Sewing Clothes Quotes

fabrics doesn't make exquisite dresses, it is the stitches.

Calories," Emily said on a sigh. "The evil tiny creatures that live in my closet and sew my clothes a little tighter every night.

Once there was a seamstress who could weave fabric from feeling. She sewed gowns of delight: sheer, sparkling, sleek. She cut cloth out of ambition and ardor, idyll and industry.

When pockets were first added to women’s clothing in 1913, a Paris reporter wrote, “It’s all over with men’s superiority over women.” Pockets are indeed indispensable, and they come in two types: patch and set-in

Sewing is a way to mark our existence on cloth: patterning our place in the world, voicing our identity, sharing something of ourselves with others and leaving the indelible evidence of our presence in stitches held fast by our touch.

Even the vendors sitting on stools around the periphery work steadily at connection, nodding at potential buyers, like a sewing machine prodding its needle into the cloth.

This is what you British do not understand about the French. You think you must work, work, work, work and open on Sundays and make mothers and fathers with families slave in supermarkets at three o'clock in the morning and make people leave their homes and their churches and their children and go shopping on Sundays.' 'Their shops are open on Sundays?' said Benoît in surprise. 'Yes! They make people work on Sundays! And through lunchtimes! But for what? For rubbish from China? For cheap clothes sewed by poor women in Malaysia? For why? So you can go more often to KFC and get full of fried chicken? You would rather have six bars of bad chocolate than one bar of good chocolate. Why? Why are six bad things better than one good thing? I don't understand.

Yes. I was just telling Elyse here... frankly, kids, I'm not sure it's even legal to have a female first mate. We'd have to consult the rule book, but as far as I know, regatta's a man's race." Christian's jaw ticked, just like it had with his father the night of the party. "Damn. Must have hit my head on the way out of that time machine. 1850, are we? I might need some new clothes. Elyse, you sew right? Don't all girls sew?

If you make a war if there are guns to be aimed if there are bullets to be fired if there are men to be killed they will not be us. They will not be us the guys who grow wheat and turn it into food the guys who make clothes and paper and houses and tiles the guys who build dams and power plants and string the long moaning high tension wires the guys who crack crude oil down into a dozen different parts who make light globes and sewing machines and shovels and automobiles and airplanes and tanks and guns oh no it will not be us who die. It will be you. It will be you—you who urge us on to battle you who incite us against ourselves you who would have one cobbler kill another cobbler you who would have one man who works kill another man who works you who would have one human being who wants only to live kill another human being who wants only to live. Remember this. Remember this well you people who plan for war. Remember this you patriots you fierce ones you spawners of hate you inventors of slogans. Remember this as you have never remembered anything else in your lives.

It is fascinating to note how clothing so often played a role in resistance, as life-saving warmth, a heart-warming gift, a hiding place or a disguise.

The undressing process in Auschwitz not only stripped identity as clothes came off, it also stripped away dignity.

All our wisdom consists in servile prejudices. All our practices are only subjection, impediment, and constraint. Civil man is born, lives, and dies in slavery. At his birth he is sewed in swaddling clothes; at his death he is nailed in a coffin. So long as he keeps his human shape, he is enchained by our institutions.

My grandfather was a duck trapper He could do it with just dragnets and ropes My grandmother could sew new dresses out of old cloth I don't know if they had any dreams or hopes I had 'em once though, I suppose, to go along With all the ring-dancin' Christmas carols on all of the Christmas eves I left all my dreams and hopes Buried under tobacco leaves

Oh," he said again and picked up two petals of cherry blossom which he folded together like a sandwich and ate slowly. "Supposing," he said, staring past her at the wall of the house, "you saw a little man, about as tall as a pencil, with a blue patch in his trousers, halfway up a window curtain, carrying a doll's tea cup-would you say it was a fairy?" "No," said Arrietty, "I'd say it was my father." "Oh," said the boy, thinking this out, "does your father have a blue patch on his trousers?" "Not on his best trousers. He does on his borrowing ones." 'Oh," said the boy again. He seemed to find it a safe sound, as lawyers do. "Are there many people like you?" "No," said Arrietty. "None. We're all different." "I mean as small as you?" Arrietty laughed. "Oh, don't be silly!" she said. "Surely you don't think there are many people in the world your size?" "There are more my size than yours," he retorted. "Honestly-" began Arrietty helplessly and laughed again. "Do you really think-I mean, whatever sort of a world would it be? Those great chairs . . . I've seen them. Fancy if you had to make chairs that size for everyone? And the stuff for their clothes . . . miles and miles of it . . . tents of it ... and the sewing! And their great houses, reaching up so you can hardly see the ceilings . . . their great beds ... the food they eat ... great, smoking mountains of it, huge bogs of stew and soup and stuff." "Don't you eat soup?" asked the boy. "Of course we do," laughed Arrietty. "My father had an uncle who had a little boat which he rowed round in the stock-pot picking up flotsam and jetsam. He did bottom-fishing too for bits of marrow until the cook got suspicious through finding bent pins in the soup. Once he was nearly shipwrecked on a chunk of submerged shinbone. He lost his oars and the boat sprang a leak but he flung a line over the pot handle and pulled himself alongside the rim. But all that stock-fathoms of it! And the size of the stockpot! I mean, there wouldn't be enough stuff in the world to go round after a bit! That's why my father says it's a good thing they're dying out . . . just a few, my father says, that's all we need-to keep us. Otherwise, he says, the whole thing gets"-Arrietty hesitated, trying to remember the word-"exaggerated, he says-" "What do you mean," asked the boy, " 'to keep us'?

This is now. Now is. Don’t postpone till then. Spend the spark of iron on stone. Sit at the head of the table. Dip your spoon in the bowl. Seat yourself next to your joy and have your awakened soul pour wine. Branches in the spring wind, easy dance of jasmine and cypress. Cloth for green robes has been cut from pure absence. You’re the tailor, settled among his shop goods, quietly sewing.

Now, shouts of “Dieu li volt!” (God wills it!) began to spread through the crowd, and men began to cut up cloaks and other pieces of cloth to make crosses and sew them against their chests. Everyone agreed that the next year they would set out for the Holy Land. And they did.

When the Fascists entered Denmark, the Jews were ordered to sew yellow stars on their clothing so they could be easily recognized. The Danes promptly sewed on yellow stars, both to save the Jews and to save themselves from turning into Fascists. Their king joined with them. In

As I look back on my own life, I recognize that some of the greatest gifts I received from my parents stemmed not from what they did for me—but rather from what they didn’t do for me. One such example: my mother never mended my clothes. I remember going to her when I was in the early grades of elementary school, with holes in both socks of my favorite pair. My mom had just had her sixth child and was deeply involved in our church activities. She was very, very busy. Our family had no extra money anywhere, so buying new socks was just out of the question. So she told me to go string thread through a needle, and to come back when I had done it. That accomplished—it took me about ten minutes, whereas I’m sure she could have done it in ten seconds—she took one of the socks and showed me how to run the needle in and out around the periphery of the hole, rather than back and forth across the hole, and then simply to draw the hole closed. This took her about thirty seconds. Finally, she showed me how to cut and knot the thread. She then handed me the second sock, and went on her way. A year or so later—I probably was in third grade—I fell down on the playground at school and ripped my Levi’s. This was serious, because I had the standard family ration of two pairs of school trousers. So I took them to my mom and asked if she could repair them. She showed me how to set up and operate her sewing machine, including switching it to a zigzag stitch; gave me an idea or two about how she might try to repair it if it were she who was going to do the repair, and then went on her way. I sat there clueless at first, but eventually figured it out. Although in retrospect these were very simple things, they represent a defining point in my life. They helped me to learn that I should solve my own problems whenever possible; they gave me the confidence that I could solve my own problems; and they helped me experience pride in that achievement. It’s funny, but every time I put those socks on until they were threadbare, I looked at that repair in the toe and thought, “I did that.” I have no memory now of what the repair to the knee of those Levi’s looked like, but I’m sure it wasn’t pretty. When I looked at it, however, it didn’t occur to me that I might not have done a perfect mending job. I only felt pride that I had done it. As for my mom, I have wondered what

What packages we were allowed to receive from our families often contained handkerchiefs, scarves, and other clothing items. For some time, Mike had been taking little scraps of red and white cloth, and with a needle he had fashioned from a piece of bamboo he laboriously sewed an American flag onto the inside of his blue prisoner's shirt. Every afternoon, before we ate our soup, we would hang Mike's flag on the wall of our cell and together recite the Pledge of Allegiance. No other event of the day had as much meaning to us. "The guards discovered Mike's flag one afternoon during a routine inspection and confiscated it. They returned that evening and took Mike outside. For our benefit as much as Mike's they beat him severely, just outside our cell, puncturing his eardrum and breaking several of his ribs. When they had finished, they dragged him bleeding and nearly senseless back into our cell, and we helped him crawl to his place on the sleeping platform. After things quieted down, we all lay down to go to sleep. Before drifting off, I happened to look toward a corner of the room, where one of the four naked lightbulbs that were always illuminated in our cell cast a dim light on Mike Christian. He had crawled there quietly when he thought the rest of us were sleeping. With his eyes nearly swollen shut from the beating, he had quietly picked up his needle and begun sewing a new flag.

He who acquires knowledge and acts up to it and teaches it to the people is noble to the angels of heaven and earth. He is like the sun which illumines itself and gives light to other things. Such a man is like a pot of musk which is full of fragrance and gives fragrance to others. He who teaches knowledge to others but does not himself act up to it is like a notebook which does not benefit itself but benefits others or like an instrument which gives edge to iron but itself has got no edge, or like a needle which remains naked but sews clothing for others, or like a lamp which gives light to other things but itself burns.

Another myth that is firmly upheld is that disabled people are dependent and non-disabled people are independent. No one is actually independent. This is a myth perpetuated by disablism and driven by capitalism - we are all actually interdependent. Chances are, disabled or not, you don’t grow all of your food. Chances are, you didn’t build the car, bike, wheelchair, subway, shoes, or bus that transports you. Chances are you didn’t construct your home. Chances are you didn’t sew your clothing (or make the fabric and thread used to sew it). The difference between the needs that many disabled people have and the needs of people who are not labelled as disabled is that non-disabled people have had their dependencies normalized. The world has been built to accommodate certain needs and call the people who need those things independent, while other needs are considered exceptional. Each of us relies on others every day. We all rely on one another for support, resources, and to meet our needs. We are all interdependent. This interdependence is not weakness; rather, it is a part of our humanity.

You're sewing your tattered clothes with silk threads. What all you will do to avoid being naked, to avoid being you.

She worked the thread through the flowered cloth as if she were sewing the torn ends of her life together.

They never returned. Only the old were left. And they began to die off. Those who did not die left the village by other means. In the end there was only one widow left, a dressmaker, and she began to sew the visages of those who had vanished. She hand-stitched the bodies and the clothes; she perfected the faces. Each and every doll was a precise replica of someone who once lived there.

For in that perfect garden when one day entered sin, An animal was murdered for garments made of skin. When figs of human effort produced religious strife, The Father tailored clothing for Adam and his wife.

When I closed the door Grandmother was already seated at her spinning wheel. Her foot was on the treadle but her eyes were thoughtfully on me. The spinner was beautifully carved of dark oak with leaves twining their way round and round the outer rim. It must have been very old, as the designs were too fanciful to have been made i the new England. She called to me and asked me if I could spin. I told her yes, well enough, but that I could sew better, which was a statement only half true. A camp surgeon would have a better hand with a cleaver to a limb than I with a needle on the cloth. She spun the wool through knotted fingers glistening with sheep's oil and wrapped the threads neatly around the bobbin. Gently probing, she teased out the story of our days in Billerica just as she teased out the fine thread from the mix and jumble of the coarse wool in her hands.

Affection almost slinks or seeps through our lives. It lives with humble, un-dress, private things: soft slippers, old clothes, old jokes, the thump of a sleepy dog’s tail on the kitchen floor, the sound of a sewing machine

Time can lessen the hurt; the empty place we have can seem smaller as other things and experiences fill our life; we can forget for periods and feel as if our loved one didn't die; we can find sense in the death and understand that perhaps this death does fit into a bigger design in the world; we can learn to remember the good and hold on to that. But we cannot 'get over it,' because to get over it would mean we were not changed by the experience. It would mean we did not grow by the experience. It would mean that our loved one's death made no difference in our life. There is an interesting discussion in the Talmud, an ancient Jewish writing. Those Jews had the custom of rending their garments - literally tearing their clothes —to symbolize the ripping apart that death brings. But the question was raised, after the period of mourning, could you sew the garment up and use it again? The teachers answered yes, but when you mended it, you should not tuck the edges under so it would look as if it had never been torn. This symbolized the fact that life after grief is not the same as before. The rent will show.

I am a jack-of-all-trades. I edit and teach and at times desire to be a clothing designer or an artist (one who doesn't draw or paint or sew) and I write everything but poetry and I am a mother and a social maniac and a misanthrope and a burgeoning self-help guru and a girl who wants to look pretty and a girl who wants to look sexy and a girl who wants to look girly and a woman in her middle forties who wishes not to look like anything at all, who wishes sometimes to vanish.

I once read that during the Civil War women of the south would soak these cloth buttons in perfume and then sew them into the collars of their men’s shirts. That way the scent was a constant reminder of their loved ones waiting for them at home.

Let’s escape outside,” Isabelle suggested. “Do you have any other talents?” “I bake and garden.” “Do you sew, too?” Amber nodded. “I sew whenever anger incites me to mutilation.” Isabelle laughed. “One cannot hang for attacking a piece of cloth.

Sewing is a conscious activity, not just an object. It is what we put into cloth, the time, care, thought, the evidence of self that we invest in it that makes it potent. This is not mere surface decoration; needlework is layered in emotional meaning.

I wish I could make a better job of my clothes. My mother taught me about weather and tides, she taught me eight languages and how to make various medicines, but she never thought to teach me to spin and weave and sew, because I was a boy. It seems silly now.

boats, oil lamps, bows and arrows and needles (essential for sewing warm clothing). The first objects that can reliably be called art date from this era (see the Stadel lion-man), as does the first clear evidence for religion, commerce and social stratification.

The few survivors were hounded into an evangelical concentration camp, where well-meaning but not particularly open-minded missionaries tried to indoctrinate them in the ways of the modern world. The Tasmanians were instructed in reading and writing, Christianity and various ‘productive skills’ such as sewing clothes and farming. But they refused to learn. They became ever more melancholic, stopped having children, lost all interest in life, and finally chose the only escape route from the modern world of science and progress – death.

Being perceived as excessively domestic can get you socially ostracized. When I made hand-rolled pasta for a dinner, I learned the hard way that some guests will find this annoying, as they do not feel comfortable eating a meal that they regard as the product of too much trouble. When my son was in nursery school, I made the mistake of spending a few hours sewing for him a Halloween astronaut costume of metallic cloth, earning the disgust, suspicion, and hard stares of many a fellow parent who had bought a Batman or Esmeralda costume. When

Her learning to sew (from a book Yankel brought back from Lvov) coincided with her refusal to wear any clothes that she did not make for herself, and when he bought her a book about animal physiology, she held the pictures to his face and said, "Don’t you think it’s strange, Yankel, how we eat them?" "I’ve never eaten a picture." "The animals. Don’t you find that strange? I can’t believe I never found it strange before. It’s like your name, how you don’t notice it for so long, but when you finally do, you can’t help but say it over and over, and wonder why you never thought it was strange that you should have that name, and that everyone has been calling you that name for your whole life." "Yankel. Yankel. Yankel. Nothing so strange for me." "I won’t eat them, at least not until it doesn’t seem strange to me.

That day and night, the bleeding and the screaming, had knocked something askew for Esme, like a picture swinging crooked on a wall. She loved the life she lived with her mother. It was beautiful. It was, she sometimes thought, a sweet emulation of the fairy tales they cherished in their lovely, gold-edged books. They sewed their own clothes from bolts of velvet and silk, ate all their meals as picnics, indoors or out, and danced on the rooftop, cutting passageways through the fog with their bodies. They embroidered tapestries of their own design, wove endless melodies on their violins, charted the course of the moon each month, and went to the theater and the ballet as often as they liked--every night last week to see Swan Lake again and again. Esme herself could dance like a faerie, climb trees like a squirrel, and sit so still in the park that birds would come to perch on her. Her mother had taught her all that, and for years it had been enough. But she wasn't a little girl anymore, and she had begun to catch hints and glints of another world outside her pretty little life, one filled with spice and poetry and strangers.

Honestly, I suck at physical activities. I’m great at knitting, reading, sewing. Cooking, even. I make a mean apple crumble and double-choc brownie. I also jigsaw puzzle like a pro. And I’m great at shopping … for shoes and clothes. But never … I repeat never have I chosen to exercise.

But no matter how loudly we called out for our mother we knew she could not hear us, so we tried to make the best of what we had. We cut out pictures of cakes from magazines and hung them on the walls. We sewed curtains out of bleached rice sacks. We made Buddhist altars out of overturned tomato crates that we covered with cloth, and every morning we left out a cup of hot tea for our ancestors. And at the end of the harvest season we walked ten miles into town and bought ourselves a small gift: a bottle of Coke, a new apron, a tube of lipstick, which we might one day have occasion to wear.

These antifamily traditions are too widely attested in our sources to be ignored (they are found in Mark, Q, and Thomas, for example), and they show that Jesus did not support what we today might think of as family values. But why not? Evidently because, as I have already emphasized, he was not teaching about the good society and about how to maintain it. The end was coming soon, and the present social order was being called radically into question. What mattered was not ultimately the strong family ties and social institutions of this world. What mattered was the new thing that was coming, the future kingdom. It was impossible to promote this teaching while trying to retain the present social structure. That would be like trying to put new wine into old wineskins or trying to sew a new piece of cloth to an old garment. As any wine master or seamstress can tell you, it just won’t work.

Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity. Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more “than nine million taels of silver had gone missing. Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty. Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance. The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. “As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’ Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the com“common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitterness of arbitrary punishment, she would make an effort to be fair to her officials.

Here, my mother’s mother would stitch clothes behind a sewing machine with Turkish women who had only wanted from life the privilege of work. Some decades later I was rolling a mat out, as one rolls the carpet of gentrification over our ancestors’ footprints, onto the floor of a room of exercising white bodies.

Destroyed, that is, were not only men, women and thousands of children but also restaurants and inns, laundries, theater groups, sports clubs, sewing clubs, boys’ clubs, girls’ clubs, love affairs, trees and gardens, grass, gates, gravestones, temples and shrines, family heirlooms, radios, classmates, books, courts of law, clothes, pets, groceries and markets, telephones, personal letters, automobiles, bicycles, horses—120 war-horses—musical instruments, medicines and medical equipment, life savings, eyeglasses, city records, sidewalks, family scrapbooks, monuments, engagements, marriages, employees, clocks and watches, public transportation, street signs, parents, works of art. “The whole of society,” concludes the Japanese study, “was laid waste to its very foundations.”2698 Lifton’s history professor saw not even foundations left. “Such a weapon,” he told the American psychiatrist, “has the power to make everything into nothing.

According to her views,” her niece later recalled, “little girls were to be taught to move very gently, to speak softly and prettily, to say ‘yes, ma’am’ and ‘no, ma’am,’ never to tear their clothes, to sew, to knit at regular hours, to go to church on Sunday and make all the responses, and to come home and be catechised.” Harriet

She felt bitter toward them at first, because when she tried to talk about the things she had left behind in Nsukka—her books, her piano, her clothes, her china, her wigs, her Singer sewing machine, the television—they ignored her and started to talk about something else. Now she understood that nobody talked about the things left behind

I see now how this must have come across to my mother, who was then in the ninth year of a job she’d taken primarily so she could help finance my college education, after years of not having a job so that she’d be free to sew my school clothes, cook my meals, and do laundry for my dad, who for the sake of our family spent eight hours a day watching gauges on a boiler at the filtration plant. My mom, who’d just driven an hour to fetch me from the airport, who was letting me live rent-free in the upstairs of her house, and who would have to get herself up at dawn the next morning in order to help my disabled dad get ready for work, was hardly ready to indulge my angst about fulfillment.

Divorce really stinks. It's like going to the store and buying clothes, wearing them for years and years, then returning them and asking for your money back...A store won't buy back a pair of used jeans, so how come people can trade each other in, like it was nothing? If your only pair of jeans is torn, you get a needle and some thread, and you sew them up, right?

men worked fifty, sixty, even seventy or more hours a week; the women worked all the time, with little assistance from labor-saving devices, washing laundry, ironing shirts, mending socks, turning collars, sewing on buttons, mothproofing woolens, polishing furniture, sweeping and washing floors, washing windows, cleaning sinks, tubs, toilets, and stoves, vacuuming rugs, nursing the sick, shopping for food, cooking meals, feeding relatives, tidying closets and drawers, overseeing paint jobs and household repairs, arranging for religious observances, paying bills and keeping the family’s books while simultaneously attending to their children’s health, clothing, cleanliness, schooling, nutrition, conduct, birthdays, discipline, and morale.

Even as more wives took paying jobs during the Depression, their unpaid workload increased. Less able to afford the conveniences that had begun to lighten the homemaker’s load in the 1920s, women had to sew more of their own clothes, can more of their own preserves, do more of their cooking from scratch. “Use it up, wear it out, make it do, or do without” was a popular saying of the day.

I couldn’t help but notice who among my friends had more bracelets or Barbies than I did, or who got to buy their clothes at the mall instead of having a mom who sewed everything on the cheap using Butterick patterns at home. As a kid, you learn to measure long before you understand the size or value of anything. Eventually, if you’re lucky, you learn that you’ve been measuring all wrong.

No stories! No stories! Imagine a world without stories! But that’s exactly what you would have, if all the women were wise. The Wise Virgins keep their lamps trimmed and filled with oil, and the bridegroom arrives, in the proper way, knocking at the front door, in time for his dinner; no fuss, no muss, and also no story at all. What can be told about the Wise Virgins, such bloodless paragons? They bite their tongues, they watch their smart mouths, they sew their own clothing, they achieve professional recognition, they do every right thing without effort. Somehow they are insupportable: they have no narrative vices: their wise smiles are too knowing, too knowing about us and our stupidities. We suspect them of having mean hearts. They are far too clever, not for their own good but for ours.

The top four priorities would be food, fuel, clothing and shelter. Dig the garden, feed the pig, fetch water from the brook, gather wood from the forest, wash some potatoes, light a fire (no matches), cook lunch, repair the roof, fetch fresh bracken for clean bedding, whittle a needle, spin some thread, sew leather for shoes, wash in the stream, fashion a pot out of clay, catch and cook a chicken for dinner.

We could buy a sewing machine and share it,” Charlene said. “We could buy cloth and spools of thread and paper patterns and spend pleasant winter evenings dressmaking together. Perhaps by the soft light from beautiful glass oil lamps. We could sit in a pool of golden light from the beautiful glass oil lamps and our silver needles would glimmer and flash as we bowed our heads to the simple yet honest work.” But

I’ve known men who fought in wars to liberate the Jews from Hitler. I’ve known men who sewed their own buttons on their clothes. I’ve known men who talked with a lisp and wore paisley shirts, and men who could chop down trees, and run heavy equipment. Other men were more comfortable in a suit and tie, with soft hands, and a penchant for math, or words. Some men are adventurers, others prefer comic books. Masculinity has never just been one thing.

Nevertheless, the unexpected dividend of this illness was that for the first time in her life, perhaps since the moment she was able to walk and perform any chores, Yangjin felt no compulsion to labor. It was no longer possible to cook meals, wash dishes, sweep the floors, sew clothing, scrub toilets, tend to the children, do laundry, make food to sell, or do whatever else needed doing. Her job was to rest before dying. All she had to do was nothing at all.

I followed his gaze on my pillow, upon which rested a thing I did not recognize, woolen and oddly shaped. I seized it abruptly, indignant. It was my jumper! "How---what have you---" "I'm sorry," he said, not looking up from the flicker and flash of the needle. "But you cannot expect me to live in close proximity to clothing that barely deserves the word. It is inhumane." I shook out the jumper, gaping. I could hardly tell it was the same garment. Yes, it was the same color, but the wool itself seemed altered, becoming softer, finer, without losing any of its warmth. And it was not a baggy square anymore; it would hang only a little loose on me now, while clearly communicating the lines of my figure. "From now on, you will keep your damned hands off my clothes!" I snapped, then flushed, realizing how that sounded. Bambleby took no notice of any of it. "Do you know that there are men and women who would hand over their firstborns to have their wardrobes tended by a king of Faerie?" he said, calmly snipping a thread. "Back home, every courtier wanted a few moments of my time." "King?" I repeated, staring at him. And yet I was not hugely surprised---it would explain his magic. A king or queen of Faerie, the stories say, can tap into the power of their realm. Yet that power, while vast, is not thought to be limitless, there are tales of kings and queens falling for human trickery. And Bambleby's exile is of course additional testimony.

Affection would not be affection if it was loudly and frequently expressed; to produce it in public is like getting your household furniture out for a move. It did very well in its place, but it looks shabby or tawdry or grotesque in the sunshine. Affection almost slinks or seeps through our lives. It lives with humble, un-dress, private things; soft slippers, old clothes, old jokes, the thump of a sleepy dog’s tail on the kitchen floor, the sound of a sewing-machine, a gollywog left on the lawn.

If we look at the evidence presented to us by the explorers, and explain to our children that Aboriginal people did build houses, did build dams, did sow, irrigate, and till the land, did alter the course of rivers, did sew their clothes, and did construct a system of pan-continental government that generated peace and prosperity, it is likely we will admire and love our land all the more. Admiration and love are not sufficient in themselves, but they are the foundation of a more productive interaction with the continent.

At the same time that middle- and upper-middle-class mothers were urged to pipe Mozart into their wombs when they're pregnant so their kids would come out perfectly tuned, the government told poor mothers to get the hell out of the house and get to work--no more children's aid for them. Mothers like us--with health care, laptops, and Cuisinarts--are supposed to replicate the immaculate bedrooms we see in Pottery Barn Kids catalogs, with their designer sheets and quilts, one toy and one stuffed animal atop a gleaming white dresser, and a white rug on the floor that has never been exposed to the shavings from hamster cages, Magic Markers accidentally dropped with their caps off, or Welche's grape juice.... we've been encouraged to turn our backs on other mothers who pick their kids' clothes out of other people's trash and sometimes can't buy a can of beans to feed them. How has it come to seem perfectly reasonable--even justified-- that one class of mother is suppoed to sew her baby's diapers out of Egyptian cotton from that portion of the Nile blessed by the god Osiris while another class of mother can't afford a single baby aspirin?

Children fell under wagon wheels and were crushed to death or crippled for life. They wandered off into the tall grass and were never seen again. Occasionally they were abducted by Native Americans. Much more frequently they drowned when swept away by rivers their families were trying to ford. Drowning incidents were so common, in fact, that some mothers wrote their children’s names in indelible ink on labels and sewed the labels into their children’s clothes. It didn’t prevent them from drowning, but it sometimes allowed a grieving mother to identify a body that had been in the water too long. Children were bitten by rattlesnakes, struck by lightning, trampled by unruly oxen or horses, pummeled by hailstones as large as turkey eggs, and shot by the nearly daily accidental discharges of the guns that their fathers carried. They died of measles, diphtheria, whooping cough, influenza, tuberculosis, typhoid fever, malaria, infected cuts, food poisoning, mumps, and smallpox. Perhaps the only break that mothers on the Platte River Road had that summer was that it wasn’t yet 1849, when Asiatic cholera would kill thousands along this same stretch of trail, the graves in some places averaging one every two hundred feet.

They sat eating ham sandwiches and fresh strawberries and waxy oranges and Mr. Tridden told them how it had been twenty years ago, the band playing on that ornate stand at night, the men pumping air into their brass horns, the plump conductor flinging perspiration from his baton, the children and fireflies running in the deep grass, the ladies with long dresses and high pompadours treading the wooden xylophone walks with men in choking collars. There was the walk now, all softened into a fiber mush by the years. The lake was silent and blue and serene, and fish peacefully threaded the bright reeds, and the motorman murmured on and on, and the children felt it was some other year, with Mr. Tridden looking wonderfully young, his eyes lighted like small bulbs, blue and electric. It was a drifting, easy day, nobody rushing, and the forest all about, the sun held in one position, as Mr. Tridden's voice rose and fell, and a darning needle sewed along the air, stitching, restitching designs both golden and invisible. A bee settled into a flower, humming and humming. The trolley stood like an enchanted calliope, simmering where the sun fell on it. The trolley was on their hands, a brass smell, as they ate ripe cherries. The bright odor of the trolley blew from their clothes on the summer wind.

My mother would always ask us if anyone wanted to learn how to cook or to sew or to iron clothes. I always ran to her—“Me! Me! Me!” So, my mom would teach me. I secretly feared that I might be condemning myself to a life of sissyhood. One day she said it was good that I learned these things because I was never going to be strong or handsome or smart or popular like my older brother, Jesús. He was “el molde” (the mold) I would never be a good copy of him. She said that I might never find a girlfriend or get married—so it was good that I was learning to take care of myself. It freaked me out. I wanted to be strong, handsome, smart, and popular like my brother, Jesús. I never felt like I was. I was just a bad copy...

My mind wanders as I work, leaving me to wonder whether Adena is having any luck selling her clothes on the other end of the long street. I steal, she sews. And that’s been our lives for the past five years. I was barely thirteen and utterly alone in the world when Adena quite literally ran into me. Well, she phased right through me. I’ll never forget the look on the Imperial’s face as he sprinted after her, screaming about stolen pastries. And without a second thought, I didn’t hesitate before sticking my foot out into his path. As soon as I got a glimpse of the guard’s face meeting the pavement, I was chasing after the gangly, curly-haired girl who ran right through me. An uneasy alliance was born that day, one that was supposed to stay that way.

Papaw had kind eyes and a little scratchy stubble on his cheeks that ticked when I gave him a kiss. He also had hair in his ears, and it was my job to help him trim it. He chewed tobacco from a little white bag and always kept a gold spittoon nearby. Papaw loved to sit around in his blue coveralls (the only thing I ever saw him wear) and shoot the bull with the boys. On Mamaw’s deathbed, she made us promise to make sure he always had clean coveralls. I’ll never forget my mamaw’s sewing room, filled with scraps and bolts of cloth, buttons, thread, and trimmings. In that room I felt like a little kid in the most beautiful toy store you could imagine, full of magic and possibilities. Mamaw kept busy making beautiful clothes and quilts, some of which I still have.

the streets. So now everyone is afraid of it. Petr GINZ Today it’s clear to everyone who is a Jew and who’s an Aryan, because you’ll know Jews near and far by their black and yellow star. And Jews who are so demarcated must live according to the rules dictated: Always, after eight o’clock, be at home and click the lock; work only labouring with pick or hoe, and do not listen to the radio. You’re not allowed to own a mutt; barbers can’t give your hair a cut; a female Jew who once was rich can’t have a dog, even a bitch, she cannot send her kids to school must shop from three to five since that’s the rule. She can’t have bracelets, garlic, wine, or go to the theatre, out to dine; she can’t have cars or a gramophone, fur coats or skis or a telephone; she can’t eat onions, pork, or cheese, have instruments, or matrices; she cannot own a clarinet or keep a canary for a pet, rent bicycles or barometers, have woollen socks or warm sweaters. And especially the outcast Jew must give up all habits he knew: he can’t buy clothes, can’t buy a shoe, since dressing well is not his due; he can’t have poultry, shaving soap, or jam or anything to smoke; can’t get a license, buy some gin, read magazines, a news bulletin, buy sweets or a machine to sew; to fields or shops he cannot go even to buy a single pair of winter woollen underwear, or a sardine or a ripe pear. And if this list is not complete there’s more, so you should be discreet; don’t buy a thing; accept defeat. Walk everywhere you want to go in rain or sleet or hail or snow. Don’t leave your house, don’t push a pram, don’t take a bus or train or tram; you’re not allowed on a fast train; don’t hail a taxi, or complain; no matter how thirsty you are you must not enter any bar; the riverbank is not for you, or a museum or park or zoo or swimming pool or stadium or post office or department store, or church, casino, or cathedral or any public urinal. And you be careful not to use main streets, and keep off avenues! And if you want to breathe some air go to God’s garden and walk there among the graves in the cemetery because no park to you is free. And if you are a clever Jew you’ll close off bank accounts and you will give up other habits too like meeting Aryans you knew. He used to be allowed a swag, suitcase, rucksack, or carpetbag. Now he has lost even those rights but every Jew lowers his sights and follows all the rules he’s got and doesn’t care one little jot.

When people started dying in the village, the emptiness gave her a huge canvas to work with. She has always liked to sew. So last year, she started sewing the cloth people. She’s made more than a hundred of them. They are real people. People who died.” The bells of the church rang, and a solitary woman in a black shawl left the church and crossed the piazza. Signora Fiore was still talking. “The people who died are ‘gli spariti.’” Izzy stopped, unsure how to translate this. “‘Gli spariti,’ they’re called,” she said. “The vanished.” “The vanished?” Ethan asked. Izzy nodded. Signora Fiore was still talking. “Some of the cloth people aren’t people who died. Like Signora Fiore’s own children. They live in Milan. Her daughter is a doctor. Her son owns a furniture store. She has sewn them because she doesn’t know when she’ll see them again.

I turned and looked at her. She was a major in Costume Design and as such had all kinds of peculiar clothing in her room. “Is it yours?” I said. “I stole it from the wardrobe at the Costume shop. I was going to cut it up and make, like, a bustier out of it.” Great, I thought, but I went along with her anyway. The jacket, unexpectedly, was wonderful—old Brooks Brothers, unlined silk, ivory with stripes of peacock green—a little loose, but it fit all right. “Judy,” I said, looking at my cuffs. “This is wonderful. You sure you don’t mind?” “You can have it,” said Judy. “I don’t have time to do anything with it. I’m too busy sewing those dammed costumes for fucking As You Like It. It goes up in three weeks and I don’t know what I’m going to do. I’ve got all these freshmen working for me this term that don’t know a sewing machine from a hole in the ground.

We can withstand a siege for some time,” Arin said. “The city walls are strong. They’re Valorian-built.” “Which means that we will know how to bring them down.” Arin swirled his glass, watching the water’s clear spin. “Care to bet? I have matches. I hear they make very fine stakes.” There was the quirk of a smile. “We aren’t playing at Bite and Sting.” “But if we were, and I kept raising the stakes higher to the point where you couldn’t bear to lose, what would you do? Maybe you’d give up the game. Herran’s only hope of winning against the empire is to become too painful to retake. To mire the Valorians in an unending siege when they’d rather be fighting the east. To force them to conquer the countryside again, piece by piece, spending money and lives. Someday, the empire will decide we’re not worth the fight.” Kestrel shook her head. “Herran will always be worth it.” Arin looked at her, his hands resting on the table. He, too, had no knife. Kestrel knew that this was to make it less obvious that she wasn’t to be trusted with one. Instead, it became more. “You’re missing a button,” he said abruptly. “What?” He reached across the table and touched the cloth at her wrist, on the spot of an open seam. His fingertip brushed the frayed thread. Kestrel forgot that she had been troubled. She had been thinking about knives, she remembered, and now they were talking about buttons, but what one had to do with the other, she couldn’t say. “Why don’t you mend it?” he said. She recovered herself. “That is a silly question.” “Kestrel, do you not know how to sew a button?” She refused to answer. “Wait here,” he said. Arin returned with a sewing kit and button. He threaded a needle, bit it between his teeth, and took her wrist with both hands. Her blood turned to wine. “This is how you do it,” he said. He took the needle from his mouth and pierced it through the cloth.

J'ai fait ces vers là hier, pendant la récréation; je suis entré dans la chapelle, je me suis enfermé dans un confessionnal, et là, ma jeune poesie a pu palpiter et s'envoler, dans le rêve et le silence, vers les sphères de l'amour. Puis, comme on vient m'enlever mes moindres papiers dans mes poches, la nuit et le jour, j'ai cousu ces vers en bas de mon dernier vêtement, celvi qui touche immédiatement à ma peu, et, pendant l'étude, je tire, sous mes habits, ma poesie sur mon coeur, et je la presse longuement en rêvant... I wrote these verses yesterday, during recess. I went into the chapel and closed myself up in a confessional. There in dreams and silence my young poetry could palpitate and fly off toward the skies of love. Then, since they come day and night and rob me of whatever papers are in my pockets, I sewed these verses into the lower part of my underclothing, which is closest to my skin, and during study hour, I pull, under my clothes, my poetry over my heart, and I press it there for a long time as I dream...

The number of ways in which their children might come to harm along the trail was staggering . . . Children fell under wagon wheels and were crushed to death or crippled for life. They wandered off into the tall grass and were never seen again. Occasionally they were abducted by Native Americans. Much more frequently they drowned when swept away by rivers their families were trying to ford. Drowning incidents were so common, in fact, that some mothers wrote their children's names in indelible ink on labels and sewed the labels into their children's clothes. It didn't prevent them from drowning, but it sometimes allowed a grieving mother to identify a body that had been in the water for too long. Children were bitten by rattlesnakes, struck by lightning, trampled by unruly oxen or horses, pummeled by hailstones as large as turkey eggs, and shot by the nearly daily accidental discharges of the guns that their fathers carried. They died of measles, diphtheria, whooping cough, influenza, tuberculosis, typhoid fever, malaria, infected cuts, food poisoning, mumps, and smallpox.

This other Lucy is nothing like the demure, sweet victim of the hagiographies or the pure, white vision I’ve just seen outside the cathedral. Instead, on 13 December, she is said to ride through the skies with a cavalcade of the dead, of ghosts and, sometimes, of children who died while still unbaptised. Going house to house with her terrifying entourage, she looks for the food that has been left out for her. If all is well, she’ll eat the offerings and bring good fortune in return, and if she encounters any good children on her way she gives them treats. But if the food offerings are incorrect or forgotten, and if Lucy finds that the tasks of the household – especially those related to weaving – have not been finished and laid aside for her celebration, she brings disorder, bad luck and death. If she finds children who have misbehaved, she’ll gut them, pull out their organs, stuff them full of straw, and sew them back up again. Sometimes she’s depicted holding a distaff with a child’s intestines twined around it, an impressive combining of the normally very separate interests of cloth-making and disembowelling.

Men sitting doubled up in the upper bunks smoked short pipes, swinging bare brown feet above the heads of those who, sprawling below on sea-chests, listened, smiling stupidly or scornfully. Over the white rims of berths stuck out heads with blinking eyes; but the bodies were lost in the gloom of those places, that resembled narrow niches for coffins in a white-washed and lighted mortuary. Voices buzzed louder. Archie, with compressed lips, drew himself in, seemed to shrink into a smaller space, and sewed steadily, industrious and dumb. Belfast shrieked like an inspired Dervish: — ‘... So I seez to him, boys, seez I, “Beggin’ yer pardon, sorr,” seez I to that second mate of that steamer — “beggin’ your-r-r pardon, sorr, the Board of Trade must ‘ave been drunk when they granted you your certificate!” “What do you say, you — !” seez he, comin’ at me like a mad bull... all in his white clothes; and I up with my tarpot and capsizes it all over his blamed lovely face and his lovely jacket... “Take that!” seez I. “I am a sailor, anyhow, you nosing, skipper-licking, useless, sooperfloos bridge-stanchion, you! That’s the kind of man I am!” shouts I... You should have seed him skip, boys! Drowned, blind with

Female sensibility is layers, words, membranes, cotton, cloth, rope, repetition, bodies, wet, opening, closing repetition, lists, lifestories, grids, destroying grids, houses, intimacy, doorways, breasts, vaginas, flow, strong, building, putting together many disparaging elements, repetition, red, ink, black, earth feel colors, the sun, the moon, roots skins, walls, yellow, flowers, streams, puzzles, questions, stuffing, sewing, fluffing, satin, hearts, tearing, tearing, tearing, tying, decorating, baking, feeding, holding, listening, seeing thru the layers, oil, varnish, shellac, jell, paste, glue, seeds, thread, more, not less, repetition, women critics, women, writers, women artists, either nourishing us or eating us up alive, tokenism, curators, universities, tokenism, fear of other women to acknowledge female sensibility, hostile boy artists, accepting men artists, separating the men from the boys, dividing women, piece of pie-ism, money, art, sex, beasts, layers, symphonies, multi-roled, multi-part, stories, narrative, paint/flesh, serious, overwhelming, soft, hard, women working, working women, hanging, dangling, breaking, being fruity, angry, naïve, born again and trying to describe hot white flesh ties.

the Cook expedition had another, far less benign result. Cook was not only an experienced seaman and geographer, but also a naval officer. The Royal Society financed a large part of the expedition’s expenses, but the ship itself was provided by the Royal Navy. The navy also seconded eighty-five well-armed sailors and marines, and equipped the ship with artillery, muskets, gunpowder and other weaponry. Much of the information collected by the expedition – particularly the astronomical, geographical, meteorological and anthropological data – was of obvious political and military value. The discovery of an effective treatment for scurvy greatly contributed to British control of the world’s oceans and its ability to send armies to the other side of the world. Cook claimed for Britain many of the islands and lands he ‘discovered’, most notably Australia. The Cook expedition laid the foundation for the British occupation of the south-western Pacific Ocean; for the conquest of Australia, Tasmania and New Zealand; for the settlement of millions of Europeans in the new colonies; and for the extermination of their native cultures and most of their native populations.2 In the century following the Cook expedition, the most fertile lands of Australia and New Zealand were taken from their previous inhabitants by European settlers. The native population dropped by up to 90 per cent and the survivors were subjected to a harsh regime of racial oppression. For the Aborigines of Australia and the Maoris of New Zealand, the Cook expedition was the beginning of a catastrophe from which they have never recovered. An even worse fate befell the natives of Tasmania. Having survived for 10,000 years in splendid isolation, they were completely wiped out, to the last man, woman and child, within a century of Cook’s arrival. European settlers first drove them off the richest parts of the island, and then, coveting even the remaining wilderness, hunted them down and killed them systematically. The few survivors were hounded into an evangelical concentration camp, where well-meaning but not particularly open-minded missionaries tried to indoctrinate them in the ways of the modern world. The Tasmanians were instructed in reading and writing, Christianity and various ‘productive skills’ such as sewing clothes and farming. But they refused to learn. They became ever more melancholic, stopped having children, lost all interest in life, and finally chose the only escape route from the modern world of science and progress – death. Alas,

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

Water. Drinking water, water purification system (or tablets), and a water bottle or canteen. Food. Anything that is long lasting, lightweight, and nutritious such as protein bars, dehydrated meals, MREs24, certain canned goods, rice, and beans. Clothing. Assure it’s appropriate to a wide range of temperatures and environments, including gloves, raingear, and multiple layers that can be taken on or off as needed. Shelter. This may include a tarp or tent, sleeping bag or survival blanket, and ground pad or yoga mat. A camper or trailer is a fantastic, portable shelter, with many of the comforts of home. If you own one keep it stocked with supplies to facilitate leaving in a hurry, as it can take several hours load up and move out if you’re not ready. In certain circumstances that might mean having to leave it behind. Heat source. Lighter or other reliable ignition source (e.g., magnesium striker), tinder, and waterproof storage. Include a rocket stove or biomass burner if possible, they’re inexpensive, take very little fuel, and incredibly useful in an emergency. Self-defense/hunting gear. Firearm(s) and ammunition, fishing gear, multi-tool/knife, maps, and compass, and GPS (it’s not a good idea to rely solely on a GPS as you may find yourself operating without a battery or charger). First aid. First aid kit, first aid book, insect repellant, suntan lotion, and any needed medicines you have been prescribed. If possible add potassium iodide (for radiation emergencies) and antibiotics (for bio attacks) to your kit. Hygiene. Hand soap, sanitizer, toilet paper, towel, toothbrush, toothpaste, dental floss, and garbage bags. Tools. Hatchet (preferably) or machete, can opener, cooking tools (e.g., portable stove, pot, frying pan, utensils, and fuel), rope, duct tape, sunglasses, rubber tubing, and sewing kit. Lighting and communications. LED headlamp, glow sticks, candles, cell phone, charger (preferably hand crank or solar), emergency radio (preferably with hand crank that covers AM, FM, and Marine frequencies) and extra batteries, writing implements, and paper. Cash or barter. You never know how long an emergency will last. Extensive power outages mean no cash machines, so keep a few hundred dollars in small bills, gold or silver coins, or other valuables on hand.

They pulled up to 195 Madison Street - a tall narrow six-story redbrick and limestone-trimmed tenement house indistinguishable from all the tenement houses on all the other streets of tenements. The bars and ladders of a fire escape ran up the left side of the building; sooty stone scrolls, shields, and flowers framed the second- and third-story windows. This was the place where they had to live? Two blocks from the commercial madness of East Broadway; two blocks from the filthy snout of the East River, smelling of fish, ships, and garbage; three blocks from the brain-rattling racket of the elevated train; three blocks from the playground of the Henry Street Settlement; practically in the shadow of the construction side of the twin-towered Manhattan Bridge. Every three blocks they passed more people than the entire population of Rakov. Half a million Jews packed the one and a half square miles of the Lower East Side in 1909; 702 people per acre in the densest acres. It was one of the most crowded places on earth, and all of them seemed to be swarming outdoors on the June afternoon that Gishe Sore and her family arrived. Aside from the crisscross steel girders of the Manhattan Bridge at the end of the street, it was all tenement houses as far as she could see. Tenements and bodies. In every room of every building, bodies fought for a ray of light and a sip of air. Bodies slept four to a bed and on two chairs pushed together; bodies sat hunched over sewing machines in parlors and sunless back bedrooms and at kitchen tables heaped with cloth and thread; bodies ate, slept, woke, and cleared out for the next shift of bodies to cycle through. Toilets in the hall or in courtyard outhouses; windows opening, if they opened at all, onto fetid air shafts; no privacy; no escape from the racket and smell of neighbors; no relief from summer heat or blasting winter furnaces. This was the place her American children had brought them to live?

AGES 8 TO 9: PRIDE IN PERSONAL BELONGINGS. By this time, your child should take pride in her personal belongings and take care of them properly. This includes being able to: • fold her clothes • learn simple sewing • care for outdoor toys such as her bike or roller skates • take care of personal hygiene without being told to do so • use a broom and dustpan properly • read a recipe and prepare a simple meal • help create a grocery list • count and make change • take written phone messages • help with simple lawn duties such as watering and weeding flower beds • take out the trash

Don’t wear all of your luggage Budget airlines keep the fare down by providing the bare minimum. A seat. And that’s it. Anything else, like a bag or a biscuit or a bit of dignity, is going to cost you extra. That’s why the canny travellers wear layer upon layer of clothing and stuff their pockets with phone chargers, shoes, iPads, bottled water, crushed up bags of McDonald’s and other snacks, and then sew their jewels and valuables into the hems of their coats. Okay, maybe I made that last one up, but it’s a fine line between wearing a few extra items to save on luggage costs and looking like you’re escaping a fascist regime.

Clothes do that sometimes. They have the power to make you into someone else. They can make anything seem possible.

Out of luck Even this bold idea failed to work. At first the batteries were too heavy for the trio to carry. Then when they brought the radio from the crash site to the tail, they found that the electrical systems were incompatible: the plane used AC, the batteries supplied DC. Sewing for survival It was now apparent that the only way out was to climb over the mountains to the west. They also realized that unless they found a way to survive the freezing nights, they would die attempting the journey. So the survivors came up with an ingenious solution. They tore out large sections of fabric from clothing, gathered padding from the plane’s upholstery and got to work with a needle and thread from an emergency pack. Eventually they created a passable sleeping bag. It would fit three men inside, but would carry the lives of all sixteen of the remaining survivors. Hiking with hope On 12 December 1972, Parrado, Canessa and Vizintín set out to climb the mountain to the west. It was two months since the crash. As they climbed over the first peak their bodies struggled in the thinning oxygen. It was savagely cold at night, but the homemade sleeping bag kept them alive. After three days of trekking they met with a major disappointment. Cresting the shoulder of the mountain they expected to see the green countryside of Chile. Instead there was a sea of snow-bound peaks stretching out to the horizon. They were deeper in the mountains than they thought. They had tens of kilometres of high altitude hiking still to go. After the initial rush of despair the men again found hope, and through that, a positive plan of action. They had further to go, so they must be stricter with their

Here’s a life coaching exercise to help you apply the Law of Attraction: This week, focus on perfecting one part of your life. Make it flawless, not simply tidy it up. For example, if you clean your closet, don’t just throw out the old clothing and put everything back in. Purchase matching high-quality hangers for all of your garments to ensure that they hang properly. Sew on all of the lost buttons and repair any hems that have dropped. Take your shoes to be polished. Anything you won’t wear again should be sold or donated. Color-code and categorize everything. Get all of the necessary belts, shoes, and other storage tools. The perfection of your closet will give you energy when you open it in the morning. This week, focus on one aspect of your life. It should be perfected to the point that it makes you feel fantastic! Every area of your life can, in the end, be polished. For the time being, select one thing and start working on it.

You should come with a warning label. Little Demon: All. The. Hazards. All of them. I’m sewing it in all your clothes.

In high school, my friends and I made fun of the hilltoppers’ pretentious clothes and sweet-sixteen convertibles that were invariably crashed and replaced within a month. I felt comfortable in my little house, in my faded jeans, where I knew exactly what to expect. But not Penny. She wanted to be up that hill. Starting in middle school, she emulated the hilltop girls and the way they put themselves together. When they bought new skinny jeans, Penny spent the weekend on my mom’s sewing machine tapering the legs of her Levi’s. When they cut bangs, Penny followed suit. This never would have gotten her anywhere, but in the tenth grade Penny tried out for the spring musical and landed a leading role along with a handful of the hilltop girls. After prolonged exposure to Penny’s giant heart and passion for fun, they became her real friends. The transition was seamless, making me think that Penny had always been a hilltopper just biding her time in our twelve-hundred-square-foot ranch.

Isibel,” he began. Her sword moved so quickly even Dom could not see the steel, nor feel the blade as it plunged through his body. There was only the hole it left behind, through steel, cloth, and immortal flesh. The roaring in his head intensified, as if a hurricane tore through the castle. He blinked slowly, his knees going weak. Andry grabbed for Corayne, restraining her before she could lunge at his traitorous aunt. “My daughter is dead because of you,” Isibel screamed, her gray eyes gone to white fire. Dom only heard her as if through water, distant and muffled. “It is only fair I return the favor.” As her voice worked through his mind, so did the pain work through his shock. It was dull at first, then so sharp his vision spun. Dom expected the smack of his body hitting the ground, but it never came. Small, wiry arms caught him instead, lowering him to the ground with her, until his back rested against her chest. Bronze fingers worked at the buckles of his armor, tearing off the plates of steel and tossing them away to expose the wound beneath. The same hands ripped his shirt apart and pressed the scraps against the hole in his torso. Despite her quick thinking, blood bubbles through Sorasa’s fingers. Her face crumpled at the sight of it, and Dom knew. This would not be like a dagger to his ribs. Sorasa Sarn could not sew up this wound. “It’s fine,” she hissed, lying, one hand still holding pressure. The other went around his chest, drawing him to her, letting him lean back into her body. “It’s fine.” “That is what mortals say when they are in grave pain,” he sputtered, choking on his own blood. A tear hit his cheek, the only one Sorasa would spare.

The period from about 70,000 years ago to about 30,000 years ago witnessed the invention of boats, oil lamps, bows and arrows and needles (essential for sewing warm clothing).

Her gaze returned to my wings, and then her brow pursed. “You’re bleeding,” she said on a gulp and pointed over my left shoulder. When I looked, I could just see a trickle of blue from the cut the guard’s sword had made. Rising, I went to my satchel again and removed a vial of antiseptic that our healers in Gadlizel made. I poured some on a clean cloth and stretched out my left wing. I could barely reach the cut, but I could see that the guard’s blade hadn’t gone to the bone. Still, it was wide enough to cause infection. “Damn,” I muttered, reaching back to try and wipe the blue blood still streaming lightly from the wound. “Let me.” I actually startled, finding Murgha standing right next to me. Without a word, I handed her the cloth. “You’ll need to sit down. I can’t reach.” She was quite small, even for a light fae. I sat on the pallet and spread my wing. She stood eye level with the top of my wing. Then she dabbed at the cut, the sting of the medicine sharp, but I didn’t move a muscle. “This needs to be stitched,” she said softly. I looked up at her. “I don’t suppose you know how to stitch wounds.” She swallowed nervously. “I do, actually. I sew all my own clothes, and Papa has needed cuts treated in the past. My sister was always too squeamish to do it.

she could no more discard useable cloth than she could catch an unnecessary bus.

21‘No one sews a patch of unshrunk cloth on an old garment. Otherwise, the new piece will pull away from the old, making the tear worse. 22And no one pours new wine into old wineskins. Otherwise, the wine will burst the skins, and both the wine and the wineskins will be ruined. No, they pour new wine into new wineskins.

AM: My father had arrived in New York all alone, from the middle of Poland, before his seventh birthday… He arrived in New York, his parents were too busy to pick him up at Castle Garden and sent his next eldest brother Abe, going on 10, to find him, get him through immigration and bring him home to Stanton Street and the tenement where in two rooms the eight of them lived and worked, sewing the great long, many-buttoned cloaks that were the fashion then. They sent him to school for about six months, figuring he had enough. He never learned how to spell, he never learned how to figure. Then he went right back into the shop. By the time he was 12 he was employing two other boys to sew sleeves on coats alongside him in some basement workshop. KM: He went on the road when he was about 16 I think… selling clothes at a wholesale level. AM: He ended up being the support of the entire family because he started the business in 1921 or something. The Miltex Coat Company, which turned out to be one of the largest manufacturers in this country. See we lived in Manhattan then, on 110th Street facing the Park. It was beautiful apartment up on the sixth floor. KM: We had a chauffeur driven car. The family was wealthy. AM: It was the twenties and I remember our mother and father going to a show every weekend. And coming back Sunday morning and she would be playing the sheet music of the musicals. JM: It was an arranged marriage. But a woman of her ability to be married off to a man who couldn’t read or write… I think Gussie taught him how to read and to sign his name. AM: She knew she was being wasted, I think. But she respected him a lot. And that made up for a little. Until he really crashed, economically. And then she got angry with him. First the chauffeur was let go, then the summer bungalow was discarded, the last of her jewellery had to be pawned or sold. And then another step down - the move to Brooklyn. Not just in the case of my father but every boy I knew. I used to pal around with half a dozen guys and all their fathers were simply blown out of the water. I could not avoid awareness of my mother’s anger at this waning of his powers. A certain sneering contempt for him that filtered through her voice. RM: So how did the way you saw your father change when he lost his money? AM: Terrible… pity for him. Because so much of his authority sprang from the fact that he was a very successful businessman. And he always knew what he as doing. And suddenly: nothin’. He didn’t know where he was. It was absolutely not his fault, it was the Great Crash of the ‘29, ‘30, ‘31 period. So from that I always, I think, contracted the idea that we’re very deeply immersed in political and economic life of the country, of the world. And that these forces end up in the bedroom and they end up in the father and son and father and daughter arrangements. In Death of a Salesman what I was interested in there was what his world and what his life had left him with. What that had done to him? Y’know a guy can’t make a living, he loses his dignity. He loses his male force. And so you tend to make up for it by telling him he's OK anyway. Or else you turn your back on him and leave. All of which helps create integrated plays, incidentally. Where you begin to look: well, its a personality here but what part is being played by impersonal forces?

She was sitting on a three-legged stool in the clearing where Frank’s house had stood. She was sewing strips of red, white, and blue cloth together. Like Betsy Ross, she was making an American flag. No one was unkind enough to point out to her that the red was really a peach, that the blue was nearly a Kelly green, and that the fifty stars she had cut out were six-pointed stars of David rather than five-pointed American stars.

Political campaign buttons you can sew on your clothes,” I said. “I never knew such things existed. Do you collect the other sort as well? With the pins?” “Pin-back buttons. Yes, of course, and they constitute the great bulk of my collection. I’m especially fond of third-party buttons. Debs is my favorite, Eugene Victor Debs. He was the standard bearer for the Socialist Party in four consecutive elections from 1900 through 1912. A man named Benson took over in 1916, but in 1920 Debs was back again. He was serving a prison term for opposing the war, and his campaign button reads ‘For President: Convict No. 9563.’ And just under a million voters chose him over Harding and Cox.

Affection almost slinks or seeps through our lives. It lives with humble un-dress, private things; soft slippers, old clothes, old jokes, the thump of a sleepy dog's tail on the kitchen floor, the sound of a sewing-machine, a gollywog left on the lawn.

Drink your bhangab and be happy— Be a dervish and put your heart at peace. Lose all your life in drinking this exhilaration, And not in sewing shabby clothes.

Although Arin was eager to see Kestrel, he would have to wait. He caught threads of music from far away. As he came across the grass, the piano’s melody strengthened. It opened within him a happiness that gathered and gleamed…glossy, but the way water is, with weight. A lovely fatigue claimed him. He lay down on the grass and listened. He thought about how Kestrel had slept on the palace lawn and dreamed of him. When she had told him this, he’d wished that it had been real. He tried to imagine the dream, then found himself dreaming. Everything made sense in his dream yet he felt the tenuousness of this perfect reason. The arch of Kestrel’s bare foot. An old tale about the god of death and the seamstress. Arin would lose, upon waking, his understanding of why touching Kestrel would arouse the memory of a story he’d not thought about in a long time. He dreamed: one stocking balled in his fist, and the stray question of how it had been made, who had sewn this? He saw his hands--though they did not look like his hands--measuring and cutting fabric, sewing invisible stitches. A dark-haired boy tumbled from a room, a god-mark upon his brow. When a guest entered and said, Weave me the cloth of yourself, Arin thought that he was the forbidding guest and the child and the sewing girl all at once. She said, I’m going to miss you when I wake up. Don’t wake up, he answered. But he did. Kestrel, beside him on the grass, said, “Did I wake you? I didn’t mean to.” It took him a velvety moment to understand that this was real. The air was quiet. An insect beat its clear wings. She brushed hair from his brow. Now he was very awake. “You were sleeping so sweetly,” she said. “Dreaming.” He touched her tender mouth. “About what?” “Come closer, and I’ll tell you.” But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way. She curled her fingers into the green earth.

By learning to sew, you give your clothes several more good years of wear and tear.

By the time Columbus discovered America, the Indians were already using beads for decoration. Beads were made from shells, bones, claws, stones, and minerals. The Algonquin and Iroquois tribes of the eastern coast made beads from clam, conch, periwinkle, and other seashells. These beads were used as a medium of exchange by the early Dutch and English colonists. They were called “wampum,” a contraction of the Algonquin “wampumpeak” or “wamponeage,” meaning string of shell beads. The purple beads had twice the value of the white ones. The explorer, followed by the trader, missionary and settler, soon discovered that he had a very good trade item in glass beads brought from Europe. The early beads that were used were about 1/8 inch in diameter, nearly twice as large as beads in the mid-1800’s. They were called pony beads and were quite irregular in shape and size. The colors most commonly used were sky-blue, white, and black. Other less widely used colors were deep bluff, light red, dark red, and dark blue. The small, round seed beads, as they are called, are the most generally used for sewed beadwork. They come in a variety of colors. Those most commonly used by the Indians are red, orange, yellow, light blue, dark blue, green, lavender, and black. The missionaries’ floral embroidered vestments influenced the Woodland tribes of the Great Lakes to apply beads in flower designs. Many other tribes, however, are now using flower designs. There are four main design styles used in the modern period. Three of the styles are largely restricted to particular tribes. The fourth style is common to all groups. It is very simple in pattern. The motifs generally used are solid triangles, hourglasses, crosses, and oblongs. This style is usually used in narrow strips on leggings, robes, or blankets. Sioux beadwork usually is quite open with a solid background in a light color. White is used almost exclusively, although medium or light blue is sometimes seen. The design colors are dominated by red and blue with yellow and green used sparingly. The lazy stitch is used as an application. The Crow and Shoshoni usually beaded on red trade or blanket cloth, using the cloth itself for a background. White was rarely used, except as a thin line outlining other design elements. The most common colors used for designs are pale lavender, pale blue, green, and yellow. On rare occasions, dark blue was used. Red beads were not used very often because they blended with the background color of the cloth and could not be seen. The applique stitch was used. Blackfoot beadwork can be identified by the myriad of little squares or oblongs massed together to make up a larger unit of design such as triangles, squares, diamonds, terraces, and crosses. The large figure is usually of one color and the little units edging it of many colors. The background color is usually white, although other light colors such as light blue and green have been used. The smallness of the pattern in Blackfoot designs would indicate this style is quite modern, as pony trading beads would be too large to work into these designs. Beadwork made in this style seems to imitate the designs of the woven quill work of some of the northwestern tribes with whom the Blackfoot came in contact.

The nature of our culture is such that if you were to look for instruction in how to do any of these jobs, the instruction would always give only one understanding of Quality, the classic. It would tell you how to hold the blade when sharpening the knife, or how to use a sewing machine, or how to mix and apply glue with the presumption that once these underlying methods were applied, “good” would naturally follow. The ability to see directly what “looks good” would be ignored. The result is rather typical of modern technology, an overall dullness of appearance so depressing that it must be overlaid with a veneer of “style” to make it acceptable. And that, to anyone who is sensitive to romantic Quality, just makes it all the worse. Now it’s not just depressingly dull, it’s also phony. Put the two together and you get a pretty accurate basic description of modern American technology: stylized cars and stylized outboard motors and stylized typewriters and stylized clothes. Stylized refrigerators filled with stylized food in stylized kitchens in stylized houses. Plastic stylized toys for stylized children, who at Christmas and birthdays are in style with their stylish parents. You have to be awfully stylish yourself not to get sick of it once in a while. It’s the style that gets you; technological ugliness syruped over with romantic phoniness in an effort to produce beauty and profit by people who, though stylish, don’t know where to start because no one has ever told them there’s such a thing as Quality in this world and it’s real, not style. Quality isn’t something you lay on top of subjects and objects like tinsel on a Christmas tree. Real Quality must be the source of the subjects and objects, the cone from which the tree must start.