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Among the best shows were these, some of which have attained cult followings: The Most Dangerous Game (Oct. 1, 1947), a showcase for two actors, Paul Frees and Hans Conried, as hunted and hunter on a remote island; Evening Primrose (Nov. 5, 1947), John Collier’s too-chilling-to-be-humorous account of a misfit who finds sanctuary (and something else that he hadn’t counted on) when he decides to live in a giant department store after hours; Confession (Dec. 31, 1947), surely one of the greatest pure-radio items ever done in any theater—Algernon Blackwood’s creepy sleight-of-hand that keeps a listener guessing until the last line; Leiningen vs. the Ants (Jan. 17, 1948) and Three Skeleton Key (Nov. 15, 1949), interesting as much for technical achievement as for story or character development (soundmen Gould and Thorsness utilized ten turntables and various animal noises in their creation of Three Skeleton Key’s swarming pack of rats); Poison (July 28, 1950), a riveting commentary on intolerance wrapped in a tense struggle to save a man from the deadliest snake in the world—Jack Webb stars
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