Branded To Kill Quotes

We've searched our database for all the quotes and captions related to Branded To Kill. Here they are! All 100 of them:

But rest assured I'll win. Because I'm going to kill you... ... with kindness. And it's going to feel really weird for both of us.
Nadine Brandes (A Time to Rise (Out of Time, #3))
You want to kill me, don't you? And here I thought you and your friends were so righteous. You are just as capable of evil as anyone. Perhaps more so. Yet you believe your brand of evil is justified, so long as it serves your own misguided purposes." --Saint Dane
D.J. MacHale (The Rivers of Zadaa (Pendragon, #6))
Every time she tried to branch out to new projects, they kept insisting that Asian was her brand, was what her audience expected. They never let her talk about anything other than being an immigrant, other than the fact that half her family died in Cambodia, that her dad killed himself on the twentieth anniversary of Tiananmen. Racial trauma sells, right? They treated her like a museum
R.F. Kuang (Yellowface)
At its very core, the story of Jack the Ripper is a narrative of a killer’s deep, abiding hatred of women, and our cultural obsession with the mythology only serves to normalize its particular brand of misogyny.
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
A counsellor at the treatment centre where I got clean, herself a woman in recovery, surprised me when she said, ‘How clever of you to find drugs. Well done, you found a way to keep yourself alive.’ This made me feel quite tearful. I suppose because this woman, Jackie, didn’t judge me or tell me I was stupid or tubthumpingly declare that ‘drugs kill’. No, she told me that I had done well by finding something that made being me bearable… To be acknowledged as a person who was in pain and fighting to survive in my own muddled-up and misguided way made me feel optimistic and understood. It is an example of the compassion addicts need from one another in order to change.
Russell Brand (Recovery: Freedom from Our Addictions)
I do not have a hero complex. I have always been attracted to strong, independent women. I like a girl who has her shit together. No strings. Simple. Confident. But the way she nearly sighed the word 'broken'--as if it was her sole identifier, as if it's branded on her somehow, as if admitting this has cost her dearly, shamed her--just killed me a little bit. I want to save her. I want to be her hero. I want to make her see she is so much more than her damaged past.
Cheryl McIntyre (Sometimes Never (Sometimes Never, #1))
I travel the world. I Take nothing but pictures, kill nothing but time and leave nothing but footprints.
Maarten Schafer (Around The World in 80 Brands)
If I went on a killing spree that left thousands of people dead, I'd be branded as the worst kind of criminal. So why it is okay for the government to do exactly that?
Michelle Templet
Good communication has just a little to do with eloquence. It's character that makes it more successful. Harsh words nicely articulated are sharp enough to kill your brand!
Israelmore Ayivor (The Great Hand Book of Quotes)
Republican or Democrat, this nation's affluent urban and suburban classes understand their bread is buttered on the corporate side. The primary difference between the two parties is that the Republicans pretty much admit that they grasp and even endorse some of the nastiest facts of life in America. Republicans honestly tell the world: "Listen in on my phone calls, piss-test me until I'm blind, kill and eat all of my neighbors right in front of my eyes, but show me the money! Let me escape with every cent I can kick out of the suckers, the taxpayers, and anybody else I can get a headlock on, legally or otherwise." Democrats, in contrast, seem content to catalog the GOP's outrages against the Republic, showing proper indignation while laughing at episodes of The Daily Show. But they stand behind the American brand: imperialism. They "support our troops," though you will be hard put to find any of them who have served alongside them or who would send one of their own kids off to lose an eye or an arm in Iraq. They play the imperial game, maintain their credit ratings, and plan to keep the beach house and the retirement investments if it means sacrificing every damned Lynndie England in West Virginia.
Joe Bageant (Deer Hunting with Jesus: Dispatches from America's Class War)
Let’s say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don’t worry, the man was already dead. Or maybe you should worry, because you’re the one who shot him. He had been a big, twitchy guy with veiny skin stretched over swollen biceps, a tattoo of a swastika on his tongue. Teeth filed into razor-sharp fangs-you know the type. And you’re chopping off his head because, even with eight bullet holes in him, you’re pretty sure he’s about to spring back to his feet and eat the look of terror right off your face. On the follow-through of the last swing, though, the handle of the ax snaps in a spray of splinters. You now have a broken ax. So, after a long night of looking for a place to dump the man and his head, you take a trip into town with your ax. You go to the hardware store, explaining away the dark reddish stains on the broken handle as barbecue sauce. You walk out with a brand-new handle for your ax. The repaired ax sits undisturbed in your garage until the spring when, on one rainy morning, you find in your kitchen a creature that appears to be a foot-long slug with a bulging egg sac on its tail. Its jaws bite one of your forks in half with what seems like very little effort. You grab your trusty ax and chop the thing into several pieces. On the last blow, however, the ax strikes a metal leg of the overturned kitchen table and chips out a notch right in the middle of the blade. Of course, a chipped head means yet another trip to the hardware store. They sell you a brand-new head for your ax. As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. He’s also got a new head, stitched on with what looks like plastic weed-trimmer line, and it’s wearing that unique expression of “you’re the man who killed me last winter” resentment that one so rarely encounters in everyday life. You brandish your ax. The guy takes a long look at the weapon with his squishy, rotting eyes and in a gargly voice he screams, “That’s the same ax that beheaded me!” IS HE RIGHT?
David Wong (John Dies at the End (John Dies at the End #1))
Though I am young, and cannot tell Either what Death or Love is well, Yet I have heard they both bear darts, And both do aim at human hearts. And then again, I have been told Love wounds with heat, as Death with cold; So that I fear they do but bring Extremes to touch, and mean one thing. As in a ruin we it call One thing to be blown up, or fall; Or to our end like way may have By a flash of lightning, or a wave; So Love’s inflamèd shaft or brand May kill as soon as Death’s cold hand; Except Love’s fires the virtue have To fight the frost out of the grave.
Ben Jonson
They’re called sock puppets. We create armies of artificial online personas – user accounts that espouse views certain interested parties want espoused. We flood forums, online comment sections, social media. ... It’s amazing what a few people and a little money can accomplish online. Our puppets have turned whole elections. … Everything the public sees is managed. If there’s a valuable brand to protect – whether it’s a person or a dish soap – these fuckers are out there protecting it, shaping the narrative. I mean… who the hell follows dish soap on Twitter? How does anyone believe that shit’s real? (p. 292-294)
Daniel Suarez (Kill Decision)
You don’t question the right of the government to kill, to confiscate and imprison. If a private person should be guilty of the things the government is doing all the time, you’d brand him a murderer, thief and scoundrel. But as long as the violence committed is “lawful,” you approve of it and submit to it. So it is not really violence that you object to, but to people using violence “unlawfully.
Alexander Berkman (ABC of Anarchism)
Think of the things killing us as a nation: narcotic drugs, brainless competition, dishonesty, greed, recreational sex, the pornography of violence, gambling, alcohol, and the worst pornography of all -- lives devoted to buying things, accumulation as a philosophy -- all of these are addictions of dependent personalities. That is what our brand of schooling must inevitably produce.
John Taylor Gatto
If anyone knows a bit about history and fashion, you know it was Hugo Boss who made uniforms for the Nazis--but they looked fucking fantastic, let's face it, while they were killing people on the basis of their religion and sexuality.
Russell Brand
We are laying the foundation for some new, monstrous civilization. Only now do I realize what price was paid for building the ancient civilizations. The Egyptian pyramids, the temples and Greek statues—what a hideous crime they were! How much blood must have poured on to the Roman roads, the bulwarks, and the city walls. Antiquity—the tremendous concentration camp where the slave was branded on the forehead by his master, and crucified for trying to escape! Antiquity—the conspiracy of the free men against the slaves! .... If the Germans win the war, what will the world know about us? They will erect huge buildings, highways, factories, soaring monuments. Our hands will be placed under every brick, and our backs will carry the steel rails and the slabs of concrete. They will kill off our families, our sick, our aged. They will murder our children. And we shall be forgotten, drowned out by the voices of the poets, the jurists, the philosophers, the priests. They will produce their own beauty, virtue, and truth. They will produce religion.
Tadeusz Borowski (This Way for the Gas, Ladies and Gentlemen)
Down to the closest friend every man is a potential murderer. Often it wasn't necessary to bring out the gun or the lasso or the branding iron-- they had found subtler and more devilish ways of torturing and killing their own. For me the most excruciating agony was to have the word annihilated before it even left my mouth. I learned, by bitter experience, to hold my tongue; I learned to sit in silence, and even smile, when actually I was foaming at the mouth. I learned to shake hands and say how do you do to all this innocent-looking fiends who were only waiting for me to sit down in order to suck my blood.
Henry Miller (Henry Miller on Writing)
In general, though, women aren’t really allowed to be kick-ass. It’s like the famous distinction between art and craft: Art, and wildness, and pushing against the edges, is a male thing. Craft, and control, and polish, is for women. Culturally we don’t allow women to be as free as they would like, because that is frightening. We either shun those women or deem them crazy. Female singers who push too much, and too hard, don’t tend to last very long. They’re jags, bolts, comets: Janis Joplin, Billie Holiday. But being that woman who pushes the boundaries means you also bring in less desirable aspects of yourself. At the end of the day, women are expected to hold up the world, not annihilate it. That’s why Kathleen Hanna of Bikini Kill is so great. The term girl power was coined by the Riot Grrl movement that Kathleen spearheaded in the 1990s. Girl power: a phrase that would later be co-opted by the Spice Girls, a group put together by men, each Spice Girl branded with a different personality, polished and stylized to be made marketable as a faux female type. Coco was one of the few girls on the playground who had never heard of them, and that’s its own form of girl power, saying no to female marketing!
Kim Gordon
Though completely irrelevant to the story, seventeen minutes and thirty-two seconds later, every instance of the word “the” that appeared in this chapter transmogrified into a tiny, blue, pineapple-headed bat that flew away to France to start a brand new life even though they all hated France (except for French fries, guillotines, and that place in France where the naked ladies dance). Regarding the latter, apparently there’s a hole in the wall where tiny, blue, pineapple-headed bats can see it all.
Douglas Hackle (The Hottest Gay Man Ever Killed in a Shark Attack)
What’s up with your hair?’ I ask. ‘Aren’t you worried you’ll be spotted by angels flying above with all that blue?’ ‘War paint,’ says Dee, fastening his seatbelt. ‘Except it’s in our hair instead of on our faces,’ says Dum, starting the engine. ‘Because we’re original like that.’ ‘Besides, are poisonous frogs worried about being spotted by birds?’ asks Dee. ‘Are poisonous snakes? They all have bright markings.’ ‘You’re a poisonous frog now?’ I ask. ‘Ribbit.’ He turns and flicks out his tongue at me. It’s blue. My eyes widen. ‘You dyed your tongue too?’ Dee smiles. ‘Nah. It’s just Gatorade.’ He lifts up a bottle half-full of blue liquid. ‘Gotcha.’ He winks. ‘“Hydrate or Die,” man,’ says Dum as we turn onto El Camino Real. ‘That’s not Gatorade’s marketing,’ says Dee. ‘It’s for some other brand.’ ‘Never thought I’d say this,’ says Dum, ‘but I actually miss ads. You know, like “Just Do It.” I never realized how much of life’s good advice came from ads. What we really need now is for some industrious soul to put out a product and give us a really excellent saying to go with it. Like “Kill ’Em All and Let God Sort ’Em Out.”’ ‘That’s not an advertising jingle,’ I say. ‘Only because it wasn’t good advice back in the day,’ says Dum. ‘Might be good advice now. Attach a product to it, and we could get rich.
Susan Ee (End of Days (Penryn & the End of Days, #3))
At its very core, the story of Jack the Ripper is a narrative of a killer’s deep, abiding hatred of women, and our culture’s obsession with the mythology serves only to normalize its particular brand of misogyny. We have grown so comfortable with the notion of “Jack the Ripper,” the unfathomable, invincible male killer, that we have failed to recognize that he continues to walk among us. In his top hat and cape, wielding his blood-drenched knife, he can be spotted regularly in London on posters, in ads, on the sides of buses. Bartenders have named drinks after him, shops use his moniker on their signs, tourists from around the world make pilgrimages to Whitechapel to walk in his footsteps and visit a museum dedicated to his violence. The world has learned to dress up in his costume at Halloween, to imagine being him, to honor his genius, to laugh at a murderer of women. By embracing him, we embrace the set of values that surrounded him in 1888, which teaches women that they are of a lesser value and can expect to be dishonored and abused.
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
Some consider me as a bad influence, but I prefer to see myself as indifferent. To define an act as good or evil is solely to see an action from one perspective or another. A mortal who kills another in the act of vengeance is branded a murderer, but a mortal who kills another in the heat of the battle is celebrated as a hero.
Peter Koevari
The only difference between Patriotism and Brand loyalty is that the latter doesn't kill you.
Mohammad Rafiq Teli
YOU are your own brand, and how you manage your personal brand can make or break your career. Because
Aliza Licht (Leave Your Mark: Land Your Dream Job. Kill It in Your Career. Rock Social Media.)
How you brand and market yourself can weigh just as heavily on your success as your actual skills do.
Aliza Licht (Leave Your Mark: Land Your Dream Job. Kill It in Your Career. Rock Social Media.)
Kane was stunned by the raw emotion of Ryland's words, of the depth of reverence in his voice. Ryland was a cold killing machine, who cared only about following his own path, about revenge, about his own brand of justice. He was a warrior who felt nothing, who saw no beauty, who had no depth to his soul other than death, pain and anger, and yet his sincerity about his mother was so evident that Kane could feel the other warrior's emotion. "Son of a bitch, Ryland," he said softly, staring at the warrior he thought he knew. "Who the hell are you?" Ryland's head snapped up. "Don't swear in her prescence, you bastard. She'a fucking angel, and deserves far more than a piece of scum like you or I could ever offer her. Don't ever forget it.
Stephanie Rowe (Darkness Reborn (Order of the Blade #5))
As Pa speaks, I know he thinks someone in our family has stolen the rice. The story of the rat is not true and everyone knows it. Convinced that he realises it was me, I hide my eyes from him. Shame burns my hand like a hot iron branding me for all to see; Pa's favourite child stole from the family. As if to rescue me,Geak wakes up and her screams of hunger interrupt the incident.
Loung Ung (First They Killed My Father: A Daughter of Cambodia Remembers)
In Maslow's pyramid of needs, Abraham Maslow demonstrates the hierarchy of human requirements, most basic at the bottom, in a diagram. If you ask me, putting people's most basic requirements in a pyramid is bloody exclusive in the first place.They're extremely difficult to build, only pharoahs are allows in them and Indiana Jones was very nearly killed trying to get the treasure out.
Russell Brand
Seven pillars make or kill a brand,’ says Goenka. ‘Packaging, pricing, product, promotion, distribution, advertising, and margins to retailers. We ensure there is equal focus on all these aspects.
Nikhil Inamdar (Rokda: How Baniyas Do Business)
We'd go into battle with one riffle for every four men. When they kill the first one, the second one grabs the riffle, after the second one, the next one. Meanwhile, the germans all had brand-new machine guns.
Svetlana Alexievich (Secondhand Time: The Last of the Soviets)
At its very core, the story of Jack the Ripper is a narrative of a killer’s deep, abiding hatred of women, and our cultural obsession with the mythology only serves to normalize its particular brand of misogyny
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
At its very core, the story of Jack the Ripper is a narrative of a killer’s deep, abiding hatred of women, and our culture’s obsession with the mythology serves only to normalize its particular brand of misogyny.
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
Wind surged across the frozen wastes. Our bodies moved restlessly, we could not feed them enough. Dusk upon us, we crept across the ghetto of boulders, our headlamps sometimes eerie, then like rockets in the fog. Total darkness ambushed us short of our destination. The hours wore on. The moraine wore us down. My eyes were riveted to the rising scythe of a moon. In that instant I figured out what was killing me. It wasn't the quick blow of an ax, but the slow torment of the rack: each day I was weaker, each hour a little more sick. With every night that passed I shuffled a bit nearer to death. I made life-and-death decisions like I was choosing between two brands
Mark Twight (Kiss or Kill: Confessions of a Serial Climber)
What?” Damon shouted from inside the room. We all stopped, looking at each other. “It’s a boy?” he blurted out. “Are you sure?” We leaned in, and I folded my lips between my teeth to contain the laughter. A baby cried, there was some shuffling, and then we heard Damon’s playful little growl. “Ugh, what am I going to do with you?” “Damon!” Winter growled. “I’m going to kill you. You better love him. You do, right?” There was a pause, and I met Alex’s wide eyes with my own. Drama… Damon and I ran the construction business together now, him building and me designing, so I’d gotten used to his…brand of humor. Finally, he answered. “Y–yeah,” he stuttered, not sounding convincing. “Yeah, of course, baby. But like, are you sure there aren’t any more in there or something?” “Damon!” Will collapsed against the wall, shaking with laughter, and I shook my head, reaching over and taking the squirming Ivar out of Rika’s arms.
Penelope Douglas (Nightfall (Devil's Night, #4))
As hatred between the two sides grew, it became permissible to kill fellow Christians, now branded as demonic opponents; something that Christians had been inflicting upon Jews and Muslims for many centuries but had now turned on each other.
Marion Gibson (Witchcraft: A History in Thirteen Trials)
I caught a glimpse of heaven once. The Angels showed me. The idea was I'd kill for them. Clean up their mistakes on Earth. Eventually redeem myself. Tried it. Didn't like it. Told them where to stick it. So they brought me up to heaven, to see what I'd be missing. A wife. A son. A daughter. I hadn't seen them since they bled out in my arms. Then I was cast down. Back to a world of killers. Rapists. Psychos. Perverts. A brand new evil every minute, spewed out as fast as men can think them up. A world where pitching a criminal dwarf off a skyscraper to tell his fellow scum you're back is a sane and rational act. The angels thought it would be hell for me. (Said dwarf hits the ground with a splat) But they were wrong. Welcome Back, Frank. Says New York City.
Garth Ennis (The Punisher, Vol. 1: Welcome Back, Frank)
But all of that civilized sophistication could collapse if carrying capacities everywhere are lowered by severe climate change. Humanity would revert to its norm of constant battles for diminishing resources. Peace lovers would be killed and eaten by war lovers.
Stewart Brand (Whole Earth Discipline: Why Dense Cities, Nuclear Power, Transgenic Crops, Restored Wildlands, and Geoengineering Are Necessary)
The Oscar-nominated documentary The Act of Killing tells the story of the gangster leaders who carried out anti-communist purges in Indonesia in 1965 to usher in the regime of Suharto. The film’s hook, which makes it compelling and accessible, is that the filmmakers get Anwar —one of the death-squad leaders, who murdered around a thousand communists using a wire rope—and his acolytes to reenact the killings and events around them on film in a variety of genres of their choosing. In the film’s most memorable sequence, Anwar—who is old now and actually really likable, a bit like Nelson Mandela, all soft and wrinkly with nice, fuzzy gray hair—for the purposes of a scene plays the role of a victim in one of the murders that he in real life carried out. A little way into it, he gets a bit tearful and distressed and, when discussing it with the filmmaker on camera in the next scene, reveals that he found the scene upsetting. The offcamera director asks the poignant question, “What do you think your victims must’ve felt like?” and Anwar initially almost fails to see the connection. Eventually, when the bloody obvious correlation hits him, he thinks it unlikely that his victims were as upset as he was, because he was “really” upset. The director, pressing the film’s point home, says, “Yeah but it must’ve been worse for them, because we were just pretending; for them it was real.” Evidently at this point the reality of the cruelty he has inflicted hits Anwar, because when they return to the concrete garden where the executions had taken place years before, he, on camera, begins to violently gag. This makes incredible viewing, as this literally visceral ejection of his self and sickness at his previous actions is a vivid catharsis. He gagged at what he’d done. After watching the film, I thought—as did probably everyone who saw it—how can people carry out violent murders by the thousand without it ever occurring to them that it is causing suffering? Surely someone with piano wire round their neck, being asphyxiated, must give off some recognizable signs? Like going “ouch” or “stop” or having blood come out of their throats while twitching and spluttering into perpetual slumber? What it must be is that in order to carry out that kind of brutal murder, you have to disengage with the empathetic aspect of your nature and cultivate an idea of the victim as different, inferior, and subhuman. The only way to understand how such inhumane behavior could be unthinkingly conducted is to look for comparable examples from our own lives. Our attitude to homelessness is apposite here. It isn’t difficult to envisage a species like us, only slightly more evolved, being universally appalled by our acceptance of homelessness. “What? You had sufficient housing, it cost less money to house them, and you just ignored the problem?” They’d be as astonished by our indifference as we are by the disconnected cruelty of Anwar.
Russell Brand
No follower of Christ knew the shape of the earth. For many centuries this great Peasant of Palestine has been worshiped as God. Millions and millions have given their lives to his service. The wealth of the world was lavished on his shrines. His name carried consolation to the diseased and dying. His name dispelled the darkness of death, and filled the dungeon with light. His name gave courage to the martyr, and in the midst of fire, with shriveling lips the sufferer uttered it again and again. The outcasts, the deserted, the fallen, felt that Christ was their friend, felt that he knew their sorrows and pitied their sufferings. All this is true, and if it were all, how beautiful, how touching, how glorious it would be. But it is not all. There is another side. In his name millions and millions of men and women have been imprisoned, tortured and killed. In his name millions and millions have been enslaved. In his name the thinkers, the investigators, have been branded as criminals, and his followers have shed the blood of the wisest and best. In his name the progress of many nations was stayed for a thousand years. In his gospel was found the dogma of eternal pain, and his words added an infinite horror to death. His gospel filled the world with hatred and revenge; made intellectual honesty a crime; made happiness here the road to hell, denounced love as base and bestial, canonized credulity, crowned bigotry and destroyed the liberty of man. It would have been far better had the New Testament never been written – far better had the theological Christ never lived. Had the writers of the Testament been regarded as uninspired, had Christ been thought of only as a man, had the good been accepted and the absurd, the impossible, and the revengeful thrown away, mankind would have escaped the wars, the tortures, the scaffolds, the dungeons, the agony and tears, the crimes and sorrows of a thousand years.
Robert G. Ingersoll
That's sweet and all, but we can't hold this bastard down much longer," Wyot, one of the dragons on top of Uther, grumbled. Brand lifted his head and grinned, "Shall we kill a king, my queen?" She laughed, pure joy erupting from the blackness that had consumed her. "By all means.
Abigail Owen (The Rogue King (Inferno Rising, #1))
Rory’s Rules of Alchemy The opposite of a good idea can also be a good idea. Don’t design for average. It doesn’t pay to be logical if everyone else is being logical. The nature of our attention affects the nature of our experience. A flower is simply a weed with an advertising budget. The problem with logic is that it kills off magic. A good guess which stands up to observation is still science. So is a lucky accident. Test counterintuitive things only because no one else will. Solving problems using rationality is like playing golf with only one club. Dare to be trivial. If there were a logical answer, we would have found it.
Rory Sutherland (Alchemy: The Dark Art and Curious Science of Creating Magic in Brands, Business, and Life)
Saintly Cruelty. A man holding a newly born child in his hands came to a saint. "What should I do with this child," he asked, "it is wretched, deformed, and has not even enough of life to die" "Kill it," cried the saint with a dreadful voice "kill it, and then hold it in thy arms for three days and three nights to brand it on thy memory thus wilt thou never again beget a child when it is not the time for thee to beget." When the man had heard this he went away disappointed; and many found fault with the saint because he had advised cruelty; for he had advised to kill the child. "But is it not more cruel to let it live? asked the saint.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
there's a part in the essay that kind of does this academic "Let's unpack the idea of Lynchian and what Lynchian means is something about the unbelievably grotesque existing in a kind of union with the unbelievably banal," and then it gives a series of scenarios about what -- what is and what isn't Lynchian. Jeffrey Dahmer was borderline Lynchian...what was Lynchian was having the actual food products next to the disembodied bits of the corpse. I guess the big one is, you know, a regular domestic murder is not Lynchian. But if the man -- if the police come to the scene and see the man standing over the body and the woman -- let's see, the woman's '50s bouffant is undisturbed and the man and the cops have this conversation about the fact that the man killed the woman because she persistently refused to buy, say, for instance, Jif peanut butter rather than Skippy, and how very, very important that is, and if the cops found themselves somehow agreeing that there were major differences between the brands and that a wife who didn't recognize those differences was deficient in her wifely duties, that would be Lynchian -- this weird confluence of very dark, surreal, violent stuff and absolute, almost Norman Rockwell, banal, American stuff, which is terrain he's been working for quite a while -- I mean, at least since -- at least since "Blue Velvet.
David Foster Wallace
To illustrate toaster righteousness, let’s say God decides to use toasters to spread His messages. He incorporates his love into an LLC called God’s Toasters, LLC. Toasters are now the legal and spiritual messengers of God. Different toaster brands are made all over the world. It doesn’t matter where the toasters are introduced in the world, some people support them and others oppose them. It is God’s will to have different toasters made in different countries. Toaster Righteousness comes into play when people start believing that if we do not eat a specific bread recipe and shaped bread, we cannot receive authentic holy toast. Exceptions are made with pita lovers, but everyone else in the world is doomed to live in eternal burnt-toast hell, not golden-brown toast heaven. Throughout history, bread is a staple of peoples’ diets. The introduction of toasters is supposed to support show us how to eat bread better, being grateful for the bread we are given, sharing toast with one’s neighbor, and not killing in the name of bread.
Sadiqua Hamdan (Happy Am I. Holy Am I. Healthy Am I.)
You’re an idiot. Don’t put words into my mouth. I might not be happy I had no choice, and I might be confused as hell, but I am not going to let others get hurt because I’m confused. Now, let’s go see this horde of scary, dangerous wolves so I can get my flesh burned and hide from the humans who tried to kill me. Because that sounds like a fun way to spend the day.
Alexandra Ivy (Stolen and Forgiven (Branded Packs #1))
I still worry about Africa, we are slaves to western and Eastern Brands and we do not cherish and love our own. We are not even in charge of our economies because we depend heavily on what happens in the East or West, Worse-off we still judge each other based on skin color because those from Northern Africa and even some in East Africa believe that they are not Africans and they do not integrate with the darker Africans. For centuries we are still being victimized by other races from other continents, because they despise our dark skin and think that we are lesser than them.. Xenophobia still lingers and some have the cold heart to kill their black African brothers and sisters and yet the people who owe them reparation and economic freedom are originally from the western countries. We still are held captive by our governments , who abuse our resources only to feed their pockets at the expense our crumbling nations. Why should we continue to suffer when we can apply Pan Africanism and Rise above the Western and Eastern Countries, but sadly we do not because we are not united.. Africa must unite to solve its problems, Happy Africa Day
Tare Munzara
Before I can even peel open my eyes, there are voices around me. “Axle might kill you if he finds you lying on the bed beside her,” Eve is saying from somewhere in the room. “Like I won’t hear him the second they all get back. I’ll have plenty of time to move,” Drake tells her, sounding really close to my side. “I want her to think we got married in Vegas and that now I’m the Blackbird king. Should be interesting.
C.M. Owens (Axle's Brand (Death Chasers MC, #3))
Most people follow the path that everyone before them has trodden. That’s the quick way to avoid being a genius. The genius, and the fool and madman (!), always create brand new paths, upon which no other person has ever set foot. Nothing is more depressing than the “role model” if that means copying someone else. That’s how to kill off genius. The genius is he who has no precedent. He doesn’t copy anyone. He goes beyond everyone else to unknown and unexplored places.
Mike Hockney (The Mathmos (The God Series Book 15))
Extensive studies have revealed that the "triage nurses" in our bodies recognize damaged cell parts and then repair them.' The body doesn't just patch these cells; it actually tears them down completely and then rebuilds from scratch. Incredible, isn't it? Damaged proteins become brand-new proteins, made with recycled amino acids. The body repairs altered fats and DNA in a similar matter. It is critical that you understand that the body has an amazing built-in ability to heal itself.
Ray D. Strand (What Your Doctor Doesn't Know About Nutritional Medicine May Be Killing You)
Shirogane: "This is a brand-new show called 'Naze? Naze? Neeze!' " I'm Shirogane, the teacher of course.♥" " We're covering Arithmethic!" "Here we have Akira-kun and Kengo-kun, who will tackle the questions with us!" Kengo: "Hello there!" ^_^ Akira: "I'm a high school student, by the way!" "Why do I have to do arithmethic?!" Shirogane: "And here's my assistant, kokuchi!" Kokuchi: "HISS!" Akira: "HEY! I don't get why a kokuchi is here...Besides, does it even remotely understand our language." Shirogane:"Here's the first question" "Akira-kun, what's three times four?" Akira: "Twelve..." Shirogane: "CORRECT!!!" "Wonderful Akira-kun! Fantastic Job!" "You're so smart. Can I call you genius from now on?" Akira: "Only if you want a pencil shoved in your eye!" "Stop making fun of me right now!" Shirogane: "Let's move on to the next question.♥ (Shirogane spinning) Akira: "Why are you so hyper today?" "You're acting like a different person!" Shirogane: "Kengo-kun what is 23 minus 15?" Kengo: "Twe--" Shirogane: "WRONG." " If you can't solve a simple problem like this, you don't even deserve to be considered human. You'd be better off dead. SO JUST DIE." Kengo: "I made a small mistake! No need to walk all over me like that!!" Shirogane: "Let me explain this problem so that stupid Kengo-kun can understand." Kengo: "I...I am not stupid!" Shirogane: "First, you have 23 kokuchi..." "...You take 15 from the 23..." "...AND KILL THEM" (Shirogane killing the Kokuchi) Kengo: "OMG, Akira! Can you stop him?!" Akira: "Well...Why should I? I don't really care...I'm tired." Kengo: "AKIRA!!" (Shirogane covered in Kokuchi blood) Shirogane: Now then! How many kokuchi do we have left now, Kengo-kun." (Kokuchi shivers) Kengo: "SO GROSS! EI--EIGHT! THE ANSWER IS EIGHT!" Shirogane: "Yes you are correct! Well, the dumb boy finally understood the problem, and it's time for us to say goodbye!" "Take care and see you next week!" (Akira sleeping) Kengo: Not likely..." Shirogane: "GOODBYE!
Kairi Sorano (Monochrome Factor Volume 2)
The decision to create a book trailer is entirely up to you. I can remember when "video killed the radio star" on MTV and how excited I was with some music videos (the ones that lived up to or exceeded my imagined vision of the song) and the ones I disliked so much, I even stopped listening to the song (the imagery just ruined it for me!) Some people argue that in a visual landscape, a book trailer is a must, while others stand firm that books should be read and not seen; unless of course it gets made into a screenplay and then a film. The most practical advice is to trust your instinct. You know what you want to say with your book and if it aligns congruently with your brand, then for a non-fiction book it may be a strategic move. On the other hand, it may come off as too "salesy" and go in the opposite direction. As you can see, I still have a love / hate relationship with matching someone else's images to my own imagination. No matter what you decide, remember to keep it aligned with your brand.
Kytka Hilmar-Jezek (Book Power: A Platform for Writing, Branding, Positioning & Publishing)
I’m not condemning anyone’s personal beliefs. I honestly don’t care if they worship Jesus, Buddha, Allah or the Tooth Fairy. But if that faith tells them to do harm to others, I have a big fucking issue with it. Millions, hell, probably billions of people throughout history have been killed in the name of one religion or the other. Just because you put your particular brand of God on it or drop enough Bible verses into your hate-filled rants to convince people, doesn’t make your actions any more justified.
J.K. Franks (Kingdoms of Sorrow (Catalyst #2))
And while [we] do have possibilities that are vast and magnificent and almost infinite in scope, it's important to remember that our choice-rich lives have the potential to breed their own brand of trouble. We are susceptible to emotional uncertainties and neuroses that are probably not very common among the Hmong, but that run rampant these days among my contemporaries in, say, Baltimore. The problem, simply put, is that we cannot choose everything simultaneously. So we live in danger of becoming paralyzed by indecision, terrified that every choice might be the wrong choice...Equally disquieting are the times when we do make a choice, only to later feel as though we have murdered some other aspect of our being by settling on one single concrete decision. By choosing Door Number Three, we fear we have killed off a different -- but equally critical piece of our soul that could only have been made manifest by walking through Door Number One or Door Number Two. ...Two of anything brings the automatic possibility of uncertainty to our lives. Now imagine a life in which every day a person is presented with not two or even three but dozens of choices, and you can begin to grasp why the modern world has become, even with all its advantages, a neurosis-generating machine of the highest order. In a world of such abundant possibility, many of us simply go limp from indecision. Or we derail our life's journey again and again, backing up to try the doors we neglected on the first round, desperate to get it right this time. Or we become compulsive comparers - always measuring our lives against some other person's life, secretly wondering if we should have taken her path instead. Compulsive comparing, of course, only leads to debilitating causes of "life envy": the certainty that somebody else is much luckier than you, and that if only you had her body, her husband, her children, her job, everything would be easy and wonderful and happy. All these choices and all this longing can create a weird kind of haunting in our lives - as though the ghosts of all our other, unchosen, possibilities linger forever in a shadow world around us, continuously asking, "Are you certain this is what you really wanted?" And nowhere does that question risk haunting us more than in our marriages, precisely because the emotional stakes of that most intensely personal choice have become so huge.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
On the labour front in 1919 there was an unprecedented number of strikes involving many millions of workers. One of the lager strikes was mounted by the AF of L against the United States Steel Corporation. At that time workers in the steel industry put in an average sixty-eight-hour week for bare subsistence wages. The strike spread to other plants, resulting in considerable violence -- the death of eighteen striking workers, the calling out of troops to disperse picket lines, and so forth. By branding the strikers Bolsheviks and thereby separating them from their public support, the Corporation broke the strike. In Boston, the Police Department went on strike and governor Calvin Coolidge replaced them. In Seattle there was a general strike which precipitated a nationwide 'red scare'. this was the first red scare. Sixteen bombs were found in the New York Post Office just before May Day. The bombs were addressed to men prominent in American life, including John D. Rockefeller and Attorney General Mitchell Palmer. It is not clear today who was responsible for those bombs -- Red terrorists, Black anarchists, or their enemies -- but the effect was the same. Other bombs pooped off all spring, damaging property, killing and maiming innocent people, and the nation responded with an alarm against Reds. It was feared that at in Russia, they were about to take over the country and shove large cocks into everyone's mother. Strike that. The Press exacerbated public feeling. May Day parades in the big cities were attacked by policemen, and soldiers and sailors. The American Legion, just founded, raided IWW headquarters in the State of Washington. Laws against seditious speech were passed in State Legislatures across the country and thousands of people were jailed, including a Socialist Congressman from Milwaukee who was sentenced to twenty years in prison. To say nothing of the Espionage and Sedition Acts of 1917 which took care of thousands more. To say nothing of Eugene V. Debs. On the evening of 2 January 1920, Attorney General Palmer, who had his eye on the White House, organized a Federal raid on Communist Party offices throughout the nation. With his right-hand assistant, J. Edgar Hoover, at his right hand, Palmer effected the arrest of over six thousand people, some Communist aliens, some just aliens, some just Communists, and some neither Communists nor aliens but persons visiting those who had been arrested. Property was confiscated, people chained together, handcuffed, and paraded through the streets (in Boston), or kept in corridors of Federal buildings for eight days without food or proper sanitation (in Detroit). Many historians have noted this phenomenon. The raids made an undoubted contribution to the wave of vigilantism winch broke over the country. The Ku Klux Klan blossomed throughout the South and West. There were night raidings, floggings, public hangings, and burnings. Over seventy Negroes were lynched in 1919, not a few of them war veterans. There were speeches against 'foreign ideologies' and much talk about 'one hundred per cent Americanism'. The teaching of evolution in the schools of Tennessee was outlawed. Elsewhere textbooks were repudiated that were not sufficiently patriotic. New immigration laws made racial distinctions and set stringent quotas. Jews were charged with international conspiracy and Catholics with trying to bring the Pope to America. The country would soon go dry, thus creating large-scale, organized crime in the US. The White Sox threw the Series to the Cincinnati Reds. And the stage was set for the trial of two Italian-born anarchists, N. Sacco and B. Vanzetti, for the alleged murder of a paymaster in South Braintree, Mass. The story of the trial is well known and often noted by historians and need not be recounted here. To nothing of World War II--
E.L. Doctorow (The Book of Daniel)
Saintly Cruelty. A man holding a newly born child in his hands came to a saint. "What should I do with this child," he asked, "it is wretched, deformed, and has not even enough of life to die" "Kill it," cried the saint with a dreadful voice "kill it, and then hold it in thy arms for three days and three nights to brand it on thy memory thus wilt thou never again beget a child when it is not the time for thee to beget." When the man had heard this he went away disappointed; and many found fault with the saint because he had advised cruelty; for he had advised to kill the child. "But is it not more cruel to let it live?" asked the saint.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
Saintly Cruelty.—A man holding a newly born child in his hands came to a saint. "What should I do with this child," he asked, "it is wretched, deformed, and has not even enough of life to die" "Kill it," cried the saint with a dreadful voice, "kill it, and then hold it in thy arms for three days and three nights to brand it on thy memory:—thus wilt thou never again beget a child when it is not the time for thee to beget."—When the man had heard this he went away disappointed; and many found fault with the saint because he had advised cruelty; for he had advised to kill the child. "But is it not more cruel to let it live?" asked the saint.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
As if all of that hadn't been enough, I had foolishly chosen to wear a brand-new pair of Jimmy Choo mules to school, purchased at a fraction of their normal retail cost at an outlet over the summer. They were gorgeous, and they went perfectly with the Calvin Klein black denim skirt I had paired with a hot pink scoop-neck top. But of course they were killing me. I already had raw, painful blisters around the bases of all my toes, and the Band-Aids the nurse had given me to cover them so that I could at least hobble between classes were not exactly doing the job. My feet felt like they were about to fall off. If I'd known where Jimmy Choo lived, I would have hobbled right up to his front door and popped him one in the eye.
Meg Cabot (Darkest Hour (The Mediator, #4))
When police arrested a New York bus driver for running down a schoolgirl in a crosswalk… the New York Daily News decried what it saw as mistreatment of one of the city’s bus drivers. The head of the transit union protested this enforcement of the city’s new Right of Way Law as “outrageous, illogical and anti-worker” while branding the head of a city street safety advocacy group “a progressive intellectual jackass.” The same union previously launched a work slowdown when another bus driver faced sanctions for killing a seventy-eight-year-old woman in a crosswalk in December 2014. All this occurred because police sought to enforce _misdemeanor_ charges in cases of pedestrians who were run over in crosswalks where they had the clear right of way.
Edward Humes (Door to Door: The Magnificent, Maddening, Mysterious World of Transportation)
The man in the blue coat—he has 24 seconds before he gets shot in the head on this bridge. His intention was to shoot at least one of us already, but he suspects the cold isn’t the real reason why my husband has his right hand in his jacket pocket. His plan after that was to kill each of you.” Nadia noticed two things then. The first was the slight smile on Liam’s lips as he stared down the man she knew as Chuck, her brand new camera man from New Jersey. The second was the way Chuck rocked back on his heels, preparing to run. Her mind went blank with realization for only a second before she stammered out the only thing she could think. “He’s my camera man…” she offered feebly as she watched Chuck drop 40 lbs of camera equipment on the ground and take off down the bridge without uttering a single word.
Cerece Rennie Murphy (The Red Order (Order of the Seers, #2))
Then there was the time when he picked up a two-by-four on the side of the road and put it in the front seat by me and stuck it out the window. He told me to hold it, which I did, but when the wind hit the board, it turned around and hit me in the head and knocked me out. Another time, when a friend of Daddy’s bought a brand-new Buick, Daddy pressed the push-button window up on my neck. But that time I think it was just a matter of him not being familiar with the equipment. The main thing Momma bases her theory on is once Daddy, who is very artistic, wanted to make a life mask of my face. He put plaster of paris on me but forgot the breathing holes. On top of that he also forgot to put Vaseline on my face. He had to crack the plaster off with a hammer. Momma didn’t speak to him for a week on that one. I myself was sorry that it didn’t turn out. She also says he is going to ruin my nervous system because of the time he sneaked up on me when I was listening to Inner Sanctum on the radio. Just as the squeaking door opened, he grabbed me and yelled, “Got ya,” real loud, which caused me to faint. She also didn’t like him telling me Santa Claus had been killed in a bus accident and making me throw up. The Pettibones have very delicate nervous systems. That’s true. Momma is nervous all the time. She’s worn a hole in the floor on the passenger’s side of Daddy’s car from putting on the brakes. Momma always looks like she is on the verge of a hissy fit, but that’s mainly because when she was eighteen, she stuck her head in a gas oven looking at some biscuits and blew her eyebrows off. So she paints them on like little half-moons. People love to talk to her because she always looks interested, even if she isn’t.
Fannie Flagg (Daisy Fay and the Miracle Man)
It isn't a coincidence that the massacre of Muslims in Gujarat happened after September 11. Gujarat is also one place where the toxic waste of the World Trade Center is being dumped right now. This waste is being dumped in Gujarat, and then taken of to Ludhiana and places like that to be recycled. I think it's quite a metaphor. The demonization of Muslims has also been given legitimacy by the world's superpower, by the emperor himself. We are at a stage where democracy - this corrupted, scandalous version of democracy - is the problem. So much of what politicians do is with an eye on elections. Wars are fought as election campaigns. In India, Muslims are killed as part of election campaigns. In 1984, after the massacre of Sikhs in Delhi, the Congress Party won, hands down. We must ask ourselves very serious questions about this particular brand of democracy.
Arundhati Roy (The Checkbook and the Cruise Missile: Conversations with Arundhati Roy)
Do you really think that the Revolution is a ridiculous proposition? That we cannot engineer our own structures? What's ridiculous is the system we have now. If we were starting society anew, who among us would propose a monarchy, an aristocracy, a financial elite that exploits the earth and farms its population? If at one of the local or regional meetings that we have to govern our community someone proposed, instead of equality, that all of us, including the poorest among us, donated a percentage of our income to a super-rich family with a little old lady at its helm who would turn up annually in our parliament, draped in jewels and finery, to tell us that austerity had to continue, you'd tell them they were mental. If someone said that we should give 64 per cent of British land to 0.28 per cent of the population, we would not vote for it. If trade agreements were proposed that meant local businesses were shackled so that transnational corporations could create a farcical tyrannical economy where produce was needlessly transported around the world for their gain and to the detriment of everyone else, it would be forbidden. If energy companies said they wanted to be run for huge profit, without regulation, whilst harming the environment, we wouldn't allow it. That pharmaceutical and food companies could run their own governing bodies, flood the world with inferior and harmful products that damage and even kill the people that use them, we would not tolerate it. Here is the truth they fight so hard to suppress: to create a better world, the priority is not the implementation of new systems, though that is necessary, it is a refusal to cooperate with the obsolete and harmful structures that are already in place.
Russell Brand (Revolution)
There's a widespread misconception that biblical literalism is facile and mindless, but the doctrine I was introduced to at Moody was every bit as complicated and arcane as Marxist theory or post-structuralism.... In many ways, Christian literalism is even more complicated than liberal brands of theology because it involves the sticky task of reconciling the overlay myth—the story of redemption—with a wildly inconsistent body of scripture. This requires consummate parsing of Old Testament commands, distinguishing between the universal (e.g., thou shalt not kill) from those particular to the Mosaic law that are no longer relevant after the death of Christ (e.g., a sexually violated woman must marry her rapist). It requires making the elaborate case that the Song of Solomon, a book of Hebrew erotica that managed to wangle its way into the canon, is a metaphor about Christ's love for the church, and that the starkly nihilistic book of Ecclesiastes is a representation of the hopelessness of life without God.
Meghan O'Gieblyn (Interior States: Essays)
Deep underground, microbes turn half a century's worth of city waste into methane. The gases and leachate are extracted through an extensive network of subterranean pipes and then used to power 22,000 nearby homes. While 150 million tons of garbage gradually decomposes unseen below the surface, above ground, the former dump reverts to meadows, woodland and saltwater marshes, providing a haven for wildlife and a massive park for the people of New York. This is Fresh Kills in the 2020s. In 2001, the infamous landfill received its last, and saddest, consignments - the charred debris of the World Trade Center. Since then, it has been transformed into a 2,315-acre public park. Three times bigger than Central Park, it is the largest new green public space created within New York City for over a century, a mixture of wildlife habitats, bike trails, sports fields, art exhibits and playgrounds. This is poisoned land: fifty years' worth of landfill has killed for ever one of the city's most productive wetland ecosystems. Restoration is impossible. Instead, a brand new ecosystem is emerging on top of the toxic garbage
Ben Wilson (Urban Jungle: The History and Future of Nature in the City)
But interviews with [Margaret Dumont] reveal her to have been a perceptive and talented comic actress. “Many a comedian’s lines have been lost on the screen because the laughter overlapped,” she said in the 1940s. “Script writers build up to a laugh, but they don’t allow any pause for it. That’s where I come in. I ad lib—it doesn’t matter what I say—just to kill a few seconds so you can enjoy the gag. I have to sense when the big laughs will come and fill in, or the audience will drown out the next gag with its own laughter.” A much harder job, it must be stressed, onscreen than onstage. Margaret Dumont objected to the term “stooge,” with her usual dignity. “I’m a straight lady,” she insisted, “the best straight woman in Hollywood. There’s an art to playing straight. You must build up your man, but never top him, never steal the laughs from him.” She showed great insight into the Marx Brothers’ brand of humor: “The comedy method which [they] employ is carefully worked out and concrete. They never laugh during a story conference. Like most other expert comedians, they involve themselves so seriously in the study of how jokes can be converted to their own style that they don’t ever titter while approaching their material.
Eve Golden (Bride of Golden Images)
DICAEOPOLIS Friends, leave the Laconians out of debate and consider only whether I have not done well to conclude my truce. CHORUS Done well! when you have treated with a people who know neither gods, nor truth, nor faith. DICAEOPOLIS We attribute too much to the Laconians; as for myself, I know that they are not the cause of all our troubles. CHORUS Oh, indeed, rascal! You dare to use such language to me and then expect me to spare you! DICAEOPOLIS No, no, they are not the cause of all our troubles, and I who address you claim to be able to prove that they have much to complain of in us. CHORUS This passes endurance; my heart bounds with fury. Thus you dare to defend our enemies. DICAEOPOLIS Were my head on the block I would uphold what I say and rely on the approval of the people. CHORUS Comrades, let us hurl our stones and dye this fellow purple. DICAEOPOLIS What black fire-brand has inflamed your heart! You will not hear me? You really will not, Acharnians? CHORUS No, a thousand times, no. DICAEOPOLIS This is a hateful injustice. CHORUS May I die, if I listen. DICAEOPOLIS Nay, nay! have mercy, have mercy, Acharnians. CHORUS You shall die. DICAEOPOLIS Well, blood for blood! I will kill your dearest friend.
Aristophanes (The Acharnians)
So much for Caligula as emperor; we must now tell of his career as a monster.... He lived in habitual incest with all his sisters, and at a large banquet he placed each of them in turn below him, while his wife reclined above. Many men of honourable rank were first disfigured with the marks of branding-irons and then condemned to the mines, to work at building roads, or to be thrown to the wild beasts; or else he shut them up in cages on all fours, like animals, or had them sawn asunder. Not all these punishments were for serious offences, but merely for criticising one of his shows, or for never having sworn by his genius. Having asked a man who had been recalled from an exile of long standing, how in the world he spent his time there, the man replied by way of flattery: "I constantly prayed the gods for what has come to pass, that Tiberius might die and you become emperor." Thereupon Caligula, thinking that his exiles were likewise praying for his death, sent emissaries from island to island to butcher them all. Wishing to have one of the senators torn to pieces, he induced some of the members to assail him suddenly, on his entrance into the House, with the charge of being a public enemy, to stab him with their styles, and turn him over to the rest to be mangled; and his cruelty was not sated until he saw the man's limbs, members, and bowels dragged through the streets and heaped up before him. He used to say that there was nothing in his own character which he admired and approved more highly than what he called his ἀδιατρεψία, that is to say, his shameless impudence. He seldom had anyone put to death except by numerous slight wounds, his constant order, which soon became well-known, being: "Strike so that he may feel that he is dying." When a different man than he had intended had been killed, through a mistake in the names, he said that the victim too had deserved the same fate. He even used openly to deplore the state of his times, because they had been marked by no public disasters, saying that the rule of Augustus had been made famous by the Varus massacre, and that of Tiberius by the collapse of the amphitheatre at Fidenae,​ while his own was threatened with oblivion because of its prosperity; and every now and then he wished for the destruction of his armies, for famine, pestilence, fires, or a great earthquake. While he was lunching or revelling capital examinations by torture were often made in his presence, and a soldier who was adept at decapitation cut off the heads of those who were brought from prison. At a public banquet in Rome he immediately handed a slave over to the executioners for stealing a strip of silver from the couches, with orders that his hands be cut off and hung from his neck upon his breast, and that he then be led about among the guests.
Suetonius (The Twelve Caesars)
A rogue who has been condemned to death by the tribunal says he wants to resist oppression simply because he wants to resist the scaffold!" Saint-Just's indignation is hard to understand in that, until his time, the scaffold was precisely nothing else but one of the most obvious symbols of oppression. But at the heart of this logical delirium, at the logical conclusion of this morality of virtue, the scaffold represents freedom. It assures rational unity, and harmony in the ideal city. It purifies (the word is apt) the Republic and eliminates malpractices that arise to contradict the general will and universal reason. "They question my right to the title of philanthropist," Marat exclaims, in quite a different style. "Ah, what injustice! Who cannot see that I want to cut off a few heads to save a great number?" A few—a faction? Naturally—and all historic actions are performed at this price. But Marat, making his final calculations, claimed two hundred and seventy-three thousand heads. But he compromised the therapeutic aspect of the operation by screaming during the massacre: "Brand them with hot irons, cut off their thumbs, tear out their tongues." This philanthropist wrote day and night, in the most monotonous vocabulary imaginable, of the necessity of killing in order to create. He wrote again, by candlelight deep down in his cellar, during the September nights while his henchmen were installing spectators' benches in prison courtyards—men on the right, women on the left—to display to them, as a gracious example of philanthropy, the spectacle of the aristocrats having their heads cut off.
Albert Camus (The Rebel)
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
An old man wearing a red seed cap was saying, "Little lady, one day you'll remember the days people told you that you had nice legs as a good memory." Adam braced for the explosion. It was nails and dynamite. "Good--memory? Oh, I wish I were as ignorant as you! What happiness! There are girls who kill themselves over negative body image and you--" "Is there a problem here?" Adam broke in. The man seemed relieved. People were always pleased to see clean, muted Adam, the deferential Southern voice of reason. "Your girlfriend's quite a firecracker." Adam stared at the man. Blue stared at Adam. He wanted to tell her it wasn't worth it--that he'd grown up with this sort of man and knew they were untrainable--but then she'd throw the thermos at Adam's head and probably slap the guy in the mouth. It was amazing that she and Ronan didn't get along better, because they were different brands of the same impossible stuff. "Sir," Adam started--Blue's eyebrows spiked--"I think maybe your mama didn't teach you how to talk to women." The old man shook his head at Adam, like in pity. Adam added, "And she's not my girlfriend." Blue flashed him a brilliant look of approval, and then she got into the car with a dramatic door slam Ronan would have approved of. "Look, kid," the old man started. Adam interrupted, "Your fuel door's open, by the way." He climbed back into his little, shitty car, the one Ronan called the Hondayota. He felt heroic for no good reason. Blue simmered righteously as they pulled out of the station. For a few moments, there was nothing but the labored sounds of the little car's breathing. Then Noah said, "You do have nice legs, though." Blue swung at him. A helpless laugh escaped Adam, and she hit his shoulder too.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Do you believe yourself in love with Deveaux?” He snarled the words. Between gritted teeth, he said, “It’s emblazoned on your pretty face. But you wouldn’t love him if you truly knew him. Your feelings would wither and die.” “What are you talking about?” “He’s lied to you repeatedly.” “Uh-huh. I’ll just take your word for it?” “No, I received my information from the Fool. He was quite worried about his Empress’s safety when you were in Deveaux’s keeping.” “You know I’ll fact-check.” “I expect you to.” “And why would you two be discussing my safety?” “I’ve been up-front about my intentions with you, unlike Deveaux. Did you never wonder about his instant infatuation with you?” “Maybe he had a thing for cheerleaders.” Death shook his head. “No, he targeted you before he ever saw you.” “That doesn’t make sense.” “You were possessed by someone he hated.” He downed another shot. “Jack despised Brand. That was no secret.” “You never asked yourself why?” “Because Brand was rich and seemed to have everything so easy.” “I’m sure that had something to do with it. However, the main reason he hated Brandon Radcliffe”—Death’s eyes had never looked so flat and dark—“was that they shared a father” “You’re saying Brand and Jackson were . . . half brothers?” Only one son had known of their connection. Was this why Jack’s eyes had darted when I’d asked him if he had any secrets? Death was relishing this. “Deveaux coveted all his brother had: the perfect family, the house, the car. The girl. He could never have any of the others—but he could have you. And he did.” “You’re lying.” You can trust me alone, Evie. “Matthew would’ve told me about this.” Death tsked. “Such trust you have in the Fool. How do you think I learned what my armor would do to your powers?” I tottered on my feet. “H-he wouldn’t!” “It’s nothing personal with him, just strategy and scheming.” I’d thought Matthew an innocent, wide-eyed boy. “The Fool knew that I’d kill you if I had no means to control you. In essence, he’s saved your life. So far, at least.” Death continued, “Deveaux didn’t even like you, but he pursued you.” “You don’t know anything!” I cried, though I could hear Jack’s words: Even when I hated you, I wanted you. “One benefit of my endless life? I have quite a grasp on human behavior.” “Maybe he did target me. But his feelings grew from that. You’ll have to do better than this.” “Do better? As you wish, creature.” With an evil grin, he said, “Deveaux killed your mother.
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
I think we all collectively have gone a little crazy. We worry about the wrong things. I have an acquaintance, Christy, whose twelve–year–old son managed to get into a very violent PG–13 movie. I don’t know how many machine–gunnings, explosions, and killings this boy wound up witnessing. As I recall, the boy had nightmares for a week afterward. That disturbed his mother—but not as much as if her son had stumbled into a different kind of movie. “At least there wasn’t any sex,” she said with dead–serious concern. “No,” I said, “probably not a single bare breast.” I didn’t add that most societies do not regard the adult female breast as being primarily an object of sexual desire. After all, it’s just a big gland that makes milk in order to feed hungry babies. “You know what I’m talking about,” she snapped. “I mean graphic sex.” We were sitting in a café drinking tea. She cut off the volume of her speech at the end of her sentence, whispering and exaggerating the consonants of S–E–X as if she needed me to read her lips—as if giving voice to this word might disturb our neighbors and brand her as a deviant. “I don’t think children should see that kind of thing,” she added. “What should children see?” I asked her. I am not arguing that we should let our children buy tickets to raunchy movies. I never let my daughters bring home steamy videos or surf the Internet for porn. But something is wrong when sex becomes a dirty word that we don’t even want our children to hear. Why must we regard almost anything sexual as tantamount to obscene? I think many of us are like Christy. We wouldn’t want our children—even our very sexual teenagers—to see certain kinds of movies, even if they happened to be erotic masterpieces, true works of art. It wouldn’t matter if a movie gave us a wonderful scene of a wife and a husband very lovingly making love with the conscious intention of engendering new life. It wouldn’t matter that sex is life, and therefore must be regarded as sacred as anything could possibly be. It wouldn’t even matter that not one of us could have come into the world but for the sexual union of our fathers and our mothers. If a movie portrayed a man and woman in the ecstatic dance of love—actually showed naked bellies and breasts, burning lips and adoring eyes and the glistening, impassioned organs of sex—most people I know would rather their children watch the vile action movie. They would rather their “innocent” sons and daughters behold the images of bloody, blasted bodies, torture, murder, and death.
David Zindell (Splendor)
The war against ISIS in Iraq was a long, hard slog, and for a time the administration was as guilty of hyping progress as the most imaginative briefers at the old “Five O’Clock Follies” in Saigon had been. In May 2015, an ISIS assault on Ramadi and a sandstorm that grounded U.S. planes sent Iraqi forces and U.S. Special Forces embedded with them fleeing the city. Thanks to growing hostility between the Iraqi government and Iranian-supported militias in the battle, the city wouldn’t be taken until the end of the year. Before it was over we had sent well over five thousand military personnel back to Iraq, including Special Forces operators embedded as advisors with Iraqi and Kurdish units. A Navy SEAL, a native Arizonan whom I had known when he was a boy, was killed in northern Iraq. His name was Charles Keating IV, the grandson of my old benefactor, with whom I had been implicated all those years ago in the scandal his name had branded. He was by all accounts a brave and fine man, and I mourned his loss. Special Forces operators were on the front lines when the liberation of Mosul began in October 2016. At immense cost, Mosul was mostly cleared of ISIS fighters by the end of July 2017, though sporadic fighting continued for months. The city was in ruins, and the traumatized civilian population was desolate. By December ISIS had been defeated everywhere in Iraq. I believe that had U.S. forces retained a modest but effective presence in Iraq after 2011 many of these tragic events might have been avoided or mitigated. Would ISIS nihilists unleashed in the fury and slaughter of the Syrian civil war have extended their dystopian caliphate to Iraq had ten thousand or more Americans been in country? Probably, but with American advisors and airpower already on the scene and embedded with Iraqi security forces, I think their advance would have been blunted before they had seized so much territory and subjected millions to the nightmare of ISIS rule. Would Maliki have concentrated so much power and alienated Sunnis so badly that the insurgency would catch fire again? Would Iran’s influence have been as detrimental as it was? Would Iraqis have collaborated to prevent a full-scale civil war from erupting? No one can answer for certain. But I believe that our presence there would have had positive effects. All we can say for certain is that Iraq still has a difficult road to walk, but another opportunity to progress toward that hopeful vision of a democratic, independent nation that’s learned to accommodate its sectarian differences, which generations of Iraqis have suffered without and hundreds of thousands of Americans risked everything for.
John McCain (The Restless Wave: Good Times, Just Causes, Great Fights, and Other Appreciations)
In 1995, the gray wolf was reintroduced to Yellowstone National Park after a seventy-year hiatus. Scientists expected an ecological ripple effect, but the size and scope of the trophic cascade took them by surprise.7 Wolves are predators that kill certain species of animals, but they indirectly give life to others. When the wolves reentered the ecological equation, it radically changed the behavioral patterns of other wildlife. As the wolves began killing coyotes, the rabbit and mouse populations increased, thereby attracting more hawks, weasels, foxes, and badgers. In the absence of predators, deer had overpopulated the park and overgrazed parts of Yellowstone. Their new traffic patterns, however, allowed the flora and fauna to regenerate. The berries on those regenerated shrubs caused a spike in the bear population. In six years’ time, the trees in overgrazed parts of the park had quintupled in height. Bare valleys were reforested with aspen, willow, and cottonwood trees. And as soon as that happened, songbirds started nesting in the trees. Then beavers started chewing them down. Beavers are ecosystem engineers, building dams that create natural habitats for otters, muskrats, and ducks, as well as fish, reptiles, and amphibians. One last ripple effect. The wolves even changed the behavior of rivers—they meandered less because of less soil erosion. The channels narrowed and pools formed as the regenerated forests stabilized the riverbanks. My point? We need wolves! When you take the wolf out of the equation, there are unintended consequences. In the absence of danger, a sheep remains a sheep. And the same is true of men. The way we play the man is by overcoming overwhelming obstacles, by meeting daunting challenges. We may fear the wolf, but we also crave it. It’s what we want. It’s what we need. Picture a cage fight between a sheep and a wolf. The sheep doesn’t stand a chance, right? Unless there is a Shepherd. And I wonder if that’s why we play it safe instead of playing the man—we don’t trust the Shepherd. Playing the man starts there! Ecologists recently coined a wonderful new word. Invented in 2011, rewilding has a multiplicity of meanings. It’s resisting the urge to control nature. It’s the restoration of wilderness. It’s the reintroduction of animals back into their natural habitat. It’s an ecological term, but rewilding has spiritual implications. As I look at the Gospels, rewilding seems to be a subplot. The Pharisees were so civilized—too civilized. Their religion was nothing more than a stage play. They were wolves in sheep’s clothing.8 But Jesus taught a very different brand of spirituality. “Foxes have dens and birds have nests,” said Jesus, “but the Son of Man has no place to lay his head.”9 So Jesus spent the better part of three years camping, fishing, and hiking with His disciples. It seems to me Jesus was rewilding them. Jesus didn’t just teach them how to be fishers of men. Jesus taught them how to play the man! That was my goal with the Year of Discipleship,
Mark Batterson (Play the Man: Becoming the Man God Created You to Be)
A sob pops in my throat. I choke it, and look around for a harmless visual distraction, but all I see is a stocky young woman with a baby, a few seats up. The baby is pulling the woman's hair, and she is faking this look of terror. 'Oh no', she says, 'How can you do that to mommy?' She pretends to bawl, but the baby laughs and gurgles like a psycho, and pulls even harder. I'm witnessing a fresh knife being laid into a brand-new soul. A training dagger. A maternity blade. Here's his mom quietly opening up the control incision, completely innocent in her dumbness to the world. 'Oh no, you've killed Mommy, Mommy's gone!' She plays dead. The little guy giggles for a minute, but only that long. Then he senses something's wrong. She ain't waking up. He killed her, she abandoned him, just like that, over a pull of hair. He pokes her with his finger, he gets ready to bawl. And there you have it: he takes the handle into his own tiny hands and pulls in his first blade, right up to the hilt. Just to bring her back. And sure enough, with the splash of his first tear, she wakes right up. 'Ha, ha, I'm still here! Ha, ha it's Mommy!' Ha, ha, that's the Scheme of Things.
D.B.C. Pierre (Vernon God Little)
Smart brands Eat the Bug when they use their natural advantages—intellectual, structural, financial, logical, and emotional—to do what the giant can’t imagine doing.
Stephen Denny (Killing Giants: 10 Strategies to Topple the Goliath in Your Industry)
At home, the administration consulted with “experts” it has refused to identify in purging information about Islamic supremacism—the ideology that drives our enemies—from materials used to train law enforcement, intelligence, and military personnel responsible for our security. The obsession with bleaching the Islam out of Islamic terrorism reached mind-boggling lengths with the administration’s refusal to brand the Fort Hood massacre—in which thirteen Americans, mostly military personnel, were killed and dozens more wounded—as an act of terrorism.
Andrew McCarthy (Faithless Execution: Building the Political Case for Obama’s Impeachment)
When the leader of the pack springs and fails to kill, the rest of the pack tear him to pieces.
Max Brand (Riders of the Silences)
Even before the first Soviet tanks crossed into Afghanistan in 1979, a movement of Islamists had sprung up nationwide in opposition to the Communist state. They were, at first, city-bound intellectuals, university students and professors with limited countryside appeal. But under unrelenting Soviet brutality they began to forge alliances with rural tribal leaders and clerics. The resulting Islamist insurgents—the mujahedeen—became proxies in a Cold War battle, with the Soviet Union on one side and the United States, Pakistan, and Saudi Arabia on the other. As the Soviets propped up the Afghan government, the CIA and other intelligence agencies funneled millions of dollars in aid to the mujahedeen, along with crate after crate of weaponry. In the process, traditional hierarchies came radically undone. When the Communists killed hundreds of tribal leaders and landlords, young men of more humble backgrounds used CIA money and arms to form a new warrior elite in their place. In the West, we would call such men “warlords.” In Afghanistan they are usually labeled “commanders.” Whatever the term, they represented a phenomenon previously unknown in Afghan history. Now, each valley and district had its own mujahedeen commanders, all fighting to free the country from Soviet rule but ultimately subservient to the CIA’s guns and money. The war revolutionized the very core of rural culture. With Afghan schools destroyed, millions of boys were instead educated across the border in Pakistani madrassas, or religious seminaries, where they were fed an extreme, violence-laden version of Islam. Looking to keep the war fueled, Washington—where the prevailing ethos was to bleed the Russians until the last Afghan—financed textbooks for schoolchildren in refugee camps festooned with illustrations of Kalashnikovs, swords, and overturned tanks. One edition declared: Jihad is a kind of war that Muslims fight in the name of God to free Muslims.… If infidels invade, jihad is the obligation of every Muslim. An American text designed to teach children Farsi: Tey [is for] Tofang (rifle); Javed obtains rifles for the mujahedeen Jeem [is for] Jihad; Jihad is an obligation. My mom went to the jihad. The cult of martyrdom, the veneration of jihad, the casting of music and cinema as sinful—once heard only from the pulpits of a few zealots—now became the common vocabulary of resistance nationwide. The US-backed mujahedeen branded those supporting the Communist government, or even simply refusing to pick sides, as “infidels,” and justified the killing of civilians by labeling them apostates. They waged assassination campaigns against professors and civil servants, bombed movie theaters, and kidnapped humanitarian workers. They sabotaged basic infrastructure and even razed schools and clinics. With foreign backing, the Afghan resistance eventually proved too much for the Russians. The last Soviet troops withdrew in 1989, leaving a battered nation, a tottering government that was Communist in name only, and a countryside in the sway of the commanders. For three long years following the withdrawal, the CIA kept the weapons and money flowing to the mujahedeen, while working to block any peace deal between them and the Soviet-funded government. The CIA and Pakistan’s spy agency pushed the rebels to shell Afghan cities still under government control, including a major assault on the eastern city of Jalalabad that flattened whole neighborhoods. As long as Soviet patronage continued though, the government withstood the onslaught. With the collapse of the Soviet Union in late 1991, however, Moscow and Washington agreed to cease all aid to their respective proxies. Within months, the Afghan government crumbled. The question of who would fill the vacuum, who would build a new state, has not been fully resolved to this day.
Anand Gopal
attending a Christian service was a dangerous step to take. Muslims were being tortured and killed for less. If my family and community found out, I would be branded a traitor to my Muslim faith. I understood what it meant for me as a Muslim to go into a Christian place of worship. Muslims believe that our religious destiny is assigned by birth. Islam is our identity. It is not a matter of choice. Rejecting or changing my religious heritage would make me an infidel. Therefore my decision to go to church with my coach might cost me my life. I knew if I died, I would go to hell, yet the world I lived in seemed like hell. I was constantly bombarded with fear and death.
Samaa Habib (Face to Face with Jesus: A Former Muslim's Extraordinary Journey to Heaven and Encounter with the God of Love)
Great ideas often have no reference points. We have nothing to compare them to. They are original, and awkward. And so they are the most vulnerable to people trying to kill them. They do not conform to what exists, so they challenge us.
David Hieatt (Do Purpose: Why brands with a purpose do better and matter more. (Do Books, 7))
Gold, or at least the prospect of it, saved him, then killed him.
H.W. Brands
April 4 Too many things get swept under the carpet called the Sovereignty of God. IN A FALSE understanding of sovereignty, God gets blamed for whatever happens in life. People often assume everything that happens must be His will because He is God. This perspective does not consider the exchange that took place in Eden, nor does it bring to mind Jesus’ own words to the devil during His temptation. There is an enemy with an agenda of his own. He is not all-powerful, but he is certainly cunning. He is ever looking for an inroad of agreement. He talks and talks until we actually buy in to his deception. Much of what we mistakenly brand as the sovereignty of God is actually the world operating under demonic influence. From disease to disaster, we must reconsider how we approach everything that steals, kills, and destroys. The problem is when we identify these things as God’s sovereign will. That simply isn’t true. God is “not willing that any should perish but that all should come to repentance” (2 Peter 3:9). Is anyone perishing? Yes. Is it God’s will? No. Because of that, I tend to emphasize the role that we play in the outcome of things. From the outset, God formed man to collaborate with. This tells me that we play a vital role in the unfolding of Heaven’s agenda on earth. God is not powerless, waiting for man to dictate His next move. This is the other side of imbalance. By sovereign decision, God Almighty has set up a system where man, indwelt by His Presence, has been restored to a position of authority on the earth. It is time for us to step into this identity even more to bring about God’s restorative solutions into a world marred by the consequences of sin. DAILY SCRIPTURE READING 2 PETER 3:8-9 PRAYER Lord, teach me what things I can actually change for the better by praying or declaring or by taking action. As I step out to play a part in bringing Heaven to earth, thank You for encouraging me through testimonies and answered prayers. These continue to strengthen my faith and cause me to keep taking risks.
Bill Johnson (Hosting the Presence Every Day: 365 Days to Unveiling Heaven's Agenda for Your Life)
There is no need for reason in a mob. One has only to cry, “Kill!” and the mob will start of its own volition to find something that may be slain. Also,
Max Brand (The Max Brand Megapack)
Then there were the groups organized primarily around religious beliefs. These identified themselves as mujahedeen, which basically means “people on jihad”—or murderers in the name of God. They were dedicated to killing Americans and Muslims who didn’t believe in the brand of Islam that they believed in.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
Not once they have become inoculated with creeds of this description,’ sneered the chief super. ‘They become intoxicated, Sir Daynes. They become tipsy with the most dangerous brand of aggrandizing delusion – political idealism. It means nothing for them to kill, and a triumph for them to die. We know these people. You had better let us handle them.
Alan Hunter (George Gently Omnibus (Books 1-4))
Two months ago, Lauren Carmichael’s husband and son were murdered in a home invasion. She was conveniently working late that night. Sheldon Kaufman’s sister died two weeks later, casualty of a convenience store robbery. Just a day after that, Meadow Brand’s father was stabbed to death in what’s being reported as a mugging gone wrong.” Why don’t you just kill your wife? Sheldon had asked Tony back at the golf course. Because I don’t love my wife. “Christ,” I breathed. “It’s not just any souls they need. Family members. Blood relations, maybe. Someone they have a personal bond with.” “An intimate sacrifice,” Bentley said.
Craig Schaefer (The Long Way Down (Daniel Faust, #1))
Farah looked freaked out until Tawny hugged her and the tension faded from her face. A minute later, the table cloth lifted and Bailey appeared with beer bottles in her hands. “I figured you’d need booze to deal with the boredom of hiding.” “I can’t drink,” Farah said. “I’m off the pill and trying to get knocked up.” “I am knocked up. I also don’t like that brand of beer.” Handing the beers to Tawny, Bailey nodded. “Be back in a sec.” A minute later, Bailey returned with two cans of Coke for Farah and me. “So what are we talking about?” Bailey asked. “Men needing to protect their women,” I explained. “Lame. Talk about something I can join in on. What’s your sister like? Is she hotter than me?” “Yes.” “I hate her and you should tell her to watch out. If I see her, that pretty face is dead meat.” Grinning, I cuddled up with her as the table shook from fighting bodies knocking against it. “You’re having a baby?” she asked, wrapping her arms around me. “Everyone is getting married or having babies.” “Raven isn’t,” I said as Farah peeked out from under the table cloth to check on Cooper. She smiled and returned to her spot. “Judd and Aaron have stripped Mac down and are shoving him out the door.” Tawny laughed. “Judd finally got to punish Mac for letting me touch his arm months ago. Good for him.” Laughing, I leaned my head against Bailey. “Raven has bad taste in men. Going out with her will be great for you. If Raven likes someone, you’ll know he’s a loser. So she’ll distract all the shitty guys from you.” “Huh. And she’s hot, so she’ll draw guys to us. I think she might be my new best friend,” Bailey said, taking a swig. ‘Don’t be jealous. I just need a man because all of the kissing and fucking and marrying and baby making you guys keep doing. I can’t be the only one alone and Vaughn doesn’t count because he’ll be dead in a few months and shouldn’t be dating anyway.” We all frowned at Bailey who shrugged. “Those Devils fuck are going to kill him or he’ll try to kill them and get killed. Why do you think they call him Dead Man Walking?” “You’re bumming me out,” I told her while finishing my soda. “I wish Aaron was here.” “As you wish,” Aaron said, leaning down. “Look at you pretty girls hiding under here.” “We’re not hiding,” I said, crawling out. “We’re planning our attack. You know, just in case you couldn’t handle things.” When Aaron grinned, I noticed blood on his lip. “You’re hurt.” “You should see the other guys.” Glancing around, I noticed Mac’s friend was propped up on the pool table and the other guys were throwing pretzels and peanuts at him. In the corner, Kirk and Jodi sat as if on their porch drinking lemonade and admiring the sunset. “My hero,” I said, caressing the cobra. “Are you talking to me or the tattoo?” “Both, baby. Always both.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
This will brand you as a member of the “fact-based community,” and if, as is likely, your interlocutor is a member of the “faith-based community,” no amount of mere fact is going to get you anywhere.
Thomas McNamee (The Killing of Wolf Number Ten: The True Story)
Collin, the man who cannot be killed off, whose identity is both branded on him and rendered illegible, challenges, or defies, the very coherence of such an entity, suggesting the possibility that the very subject of The Human Comedy, human society itself, is at bottom an illusion if not a fraud.
Peter Brooks (Balzac's Lives)
torture.” Prabir turned to him. “You know what I hate most about you, Menéndez?” “No.” “Everything that doesn’t kill you makes you stronger. Everything that doesn’t kill me just fucks me up a bit more.” Felix grimaced sympathetically. “Irritating, isn’t it? I’ll see if I can cultivate a few more neuroses while you’re away, just to even things out a bit.” He took hold of Prabir’s hand between the seats, and stroked the all-but-vanished scar. “But if I’d met you when I was fucked-up myself, it probably would have killed us both.” “Yeah.” Prabir’s chest tightened. He said, “I won’t always be like this. I won’t always be dragging you down.” Felix looked him in the eye and said plainly, “You don’t drag me down.” Prabir’s flight was called. He said, “I’ll bring you back a souvenir. Do you want anything particular?” Felix thought about it, then shook his head. “You decide. Anything from a brand-new phylum will be fine by me.
Greg Egan (Teranesia)
But probably the most important thing that I will impart to you is that YOU are your own brand, and how you manage your personal brand can make or break your career.
Aliza Licht (Leave Your Mark: Land Your Dream Job. Kill It in Your Career. Rock Social Media.)
With the false claim that the Germans murdered six million Jews, mostly in gas chambers at Auschwitz-Birkenau in Poland during WWII, since the end of WWII, the world has been saturated with films, documentaries and books on the Holocaust. Anyone worldwide who dares to investigate the Jewish Holocaust claims, is branded an Anti-Semite and Holocaust Denier. In our democratic world, a person who is accused of a crime is deemed innocent until irrefutable evidence proves them guilty. What has happened to democracy in Germany, Poland, France and Switzerland where people accused of Holocaust Denial are not allowed to provide any evidence that would prove that they are not guilty? In the Middle Ages, people accused of being witches, were also allowed no defence and were burned at the stake. As burning at the stake and crucifiction is not allowed in today's world, the best that the Jewish leaders and holocaust promoters can achieve is incarceration where no one can hear claims backed by years of very thorough research. The Jewish success in blocking my book "The Answer Justice", their failed attempts to stop the book "Chutzpah" written by Norman Finkelstein whose mother and father were held in German concentration camps, the incarceration of revisionists Ernst Zundel and Germar Rudolf in Germany and David Irving in Austria: these are all desperate attempts to end what they call Holocaust Denial. The English historian David Irving was refused entry to Australia in 2003 at the behest of the Jewish community (representing only 0.4% of the Australian population) thus denying the right of the other 99.6% to hear what David Irving has to say. Proof of Jewish power was the blocking of the public viewing of David Irving's film. The Jewish owners of the building locked the film presentation out which resulted in the headline in the "Australian" newspaper of: " Outrage at Jewish bid to stop the film by David Irving called "The Search For Truth in History" . Sir Zelman Cowan who was Governor General of Australia and a man much reverred in the Jewish community, has stated in the Jewish Chronicle (London) that "The way to deal with people who claim the holocaust never happened, is to produce irrefutable evidence that it did happen". I agree 100% with Sir Zelman Cowan. I am quite certain that he and other Zionist Jewish (Ashkenazim) world leaders are aware that a United Nations or International forensic examination of the alleged gas chamber at No. 2 Crematorium at Auschwitz-Birkenau in Poland, would irrefutably prove the truth to the world that xyclon B cyanide has never been used as alleged by world Jewry to kill Jews. In 1979 Professor W.D. Rubenstein stated: "If the Holocaust can be shown to be a Zionist myth, the strongest of all weapons in Israels's propaganda armory collapses. The Falsification of history by Zionist Jews in claiming the murder of six million Jews by Germany, constitutes the GREATEST ORGANISED CRIME that the world has known.
Alexander McClelland
Many in Hollywood view Disney as a soulless, creativity-killing machine that treats motion pictures like toothpaste and leaves no room for the next great talent, the next great idea, or the belief that films have any meaning beyond their contribution to the bottom line. By contrast, investors and MBAs are thrilled that Disney has figured out how to make more money, more consistently, from the film business than anyone ever has before. But actually, Disney isn’t in the movie business, at least as we previously understood it. It’s in the Disney brands business. Movies are meant to serve those brands. Not the other way around. Even some Disney executives admit in private that they feel more creatively limited in their jobs than they imagined possible when starting careers in Hollywood. But, as evidenced by box-office returns, Disney is undeniably giving people what they want. It’s also following the example of one of the men its CEO, Bob Iger, admired most in the world: Apple’s cofounder, Steve Jobs. Apple makes very few products, focuses obsessively on quality and detail, and once it launches something that consumers love, milks it endlessly. People wondering why there’s a new Star Wars movie every year could easily ask the same question about the modestly updated iPhone that launches each and every fall. Disney approaches movies much like Apple approaches consumer products. Nobody blames Apple for not coming out with a groundbreaking new gadget every year, and nobody blames it for coming out with new versions of its smartphone and tablet until consumers get sick of them. Microsoft for years tried being the “everything for everybody” company, and that didn’t work out well. So if Disney has abandoned whole categories of films that used to be part of every studio’s slates and certain people bemoan the loss, well, that’s simply not its problem.
Ben Fritz (The Big Picture: The Fight for the Future of Movies)
What does True Wireless Earbuds Mean Where are my earphones? Ahh!! There they are….and they are tangled (with irksome scream inside your head). There is nothing more frustrating than going on a search operation for your headphones and finally finding them entangled. Well thanks to the advance technology these days one of your daily struggles is gone with the arrival of wireless earphones in the market. No wire means no entanglement. ‘Kill the problem before it kills you’, you know the saying. Right! So what actually truly wireless earbuds are? Why should you replace your old headphones and invest in wireless ones? Without any further delay let’s dig deep into it. image WHAT ARE TRUE WIRELESS EARBUDS? A lot of people misunderstand true wireless earbuds and wireless earphones as the same thing. When it’s not. A true wireless earbuds which solely connects through Bluetooth and not through any wire or cord or through any other source. While wireless earphones are the ones which are connected through Bluetooth to audio source but the connection between the two ear plugs is established through a cable between them. Why true wireless earbuds? Usability: Who doesn’t like freedom! With no wire restrictions, it’s easier to workout without sacrificing your music motivation. From those super stretch yoga asanas to marathon running, from weight training to cycling - you actually can do all those without worrying about your phone safety or the dilemma of where to put them. With no wire and smooth distance connection interface, you have the full freedom of your body movement. They also comes with a charging case so you don’t have to worry about it’s battery. Good audio quality and background noise cancellation: With features like active noise cancellation, which declutter the unwanted background voice giving you the ultimate audio quality. These earbuds has just leveled up the experience of music and prevents you from getting distracted. Comfort and design: These small ear buddies are friendly which snuggles into your ear canal and don’t put too much pressure on your delicate ears as they are light weight. They are style statement maker and are comfortable to use even when you are on move, they stick to your ear and don’t fall off easily. Apart from all that you can easily answer your call on go, pause your music or whatever you are listening, switch to next by just touching your earplugs. image Convenience: You don’t necessarily have to have your phone on you like the wired ones. The farthest distance you could go was the length of the cable. But with wireless ones this is not the case, they could transmit sound waves from 8 meter upto 30 meters varying from model to model. Which allows you multi-task and make your household chores interesting. You can enjoy your podcasts or music or follow the recipe while cooking in your kitchen when your phone is lying in your living room. Voice assistance: How fascinating was it to watch all those detective/ secret agent thriller movies while they are on run and getting directions from their computer savvy buddies. Ethan Hunt from Mission Impossible….. Remember! Many wireless earphones comes with voice assistance feature which makes it easy to go around the places you are new to. You don’t have to stop and look to your phone screen for directions which makes it easier to move either on foot or while driving. Few things for you to keep in mind and compare before investing in a true wireless earphones :- Sound Quality Battery Life Wireless Range Comfort and design Warranty Price Gone are those days when true wireless earbuds were expensive possession. They are quite economical now and are available with various features depending upon different brands in your price range.
Hammer
Your scares don't bother me, because they mean you went through hell and came out on the other side alive. Your scars tell a story. Your scars make you sexy because it means you could handle me without getting yourself killed in the process. I love your scars, because they mean you're strong enough to withstand the worst in life. And my life is toxic. Dangerous. Constantly a snake pit. Even if you're only in it temporarily.
C.M. Owens (Axle's Brand (Death Chasers MC, #3))
Your scars don't bother me, because they mean you went through hell and came out on the other side alive. Your scars tell a story. Your scars make you sexy because it means you could handle me without getting yourself killed in the process. I love your scars, because they mean you're strong enough to withstand the worst in life. And my life is toxic. Dangerous. Constantly a snake pit. Even if you're only in it temporarily.
C.M. Owens (Axle's Brand (Death Chasers MC, #3))
Briar Patch women would face, lives were at risk, and the pursuit of justice would have to come first. She finished her drink and glanced at the clock. ‘God! Is that the time? I must get home. Thanks for the drink, and thanks for helping me, Spooks. I appreciate it. Now I have to go. Don’t forget to put your candle back in the window.’ CHAPTER TWENTY-ONE With a showman’s flourish, Rory burst into the office and deposited a pile of folders and reports on Nikki’s desk. ‘Results, Nikki! Incontrovertible. Listen to this. Millicent Cartwright’s dental records match those of Ellen McDonald from Dunedin, South Island. Same woman. And your nice new detective, Ben, is it, has a fairly recent photograph of her, sent by the New Zealand police. Same face as the cadaver in my mortuary.’ Rory took the coffee Joseph handed him. ‘Now, how she died.’ He paused. ‘In exactly the same manner as Louise Lawson. There’s a head injury, not enough to kill her, but enough to knock her out, and she had almost identical lacerations on her arms, wrists, neck and thighs. There is no doubt that she died from a massive loss of blood.’ ‘And as Millicent Cartwright is connected to the Hammond case and Louise to the Prospero case, we have our connection!’ Nikki felt a surge of elation. It was a single killer. ‘Ah, now hold on, dear Detective Inspector, the good professor has yet to finish.’ Nikki looked at Rory. ‘Go on, and don’t make it bad news, please.’ ‘Far from it. Listen to this. I was having a brief discussion with one of my colleagues who conducted the PM on your suicide case, George Ackroyd. We were just admiring the excellent job he did on crushing the hyoid bone in his throat, when I noticed something.’ He took a slow sip of coffee. ‘It’s fortuitous that I have such a good eye for colour because there it was, Midnight Orchid! On his left cheek! Just the tiniest dab, but I got a match!’ Nikki stared at him. ‘So Louise’s last visitor also kissed George?’ ‘Well, that brand of lipstick is not exactly rare. But it would seem so.’ ‘Then did he actually kill himself? Or was it made to look that way?’ ‘It was suicide, without a doubt. Everything about the crime scene indicates that he was alone when he died, and my findings discount any outside interference. It’s what, or who, drove him to it that you need to prove.’ ‘Avril Hammond.
Joy Ellis (Buried on the Fens (DI Nikki Galena, #7))
All we can do is adapt the way we view this condition, not as a crime or a romantic affectation but as a disease that will kill. We need to review the way society treats addicts, not as criminals but as sick people in need of care. Russell Brand
Russel Brand