education because their parents fell into disgrace? And how many parents have chosen permanent cowardice for the sole purpose of preventing harm to their children? Anyone who wants to preserve at least some freedom here shouldn't have children," Jakub said, and fell into silence. "The last reason carries so much weight that it counts for five," said Jakub. "Having a child is to show an absolute accord with mankind. If I have a child, it's as though I'm saying: I was born and have tasted life and declare it so good that it merits being duplicated." "And you have not found life to be good?" asked Bertlef. Jakub tried to be precise, and said cautiously: "All I know is that I could never say with complete conviction: Man is a wonderful being and I want to reproduce him.
Milan Kundera (Farewell Waltz)
Rubens discovered a peculiar thing: memory does not make films, it makes photographs. What he recalled from any of the women were at most a few mental photographs. He didn't recall their coherent motions; he visualized even their short gestures not in all their fluent fullness, but only in the rigidity of a single second. His erotic memory provided him with a small album of pornographic pictures but no pornographic film. And when I say an album of pictures, that is an exaggeration, for all he had was some seven or eight photographs. These photos were beautiful, they fascinated him, but their number was after all depressingly limited: seven, eight fragments of less than a second each, that's what remained in his memory of his entire erotic life, to which he had once decided to devote all his strength and talent. I see Rubens sitting at a table with his head supported on the palm of his hand, looking like Rodin's Thinker. What is he thinking about? If he has made peace with the idea that his life has narrowed down to sexual experiences and these again to only seven still pictures, seven photographs, he would at least like to hope that in some corner of his memory there may be concealed some eighth, ninth, or tenth photograph. That's why he is sitting with his head leaning on the palm of his hand. He is once again trying to evoke individual women and find some forgotten photograph for each one of them.
Milan Kundera (Identity)
It's that thing when you are with someone, and you love them and they know it and they love you, you know it. But it's a party, you're both talking to other people and you're laughing and shining ... You look across the room and catch each other's eyes... but-but not because you are possessive or it's precisely sexual .. but because .. that's your person in this life. And it's funny and sad, but only because this life will end, and it's this secret world that exists right there in public, unnoticed, that no one else knows about. It's sort of like how they say that other dimensions exist all around us, but we don't have the ability to perceive them. That's that's what I want out of a relationship. Or just life, I guess
Greta Gerwig (Frances Ha: A Noah Baumbach Picture)
Tentatively, I presented the idea of being naked with Austin to the gallery of my neuroses. It was a loud, raucous meeting. Sex-Drive was bouncing around like a child on Pixy Stix, saying "yes yes yes" over and over again. Vanity suggested that the things in the [safe sex] book would not improve the way I looked in the slightest. Insecurity and Doubt argued over what would be more awful; when Austin saw me naked or when my sexual inexperience made itself evident and he laughed at me. Optimism sulked off to the side because I never listened to it. Prudence recommended tabling the discussion indefinitely. Curiosity wanted to look at the pictures some more. Shyness just sat in the corner, rocking back and forth and crying.
Chris O'Guinn (Exiled to Iowa. Send Help. And Couture.)
The deference that politicians, police, and prosecutors showed the Catholic Church (to which most of them belonged) mirrored a deference shown in the wider society. But the extent of the sexual abuse that spilled out after the Geoghan case, especially the Church’s efforts to buy the silence of the victims, shook to the core even the most devout Catholics in law enforcement and politics. A culture of deference that had taken more than a century to evolve seemed to erode in a matter of weeks. In other parts of the United States, there was a similar change in the way secular power viewed Church authorities. On Long Island, in Cincinnati, and in Philadelphia, district attorneys convened grand juries to investigate the role Church officials may have played in the scandal. Many
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
The male staff all wore gorgeous colored loin cloths that always seem to be about to fall off they’re wonderful hips. Their upper bodies were tanned sculpted and naked. The female staff wore short shorts and silky flowing tops that almost but didn’t expose their young easy breasts. I noticed we only ever encountered male staff, and the men walking through the lobby were always greeted by the female staff. Very ingenious, as Rebecca said later - if we had ticked Lesbians on the form I wonder what would have happened? -There was a place to tick for Lesbians, I said ? -Sexual Persuasion- it was on all the forms -Really. And, how many options were there? -You’re getting the picture, said Jillian. This was not your basic check in procedure as at say a Best Western. Our Doormen/Security Guards , held out our chairs for us to let us sit at the elegant ornate table. Then they poured us tea, and placed before each of us a small bowl of tropical fruit, cut into bite size pieces. Wonderful! Almost immediately a check in person came and sat opposite us at the desk. Again a wonderful example of Island Male talent. (in my mind anyway) We signed some papers, and were each handed an immense wallet of information passes, electronic keys, electronic ID’s we would wear to allow us to move through the park and its ‘worlds’ and a small flash drive I looked at it as he handed it to me, and given the mindset of the Hotel and the murals and the whole ambiance of the place, I was thinking it might be a very small dildo for, some exotic move I was unaware of. -What’s this? I asked him -Your Hotel and Theme Park Guide I looked at it again, huh, so not a dildo.
Germaine Gibson (Theme Park Erotica)
Wow, Angela and Holly,” Ash said, sounding awed. “Hot.” “Excuse me, what is wrong with you?” Kami demanded. “Other people’s sexuality is not your spectator sport.” Ash paused. “Of course,” he said. “But—” “No!” Kami exclaimed. “No buts. That’s my best friend you’re talking about. Your first reaction should not be ‘Hot.’ ” “It’s not an insult,” Ash protested. “Oh, okay,” Kami said. “In that case, you’re going to give me a minute. I’m picturing you and Jared. Naked. Entwined.” There was a pause. Then Jared said, “He is probably my half brother, you know.” “I don’t care,” Kami informed him. “All you are to me are sex objects that I choose to imagine bashing together at random. Oh, there you go again, look at that, nothing but Lynburn skin as far as the mind’s eye can see. Masculine groans fill the air, husky and—” “Stop it,” Ash said in a faint voice. “That isn’t fair.” Behind them, Jared was laughing. Kami glanced back at him and caught his eye: for once, it made her smile, as if amusement could still travel back and forth like a spark between them. “Ash is right, this is totally unfair,” Jared told her. “If you insist on this—” “Oh, I do,” Kami assured him. “Then I insist on hooking up with Rusty instead of Ash. It’s the least you can do.” “Ugh,” Ash protested. “You guys, stop.” “She’s making a point,” Jared said blandly. “I recognize her right to do that. But considering the alternative, I want Rusty.” Ash gave this some thought. “Okay, I’ll have Rusty too.” The sound of the door opening behind them made them all look up the stairs to where Rusty stood, with one eyebrow raised. “Don’t fight, boys,” he remarked mildly. “There’s plenty of Rusty to go around.
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
MAN AS “NIGGER”? In the early years of the women’s movement, an article in Psychology Today called “Women as Nigger” quickly led to feminist activists (myself included) making parallels between the oppression of women and blacks.29 Men were characterized as the oppressors, the “master,” the “slaveholders.” Black congresswoman Shirley Chisholm’s statement that she faced far more discrimination as a woman than as a black was widely quoted. The parallel allowed the hard-earned rights of the civil rights movement to be applied to women. The parallels themselves had more than a germ of truth. But what none of us realized was how each sex was the other’s slave in different ways and therefore neither sex was the other’s “nigger” (“nigger” implies a one-sided oppressiveness). If “masculists” had made such a comparison, they would have had every bit as strong a case as feminists. The comparison is useful because it is not until we understand how men were also women’s servants that we get a clear picture of the sexual division of labor and therefore the fallacy of comparing either sex to “nigger.” For starters . . . Blacks were forced, via slavery, to risk their lives in cotton fields so that whites might benefit economically while blacks died prematurely. Men were forced, via the draft, to risk their lives on battlefields so that everyone else might benefit economically while men died prematurely. The disproportionate numbers of blacks and males in war increases both blacks’ and males’ likelihood of experiencing posttraumatic stress, of becoming killers in postwar civilian life as well, and of dying earlier. Both slaves and men died to make the world safe for freedom—someone else’s.
Warren Farrell (The Myth of Male Power)
All of us, actors and spectators alike, live surrounded by mirrors. In them, we seek reassurance of our capacity to captivate or impress others, anxiously searching out blemishes that might detract from the appearance we intend to project. The advertising industry deliberately encourages this preoccupation with appearances. In the twenties, "the women in ads were constantly observing themselves, ever self-critical. ... A noticeable proportion of magazine ads directed at women depicted them looking into mirrors. . . . Ads of the 1920s were quite explicit about this narcissistic imperative. They unabashedly used pictures of veiled nudes, and women in auto-erotic stances to encourage self-comparison and to remind women of the primacy of their sexuality." A booklet advertising beauty aids depicted on its cover a nude with the caption: "Your Masterpiece-Yourself.
Christopher Lasch (The Culture of Narcissism: American Life in An Age of Diminishing Expectations)
His response to them as sexual beings was one of frenzied worship and idolatry. They were lovely, satisfying, maddening manifestations of the miraculous, instruments of pleasure too powerful to be measured, too keen to be endured, and too exquisite to be intended for employment by base, unworthy man. He could interpret their naked presence in his hands only as a cosmic oversight destined to be rectified speedily, and he was driven always to make what carnal use of them he could in the fleeting moment or two he felt he had before Someone caught wise and whisked them away. He could never decide whether to furgle them or photograph them, for he had found it impossible to do both simultaneously. In fact, he was finding it almost impossible to do either, so scrambled were his powers of performance by the compulsive need for haste that invariably possessed him. The pictures never came out, and Hungry Joe never got in.
Joseph Heller (Catch-22)
Women killed Hungry Joe. His response to them as sexual beings was one of frenzied worship and idolatry. They were lovely, satisfying, maddening manifestations of the miraculous, instruments of pleasure too powerful to be measured, too keen to be endured, and too exquisite to be intended for employment by base, unworthy man. He could interpret their naked presence in his hands only as a cosmic oversight destined to be rectified speedily, and he was driven always to make what carnal use of them he could in the fleeting moment or two he felt he had before Someone caught wise and whisked them away. He could never decide whether to furgle them or photograph them, for he had found it impossible to do both simultaneously. In fact, he was finding it almost impossible to do either, so scrambled were his powers of performance by the compulsive need for haste that invariably possessed him. The pictures never came out, and Hungry Joe never got in.
Joseph Heller (Catch-22)
Modern man is actually close to the picture Huxley describes in his Brave New World: well fed, well clad, satisfied sexually, yet without self, without any except the most superficial contact with his fellow men, guided by the slogans which Huxley formulated so succinctly, such as: “When the individual feels, the community reels”; or “Never put off till tomorrow the fun you can have today,” or, as the crowning statement: “Everybody is happy nowadays.” Man’s happiness today consists in “having fun.” Having fun lies in the satisfaction of consuming and “taking in” commodities, sights, food, drinks, cigarettes, people, lectures, books, movies—all are consumed, swallowed. The world is one great object for our appetite, a big apple, a big bottle, a big breast; we are the sucklers, the eternally expectant ones, the hopeful ones—and the eternally disappointed ones. Our character is geared to exchange and to receive, to barter and to consume; everything, spiritual as well as material objects, becomes an object of exchange and of consumption.
Erich Fromm (The Art of Loving)
Few women anywhere could resist such wily cajolery, and prostitutes would spring to their feet eagerly and hurl themselves into whatever fantastic poses he requested for them. Women killed Hungry Joe. His response to them as sexual beings one of frenzied worship and idolatry. They were lovely, satisfying, maddening manifestations of the miraculous instruments of pleasure too powerful to be measured, to keen to be endured, and too exquisite to be intended for employment by base, unworthy man. He could interpret their naked presence in his hands only as a cosmic oversight destined to be rectified speedily, and he was driven always to make what carnal use of them he could in the fleeting moment or two he felt he head before someone caught wise and whisked them away. He could never decide whether to furgle them or photograph them, for he had found it impossible do both simultaneously. In fact, he was finding it almost impossible to do either, so scrambled were his powers of performance by the compulsive need for haste that invariably possessed him. The pictures never came out, and Hungry Joe never got in.
Joseph Heller (Catch-22)
She rubbed the skin off your headstone of a sternum and painted a sad picture of herself in your eyes. We fell in love with that little peep-show projection on the inside of an iris, pictures that amount to nothing more than the thirsty moon over a spot of bloody ground. Those weren’t the nothings we restless sleepwalkers knew, no place no home no song. So we heard her and we followed until she went where we couldn't follow. She went down beyond the mountains and disappeared between the crease of sky and land, like a great eyelid folding shut. No one knows what happened out in the Black Hills, but I imagine she lies buried in a rusty coffin under the stars. And on nights when the desert crickets sing her tune, they say one day she will rise again. On that day, there is no telling the kind of vengeance she'll demand of us. Fair is fair. They say when she fell from Heaven she wore a crown of jagged stars that slit the skies throat. They say she loved them all, in the secret corners of their shallow sleep. Strangers, at the last. They say a lot of things. They’re all lies. Everything is already written.
James Curcio (Party at the World’s End)
When it comes to porn, women have to be particularly aware of the effect it has on men. While studies have found that both men and women are more open to straying after viewing porn, this impacts men a lot more than women, as does relationship dissatisfaction in general. While many women can watch porn and still maintain intimacy with their partner, men struggle to do the same. Their thoughts are fixated on images more than women's are. One study found that men considered their partners less attractive after viewing sexually explicit pictures of other women. Researchers believe this is because exposure to these images causes men to undergo a kind of rewiring in their brain about what a typical naked body should look like. So while women might be able to view porn and honestly say it doesn't affect how they view their partner, they can't assume the same is true for their guy. He might not admit it or even realize it, but studies have shown this to be true and it fits with a man's highly visual nature. If a woman doesn't want another woman in her partner's thoughts, she shouldn't tolerate him watching porn - not when he's alone or even with her.
Pamela Anderson (Lust for Love: Rekindling Intimacy and Passion in Your Relationship)
All the while, he was conscious of the sound of water. Dahlia was taking a shower. No matter how hard he tried to prevent it, his imagined insisted on conjuring up a vivid picture of Dahlia naked, wet, her hair slick and her face turned up to the hot spray. He closed his eyes against the image and groaned softly. Where had all his self-discipline gone? His tremendous control? He couldn’t blame energy, sexual or otherwise, for his fantasies. It was the glimpse of her bare bottom, the curve of her hip. Her bare breasts gleaming at him in the sun. Or maybe it was her smile. She didn’t smile often, but when she did, Nicolas could swear it was for him alone, no one else. And then there was her skin . . . “Hey! Lover boy! Stop mooning around and hit the shower. You smell like a swamp rat, and it just doesn’t do a thing to put me in the mood.” Dahlia stood in the doorway, a towel wrapped around her like a sarong. Her hair was up in a towel and she was dripping water all over the floor. She’d obviously come downstairs straight from her shower to scold him for his indiscretions, but changed her mind. “You’re not helping me with my overactive imagination,” he pointed out as he walked toward her.
Christine Feehan (Mind Game (GhostWalkers, #2))
Sometimes this disease reminds me of a Stellar’s jay.” And Zach, sweet Zach, says, “That was well put, Renny,” and winks kindly at her. She tries to stop the smile but it’s too late. She curled her hair this morning with pink plastic curlers and she’s glad she did that because what- oh-what source of joy is there left for her in this world? She is not interested in men and their sexual needs (oh, what a relief, when she took Ben’s hand off her breast decades ago and told him that she was just done with that stuff), but she could use a friend, maybe even a friend that would rub her stiff shoulders and hold her hand, and it might as well be a man since she can’t picture wanting a woman to touch her. Everyone is still smiling at her. Smiling extra hard. She is an honored martyr. She knows that they know. That she has already lost a daughter. And on top of this she has Ben, whose speech and thought has quite suddenly taken a turn for the worse. So she gets an especially high grade for her suffering. And that’s what humans want. To feel special. Even for stupid reasons. Bastards, all of them, she says to herself, to the friendly and smiling faces, all bastards except for maybe Zach. Maybe she hates them all.
Laura Pritchett (Stars Go Blue)
Is this true?" Suzette asked, sounding like a suspicious nanny. It was a tone Daniel had heard often as a child, though from his mother, not a nanny. They hadn't been able to afford a nanny. Oddly enough, he suddenly found himself imagining Suzette as that nonexistent nanny, though really the gown he pictured her in as that nanny was nothing a respectable nanny would wear and covered less than it revealed as she approached him in his mind with a naughty smile and a spanking paddle in hand. "Spank me," he breathed on a sigh, and then muttered, "Better yet,let me spank you." A vision immediately rose in his mind of her turning and slowly pulling up her scandalously short, ankle-revealing skirt to present him with a view of her very fine bottom. That vision died an abrupt death when Richard's voice intruded, soaked with melodrama as he said, "Guilt can lead a man to act like an ass and do the most foolish of things." Daniel almost snorted at that. He was standing there in a dark room all but dancing with a dead man while having the most ridiculous sexual fantasies about Suzette. All this wile waiting to be able to slip out of the house undiscovered. Oh yes, guilt-and many other emotions-made a man do foolish things.
Lynsay Sands (The Heiress (Madison Sisters, #2))
The photographer was taking pictures with a small pocket camera but the sergeant sent him back to the car for his big Bertillon camera. Grave Digger and Coffin Ed left the cellar to look around. The apartment was only one room wide but four storeys high. The front was flush with the sidewalk, and the front entrance elevated by two recessed steps. The alleyway at the side slanted down from the sidewalk sufficiently to drop the level of the door six feet below the ground-floor level. The cellar, which could only be entered by the door at the side, was directly below the ground-floor rooms. There were no apartments. Each of the four floors had three bedrooms opening on to the public hall, and to the rear was a kitchen and a bath and a separate toilet to serve each floor. There were three tenants on each floor, their doors secured by hasps and staples to be padlocked when they were absent, bolts and chains and floor locks and angle bars to protect them from intruders when they were present. The doors were pitted and scarred either because of lost keys or attempted burglary, indicating a continuous warfare between the residents and enemies from without, rapists, robbers, homicidal husbands and lovers, or the landlord after his rent. The walls were covered with obscene graffiti, mammoth sexual organs, vulgar limericks, opened legs, telephone numbers, outright boasting, insidious suggestions, and impertinent or pertinent comments about various tenants’ love habits, their mothers and fathers, the legitimacy of their children. “And people live here,” Grave Digger said, his eyes sad. “That’s what it was made for.” “Like maggots in rotten meat.” “It’s rotten enough.” Twelve mailboxes were nailed to the wall in the front hall. Narrow stairs climbed to the top floor. The ground-floor hallway ran through a small back courtyard where four overflowing garbage cans leaned against the wall. “Anybody can come in here day or night,” Grave Digger said. “Good for the whores but hard on the children.” “I wouldn’t want to live here if I had any enemies,” Coffin Ed said. “I’d be scared to go to the john.” “Yeah, but you’d have central heating.” “Personally, I’d rather live in the cellar. It’s private with its own private entrance and I could control the heat.” “But you’d have to put out the garbage cans,” Grave Digger said. “Whoever occupied that whore’s crib ain’t been putting out any garbage cans.” “Well, let’s wake up the brothers on the ground floor.” “If they ain’t already awake.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Incubus?" I asked Ben. He nodded grimly. "A lost soul-usually male-turned evil spirit that attaches itself to someone in order to lead her astray. The spirit is kind of...sexual in nature." He reddened and gestured to the picture. "Like it shows there. The incubus comes to a woman and has...you know...relations with her in her sleep." My jaw dropped, and I was glad Ben's eyes were averted as an exhilarating stream of images from my dreams flashed at super-speed through my head. I didn't realize I'd been holding my breath until it came out in a whoosh that I tried to pass off as a laugh. "It's not funny, Clea." "It's insane. Even if there were such a thing as an evil spirit, wouldn't it be obvious if I'd spent my whole life stalked by one? Wouldn't terrible things have happened to me?" "Maybe they will. Maybe he's just been waiting for the right time. Maybe that time is now, and that's why all of a sudden you see him everywhere." "So he's a patient evil spirit," I said sarcastically. "Know what else comes from the same Latin root as 'incubus'?" Ben retorted. "Incubate. I don't think it's coincidence. I think this...thing has been incubating, and now it's ready to come out and do whatever it's going to do. And I think your dad would agree with me.
Hilary Duff (Elixir (Elixir, #1))
Male power and patriarchy are clearly part of the picture. Men historically created the workplace rules and influenced social norms that overlooked sexual harassment. An evolutionary perspective highlights an underlying sexual psychology that influences these male-biased practices. Studies by psychologist John Bargh and his colleagues, for example, explored the unconscious links between power and sex.25 One study found that men experienced an unconscious association between the concepts of power and sex, but this occurred only for men who scored high on a “likelihood to sexually harass” scale. In these men’s minds, concepts like “authority” and “boss” were automatically linked with concepts like “foreplay,” “bed,” and “date.” Their second study primed men to think about power and subsequently asked them to rate the attractiveness of a female confederate in the room who the men believed was just another study participant. Again, only men scoring high in likelihood to sexually harass viewed the woman as especially attractive and expressed a desire to get to know her. In short, power and sex are linked, but primarily in the minds of a subset of men. This may explain why only a minority of men in positions of power over women sexually harass them; many men with power do not.
David M. Buss (When Men Behave Badly: The Hidden Roots of Sexual Deception, Harassment, and Assault)
There's mainstream pornography--soft-core airbrushed fluff such as Penthouse and Playboy. The folks makin' this stuff do men and their range of desires a disservice; their implication is that anything outside the "big hair, fake tits, tiny waste, no pores, limited body hair" aesthetic is deviant, weird, not normal--and not something that a red-blooded American man would be interested in. The common boys-will-be-boys explanation for porn--that men get turned on visually (in contrast to "feminine" mode of arousal, which is mental and emotional)--is nothing more than an insult, making men out to be Pavlovian dogs who salivate uncontrollably and strain at their trousers upon contact with nudie pictures. Antiporn arguments, however well-meaning, are no better. Folks like Catherine MacKinnon also believe that men are inherently drawn to porn. And to them, porn is by definition violent, suggesting that it's somehow in men's nature to be aroused by hurting others. Furthermore, antipornography activists think that porn leads men to commit violence--as if men have no self-control or capacity to separate fantasy from reality, as if an erection is a driving force that can't be stopped once it's started... The only difference is one of perspective: Antiporn folk believe that male sexuality is always threatening, while men's-magazine editors think it's always fabulous.
Lisa Jervis (BITCHfest: Ten Years of Cultural Criticism from the Pages of Bitch Magazine)
Turing was offered a choice: imprisonment or probation contingent on receiving hormone treatments via injections of a synthetic estrogen designed to curb his sexual desires, as if he were a chemically controlled machine. He chose the latter, which he endured for a year. Turing at first seemed to take it all in stride, but on June 7, 1954, he committed suicide by biting into an apple he had laced with cyanide. His friends noted that he had always been fascinated by the scene in Snow White in which the Wicked Queen dips an apple into a poisonous brew. He was found in his bed with froth around his mouth, cyanide in his system, and a half-eaten apple by his side. Was that something a machine would have done? I. Stirling’s formula, which approximates the value of the factorial of a number. II. The display and explanations of the Mark I at Harvard’s science center made no mention of Grace Hopper nor pictured any women until 2014, when the display was revised to highlight her role and that of the programmers. III. Von Neumann was successful in this. The plutonium implosion design would result in the first detonation of an atomic device, the Trinity test, in July 1945 near Alamogordo, New Mexico, and it would be used for the bomb that was dropped on Nagasaki on August 9, 1945, three days after the uranium bomb was used on Hiroshima. With his hatred of both the Nazis and the Russian-backed communists, von Neumann became a vocal proponent of atomic weaponry.
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
Multi-generational sexual child abuse is such a common cause of the proliferation of pedophilia that Hitler/Himmler research focused on this genetic trait for mind control purposes. While I personally could not relate to the idea of sex with a child, I had parents and brothers and sisters who did. I still believe that George Bush revealed today’s causation of the rapid rise in pedophilia through justifications I heard him state. The rape of a child renders them compliant and receptive to being led without question. This, Bush claims, would cause them to intellectually evolve at a rate rapid enough to “bring them up to speed” to grasp the artificial intelligence emanating from DARPA. He believed that this generation conditioned with photographic memory through abuse was necessary for a future he foresaw controlled by technology. Since sexual abuse enhanced photographic memory while decreasing critical analysis and free thought, there would ultimately be no free will soul expression controlling behavior. In which case, social engineering was underway to create apathy while stifling spiritual evolution. Nevertheless, to short sighted flat thinking individuals such as Bush, spiritual evolution was not a consideration anyway. Instead, controlling behavior in a population diminished by global genocide of ‘undesirables’ would result in Hitler’s ‘superior race’ surviving to claim the earth. Perceptual justifications such as these that were discussed at the Bohemian Grove certainly did not provide me with the complete big picture. It did, however, provide a view beyond the stereotyped child molester in a trench coat that helped in understanding the vast crimes and cover-ups being discussed at this seminar in Houston.
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
Like all disappearing forms, art seeks to duplicate itself by means of simulation, but it will nevertheless soon be gone, leaving behind an immense museum of artificial art and abandoning the field completely to advertising. A dizzying eclecticism of form, a dizzying eclecticism of pleasure - such, already, was the agenda of the baroque. For the baroque, however, the vortex of artifice has a fleshly aspect. Like the practitioners of the baroque, we too are irrepressible creators of images, but secretly we are iconoclasts - not in the sense that we destroy images, but in the sense that we manufacture a profusion of images in which there is nothing to see. Most present-day images - be they video images, paintings, products of the plastic arts, or audiovisual or synthesized images - are literally images in which there is nothing to see. They leave no trace, cast no shadow, and have no consequences. The only feeling one gets from such images is that behind each one there is something that has disappeared. The fascination of a monochromatic picture is the marvellous absence of form - the erasure, though still in the form of art, of all aesthetic syntax. Similarly, the fascination of trans sexuality is the erasure - though in the form of spectacle - of sexual difference. These are images that conceal nothing, that reveal nothing - that have a kind of negative intensity. The only benefit of a Campbell's soup can by Andy Warhol (and it is an immense benefit) is that it releases us from the need to decide between beautiful and ugly, between real and unreal, between transcendence and immanence. Just as Byzantine icons made it possible to stop asking whether God existed - without, for all that, ceasing to believe in him.
Jean Baudrillard (The Transparency of Evil: Essays in Extreme Phenomena)
My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
You were taught that even when the charism of celibacy and chastity is present and embraced, the attractions, the impulses, the desires will still be present. So the first thing you need to do is be aware that you are a human being, and no matter how saintly or holy you are, you will never remove yourself from those passions. But the idea was making prudent choices. You just walk away. Celibacy is a radical call, and you’ve made a decision not to act on your desire.” Today, seminaries say they screen applicants rigorously. In Boston, for example, a young man must begin conversations with the vocations director a year before applying for admissions, and then the application process takes at least four months. Most seminaries require that applicants be celibate for as long as five years before starting the program, just to test out the practice, and students are expected to remain celibate throughout seminary as they continue to discern whether they are cut out to lead the sexless life of an ordained priest. Some seminaries screen out applicants who say they are sexually attracted to other men, but most do not, arguing that there is no evidence linking sexual orientation to one’s ability to lead a celibate life. The seminaries attempt to weed out potential child abusers, running federal and local criminal background checks, but there is currently no psychological test that can accurately predict whether a man who has never sexually abused a child is likely to do so in the future. So seminary officials say that in the screening process, and throughout seminary training, they are alert to any sign that a man is not forming normal relationships with adults, or seems abnormally interested in children. Many potential applicants are turned away from seminaries, and every year some students are forced out. “Just because there’s a shortage doesn’t mean we should lessen our standards,” said Rev. Edward J. Burns,
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
Birth and death belong equally to life, and hold the balance as mutual conditions of each other, or, if the expression be preferred, as poles of the whole phenomenon of life. The wisest of all mythologies, the Indian, expresses this by giving to the very god who symbolizes —destruction and death (just as Brahma, the most sinful and lowest god of the Trimurti, symbolizes generation, origination, and Vishnu preservation), by giving, I say, to Shiva as an attribute not only the necklace of skulls, but also the lingam, that symbol of generation which appears as the counterpart of death. In this way it is intimated that generation and death are essential correlatives which reciprocally neutralize and eliminate each other. It was precisely the same sentiment that prompted the Greeks and Romans to adorn the costly sarcophagi, just as we still see them, with feasts, dances, marriages, hunts, fights between wild beasts, bacchanalia, that is with presentations of life’s most powerful urge. This they present to us not only through such diversions and merriments, but even in sensual groups, to the point of showing us the sexual intercourse between satyrs and goats. The object was obviously to indicate with the greatest emphasis from the death of the mourned individual the immortal life of nature, and thus to intimate, although without abstract knowledge, that the whole of nature is the phenomenon, and also the fulfilment, of the will-to-live. Now man is nature herself, and indeed nature at the highest grade of her self-consciousness, but nature is only the objectified will-to-live; the person who has grasped and retained this point of view may certainly and justly console himself for his own death and for that of his friends by looking back on the immortal life of nature, which he himself is. Consequently, Shiva with the lingam is to be understood in this way, and so are those ancient sarcophagi that with their pictures of glowing life exclaim to the lamenting beholder: Natura non contristatur (Nature is not grieved.).
Arthur Schopenhauer
Some raised a more practical concern, arguing that if Rome really wanted to empty seminaries of gay men—a proposal under consideration at the Vatican—it would face more empty rectories and more barren altars. Some Church experts estimate that from 30 percent to fully one half of the forty-five thousand U.S. priests are gay. “If they were to eliminate all those who were homosexually oriented, the number would be so staggering that it would be like an atomic bomb. It would do the same damage to the Church’s operation,” Sipe said. “And it’s very much against the tradition of the Church. Many saints had a gay orientation. And many popes had gay orientations. Discriminating against orientation is not going to solve the problem.” But the issue was now on the table. At the Vatican meeting, Bishop Wilton D. Gregory of Belleville, Illinois, president of the U.S. Conference of Catholic Bishops, told reporters that he was concerned about the increasing number of gays in the priesthood. “One of the difficulties we do face in seminary life or recruitment is when there does exist a homosexual atmosphere or dynamic that makes heterosexual men think twice” about joining the priesthood for fear that they’ll be harassed. “It is an ongoing struggle. It is most importantly a struggle to make sure that the Catholic priesthood is not dominated by homosexual men [and] that the candidates that we receive are healthy in every possible way—psychologically, emotionally, spiritually, intellectually.” And Cardinal Adam J. Maida of Detroit argued that clergy sexual abuse is “not truly a pedophilia-type problem but a homosexual-type problem.… We have to look at this homosexual element as it exists, to what extent it is operative in our seminaries and our priesthood and how to address it.” Bishops need to “cope with and address” the extent of a homosexual presence in Catholic seminaries, he said. Cardinal Anthony J. Bevilacqua of Philadelphia said he wouldn’t let gay men become priests. “We feel that a person who is homosexually oriented is not a suitable candidate for the priesthood even if he has never committed any homosexual act,” he said.
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
The morning was already setting up to be hectic, and Jon thanked his lucky stars that Jessie was so good at his job and a constant spark-plug of activity. Oh god, you did not just think Jessie was a spark-plug? You really are getting old. Next thing you know you’ll being saying whipper-snappers and break a hip getting out of bed. He shook his head. I guess I had a good run. Jessie quickly re-entered the office. “Alright. Elisabeth has her caffeine fix and said she’ll be down to say goodbye in a few. So let’s get this bad boy going for the week. Travel plans are done for next month and meetings for the week are in you planner so I’m assuming they’ll be no more complaining about flying coach class this time?” Jessie gave a sly wink and kept organizing his desk. “Yes. And for that I thank you for that my color-coding, hyper computer organized planner. We have to make sure the next presentation for Chicago is ready in three weeks; the storyboards for the new campaign ideas have to be finished by Tuesday the 16th so we can get them shipped before I head out there.” “And let’s not forget our important morning ritual.” Jon looked at Jessie with a question about to form before the realization hit him. His expression changed from confused to stern. “No cat videos Jessie. I swear. Enough of the cat videos.” “C’mon. You know you love them and they brighten your dour moods. Look at this one.” Jessie turned his screen and Jon begrudgingly looked at the cute little puppy and kitten with captions over them. “How can you not love this?” Jessie smiled. “The cute little kitty tells the playful puppy not to do it and yet the puppy bonks the little kitty on the head with his little puppy paw. “Boop Boop.” And then the cat swipes at the puppy and it falls off the bed. You know this is internet gold.” Jon smiled. “Can we get back to work?” Jessie nodded and then walked up to Jon - without hesitating, he bonked him lightly on the head. “Boop.” He paused and added, “I think this puppy is onto something.” Jessie grinned ear to ear still. “I pledge, from now on if something makes me as happy as this bonking picture I’m just going to say Boop boop.” Jon stood stone-faced but a second later, could not stop his smile. “I am not amused.” Jon shook the smile away. “Now, if you’re done boop booping me, there is something else I want to talk with you about.” Jessie looked at Jon with a quizzical smile. “Not to blow my own horn but I have a new and brilliant thought my young apprentice.” Jessie opened his mouth to comment on the blowing horn, but Jon held up his hand and cut him off. “Stop it.” Jessie closed his mouth and swallowed the sexual innuendo-laced comment he had forming on the tip of his tongue.
Matthew Alan
Auto-Zoomar. Talbert knelt in the a tergo posture, his palms touching the wing-like shoulder blades of the young woman. A conceptual flight. At ten-second intervals the Polaroid projected a photograph on to the screen beside the bed. He watched the auto-zoom close in on the union of their thighs and hips. Details of the face and body of the film actress appeared on the screen, mimetized elements of the planetarium they had visited that morning. Soon the parallax would close, establishing the equivalent geometry of the sexual act with the junctions of this wall and ceiling. ‘Not in the Literal Sense.’Conscious of Catherine Austin’s nervous hips as she stood beside him, Dr Nathan studied the photograph of the young woman. ‘Karen Novotny,’ he read off the caption. ‘Dr Austin, may I assure you that the prognosis is hardly favourable for Miss Novotny. As far as Talbert is concerned the young woman is a mere modulus in his union with the film actress.’ With kindly eyes he looked up at Catherine Austin. ‘Surely it’s self-evident - Talbert’s intention is to have intercourse with Miss Taylor, though needless to say not in the literal sense of that term.’ Action Sequence. Hiding among the traffic in the near-side lane, Koester followed the white Pontiac along the highway. When they turned into the studio entrance he left his car among the pines and climbed through the perimeter fence. In the shooting stage Talbert was staring through a series of colour transparencies. Karen Novotny waited passively beside him, her hands held like limp birds. As they grappled he could feel the exploding musculature of Talbert’s shoulders. A flurry of heavy blows beat him to the floor. Vomiting through his bloodied lips, he saw Talbert run after the young woman as she darted towards the car. The Sex Kit.‘In a sense,’ Dr Nathan explained to Koester, ‘one may regard this as a kit, which Talbert has devised, entitled “Karen Novotny” - it might even be feasible to market it commercially. It contains the following items: (1) Pad of pubic hair, (2) a latex face mask, (3) six detachable mouths, (4) a set of smiles, (5) a pair of breasts, left nipple marked by a small ulcer, (6) a set of non-chafe orifices, (7) photo cut-outs of a number of narrative situations - the girl doing this and that, (8) a list of dialogue samples, of inane chatter, (9) a set of noise levels, (10) descriptive techniques for a variety of sex acts, (11) a torn anal detrusor muscle, (12) a glossary of idioms and catch phrases, (13) an analysis of odour traces (from various vents), mostly purines, etc., (14) a chart of body temperatures (axillary, buccal, rectal), (15) slides of vaginal smears, chiefly Ortho-Gynol jelly, (16) a set of blood pressures, systolic 120, diastolic 70 rising to 200/150 at onset of orgasm . . . ’ Deferring to Koester, Dr Nathan put down the typescript. ‘There are one or two other bits and pieces, but together the inventory is an adequate picture of a woman, who could easily be reconstituted from it. In fact, such a list may well be more stimulating than the real thing. Now that sex is becoming more and more a conceptual act, an intellectualization divorced from affect and physiology alike, one has to bear in mind the positive merits of the sexual perversions. Talbert’s library of cheap photo-pornography is in fact a vital literature, a kindling of the few taste buds left in the jaded palates of our so-called sexuality.
J.G. Ballard (The Atrocity Exhibition)
ever. Amen. Thank God for self-help books. No wonder the business is booming. It reminds me of junior high school, where everybody was afraid of the really cool kids because they knew the latest, most potent putdowns, and were not afraid to use them. Dah! But there must be another reason that one of the best-selling books in the history of the world is Men Are From Mars, Women Are From Venus by John Gray. Could it be that our culture is oh so eager for a quick fix? What a relief it must be for some people to think “Oh, that’s why we fight like cats and dogs, it is because he’s from Mars and I am from Venus. I thought it was just because we’re messed up in the head.” Can you imagine Calvin Consumer’s excitement and relief to get the video on “The Secret to her Sexual Satisfaction” with Dr. GraySpot, a picture chart, a big pointer, and an X marking the spot. Could that “G” be for “giggle” rather than Dr. “Graffenberg?” Perhaps we are always looking for the secret, the gold mine, the G-spot because we are afraid of the real G-word: Growth—and the energy it requires of us. I am worried that just becoming more educated or well-read is chopping at the leaves of ignorance but is not cutting at the roots. Take my own example: I used to be a lowly busboy at 12 East Restaurant in Florida. One Christmas Eve the manager fired me for eating on the job. As I slunk away I muttered under my breath, “Scrooge!” Years later, after obtaining a Masters Degree in Psychology and getting a California license to practice psychotherapy, I was fired by the clinical director of a psychiatric institute for being unorthodox. This time I knew just what to say. This time I was much more assertive and articulate. As I left I told the director “You obviously have a narcissistic pseudo-neurotic paranoia of anything that does not fit your myopic Procrustean paradigm.” Thank God for higher education. No wonder colleges are packed. What if there was a language designed not to put down or control each other, but nurture and release each other to grow? What if you could develop a consciousness of expressing your feelings and needs fully and completely without having any intention of blaming, attacking, intimidating, begging, punishing, coercing or disrespecting the other person? What if there was a language that kept us focused in the present, and prevented us from speaking like moralistic mini-gods? There is: The name of one such language is Nonviolent Communication. Marshall Rosenberg’s Nonviolent Communication provides a wealth of simple principles and effective techniques to maintain a laser focus on the human heart and innocent child within the other person, even when they have lost contact with that part of themselves. You know how it is when you are hurt or scared: suddenly you become cold and critical, or aloof and analytical. Would it not be wonderful if someone could see through the mask, and warmly meet your need for understanding or reassurance? What I am presenting are some tools for staying locked onto the other person’s humanness, even when they have become an alien monster. Remember that episode of Star Trek where Captain Kirk was turned into a Klingon, and Bones was freaking out? (I felt sorry for Bones because I’ve had friends turn into Cling-ons too.) But then Spock, in his cool, Vulcan way, performed a mind meld to determine that James T. Kirk was trapped inside the alien form. And finally Scotty was able to put some dilithium crystals into his phaser and destroy the alien cloaking device, freeing the captain from his Klingon form. Oh, how I wish that, in my youth or childhood,
Kelly Bryson (Don't Be Nice, Be Real)
No words need be wasted over the fact that all these narcotics are harmful. The question whether even a small quantity of alcohol is harmful or whether the harm results only from the abuse of alcoholic beverages is not at issue here. It is an established fact that alcoholism, cocainism, and morphinism are deadly enemies of life, of health, and of the capacity for work and enjoyment; and a utilitarian must therefore consider them as vices. But this is far from demonstrating that the authorities must interpose to suppress these vices by commercial prohibitions, nor is it by any means evident that such intervention on the part of the government is really capable of suppressing them or that, even if this end could be attained, it might not therewith open up a Pandora's box of other dangers, no less mischievous than alcoholism and morphinism. Whoever is convinced that indulgence or excessive indulgence in these poisons is pernicious is not hindered from living abstemiously or temperately. This question cannot be treated exclusively in reference to alcoholism, morphinism, cocainism, etc., which all reasonable men acknowledge to be evils. For if the majority of citizens is, in principle, conceded the right to impose its way of life upon a minority, it is impossible to stop at prohibitions against indulgence in alcohol, morphine, cocaine, and similar poisons. Why should not what is valid for these poisons be valid also for nicotine, caffeine, and the like? Why should not the state generally prescribe which foods may be indulged in and which must be avoided because they are injurious? In sports too, many people are prone to carry their indulgence further than their strength will allow. Why should not the state interfere here as well? Few men know how to be temperate in their sexual life, and it seems especially difficult for aging persons to understand that they should cease entirely to indulge in such pleasures or, at least, do so in moderation. Should not the state intervene here too? More harmful still than all these pleasures, many will say, is the reading of evil literature. Should a press pandering to the lowest instincts of man be allowed to corrupt the soul? Should not the exhibition of pornographic pictures, of obscene plays, in short, of all allurements to immorality, be prohibited? And is not the dissemination of false sociological doctrines just as injurious to men and nations? Should men be permitted to incite others to civil war and to wars against foreign countries? And should scurrilous lampoons and blasphemous diatribes be allowed to undermine respect for God and the Church? We see that as soon as we surrender the principle that the state should not interfere in any questions touching on the individual's mode of life, we end by regulating and restricting the latter down to the smallest detail. The personal freedom of the individual is abrogated. He becomes a slave of the community, bound to obey the dictates of the majority. It is hardly necessary to expatiate on the ways in which such powers could be abused by malevolent persons in authority. The wielding, of powers of this kind even by men imbued with the best of intentions must needs reduce the world to a graveyard of the spirit. All mankind's progress has been achieved as a result of the initiative of a small minority that began to deviate from the ideas and customs of the majority until their example finally moved the others to accept the innovation themselves. To give the majority the right to dictate to the minority what it is to think, to read, and to do is to put a stop to progress once and for all. Let no one object that the struggle against morphinism and the struggle against "evil" literature are two quite different things. The only difference between them is that some of the same people who favor the prohibition of the former will not agree to the prohibition of the latter.
Ludwig von Mises (Liberalism: The Classical Tradition)
At Abu Ghraib, several prisoners mixed it up with guards on October 18, 2003, led by a detainee with a smuggled pistol. A few of the MPs chose their own countermeasure, not unlike the 1-8 Infantry soldiers at the Tigris River. That night, five enlisted MPs pulled twelve Iraqi prisoners from their cells. They stripped the captives naked and then piled them in sexually humiliating positions. A week or so later, the same guards put a hooded man on a box with fake electrodes clipped on his fingers; the prisoner was told the wires were real, and if he stepped off the box, he’d be electrocuted. Three days later, the same MPs again stripped prisoners and put them in sexually embarrassing poses. This incident also involved K-9 police dogs. A trio of military intelligence soldiers participated. These abuses were not linked to any interrogation. The soldiers later explained that they were teaching the Iraqis a lesson, the same reason offered by the soldiers in 1-8 Infantry. The MPs, however, took a lot of pictures.
Daniel P. Bolger (Why We Lost: A General's Inside Account of the Iraq and Afghanistan Wars)
No matter how many red Xs we write on our hands to end slavery, as long as these same hands are clicking on pornographic websites and scrolling through sexual pictures and videos, we are frauds to the core.
David Platt (A Compassionate Call to Counter Culture in a World of Poverty, Same-Sex Marriage, Racism, Sex Slavery, Immigration, Abortion, Persecution, Orphans and Pornography)
stepped into the witness box to be examined. The defense wanted jurors who empathized with Muybridge—a married man who had a runaway wife, on the one hand, and a man who confronted a sexual rival, on the other.
Edward Ball (The Inventor and the Tycoon: A Gilded Age Murder and the Birth of Moving Pictures)
Healing from trauma requires that you tell the story . . . and tell the story . . . and tell the story. There are a variety of ways to tell the story. You can write it out in a narrative. Assemble a memory book of pictures of yourself at different ages and describe the pain of each one. Create a collage of pictures that illustrate your feelings because of your abuse or abandonment. Verbally share with safe people. With each repetition part of the shame falls away and God’s voice of truth becomes louder.
Marnie C. Ferree (No Stones: Women Redeemed from Sexual Addiction)
There was just something about her that I found intriguing, even compelling. It was not that she was a famous actress—I’d had no idea who she was, had to be told that she was, in fact, a star. Celebrity had never interested me before, and I was quite sure it didn’t now. And I was certainly far too set in my wicked ways to be interested in any kind of dalliance that was merely sexual. When Dexter has a fling, his partner’s afterglow lasts forever. And yet there was Jackie, crowding the screen in my private internal television, tossing her mane of perfect hair and smiling just for me with a gleam of intelligent amusement in her eyes, and for some maddening reason I liked it and I wanted to— Wanted to what? Touch her, kiss her, whisper sweet nothings in her perfect shell-like ear? It was absurd, a cartoon picture, Dexter in Lust. Such things did not happen to our Dreadful Dark Scout. I was beyond the reach of mere mortal desire. I did not feel it, couldn’t feel it; I never had, didn’t want to—and whatever the thought of Jackie Forrest might be doing to me, I never would. This was no more than a Method-actor moment, a fleeting identification with the killer, a confusion of roles, almost certainly brought on because the process of digesting pork had taken all the blood away from my brain.
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
Because glamour mythically opposes death and decay its ideal model of perfection is youth. The features of youth dictate many of the facets of glamour's criteria. Small snub noses, fair hair, smooth featureless skin, innocence, Picturing youth as a target of sexual lust inevitably encourages the sexual abuse of children.
Stefan Szczelkun (Class Myths and Culture)
Pinned shoulder to shoulder, t-shirts extended in lines, The power of expression, is what "THE CLOTHESLINE" defines. Although each color symbolic, the threads weave the same, Each shirt a picture of violence, each shirt a witness to pain. The color white a memorial, for a victim who died, Simply, because of her gender, precious life was denied. Yellow signifies a victim, embraced by batter and assault, When intimacy turned into violence, as if loving was a fault. Shades of pink, red, and orange - when passion turned into rape, Denied the right to say "NO", by either stranger, or date. The blue and green bear nightmares, when a child of incest and misuse Was forced not to tell the "SECRETS", endured from physical and sexual abuse. See the beautiful shades of lavender, to the one not afraid to voice, A different sexual orientation, condemned, when in public made the choice. In the beginning they first choose the color, then allowing pain to flow from inside, Using buttons, bows, paints, and prose, self-expression no longer denied. As you walk through the line of color, emotional pain may fill your heart, But to the victim this personal creation, permits an inner healing to start. Pinned shoulder to shoulder, t-shirts extended in lines, The power of expression, is what "THE CLOTHESLINE" defines.
Patricia Tokarz
I was now able to logically decipher my behavior and analyze my actions. I understood all the conditioning that the exploitation and disgrace had in creating the different personality parts and behavioral traits that dwelt in my depths. I started to understand how criticism and insults painfully intensified my ignominious impression of myself, causing me to take everything personally. The numb, confused, and skeptic defender parts now made sense to me. I could see how they contributed to the various problems I incurred throughout my life. I comprehended why I mistrusted and did pernicious things to loved ones—for fear they would do them to me first. The need to self-medicate made sense. I began to recognize the urge for porn. The need to commit acts of perversion was a result of my adolescent mind being manipulated and programmed to believe it was acceptable. I perceived that the reason why I wanted to be humiliated sexually was because the shameful part from the humiliation of the maltreatment wanted to be reinforced. The logic of it all—how all the parts fit together, their roles and reasons for being—became apparent to me. I opened my eyes for a brief moment. Keith was leaning forward with his right elbow resting on his leg, his hand supporting his chin, staring at me as if he was trying to analyze my thoughts. I gazed off in a distance, remembering my numerous misbehaviors. I could trace the main contributing factor for why I acted the way I did to the resulting ignominy from the desecration. But the most significant understanding I had was, that even though it wasn’t my fault, I was still responsible for my behavior. My lengthy musings came to a halt when Keith said, “Marco? Where are you now ... tell me what you’re seeing, thinking.” I proceeded to explain to him my current revelation. “Excellent work, Marco,” Keith said, cracking a smile. “Now think about your next step.” My next step was to cleanse and reprogram the inadequate part. I closed my eyes again and began to concentrate. The only way to accomplish this was to create a tangible picture in my mind of the inadequate part being exorcised of all its imperfect characteristics. Once I was able to concentrate on this step, I looked up into his gaze. “I see myself overlooking a canyon during a sunset. As the sun descends, I envision its rays reflecting off the sparse layers of cloud cover, creating a beautiful multi-layer spectrum of blazing colors. I imagine a cool breeze flowing across my body, as a warm illuminating light from above shines on me and creates a white-out effect that is the cleanest, brightest white I can imagine. I picture the whiteness as a soothing cleansing treatment for the blackness within. I’m feeling as pure and clean as the brilliant color itself.” "And now how do you want to orchestrate the inadequate part?" I stood up and puffed out my chest. "I want it to be the exact opposite—confident, strong, and stable. It should be at peace with itself and not paranoid about what other people think.” Sitting back down, I folded my hands over my crossed knees. “I don't want to feel as if I have to worry about working to exhaustion in my personal life. On the job, or in the gym, I shouldn’t feel I have to be perfect in order to be accepted in society. I want to move past that. I want to feel good and proud of myself. But most of all, I want to feel morally acceptable." I now had a better understanding of the inadequate part, its defender parts, and what they wanted. I was able to see the un-blending taking place within me. The unburdening and bearing witness process got me to the point of reprogramming the misconception that the inadequate part thought about itself. I could go straight to the visualization technique of cleansing and reprogramming the part whenever I felt its symptoms coming on. CHAPTER
Marco L. Bernardino Sr. (Sins of the Abused)
more than fifteen hundred priests sexually abused many thousands of minors who had been entrusted to their care.
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
The key may be to keep the bright light of public attention shining. According to a study by the American Psychological Association, the reported numbers of assaults increase an average of about 44 percent when campuses are under formal scrutiny. Afterward, though, they sink back to their original levels, indicating that some schools provide a more accurate picture of sexual assault only when forced to do so.
Peggy Orenstein (Girls & Sex: Navigating the Complicated New Landscape)
For many girls, the pressure to be considered "hot" is felt on a nearly continual basis online. The sites with which they most commonly interact encourage them to post images of themselves, and employ the "liking" feature, with which users can judge their appearance and, in effect, rate them. When girls post their pictures on Instagram or Snapchat or Facebook, they know they will be judged for their "hotness," and in a quantifiable way, with numbers of likes. Social media, which gave us selfies, seems to encourage an undue focus on appearance for everyone, but for girls, this focus is combined with a pervasive sexualization of girls in the wider culture, an overarching trend which is already having serious consequences.
Nancy Jo Sales (American Girls: Social Media and the Secret Lives of Teenagers)
Lacan was famous for his extremely negative statements about romantic love. “There is no such thing as a sexual relationship”. “Men and women don’t exist”. And most dramatically, “Man knows nothing of woman, and woman knows nothing of man.” Lacan was trying to get at an unpopular yet critical fact about romantic relationships. The extent to which we don’t truly comprehend our lovers and simply peg a range of fantasies drawn from childhood experiences to their physical forms. It’s a dark but, in a way, liberating idea. It invites us not to be upset when we don’t feel a perfect rapport with someone who initially seemed like a soulmate. And it recommends that we certainly don’t rush off in search of some more “ideal” partner if we’re feeling less than perfectly understood. The connection we worry that we’ve lost is something we never actually had. Our relationship hasn’t gone wrong through folly, error or bad luck. It’s following ordinary path of love, which is to come to an awareness of its fundamentally illusory nature. With Lacan’s help we can hold on to a more accurate picture of what is normal: to be more or less always alone. This is a foundation upon which we can build more mature and less frustrated relationships.
Alain de Botton
The information was far from comprehensive.  Inside the file was a polaroid that looked like it had been taken exactly from where Jamie was sitting. She held it up and matched the outline of the door in front of her to the picture in her hand. In the middle of it was Oliver Hammond. He looked dishevelled and gaunt. Hungry was the word that came to mind. His skin looked colourless and there were grazes and scabs hanging from his cheeks. The heroin scratch. That’s what her dad used to call it. When addicts pawed at their faces. His hair was matted and his eyes sunken, but there was no mistaking him.  Jamie pulled the photo out from under the paperclip and went through the rest of the file.  There was a roughly photocopied form that looked like it had been put together in a spreadsheet. It had been filled in by hand. Jamie closed her eyes and recalled the handwriting on the sign outside. It was different. Oliver must have filled it in himself.  It gave his name, date of birth, emergency contact, and blood type. Though there was nothing filled in under address. It also had two check-boxes under the words ‘Naloxone Allergy?’, and he’d checked ‘no’. Naloxone was used to treat heroin overdoses. There were also questions — ‘How long has it been since you maintained a permanent residence?’, ‘Do your family know where you are?’. He’d written ‘A year’ and ‘No’ for those two. Then came the personal questions. ‘What is your sexual orientation?’, ‘Are you sexually active?’, ‘How many sexual partners have you had in the last 12 months?’, ‘Have you been recently checked for sexually transmitted diseases?’, ‘Have you been diagnosed with any transmittable diseases?’, ‘Are they bloodborne?’. He’d written ‘Straight’, ‘Yes’, ‘1’, ‘No’, ‘No’, and ‘No’. So he’d only been with one girl, and he hadn’t caught anything.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
sexual partners, she was either lying, or she’d had it for over a year. But Oliver’s chart didn’t show any symptoms and he hadn’t been prescribed.  Jamie mulled it over in her head then acted on a hunch, pulling open the top right-hand drawer. Inside was a wholesale box of condoms. She stared at it for a second. At least they were using protection. She wondered how many Mary gave out a week. Maybe there had been a third person in their relationship. A scorned ex-boyfriend who didn’t like Oliver? He obviously didn’t know about the rash — or hadn’t noticed. Grace was keeping it from him. Had he found out, confronted Grace’s other boyfriend? Or maybe the other way around. Surprised by the guy? Taken? Tied up and threatened? She had a feeling that the person hadn’t meant to kill him. If you’re going to kill someone, you don’t take their shoes and then dump them in a river. He’d either fallen in accidentally, or he’d jumped. Either way, if there wasn’t an ex — or not ex boyfriend — he was going to be someone Jamie wanted to speak to.  She held Grace’s picture up, looking past the matted hair and sunken eyes. She was young, pretty. She’d have a lot of attention out there on the streets.  Jamie closed the drawer and looked at the file again, searching for a name. She wanted to speak to the doctor. The signature just looked like a wavy line. She’d ask Mary. The chair squeaked as she pushed back from the desk and stood up, keeping the files in hand. Her watch told her it was nearly nine-thirty. Her stomach told her it was time for breakfast. Back in the main room, some of the people had cleared out, venturing back into the city. Looking for some way to get by.  Roper was still talking to Mary, who appeared to be in the middle of a speech about how these people needed more help than anyone was prepared to give, and that Oliver wouldn’t been the last. Jamie stepped around her, piqued. ‘Why do you say that?’ ‘Oh,’ she said, seeing Jamie. ‘Because people don’t want to help them and they let them hurt themselves and each other without paying them any mind.’ She narrowed her eyes. ‘Each other? Did someone have a problem with Oliver?’ ‘What?’ Mary looked sheepish all of a sudden, as if she’d dropped someone in something. ‘No, no — nothing like that. Not as far as I know, anyway,’ she added quickly. ‘Look, I just want you to find who did this — but for you to know that things are different with them. They don’t act the same — don’t believe in the same things, you know?’ She kept her voice low now. Jamie nodded. She’d worked the streets long enough to know what Mary meant. She’d seen more than she could have ever imagined. Seen people do crazy things. Things that people with something to lose would never think to do.  ‘Mrs Cartwright,’ she said after a second. ‘Grace Melver. She was friends with Oliver?’ ‘Grace?’ Mary’s eyes lit up a little and then tilted down in sadness. ‘What a sweet girl. She’ll be devastated. She’s been back every day to check whether Oliver has turned up. She’s been going out of her mind. Poor girl.’ ‘What was the nature of their relationship?’ Roper held his phone a little higher so the microphone could pick them up more easily. Mary thought for a second, aware of the recording. She chose her words carefully. ‘They were together, I suppose. As much as two people in their situation could be. They looked out for each other. Loved each other.’ ‘Did Grace have any other boyfriends?’ ‘No, no. She was sweet. She loved Oliver.’ ‘She was a heroin user, right?’ Mary looked like her face was about to droop and slip right off her head. ‘Horrible stuff. Though they
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
Do you feel well in yourself currently?’. He answered ‘No’. ‘Are you using any substances regularly. If so, what?’. ‘Yes’ was written, though it looked shaky. She could imagine him sitting there in front of Mary, reaching that question, and then looking up, afraid to admit it. She’d seen it before. Too many times. The word ‘Heroin’ was written quickly, as if admitting it was hard and he needed to get it over with. ‘Do you want to receive support with the aim to become a non-user?’  The word ‘Yes’ was written there. Jamie looked over the questions again. Non-permanent residence. Non-user. Those were terms that people who knew how to deal with the homeless used so that they didn’t embarrass them. It was giving the answers without saying I’ve been homeless for this long, or yes, I want help getting clean. Mary knew what she was doing.  At the bottom of the page, there was one final question. ‘Would you like to have a free health check-up by a qualified medical practitioner at this shelter?’  He had written ‘Yes’, and then signed the declaration underneath that said he understood that if he was carrying drugs or under the influence when he arrived that he would be turned away, and that if he appeared to be a danger to himself or others the proper authorities would be called and this information could be provided to them with his permission.  She wondered if he’d read that before he signed. No one ever read the terms and conditions. Jamie sat back and tried to picture Oliver sitting there, and the circumstances that led him to the shelter. She opened Grace’s file quickly and scanned down the same form to her answers for diseases and sexual partners. She’s written the same answers as Oliver.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
You have to love her more than anything in the world. But she has to love you just as much. Your priority should be her happiness, and her priority should be yours. That’s a funny thing—caring about someone more than yourself. It’s not easy. So don’t look at her as just a sexual object or as just a friend to talk to. Picture every day with the person. Picture paying bills with that person, raising children with that person, being stuck in a hot room with no air-conditioning and a screaming baby with that person. Am I making sense?
Harlan Coben (The Final Detail (Myron Bolitar, #6))
…the shameless spectacle has all along depended on a lurid picture of the left: moralistic, punitive and judgmental, repressive and ready to deprive the general populace of every ordinary pleasure and freedom. In that way, shame occupied a permanent and necessary place in the Trumpian scenario insofar as it was externalized and lodged in the left: the left seek to shame you for your guns, your racism, your sexual assault, your xenophobia! The excited fantasy of his supporters was that, with Trump, shame could be overcome, and there would be a “freedom” from the left and its punitive restrictions on speech and conduct, a permission finally to destroy environmental regulations, international accords, spew racist bile and openly affirm persistent forms of misogyny.
Judith Butler