Sexual Tension Quotes

We've searched our database for all the quotes and captions related to Sexual Tension. Here they are! All 100 of them:

Ava, the sexual tension batting between you and that man was so fucking super charged, even I was horny!
Jodi Ellen Malpas (This Man (This Man, #1))
Poetry is a naked woman, a naked man, and the distance between them.
Lawrence Ferlinghetti (Poetry as Insurgent Art)
Valkyrie, I will get answers from you one way or another. Either through this painful exercise in futility, as you believe, or through a civilized conversation." "You call this civilized?" She strained against her cuffs, leaning in to whisper, "Psst, Chase. The sexual tension between us is grueling.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
I looked at him like a stranger, someone I’d never seen before, and he looked at me like I’d been lost to him for a thousand years and finally found.
Emme Rollins (Dear Rockstar (Dear Rockstar, #1))
For it seemed to me, and I think to him, that it was from that sexual tension between us, admitted now and understood but not assuaged, that the great and sudden assurance of friendship between us rose: a friendship so much needed by us both in our exile, and already so well proved in the days and nights of our better journey, that it might as well be called, now as later, love. But it was from the difference between us, not from the affinities and likenesses, but from the difference, that that love came: and it was itself the bridge, the only bridge, across what divided us. For us to meet sexually would be for us to meet once more as aliens. We had touched, in the only way we could touch. We left it at that. I do not know if we were right.
Ursula K. Le Guin (The Left Hand of Darkness)
I like thought which preserves a whiff of flesh and blood, and I prefer a thousand times an idea rising from sexual tension or nervous depression to empty abstraction.
Emil M. Cioran (On the Heights of Despair)
Sure, we were friends who exchanged soulful glances, friends who slept in a bed filled with sexual tension, friends who found any excuse to touch, but I worried that we'd never take that perilous leap of faith toward becoming a real couple, a permanent team.
Emily Giffin (Something Blue (Darcy & Rachel, #2))
Every gay man should be familiar with Bert and Ernie." "And why is that?" Reece rolled his eyes, smiling. "Everyone knows that they're lovers." Ben stopped what he was doing and looked at the man incredulously. "Okay, Reece, seriously, can you hear yourself?" "They are!" Reece said. "They live together, share a bedroom; I'm telling you the sexual tension is very palpable." Ben raised an eyebrow and said nothing. Reece cleared his throat. "You're going to break up with me now, aren't you?
L.A. Gilbert (Witness)
Officially she was there to liaise with me on the case, but really she was there for the wide-screen TV, takeaways and the unresolved sexual tension.
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
I'm usually a big fan of sexual tension, but this is like an X-rated kindergarten class, with two little jerks crushing on each other, both too stupid to admit it out loud.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
I want to take you under the moonlight.
Kassandra Cross (Carrie's First Time (Carrie #1))
When your done releasing sexual tensions, we have a meeting to continue!" ~ Francis Bonnefoy, Hetalia, English Dub
Francis Bonnefoy
Maybe I should roll down the window to let some of the sexual tension out.
Ilona Andrews (White Hot (Hidden Legacy, #2))
The man was rude, crude, and inappropriate. I was taken with him the moment I walked in the door, and I knew the first moment I saw him that it was going to be raw, it was going to be ugly, and I was going to enjoy every damn minute of it.
C.M. Stunich (Losing Me, Finding You (Triple M, #1))
Sexual tension is like a ruthless pigeon. Feed it once and it will follow you around forever. It never tires or goes on vacation. It just lingers.
Chelsea Fine (Best Kind of Broken (Finding Fate, #1))
Her underwear, her jeans, the comforter, my corduroys and my boxers between us, I thought. Five layers, and yet I felt it, the nervous warmth of touching – a pale reflection of the fireworks of one mouth on another, but a reflection nonetheless. And in the almostness of the moment, I cared at least enough. I wasn’t sure whether I liked her, and doubted whether I could trust her, but I cared at least enough to try to find out. Her on my bed, wide green eyes staring down at me. The enduring mystery of her sly, almost smirking, smile. Five layers between us.
John Green
It's just sexual tension. Hardcore, animalistic, lick his body all over, sexual tension. - Norah
Angela Richardson (Pieces of Truth (Pieces of Lies, #2))
Are you seriously going to pretend nothing is going on here?” I cry. He glares at me. “There’s nothing going on. I told you that.” “Oh get your head out of your ass! There’s so much sexual tension in the air, I should just orgasm standing here.
Bella Jewel (Knights' Sinner (The MC Sinners, #3))
Anticipation zinged through me. I knew exactly how much space separated us. I felt every inch of it, charged with electric energy. If he touched me right now, I’d probably jump a foot in the air. I stared straight ahead. We didn’t do well in a small, confined space. This was a terrible idea. Maybe I should roll down the window to let some of the sexual tension out.
Ilona Andrews (White Hot (Hidden Legacy, #2))
The brainless wonder in his pants certainly appreciated her nearness. The stupid bastard started pounding against his zipper like a convict pounding against the bars of his cell.
Julie Ann Walker (Thrill Ride (Black Knights Inc., #4))
He had a hungry look in his eyes and it frightened her.
Kassandra Cross (Carrie's First Time (Carrie #1))
That much sexual tension makes me want to hump a phone pole, and that’s just not attractive in a pregnant woman.
Amy Lane (How to Raise an Honest Rabbit (Granby Knitting, #2))
It’s inevitable that three drunk friends with unresolved sexual tension will play truth or dare.
Leah Raeder (Black Iris)
All this talk about morality, chastity, prudence and the like are very antiquated notions created by some very old belief systems that are notoriously negative towards women.
Roberto Hogue (Real Secrets of Sex: A Women's Guide on How to Be Good in Bed)
There’s a carcass composed entirely of sexual tension lying abandoned on the couch. I wonder if she can see it, too.
Christina Lauren (Dark Wild Night (Wild Seasons, #3))
Every day for a week, sitting in my idling car, saying goodbye without saying anything at all—the touch of his hand, his forehead pressed to mine, the way he brushed my hair out of my face, tucking it behind my ear. And still, he hadn’t kissed me. Not once. Nothing but that brief brush of his lips. I was beginning to go a little crazy.
Emme Rollins (Dear Rockstar (Dear Rockstar, #1))
Good God! You two have got to quit that. You’re making my boy parts get bigger!
Julie Ann Walker (Thrill Ride (Black Knights Inc., #4))
Love feeds on deception.
Erol Ozan
While the repression of a memory is a psychological process, the suppression of feeling is accomplished by deadening a part of the body or reducing its motility so that feeling is diminished. The repression of the memory is dependent upon and related to the suppression of feeling, for as long as the feeling persists, the memory remains vivid. Suppression entails the development of chronic muscular tension in those areas of the body where the feeling would be experienced. In the case of sexual feeling, this tension is found in and about the abdomen and pelvis
Alexander Lowen (Fear Of Life)
You can cause earthquakes?” He sighed, a playful look in his eyes. “There’s such a delicious joke there, but I’m going to be good and hold back. With the amount of sexual tension permeating these grounds, even a bad ‘rock your world’ line is liable to ignite something.
Elizabeth Hunter (A Hidden Fire (Elemental Mysteries, #1))
Still, as messed-up as it was, I really liked the feel of her bare arms and the smell of her hair. I got mad at myself right away and told myself I wasn't one of those guys, told myself it was just the hit to the head that was making me think that way.
Amanda Lance (Outlaw (Wanted, #1.5))
Being faithful and monogamous is not natural for human beings. It takes work. Deep down we all know that. We have all been tempted to stray at some point or another. Even when it was only a fleeting thought and we didn't act on it. Every time we acknowledge that someone of the opposite sex is "attractive" or "sexy" we are doing nothing other than pointing out that they would be a suitable mate. Not acting on that natural impulse to want to mate with a viable mating partner requires a conscious decision. It's a constant struggle between what your body wants, and what the civilized part of your brain says you should do, in order to avoid the negative consequences of cheating on your spouse and ruining your long-term relationship. That's why affairs, and extra-marital sex, are often referred to as "a moment of weakness.
Oliver Markus Malloy (Why Men And Women Can't Be Friends)
He'd passed "ready" about three exits back.
Piper Vaughn (Wanting (Wanting, #1))
There was a time when I could have slept with his friend Briffa, for instance. Around him the air was always fraught with possibilities.
Michael Ondaatje (In the Skin of a Lion)
Beckett wrapped a huge arm around Kyle's waist and slammed her body into his. "Sometimes when girls advertise, they get what they're asking for." Kyle twisted so her back was to his chest. "Are you threatening or promising, big daddy?" Beckett spun her around and held her face to his so their lips almost touched. The crowd went wild with perceived sexual tension. "If I was threatening you, you'd already be beggin' for your real daddy," Beckett whispered
Debra Anastasia
You're still looking.' ... 'You make it hard to look away.' ... 'I'm over here keeping my hands and memories to myself because you asked me to, and you're fucking me with your eyes. That's not playing fair.' ... 'Told you to stop staring.' ... 'If you'd just man up and admit there's something between us, I would strip down to my skin so you could see every single inch of me. And once I had you begging, I'd drop down to my knees, undo those flight leathers you're wearing, and wrap my lips around-' Xaden chokes. Every head in the dining hall turns his way, and Garrick pounds on his back until Xaden waves him off, taking a drink of his water. I grin, which earns me about six looks of confusion from our table and one set of rolled eyes from Liam. 'You're going to be the death of me.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
You know, you guys have been dancing around each other for so long you could cut the sexual tension with a knife. It's a wonder you didn't rip each other's clothes off the minute you got over yourselves and got together." "For crissakes, Heather.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
He paused, letting the tension mount. His solemn gaze met mine. "How long are you going to make me wait?" I considered making a joke. Blowing the whole thing off like nothing had happened. But I cared about Adam too much to dismiss his genuine interest with careless sarcasm. "I don't know." He stared at me for a few moments. Behind his eyes I could see the wheels turning. Weighing the options and eventualities. Finally, he breathed out through his nose, like expelling bad energy. "Well, I guess that's better than 'never'.
Jaye Wells (Green-Eyed Demon (Sabina Kane, #3))
Sara noticed my hesitation and grabbed my hand to drag me down the stairs. 'Bye.' I waved before I disappeared. 'You are so full of shit,' Sara accused when we pulled out of the driveway. My jaw dropped. 'If there was any more sexual tension in that room...' 'What?' I interrupted with a laugh. 'You are definitely seeing things that aren't there.
Rebecca Donovan (Reason to Breathe (Breathing, #1))
Friends, my ass,” Joss grunted … “The sexual tension between you two is off the charts.” Her grin turned smug. “Reminds me of me and Mr Carmichael.” “No details.” Ellie held up a hand, her eyes pleading. “I wasn’t going to,” Joss assured her, but we knew where her mind had wandered by the still smug smile curing her mouth and the heat in her eyes.
Samantha Young (Fall from India Place (On Dublin Street, #4))
What’s happening between us is sexual tension at its finest. It’s good – healthier than a cold glass of milk. Just go with it.
Gail McHugh (Amber to Ashes (Torn Hearts, #1))
The sexual tension between them was becoming a tangible thing that was growing everyday to the point that it could explode and probably take out a city with the blast.
Victoria Darkins (The Key)
It is a common belief that we breathe with our lungs alone, but in point of fact, the work of breathing is done by the whole body. The lungs play a passive role in the respiratory process. Their expansion is produced by an enlargement, mostly downward, of the thoracic cavity and they collapse when that cavity is reduced. Proper breathing involves the muscles of the head, neck, thorax, and abdomen. It can be shown that chronic tension in any part of the body's musculature interferes with the natural respiratory movements. Breathing is a rhythmic activity. Normally a person at rest makes approximately 16 to 17 respiratory incursions a minute. The rate is higher in infants and in states of excitation. It is lower in sleep and in depressed persons. The depth of the respiratory wave is another factor which varies with emotional states. Breathing becomes shallow when we are frightened or anxious. It deepens with relaxation, pleasure and sleep. But above all, it is the quality of the respiratory movements that determines whether breathing is pleasurable or not. With each breath a wave can be seen to ascend and descend through the body. The inspiratory wave begins deep in the abdomen with a backward movement of the pelvis. This allows the belly to expand outward. The wave then moves upward as the rest of the body expands. The head moves very slightly forward to suck in the air while the nostrils dilate or the mouth opens. The expiratory wave begins in the upper part of the body and moves downward: the head drops back, the chest and abdomen collapse, and the pelvis rocks forward. Breathing easily and fully is one of the basic pleasures of being alive. The pleasure is clearly experienced at the end of expiration when the descending wave fills the pelvis with a delicious sensation. In adults this sensation has a sexual quality, though it does not induce any genital feeling. The slight backward and forward movements of the pelvis, similar to the sexual movements, add to the pleasure. Though the rhythm of breathing is pronounced in the pelvic area, it is at the same time experienced by the total body as a feeling of fluidity, softness, lightness and excitement. The importance of breathing need hardly be stressed. It provides the oxygen for the metabolic processes; literally it supports the fires of life. But breath as "pneuma" is also the spirit or soul. We live in an ocean of air like fish in a body of water. By our breathing we are attuned to our atmosphere. If we inhibit our breathing we isolate ourselves from the medium in which we exist. In all Oriental and mystic philosophies, the breath holds the secret to the highest bliss. That is why breathing is the dominant factor in the practice of Yoga.
Alexander Lowen (The Voice of the Body)
Yes, I was obsessed with sex, but which guy isn’t at seventeen? Blame our media or our conservative society; the subject of sex is treated as if it is something unnatural. By denouncing sex heavily, our society has made people wanting it even more. Media, on the other hand, presents it as if it is something magical but denied to most people. Moral policing too has done nothing good but increased the lure of sex in the minds of the young by making it a taboo. In short, a lot of hullabaloo has been created over the issue of sex, and I too fell victim to the propaganda.
Abhaidev (The Influencer: Speed Must Have a Limit)
The sexual tension between Jake and I is off the charts. I’m actually scared I might combust any second . No joke. If doesn’t help that we’re around each other almost 24/7 or that we’re always finding ways to ‘innocently’ touch each other. It’s almost at that stage where we’re pushing each other a little further and further seeing how much we can take until one of us cracks. I’m about two fucking seconds from cracking and if I don’t get a release soon I will cut a bitch.
Jay McLean (More Than This (More Than, #1))
You think everything's sexual tension," I said to Lauren, "just because you were raised my Mr. & Mrs. Super-Christian. We Jews know that underlying tensions are always due to low blood sugar." "Yeah, well, you killed my Savior," Lauren said, and Jorda saluted good-bye. "Don't let it happen again.
Daniel Handler (Why We Broke Up)
You know what I think?" Chloe asked. She was going to tell me whether I wanted to know or not. "I think you've both built up enormous amounts of sexual tension since your session in the sauna was cut short last night,and you won't get along until you let it out. You need to make out with him. Take control.
Jennifer Echols (The Ex Games)
Every night that he watched over her sleeping form, his urge to protect and take care of her grew. And those weren't the only urges. When she'd throw back the blanket and bare her long legs, it was all he could do not to kneel at her feet, kiss her slim ankles, and slip his hands up her smooth thighs.
Amber Belldene (Blood Entangled (Blood Vine #2))
You are a real hermaphrodite, Mafouka,’ I said. 'That is what our age is supposed to have produced because the tension between the masculine and the feminine has broken down, people are mostly half of one and half of the other. But I have never seen it before—actually, physically. It must make you very unhappy.
Anaïs Nin (Delta of Venus)
You sound jealous.' 'If you think I'm jealous because someone else got to stab you, then you're right.' 'Prove it.' She heard the slump of his dagger as it fell at her feet. It was the jeweled one he carried everywhere. So many of the gems were missing, but the knife's hilt still glittered in the torchlight, pulsing blue and purple, the colour of blood before it was spilled. 'What am I supposed to do with this?' 'You might want to use it, Little Fox.' The corner of his mouth twitched as he slowly slid his pale hands through the bars of the gate and broke the lock in half. It could have been a twig, a piece of paper, or her.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Since the experience is different for each individual, the tension will reflect that experience. In some persons the whole lower half of the body is relatively immobilized and held in a passive state; in others the muscular tensions are localized in the pelvic floor and around the genital apparatus. If the latter sort of tension is severe, it constitutes a functional castration; for, although the genitals operate normally, they are dissociated in feeling from the rest of the body. Any reduction of sexual feeling amounts to a psychological castration. Generally the person is unaware of these muscular tensions, but putting pressure upon the muscles in the attempt to release the tension is often experienced as very painful and frightening.
Alexander Lowen (Fear Of Life)
I heard him sweeping with the broom, and then he suddenly stopped. I had obviously got his attention, and he was looking. Take a good look, honey, I thought. Take a good look at what I’m offering. I liked the sound of that silence. Do you know what I mean? Have you heard that silence yourself? I love that silence you get, when a man who you fancy notices your body. In a weird way, it’s so loud, it’s deafening. It could be because of the way you sway your hips, your legs, or thrust your breasts. And you just know his erection is talking to him, about what he’d like to do to your body. How he’d like to have his delightfully wicked way with you, undress you, smother your naked skin with hungry urgent kisses, and thrust his hard and moist cock deep inside the pouting red lips of your mouth… I think you get my drift. There’s a lovely tension in that moment; I call it the lust moment. When a sexy man sees what you’ve deliberately put out on offer, and he stops in his steps as his lust lights up his mind, and puts him on a new track.
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
I’m a virgin Mr Cohen,” Carrie said, “I’ve never been with a man before.
Kassandra Cross (Carrie's First Time (Carrie #1))
Samantha, you interest me. I’d like to take you out. Why are you fighting me?
Elizabeth Brown (Determined (Determined, #1))
You do bad things to me, Carrie,” he grinned, “Very bad things.
Kassandra Cross (Carrie's First Time (Carrie #1))
What a beautiful madness, to explore the darkness in one's own soul and find joy in the unearthing of such wicked thoughts.
Wiss Auguste
A woman attracts men by her charm and holds them by their vices.
W. Somerset Maugham (Theatre)
begging for someone to explore them, to bring them out of their shell and release the sexual tension that has saturated their entire being, afraid to break free.  They get their rocks off reading erotica, watching porn, or using the shower head
Sloane Howell (The Panty Whisperer (The Panty Whisperer, #1))
Summer sticks to her skirt sumptuously, in the shiny gray fabric hanging loosely from her curves. Her chestnut eyes, apparently hidden from strangers; her simple but graceful face, unpainted by Madison Avenue; and her straight black hair, parted down the middle without ego, all suggest a minimalist - almost pastoral - beauty that is oddly discordant with her fashionable attire, comfortable indifference to the crowds, and quasi-attentive perusal of the Time magazine unfolded over her hand.
Zack Love (City Solipsism)
Forgive me, madam," he said lightly, amused, "but waiting to make love to you again is straining my nerves." She scoffed but she was quite shaken; he could see it in her expression, in the way she nervously toyed with the buttons on her pelisse. "How awfully presumptuous of you to think I'd let you." "You will," he insisted soothingly. She gaped at him. "Please continue," he urged. "I'm aching to hear the rest." "You're as arrogant as usual." "You missed it, though." "I absolutely did not," she asserted. He grinned. "You missed my arrogance almost as much as I missed your impudence, little one." "That's absurd." "I love you, Caroline," he softly, quickly replied, catching her off guard with such tenderness. "Move on before I decide I'm finished with this conversation, rip off your clothes, and show you how much.
Adele Ashworth (My Darling Caroline)
It is true that breasts can induce sexual tension in men, but truer than that is the fact, that breasts are the primary and healthiest source of nutrition for the infant, so, if men can't use their higher mental faculty of self-restraint at the sight of breastfeeding at public places, then it's not the women who need to change their breastfeeding place, it's the men who need to work on their character.
Abhijit Naskar (The Constitution of The United Peoples of Earth)
She'd stutter all the reasons why she shouldn't, shaking her head adamantly. But her body..her body would grow hot with excitement. She'd get wet at the thrill of it. So fucking wet that i'd smell her, telling me she's not even wearing panties to smother her spicy scent. When my hand touched hers, still clutched to her chest, she'd flinch but she wouldn't pull away. She'd let me guide it between her swollen breasts and down to her flat belly, brushing the bit of exposed skin where the hem of her shirt rides up. Then I'd let her fingers play with the jewel in her navel, manipulating each digit as if that diamond-studded barbell was her clit. Demonstrating how I would stroke it for her.
S.L. Jennings
She wore a pleated skirt, a white cotton blouse, and simple black shoes with knee high stockings. At the arc of each step, the skirt would rise to expose a few inches of her taut thighs. Neither Earl nor Duke could recall what Chad was wearing.
A. Lee Martinez (Gil's All Fright Diner)
Gradually it became clear that it is a fundamental error to try to give the sexual act a psychological interpretation, to attribute to it a psychic meaning as if it were a neurotic symptom. But this is what the psychoanalysts did. On the contrary: any idea occurring in the course of the sexual act only has the effect of hindering one's absorption in the excitation. Furthermore, such psychological interpretations of genitality constitute a denial of genitality as a biological function. By composing it of non-genital excitations, one denies the existence of genitality. The function of the orgasm, however, had revealed the qualitative difference between genitality and pregenitality. Only the genital apparatus can provide orgasm and can discharge sexual energy completely. Pregenitality, on the other hand, can only increase vegetative tensions. One readily sees the deep rift which formed here in psychoanalytic concepts.
Wilhelm Reich (The Function of the Orgasm; Sex-economic Problems of Biological Energy)
Things are pretty much status quo with the sexual-tension friend.
Colson Whitehead (The Colossus of New York)
In his books, Dr. Alexander Lowen put into words the anguish I could not describe. He explained how a repressed experience was converted into a physical symptom. Intense sexual energy that had not been resolved or discharged would be forced into muscles, causing chronic muscular tensions. Finally, someone understood my pain…at least that one. Chronic muscular tension may not sound like a big deal but I have lived in a body primed for lifting a car. The muscles never let go. Even when I awaken, they are flexed to the max. It’s called “muscular armoring.
Marilyn Van Derbur (Miss America By Day: Lessons Learned From Ultimate Betrayals And Unconditional Love)
If you really believe this is what you want, you're lying to yourself.' 'I'm not lying to myself,' Jacks snarled. 'Then tell me this is what you truly want. Swear you want this more than anything else and I'll never mention it again.' Jacks grabbed her by the shoulders and looked directly in to her eyes. For a minute, he didn't speak. He just looked at her, at the remaining blood still on her lips and the dried tears staining her cheeks. 'I swear this is what I really want.' He spoke each word like a vow. 'I want to erase every moment you and I have spent together, every word you've said to me, and every time I've touched you, because if I don't, I'll kill you, just like I killed the Fox.' Evangeline's heart stopped. She searched Jacks' eyes, but all she saw was darkness, and all she felt was the press of his hands. He held on to her the way a person might grasp the edge of a cliff, knowing once they let go, there was no taking hold again.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
I would like to ofer some exercises that can help us use the Five Precepts to cultivate and strengthen mindfulness. It is best to choose one of these exercises and work with it meticulously for a week. Then examine the results and choose another for a subsequent week. These practices can help us understand and find ways to work with each precept. 1. Refrain from killing: reverence for life. Undertake for one week to purposefully bring no harm in thought, word, or deed to any living creature. Particularly, become aware of any living beings in your world (people, animals, even plants) whom you ignore, and cultivate a sense of care and reverence for them too. 2. Refraining from stealing: care with material goods. Undertake for one week to act on every single thought of generosity that arises spontaneously in your heart. 3. Refraining from sexual misconduct: conscious sexuality. Undertake for one week to observe meticulously how often sexual feelings arise in your consciousness. Each time, note what particular mind states you find associated with them such as love, tension, compulsion, caring, loneliness, desire for communication, greed, pleasure, agression, and so forth. 4. Refraining from false speech: speech from the heart. Undertake for one week not to gossip (positively or negatively) or speak about anyone you know who is not present with you (any third party). 5. Refraining from intoxicants to the point of heedlessness. Undertake for one week or one month to refrain from all intoxicants and addictive substances (such as wine, marijuana, even cigarettes and/or caffeine if you wish). Observe the impulses to use these, and become aware of what is going on in the heart and mind at the time of those impulses (88-89).
Jack Kornfield (For a Future to Be Possible)
The failure of reorientation therapy is why the "ex-gay" ministry Exodus International shut down in 2013. It places gay Christians who adhere to the traditional biblical interpretation in an agonizing, irresolvable tension. In order to truly flee from sin as well as the temptation to sin, they must constantly attempt what has proven impossible: to reconstitute themselves so they are no longer sexual beings at all.
Matthew Vines (God and the Gay Christian: The Biblical Case in Support of Same-Sex Relationships)
The question is are you okay?” he asked, looking down at her with concern. “That was quite a spill you took.” “I...I’m fine.” Her gaze centered on his mouth. Then, she did the most torturous thing she could have done to a man whose lower torso was pressed against hers and whose mouth was just a few scant inches from those fleshy, pink lips. She ran her tongue across her lips to wet them. And he thought super glue got hard fast.
Lindsey Brookes (Kidnapped Cowboy (Captured Hearts, #1))
Should I stop?” he said. I heard voices from far away and he stopped moving his fingers. I grabbed his wrist and pressed his hand into me. “Please,” I said, “please don’t stop.” “Oh, so I shouldn’t?” he said and chuckled. “That would be cruel of me, wouldn’t it?” I felt such pressurized pain, the tingle turned to a cold numb that made me shake. “Yes,” I said and stared into his eyes, “and you’re not cruel, are you?” He bit the side of my neck and nibbled on my earlobe as he breathed heavily into my ear. “I am the cruelest man you will ever meet, Beth,” he said into my ear, “but, I will make you feel so good, you will not care.” I stared into Declan’s eyes and knew that he told the truth. And just like he said, I did not care. His fingers went back to work and I felt as if I was being dragged out to sea by this incredible undertow. It did not matter that I was drowning or in the company of the cruelest man in the world. I only cared how he made me feel and, at that moment, I never felt better.
Ava Ayers (Pretty Hate)
At forty-one, he was still the quintessential bad boy—charming, at ease in his skin, and great-looking, with deep blue eyes, slicked-back brown hair, and the kind of full, sensuous mouth that bad boys seemed to have an unfair market on.
Kate White (Eyes on You)
I work at T-Town, which is about ninety-nine percent men, and all of them either are alpha personalities or think they are. That said, what we have here is the standard dynamic for sexual tension. I'm moderately good-looking. I have big boobs, and I get hit on by everyone from the pastor of my church to baristas at Starbucks, and by every single guy at T-Town except for my boss and the range master. I don't blame them and I don't judge them. It's part of the procreative drive hardwired into us, and we haven't evolved as a species far enough exert any genuine control over the biological imperative. You, on the other hand, are a very good-looking man of prime breeding age. Old enough to have interesting lines and scars--and stories to go with them--and young enough to be a catch. You probably get laid as often as you want to, and you can probably count on the fingers of one hand the number of times women have said no to you. Maybe--and please correct me if I've strayed too far into speculation--being an agent of a secret government organization has led you to buy into the superspy sex stud propaganda perpetuated by James Bond films." "My name is Powers," I said. "Austin Powers." She ignored me and plowed ahead. "We're in the middle of a crisis. We may have to work closely together for several days, or even several weeks. Close-quarters travel, emotions running high, all that. If it's all the same to you, I'd rather not spend the next few days living inside a trite office romance cliche. That includes everything from mild flirtation to sexual innuendo and double entendre and the whole ball of wax." She sipped her Coke. The ball landed in my court with a thump.
Jonathan Maberry (The King of Plagues (Joe Ledger, #3))
Even people who consider themselves sex-positive and sexually liberated often fall into a different trap—the trap of rationalizing sex. Releasing physical tension, relieving menstrual cramps, maintaining mental health, preventing prostate problems, making babies, cementing relationships, and so on are all admirable goals, and wonderful side benefits of sex. But they are not what sex is for. People have sex because it feels very good, and then they feel good about themselves. Pleasure is a complete and worthwhile goal in and of itself: the worthiness of pleasure is one of the core values of ethical sluthood.
Dossie Easton (The Ethical Slut: A Practical Guide to Polyamory, Open Relationships, and Other Freedoms in Sex and Love)
The display of Angel's body and the sexual reaction it provokes lead to the revelation of his vampire nature: as he kisses Buffy, he shows his vamp face (a displaced manifestation of male desire?). The tension inherent in this display of the masculine body is that it actually has the effect of feminizing the character by positioning the male as sexual object to be looked at.
Lorna Jowett (Sex and the Slayer: A Gender Studies Primer for the Buffy Fan)
Interestingly, migraine headaches can almost always be alleviated by masturbation if you do it as soon as you feel a migraine coming on. The sexual release dissolves the tension and the pain. You may not feel like masturbating then, but it certainly is worth a try. You can’t lose.
Louise L. Hay (You Can Heal Your Life)
They stood absolutely still for the longest minute of Arianne’s life. She barely breathed while Balthazar’s eyes roamed her body. She swallowed, feeling each part of her that his gaze landed turn pink, like he was actually touching her. How was that even possible? When Arianne thought she could breathe a sigh of relief because his eyes locked with hers again, the most devilish grin she’d ever seen formed on Balthazar’s lips. She inhaled sharply. When had his grin become less arrogant and more…sexy?
Kate Evangelista (Unreap My Heart (The Reaper Series #2))
I don't think I'll bother sleep again.' I shoot a look sideways at his irritatingly gorgeous profile. 'And if you even think about suggesting that you sleep with me for safety from now on-' He scoffs. 'Hardly. I don't fuck first years- even when I was one- let alone... you.' 'Who said anything about fucking?' I fire back, cursing myself as the ache in my ribs only intensifies. 'I'd have to be a masochist to sleep with you, and I can assure you, I'm not.' Fantasising about it doesn't count. 'Masochist, huh?' A corner of his mouth quirks up into a smirk. 'You hardly give off snuggly morning-after vibes.' A smile of my own curves my lips. 'Unless you're worried about me killing you while we sleep.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
The Poison Maiden has conceived by him, and is plumb ready to enter the divine category of mother, only one last fiend clubs her to death. The final clinch of male romanticism is that each man kills the thing he loves; whether she be Catharine in A Farewell to Arms, or the Grecian Urn, the 'tension that she be perfect' means that she must die, leavinf the hero's status as a great lover unchallenged. The pattern is still commonplace: the hero cannot marry. The sexual exploit must be conquest, not cohabitation and mutual tolerance.
Germaine Greer (The Female Eunuch)
Ty removed his fingers from Zane’s back as he saw the shiver run through him, and he pressed his lips tightly together, looking up and away in disgust as he resigned himself to what he was about to do. Broaching the subject could possibly cost him his job if Zane went tattling to the higher-ups about sexual harassment or some shit, but Ty was going to do it anyway. “Anything you need to say to me?” ... The visual of Ty’s nude body flashed behind Zane’s eyelids, and he spoke before he thought better of it. “Nothing you want to hear,” he murmured as he faced the mirror, hoping to diffuse the situation. “Thanks for the help,” he added, wanting desperately to get away from this tension. ... “You sure about that?” Ty asked as his stomach fluttered nervously. His voice finally betrayed the nerves. “Trying to be a real partner to you here, Zane. If you need to tell me something, then here’s your chance.
Abigail Roux (Cut & Run (Cut & Run, #1))
Any remnants of passionate tension between sexual pleasure and the adventurous quest for it are fast disintegrating into a panting succession of mechanically repeated gestures whose rhythm offers no hope of approaching so much as a semblance of orgasm. The quantitative Eros of speed, rapid change, and love-against-the-clock everywhere disfigures the face of real pleasure.
Raoul Vaneigem (The Revolution of Everyday Life)
You looking forward to tonight?” he asked, changing the subject. “I am,” she said slowly. “It’s been a while since I’ve had a good…date.” She let the word slide off her tongue as though it were a euphemism for sex. The little devil on her shoulder wanted to bait him, to poke at the sexual tension that seemed to ebb and flow between them, but which neither would give in to. His hand slammed on the counter. “You’re not seriously thinking of sleeping with Mathis,” he said incredulously. “Well, why not? You said he’s a good guy. And news flash—we modern city women don’t adhere to any strict fifth-date rule.” “Fine! Fuck his brains out, for all I care,” Jackson exploded. “You’re shouting,” she said. “I’m not—” He blew out a breath. “Damn it.
Lauren Layne (I Wish You Were Mine (Oxford, #2))
I did dream about you," she confessed. Derek smoothed his hand over her chestnut hair and brought her head closer to his. "What was I doing in your dreams?" he asked against her lips. "Chasing me," she admitted in a mortified whisper. A delicious grin curved his mouth. "Did I catch you?" Before she could reply his lips were on hers. His mouth twisted gently, his tongue hunting for an intimate taste of her. Closing her eyes, Sara made no protest as he took her wrists in his hands and twined her arms around his neck. He stretched one of his legs out to rest his foot on the seat. Caught in the lee of his powerful thighs, she had no choice but to let her body rest on the hard length of his. Leisurely he fondled and kissed her, wringing succulent delight from every nerve. As he began to slide his hand into her bodice, the thick wool fabric of her gown resisted his efforts. Foiled in his attempt to reach her breasts, he pushed a lock of hair aside and dragged his mouth over her throat. She stiffened, unable to hold back a whimper of pleasure. The carriage swayed and jolted suddenly, forcing their bodies closer with the impact. Derek felt himself approaching a flashpoint beyond which there was no return. With a tortured groan he pried Sara's voluptuous body away from his and held her away, while he struggled to emerge from a scarlet fog of desire. "Angel," he said hoarsely, nudging her toward the opposite seat. "You... you'd better go over there." Bemused, Sara nearly toppled to the floor from his gentle push. "But why?" Derek lowered his head and tunneled his fingers into his black hair. He started as he felt her hand brush the nape of his neck. "Don't touch me," he said, more roughly than he intended. Raising his head, he stared into Sara's perplexed face with a crooked smile. "Sorry," he muttered. "But if you don't move away, sweet, you're going to be lifting your heels for me right here.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
We reach the trailer and Shane digs through the pockets of the cargo pants slung over his arm until he finds the key. He pushes open the door and waits for me to pass through. Maybe later I’ll tell myself I should have thought long and hard about what I was going to do, that I should have counted to ten and waited until I regained my sanity before stepping over the threshold, evaluated the pros and cons like a thoughtful, rational adult. But I do no such thing. Shane’s eyes are on mine as I step out of my wet sneakers, drop my damp clothes in a ball on the porch, and walk inside. He follows right behind me, and even through my wet shirt I can feel the heat radiating off his bare chest. The man is a furnace. Every warning about playing with fire zings through my mind, but I dismiss them. I want this. I’m not playing games, and neither is Shane as he grips my shoulders and turns us so my back is to the door and he’s pressed up against me. He lowers his head so our eyes are inches apart and looks at me more closely and thoughtfully than anyone ever has. He’s checking to make sure I’m okay, that my expectations are in line with what today is about. And they are. Just once, we agreed. And that will be enough.
Julianna Keyes (Just Once)
She slid her free hand over his shoulder, soft breasts crushing against his chest. All his blood rushed down to his groin, taking with it the last vestiges of his rational thought. He locked his arms around her, pulling her so close he could feel each gentle breath as an exquisite stroke on his cock. Raw desire coursed through his veins as his hands skimmed over the sweet softness of her curves. "Someone is watching us through the window," she murmured, her breath warm on his cheek. "All the more reason to put on a good show." With one hand on her nape, he tipped back her head and covered her mouth with his own. A moan escaped her lips, filling his head with thoughts of tangled sheets, banging headboards, sweat-slicked skin, and the realization of a fantasy that had consumed him night after sleepless night since she'd turned sixteen and he'd realized she wasn't a little girl anymore. He parted her lips with the gentle slide of his tongue, touching, tasting, savoring, pausing between heady sips to let her essence dance over his taste buds. With every breath he inhaled the fresh scent of wildflowers in a rain-soaked meadow, the grassy lawn where they'd played catch in the summer sun. He'd known she was smart and fun and beautiful. But this kiss. These feelings. The throbbing heat of desire. It was all completely new.
Sara Desai (The Dating Plan (Marriage Game, #2))
She wiggled beneath Sam but his hard, heavy body was impossible to move, and the more she squirmed, the harder a certain part of it seemed to get. "I thought you said no missionary," he whispered. "Oh my God," she raged, keeping her voice low. "Are you getting off on this?" "I'm a man. You're rubbing yourself all over me. What did you think was going to happen?" "I thought you were all about self-control." Something she seemed to be lacking at the moment. Fire licked between her thighs. And the heat... She felt like molten lava was running through her veins. "Not around you.
Sara Desai (The Marriage Game (Marriage Game #1))
You never listen to me anymore. Before, if I was talking to you, you would always listen. But now you have no time to even talk to me. 'Yeah... Has Keaty told you not to eat the Stew?' 'Richard!' I frowned 'What?' 'You are not listening to me!' '… Oh. Well I'm sorry. I've got a lot on my mind.' 'Not me.' 'Huh?' 'I am not on your mind.' 'Uh... of course you are.' 'I am not' she poked me in the ribs. 'I think you do not love me anymore.' I looked at her in astonishment '… Are you serious?' 'Very serious' she said petulantly 'But... I mean... do we have to talk about this right now?' 'Yes. It must be now. Etienne is not here, and maybe soon I will never see you agai...' 'Francoise!' I hissed. 'Keep it down!' 'Maybe I should keep it down but maybe I should not. In the dope field, when I would not be quiet, you pushed me to the ground and held me tightly'. She giggled. 'It was very exciting'.
Alex Garland (The Beach)
What were you doing with her?” The words burst from my lips. Before I can take them back, he stares at me. I stare back at him as the silence stretches onwards. We’re both stiff. He says nothing. “Maybe I should ask you the same thing.” I shake my head, my nails digging into my palms. Then before I can react, he has pushed me roughly up the wall, his eyes now dark and fiery, like a storm ready to unleash itself. Good. He’s mad too. His hands force me to the wall as he presses his body against mine. The intensity of the move, the feel of him makes my breath hitch. “Get off me,” I seethe, pounding my fists into his chest but Adrian keeps me locked in place, so that his breath caresses my ear. “Were you guys too rushed?’ He mocks. “Too desperate to book a hotel room?” I can barely stifle a disgusted snort. “What are you talking about?” Fury pumps through my head. “A hotel room? What kind of girl do you think I am—mmf?” He moves against me, moving to kiss me. The moment where his lips meet mine hard and unyielding. He tastes of smoke and lipgloss—and I’m reminded of the scene earlier where he and Lauren got out of the closet together. Disgust fills me as I squirm in his arms. He groans, fire burning in his voice. “You want me, you’re trying to hide from it.” “No,” I try to bite the words at him but it comes out strangled. I try to push him away but before I have to, he releases me. I try to put as much distance between him and myself, shaking. Loathing is my voice. "Get away from me. I hate you." He swallows and looks away, his breathing slowing. He pushes himself from the wall, still very pale. Then closing his eyes and turning, he starts walking away, heading towards the parking lot. "I hate you!" I scream again behind him. Adrian stops for a moment, his back to me. “I’ve told you from the very beginning. You should.” He keeps on walking, never glancing back.
L. Jayne (Chasing After Infinity)
Do you want to have some hot sex instead of getting into a cold cab and driving away?" She looked up and grinned. "I'm awake. You're awake. We've only gone three rounds. Why not make it an even four? I'm already undressed." She took his hand and drew it down between her legs. "You don't even have to waste time with foreplay. This is what you do to me. I'm all ready to go." "I shouldn't..." "Don't tell me you don't want to." She ground her hips against his cock, now rock hard beneath his boxers. "I simply won't believe you." Jay groaned. "I do, but..." "But what?" She dropped to her knees in front of him and drew his boxers down to his ankles. His cock, thick and hard, bounced gently in her direction. "You don't like soft wet lips, firm hands, and skills honed by years of beer funnels." She flicked her tongue over the swollen head of his shaft. "Say yes. Say you'll stay long enough for me to chase your demons away." His hand dropped to her head and he swallowed hard. "Yes, but I'll do the chasing.
Sara Desai (The Singles Table (Marriage Game, #3))
Layla jumped up and lunged for the paper. Sam held it higher and she collided with him, losing her balance. He circled an arm around her waist to keep her steady, securing her soft body against his chest. Electricity arced between them, warming his blood as he felt the pounding of her unaccommodating heart. "Bastard." She broke the spell, jumping to get the paper. Her body rubbed up and down against his. Too late, he realized the danger. "Is this a sales technique?" he whispered in her ear. "A little demonstration for Hassan about what he can expect in bed? Or is it just for me? Because, sweetheart, if he doesn't marry you after this, I will." Her nostrils flared, and she pulled away. "I wouldn't marry you even if you got down on your knees and begged." "When I'm with a woman, it's not me doing the begging.
Sara Desai (The Marriage Game (Marriage Game #1))
Here’s how my theory goes. We writers are up to the following: We build tensions toward laughter, then give permission, and laughter comes. We build tensions toward sorrow, and at last say cry, and hope to see our audience in tears. We build tensions toward violence, light the fuse, and run. We build the strange tensions of love, where so many of the other tensions mix to be modified and transcended, and allow that fruition in the mind of the audience. We build tensions, especially today, toward sickness and then, if we are good enough, talented enough, observant enough, allow our audiences to be sick. Each tension seeks its own proper end, release, and relaxation. No tension, it follows, aesthetically as well as practically, must be built which remains unreleased. Without this, any art ends incomplete, halfway to its goal. And in real life, as we know, the failure to relax a particular tension can lead to madness. There are seeming exceptions to this, in which novels or plays end at the height of tension, but the release is implied. The audience is asked to go forth into the world and explode an idea. The final action is passed on from creator to reader-viewer whose job it is to finish off the laughter, the tears, the violence, the sexuality, or the sickness.
Ray Bradbury (Zen in The Art of Writing)
His fingers come to my chin, tilting my head so I am looking up into his black eyes, the rage in them as hot as coals. 'You just think I ought to. That I can. That's I'd be good at it. Very well, Jude. Tell me how it's done. Do you think she'd like it if I came to her like this, if I looked deeply in to her eyes?' My whole body is alert, alive with sick desire, embarrassing in its intensity. He knows, I know he knows. 'Probably,' I say, my voice coming out a little shakily. 'Whatever it is you usually do.' 'Oh, come now,' he says, his voice full of barely controlled fury. 'If you want me to play the bawd, at least give me the benefit of your advice.' His beringed fingers trace over my cheek, trace the line of my lip and down my throat. I feel dizzy and overwhelmed. 'Should I took her like this?' he asks, lashes lowered. The shadows limn his face, casting his cheekbones in to stark relief. 'I don't know,' I say, but my voice betrays me. It's all wrong, high and breathless. He presses his mouth to my ear, kissing me there. His hands skim over my shoulders, making me shiver. 'And then like this? Is this how I ought to seduce her?' I can feel his mouth shape the light words against my skin. 'Do you think it would work?' I dig my fingernails in to the meat of my palm to keep from moving against him. My whole body is trembling with tension. 'Yes.' Then his mouth is against mine, and my lips part. I close my eyes against what I'm about to do. My fingers reach up to tangle in the black curls of his hair. He doesn't kiss me as though he's angry; his kiss is soft, yearning. Everything slows, goes liquid and hot. I can barely think. I've wanted this and feared it, and now that it's happening, I don't know how I will ever want anything else.
Holly Black (The Wicked King (The Folk of the Air, #2))
He unfastened his pants and shrugged off his shirt, baring his beautiful chest, the ripple of his abs, and the soft trail of hair leading below. "I was saving the best for last." He ground his palm over his erection. "Tease." She couldn't tear her eyes away. "Take it all off." "You're not in a position to make demands." But he didn't make her wait. Instead he lowered his zipper and pulled out his cock. Thick and hard, he was more than ready for her. "Do you want this, sweetheart?" She wasn't complaining about the term of endearment now. "Very much." He gave a casual shrug that belied the evidence of his desire. "Maybe when I've finished my search." "What else..." Her voice trailed off when he lay between her legs, slid off her panties, and placed her feet on his shoulders. "The best things are found in the most secret places." He lowered his head. His tongue did the most wicked things that had her arching and twisting on the bed. "Jay..." It was a plea. It was a demand. "That's Mr. Dayal to you." Without warning, he slid two fingers deep inside her, his firm steady strokes making all her nerve endings fire at once. His tongue found her sensitive clit and her inner walls tightened around his fingers. She soared and peaked, her orgasm crashing through her body in a tidal wave of sensation. Dazed, languid on the bed, she watched him shrug off his trousers and roll on a condom. "Did you find what you were looking for?" "Not yet." He lifted her legs, spread them wide, opening her for him as he positioned himself between her thighs. "You're very good at your job." Now that her body was sated, she was generous with her praise. "And you are a beautiful, sexy temptress who is about to be fucked by a man who wants her so desperately he's willing to do anything to have her.
Sara Desai (The Singles Table (Marriage Game, #3))
I often tell people that I’m the biggest self-aware misogynist I know. I was writing a scene last night between a woman general and the man she helped put on the throne. I started writing in some romantic tension, and realized how lazy that was. There are other kinds of tension. I made a passing reference to sexual slavery, which I had to cut. I nearly had him use a gendered slur against her. I growled at the screen. He wanted to help save her child… no. Her brother? Ok. She was going to betray him. OK. He had some wives who died… ug. No. Close advisors? Friends? Maybe somebody just… left him? Even writing about societies where there is very little sexual violence, or no sexual violence against women, I find myself writing in the same tired tropes and motivations. “Well, this is a bad guy, and I need something traumatic to happen to this heroine, so I’ll have him rape her.” That was an actual thing I did in the first draft of my first book, which features a violent society where women outnumber men 25-1. Because, of course, it’s What You Do.
Kameron Hurley
In the past few years, more and more passionate debates about the nature of SFF and YA have bubbled to the surface. Conversations about race, imperialism, gender, sexuality, romance, bias, originality, feminism and cultural appropriation are getting louder and louder and, consequently, harder to ignore. Similarly, this current tension about negative reviews is just another fissure in the same bedrock: the consequence of built-up pressure beneath. Literary authors feud with each other, and famously; yet genre authors do not, because we fear being cast as turncoats. For decades, literary writers have also worked publicly as literary reviewers; yet SFF and YA authors fear to do the same, lest it be seen as backstabbing when they dislike a book. (Small wonder, then, that so few SFF and YA titles are reviewed by mainstream journals.) Just as a culture of sexual repression leads to feelings of guilt and outbursts of sexual moralising by those most afflicted, so have we, by denying and decrying all criticism that doesn’t suit our purposes, turned those selfsame critical impulses towards censorship. Blog post: Criticism in SFF and YA
Foz Meadows
Are you bothered because he says he could see us together? Or is there something else?” Sam's voice had grown quieter with that last question. Devin looked up from the board to see something he'd never thought he'd see from Sam. An expression that, on anyone else, would've been more than curious. It was open, vulnerable. A naked longing that disappeared as soon as Devin was sure he knew what it was, to be replaced by Sam pressing his lips together and looking down at the board again. Wow. Okay. That made this conversation a hell of a lot more interesting. Maybe Sam had spent so much time analyzing Devin because he wanted to know if he had a chance. Devin wasn't sure how he felt about that. “I'm not in love with the idea that you guys have talked about me,” Devin said. “It's strange.” “I'm sorry our conversation made you feel that way,” Sam said. “I honestly wouldn't have said anything if you didn't want to know.” “I know, I asked for it,” Devin responded. “About...us.” Dev looked up in time to see Sam's expression change before the mask slid back into place. “You don't think it's weird?” Sam's lips trembled as he fought down a smile. “I think,” he began, reaching across the table, “life is full of possibilities.” He touched the back of Devin's hand with the tips of his fingers, gently stroking the skin. “If this isn't one you want to take advantage of, then you shouldn't feel pressured to do so.” It wasn't Devin's imagination that the temperature in the room had risen. It was one thing when Sam was getting into his head on a purely academic level. It was another thing when Sam looked at him from beneath thick lashes as if he could unravel Devin from the inside out if given half the chance. And he so wanted that chance. Holy hell. The little nerd was trying to seduce him.
Sara Winters (See Right Through (Savannah, #1))
Finally, we arrive at the question of the so-called nonpolitical man. Hitler not only established his power from the very beginning with masses of people who were until then essentially nonpolitical; he also accomplished his last step to victory in March of 1933 in a "legal" manner, by mobilizing no less than five million nonvoters, that is to say, nonpolitical people. The Left parties had made every effort to win over the indifferent masses, without posing the question as to what it means "to be indifferent or nonpolitical." If an industrialist and large estate owner champions a rightist party, this is easily understood in terms of his immediate economic interests. In his case a leftist orientation would be at variance with his social situation and would, for that reason, point to irrational motives. If an industrial worker has a leftist orientation, this too is by all mean rationally consistent—it derives from his economic and social position in industry. If, however, a worker, an employee, or an official has a rightist orientation, this must be ascribed to a lack of political clarity, i.e., he is ignorant of his social position. The more a man who belongs to the broad working masses is nonpolitical, the more susceptible he is to the ideology of political reaction. To be nonpolitical is not, as one might suppose, evidence of a passive psychic condition, but of a highly active attitude, a defense against the awareness of social responsibility. The analysis of this defense against consciousness of one's social responsibility yields clear insights into a number of dark questions concerning the behavior of the broad nonpolitical strata. In the case of the average intellectual "who wants nothing to do with politics," it can easily be shown that immediate economic interests and fears related to his social position, which is dependent upon public opinion, lie at the basis of his noninvolvement. These fears cause him to make the most grotesque sacrifices with respect to his knowledge and convictions. Those people who are engaged in the production process in one way or another and are nonetheless socially irresponsible can be divided into two major groups. In the case of the one group the concept of politics is unconsciously associated with the idea of violence and physical danger, i.e., with an intense fear, which prevents them from facing life realistically. In the case of the other group, which undoubtedly constitutes the majority, social irresponsibility is based on personal conflicts and anxieties, of which the sexual anxiety is the predominant one. […] Until now the revolutionary movement has misunderstood this situation. It attempted to awaken the "nonpolitical" man by making him conscious solely of his unfulfilled economic interests. Experience teaches that the majority of these "nonpolitical" people can hardly be made to listen to anything about their socio-economic situation, whereas they are very accessible to the mystical claptrap of a National Socialist, despite the fact that the latter makes very little mention of economic interests. [This] is explained by the fact that severe sexual conflicts (in the broadest sense of the word), whether conscious or unconscious, inhibit rational thinking and the development of social responsibility. They make a person afraid and force him into a shell. If, now, such a self-encapsulated person meets a propagandist who works with faith and mysticism, meets, in other words, a fascist who works with sexual, libidinous methods, he turns his complete attention to him. This is not because the fascist program makes a greater impression on him than the liberal program, but because in his devotion to the führer and the führer's ideology, he experiences a momentary release from his unrelenting inner tension. Unconsciously, he is able to give his conflicts a different form and in this way to "solve" them.
Wilhelm Reich (The Mass Psychology of Fascism)
In the Middle Ages, marriage was considered a sacrament ordained by God, and God also authorised the father to marry his children according to his wishes and interests. An extramarital affair was accordingly a brazen rebellion against both divine and parental authority. It was a mortal sin, no matter what the lovers felt and thought about it. Today people marry for love, and it is their inner feelings that give value to this bond. Hence, if the very same feelings that once drove you into the arms of one man now drive you into the arms of another, what’s wrong with that? If an extramarital affair provides an outlet for emotional and sexual desires that are not satisfied by your spouse of twenty years, and if your new lover is kind, passionate and sensitive to your needs – why not enjoy it? But wait a minute, you might say. We cannot ignore the feelings of the other concerned parties. The woman and her lover might feel wonderful in each other’s arms, but if their respective spouses find out, everybody will probably feel awful for quite some time. And if it leads to divorce, their children might carry the emotional scars for decades. Even if the affair is never discovered, hiding it involves a lot of tension, and may lead to growing feelings of alienation and resentment. The most interesting discussions in humanist ethics concern situations like extramarital affairs, when human feelings collide. What happens when the same action causes one person to feel good, and another to feel bad? How do we weigh the feelings against each other? Do the good feelings of the two lovers outweigh the bad feelings of their spouses and children? It doesn’t matter what you think about this particular question. It is far more important to understand the kind of arguments both sides deploy. Modern people have differing ideas about extramarital affairs, but no matter what their position is, they tend to justify it in the name of human feelings rather than in the name of holy scriptures and divine commandments. Humanism has taught us that something can be bad only if it causes somebody to feel bad. Murder is wrong not because some god once said, ‘Thou shalt not kill.’ Rather, murder is wrong because it causes terrible suffering to the victim, to his family members, and to his friends and acquaintances. Theft is wrong not because some ancient text says, ‘Thou shalt not steal.’ Rather, theft is wrong because when you lose your property, you feel bad about it. And if an action does not cause anyone to feel bad, there can be nothing wrong about it. If the same ancient text says that God commanded us not to make any images of either humans or animals (Exodus 20:4), but I enjoy sculpting such figures, and I don’t harm anyone in the process – then what could possibly be wrong with it? The same logic dominates current debates on homosexuality. If two adult men enjoy having sex with one another, and they don’t harm anyone while doing so, why should it be wrong, and why should we outlaw it? It is a private matter between these two men, and they are free to decide about it according to their inner feelings. In the Middle Ages, if two men confessed to a priest that they were in love with one another, and that they never felt so happy, their good feelings would not have changed the priest’s damning judgement – indeed, their happiness would only have worsened the situation. Today, in contrast, if two men love one another, they are told: ‘If it feels good – do it! Don’t let any priest mess with your mind. Just follow your heart. You know best what’s good for you.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Achievement ceremonies are revealing about the need of the powerful to punish women through beauty, since the tension of having to repress alarm at female achievement is unusually formalized in them. Beauty myth insults tend to be blurted out at them like death jokes at a funeral. Memories of these achievement ceremonies are supposed to last like Polaroid snapshots that gel into permanent colors, souvenirs to keep of a hard race run; but for girls and young women, the myth keeps those colors always liquid so that, with a word, they can be smeared into the uniform shades of mud. At my college graduation, the commencement speaker, Dick Cavett—who had been a “brother” of the university president in an allmale secret society—was confronted by two thousand young female Yale graduates in mortarboards and academic gowns, and offered them this story: When he was at Yale there were no women. The women went to Vassar. There, they had nude photographs taken in gym class to check their posture. Some of the photos ended up in the pornography black market in New Haven. The punch line: The photos found no buyers. Whether or not the slur was deliberate, it was still effective: We may have been Elis but we would still not make pornography worth his buying. Today, three thousand men of the class of 1984 are sure they are graduates of that university, remembering commencement as they are meant to: proudly. But many of the two thousand women, when they can think of that day at all, recall the feelings of the powerless: exclusion and shame and impotent, complicit silence. We could not make a scene, as it was our parents’ great day for which they had traveled long distances; neither could they, out of the same concern for us. Beauty pornography makes an eating disease seem inevitable, even desirable, if a young woman is to consider herself sexual and valuable: Robin Lakoff and Raquel Scherr in Face Value found in 1984 that “among college women, ‘modern’ definitions of beauty—health, energy, self-confidence”—prevailed. “The bad news” is that they all had “only one overriding concern: the shape and weight of their bodies. They all wanted to lose 5–25 pounds, even though most [were] not remotely overweight. They went into great detail about every flaw in their anatomies, and told of the great disgust they felt every time they looked in the mirror.” The “great disgust” they feel comes from learning the rigid conventions of beauty pornography before they learn their own sexual value; in such an atmosphere, eating diseases make perfect sense.
Naomi Wolf (The Beauty Myth)
It was certainly true that I had “no sense of humour” in that I found nothing funny. I didn’t know, and perhaps would never know, the feeling of compulsion to exhale and convulse in the very specific way that humans evolved to do. Nor did I know the specific emotion of relief that is bound to it. But it would be wrong, I think, to say that I was incapable of using humour as a tool. As I understood it, humour was a social reflex. The ancestors of humans had been ape-animals living in small groups in Africa. Groups that worked together were more likely to survive and have offspring, so certain reflexes and perceptions naturally emerged to signal between members of the group. Yawning evolved to signal wake-rest cycles. Absence of facial hair and the dilation of blood vessels in the face evolved to signal embarrassment, anger, shame and fear. And laughter evolved to signal an absence of danger. If a human is out with a friend and they are approached by a dangerous-looking stranger, having that stranger revealed as benign might trigger laughter. I saw humour as the same reflex turned inward, serving to undo the effects of stress on the body by activating the parasympathetic nervous system. Interestingly, it also seemed to me that humour had extended, like many things, beyond its initial evolutionary context. It must have been very quickly adopted by human ancestor social systems. If a large human picks on a small human there’s a kind of tension that emerges where the tribe wonders if a broader violence will emerge. If a bystander watches and laughs they are non-verbally signaling to the bully that there’s no need for concern, much like what had occurred minutes before with my comments about Myrodyn, albeit in a somewhat different context. But humour didn’t stop there. Just as a human might feel amusement at things which seem bad but then actually aren’t, they might feel amusement at something which merely has the possibility of being bad, but doesn’t necessarily go through the intermediate step of being consciously evaluated as such: a sudden realization. Sudden realizations that don’t incur any regret were, in my opinion, the most alien form of humour, even if I could understand how they linked back to the evolutionary mechanism. A part of me suspected that this kind of surprise-based or absurdity-based humour had been refined by sexual selection as a signal of intelligence. If your prospective mate is able to offer you regular benign surprises it would (if you were human) not only feel good, but show that they were at least in some sense smarter or wittier than you, making them a good choice for a mate. The role of surprise and non-verbal signalling explained, by my thinking, why explaining humour was so hard for humans. If one explained a joke it usually ceased to be a surprise, and in situations where the laughter served as an all-clear-no-danger signal, explaining that verbally would crush the impulse to do it non-verbally.
Max Harms (Crystal Society (Crystal Trilogy, #1))