“
Fill your bowl to the brim and it will spill. Keep sharpening your knife and it will blunt.
”
”
Lao Tzu (Te-Tao Ching)
“
Fill your bowl to the brim
and it will spill.
Keep sharpening your knife
and it will blunt.
Chase after money and security
and your heart will never unclench.
Care about people's approval
and you will be their prisoner. Do your work, then step back.
The only path to serenity.
”
”
Lao Tzu
“
I have a forgiveness weakness in me that I hate because it means I'd probably forgive the man who removed my heart with a blunt knife if he said he needed it more than me.
”
”
Trent Dalton (Boy Swallows Universe)
“
The darkness is like a black canvas punctured by a blunt knife, with beams of light peeking through.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
For justice is a blunt knife, both as a philosophy and as a judge.
”
”
Jo Nesbø (The Snowman (Harry Hole, #7))
“
The Witcher had a knife to his throat. He was wallowing in a wooden tub, brimfull with soapsuds, his head thrown agains the slippery rim. The bitter taste of soap lingered in his mouth as the knife, blunt as a doorknob, scraped his Adam's apple painfully and moved towards his chin with a grating sound.
”
”
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
“
Many collectors died in process of searching for new species, and despite persistent reports that the men died from drowning, gunshot and knife wounds, snakebite, trampling by cattle, or blows in the head with blunt instruments, it is generally accepted that in each case the primary cause of death was orchid fever.
”
”
Eric Hansen (Orchid Fever: A Horticultural Tale of Love, Lust, and Lunacy)
“
Fill your bowl to the brim and it will spill,
Keep sharpening your knife and it will be blunt
Care about people's approval and you will be their prisoner.
”
”
Lao Tzu
“
There's a darkness in each of us, afraid to show itself, wrestling with such blunt tools as words and deeds to make itself known to the darkness in another person similarly hidden behind walls of camouflage, disguise, interpretation. Honesty is a knife that we can use to pare away those layers, but one slip, go too deep, and who knows what injuries might be inflicted … The wounds an honest tongue can open sometimes take a lifetime to heal.
”
”
Mark Lawrence (The Girl and the Stars (Book of the Ice, #1))
“
Mourning the death of strangers is a blunted butter knife experience, bearing no resemblance to the slicing, machete-like bereavement of losing someone you know.
”
”
Lionel Shriver (Property: Stories Between Two Novellas)
“
Fill your bowl to the brim and it will spill. Keep sharpening your knife and it will blunt. Chase after money and security and your heart will never unclench. Care about people’s approval and you will be their prisoner. Do your work, then step back. The only path to serenity.
”
”
Stephen Mitchell (Tao Te Ching)
“
I admire nudity and I like sex, and so did a lot of people in the Thirties. But, to me, overexposure blunts the fun…Sex as something beautiful may soon disappear. Once it was a knife so finely honed the edge was invisible until it was touched and then it cut deep. Now it is so blunt that it merely bruises and leaves ugly marks. Nudity is fine in the privacy of my own bedroom with the appropriate partner. Or for a model in life class at art school. Or as portrayed in stone and paint. But I don’t like it used as a joke or to titillate. Or be so bloody frank about.
”
”
Mary Astor (A Life On Film)
“
Epistle to Be Left in the Earth
...It is colder now,
There are many stars,
We are drifting
North by the Great Bear,
The leaves are falling,
The water is stone in the scooped rocks,
To southward
Red sun grey air:
The crows are
Slow on their crooked wings,
The jays have left us:
Long since we passed the flares of Orion.
Each man believes in his heart he will die.
Many have written last thoughts and last letters.
None know if our deaths are now or forever:
None know if this wandering earth will be found.
We lie down and the snow covers our garments.
I pray you,
You (if any open this writing)
Make in your mouths the words that were our names.
I will tell you all we have learned,
I will tell you everything:
The earth is round,
There are springs under the orchards,
The loam cuts with a blunt knife,
Beware of
Elms in thunder,
The lights in the sky are stars—
We think they do not see,
We think also
The trees do not know nor the leaves of the grasses hear us:
The birds too are ignorant.
Do not listen.
Do not stand at dark in the open windows.
We before you have heard this:
They are voices:
They are not words at all but the wind rising.
Also none among us has seen God.
(...We have thought often
The flaws of sun in the late and driving weather
Pointed to one tree but it was not so.)
As for the nights I warn you the nights are dangerous:
The wind changes at night and the dreams come.
It is very cold,
There are strange stars near Arcturus,
Voices are crying an unknown name in the sky
”
”
Archibald MacLeish (New Found Land)
“
What’s this?” he whispers to me, holding up one of his utensils. “A butter knife.” Day scowls at it, running a finger along its blunt, rounded edge. “This,” he mutters, “is not a knife.” Beside him, Serge notices his hesitation too. “I take it you’re not accustomed to forks and knives where you’re from?” he says coolly to him. Day stiffens, but he doesn’t miss a beat. He grabs a larger carving knife, purposely disturbing his place’s careful setup, and gestures casually with it. Both Serge and Mariana edge away from the table. “Where I come from, we’re more about efficiency,” he replies. “A knife like this’ll skewer food, smear butter, and slit throats all at the same time.
”
”
Marie Lu (Champion (Legend, #3))
“
I believe that words are strong, that they can overwhelm what we fear when fear seems more awful than life is good. I have turned, with an increasingly fine attention, to love. Love is the other way forward. They need to go together: by themselves pills are a weak poison, love a blunt knife, insight a rope that snaps under too much strain. With the lot of them, if you are lucky, you can save the tree from the vine.
”
”
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
“
fuck you. You’re right I’m banging the shit out of her. But it’s just about the sex. That’s what I am now. Someone who needs to fuck to feel alive.” But Vic wasn’t looking at him anymore. His gaze was frozen over Nikhil’s shoulder. He realized with a dull thud of horror that the sound of the water in the bathroom had stopped. He spun around. Jess looked like he had stabbed her in the gut with a blunt knife and then done it again, harder.
”
”
Sonali Dev (A Change of Heart (Bollywood, #3))
“
This is a gift, Helena, not a curse. You can help
them,” Minerva said.
“I’m afraid of them,” Helena replied, blunt as a butcher’s
knife.
“And they sense that, and they think they can take
your place,” Minerva replied, matching Helena’s tone.
”
”
Claire L. Smith (Helena)
“
Furious grief for her sorrow gripped him in claws of steel. She was young, close to his age, yet she'd seen so much unhappiness. He'd give his soul to ease her pain. But his soul, he knew to his regret, held no value for her.
He clenched his fists at his side as he watched her raise her hands to her face. He didn't need to be close to her to know the tears that had threatened during her tale finally overflowed.
Jesus, he hated it when she cried. Every tear ripped at his heart like a blunt butcher's knife.
”
”
Anna Campbell (Untouched)
“
But Talin was scared of him. She had told him that to his face, and the sharp knife of it was still buried in his heart. The man wasn’t sure he wanted to chance another rejection. Keeping the animal’s instincts in check, he finally stepped out of the shadows. “Do you want to be held, Talin?” Her damp eyes widened at the blunt question, then she nodded in a little jerking motion. Something in him quieted, waiting. “Then come here.” A pause during which the entire forest seemed to freeze, the night creatures aware of the leopard’s tense watchfulness.
“Oh, God, Clay.” Suddenly her arms were wrapped around his back, her cheek pressed against the white cotton of his T-shirt.
Hardly daring to breathe, he closed his own arms around her feminine warmth, blindingly aware of every inch of her pressed into him, every spot of wetness soaking through his T-shirt. She was so small, so damn soft, her humanity apparent in the delicacy of her skin, the lightness of her bones. The Psy might be fragile in comparison to changelings, but they had powers of the mind to compensate. Humans had the same fragility but none of the psychic abilities. A wave of protectiveness washed over him. “Shh, Tally.” He used the nickname because, at this moment, he knew her. She had always had a heart too big for her body, a heart that felt such pain for others while ignoring its own. “I’ll find your lost one.”
She shook her head against him. “It’s too late. Three bodies already. Jonquil is probably dead, too.”
“Then I’ll find who did this to them and stop him.”
She stilled against him. “I didn’t come here to turn you into a killer again.
”
”
Nalini Singh (Mine to Possess (Psy-Changeling, #4))
“
Ildiko shuddered. Her hope to never again see or eat the Kai’s most beloved and revolting delicacy had been in vain. When Brishen informed her that the dish was one of Serovek’s favorites, she resigned herself to another culinary battle with her food and put the scarpatine on the menu. She ordered roasted potatoes as well, much to the head cook’s disgust.
When servants brought out the food and set it on the table, Brishen leaned close and whispered in her ear. “Revenge, wife?”
“Hardly,” she replied, keeping a wary eye on the pie closest to her. The golden top crust, with its sprinkle of sparkling salt, pitched in a lazy undulation. “But I’m starving, and I have no intention of filling up on that abomination.”
Their guest of honor didn’t share their dislike of either food. As deft as any Kai, Serovek made short work of the scarpatine and its whipping tail, cleaved open the shell with his knife and took a generous bite of the steaming gray meat.
Ildiko’s stomach heaved. She forgot her nausea when Serovek complimented her. “An excellent choice to pair the scarpatine with the potato, Your Highness. They are better together than apart.”
Beside her, Brishen choked into his goblet. He wiped his mouth with his sanap. “What a waste of good scarpatine,” he muttered under his breath.
What a waste of a nice potato, she thought. However, the more she thought on Serovek’s remark, the more her amusement grew.
“And what has you smiling so brightly?” Brishen stared at her, his lambent eyes glowing nearly white in the hall’s torchlight.
She glanced at Serovek, happily cleaning his plate and shooting the occasional glance at Anhuset nearby. Brishen’s cousin refused to meet his gaze, but Ildiko had caught the woman watching the Beladine lord more than a few times during dinner.
“That’s us, you know,” she said.
“What is us?”
“The scarpatine and the potato. Better together than alone. At least I think so.”
One of Brishen’s eyebrows slid upward. “I thought we were hag and dead eel. I think I like those comparisons more.” He shoved his barely-touched potato to the edge of his plate with his knife tip, upper lip curled in revulsion to reveal a gleaming white fang.
Ildiko laughed and stabbed a piece of the potato off his plate. She popped it into her mouth and chewed with gusto, eager to blunt the taste of scarpatine still lingering on her tongue.
”
”
Grace Draven (Radiance (Wraith Kings, #1))
“
No matter what his father did to him, he never deprived his child from eating, during dinner, he had hidden a knife behind him, turned to his father who still had been stuffing his face with meat.
He still remembered the feeling when he stuck the knife with full force into his father’s neck, despite the butter knife being blunt and rough it did the job just right
”
”
Jules Rae (Blind Murder)
“
from the Adairsville PD. What you’ve got to do is imply that you understand the subject, understand what was going through his mind and the stresses he was under. No matter how disgusting it feels to you, you’re going to have to project the blame onto the victim. Imply that she seduced him. Ask if she led him on, if she turned on him, if she threatened him with blackmail. Give him a face-saving scenario. Give him a way of explaining his actions. The other thing I knew from all the cases I’d seen is that in blunt-force-trauma or knife homicides, it’s difficult for the attacker to avoid getting at least traces of the victim’s blood on him. It’s common enough that you can use it. When he starts to waffle, even slightly, I said, look him straight in the eye and tell him the most disturbing part of the whole case is the known fact that he got Mary’s blood on him. “We know you got blood on you, Gene; on your hands, on your clothing. The question for us isn’t ‘Did you do it?’ We know you did. The question is ‘Why?’ We think we know why and we understand. All you have to do is tell us if we’re right.” And that was exactly how it went down. They bring Devier in. He looks instantly at the rock, starts perspiring and breathing heavily. His body language is completely different from the previous interviews: tentative, defensive. The interrogators project blame and responsibility onto the girl, and when he looks as if he’s going with it, they bring up the blood. This really upsets him. You can often tell you’ve got the right guy if he shuts up and starts listening intently as you speak.
”
”
John E. Douglas (Mind Hunter: Inside the FBI's Elite Serial Crime Unit (Mindhunter #1))
“
Yes, but open revolution is another matter. It is one moment in the people’s life, and it is the price we have to pay for all our progress. No doubt fearful things will happen; they must in every revolution. But they will be isolated facts–exceptional features of an exceptional moment. The horrible thing about this promiscuous knifing is that it becomes a habit. The people get to look upon it as an every-day occurrence, and their sense of the sacredness of human life gets blunted.
”
”
Ethel Lilian Voynich (خرمگس)
“
When I met Oodgeroo, I met my mother: not just Dossie’s poise, eyes and Lindt-like skin, but the funny-bugger with a steak knife, buried, a serrated intensity that unsettled me—a boy of elocution lessons and an easier ride, 25 a man of lighter brown travelling, whose tab of overt intolerance came in at insults and one lost girlfriend. I wasn’t there when indignity did its daily round—rarely blunt, rather, a pointed 30 needling that cut near the core, left wounds that broke their stitches every morning I did know that the sharp steel about Oodgeroo was also about my mother. On campus—
”
”
Anita Heiss (Anthology of Australian Aboriginal Literature)
“
I stabbed him," Lizzy said bluntly. "That's how he got that scar."
"Why? I'm sorry. That's personal. I shouldn't ask that." She blushed.
"It's okay." Lizzy laid a hand on the woman's arm. "I was mad at a woman for flirting with him and he tried to take the knife away from me. It was an accident."
"I'll be right back with your drinks and appetizer." She turned so fast that she ran into a bus boy with a tray of dirty glasses and he had to do some fancy footwork to keep it all from hitting the floor.
"Lying on Sunday?" Toby chuckled. "The preacher will make you deliver the benediction next week as penance."
-Lizzy, a waitress and Toby
”
”
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
“
So,” John said, “I’ll meet you at your place at eight, and we can walk over together?” “What? For what?” “The vigil.” “I’m not going to that.” I tried to ignore his surprise, his dogged faith. “Of course you are.” “I don’t know this person.” John continued to stand there, arms hanging down. The knife skidded so much I lost my grip and had to pick it up again. “It could’ve been you,” he said finally. “No,” I said, chopping bluntly, breaking more than slicing the lettuce, “it couldn’t. I’ve worked my whole life so that it couldn’t be me.” White flash of a face. Where did they go, those boys, after they left us behind? “Last night,” John began. He paused, still looking wounded. “You were so happy.” I gathered the lettuce into a bin and held it against my stomach like a barrier. “If it had been me, it would’ve been your fault.” John reeled as though I’d struck him. “You’re a coward,” he said. “You’ve worked your whole life because you’re a coward.” “What do you know? What do you know about anything?” His family moved for him. The hormones. The surgery he was allowed to accept or reject. I waved my arm around the kitchen, at the stunned cooks watching us. “Nobody has to know about you! You can blend in whenever you want!” “You honestly believe that? You think my life’s been easy?” “Yes, I think it’s been fucking easy!” I screamed. “They don’t know! I didn’t know! I wish I still didn’t know!” I tried to shove past him. He touched my back. I remembered Humphrey Bogart’s hand, I remembered dancing, I remembered the gown twirling, I remembered the boy who complimented my ass, I remembered being told I was beautiful. I remembered the woman staring back at me in the Métro windows, her wink. I tried to pull away. John embraced me with my arms pinned to my sides, the lettuce bin between us, its raw, wet smell pushed toward our faces. In full view of the entire kitchen, he kissed me. A kiss that made me think of the woefully few people I had kissed in my life. A kiss that reminded me I had never been loved. A kiss that said I could not be John unless I risked being Dana. My
”
”
Kim Fu (For Today I Am a Boy)
“
The Rabbit The rabbit wanted to grow. God promised to increase his size if he would bring him the skins of a tiger, of a monkey, of a lizard, and of a snake. The rabbit went to visit the tiger. “God has let me into a secret,” he said confidentially. The tiger wanted to know it, and the rabbit announced an impending hurricane. “I’ll save myself because I’m small. I’ll hide in some hole. But what’ll you do? The hurricane won’t spare you.” A tear rolled down between the tiger’s mustaches. “I can think of only one way to save you,” said the rabbit. “We’ll look for a tree with a very strong trunk. I’ll tie you to the trunk by the neck and paws, and the hurricane won’t carry you off.” The grateful tiger let himself be tied. Then the rabbit killed him with one blow, stripped him, and went on his way into the woods of the Zapotec country. He stopped under a tree in which a monkey was eating. Taking a knife, the rabbit began striking his own neck with the blunt side of it. With each blow of the knife, a chuckle. After much hitting and chuckling, he left the knife on the ground and hopped away. He hid among the branches, on the watch. The monkey soon climbed down. He examined the object that made one laugh, and he scratched his head. He seized the knife and at the first blow fell with his throat cut. Two skins to go. The rabbit invited the lizard to play ball. The ball was of stone. He hit the lizard at the base of the tail and left him dead. Near the snake, the rabbit pretended to be asleep. Just as the snake was tensing up, before it could jump, the rabbit plunged his claws into its eyes. He went to the sky with the four skins. “Now make me grow,” he demanded. And God thought, “The rabbit is so small, yet he did all this. If I make him bigger, what won’t he do? If the rabbit were big, maybe I wouldn’t be God.” The rabbit waited. God came up softly, stroked his back, and suddenly caught him by the ears, whirled him about, and threw him to the ground. Since then the rabbit has had big ears, short front feet from having stretching them out to break his fall, and pink eyes from panic. (92)
”
”
Eduardo Galeano (Genesis (Memory of Fire Book 1))
“
...literature does its best to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul
looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of
June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant;
it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come
to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself,
with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage
of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically
speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks,
investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances
about them for which it has neither time nor liberty in health.
”
”
Virginia Woolf (On Being Ill)
“
literature does itsnbest to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul
looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of
June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant;
it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come
to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself,
with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage
of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically
speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks,
investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances
about them for which it has neither time nor liberty in health.
”
”
Virginia Woolf (On Being Ill)
“
I have questions," she said.
"Ask away."
Poppy decided to be blunt. "Are you dangerous? Everyone says you are."
"To you? No."
"To others?"
Harry shrugged innocently. "I'm a hotelier. How dangerous could I be?"
Poppy gave him a dubious glance, not at all deceived. "I may be gullible, Harry, but I'm not brainless. You know the rumors... you're well aware of your reputation. Are you as unscrupulous as you're made out to be?"
Harry was quiet for a long moment, his gaze fixed on a distant cluster of blossoms. The sun threw its light into the filter of branches, scattering leaf shadows over the pair in the arbor.
Eventually he lifted his head and looked at her directly, his eyes greener than the sun struck rose leaves. "I'm not a gentleman," he said. "Not by birth, and not by character. Very few men can afford to be honorable while trying to make a success of themselves. I don't lie, but I rarely tell everything I know. I'm not a religious man, nor a spiritual one. I act in my own interests, and I make no secret of it. However, I always keep my side of a bargain, I don't cheat, and I pay my debts."
Pausing, Harry fished in his coat pocket, pulled out a penknife, and reached up to cut a rose in full bloom. After neatly severing the stem, he occupied himself with stripping the thorns with the sharp little blade. "I would never use physical force against a woman, or anyone weaker than myself. I don't smoke, take snuff, or chew tobacco. I always hold my liquor. I don't sleep well. And I can make a clock from scratch." Removing the last thorn, he handed the rose to her, and slipped the knife back into his pocket.
Poppy concentrated on the satiny pink rose, running her fingers along the top edges of the petals.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
He wanted her. He loved her. He had no idea where he stood with her. The thought of riding away tomorrow felt like someone scraped out his liver with a blunt knife. Lyle
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
Fill your bowl to the brim
and it will spill.
Keep sharpening your knife
and it will blunt.
Chase after money and security
and your heart will never unclench.
Care about people's approval
and you will be their prisoner.
Do your work, then step back.
The only path to serenity.
”
”
Lao Tzu, Tao Te Ching
“
If it becomes to much for you, then you’re welcome to leave,” he states bluntly. I don’t take offense. It’s exactly what I need to hear.
“But I’ll admit, I won’t ever want you to.”
“Are you going to try and convince me to stay?”
“Yes,” he murmurs. “In the hopes, you’ll bull a knife on me again.”
“Maybe I should try to leave then.”
“Or maybe you could stay.” My attention is pulled away from his magnetic eyes when I feel something cool sliding on my ring finger. A gasp lodges in my throat when I look over and see a beautiful princess cut diamond ring nestled on my finger. My eyes widen and snap back to Mako’s. His eyes ensnare mine as he leans down and places another chaste kiss on my knee.
“Maybe just for a little while?
”
”
H.D. Carlton (Shallow River)
“
For example, the dinner knife was invented by an English aristocrat who surmised that a blunted knife devoted solely to dining would cut down (no pun intended) on dangerous misunderstandings between dinner guests. At that time in history few men traveled without a dagger and it was common to use it to cut one's meat at meals. Pointing a dagger at another, however, was taken as an insult and a challenge and the results were often catastrophic. The invention of the dinner knife changed the way people interacted with one another at table - etiquette followed form which followed function.
”
”
Tara Woods Turner (Beyond Good Manners: How to Raise a Sophisticated Child)
“
I love you both, and I can’t choose a side if that happens. That being said…” She jabbed the blunt edge of her knife into my chest. “If you hurt her, I will murder you.”
“What makes you think I’d be the one doing the hurting? I could very easily be the hurtee.”
Was that a word? If it wasn’t, it was now.
“Murder. You,” Ava emphasized with additional jabs.
”
”
Ana Huang (Twisted Hate (Twisted, #3))
“
Since one person differs from another in disposition, when men are appointed to offices this should be tested, and their tendencies observed and their ability estimated, so that the office may be well filled. A saw cannot do the work of a gimlet, and a hammer cannot take the place of a knife, and men are just like this. There is a use for both sharp and blunt at the right time, and if this is not well apprehended the relation of lord and vassal will become disturbed. The Legacy of Ieyasu
”
”
Danny Chaplin (Sengoku Jidai. Nobunaga, Hideyoshi, and Ieyasu: Three Unifiers of Japan)
“
Since one person differs from another in disposition, when men are appointed to offices this should be tested, and their tendencies observed and their ability estimated, so that the office may be well filled. A saw cannot do the work of a gimlet, and a hammer cannot take the place of a knife, and men are just like this. There is a use for both sharp and blunt at the right time, and if this is not well apprehended the relation of lord and vassal will become disturbed.
”
”
Danny Chaplin (Sengoku Jidai. Nobunaga, Hideyoshi, and Ieyasu: Three Unifiers of Japan)
“
Thank you, Matthew.’ Phryne inclined her chin towards him. ‘And just so you know, if you ever go anywhere near Jean again, I will hunt you down with a blunt knife and carve my initials in your liver. Good day!’ ***
”
”
Kerry Greenwood (The Lady with the Gun Asks the Questions: The Ultimate Miss Phryne Fisher Story Collection (Phryne Fisher, #22))
“
I joy in grief, and do detest all joys;
Despise delight, am tired with thoughts of ease.
I turn my mind to all forms of annoys,
And with the change of them my fancy please.
I study that which most may me displease,
And in despite of that most my soul destroys;
Blinded with beams, fell darkness is my sight;
Dwell in my ruins, feed with sucking smart,
I think from me, not from my woes, to part.
I think from me, not from my woes, to part,
And loathe this time called life, nay think that life
Nature to me for torment did impart;
Think my hard haps have blunted death's sharp knife,
Not sparing me in whom his works be rife;
And thinking this, think nature, life, and death
Place sorrow's triumph on my conquered heart.
Whereto I yield, and seek no other breath
But from the scent of some infectious grave;
Nor of my fortune aught but mischief crave.
”
”
Philip Sydney (The Countess of Pembroke's Arcadia)
“
Vasily screamed. The gut-wrenching sound bounced off the walls behind us. It wasn’t a short burst of pain like the previous one. It went on and on. Warbling. The sound you would make if someone was carving out your eyeballs with a blunt knife. It climbed octave after octave to a soul-shattering soprano of prolonged agony—which, in the end, turned one-eighty into a crescendo of blistering rage.
”
”
Jeremy Bates (Mountain of the Dead (World's Scariest Places #5))
“
He had lunched without zest on liver belonging to some animal unknown, which the butcher had handed to him as a pearl of great price. In the skilled hands of Mrs Shergold, it would have become a meal fit for a prince; under his own ministrations it had formed a knife-blunting crust on the outside whilst remaining revoltingly raw and red inside.
”
”
Margaret Scutt (Corpse Path Cottage (English Village Mysteries #1))
“
Types of Wounds
1. Contusion: A bruise.
2. Abrasion: A wound in which one or more layers of skin are partially or completely scraped away.
3. Laceration: A cut through the skin. A laceration produced by a sharp object, such as a knife, generally produces little damage to the surrounding skin. Lacerations from a blunt injury, however, typically result in a tearing or bursting of the skin, causing ragged wound edges or star-shaped patterns. Because damage to adjacent skin occurs, these wounds heal more slowly, result in larger scars, and are more prone to infection.
4. Avulsion: A partial amputation that leaves a “flap” of body tissue attached by skin, muscle, or tendon.
5. Amputation: A complete separation of a body part, such as an ear, finger, or foot, from the rest of the body.
6. Puncture: A wound that occurs when an object, such as a thorn, fang, or knife, penetrates the body. These wounds may introduce bacteria into deep tissues and are very difficult to clean adequately. As a result, they are particularly prone to infection.
7. Impaled object: A puncture wound with the puncturing object still stuck in.
8. Bite wound: A puncture wound caused by a bite from an animal or another human.
9. Burn: Tissue injury resulting from heat, electricity (lightning), radiation (sunburn), or chemicals.
”
”
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
“
Long ago they’d decided that speech was a blunt object, and what they required instead was a silver boning knife—bold and bloody—able to extract the elegant skeleton that held their words together without inflicting any damage.
”
”
Sammie Downing (The Family That Carried Their House On Their Backs)