Sewing Clothes Quotes

Calories," Emily said on a sigh. "The evil tiny creatures that live in my closet and sew my clothes a little tighter every night.

fabrics doesn't make exquisite dresses, it is the stitches.

Once there was a seamstress who could weave fabric from feeling. She sewed gowns of delight: sheer, sparkling, sleek. She cut cloth out of ambition and ardor, idyll and industry.

When pockets were first added to women’s clothing in 1913, a Paris reporter wrote, “It’s all over with men’s superiority over women.” Pockets are indeed indispensable, and they come in two types: patch and set-in

Even the vendors sitting on stools around the periphery work steadily at connection, nodding at potential buyers, like a sewing machine prodding its needle into the cloth.

This is what you British do not understand about the French. You think you must work, work, work, work and open on Sundays and make mothers and fathers with families slave in supermarkets at three o'clock in the morning and make people leave their homes and their churches and their children and go shopping on Sundays.' 'Their shops are open on Sundays?' said Benoît in surprise. 'Yes! They make people work on Sundays! And through lunchtimes! But for what? For rubbish from China? For cheap clothes sewed by poor women in Malaysia? For why? So you can go more often to KFC and get full of fried chicken? You would rather have six bars of bad chocolate than one bar of good chocolate. Why? Why are six bad things better than one good thing? I don't understand.

Yes. I was just telling Elyse here... frankly, kids, I'm not sure it's even legal to have a female first mate. We'd have to consult the rule book, but as far as I know, regatta's a man's race." Christian's jaw ticked, just like it had with his father the night of the party. "Damn. Must have hit my head on the way out of that time machine. 1850, are we? I might need some new clothes. Elyse, you sew right? Don't all girls sew?

Sewing is a way to mark our existence on cloth: patterning our place in the world, voicing our identity, sharing something of ourselves with others and leaving the indelible evidence of our presence in stitches held fast by our touch.

If you make a war if there are guns to be aimed if there are bullets to be fired if there are men to be killed they will not be us. They will not be us the guys who grow wheat and turn it into food the guys who make clothes and paper and houses and tiles the guys who build dams and power plants and string the long moaning high tension wires the guys who crack crude oil down into a dozen different parts who make light globes and sewing machines and shovels and automobiles and airplanes and tanks and guns oh no it will not be us who die. It will be you. It will be you—you who urge us on to battle you who incite us against ourselves you who would have one cobbler kill another cobbler you who would have one man who works kill another man who works you who would have one human being who wants only to live kill another human being who wants only to live. Remember this. Remember this well you people who plan for war. Remember this you patriots you fierce ones you spawners of hate you inventors of slogans. Remember this as you have never remembered anything else in your lives.

The undressing process in Auschwitz not only stripped identity as clothes came off, it also stripped away dignity.

It is fascinating to note how clothing so often played a role in resistance, as life-saving warmth, a heart-warming gift, a hiding place or a disguise.

All our wisdom consists in servile prejudices. All our practices are only subjection, impediment, and constraint. Civil man is born, lives, and dies in slavery. At his birth he is sewed in swaddling clothes; at his death he is nailed in a coffin. So long as he keeps his human shape, he is enchained by our institutions.

My grandfather was a duck trapper He could do it with just dragnets and ropes My grandmother could sew new dresses out of old cloth I don't know if they had any dreams or hopes I had 'em once though, I suppose, to go along With all the ring-dancin' Christmas carols on all of the Christmas eves I left all my dreams and hopes Buried under tobacco leaves

Oh," he said again and picked up two petals of cherry blossom which he folded together like a sandwich and ate slowly. "Supposing," he said, staring past her at the wall of the house, "you saw a little man, about as tall as a pencil, with a blue patch in his trousers, halfway up a window curtain, carrying a doll's tea cup-would you say it was a fairy?" "No," said Arrietty, "I'd say it was my father." "Oh," said the boy, thinking this out, "does your father have a blue patch on his trousers?" "Not on his best trousers. He does on his borrowing ones." 'Oh," said the boy again. He seemed to find it a safe sound, as lawyers do. "Are there many people like you?" "No," said Arrietty. "None. We're all different." "I mean as small as you?" Arrietty laughed. "Oh, don't be silly!" she said. "Surely you don't think there are many people in the world your size?" "There are more my size than yours," he retorted. "Honestly-" began Arrietty helplessly and laughed again. "Do you really think-I mean, whatever sort of a world would it be? Those great chairs . . . I've seen them. Fancy if you had to make chairs that size for everyone? And the stuff for their clothes . . . miles and miles of it . . . tents of it ... and the sewing! And their great houses, reaching up so you can hardly see the ceilings . . . their great beds ... the food they eat ... great, smoking mountains of it, huge bogs of stew and soup and stuff." "Don't you eat soup?" asked the boy. "Of course we do," laughed Arrietty. "My father had an uncle who had a little boat which he rowed round in the stock-pot picking up flotsam and jetsam. He did bottom-fishing too for bits of marrow until the cook got suspicious through finding bent pins in the soup. Once he was nearly shipwrecked on a chunk of submerged shinbone. He lost his oars and the boat sprang a leak but he flung a line over the pot handle and pulled himself alongside the rim. But all that stock-fathoms of it! And the size of the stockpot! I mean, there wouldn't be enough stuff in the world to go round after a bit! That's why my father says it's a good thing they're dying out . . . just a few, my father says, that's all we need-to keep us. Otherwise, he says, the whole thing gets"-Arrietty hesitated, trying to remember the word-"exaggerated, he says-" "What do you mean," asked the boy, " 'to keep us'?

This is now. Now is. Don’t postpone till then. Spend the spark of iron on stone. Sit at the head of the table. Dip your spoon in the bowl. Seat yourself next to your joy and have your awakened soul pour wine. Branches in the spring wind, easy dance of jasmine and cypress. Cloth for green robes has been cut from pure absence. You’re the tailor, settled among his shop goods, quietly sewing.

When the Fascists entered Denmark, the Jews were ordered to sew yellow stars on their clothing so they could be easily recognized. The Danes promptly sewed on yellow stars, both to save the Jews and to save themselves from turning into Fascists. Their king joined with them. In

What packages we were allowed to receive from our families often contained handkerchiefs, scarves, and other clothing items. For some time, Mike had been taking little scraps of red and white cloth, and with a needle he had fashioned from a piece of bamboo he laboriously sewed an American flag onto the inside of his blue prisoner's shirt. Every afternoon, before we ate our soup, we would hang Mike's flag on the wall of our cell and together recite the Pledge of Allegiance. No other event of the day had as much meaning to us. "The guards discovered Mike's flag one afternoon during a routine inspection and confiscated it. They returned that evening and took Mike outside. For our benefit as much as Mike's they beat him severely, just outside our cell, puncturing his eardrum and breaking several of his ribs. When they had finished, they dragged him bleeding and nearly senseless back into our cell, and we helped him crawl to his place on the sleeping platform. After things quieted down, we all lay down to go to sleep. Before drifting off, I happened to look toward a corner of the room, where one of the four naked lightbulbs that were always illuminated in our cell cast a dim light on Mike Christian. He had crawled there quietly when he thought the rest of us were sleeping. With his eyes nearly swollen shut from the beating, he had quietly picked up his needle and begun sewing a new flag.

He who acquires knowledge and acts up to it and teaches it to the people is noble to the angels of heaven and earth. He is like the sun which illumines itself and gives light to other things. Such a man is like a pot of musk which is full of fragrance and gives fragrance to others. He who teaches knowledge to others but does not himself act up to it is like a notebook which does not benefit itself but benefits others or like an instrument which gives edge to iron but itself has got no edge, or like a needle which remains naked but sews clothing for others, or like a lamp which gives light to other things but itself burns.

Another myth that is firmly upheld is that disabled people are dependent and non-disabled people are independent. No one is actually independent. This is a myth perpetuated by disablism and driven by capitalism - we are all actually interdependent. Chances are, disabled or not, you don’t grow all of your food. Chances are, you didn’t build the car, bike, wheelchair, subway, shoes, or bus that transports you. Chances are you didn’t construct your home. Chances are you didn’t sew your clothing (or make the fabric and thread used to sew it). The difference between the needs that many disabled people have and the needs of people who are not labelled as disabled is that non-disabled people have had their dependencies normalized. The world has been built to accommodate certain needs and call the people who need those things independent, while other needs are considered exceptional. Each of us relies on others every day. We all rely on one another for support, resources, and to meet our needs. We are all interdependent. This interdependence is not weakness; rather, it is a part of our humanity.

As I look back on my own life, I recognize that some of the greatest gifts I received from my parents stemmed not from what they did for me—but rather from what they didn’t do for me. One such example: my mother never mended my clothes. I remember going to her when I was in the early grades of elementary school, with holes in both socks of my favorite pair. My mom had just had her sixth child and was deeply involved in our church activities. She was very, very busy. Our family had no extra money anywhere, so buying new socks was just out of the question. So she told me to go string thread through a needle, and to come back when I had done it. That accomplished—it took me about ten minutes, whereas I’m sure she could have done it in ten seconds—she took one of the socks and showed me how to run the needle in and out around the periphery of the hole, rather than back and forth across the hole, and then simply to draw the hole closed. This took her about thirty seconds. Finally, she showed me how to cut and knot the thread. She then handed me the second sock, and went on her way. A year or so later—I probably was in third grade—I fell down on the playground at school and ripped my Levi’s. This was serious, because I had the standard family ration of two pairs of school trousers. So I took them to my mom and asked if she could repair them. She showed me how to set up and operate her sewing machine, including switching it to a zigzag stitch; gave me an idea or two about how she might try to repair it if it were she who was going to do the repair, and then went on her way. I sat there clueless at first, but eventually figured it out. Although in retrospect these were very simple things, they represent a defining point in my life. They helped me to learn that I should solve my own problems whenever possible; they gave me the confidence that I could solve my own problems; and they helped me experience pride in that achievement. It’s funny, but every time I put those socks on until they were threadbare, I looked at that repair in the toe and thought, “I did that.” I have no memory now of what the repair to the knee of those Levi’s looked like, but I’m sure it wasn’t pretty. When I looked at it, however, it didn’t occur to me that I might not have done a perfect mending job. I only felt pride that I had done it. As for my mom, I have wondered what

You're sewing your tattered clothes with silk threads. What all you will do to avoid being naked, to avoid being you.

She worked the thread through the flowered cloth as if she were sewing the torn ends of her life together.

They never returned. Only the old were left. And they began to die off. Those who did not die left the village by other means. In the end there was only one widow left, a dressmaker, and she began to sew the visages of those who had vanished. She hand-stitched the bodies and the clothes; she perfected the faces. Each and every doll was a precise replica of someone who once lived there.

For in that perfect garden when one day entered sin, An animal was murdered for garments made of skin. When figs of human effort produced religious strife, The Father tailored clothing for Adam and his wife.

When I closed the door Grandmother was already seated at her spinning wheel. Her foot was on the treadle but her eyes were thoughtfully on me. The spinner was beautifully carved of dark oak with leaves twining their way round and round the outer rim. It must have been very old, as the designs were too fanciful to have been made i the new England. She called to me and asked me if I could spin. I told her yes, well enough, but that I could sew better, which was a statement only half true. A camp surgeon would have a better hand with a cleaver to a limb than I with a needle on the cloth. She spun the wool through knotted fingers glistening with sheep's oil and wrapped the threads neatly around the bobbin. Gently probing, she teased out the story of our days in Billerica just as she teased out the fine thread from the mix and jumble of the coarse wool in her hands.

Affection almost slinks or seeps through our lives. It lives with humble, un-dress, private things: soft slippers, old clothes, old jokes, the thump of a sleepy dog’s tail on the kitchen floor, the sound of a sewing machine

Time can lessen the hurt; the empty place we have can seem smaller as other things and experiences fill our life; we can forget for periods and feel as if our loved one didn't die; we can find sense in the death and understand that perhaps this death does fit into a bigger design in the world; we can learn to remember the good and hold on to that. But we cannot 'get over it,' because to get over it would mean we were not changed by the experience. It would mean we did not grow by the experience. It would mean that our loved one's death made no difference in our life. There is an interesting discussion in the Talmud, an ancient Jewish writing. Those Jews had the custom of rending their garments - literally tearing their clothes —to symbolize the ripping apart that death brings. But the question was raised, after the period of mourning, could you sew the garment up and use it again? The teachers answered yes, but when you mended it, you should not tuck the edges under so it would look as if it had never been torn. This symbolized the fact that life after grief is not the same as before. The rent will show.

I am a jack-of-all-trades. I edit and teach and at times desire to be a clothing designer or an artist (one who doesn't draw or paint or sew) and I write everything but poetry and I am a mother and a social maniac and a misanthrope and a burgeoning self-help guru and a girl who wants to look pretty and a girl who wants to look sexy and a girl who wants to look girly and a woman in her middle forties who wishes not to look like anything at all, who wishes sometimes to vanish.

Let’s escape outside,” Isabelle suggested. “Do you have any other talents?” “I bake and garden.” “Do you sew, too?” Amber nodded. “I sew whenever anger incites me to mutilation.” Isabelle laughed. “One cannot hang for attacking a piece of cloth.

I once read that during the Civil War women of the south would soak these cloth buttons in perfume and then sew them into the collars of their men’s shirts. That way the scent was a constant reminder of their loved ones waiting for them at home.

I wish I could make a better job of my clothes. My mother taught me about weather and tides, she taught me eight languages and how to make various medicines, but she never thought to teach me to spin and weave and sew, because I was a boy. It seems silly now.

boats, oil lamps, bows and arrows and needles (essential for sewing warm clothing). The first objects that can reliably be called art date from this era (see the Stadel lion-man), as does the first clear evidence for religion, commerce and social stratification.

The few survivors were hounded into an evangelical concentration camp, where well-meaning but not particularly open-minded missionaries tried to indoctrinate them in the ways of the modern world. The Tasmanians were instructed in reading and writing, Christianity and various ‘productive skills’ such as sewing clothes and farming. But they refused to learn. They became ever more melancholic, stopped having children, lost all interest in life, and finally chose the only escape route from the modern world of science and progress – death.

Being perceived as excessively domestic can get you socially ostracized. When I made hand-rolled pasta for a dinner, I learned the hard way that some guests will find this annoying, as they do not feel comfortable eating a meal that they regard as the product of too much trouble. When my son was in nursery school, I made the mistake of spending a few hours sewing for him a Halloween astronaut costume of metallic cloth, earning the disgust, suspicion, and hard stares of many a fellow parent who had bought a Batman or Esmeralda costume. When

Her learning to sew (from a book Yankel brought back from Lvov) coincided with her refusal to wear any clothes that she did not make for herself, and when he bought her a book about animal physiology, she held the pictures to his face and said, "Don’t you think it’s strange, Yankel, how we eat them?" "I’ve never eaten a picture." "The animals. Don’t you find that strange? I can’t believe I never found it strange before. It’s like your name, how you don’t notice it for so long, but when you finally do, you can’t help but say it over and over, and wonder why you never thought it was strange that you should have that name, and that everyone has been calling you that name for your whole life." "Yankel. Yankel. Yankel. Nothing so strange for me." "I won’t eat them, at least not until it doesn’t seem strange to me.

Now, shouts of “Dieu li volt!” (God wills it!) began to spread through the crowd, and men began to cut up cloaks and other pieces of cloth to make crosses and sew them against their chests. Everyone agreed that the next year they would set out for the Holy Land. And they did.

That day and night, the bleeding and the screaming, had knocked something askew for Esme, like a picture swinging crooked on a wall. She loved the life she lived with her mother. It was beautiful. It was, she sometimes thought, a sweet emulation of the fairy tales they cherished in their lovely, gold-edged books. They sewed their own clothes from bolts of velvet and silk, ate all their meals as picnics, indoors or out, and danced on the rooftop, cutting passageways through the fog with their bodies. They embroidered tapestries of their own design, wove endless melodies on their violins, charted the course of the moon each month, and went to the theater and the ballet as often as they liked--every night last week to see Swan Lake again and again. Esme herself could dance like a faerie, climb trees like a squirrel, and sit so still in the park that birds would come to perch on her. Her mother had taught her all that, and for years it had been enough. But she wasn't a little girl anymore, and she had begun to catch hints and glints of another world outside her pretty little life, one filled with spice and poetry and strangers.

Honestly, I suck at physical activities. I’m great at knitting, reading, sewing. Cooking, even. I make a mean apple crumble and double-choc brownie. I also jigsaw puzzle like a pro. And I’m great at shopping … for shoes and clothes. But never … I repeat never have I chosen to exercise.

But no matter how loudly we called out for our mother we knew she could not hear us, so we tried to make the best of what we had. We cut out pictures of cakes from magazines and hung them on the walls. We sewed curtains out of bleached rice sacks. We made Buddhist altars out of overturned tomato crates that we covered with cloth, and every morning we left out a cup of hot tea for our ancestors. And at the end of the harvest season we walked ten miles into town and bought ourselves a small gift: a bottle of Coke, a new apron, a tube of lipstick, which we might one day have occasion to wear.

Here, my mother’s mother would stitch clothes behind a sewing machine with Turkish women who had only wanted from life the privilege of work. Some decades later I was rolling a mat out, as one rolls the carpet of gentrification over our ancestors’ footprints, onto the floor of a room of exercising white bodies.

Destroyed, that is, were not only men, women and thousands of children but also restaurants and inns, laundries, theater groups, sports clubs, sewing clubs, boys’ clubs, girls’ clubs, love affairs, trees and gardens, grass, gates, gravestones, temples and shrines, family heirlooms, radios, classmates, books, courts of law, clothes, pets, groceries and markets, telephones, personal letters, automobiles, bicycles, horses—120 war-horses—musical instruments, medicines and medical equipment, life savings, eyeglasses, city records, sidewalks, family scrapbooks, monuments, engagements, marriages, employees, clocks and watches, public transportation, street signs, parents, works of art. “The whole of society,” concludes the Japanese study, “was laid waste to its very foundations.”2698 Lifton’s history professor saw not even foundations left. “Such a weapon,” he told the American psychiatrist, “has the power to make everything into nothing.

According to her views,” her niece later recalled, “little girls were to be taught to move very gently, to speak softly and prettily, to say ‘yes, ma’am’ and ‘no, ma’am,’ never to tear their clothes, to sew, to knit at regular hours, to go to church on Sunday and make all the responses, and to come home and be catechised.” Harriet

Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity. Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more “than nine million taels of silver had gone missing. Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty. Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance. The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. “As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’ Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the com“common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitterness of arbitrary punishment, she would make an effort to be fair to her officials.

She felt bitter toward them at first, because when she tried to talk about the things she had left behind in Nsukka—her books, her piano, her clothes, her china, her wigs, her Singer sewing machine, the television—they ignored her and started to talk about something else. Now she understood that nobody talked about the things left behind

I see now how this must have come across to my mother, who was then in the ninth year of a job she’d taken primarily so she could help finance my college education, after years of not having a job so that she’d be free to sew my school clothes, cook my meals, and do laundry for my dad, who for the sake of our family spent eight hours a day watching gauges on a boiler at the filtration plant. My mom, who’d just driven an hour to fetch me from the airport, who was letting me live rent-free in the upstairs of her house, and who would have to get herself up at dawn the next morning in order to help my disabled dad get ready for work, was hardly ready to indulge my angst about fulfillment.

Divorce really stinks. It's like going to the store and buying clothes, wearing them for years and years, then returning them and asking for your money back...A store won't buy back a pair of used jeans, so how come people can trade each other in, like it was nothing? If your only pair of jeans is torn, you get a needle and some thread, and you sew them up, right?

men worked fifty, sixty, even seventy or more hours a week; the women worked all the time, with little assistance from labor-saving devices, washing laundry, ironing shirts, mending socks, turning collars, sewing on buttons, mothproofing woolens, polishing furniture, sweeping and washing floors, washing windows, cleaning sinks, tubs, toilets, and stoves, vacuuming rugs, nursing the sick, shopping for food, cooking meals, feeding relatives, tidying closets and drawers, overseeing paint jobs and household repairs, arranging for religious observances, paying bills and keeping the family’s books while simultaneously attending to their children’s health, clothing, cleanliness, schooling, nutrition, conduct, birthdays, discipline, and morale.

Even as more wives took paying jobs during the Depression, their unpaid workload increased. Less able to afford the conveniences that had begun to lighten the homemaker’s load in the 1920s, women had to sew more of their own clothes, can more of their own preserves, do more of their cooking from scratch. “Use it up, wear it out, make it do, or do without” was a popular saying of the day.

I couldn’t help but notice who among my friends had more bracelets or Barbies than I did, or who got to buy their clothes at the mall instead of having a mom who sewed everything on the cheap using Butterick patterns at home. As a kid, you learn to measure long before you understand the size or value of anything. Eventually, if you’re lucky, you learn that you’ve been measuring all wrong.

No stories! No stories! Imagine a world without stories! But that’s exactly what you would have, if all the women were wise. The Wise Virgins keep their lamps trimmed and filled with oil, and the bridegroom arrives, in the proper way, knocking at the front door, in time for his dinner; no fuss, no muss, and also no story at all. What can be told about the Wise Virgins, such bloodless paragons? They bite their tongues, they watch their smart mouths, they sew their own clothing, they achieve professional recognition, they do every right thing without effort. Somehow they are insupportable: they have no narrative vices: their wise smiles are too knowing, too knowing about us and our stupidities. We suspect them of having mean hearts. They are far too clever, not for their own good but for ours.

The top four priorities would be food, fuel, clothing and shelter. Dig the garden, feed the pig, fetch water from the brook, gather wood from the forest, wash some potatoes, light a fire (no matches), cook lunch, repair the roof, fetch fresh bracken for clean bedding, whittle a needle, spin some thread, sew leather for shoes, wash in the stream, fashion a pot out of clay, catch and cook a chicken for dinner.

We could buy a sewing machine and share it,” Charlene said. “We could buy cloth and spools of thread and paper patterns and spend pleasant winter evenings dressmaking together. Perhaps by the soft light from beautiful glass oil lamps. We could sit in a pool of golden light from the beautiful glass oil lamps and our silver needles would glimmer and flash as we bowed our heads to the simple yet honest work.” But

These antifamily traditions are too widely attested in our sources to be ignored (they are found in Mark, Q, and Thomas, for example), and they show that Jesus did not support what we today might think of as family values. But why not? Evidently because, as I have already emphasized, he was not teaching about the good society and about how to maintain it. The end was coming soon, and the present social order was being called radically into question. What mattered was not ultimately the strong family ties and social institutions of this world. What mattered was the new thing that was coming, the future kingdom. It was impossible to promote this teaching while trying to retain the present social structure. That would be like trying to put new wine into old wineskins or trying to sew a new piece of cloth to an old garment. As any wine master or seamstress can tell you, it just won’t work.

I’ve known men who fought in wars to liberate the Jews from Hitler. I’ve known men who sewed their own buttons on their clothes. I’ve known men who talked with a lisp and wore paisley shirts, and men who could chop down trees, and run heavy equipment. Other men were more comfortable in a suit and tie, with soft hands, and a penchant for math, or words. Some men are adventurers, others prefer comic books. Masculinity has never just been one thing.

I followed his gaze on my pillow, upon which rested a thing I did not recognize, woolen and oddly shaped. I seized it abruptly, indignant. It was my jumper! "How---what have you---" "I'm sorry," he said, not looking up from the flicker and flash of the needle. "But you cannot expect me to live in close proximity to clothing that barely deserves the word. It is inhumane." I shook out the jumper, gaping. I could hardly tell it was the same garment. Yes, it was the same color, but the wool itself seemed altered, becoming softer, finer, without losing any of its warmth. And it was not a baggy square anymore; it would hang only a little loose on me now, while clearly communicating the lines of my figure. "From now on, you will keep your damned hands off my clothes!" I snapped, then flushed, realizing how that sounded. Bambleby took no notice of any of it. "Do you know that there are men and women who would hand over their firstborns to have their wardrobes tended by a king of Faerie?" he said, calmly snipping a thread. "Back home, every courtier wanted a few moments of my time." "King?" I repeated, staring at him. And yet I was not hugely surprised---it would explain his magic. A king or queen of Faerie, the stories say, can tap into the power of their realm. Yet that power, while vast, is not thought to be limitless, there are tales of kings and queens falling for human trickery. And Bambleby's exile is of course additional testimony.

Affection would not be affection if it was loudly and frequently expressed; to produce it in public is like getting your household furniture out for a move. It did very well in its place, but it looks shabby or tawdry or grotesque in the sunshine. Affection almost slinks or seeps through our lives. It lives with humble, un-dress, private things; soft slippers, old clothes, old jokes, the thump of a sleepy dog’s tail on the kitchen floor, the sound of a sewing-machine, a gollywog left on the lawn.

If we look at the evidence presented to us by the explorers, and explain to our children that Aboriginal people did build houses, did build dams, did sow, irrigate, and till the land, did alter the course of rivers, did sew their clothes, and did construct a system of pan-continental government that generated peace and prosperity, it is likely we will admire and love our land all the more. Admiration and love are not sufficient in themselves, but they are the foundation of a more productive interaction with the continent.

At the same time that middle- and upper-middle-class mothers were urged to pipe Mozart into their wombs when they're pregnant so their kids would come out perfectly tuned, the government told poor mothers to get the hell out of the house and get to work--no more children's aid for them. Mothers like us--with health care, laptops, and Cuisinarts--are supposed to replicate the immaculate bedrooms we see in Pottery Barn Kids catalogs, with their designer sheets and quilts, one toy and one stuffed animal atop a gleaming white dresser, and a white rug on the floor that has never been exposed to the shavings from hamster cages, Magic Markers accidentally dropped with their caps off, or Welche's grape juice.... we've been encouraged to turn our backs on other mothers who pick their kids' clothes out of other people's trash and sometimes can't buy a can of beans to feed them. How has it come to seem perfectly reasonable--even justified-- that one class of mother is suppoed to sew her baby's diapers out of Egyptian cotton from that portion of the Nile blessed by the god Osiris while another class of mother can't afford a single baby aspirin?

They sat eating ham sandwiches and fresh strawberries and waxy oranges and Mr. Tridden told them how it had been twenty years ago, the band playing on that ornate stand at night, the men pumping air into their brass horns, the plump conductor flinging perspiration from his baton, the children and fireflies running in the deep grass, the ladies with long dresses and high pompadours treading the wooden xylophone walks with men in choking collars. There was the walk now, all softened into a fiber mush by the years. The lake was silent and blue and serene, and fish peacefully threaded the bright reeds, and the motorman murmured on and on, and the children felt it was some other year, with Mr. Tridden looking wonderfully young, his eyes lighted like small bulbs, blue and electric. It was a drifting, easy day, nobody rushing, and the forest all about, the sun held in one position, as Mr. Tridden's voice rose and fell, and a darning needle sewed along the air, stitching, restitching designs both golden and invisible. A bee settled into a flower, humming and humming. The trolley stood like an enchanted calliope, simmering where the sun fell on it. The trolley was on their hands, a brass smell, as they ate ripe cherries. The bright odor of the trolley blew from their clothes on the summer wind.

My mother would always ask us if anyone wanted to learn how to cook or to sew or to iron clothes. I always ran to her—“Me! Me! Me!” So, my mom would teach me. I secretly feared that I might be condemning myself to a life of sissyhood. One day she said it was good that I learned these things because I was never going to be strong or handsome or smart or popular like my older brother, Jesús. He was “el molde” (the mold) I would never be a good copy of him. She said that I might never find a girlfriend or get married—so it was good that I was learning to take care of myself. It freaked me out. I wanted to be strong, handsome, smart, and popular like my brother, Jesús. I never felt like I was. I was just a bad copy...

My mind wanders as I work, leaving me to wonder whether Adena is having any luck selling her clothes on the other end of the long street. I steal, she sews. And that’s been our lives for the past five years. I was barely thirteen and utterly alone in the world when Adena quite literally ran into me. Well, she phased right through me. I’ll never forget the look on the Imperial’s face as he sprinted after her, screaming about stolen pastries. And without a second thought, I didn’t hesitate before sticking my foot out into his path. As soon as I got a glimpse of the guard’s face meeting the pavement, I was chasing after the gangly, curly-haired girl who ran right through me. An uneasy alliance was born that day, one that was supposed to stay that way.

Papaw had kind eyes and a little scratchy stubble on his cheeks that ticked when I gave him a kiss. He also had hair in his ears, and it was my job to help him trim it. He chewed tobacco from a little white bag and always kept a gold spittoon nearby. Papaw loved to sit around in his blue coveralls (the only thing I ever saw him wear) and shoot the bull with the boys. On Mamaw’s deathbed, she made us promise to make sure he always had clean coveralls. I’ll never forget my mamaw’s sewing room, filled with scraps and bolts of cloth, buttons, thread, and trimmings. In that room I felt like a little kid in the most beautiful toy store you could imagine, full of magic and possibilities. Mamaw kept busy making beautiful clothes and quilts, some of which I still have.

the streets. So now everyone is afraid of it. Petr GINZ Today it’s clear to everyone who is a Jew and who’s an Aryan, because you’ll know Jews near and far by their black and yellow star. And Jews who are so demarcated must live according to the rules dictated: Always, after eight o’clock, be at home and click the lock; work only labouring with pick or hoe, and do not listen to the radio. You’re not allowed to own a mutt; barbers can’t give your hair a cut; a female Jew who once was rich can’t have a dog, even a bitch, she cannot send her kids to school must shop from three to five since that’s the rule. She can’t have bracelets, garlic, wine, or go to the theatre, out to dine; she can’t have cars or a gramophone, fur coats or skis or a telephone; she can’t eat onions, pork, or cheese, have instruments, or matrices; she cannot own a clarinet or keep a canary for a pet, rent bicycles or barometers, have woollen socks or warm sweaters. And especially the outcast Jew must give up all habits he knew: he can’t buy clothes, can’t buy a shoe, since dressing well is not his due; he can’t have poultry, shaving soap, or jam or anything to smoke; can’t get a license, buy some gin, read magazines, a news bulletin, buy sweets or a machine to sew; to fields or shops he cannot go even to buy a single pair of winter woollen underwear, or a sardine or a ripe pear. And if this list is not complete there’s more, so you should be discreet; don’t buy a thing; accept defeat. Walk everywhere you want to go in rain or sleet or hail or snow. Don’t leave your house, don’t push a pram, don’t take a bus or train or tram; you’re not allowed on a fast train; don’t hail a taxi, or complain; no matter how thirsty you are you must not enter any bar; the riverbank is not for you, or a museum or park or zoo or swimming pool or stadium or post office or department store, or church, casino, or cathedral or any public urinal. And you be careful not to use main streets, and keep off avenues! And if you want to breathe some air go to God’s garden and walk there among the graves in the cemetery because no park to you is free. And if you are a clever Jew you’ll close off bank accounts and you will give up other habits too like meeting Aryans you knew. He used to be allowed a swag, suitcase, rucksack, or carpetbag. Now he has lost even those rights but every Jew lowers his sights and follows all the rules he’s got and doesn’t care one little jot.

When people started dying in the village, the emptiness gave her a huge canvas to work with. She has always liked to sew. So last year, she started sewing the cloth people. She’s made more than a hundred of them. They are real people. People who died.” The bells of the church rang, and a solitary woman in a black shawl left the church and crossed the piazza. Signora Fiore was still talking. “The people who died are ‘gli spariti.’” Izzy stopped, unsure how to translate this. “‘Gli spariti,’ they’re called,” she said. “The vanished.” “The vanished?” Ethan asked. Izzy nodded. Signora Fiore was still talking. “Some of the cloth people aren’t people who died. Like Signora Fiore’s own children. They live in Milan. Her daughter is a doctor. Her son owns a furniture store. She has sewn them because she doesn’t know when she’ll see them again.

I turned and looked at her. She was a major in Costume Design and as such had all kinds of peculiar clothing in her room. “Is it yours?” I said. “I stole it from the wardrobe at the Costume shop. I was going to cut it up and make, like, a bustier out of it.” Great, I thought, but I went along with her anyway. The jacket, unexpectedly, was wonderful—old Brooks Brothers, unlined silk, ivory with stripes of peacock green—a little loose, but it fit all right. “Judy,” I said, looking at my cuffs. “This is wonderful. You sure you don’t mind?” “You can have it,” said Judy. “I don’t have time to do anything with it. I’m too busy sewing those dammed costumes for fucking As You Like It. It goes up in three weeks and I don’t know what I’m going to do. I’ve got all these freshmen working for me this term that don’t know a sewing machine from a hole in the ground.

We can withstand a siege for some time,” Arin said. “The city walls are strong. They’re Valorian-built.” “Which means that we will know how to bring them down.” Arin swirled his glass, watching the water’s clear spin. “Care to bet? I have matches. I hear they make very fine stakes.” There was the quirk of a smile. “We aren’t playing at Bite and Sting.” “But if we were, and I kept raising the stakes higher to the point where you couldn’t bear to lose, what would you do? Maybe you’d give up the game. Herran’s only hope of winning against the empire is to become too painful to retake. To mire the Valorians in an unending siege when they’d rather be fighting the east. To force them to conquer the countryside again, piece by piece, spending money and lives. Someday, the empire will decide we’re not worth the fight.” Kestrel shook her head. “Herran will always be worth it.” Arin looked at her, his hands resting on the table. He, too, had no knife. Kestrel knew that this was to make it less obvious that she wasn’t to be trusted with one. Instead, it became more. “You’re missing a button,” he said abruptly. “What?” He reached across the table and touched the cloth at her wrist, on the spot of an open seam. His fingertip brushed the frayed thread. Kestrel forgot that she had been troubled. She had been thinking about knives, she remembered, and now they were talking about buttons, but what one had to do with the other, she couldn’t say. “Why don’t you mend it?” he said. She recovered herself. “That is a silly question.” “Kestrel, do you not know how to sew a button?” She refused to answer. “Wait here,” he said. Arin returned with a sewing kit and button. He threaded a needle, bit it between his teeth, and took her wrist with both hands. Her blood turned to wine. “This is how you do it,” he said. He took the needle from his mouth and pierced it through the cloth.

The number of ways in which their children might come to harm along the trail was staggering . . . Children fell under wagon wheels and were crushed to death or crippled for life. They wandered off into the tall grass and were never seen again. Occasionally they were abducted by Native Americans. Much more frequently they drowned when swept away by rivers their families were trying to ford. Drowning incidents were so common, in fact, that some mothers wrote their children's names in indelible ink on labels and sewed the labels into their children's clothes. It didn't prevent them from drowning, but it sometimes allowed a grieving mother to identify a body that had been in the water for too long. Children were bitten by rattlesnakes, struck by lightning, trampled by unruly oxen or horses, pummeled by hailstones as large as turkey eggs, and shot by the nearly daily accidental discharges of the guns that their fathers carried. They died of measles, diphtheria, whooping cough, influenza, tuberculosis, typhoid fever, malaria, infected cuts, food poisoning, mumps, and smallpox.

This other Lucy is nothing like the demure, sweet victim of the hagiographies or the pure, white vision I’ve just seen outside the cathedral. Instead, on 13 December, she is said to ride through the skies with a cavalcade of the dead, of ghosts and, sometimes, of children who died while still unbaptised. Going house to house with her terrifying entourage, she looks for the food that has been left out for her. If all is well, she’ll eat the offerings and bring good fortune in return, and if she encounters any good children on her way she gives them treats. But if the food offerings are incorrect or forgotten, and if Lucy finds that the tasks of the household – especially those related to weaving – have not been finished and laid aside for her celebration, she brings disorder, bad luck and death. If she finds children who have misbehaved, she’ll gut them, pull out their organs, stuff them full of straw, and sew them back up again. Sometimes she’s depicted holding a distaff with a child’s intestines twined around it, an impressive combining of the normally very separate interests of cloth-making and disembowelling.

Men sitting doubled up in the upper bunks smoked short pipes, swinging bare brown feet above the heads of those who, sprawling below on sea-chests, listened, smiling stupidly or scornfully. Over the white rims of berths stuck out heads with blinking eyes; but the bodies were lost in the gloom of those places, that resembled narrow niches for coffins in a white-washed and lighted mortuary. Voices buzzed louder. Archie, with compressed lips, drew himself in, seemed to shrink into a smaller space, and sewed steadily, industrious and dumb. Belfast shrieked like an inspired Dervish: — ‘... So I seez to him, boys, seez I, “Beggin’ yer pardon, sorr,” seez I to that second mate of that steamer — “beggin’ your-r-r pardon, sorr, the Board of Trade must ‘ave been drunk when they granted you your certificate!” “What do you say, you — !” seez he, comin’ at me like a mad bull... all in his white clothes; and I up with my tarpot and capsizes it all over his blamed lovely face and his lovely jacket... “Take that!” seez I. “I am a sailor, anyhow, you nosing, skipper-licking, useless, sooperfloos bridge-stanchion, you! That’s the kind of man I am!” shouts I... You should have seed him skip, boys! Drowned, blind with

Female sensibility is layers, words, membranes, cotton, cloth, rope, repetition, bodies, wet, opening, closing repetition, lists, lifestories, grids, destroying grids, houses, intimacy, doorways, breasts, vaginas, flow, strong, building, putting together many disparaging elements, repetition, red, ink, black, earth feel colors, the sun, the moon, roots skins, walls, yellow, flowers, streams, puzzles, questions, stuffing, sewing, fluffing, satin, hearts, tearing, tearing, tearing, tying, decorating, baking, feeding, holding, listening, seeing thru the layers, oil, varnish, shellac, jell, paste, glue, seeds, thread, more, not less, repetition, women critics, women, writers, women artists, either nourishing us or eating us up alive, tokenism, curators, universities, tokenism, fear of other women to acknowledge female sensibility, hostile boy artists, accepting men artists, separating the men from the boys, dividing women, piece of pie-ism, money, art, sex, beasts, layers, symphonies, multi-roled, multi-part, stories, narrative, paint/flesh, serious, overwhelming, soft, hard, women working, working women, hanging, dangling, breaking, being fruity, angry, naïve, born again and trying to describe hot white flesh ties.

the Cook expedition had another, far less benign result. Cook was not only an experienced seaman and geographer, but also a naval officer. The Royal Society financed a large part of the expedition’s expenses, but the ship itself was provided by the Royal Navy. The navy also seconded eighty-five well-armed sailors and marines, and equipped the ship with artillery, muskets, gunpowder and other weaponry. Much of the information collected by the expedition – particularly the astronomical, geographical, meteorological and anthropological data – was of obvious political and military value. The discovery of an effective treatment for scurvy greatly contributed to British control of the world’s oceans and its ability to send armies to the other side of the world. Cook claimed for Britain many of the islands and lands he ‘discovered’, most notably Australia. The Cook expedition laid the foundation for the British occupation of the south-western Pacific Ocean; for the conquest of Australia, Tasmania and New Zealand; for the settlement of millions of Europeans in the new colonies; and for the extermination of their native cultures and most of their native populations.2 In the century following the Cook expedition, the most fertile lands of Australia and New Zealand were taken from their previous inhabitants by European settlers. The native population dropped by up to 90 per cent and the survivors were subjected to a harsh regime of racial oppression. For the Aborigines of Australia and the Maoris of New Zealand, the Cook expedition was the beginning of a catastrophe from which they have never recovered. An even worse fate befell the natives of Tasmania. Having survived for 10,000 years in splendid isolation, they were completely wiped out, to the last man, woman and child, within a century of Cook’s arrival. European settlers first drove them off the richest parts of the island, and then, coveting even the remaining wilderness, hunted them down and killed them systematically. The few survivors were hounded into an evangelical concentration camp, where well-meaning but not particularly open-minded missionaries tried to indoctrinate them in the ways of the modern world. The Tasmanians were instructed in reading and writing, Christianity and various ‘productive skills’ such as sewing clothes and farming. But they refused to learn. They became ever more melancholic, stopped having children, lost all interest in life, and finally chose the only escape route from the modern world of science and progress – death. Alas,

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

At first Tatiana could not get through her day without physically holding herself together. There was no comfort inside her, and she knew it. There was nowhere she could turn to inside herself to leave the darkness. No memory she could fondly think of, no gentle joke, no musical refrain. There was no part of her body she could touch without shuddering. Nowhere she could look without seeing Alexander. This time she didn’t have the hunger to dull her sorrow. She didn’t have infected lungs. There was nothing for her healthy body to do but grit its teeth and lift the buckets that went on her shoulders every morning, and milk the goat and pour the warm milk for Raisa, who could not pour it herself, and hang the clothes on the line and have the women say at night how wonderful the clothes smelled, having been hung by Tania in the sunshine. Tatiana sewed for them and for herself, she read to them and to herself, she bathed them and herself, she tended their garden and looked after their chickens and took the apples off the trees, and little by little, bucket by bucket, book by book, shirt by shirt, their need enveloped her again, and Tatiana was comforted. Just like before.

Mother Kaufmann had never played any kind of game with her. She was always busy, always getting something done. She got the fire going under the big tub to wash the clothes and sheets; she killed chickens with the clothesline before hanging them by their feet on the hook for plucking; she shoveled manure; she strained milk; she gathered eggs; she washed the strainers and the milk pails; she cooked the meals and canned pears and asparagus; she hauled in water to wash the dishes; she sewed tears in clothing.

Yes, I'm so sorry. I don't know what came over me." "Sowing tears" She met his solemn gaze. "What?" "Sowing tears. That's what my ma called them when she got hit with a wave of crying she couldn't explain." "Sewing...as in..." She pretended to stitch a seam. He grinned. "No, sowing...as in..." He flipped imaginary seeds across the floor. "Oh." She sniffed and pushed her hands into the now-tepid water. "Why did she call them sowing tears?" He popped his hand on the washstand. "Psalm 126:5 says, 'They that sow in tears shall reap in joy.' Ma said when she got overwhelmed and needed to have a cry, she could be sure joy would follow the tears. That the tears watered seeds of joy. I've had some of those tears myself." She paused in scrubbing a plate and gawked at him. "You...cry?" He chuckled. 'Well, sure." "But you're a man!" She'd never seen Father cry. Not even when they had led him from the courtroom in chains. If ever there was a time to cry, that was it. She and Mother had cried themselves to exhaustion. His expression turned serious. “Miss Grant, I don't know where you got the idea that men don't have deep feelings, but that's wrong. Oh, we might be better at hiding them. But we get sad and scared and doubtful, the same as anybody else. I can tell you I cried lots of sowing tears when my uncle died after I came to Spiveyville. Here I was, far away from anybody I knew, and I was all alone." Abigail understood that feeling far too well. "But like Ma said, the tears sowed seeds of joy. I found a new home and people I call my friends." He took the plate and ran the cloth over it. "If you trust God and are patient, you'll find out. Those tears you just shed, there'll be healing behind them. Wait and see.

I once worked in a doll factory. First they make the soft cloth body and then they sew in the delicate porcelain feet and hands. The hair goes on after the faces have been painted and attached. Afterwards they clothe it, and it is ready. If you think about it, we’re the same. Step by step we are being refined. All of us are at different stages of perfection. Are you better than your friend because she has not yet her hair and you do? Don’t ever despise or judge anyone. The condition of being human is hard, but here’s the really nice bit – no one ever falls by the wayside. All will make it to perfection. God doesn’t love me any better than he does you or her. We are all his children.

By the time Columbus discovered America, the Indians were already using beads for decoration. Beads were made from shells, bones, claws, stones, and minerals. The Algonquin and Iroquois tribes of the eastern coast made beads from clam, conch, periwinkle, and other seashells. These beads were used as a medium of exchange by the early Dutch and English colonists. They were called “wampum,” a contraction of the Algonquin “wampumpeak” or “wamponeage,” meaning string of shell beads. The purple beads had twice the value of the white ones. The explorer, followed by the trader, missionary and settler, soon discovered that he had a very good trade item in glass beads brought from Europe. The early beads that were used were about 1/8 inch in diameter, nearly twice as large as beads in the mid-1800’s. They were called pony beads and were quite irregular in shape and size. The colors most commonly used were sky-blue, white, and black. Other less widely used colors were deep bluff, light red, dark red, and dark blue. The small, round seed beads, as they are called, are the most generally used for sewed beadwork. They come in a variety of colors. Those most commonly used by the Indians are red, orange, yellow, light blue, dark blue, green, lavender, and black. The missionaries’ floral embroidered vestments influenced the Woodland tribes of the Great Lakes to apply beads in flower designs. Many other tribes, however, are now using flower designs. There are four main design styles used in the modern period. Three of the styles are largely restricted to particular tribes. The fourth style is common to all groups. It is very simple in pattern. The motifs generally used are solid triangles, hourglasses, crosses, and oblongs. This style is usually used in narrow strips on leggings, robes, or blankets. Sioux beadwork usually is quite open with a solid background in a light color. White is used almost exclusively, although medium or light blue is sometimes seen. The design colors are dominated by red and blue with yellow and green used sparingly. The lazy stitch is used as an application. The Crow and Shoshoni usually beaded on red trade or blanket cloth, using the cloth itself for a background. White was rarely used, except as a thin line outlining other design elements. The most common colors used for designs are pale lavender, pale blue, green, and yellow. On rare occasions, dark blue was used. Red beads were not used very often because they blended with the background color of the cloth and could not be seen. The applique stitch was used. Blackfoot beadwork can be identified by the myriad of little squares or oblongs massed together to make up a larger unit of design such as triangles, squares, diamonds, terraces, and crosses. The large figure is usually of one color and the little units edging it of many colors. The background color is usually white, although other light colors such as light blue and green have been used. The smallness of the pattern in Blackfoot designs would indicate this style is quite modern, as pony trading beads would be too large to work into these designs. Beadwork made in this style seems to imitate the designs of the woven quill work of some of the northwestern tribes with whom the Blackfoot came in contact.

Charlotte Matthews, the only girl on their block of 17 boys, sewed the cheese cloth to cover the wings.

One of Millie’s eyebrows peaked as she picked up her coffee. “Sounds like it. My friends throw me down and rip my clothes all the time. And then offer to sew them.

At Hobby Lobby She tosses a bolt of fabric into the air. Hill country, prairie, a horse trots there. I say three yards, and her eyes say more: What you need is guidance, a hand that can zip a scissor through cloth. What you need is a picture of what you've lost. To double the width against the window for the gathering, consider where you sit in the morning. Transparency's appealing, except it blinds us before day's begun. How I long to captain that table, to return in a beautiful accent a customer's request. My mother kneeled down against her client and cut threads from buttons with her teeth, inquiring with a finger in the band if it cut into the waist. Or pulled a hem down to a calf to cool a husband's collar. I can see this in my sleep and among notions. My bed was inches from the sewing machine, a dress on the chair forever weeping its luminescent frays. Sleep was the sound of insinuation, a zigzag to keep holes receptive. Or awakened by a backstitch balling under the foot. A needle cracking? Blood on a white suit? When my baby's asleep I write to no one and cannot expect a response. The fit's poor, always. No one wears it out the door. But fashions continue to fly out of magazines like girls out of windows. Sure, they are my sisters. Their machines, my own. The office from which I wave to them in their descent has uneven curtains, made with my own pink and fragile hands.

Here’s a life coaching exercise to help you apply the Law of Attraction: This week, focus on perfecting one part of your life. Make it flawless, not simply tidy it up. For example, if you clean your closet, don’t just throw out the old clothing and put everything back in. Purchase matching high-quality hangers for all of your garments to ensure that they hang properly. Sew on all of the lost buttons and repair any hems that have dropped. Take your shoes to be polished. Anything you won’t wear again should be sold or donated. Color-code and categorize everything. Get all of the necessary belts, shoes, and other storage tools. The perfection of your closet will give you energy when you open it in the morning. This week, focus on one aspect of your life. It should be perfected to the point that it makes you feel fantastic! Every area of your life can, in the end, be polished. For the time being, select one thing and start working on it.

Sewing is an enjoyable hobby that allows you to be creative and make a variety of items for yourself and others. At Clothingus.com, we offer a range of resources to help you learn how to sew, including easy projects and information about different sewing tools and their uses. Here are some interesting facts about sewing and related materials that may inspire you to try this useful craft: Cotton fabric can last for up to 100 years with proper care. In fact, cotton fabric has been found in many archaeological sites, indicating its longevity. Women's buttons are typically sewn onto the left side of a garment due to historical reasons. In the past, buttons were expensive, and only wealthy women with domestic help could afford them. To make it easier for the help to button up the garments, they were placed on the left side. Zippers were invented in 1893 and were initially used only on shoes and boots to make them easier to put on. Over time, they gained popularity and were used on other garments as well. The term "calico" refers to a type of cotton print that originated in the city of Calcutta, India. These hand-woven printed fabrics were made in the late 18th century and were named after the city. Buttons on sleeves were introduced by Napoleon Bonaparte. He wanted to prevent his soldiers from wiping their noses on their sleeves, so he ordered buttons to be sewn onto the ends of the sleeves. Sewing is believed to be one of the first skills that Homo sapiens learned. Archaeologists have found evidence of people sewing together fur, hide, skin, and bark for clothing dating back to 25,000 years ago. Early sewing needles were made of bone and ivory, with metal needles being developed later in human history. By the 20th century, more than 4000 different types of sewing machines had been invented. However, only those that made sewing simple, fun, and easy survived over time. If you're interested in learning more about sewing, visit Clothingus.com for lessons and projects that can help you build a solid foundation in this skill. Whether you're a beginner or have some experience, we have something for you. Visit Clothingus.com now.

Out of luck Even this bold idea failed to work. At first the batteries were too heavy for the trio to carry. Then when they brought the radio from the crash site to the tail, they found that the electrical systems were incompatible: the plane used AC, the batteries supplied DC. Sewing for survival It was now apparent that the only way out was to climb over the mountains to the west. They also realized that unless they found a way to survive the freezing nights, they would die attempting the journey. So the survivors came up with an ingenious solution. They tore out large sections of fabric from clothing, gathered padding from the plane’s upholstery and got to work with a needle and thread from an emergency pack. Eventually they created a passable sleeping bag. It would fit three men inside, but would carry the lives of all sixteen of the remaining survivors. Hiking with hope On 12 December 1972, Parrado, Canessa and Vizintín set out to climb the mountain to the west. It was two months since the crash. As they climbed over the first peak their bodies struggled in the thinning oxygen. It was savagely cold at night, but the homemade sleeping bag kept them alive. After three days of trekking they met with a major disappointment. Cresting the shoulder of the mountain they expected to see the green countryside of Chile. Instead there was a sea of snow-bound peaks stretching out to the horizon. They were deeper in the mountains than they thought. They had tens of kilometres of high altitude hiking still to go. After the initial rush of despair the men again found hope, and through that, a positive plan of action. They had further to go, so they must be stricter with their

In high school, my friends and I made fun of the hilltoppers’ pretentious clothes and sweet-sixteen convertibles that were invariably crashed and replaced within a month. I felt comfortable in my little house, in my faded jeans, where I knew exactly what to expect. But not Penny. She wanted to be up that hill. Starting in middle school, she emulated the hilltop girls and the way they put themselves together. When they bought new skinny jeans, Penny spent the weekend on my mom’s sewing machine tapering the legs of her Levi’s. When they cut bangs, Penny followed suit. This never would have gotten her anywhere, but in the tenth grade Penny tried out for the spring musical and landed a leading role along with a handful of the hilltop girls. After prolonged exposure to Penny’s giant heart and passion for fun, they became her real friends. The transition was seamless, making me think that Penny had always been a hilltopper just biding her time in our twelve-hundred-square-foot ranch.

21‘No one sews a patch of unshrunk cloth on an old garment. Otherwise, the new piece will pull away from the old, making the tear worse. 22And no one pours new wine into old wineskins. Otherwise, the wine will burst the skins, and both the wine and the wineskins will be ruined. No, they pour new wine into new wineskins.

After stepping out of bed, she got dressed, slipping on her new patchwork dress and enjoying the feel of the soft cotton against her cloth skin. She'd sewed it together out of fabric she'd found in the dumpster--- the remnants of old and discarded costumes--- and was pretty proud of how it had come out. Christmas clothing was cute and all, but Abigail had been right--- it was extremely itchy. Not to mention a little boring. No dress should be limited to just one pattern or color, she thought with a smile. Which was why her new shop's name was so perfect: Patterns and Potions by Sally.

She was pleasantly surprised at how much remained. Her parents had abandoned a heap of old Caltreyan clothes. Selecting one of the island dresses, Kiela shook it out. Dust plumed in the air. The skirt was a quilt of blue--- sky blue, sapphire blue, sea blue--- all stitched together with silvery thread and hemmed with silver ribbon, and the bodice was a soft white blouse. Not at all a city style, but it was perfect for a picnic in a garden or a stroll on a shore. With a few repairs, she could wear a lot of her mother's abandoned clothes, and she could use her father's for... She wasn't sure what, but they were nice to have. She'd find a use for them. If nothing else, she could chop the fabric up into cleaning rags. Or perhaps learn to quilt? There was a moth-eaten blanket in one closet, in addition to the old quilts on the daybed and her parents' bed. Each quilt had its own pattern--- one was comprised of colors of the sunset and sewn in strips like rays of light, while another was the brown and pale green of a spring garden with pieces cut like petals and sewn like abstract flowers. We left so many beautiful things behind. She'd had no idea. She'd been too little to help much with the packing, though she remembered she'd tried. Carrying an armful of clothes into the kitchen, Kiela dumped them into the sink to soak in water. She planned to use the excess line from the boat to hang them out in the sun to dry. They'll be even more beautiful once they're clean. The kitchen cabinet produced more treasures: a few plates, bowls, and cups. Each bowl was painted with pictures of strawberries and raspberries, and the plates were painted with tomatoes and asparagus. The teacups bore delicate pictures of flowers.

As she was getting ready to leave, Alexander sat and smoked. “Why do you always have to go to your stupid sewing circle?” “Not always. It’s just for an hour.” Tatiana smiled, wrapping her arms around him. “You can wait an hour, can’t you, Captain?” she whispered huskily. “Mmm,” he said, holding her with one arm. His cigarette was in the other hand. “Can’t they manage without you, for God’s sake?” She kissed his damp forehead. “Shura, have you noticed the days have been getting hotter?” “I noticed. Can’t you just sew here? I brought your sewing machine, your desk. I’ve made you a stool. I see you sewing; just the other day you were sewing all those dark clothes. What was that?” “Nothing, just something silly.” “Well, continue sewing something silly here.” “I’m teaching them how to fish, Alexander.” “What?” “Give a man a fish and he’ll eat for a day,” said Tatiana. “Teach him how to fish and he’ll eat for a lifetime.” Shaking his head and sighing, Alexander said, “All right. I’ll come with you.” “Stop it. Church is one thing, but no soldier husband of mine is going to a sewing circle. It’ll unman you. Besides, you already know how to fish. Stay home. Play with your rifle or something. I’ll be back in an hour. Do you want something delicious to eat before I go?” “Yes, and I know exactly what I want,” he said, laying her down on the blanket in the grass. The sun burned over their heads. “Shura, I’m going to be late.” “Tell them your husband was starving and you had to feed him.

He was carrying her big heavy trunk, so he was fairly helpless, which was the way she liked it, because she was yelling at him. “Why can’t you let me handle things my own way, why?” “Because your own way would entail milking a cow for hours and washing their clothes and then sewing them all new ones and God knows what else!” “I don’t understand,” she said. “I would’ve thought after we got married you would calm down a bit, be less protective, less…you know. You. That American way that makes you stand out like a black peg among white nails.” Alexander laughed. “You don’t understand anything,” he said, panting a bit. “Why would you think that?” “Because we’re married.” “To shatter your illusions, I’ll warn you right now that everything you’ve seen will increase a hundredfold now that you’re my wife. Everything.” “Everything?” “Yes. Protectiveness. Possessiveness. Jealousy. All of it. A hundredfold. That’s the nature of the beast. Didn’t want to tell you beforehand, thought it might scare you off.” “Might?” “There you are. You can’t get the marriage annulled.” Alexander glanced at her, his eyes burning. “Not after it’s been so…thoroughly consummated.” They couldn’t even wait to get home. He carried the trunk into the pines and sat down on it. Tatiana climbed on top of him. “Don’t be too loud in the woods,” he told her, lifting her onto himself and kissing her. Afterward Alexander said, “That’s like asking you to shed your freckles for a day, isn’t it?

Some other proper names from these years have also come down to us. We have Gunoka Cuntles [1219] and Bele Wydecunthe [1328], suitable partners for Godwin Clawcuncte [1066] and Robert Clevecunt [1302]. If the Millers’ ancestors ground grain, and the Taylors’ sewed cloth, what did Godwin’s and Robert’s do—and

By learning to sew, you give your clothes several more good years of wear and tear.

Although Arin was eager to see Kestrel, he would have to wait. He caught threads of music from far away. As he came across the grass, the piano’s melody strengthened. It opened within him a happiness that gathered and gleamed…glossy, but the way water is, with weight. A lovely fatigue claimed him. He lay down on the grass and listened. He thought about how Kestrel had slept on the palace lawn and dreamed of him. When she had told him this, he’d wished that it had been real. He tried to imagine the dream, then found himself dreaming. Everything made sense in his dream yet he felt the tenuousness of this perfect reason. The arch of Kestrel’s bare foot. An old tale about the god of death and the seamstress. Arin would lose, upon waking, his understanding of why touching Kestrel would arouse the memory of a story he’d not thought about in a long time. He dreamed: one stocking balled in his fist, and the stray question of how it had been made, who had sewn this? He saw his hands--though they did not look like his hands--measuring and cutting fabric, sewing invisible stitches. A dark-haired boy tumbled from a room, a god-mark upon his brow. When a guest entered and said, Weave me the cloth of yourself, Arin thought that he was the forbidding guest and the child and the sewing girl all at once. She said, I’m going to miss you when I wake up. Don’t wake up, he answered. But he did. Kestrel, beside him on the grass, said, “Did I wake you? I didn’t mean to.” It took him a velvety moment to understand that this was real. The air was quiet. An insect beat its clear wings. She brushed hair from his brow. Now he was very awake. “You were sleeping so sweetly,” she said. “Dreaming.” He touched her tender mouth. “About what?” “Come closer, and I’ll tell you.” But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way. She curled her fingers into the green earth.

MARIE. Yes! I can sew. I could make clothes out of the curtains. IAN. We don't have curtains. MARIE. Then I could make curtains out of the clothes.

THE BIGGER PICTURE   During World War II, thousands in factories across the United States constructed parachutes. From the worker’s point of view, the job was tedious. It required stitching endless lengths of colorless fabric, crouched over a sewing machine eight to ten hours a day. A day’s work produced a formless, massive heap of cloth with no visible resemblance to a parachute. In order to motivate workers and keep them concerned with quality, the management in one factory held a meeting. Management informed workers each day of the approximate number of parachutes that had been strapped to the back of pilots, copilots, and other “flying” personnel the previous day. They learned just how many men had jumped to safety from disabled planes as a result of their high-quality work. The managers encouraged their workers to see the big picture on their job. As a second means of motivation, the workers were asked to form a mental picture of a husband, brother, or son who might be the one saved by the parachute they sewed. That factory held one of the highest levels of quality on record!3 Don’t let the tedium of each day’s chores and responsibilities wear you down so you only see the “stitching” in front of you. Keep your eyes on the big picture. Focus on why you do what you do and who will benefit from your work, including those you don’t know and may never meet. You may not have all the answers to the question, “Why am I here?” but you can rest assured, the Lord does! Ultimately, the Bible tells us we will be in heaven for eternity—and that is the biggest picture of all! God is preparing us for heaven, just as He is preparing heaven for us. He is creating us to be the people He wants to live with forever. Whatever mundane tasks or trivial pursuits you undertake today, see them in the light of eternity. They will take on a whole new meaning!   “I GO TO PREPARE A PLACE FOR YOU. AND IF I GO AND PREPARE A PLACE FOR YOU, I WILL COME AGAIN AND RECEIVE YOU TO MYSELF; THAT WHERE I AM, THERE YOU MAY BE ALSO.” JOHN 14:2-3 NKJV

You live here in Copper Creek, Miss Ashford?” She dipped a fresh cloth in the water and washed the bullet wound in the patient’s shoulder as best she could. “I do now. We arrived today.” She paused and straightened, the muscles in her back in spasms from bending over the table, and from too much riding on trains and coaches and wagons. She thought of Janie waiting at home, watching for her, and hoped she wasn’t worrying. Robert’s only concern would be that she’d left him overlong with people he didn’t know. He hated making chitchat. She just hoped he wasn’t acting sullen and stone-faced with Vince, Janie, and Emma, like he so often did with her. Hearing a clock ticking somewhere behind her, she rethreaded the needle and focused again on her task. Suturing a man was different from suturing a horse, and very definitely different from sewing saddles. Yet something about the repetition of the act felt similar, which made her wonder if she was doing it right. “We?” Finishing the third suture in the man’s shoulder, she peered up at Caradon, the needle poised between her right thumb and forefinger. “I beg your pardon?” “You said ‘we arrived today.’” Not wanting to talk, she tied off a fourth suture, and a fifth, aware of him watching her. “My brother and I.” “Where did you move from?” She raised her head to find him leaning close, their faces inches apart. “If you don’t mind, Marshal Caradon, could we . . . not talk right now?” The tanned lines at the corners of his eyes tightened ever so slightly. “Not much on that, are you, ma’am? Talking, I mean.” Though his expression denied it, she heard a smile in his voice, yet she held back from responding to it. Outwardly anyway. Someone like Wyatt Caradon was the last person she, or Robert, needed in their lives right now. “I don’t mind talking, Marshal. When I’m not exhausted, famished, and stitching up a gunshot wound.” Catching his grin before she looked away, she finished suturing and bandaging the wound.

With the birth of each child, I bought gold coins that I planned to sew into the hem of their clothing should we ever need to flee. If my children risked being separated from me, I wanted whoever found them to have the means to provide food and shelter. Even today, each new world crisis fans the flames of my paranoia. Old fears may lie buried, but they do not vanish. I still have the gold

Put the ham into a coarse sack well tied up, or sew it up in a cloth. Bury it three feet under ground in good mould; there let it remain for three or four days at least. This is an admirable way. The ham eats much mellower and finer than when soaked.

If anyone fears theft, let him scatter caraway seeds among those things of value and if a thief should try to steal them he shall be held in that place. Likewise, if a woman fears her husband may stray she should sew caraway seeds into his clothes, so that no other woman may steal him away from her. Mistress

Since somebody in the family had to work, I volunteered to labor in a big workshop, which employed about 200 women dressmakers, a few tailors and upholsterers. No Jew received any pay for their labor. All the clothes confiscated from the deportees were cleaned and remade into children's coats, smocks, etc. Capable professionals did the cutting and others did the sewing.