Sex Drawing Quotes

I can draw you a diagram. Hint: I'm slot B, and you're tab A.

The bastard kissed her. She was so mad, she bit him hard enough to draw blood. Raphael pulled back, lip already beginning to swell. “We are no longer even, Elena. You’re now in debt.” “You can deduct it from my slow and painful death.

One sometimes gets the impression that the mere words ‘Socialism’ and ‘Communism’ draw towards them with magnetic force every fruit-juice drinker, nudist, sandal-wearer, sex-maniac, Quaker, ‘Nature Cure’ quack, pacifist, and feminist in England.

I feel his arm Lightly Over me. He takes one of my outstretched hands. Draws it beneath my stomach. "One more time..." This is not sex, Not friendship. Something Strange Special In the stillness of his breath, The waterlike way he moves. He is making a dance. We are making a dance.

Perfectly good sex?" Cam interrupted us, drawing both our gazes. His voice was low with some unnamed emotion. "Abstain?" His now heated eyes ran the length of me before returning to meet mine. "Then he isn’t doing it right.

ardent, adj. It was after sex, when there was still heat and mostly breathing, when there was still touch and mostly thought... it was as if the whole world could be reduced to the sound of a single string being played, and the only thing this sound could make me think of was you. Sometimes desire is in the air; sometimes desire is liquid. And every now and then, when everything else is air and liquid, desire solidifies, and the body is the magnet that draws its weight.

Mystery is never more than a mirage that vanishes as we draw near to look at it.

Not even a little?” Hunter whispered as we climbed under my Disney princess sheets. “It’s too weird. I can’t have sex on a princess’ face with my mom down the hall sleeping. I just have to draw the line.

And since a novel has this correspondence to real life, its values are to some extent those of real life. But it is obvious that the values of women differ very often from the values which have been made by the other sex; naturally this is so. Yet is it the masculine values that prevail. Speaking crudely, football and sport are "important"; the worship of fashion, the buying of clothes "trivial." And these values are inevitably transferred from life to fiction. This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room.

Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.

Magic is hard on our world. Pulling it in is really violent and damaging. The more we use it, the more we stretch out the membrane between this world and the one we draw it in from. And the other side…' She looked at Maldonado and he nodded. 'Well, it’s toxic.

Literature is love. I think it went like this: drawings in the cave, sounds in the cave, songs in the cave, songs about us. Later, stories about us. Part of what we always did was have sex and fight about it and break each other’s hearts. I guess there’s other kinds of love too. Great friendships. Working together. But poetry and novels are lists of our devotions. We love the feel of making the marks as the feelings are rising and falling. Living in literature and love is the best thing there is. You’re always home.

If you guys want to get a MOM tattoo and save a little money, just get two letters done. Get about a one-inch capital M tattooed on each cheek of your ass in pink and brown ink. Then when you bend over, it says "Mom." Also, later on if you're havin' sex with your girlfriend, and her parents are in the next room, when you finish up you can just lie on your back, draw your legs up to your chest and silently say, 'Wow!

She will grow out of it, her parents say - but instead, Adeline feels herself growing in, holding tighter to the stubborn hope of something more. The world should be getting larger. Instead, she feels it shrinking, tightening like chains around her limbs as the flat lines of her own body begin to curve out against it, and suddenly the charcoal beneath her nails is unbecoming, as is the idea that she would choose her own company over Arnaud's or George'sm or any man who might have her. She is at odds with everything, she does not fit, an insult to her sex, a stubborn child in a woman's form, her head bowed and arms wrapped tight around her drawing pad as if it were a door.

I have a pullout couch, and I could sleep in the living room. You can have the bedroom." "I'm sorry. No." Mel put her hand on his chest, her eyes sparkling. "I have to draw the line there. I should at least get sex out of this deal or this really would be a tragedy.

Footnote: In 1998, a woman in Saline, Michigan received a patent for a Decorative Penile Wrap...The patent included three pages of drawings, including a penis wearing a ghost outfit, another in the robes of the Grim Reaper, and one dressed up to look like a snowman.

Perversion is just another form of art. It's like painting or drawing or sculpting. Except instead of paint, us perverts use sex as our medium. 

A woman's body does a thousand different things, toils, runs, studies, fantasizes, invents, wearies, and meanwhile the breasts enlarge, the lips of the sex swell, the flesh throbs with a round life that is yours, your life, and yet pushes elsewhere, draws away from you although it inhabits your belly, joyful and weighty, felt as a greedy impulse and yet repellent, like an insect's poison injected into a vein.

There is nothing wrong with going to bed with someone of your own sex. People should be very free with sex--they should draw the line at goats.

At any rate, when a subject is highly controversial – and any question about sex is that – one cannot hope to tell the truth. One can only show how one came to hold whatever opinion one does hold. One can only give one’s audience the chance of drawing their own conclusions as they observe the limitations, the prejudices, the idiosyncrasies of the speaker. Fiction here is likely to contain more truth than fact.

Unhappy as the event must be for Lydia, we may draw from it this useful lesson: that loss of virtue in a female is irretrievable; that one false step involves her in endless ruin; that her reputation is no less brittle than it is beautiful; and that she cannot be too much guarded in her behaviour towards the undeserving of the other sex.

I don’t know whether you have ever seen a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads on the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with sex elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate-pudding day, getting into braces, say ninety-nine threepence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still. Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...

Already the new men are dotted here and there all over the earth. Some, as I have admitted, are still hardly recognisable: but others can be recognised. Every now and then one meets them. Their very voices and faces are different from ours: stronger, quieter, happier, more radiant. They begin where most of us leave off. They are, I say, recognisable; but you must know what to look for. They will not be very like the idea of ‘religious people’ which you have formed from your general reading. They do not draw attention to themselves. You tend to think that you are being kind to them when they are really being kind to you. They love you more than other men do, but they need you less. (We must get over wanting to be NEEDED: in some goodish people, specially women, that is the hardest of all temptations to resist.) They will usually seem to have a lot of time: you will wonder where it comes from. When you have recognised one of them, you will recognise the next one much more easily. And I strongly suspect (but how should I know?) that they recognise one another immediately and infallibly, across every barrier of colour, sex, class, age, and even of creeds. In that way, to become holy is rather like joining a secret society. To put it at the very lowest, it must be great fun

In a world of beings who don't exist, who self-destruct and erase themselves, perhaps one should make a valiant effort to at least draw oneself. Maybe that's where all the sex comes from- to feel real.

The mere words “Socialism” and “Communism” draw towards them with magnetic force every fruit-juice drinker, nudist, sandal-wearer, sex-maniac, Quaker, “Nature Cure” quack, pacifist, and feminist in England. . . . The food-crank is by definition a person willing to cut himself off from human society in hopes of adding five years on to the life of his carcase; that is, a person out of touch with common humanity.

We never understood the tendency to underestimate us, we who had been baptized and delivered through pain, who grinned and bore agonies while managing to draw on wing-tipped eyeliner with a surgically steady hand. We plucked our eyebrows, waxed our upper lips, got razor burn on our crotches, held blades to the cups of our armpits. Shoes tore holes in the skin of our heels and crippled the balls of our feet. We endured labor and childbirth and C-sections, during which doctors literally set our intestines on a table next to our bodies while we were awake. We got acid facials. We punctured our foreheads with Botox and filled our lips and our breasts. We pierced our ears and wore pants that were too tight. We got too much sun. We punished our bodies in spin class. All these tiny sacrifices to make us appear more lithe and ladylike—the female of the species. The weaker sex. Secretly, they toughened our hides, sharpened our edges. We were tougher than we looked. The only difference was that now we were finally letting on.

O woman, father says natural is beautiful so why do you redden your cheeks and blacken your eyes? Why do you remove the hair on your legs and draw them into your brows? Why do you hold your breath lest your stomach show and hold your fart lest they know that you’re a human? O woman, father says natural is beautiful so why do you straighten your hair to curl it next and pretend to orgasm so they think you enjoyed the sex? Why do you dumb yourself down and push your breasts up? Why do you smile when you’re told to and love when you don’t want to? When? When will you stop, woman? Father says natural is beautiful but that is doubtful for what does father know he’s only a fellow.

All girls are prone to dreaming. She will grow out of it, her parents say—but instead, Adeline feels herself growing in, holding tighter to the stubborn hope of something more. The world should be getting larger. Instead, she feels it shrinking, tightening like chains around her limbs as the flat lines of her own body begin to curve out against it, and suddenly the charcoal beneath her nails is unbecoming, as is the idea that she would choose her own company over Arnaud’s or George’s, or any man who might have her. She is at odds with everything, she does not fit, an insult to her sex, a stubborn child in a woman’s form, her head bowed and arms wrapped tight around her drawing pad as if it were a door.

...faith draws its fanatical power from the fact that it is not knowledge: it is blind, passionate, stubborn, and stupid; what it puts forward is done unconditionally, against reason, against history, against all refutation.

Don’t trust me. Don’t like me. I could give a shit. But don’t you ever lie to me.” He took a deep breath, as if he were drawing her into him. “I can smell the sex coming off you right now. I could take you down on this sidewalk and be up that skirt of yours in a heartbeat. And you wouldn’t fight me, would you?” No, she probably wouldn’t.

When artists work well, they connect people to themselves, and they stitch people to one another, through this shared experience of discovering a connection that wasn’t visible before. Have you ever noticed that this looks like this? And with the same delight that we took as children in seeing a face in a cloud, grown-up artists draw the lines between the bigger dots of grown-up life: sex, love, vanity, violence, illness, death.

Sexual objectification doesn't get oppressive until it is done consistently, and to a specific group of people, and with no regard whatsoever paid to their humanity. Then it ceases to become about desire and starts to be about control. Seeing another person as meat and fat and bone and nothing else gives you power over them, if only for an instant. Structural sexual objection of women draws that instant out into an entire matrix of hurt. It tells us that women are bodies first, idealised, subservient bodies, and men are not.

Anyhow, he asks himself, what is an intimate secret? Is that where we hide what's most mysterious, most singular, most original about a human being? Are her intimate secrets what make Chantal the unique being he loves? No. What people keep secret is the most common, the most ordinary, the most prevalent thing, the same thing everybody has: the body and its needs, it maladies, its manias - constipation, for instance, or menstruation. We ashamedly conceal these intimate matters not because they are so personal but because, on the contrary, they are so lamentably impersonal. How can he resent Chantal, for belonging to her sex, for resembling other women, for wearing a brassiere and along with it the brassiere psychology? s if he didn't himself belong to some eternal masculine idiocy! They both of them got their start in that putterer's workshop where their eyes were botched with the disjointed action of the eyelid and where a reeking little factory was installed in their bellies. They both of them have bodies where their poor souls have almost no room. Shouldn't they forgive that in each other? Shouldn't they move beyond the little weaknesses they're hiding at the bottom of drawers? He was gripped by an enormous compassion, and to draw a final lune under that whole story, he decided to write her one last letter.

Baby Kochamma had installed a dish antenna on the roof of the Ayemenem house. She presided over the world in her drawing room on satellite TV. The impossible excitement that this engendered in Baby Kochamma wasn’t hard to understand. It wasn’t something that happened gradually. It happened overnight. Blondes, wars, famines, football, sex, music, coups d’etat—they all arrived on the same train. They unpacked together. They stayed at the same hotel. And in Ayemenem, where once the loudest sound had been a musical bus horn, now whole wars, famines, picturesque massacres and Bill Clinton could be summoned up like servants.

It is possible for a writer to make, or remake at least, for a reader, the primary pleasures of eating, or drinking, or looking on, or sex. Novels have their obligatory tour-de-force, the green-flecked gold omelette aux fines herbes, melting into buttery formlessness and tasting of summer, or the creamy human haunch, firm and warm, curved back to reveal a hot hollow, a crisping hair or two, the glimpsed sex. They do not habitually elaborate on the equally intense pleasure of reading. There are obvious reasons for this, the most obvious being the regressive nature of the pleasure, a mise-en-abîme even, where words draw attention to the power and delight of words, and so ad infinitum, thus making the imagination experience something papery and dry, narcissistic and yet disagreeably distanced, without the immediacy of sexual moisture or the scented garnet glow of a good burgundy. And yet, natures such as Roland's are at their most alert and heady when reading is violently yet steadily alive. (What an amazing word "heady" is, en passant, suggesting both acute sensuous alertness and its opposite, the pleasure of the brain as opposed to the viscera—though each is implicated in the other, as we know very well, with both, when they are working.)

Haven't you realized that pleasure, which is indeed certainly the one and only reason for the two sexes to come together, is nevertheless not enough to establish a relationship between them? And that though this pleasure is preceded by desire which draws people together, it is however followed by aversion which pushes them apart? It's a law of nature which only love can change. Can we feel love whenever we want? Yet love is always needed, which would be a dreadfully tiresome thing if it hadn't fortunately been realized that it's enough for just one of the partners to feel it, thereby halving the problem, and without even incurring any great loss; in fact, one party is happy to love, the other to please, which is actually a bit less exciting but which can be combined with the pleasure of deceiving and that evens things out, so everyone's happy.

Where are you going?" "To get my Bible." "Right now? You can't get your Bible out right now! I'm, I'm, we're just about to..." She'd never be able to go through with this if he got out his Bible. She wiped all humor from her face. "I believe you. Proverbs 5:18. Rejoice, relish, and romp with your husband." He chuckled. "I'm serious, Connie, and I won't have you feeling ashamed or unclean over anything we do in that bed, tonight or any other night." "I won't. I feel unashamed and very clean. I promise. But please don't get out that Bible." "What? Think you that God can't see us right now?" Groaning, she slid off his lap and covered her face with her hands. He sunk to his knees in front of her, drawing her hands down. "I love you. You love me. We are man and wife. God is watching, Connie, and He is very, very pleased.

Of all the various kinds of sexual intercourse, this has the least to recommend it. As an amusement, it is too fleeting; as an occupation, it is too wearing; as a public exhibition, there is no money in it. It is unsuited to the drawing room, and in the most cultured society it has long been banished from the social board. It has at last, in our day of progress and improvement, been degraded to brotherhood with flatulence. Among the best bred, these two arts are now indulged in only private--though by consent of the whole company, when only males are present, it is still permissible, in good society, to remove the embargo on the fundamental sigh.

I open doors, I close doors,” he wrote. He loved no one, he loved everyone. He loved sex, he hated sex. Life is a lie, truth is a lie. His thoughts ended with a healing wound. “I stand naked when I draw. God holds my hand and we sing together.” His manifesto as an artist. I let the confessional aspects fall away, and I accepted those words as a communion wafer. He had cast the line that would seduce me, ultimately bind us together. I folded the letter and put it back in the envelope, not knowing what would happen next.

I imagined a book that was both written and curated. I wanted readers to see my research, to explore the archival mix, connect with the material, and draw their own conclusions.

Don’t go overboard in avoiding “said.” Basically, “said” is the default for dialogue, and a good thing, too; it’s an invisible word that doesn’t draw attention to itself.

But it is obvious that the values of women differ very often from the values which have been made by the other sex; naturally, this is so. Yet it is the masculine values that prevail. Speaking crudely, football and sport are ‘important’; the worship of fashion, the buying of clothes ‘trivial’. And these values are inevitably transferred from life to fiction. This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room. A scene in a battle-field is more important than a scene in a shop — everywhere and much more subtly the difference of value persists.

with the same delight that we took as children in seeing a face in a cloud, grown-up artists draw the lines between the bigger dots of grown-up life: sex, love, vanity, violence, illness, death.

Trenton," Nick said patiently, "it is simple: your pizzle, her quim, you both enjoy each other until you can't move. Nothing simpler. You have three children, for pity's sake, need I draw you diagrams?

Dismissing the idea that female choice could influence the direction of evolution began to look both sexist and unscientific. By drawing attention to the evolution of social and sexual behavior in animals, the sociobiology of the 1970s did for the study of animal sexuality what feminism did for the study of human sexuality. It empowered thinkers to ask “Why does sex work like this, instead of some other way?

At any rate, when a subject is highly controversial—and any question about sex is that—one cannot hope to tell the truth. One can only show how one came to hold whatever opinion one does hold. One can only give one’s audience the chance of drawing their own conclusions as they observe the limitations, the prejudices, the idiosyncrasies of the speaker.

Of course, every time you have sex, it will not be identical: moods, spaces, times, touches, intentions all drift and mingle, forming new pathways, reflecting and drawing from past journeys, and ending somewhere that may look similar. But isn’t.

I'm not having sex with you. Not willingly. If you starve me, strangle me, whip me or tie me to the bed, it'll be rape, which you said you wouldn't do. I draw the line at fucking a psycho kidnapping dickwad who makes me strip, kneel, crawl and call him Master.

His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.” “Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell. “Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex. “I belong to you,” I pant. He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings. “Oh … ah … I … I belong to you.” His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need. I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping. “I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release. With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him. Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.

To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer—excellent for drawing the veil from men’s motives and actions. But for the trained

In the Garden of Eden, Eve wore a fig leaf, not to cover her moist parts, but to draw Adam’s gaze to what lay hidden in the undergrowth. Extending the metaphor, the snake symbolizes Adam’s tongue, the apple the rosy, blood-engorged bundle of nerve endings pulsing within Eve’s clitoris.

Perhaps "camp" is set in the 'twenties because after that differences between the sexes - especially visible differences - began to fade. This, of course, has never mattered to women in the least. They know they are women. To homosexuals, who must, with every breath they draw, with every step they take, demonstrate that they are feminine, it is frustrating. They look back in sorrow to that more formal era and try to relive it.

In this age devoted to completing the French Revolution and to beginning the Human Revolution, equality between the sexes being part of equality between men, a great woman was needed. Woman had to prove that she could have all our manly qualities without losing her angelic ones: that she could be strong without ceasing to be gentle: George Sand is that proof. . . . she bequeathes to us the right of woman which draws its proof from woman's genius.. . . Thus the Revolution is fulfilled.

To Sherlock Holmes she is always THE woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer—excellent for drawing the veil from men's motives and actions. But for the trained reasoner to admit such intrusions into his own delicate and finely adjusted temperament was to introduce a distracting factor which might throw a doubt upon all his mental results. Grit in a sensitive instrument, or a crack in one of his own high-power lenses, would not be more disturbing than a strong emotion in a nature such as his. And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.

Mother inexhaustible and incorruptible, creatures, born the first, engendered by thyself and by thyself conceived, issue of thyself alone and seeking joy within thyself, Astarte! Oh! Perpetually fertilized, virgin and nurse of all that is, chaste and lascivious, pure and revelling, ineffable, nocturnal, sweet, breather of fire, foam of the sea! Thou who accordest grace in secret, thou who unites, thou who lovest, thou who seizes with furious desire the multiplied races of savage beasts and the couplets the sexes in the wood. Oh, irresistible Astarte! hear me, take me, possess me, oh, Moon! and thirteen times each year draw from my womb the sweet libation of my blood!

An essential difference between British and American punk bands can be found in their respective views of rock & roll history. The British bands took a deliberately anti-intellectual stance, refuting any awareness of, or influence from, previous exponents of the form. The New York and Cleveland bands saw themselves as self-consciously drawing on and extending an existing tradition in American rock & roll. (...) A second difference between the British and American punk scenes was their relative gestation periods. The British weekly music press was reviewing Sex Pistols shows less than three months after their cacophonous debut. Within a year of the Pistols' first performance they had a record deal, with the 'major' label EMI. Within six months of their first gigs the Damned and the Clash also secured contracts, the latter with CBS. The CBGBs scene went largely ignored by the American music industry until 1976 -- two years after the debuts of Television, the Ramones and Blondie. Even then only Television signed to an established label.

1: There are at least six of them:     Sight, which embraces space itself, and tells us by means of light of the existence of the objects which surround us, and of their colors. Hearing, which absorbs through the air the vibrations caused by agreeably resonant or merely noisy bodies. Smell, by means of which we savor all odorous things. Taste, by which we appreciate whatever is palatable or only edible. Touch, by which we are made aware of the surfaces and the textures of objects. Finally physical desire, which draws the two sexes together so that they may procreate.

She is at odds with everything, she does not fit, an insult to her sex, a stubborn child in a woman’s form, her head bowed and arms wrapped tight around her drawing pad as if it were a door. And when she does look up, her gaze always goes to the edge of town. “A dreamer,” scorns her mother. “A dreamer,” mourns her father. “A dreamer,” warns Estele. Still, it does not seem such a bad word. Until Adeline wakes up.

What women do with their bodies as long as they're around men with power and money actually seems to me very near to prostitution. I still don't catch the subtle difference between the sort of femininity sold in magazines and that of the whore. And although they might not state their price openly, I'm under the impression of having met a lot of whores since then. Lots of women who aren't interested in sex but know how to draw profit from it. Women who sleep with men who are old, ugly, boring, or depressingly stupid, but socially powerful. Women who marry them and fight to gain as much money as they can when they divorce. Who think it's normal to have their bills paid, to be taken on vacation, to be spoiled. Who even see this as an achievement. I find it sad listening to women talk about love as an implicit financial contract.

God, you feel so good." Lying face to face, our bodies tangled up together as close as we could get, I pumped into Emma's slick heat and groaned. Trembling, I cupped her flushed cheek and kissed her soft mouth. I loved her for hours, nice and slow, every inch of me aching for release, but drawing it out for as long as I could. We'd been at it all night and, now, in the hot sun of the morning. "Lucian." She rocked me, the tips of her breasts brushing my chest. Grunting, I reached between us; found her sweet, swollen nipple; and tweaked it. The walls of her sex clenched in response, and she circled her hips on a moan. So fucking good.

And in an essential way, this was what he was most ashamed of: not his poor understanding of sex, not his traitorous racial tendencies, not his inability to separate himself from his parents or make his own money or behave like an autonomous creature. It was that, when he and his colleagues sat there at night, the group of them burrowed deep into their own ambitious dream-structures, all of them drawing and planning their improbable buildings, he was doing nothing. He had lost the ability to imagine anything. And so every evening, while the others created, he copied: he drew buildings he had seen on his travels, buildings other people had dreamed and constructed, buildings he had lived in or passed through. Again and again, he made what had already been made, not bothering to improve them, just mimicking them. He was twenty-eight; his imagination had deserted him; he was a copyist. It frightened him. JB had his series. Jude had his work, Willem had his. But what if Malcolm never again created anything? He longed for the years when it was enough to simply be in his room with his hand moving over a piece of graph paper, before the years of decisions and identities, when his parents made his choices for him, and the only thing he had to concentrate on was the clean blade stroke of a line, the ruler's perfect knife edge.

What does it mean to be lonely? How do we live, if we’re not intimately engaged with another human being? How do we connect with other people, particularly if we don’t find speaking easy? Is sex a cure for loneliness, and if it is, what happens if our body or sexuality is considered deviant or damaged, if we are ill or unblessed with beauty? And is technology helping with these things? Does it draw us closer together, or trap us behind screens?

The problem with romance is the occlusion. The tunnel vision, drawing your every gaze downstream, into those other eyes, the flotsam of your better self, your clearer self, along for the ride. It doesn't matter what secrets swirl and bob in the waters beneath you, as you float toward that lady at Delphi, who, you imagined, reading Mythology, must have been beautiful. It doesn't matter that Charybdis, with no body, with no form, with only a mouth-as-being, couldn't have been evil, because she lacked the brain for it. It doesn't matter that following the logical course of events, the natural course, always disadvantages someone else, because love, after all, is simply a competition for resources, made infinitely complex and unknowable when squared and cubed and raised to every other emotional exponent - and then layered with sex and society and a bad memory for what those resources were in the first place.

One gets the impression that the mere words ‘Socialism’ and ‘Communism’ draw towards them with magnetic force every fruit-juice drinker, nudist, sandal-wearer, sex-maniac, Quaker, ‘Nature Cure’ quack, pacifist and feminist in England.

And that's the last oath I shall ever be able to swear," she thought; "once I set foot on English soil. And I shall never be able to crack a man over the head, or tell him he lies in his teeth, or draw my sword and run him through the body, or sit among my peers, or wear a coronet, or walk in procession, or sentence a man to death, or lead an army, or prance down Whitehall on a charger, or wear seventy-two different medals on my breast. All I can do, once I set foot on English soil, is to pour out tea and ask my lords how they like it. D'you take sugar? D'you take cream?" And mincing out the words, she was horrified to perceive how low an opinion she was forming of the other sex, the manly, to which it had once been her pride to belong.

A Force Of Nature The very thing that makes sex so exciting is exactly what makes it so terrifying. Sex is powerful, chaotic, and wild. It crackles with cosmic energy. It draws us like a moth to a flame. As recovering Nice Guys release their sexual shame and fear, take responsibility for their own pleasure, refuse to settle for bad sex, and practice being just who they are, they put themselves in the position to embrace this cosmic force without fear or reservation. This is when the sex really gets good.

How long has it been, kitten? How long is ‘a little while’?” “Um, just some time.” I give her jaw a little nip, not hard, just enough to send a shudder through her. “How long?” I repeat. “Two,” she whispers. “Two weeks?” “No.” I frown, pulling away. “Two months?” She draws herself up and meets my eyes with an expression I can’t read. “It’s been two years.” My mind goes blank; her words don’t make any sense to me, don’t compute. Two years without sex? Seven hundred and thirty days? Seven hundred and thirty and a half days, scientifically speaking?

Sex energy and creative energy are parts of the same life force that draws us to it like the warmth of a summer sun or the light of a full moon. Everyone I’ve ever spoken to intimately has told me how important masturbation is to their creative process. Taking an orgasm break can work in different ways: it can bring my energy level up when it lags, it can relax me when I get too tense, or it can clear away the mental cobwebs so I can solve the creative problem at hand. For the most part, I use orgasm breaks to set me up for another round of creativity with a renewed burst of energy.

Many things as we have constructed them can be redefined and are neither correct nor incorrect. I love making love to a woman. I love her every quiver, her every movement, her every moan, her every breath. I love the journey my hands make over her every soft curve, the smell of her skin, and I revel in the feminine beauty, unmatched by anything else on this earth. But the core connection is what matters most and, while I don’t know what draws me to the essence of women rather than men or both, I wanted to be swallowed up by exactly that – the mystery of why we don’t want to be without each other.

You’re saying your mother engaged in unprotected sex outside her primary relationship?’ ‘With some other student,’ replied Rosie. ‘While she was dating my’ – at this point Rosie raised her hands and made a downwards movement, twice, with the index and middle fingers of both hands – ‘father. My real dad’s a doctor. I just don’t know which one. Really, really pisses me off.’ I was fascinated by the hand movements and silent for a while as I tried to work them out. Were they a sign of distress at not knowing who her father was? If so, it was not one I was familiar with. And why had she chosen to punctuate her speech at that point … of course! Punctuation! ‘Quotation marks,’ I said aloud as the idea hit me. ‘What?’ ‘You made quotation marks around “father” to draw attention to the fact that the word should not be interpreted in the usual way. Very clever.’ ‘Well, there you go,’ she said. ‘And there I was thinking you were reflecting on my minor problem with my whole fucking life. And might have something intelligent to say.’ I corrected her. ‘It’s not a minor problem at all!’ I pointed my finger in the air to indicate an exclamation mark. ‘You should insist on being informed.’ I stabbed the same finger to indicate a full stop. This was quite fun.

Separating from Family Issues: January 4 We can draw a healthy line, a healthy boundary, between ourselves and our nuclear family. We can separate ourselves from their issues. Some of us may have family members who are addicted to alcohol and other drugs and who are not in recovery from their addiction. Some of us may have family members who have unresolved codependency issues. Family members may be addicted to misery, pain, suffering, martyrdom, and victimization. We may have family members who have unresolved abuse issues or unresolved family of origin issues. We may have family members who are addicted to work, eating, or sex. Our family may be completely enmeshed, or we may have a disconnected family in which the members have little contact. We may be like our family. We may love our family. But we are separate human beings with individual rights and issues. One of our primary rights is to begin feeling better and recovering, whether or not others in the family choose to do the same. We do not have to feel guilty about finding happiness and a life that works. And we do not have to take on our family’s issues as our own to be loyal and to show we love them. Often when we begin taking care of ourselves, family members will reverberate with overt and covert attempts to pull us back into the old system and roles. We do not have to go. Their attempts to pull us back are their issues. Taking care of ourselves and becoming healthy and happy does not mean we do not love them. It means we’re addressing our issues. We do not have to judge them because they have issues; nor do we have to allow them to do anything they would like to us just because they are family. We are free now, free to take care of ourselves with family members. Our freedom starts when we stop denying their issues, and politely, but assertively, hand their stuff back to them—where it belongs—and deal with our own issues. Today, I will separate myself from family members. I am a separate human being, even though I belong to a unit called a family. I have a right to my own issues and growth; my family members have a right to their issues and a right to choose where and when they will deal with these issues. I can learn to detach in love from my family members and their issues. I am willing to work through all necessary feelings in order to accomplish this.

Not so. Fold up the maps and put away the globe. If someone else had charted it, let them. Start another drawing with whales at the bottom and cormorants at the top, and in between identify, if you can, the places you have not found yet on those other maps, the connections obvious only to you. Round and flat, only a very little has been discovered.

Within the circuits of heteromasculinity in the United States, violence and sex are mutually constituted, a fact most evident among adolescent boys, who hardly know how to think or talk about sex with girls without drawing on themes of abjection and violence. The language of heterosexual sex - banging, nailing, "hitting that," and so forth - is the language of violence.

The modern mind is like the eye of a man who is too tired to see the difference between blue and green. It fails in the quality that is truly called distinction; and,being incapable of distinction, it falls back on generalisation. The man, instead of having the sense to say he is tired, says he is emancipated and enlightened and liberal and universal.... ...we find it less trouble to let in a jungle of generalisations than to keep watch upon a logical frontier. But this shapeless assimilation is not only found in accepting things in the lump; it is also found in condemning them in the lump. When the same modern mind does begin to be intolerant, it is just as universally intolerant as it was universally tolerant. It sends things in batches to the gallows just as it admitted them in mobs to the sanctuary. It cannot limit its limitations any more than its license....There are...lunatics now having power to lay down the law, who have somehow got it into their heads that any artistic representation of anything wicked must be forbidden as encouraging wickedness. This would obviously be a veto on any tragedy and practically on any tale. But a moment's thought...would show them that this is simply an illogical generalisation from the particular problem of sex. All dignified civilisations conceal sexual things, for the perfectly sensible reason that their mere exhibition does affect the passions. But seeing another man forge a cheque does not make me want to forge a cheque. Seeing the tools for burgling a safe does not arouse an appetite for being a burglar. But the intelligence in question cannot stop itself from stopping anything. It is automatically autocratic; and its very prohibition proceeds in a sort of absence of mind. Indeed, that is the most exact word for it; it is emphatically absence of mind. For the mind exists to make those very distinctions and definitions which these people refuse. They refuse to draw the line anywhere; and drawing a line is the beginning of all philosophy, as it is the beginning of all art. They are the people who are content to say that what is sauce for the goose is sauce for the gander, and are condemned to pass their lives in looking for eggs from the cock as well as the hen.

At last a woman who admits it! Who admits what? Something that women have always refused till now to admit (and today more than ever before). Something that men have always reproached them with: that they never cease obeying their nature, the call of their blood, that everything in them, even their minds, is sex. That they have constantly to be nourished, constantly washed and made up, constantly beaten. That all they need is a good master, one who is not too lax or kind: for the moment we make any show of tenderness they draw upon it, turning all the zest, joy, and character at their command to make others love them. In short, that we must, when we go to see them, take a whip along. Rare is the man who has not dreamed of possessing Justine.

The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful. From the time he met Tereza, no woman had the right to leave the slightest impression on that part of his brain. Tereza occupied his poetic memory like a despot and exterminated all other trace of other women. That was unfair, because the young woman he made love to on the rug during the storm was not a bit less worthy of poetry than Tereza. She shouted, ‘Close your eyes! Squeeze my hips! Hold me tight!; she could not stand it that when Tomas made love he kept his eyes open, focused and observant, his body ever so slightly arched above her, never pressing against her skin. She did now want him to study her. She wanted to draw him into the magic stream that may be entered only with closed eyes. [..] She wanted to merge with him. [..] 'It’s not sensual pleasure I’m after,’ she would say, 'it’s happiness. And pleasure without happiness is not pleasure.’ In other words, she was pounding on the gate of his poetic memory. But the gate was shut. There was no room for her in his poetic memory. There was room for her only on the rug.

University of Otago social historian Hera Cook provides a beautiful illustration of exactly this point in her rich account of the sexual revolution.49 Cook notes that in eighteenth-century England, women were assumed to be sexually passionate. But drawing on economic and social changes, fertility-rate patterns, personal accounts, and sex surveys and manuals, Cook charts the path toward the sexual repression of the Victorian era. This was a time of reduced female economic power, thanks to a shift from production in the home to wage earning, and there was less community pressure on men to financially support children fathered out of wedlock. And so, in the absence of well-known, reliable birth control techniques, “women could not afford to enjoy sex. The risk made it too expensive a pleasure.”50

There is no set of rules that dictates what you owe someone you love. What parts of your past should be disclosed? Should you confess you are trans? Alcoholic? That you had a same-sex relationship? An abortion? That you were abused by the person you trusted most in the world? When, if ever, is the right time for that conversation: before your first date, before your first kiss, before you sleep together? Where is the line between keeping something private, and being dishonest? What if the worst happens? What if honesty is the thing that breaks you apart? “What’s her name?” Asher asks, drawing me out of my reverie. I cover the new hive. I’ve been thinking of Billie Eilish, but maybe not every queen needs to be a pop diva. “Lily?” I suggest. I sit down next to him in the field, as stragglers from the crate fly to the entrance of the hive. We watch the sun go down,

With one strong thrust he was inside her. She moaned, overwhelmed by the delicious fullness of him, the strength and power surrounding her. Sam's shoulders tightened beneath her hands. "You feel so damn good." Too good. When had it ever been like this? A connection that went beyond physical to something she could feel in her soul. She rocked her hips, drawing him deeper, holding him closer. As they lost themselves in a frantic rhythm, there was no office, no list of suitors, no game. Instead, there was Sam, raw and real, the need building up inside her, and the ache of longing in her pounding heart. Sam slipped his hand between them, finding the spot that would drive her over, and taking her to the edge with a firm stroke of his fingers. Her head slammed against the door and she cried out as pleasure crashed over her in thunderous wave, his name a guttural moan on her lips.

Finally we touch that Great Fact, which Goethe incorporated into his final words: the 'ever-womanly.' It is a sin against Goethe to say that here he means the female sex. He refers to that profundity signifying the human soul as related to the mystery of the world; that which deeply yearns as the eternal in man, the ever-womanly which draws the soul to the eternally immortal, the eternal wisdom, and which gives itself to the 'eternal masculine.' The ever-womanly draws us towards the ever-masculine. It has nothing to do with something feminine in the ordinary sense. Therefore can we truly seek this ever-womanly in man and woman: the ever-womanly which aspires to the union with the ever-manly in the cosmos, to become one with the Divine-Spiritual that inter-penetrates and permeates the world towards which Faust strives. This mystery of man of all ages pursued by Faust from the beginning, this secret to which Spiritual Science is to lead us in a modern sense, is expressed by Goethe paradigmatically and monumentally in those five words at the conclusion of the second part of Faust represented as a mystic Spirit Choir; that everything physical surrounding us in the sense world is Maya, illusion; a symbol only of the spiritual. But this spiritual we can perceive if we penetrate that which covers it like a veil. And in it we see attained what on earth was impossible of attainment. We see that, which for ordinary intellect is indescribable, transformed into action as soon as the human spirit unites with the spiritual world. 'The ineffable wrought in love.' And we see the significance of the moment when the soul becomes united with the eternal masculine of the cosmic world. That is the great secret expressed by Goethe in the words: 'All of mere transient date As symbol showeth; Here the inadequate To fullness groweth; Here the ineffable Wrought is in love; The ever-womanly Draws us above ...

Let’s talk about ‘Coexist’ bumper stickers for a second. You’ve definitely seen them around. They’re those blue strips with white lettering that assemble a collection of religious icons and mystical symbols (e.g., an Islamic crescent, a Star of David, a Christian cross, a peace sign, a yin-yang) to spell out a simple message of inclusion and tolerance. Perhaps you instinctively roll your eyes at these advertisements of moral correctness. Perhaps you find the sentiment worthwhile, but you’re not a wear-your-politics-on-your-fender type of person. Or perhaps you actually have ‘Coexist’ bumper stickers affixed to both your Prius and your Beamer. Whatever floats your boat, man; far be it from us to cast stones. But we bring up these particular morality minibillboards to illustrate a bothersome dichotomy. If we were to draw a Venn diagram of (a) the people who flaunt their socially responsible “coexist” values for fellow motorists, and (b) the people who believe that, say, an evangelical Christian who owns a local flower shop ought to be sued and shamed for politely declining to provide floral arrangements for a same-sex wedding, the resulting circles would more or less overlap. The coexist message: You people (i.e., conservatives) need to get on board and start coexisting with groups that might make you uncomfortable. It says so right here on my highly enlightened bumper sticker. But don’t you dare ask me to tolerate the ‘intolerance’ of people with whom I disagree. Because that’s different.

Slowly, his hands coasted down to my hips, tracing my panties before he tugged them down. He looked up at me, even as his hand eased between my thighs. Ice-green eyes burned bright. "I've never wanted anyone as much as I want you." The calloused tips of his fingers slid along my swollen, slick sex. "Now that I have you, I don't know where to start." My lids fluttered, hands clutching at his shoulders as he rubbed back and forth. "Right there works for me." His smile was sin and promise. "You like that, honey?" "Yes." He toyed with the entrance to my sex, pausing there to push just enough for me to feel it, to want it. "How about here?" "There is..." My breath caught. He pushed in, long strong fingers filling me. "Is what?" he murmured darkly, those talented fingers slowly fucking me, as though he had all the time in the world. The blunt end of his thumb found my puffy clit and circled it. I whimpered again, falling against him, my arms wrapping around his neck. "So fucking good." He made a noise, possessive and greedy, his mouth finding my nipple, his long fingers pushing up into me. "God, you're perfect. So perfect for me." The slight curl of his fingers hit a spot, and that was it. I came in waves, shaking with it, heat swamping me. His eyes held mine as he coaxed me along, drawing my pleasure out. With a groan that sounded almost pained, Lucian slid to the floor, his wide shoulders edging between my legs. He palmed my thighs in his big hands to hold me steady. And then, with an impatient grunt, he leaned in and kissed my throbbing clit. Kissed it like he kissed my mouth, greedy and deep, licking and sucking, nibbling with firm lips. I cried out again, my knees so weak he had to hold me up. He ate me like a dessert, lapping at my slit before thrusting his tongue inside me. I couldn't take it. It was too much. I came again, writhing against his mouth. "That's it," he said between frantic kisses. "That's it, Em. Work that sweet pussy on my mouth." Oh, hell. I crumpled, dislodging myself before falling onto his lap. I cupped the thick column of his nape and kissed him, drawing in his breath as he groaned and devoured me.

Many bisexuals might indeed feel comfortable and well represented by [creating images of 'stable, monogamous, appropriately sexual' bisexuals], but what of the many people who don't fit in this standard of the "normal" or "good" bisexual? Some bisexuals are sluts (read: sexually independent women), some bisexuals are just experimenting, some like people of certain genders only sexually and not romantically, some like to have threesomes and perform bisexuality for men, some are HVI and STI carriers, some don't practice safer sex, some are indeed indecisive and confused, some cheat on their partners, some do choose to be bi, as well as many other things that the "myth-busting" [or simplifying/sanitizing] tries to cast off. A very long list of people is being thrown overboard in the effort to "fight biphobia." In this way, the rebuttal in fact imposes biphobic normative standards on the bisexual community itself, drawing a line between "good" and "bad" bisexuals. Either way, benign docility and unthreatening citizenship are not exactly what I would want my bisexuality to be associated with.

All their lives they had slaved at some kind of dull, heavy labor, behind desks and counters, in the fields and at tedious machines of all sorts, saving their pennies and dreaming of the leisure that would be theirs when they had enough. Finally that day came. They could draw a weekly income of ten or fifteen dollars. Where else should they go but California, the land of sunshine and oranges? Once there, they discover that sunshine isn’t enough. They get tired of oranges, even of avocado pears and passion fruit. Nothing happens. They don’t know what to do with their time. They haven’t the mental equipment for leisure, the money nor the physical equipment for pleasure. Did they slave so long just to go to an occasional Iowa picnic? What else is there? They watch the waves come in at Venice. There wasn’t any ocean where most of them came from, but after you’ve seen one wave, you’ve seen them all. The same is true of the airplanes at Glendale. If only a plane would crash once in a while so that they could watch the passengers being consumed in a “holocaust of flame,” as the newspapers put it. But the planes never crash. Their boredom becomes more and more terrible. They realize that they’ve been tricked and burn with resentment. Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, wars. Their daily diet made sophisticates of them. The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing.

Perhaps if I lay bare the ideas, the prejudices, that lie behind this statement, you will find that they have some bearing upon women and some upon fiction. At any rate, when a subject is highly controversial--and any question about sex is that--one cannot hope to tell the truth. One can only show how one came to hold whatever opinion one does hold. One can only give one's audience the chance of drawing their own conclusions as they observe the limitations, the prejudices, the idiosyncrasies of the speaker. Fiction here is likely to contain more truth than fact.

There were things that burned away at me, not only as a private individual, but also as a citizen of our century, our pixelated age. What does it mean to be lonely? How do we live, if we’re not intimately engaged with another human being? How do we connect with other people, particularly if we don’t find speaking easy? Is sex a cure for loneliness, and if it is, what happens if our body or sexuality is considered deviant or damaged, if we are ill or unblessed with beauty? And is technology helping with these things? Does it draw us closer together, or trap us behind screens?

How do you remain an individual when you are also part of so powerfully driven a pair?” “Irrational or justified, it is what it is.” Gideon was realizing the logic of that for himself even as he spoke the words. “Perhaps, in time, it will be less acute. I have no desire to rob you of your individuality, nor do I wish to lose my own. It is difficult for me as well . . . I have been so solitary throughout my lifetime, and now, to be suddenly given such riveting company . . . I fear I cannot do you the justice you deserve. And for you it will be worse; with the influx of power you are beginning to experience it will be taxing, to say the least.” “I know.” Legna reached up and splayed her palms over the dark silk covering his chest. “I suppose at some point, if I start to go crazy, you are going to have to knock me out or tie me up or something.” “Hmm. The latter has possibilities,” he mused with a growling smile that erased the tension in his face. Legna laughed, giving him a shove. “Gideon, you are nothing but an ancient pervert,” she teased him. “And this is an issue because . . . ?” “You are horrible!” She pushed away from him, gaining her feet. He reached to take her hand, pulling her closer once more and continuing to do so until she had nowhere else to go but his lap. She took the seat, her voluminous skirts spreading over them both. “I will forgive you, this time,” she conceded. “Thank you,” he said with honest graciousness. “Now, my beauty, tell me what you would like to do to get to know me better. I find myself looking forward to your discoveries.” “Well, I did not think of anything specific. I imagined time would fill itself.” “That is dangerously liberal, sweet. If you leave it up to the natural course of things, I can tell you exactly what we will end up doing.” Legna giggled, blushing because she realized he was right. Even just sitting in his lap and talking as she was, she could feel the mutual awareness that sparked between them, constantly simmering and waiting for just a little more heat to bring them up to the boiling point. “Very well, I am open to suggestions,” she invited. “Again, too liberal,” he teased, his eyes twinkling with mischievous starlight. “You are incorrigible. I never realized you were a sex fiend, Gideon.” “I am now,” he amended, drawing a finger down the slope of her nose.

His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things." "Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..." She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am." "I train your father's horses." "So what? My mother groomed them." "That's a different matter." "Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right." "Stop making me sound ridiculous." "I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?" He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back." "Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well. "You won't push me into a corner." Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me." The idea quite simply appalled him. "I never meant to hurt you." "No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves." "I'm not a snob, or a coward." "Put your arms around me.Kiss me. Tell me." "Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room." Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?" "I thought I'd get over it." "Get over it?" Her brow arched up. "Like a head cold?" "Maybe." He set her aside, paced away to stare out at the hills. Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.

Now drawing four fingers up the sides of her stomach, my hands create a kind of invisible wave that sounds beneath her skin. Molding her torso every which way as if it were clay for me to experiment, I study the lines of her iridescent form flowing in a rhythmic beauty that fascinates me into this fixation. My finger circles around the rim of her belly button as if to enjoy the sounds that might come from a crystal glass. Her every touch absorbs my ability to discern thought as I become rested in this feeling of absolute ecstasy. Life without her I know would indefinitely destroy me, having already solemnly delivered my spirit to this angel that comes down to be with me.

The hot crown of his cock notched against my sex, and we both stopped, our gazes clashing. "Em." I knew what he meant. This felt different. This felt more like than sex. He didn't look away as he slowly pushed into me, all that hot girth making itself at home. I moaned and spread my legs wider, working with him. He was big. And there. And it felt so good I could barely breathe through it all. Lucian dipped his head, trembling with effort to go slow. "God. God. You feel..." He broke off with a tortured groan and a hard thrust, filling me completely. I closed my eyes, my hands smoothing over his damp back. "So good, Lucian. So good." That was all he needed. Moving like liquid, he rocked into me, kissing my mouth, whispering how much he wanted me. I grew incandescent with it, heat licking through me in waves. Lucian fucked like he did most everything, with perfect finesse and fierce determination. With swagger. Soon we were both panting, moving faster, reaching for that peak yet wanting to prolong it. "I don't want it to end," he said against my mouth. But then he canted his hips, hitting that spot that lit me up and made me scream. There was no more finesse, no more drawing it out. Just basic rutting, fucking each other like we might die and not get another chance. And when he came, I stared up at him, at those muscles straining, his wintergreen eyes gleaming in lust and surprise, as though he couldn't quite believe how good it was. Neither could I. Because it had never been like this.

Bumblebees detect the polarization of sunlight, invisible to uninstrumented humans; put vipers sense infrared radiation and detect temperature differences of 0.01C at a distance of half a meter; many insects can see ultraviolet light; some African freshwater fish generate a static electric field around themselves and sense intruders by slight perturbations induced in the field; dogs, sharks, and cicadas detect sounds wholly inaudible to humans; ordinary scorpions have micro--seismometers on their legs so they can detect in darkness the footsteps of a small insect a meter away; water scorpions sense their depth by measuring the hydrostatic pressure; a nubile female silkworm moth releases ten billionths of a gram of sex attractant per second, and draws to her every male for miles around; dolphins, whales, and bats use a kind of sonar for precision echo-location. The direction, range, and amplitude of sounds reflected by to echo-locating bats are systematically mapped onto adjacent areas of the bat brain. How does the bat perceive its echo-world? Carp and catfish have taste buds distributed over most of their bodies, as well as in their mouths; the nerves from all these sensors converge on massive sensory processing lobes in the brain, lobes unknown in other animals. how does a catfish view the world? What does it feel like to be inside its brain? There are reported cases in which a dog wags its tail and greets with joy a man it has never met before; he turns out to be the long-lost identical twin of the dog's "master", recognizable by his odor. What is the smell-world of a dog like? Magnetotactic bacteria contain within them tiny crystals of magnetite - an iron mineral known to early sailing ship navigators as lodenstone. The bacteria literally have internal compasses that align them along the Earth's magnetic field. The great churning dynamo of molten iron in the Earth's core - as far as we know, entirely unknown to uninstrumented humans - is a guiding reality for these microscopic beings. How does the Earth's magnetism feel to them? All these creatures may be automatons, or nearly so, but what astounding special powers they have, never granted to humans, or even to comic book superheroes. How different their view of the world must be, perceiving so much that we miss.

I swung it a couple of times, getting used to the weight. “Two swords,” Bran said from the doorway. His spasm had torn his clothes, and he had cut and rigged the remnants of his shirt and pants into a makeshift kilt, showcasing the world’s greatest chest. Too bad the kilt gave me a flashback to Greg’s killer. He had worn a kilt, too. “Can you handle two swords?” I pulled Slayer from the sheath, lunged at him, drawing a classic figure eight around his body with Slayer, and blocked his arm with the flat of the shorter blade when he tried to counter. “Fancy. You missed,” he said. “You want something?” “I thought since we both might die tomorrow, you’d be up for a friendly roll-in-the-hay.” “I might die. You’ll be healed.” He shook his head. “I’m not immortal, dove. Do enough damage fast and I’ll kick the bucket like the rest of you.” I disengaged and moved past him to the door. His kilt fell. “It took me forever to fix this!” He grabbed it off the floor and it fell apart in his hand. I had cut it in three places. I walked out into the hallway and almost ran into Curran accompanied by a group of shapeshifters. Bran followed me in all his naked glory. “Hey, does this mean no sex?” Curran’s face went blank. I dodged him and kept walking. Bran chased me, weaving through the shapeshifters. “Get out of my way, don’t you see I’m trying to talk to a woman?” I made the mistake of looking back in time to see Curran reach for Bran’s neck as the Hound of Morrigan rushed by. With an effort of will that must have taken a year off his life, Curran curled his fingers into a fist and lowered his hand instead. I chuckled to myself and kept walking. The Universe had proven Curran wrong: a person who aggravated him more than me did, in fact, exist.

Beneath her skirts, she guided his erection to her entrance; drawing his fingers from her sheath, so hot and wet and ready for him, he caught her hand, twined her fingers with his, and drew them away. And sank slowly, carefully, into her scalding heat. Her breath hitched. She tensed, then through the kiss caught her breath and fought to relax, to reverse the instinctive tightening. Her fingers clutched his. He pressed in, steady, sure, not too fast yet not too slow that she had time to think too much. Then he reached the barrier that was her maidenhood; with one powerful thrust he breached it, with the movement forging deep into her body. She cried out, the sound muffled between their lips, and tensed. He held still, giving her time to adjust. Giving himself time to still his whirling senses. To assimilate the feel of scalding velvet gripping him so tightly. To grit his teeth and hold against the powerful, all but overwhelming urge to ride her, hard and fast. As some part of him had wanted to do for a very long time.

Power has always been a temptation, and I want to argue that majority rule in America carries with it an empire temptation for many Christian citizens. Those of us who know our American history might be tempted to say, “That’s precisely the opposite of what our democracy, or representative democracy, stands for.” True enough, at one level, because giving everyone a voice vastly surpasses anything less. But take any heated political issue, from abortion to same-sex marriage to national health care to free-market enterprise to nuclear build-up for security, and you may glimpse what I’m trying to say. The political left takes one posture on issues while the political right draws swords from another posture. If we step back we see that each side seeks to impose its view on the minority. This is ruling over the other. Now to a few questions. Is this imposition of power over others consistent with following Christ? Do we ever wonder if the right to vote is the right to coerce and impose, the right to use the power of the majority against the minority?17 Is the power of the majority that different from the power of King Charles when the pilgrims and Puritans left England to establish the “city on a hill”? We would all agree that empowering the people improved the conditions, but I want to ask another question: Does it make the political process of voting the source of seeking for power over others? What is the best Christian response to the drive for power? I call this quest for power through the political process the “eschatology of politics”—that is, the belief that if we usher in the right political candidates and the right laws, then kingdom conditions will arrive. Every two years America goes through convulsions as one candidate after another promises (all but) the kingdom if he or she is elected. Every two years Americans go through the same convulsions as they lather up for the election because they believe if they get their candidate, not only will they win, but (all but) the kingdom will come. This is idolatry and yet another example of Constantinianism

In ninety seconds they were naked and he was nibbling at her ear while his hand rubbed her pubic mat; but a saboteur was at work at his brain. 'I love you,' he thought, and it was not untrue because he loved all women now, knowing partially what sex was really all about, but he couldn't bring himself to say it because it was not totally true, either, since he loved Mavis more, much more. 'I'm awfully fond of you,' he almost said, but the absurdity of it stopped him. Her hand cupped his cock and found it limp; her eyes opened and looked into his enquiringly. He kissed her lips quickly and moved his hand lower, inserting a ringer until he found the clitoris. But even when her breathing got deeper, he did not respond as usual, and her hand began massaging his cock more desperately. He slid down, kissing nipples and bellybutton on the way, and began licking her clitoris. As soon as she came, he cupped her buttocks, lifted her pelvis, got his tongue into her vagina and forced another quick orgasm, immediately lowering her slightly again and beginning a very gentle and slow return in spiral fashion back to the clitoris. But still he was flaccid. 'Stop,' Stella breathed. 'Let me do you, baby.' George moved upward on the bed and hugged her. 'I love you,' he said, and suddenly it did not sound like a lie. Stella giggled and kissed his mouth briefly. 'It takes a lot to get those words out of you, doesn't it?' she said bemusedly. 'Honesty is the worst policy,' George said grimly. 'I was a child prodigy, you know? A freak. It was rugged. I had to have some defense, and somehow I picked honesty. I was always with older boys so I never won a fight. The only way I could feel superior, or escape total inferiority, was to be the most honest bastard on the planet earth.' 'So you can't say 'I love you' unless you mean it?' Stella laughed. 'You're probably the only man in America with that problem. If you could only be a woman for a while, baby! You can't imagine what liars most men are.' 'Oh, I've said it at times. When it was at least half true. But it always sounded like play-acting to me, and I felt it sounded that way to the woman, too. This time it just came out, perfectly natural, no effort.' 'That is something,' Stella grinned. 'And I can't let it go unrewarded.' Her black body slid downward and he enjoyed the esthetic effect as his eyes followed her— black on white, like the yinyang or the Sacred Chao—what was the psychoses of the white race that made this beauty seem ugly to most of them? Then her lips closed over his penis and he found that the words had loosened the knot: he was erect in a second. He closed his eyes to savor the sensation, then opened them to look down at her Afro hairdo, her serious dark face, his cock slipping back and forth between her lips. 'I love you,' he repeated, with even more conviction. 'Oh, Christ, Oh, Eris, oh baby baby, I love you!' He closed his eyes again, and let the Robot move his pelvis in response to her. 'Oh, stop,' he said, 'stop,' drawing her upward and turning her over, 'together,' he said, mounting her, 'together,' as her eyes closed when he entered her and then opened again for a moment meeting his in total tenderness, 'I love you, Stella, I love,' and he knew it was so far along that the weight wouldn't bother her, collapsing, using his arms to hug her, not supporting himself, belly to belly and breast to breast, her arms hugging him also and her voice saying, 'I love you, too, oh, I love you,' and moving with it, saying 'angel' and 'darling' and then saying nothing, the explosion and the light again permeating his whole body not just the penis, a passing through the mandala to the other side and a long sleep.

The BFMSS [British False Memory Syndrome Society] The founder of the 'false memory' movement in Britain is an accused father. Two of his adult daughters say that Roger Scotford sexually abused them in childhood. He denied this and responded by launching a spectacular counter-attack, which enjoyed apparently unlimited and uncritical air time in the mass media and provoke Establishment institutions that had made no public utterance about abuse to pronounce on the accused adults' repudiation of it. p171-172 The 'British False Memory Syndrome Society' lent a scientific aura to the allegations - the alchemy of 'falsehood' and 'memory' stirred with disease and science. The new name pathologised the accusers and drew attention away from the accused. But the so-called syndrome attacked not only the source of the stories but also the alliances between the survivors' movement and practitioners in the health, welfare, and the criminal justice system. The allies were represented no longer as credulous dupes but as malevolent agents who imported a miasma of the 'false memories' into the imaginations of distressed victims. Roger Scotford was a former naval officer turned successful property developer living in a Georgian house overlooking an uninterrupted valley in luscious middle England. He was a rich man and was able to give up everything to devote himself to the crusade. He says his family life was normal and that he had been a 'Dr Spock father'. But his first wife disagrees and his second wife, although believing him innocent, describes his children's childhood as very difficult. His daughters say they had a significantly unhappy childhood. In the autumn of 1991, his middle daughter invited him to her home to confront him with the story of her childhood. She was supported by a friend and he was invited to listen and then leave. She told him that he had abused her throughout her youth. Scotford, however, said that the daughter went to a homeopath for treatment for thrush/candida and then blamed the condition on him. He also said his daughter, who was in her twenties, had been upset during a recent trip to France to buy a property. He said he booked them into a hotel where they would share a room. This was not odd, he insisted, 'to me it was quite natural'. He told journalists and scholars the same story, in the same way, reciting the details of her allegations, drawing attention to her body and the details of what she said he had done to her. Some seemed to find the detail persuasive. Several found it spooky. p172-173

I can’t help thinking,” she confided when he finished answering her questions about women in India who covered their faces and hair in public, “that it is grossly unfair that I was born a female and so must never know such adventures, or see but a few of those places. Even if I were to journey there, I’d only be allowed to go where everything was as civilized as-as London!” “There does seem to be a case of extreme disparity between the privileges accorded the sexes,” Ian agreed. “Still, we each have our duty to perform,” she informed him with sham solemnity. “And there’s said to be great satisfaction in that.” “How do you view your-er-duty?” he countered, responding to her teasing tone with a lazy white smile. “That’s easy. It is a female’s duty to be a wife who is an asset to her husband in every way. It is a male’s duty to do whatever he wishes, whenever he wishes, so long as he is prepared to defend his country should the occasion demand it in his lifetime-which it very likely won’t. Men,” she informed him, “gain honor by sacrificing themselves on the field of battle while we sacrifice ourselves on the altar of matrimony.” He laughed aloud then, and Elizabeth smiled back at him, enjoying herself hugely. “Which, when one considers it, only proves that our sacrifice is by far the greater and more noble.” “How is that?” he asked, still chuckling. “It’s perfectly obvious-battles last mere days or weeks, months at the very most. While matrimony lasts a lifetime! Which brings to mind something else I’ve often wondered about,” she continued gaily, giving full rein to her innermost thoughts. “And that is?” he prompted, grinning, watching her as if he never wanted to stop. “Why do you suppose, after all that, they call us the weaker sex?” Their laughing gazes held, and then Elizabeth realized how outrageous he must be finding some of her remarks. “I don’t usually go off on such tangents,” she said ruefully. “You must think I’m dreadfully ill-bred.” “I think,” he softly said, “that you are magnificent.” The husky sincerity in his deep voice snatched her breath away. She opened her mouth, thinking frantically for some light reply that could restore the easy camaraderie of a minute before, but instead of speaking she could only draw a long, shaky breath. “And,” he continued quietly, “I think you know it.” This was not, not the sort of foolish, flirtatious repartee she was accustomed to from her London beaux, and it terrified her as much as the sensual look in those golden eyes. Pressing imperceptibly back against the arm of the sofa, she told herself she was only overacting to what was nothing more than empty flattery. “I think,” she managed with a light laugh that stuck in her throat, “that you must find whatever female you’re with ‘magnificent.’” “Why would you say a thing like that?” Elizabeth shrugged. “Last night at supper, for one thing.” When he frowned at her as if she were speaking in a foreign language, she prodded, “You remember Lady Charise Dumont, our hostess, the same lovely brunette on whose every word you were hanging at supper last night?” His frown became a grin. “Jealous?” Elizabeth lifted her elegant little chin and shook her head. “No more than you were of Lord Howard.” She felt a small bit of satisfaction as his amusement vanished. “The fellow who couldn’t seem to talk to you without touching your arm?” he inquired in a silky-soft voice. “That Lord Howard? As a matter of fact, my love, I spent most of my meal trying to decide whether I wanted to shove his nose under his right ear or his left.” Startled, musical laughter erupted from her before she could stop it. “You did nothing of the sort,” she chuckled. “Besides, if you wouldn’t duel with Lord Everly when he called you a cheat, you certainly wouldn’t harm poor Lord Howard merely for touching my arm.” “Wouldn’t I?” he asked softly. “Those are two very different issues.

Tom, will you let me love you in your restaurant? i will let you make me a sandwich of your invention and i will eat it and call it a carolyn sandwich. then you will kiss my lips and taste the mayonnaise and that is how you shall love me in my restaurant. Tom, will you come up to my empty beige apartment and help me set up my daybed? yes, and i will put the screws in loosely so that when we move on it, later, it will rock like a cradle and then you will know you are my baby Tom, I am sitting on my dirt bike on the deck. Will you come out from the kitchen and watch the people with me? yes, and then we will race to your bedroom. i will win and we will tangle up on your comforter while the sweat rains from your stomachs and foreheads. Tom, the stars are sitting in tonight like gumball gems in a little girl’s jewlery box. Later can we walk to the duck pond? yes, and we can even go the long way past the jungle gym. i will push you on the swing, but promise me you’ll hold tight. if you fall i might disappear. Tom, can we make a baby together? I want to be a big pregnant woman with a loved face and give you a squalling red daughter. no, but i will come inside you and you will be my daughter Tom, will you stay the night with me and sleep so close that we are one person, no, but i will lay down on your sheets and taste you. there will be feathers of you on my tongue and then I will never forget you Tom, when we are in line at the convenience store can I put my hands in your back pockets and my lips and nose in your baseball shirt and feel the crook of your shoulder blade? no, but later you can lay against me and almost touch me and when i go i will leave my shirt for you to sleep in so that always at night you will be pressed up against the thought of me. Tom, if I weep and want to wait until you need me will you promise that someday you will need me? no, but i will sit in silence while you rage. you can knock the chairs down any mountain. i will always be the same and you will always wait. Tom, will you climb on top of the dumpster and steal the sun for me? It’s just hanging there and I want it. no, it will burn my fingers. no one can have the sun: it’s on loan from god. but i will draw a picture of it and send it to you from richmond and then you can smooth out the paper and you will have a piece of me as well as the sun Tom, it’s so hot here, and I think I’m being born. Will you come back from Richmond and baptise me with sex and cool water? i will come back from richmond. i will smooth the damp spiky hairs from the back of your wet neck and then i will lick the salt off it. then i will leave Tom, Richmond is so far away. How will I know how you love me? i have left you. that is how you will know

Between them, she undid the buttons holding the placket of his breeches closed; her small hand slid beneath the fabric, and found him. He sucked in breath at that first innocent touch; his control quaked as her grip firmed, then her fingers eased and she stroked, and he felt like growling. Releasing her waist, with a quick tug he raised her skirts and reached beneath. Found the soft flesh between her thighs and caressed, then lightly probed. She shuddered, caught her breath, then her fingers trailed tantalizingly down his length. Closing her hand about his turgid flesh, she gently tugged. Her meaning couldn't have been clearer. And this time he had no ability, no thought in his head, to deny her. Just a small adjustment of her body over his and he could draw her down and sheath his erection in her slick softness; despite the potent attraction, he knew that this time it couldn't be that way. Not for her. Not the first time. He was too large, too engorged, for her to take him easily that way; she might balk, and find it too difficult to go on... Deftly he turned her and tumbled her down to the cushions. She went readily, reassured when he moved with her, willingly surrendering to the pull of one small hand gripping his shoulder. He settled between her thighs, spread wide on either side of his hips, the fingers of one hand still buried within her sheath, his other hand cradling her head, keeping her immersed in their kiss.

Hungrily, Nick pulled her with him into the hot rain of the shower-bath. Turning her face out of the stream of water, Lottie rested her head on his shoulder, standing passively as his hands slid over her body. Her breasts were small but plump in his hands, the nipples turning hard in the clasp of his fingers. He shaped his hands over her unrestricted waist, the swell of her hips, her round backside... caressing her everywhere, moving her against the engorged length of his sex. Moaning, she parted her thighs in compliance with his exploring hand, pushing her delicate flesh against his stroking thumb. As he entered her with his fingers, she gasped and instinctively relaxed at the gentle penetration. He caressed her, stroking in deep, secret places that brought her to the brink of climax. When she was ready to come, he lifted her against the tiled wall, one arm beneath her hips, the other behind her back. She made a sound of surprise and clung to him, her eyes widening as he pushed his cock inside her. Her flesh closed tightly around him, swallowing every inch of his shaft as he let her settle against him. "I've got you," he murmured, her slippery body locked securely in his arms. "Don't be afraid." Breathing fast, she rested her head back against his arm. With the hot water falling against his back, and the lush female body impaled on his, every lucid thought promptly evaporated. He filled her in heavy upward surges, again and again, until she cried out and clamped around him in luxurious contractions. Nick held still, feeling her quiver around him, the depths of her body becoming almost unbearably snug. Her spasms seemed to pull him deeper, drawing waves of pleasure from his groin, and he shuddered as he spent inside her.