Seth Speaks Quotes

Suffering is not good for the soul, unless it teaches you how to stop suffering. That is its purpose.

On the contrary, there is something pleasing about his mouth when he speaks. And there is something of dignity in the way his trousers cling to those most English parts of him.

First of all, a soul is not something that you have. It is what you are.

If toes had eyes, then I could see how my feet know where to go, but toes are blind. And how is it that my tongue speaks words it cannot hear? Because for all its eloquence, the tongue itself is deaf, and flaps in soundlessness.

The interior drama, therefore, is always the important one. The “story of your life” is written by you, by each reader of this book. You are the author. There is no reason, therefore, for you to view the drama and feel trapped by it. The power to change your own condition is your own. You have only to exercise it.

You create your own reality.

Suffering is not good for the soul, unless it teaches you how to stop suffering. That is its purpose.

There is no need to justify your existence. You do not need to write or preach to justify yourselves, for instance. Being is its own justification.

The ego is a jealous god, and it wants its interests served. It does not want to admit the reality of any dimensions except those within which it feels comfortable and can understand. It was meant to be an aid but it has been allowed to become a tyrant.

Consciousness creates form. It is not the other way around. All personalities are not physical. It is only because you are so busily concerned with daily matters that you do not realize that there is a portion of you who knows that its own powers are far superior to those shown by the ordinary self.

True creativity comes from enjoying the moments, which then fulfill themselves, and a part of the creative process is indeed the art of relaxation, the letting go,

You would be much better off in reading this book if you asked yourself who you are, rather than asked who I am, for you cannot understand what I am unless you understand the nature of personality and the characteristics of consciousness.

if you have the intent to really change your orientation, then the atmosphere will automatically be created in which desired changes occur. End

True spirituality is a thing of joy and of the earth, and has nothing to do with fake adult dignity. It has nothing to do with long words and sorrowful faces. It has to do with the dance of consciousness that is within you, and with the sense of spiritual adventure that is within your hearts.

This is one hell of a suicide note. THE SUICIDE SOLILOQUY- Yes! I've resolved the deed to do, And this the place to do it; The heart I'll rush a dagger through Though I in hell should rue it! Sweet steel! Come forth from out your sheath, And glist'ning, speak your powers; Rip up the organs of my breath, And draw my blood in showers! I strike! It quivers in that heart Which drives me to this end; I draw and kiss the bloody dart, My last-my only friend!

I can't say I cared much for you when I first came back. There's that crappy attitude of yours, and you're ugly, but you kind of grow on a guy." Immensely cheered, Seth snickered. "You're uglier." "I'm bigger, I'm entitled. So I guess I'll hang around to see if you get any prettier as time goes on." "I didn't really want you to go," Seth said under his breath after a long moment. It was the closest he could get to speaking his heart. "I know.

You speak of eternal life. You speak of indulging the mind and body,” said Abe. “But what of the soul?” “And what use is a soul to a creature that shall never die?” Abe couldn’t help but smile. Here was a strange little man with a strange way of seeing things. Only the second living man he’d ever met who knew the truth of vampires. He drank to excess and spoke in an irritating, high-​pitched voice. It was hard not to like him. “I begin to suspect,” said Abe, “that you would like to be one of them.” Poe laughed at the suggestion. “Is not our existence long and miserable enough?” he asked, laughing. “Who in God’s name would seek to prolong it?

It is their nature, beautiful and simple. That you would destroy such beings, Mr. Lincoln, such superior creatures, seems madness to me.” “That you speak of them with such reverence, Mr. Poe, seems madness to me.” "Can you imagine it? Can you imagine seeing the universe through such eyes? Laughing in the face of time and death—the world your Garden of Eden? Your library? Your harem?

I’m of the belief that in most industries, women have to work twice as hard to get half the credit. After putting in so much effort to make a good movie, it felt pretty demeaning when they called it a “female comedy.” This meaningless label painted me into a corner and forced me to speak for all females, because I am the actual FEMALE who wrote the FEMALE comedy and then starred as the lead FEMALE in that FEMALE comedy. They don’t ask Seth Rogen to be ALL MEN! They don’t make “men’s comedies.” They don’t ask Ben Stiller, “Hey, Ben, what was your message for all male-kind when you pretended to have diarrhea and chased that ferret in Along Came Polly?

you interpret daily life according to your ideas of what is possible or not possible.

I hope that this book will serve to release the deeply intuitive self within each of my readers, and to bring to the foreground of consciousness whatever particular insights will serve you most. As

How many of you would want to limit your reality, your entire reality, to the experience you now know? You do this when you imagine that your present self is your entire personality, or insist that your identity be maintained unchanged through an endless eternity. (10:43.)

Your tactics are self-centered. You have forgotten that you are not the only player on the board, that inherent talent speaks for no more than experience, and that others around you seek to expand their authority and constrain yours.

My message to the reader will be: “Basically, you are no more of a physical personality than I am, and in telling you of my reality I tell you of your own.” There

You prefer to identify with the part of you who watches television or cooks or works — the part you think knows what it is doing. But

mankind has a tendency to project his own guilt and his own errors upon a father-god image, who it seems must grow weary of so many complaints. The

When you are overly concerned with physical matters, and even vital physical matters, you pull yourself in. And more ridiculous, you pull up your roots. A tree would never pull up its roots. I am not speaking now of pulling up your roots in terms of moving from one location to another. I am speaking of something akin to cutting off your roots from any nourishment

A demigod?” I repeated like I’d just learned to speak a few seconds ago. “A real, live demigod?” “Opposed to a fake, dead one?” He chuckled, proud of himself, and then sighed when my eyes narrowed on him. “You used to have a sense of humor, Seth.

The experiment that would transform your world would operate upon the basic idea that you create your own reality according to the nature of your beliefs, and that all existence was blessed, and that evil did not exist in it. If these ideas were followed individually and collectively, then the evidence of your physical senses would find no contradiction. They would perceive the world and existence as good. This

I’ll never know anyone’s true self, will I? Their thoughts and memories, the selfness of someone, the me-ness of me: that’s like a true name, a person in all their formless awesome grandeur. But we do not see that grandeur. We see each other only in the shapes we are forced to assume. Words constrain us, and also our laws, and our fears and hopes, and the wind, and the rain, and the dog that barks while we’re trying to speak, all these things constrain us. We all force our true selves into little hashes and show them like passwords. A smile is a hashing function, and a word, and a cry. The cry is not the grief, the word is not the meaning, the smile is not the joy: we cannot run the hash in reverse, we cannot get from the sign to the absolute truth. Maybe the smile is false. Maybe the grief is a lie.

It is not correct, therefore, to suppose that your actions in this life are caused by a previous existence, or that you are being punished in this life for crimes in a past one. The lives are simultaneous.

You must again realize that we speak of the self as being so divided only for simplicity’s sake. While the self is whole, it is however compartmentalized for efficiency’s sake, but beneath consciousness the doors are open. Again, the conscious self is most necessary. However it cannot be stressed too strongly that consciousness is merely a state of focus, and not a self. Consciousness is the direction in which the self looks at any given time.

When you do not know what to do, relax and tell yourself that other portions of yourself do know; they will take over. Give yourself some rest. Remind yourself that in many ways you are a very successful person as you are. Success does not necessarily involve great intellect or great position or great wealth; it has to do with inner integrity. Remember that.

If we do not acknowledge our collective trauma, how can we ever heal from it? When we speak, when we share, we can change things. Maybe even change the world.

According to the laws of early twenty-first century cinema, anyone speaking Japanese is in a horror movie.

Though this book is entitled The Way Toward Health, we are not speaking of physical health alone, but of mental, spiritual, and emotional health as well.

People do not buy goods and services. They buy relations, stories, and magic.” – Seth Godin

Close your eyes after having read this chapter to this point, and try to sense within yourself the source of power from which your own breathing and life forces come.

Seth Rogen is a funny guy. In fact, he can't even speak a whole sentence without laughing. Even funnier still is the person listening is not even giggling, chuckling, or breaking a smile.

Seth Godin said: “If you’re not going to change my mind and change my life and make me go and do something different, why are you boring me with a presentation? Why not just send an email?” 

come. Some of you will do this successfully at your first try. Others may take longer. When you feel within yourself this source, then try to sense this power flow outward through your entire physical being, through the fingertips and toes, through the pores of your body, all directions, with yourself as center. Imagine the rays undiminished, reaching then through the foliage and clouds above, through the center of the earth below, extending even to the farthest reaches of the universe. Now I do not mean this to be merely a symbolic exercise, for though it may begin with imagination, it is based upon fact, and emanations from your consciousness and the creativity of your soul do indeed reach outward in that manner. The exercise will give you some idea of the true nature, creativity, and vitality of the soul from which you can draw your own energy and of which you are an individual and unique portion. (Humorously): You may take your break.

It is not that physical reality is false. It is that the physical picture is simply one of an infinite number of ways of perceiving the various guises through which consciousness expresses itself.

When you consider the soul, however, you usually think of it in such a light — unchanging, a psychic or spiritual citadel. But citadels not only keep out invaders, they also prevent expansion and development. There

[Retire: You have been discharged with high honors by the Royal Lepierian Army and granted a deed to a small farm in the Robain Mountains, at the frontier village of Fairford. Speak to the village leader to claim your land.]

Hatred always involves a painful sense of separation from love, which may be idealized. A person you feel strongly against at any given time upsets you because he or she does not live up to your expectations. The higher your expectations the greater any divergence from them seems. If you hate a parent it is precisely because you expect such love. A person from whom you expect nothing will never earn your bitterness. In a strange manner, hatred is a means of returning to love; and left alone and expressed it is meant to communicate a separation that exists in relation to what is expected. Love, therefore, can contain hate very nicely. Hatred can contain love and be driven by it, particularly an idealized love. You "hate" something that separates you from a loved object. It is precisely because the object is so loved that it is so disliked if expectations are not met. You may love a parent, and if the parent does not seem to return the love and denies your expectations, then you may "hate" the same parent because of the love that leads you to expect more. The hatred is meant to get your love back. It is supposed to lead to a communication from you, stating your feelings - clearing the air, so to speak, and bringing you closer to the love object. Hatred is not the denial of love, then, but an attempt to regain it, and a painful recognition of circumstances that separate you from it. --

My worst fear is that people will feel unheard, even if their opinions aren’t desirable. When people think of themselves as unheard, and their voices remain oppressed, they’ll speak in the only language in which all men are fluent: violence.

More than anything else in the universe, more than the power to dictate law at Taranoke, more than the knowledge of the count of stars in the sky, Baru wanted in that moment to speak the truth. But she had no tongue for it. She had burnt all her truth away. Alloyed it into the machine.

Moderation in all things, including moderation.” This is the logic of a future addict. Looking back on it, perhaps I should have resorted to another quote by Wilde, who perhaps was speaking with the wisdom of retrospection himself: “Moderation is a fatal thing. Nothing succeeds like excess.

To my great surprise — and slight annoyance — I found that Seth eloquently and lucidly articulated a view of reality that I had arrived at only after great effort and an extensive study of both paranormal phenomena and quantum physics. …” — Michael Talbot, author of The Holographic Universe

I cannot speak of the things I have seen, nor seek the comfort for the pain I feel. If I did, this nation would descend into a deeper kind of madness, or think of it's president mad. The truth, I am afraid, must live as paper and ink. Hidden and forgotten until every man named here has passed to dust.

When you think of the purpose of your existence, you think in terms of daily waking life, but you also work at your purpose in these other dream dimensions, and you are then in communication with other portions of your own entity, at work at endeavors quite as valid as those you are about in waking life.

I communicate with your dimension, for example, not by willing myself to your level of reality, but by imagining myself there. All of my deaths would have been adventures had I realized what I know now. On the one hand you take life too seriously, and on the other, you do not take playful existence seriously enough.

There are such subtle qualities affecting the nature of all thought, such emotional gradations, that no one is ever identical — (smile) and incidentally, no physical object in your system is an exact duplicate of any other. The atoms and molecules that compose it — any object — have their own identities that color and qualify any object that they form.

There are many other beings that you will discover in the Gnostic Galaxy if you choose to delve more deeply into Gnosticism. For instance, there is Barbelo, who speaks of Herself in the Trimorphic Protennoia. While She appears in certain Gnostic texts such as The Three Steles of Seth and the above Trimorphic Protennoia, Barbelo is a very complex being, often portrayed as androgynous.

The experiment that would transform your world would operate upon the basic idea that you create your own reality according to the nature of your beliefs, and that all existence was blessed, and that evil did not exist in it. If these ideas were followed individually and collectively, then the evidence of your physical senses would find no contradiction. They would perceive the world and existence as good.

You are each born with the conscious knowledge of what has come before. Your brain is far from an empty slate, waiting for the first imprint of experience; it is already equipped with complete "equations", telling you who you are and where you have come from. Nor do you wipe that slate clean, symbolically speaking, before you write your life upon it. Instead, you draw upon what has gone before: the experiences of your ancestors, back through time immemorial.

Perhaps one of the reasons why revolutions have been so few among the English-speaking peoples is because English is so matter-of fact, so uninflammatory that the words needed to suspend the reason of rabbles are entirely lacking. The Romance languages, on the other hand, have not this disability, and the Slavonic languages seem to have been invented for the purpose of expressing or arousing the most intimate emotions without embarrassing either oneself or ones hearers.

Your eyes drooled. I saw them.” He was totally perplexed by this argument. Was he not allowed to speak to anyone? “I’m wearing dark sunglasses. How can you see my eyes?” “She’s jealous, Seth.” He looked at Maahes for an explanation. “Why?” Lydia broke off into her hand gestures. “Are you yelling at me, now?” Maahes laughed. “Oh yeah, kid. She’s calling you a lot of names.” That surprised him. “You understand her?” Maahes gestured back at Lydia in the same language. For some reason, it angered and hurt him that they’d cut him out of the conversation. “Are you mocking me?” Lydia flicked her nails at him, then turned and stormed off. Seth had no idea what he should do. He didn’t understand human emotions or relations. Not really. It’d been too long since he had any. Maahes let out a heavy sigh. “You hurt her feelings, boy. You need to go apologize.” “How did I hurt them?” “Think about it, Seth. She risked her life to bring you here, to save you from hell, and what do you do the first minute she leaves you alone? You let another woman flirt with you.

True spirituality is a thing of joy and of the earth, and has nothing to do with fake adult dignity. It has nothing to do with long words and sorrowful faces. It has to do with the dance of consciousness that is within you, and with the sense of spiritual adventure that is within your hearts. That is the meaning of spirituality; and as I have told you before, if I could I would do a merry dance about the room to show you that your vitality is not dependent upon a physical image. It is not dependent upon your youth, it is not dependent upon your body. It rings and sings through the universe, and through your entire personality. It is a sense of joy that makes all creativity probable. So do not think you are being spiritual when you are being long faced, and do not think you are being spiritual when you berate yourself for your sins. The seasons within your system come and go. The sun falls upon your face whether you think you are a sinner or a saint. The vitality of the universe is creativity and joy and love, and that is spirituality. And that is what I shall tell the readers of my book.

We communicate telepathically, but then again, telepathy is the basis for your languages, without which their symbolism would be meaningless. Because we do communicate in this manner, this does not necessarily mean that we use mental words, for we do not. We communicate instead through what I can only call thermal and electromagnetic images that are capable of supporting much more meaning in one “sequence.” The intensity of the communication is dependent upon the emotional intensity behind it, although the phrase “emotional intensity” may be misleading.

Your Godliness speaks through your creaturehood. It is not debased and no entities took upon themselves the disreputable descent into matter. Your souls are not slumming. You are not the garbage heap of the universe. You are yourselves becoming and you are creating, in your way, a unique reality in which, in your terms, each moment is miraculous; in which your own identities are forever original and unduplicated..." "You are not cosmic princesses and princes who come down here to immerse yourselves in lives of sorrow and degradation; who wear physical bodies of great weight, gross and sinful. You are spirits who express yourselves through the miraculous joy of flesh. Who bring to the Universe a reality unknown, in your terms. Who wear as your badge of identity, joy and exultation; and those that tell you that physical life is evil, do not know what they are speaking." "As I have told you before, those who speak to you in terms of guilt; ignore them. Those who tell you that to be spiritual is not to be physical do not understand the great physical-spiritual nature of your being. They have not dreamed in their minds. They have not sparkled in themselves like stars and so experiencing night they think that existence is dark." "Open up your eyes and perceive your reality and that will lead you to other realities. You have legs; use them. You have consciousness; use it. You have minds; use them, and use your joy and smile. You know what I am about to do now, but for you, listen to the vitality of your own being. Be alert to your own identity and let it ring throughout the reality of your own being and it will lead you to what you want to do and don't fear shadows.

Back in Russia, where they’re still getting acclimated to the whole capitalism thing, most TV advertising took a straightforward approach to persuasion. Thus, even though I don’t speak Russian, I had no trouble understanding Russian ads. They were all along the lines o: “Oh, no, there’s a stain on the tablecloth! What will Mom do? Thank goodness for this effective detergent!” Not so in Japan, where sophisticated consumers have grown bored with simple persuasion, forcing advertisers to get wildly inventive. Japanese TV ads have at this point evolved into an abstract mishmash of symbols and sounds. Your average thirty-second Japanese commercial is something like: Here’s a man holding a giraffe. Now the giraffe morphs into a rainbow. The rainbow is friends with a talking pencil, and they live together on a spaceship. A few seconds of laughter! A snippet of loud reggae music! Fad out. At least half the time, I have no idea what the product being advertised is or what it does. And yet I very much enjoy the ads. They’re like short-acting hallucinogens.

Degrees of Freedom This is important. One of the easy things about riding the train is that there aren’t many choices. The track goes where the track goes. Sure, sometimes there are junctions and various routes, but generally speaking, there are only two choices—go or don’t go. Driving is a little more complicated. In a car you can choose from literally millions of destinations. Organizations are far more complex. There are essentially an infinite number of choices, endless degrees of freedom. Your marketing can be free or expensive, online or offline, funny or sad. It can be truthful, emotional, boring, or bland. In fact, every marketing campaign ever done has been at least a little different from every other one. The same choices exist in even greater number when you look at the microdecisions that go on every day. Should you go to a meeting or not? Shake hands with each person or just start? Order in fancy food for your guests or go for a walk together because the weather is sunny. . . . In the face of an infinite sea of choices, it’s natural to put blinders on, to ask for a map, to beg for instructions, or failing that, to do exactly what you did last time, even if it didn’t work. Linchpins are able to embrace the lack of structure and find a new path, one that works.

Lynum had plenty of information to share. The FBI's files on Mario Savio, the brilliant philosophy student who was the spokesman for the Free Speech Movement, were especially detailed. Savio had a debilitating stutter when speaking to people in small groups, but when standing before a crowd and condemning his administration's latest injustice he spoke with divine fire. His words had inspired students to stage what was the largest campus protest in American history. Newspapers and magazines depicted him as the archetypal "angry young man," and it was true that he embodied a student movement fueled by anger at injustice, impatience for change, and a burning desire for personal freedom. Hoover ordered his agents to gather intelligence they could use to ruin his reputation or otherwise "neutralize" him, impatiently ordering them to expedite their efforts. Hoover's agents had also compiled a bulging dossier on the man Savio saw as his enemy: Clark Kerr. As campus dissent mounted, Hoover came to blame the university president more than anyone else for not putting an end to it. Kerr had led UC to new academic heights, and he had played a key role in establishing the system that guaranteed all Californians access to higher education, a model adopted nationally and internationally. But in Hoover's eyes, Kerr confused academic freedom with academic license, coddled Communist faculty members, and failed to crack down on "young punks" like Savio. Hoover directed his agents to undermine the esteemed educator in myriad ways. He wanted Kerr removed from his post as university president. As he bluntly put it in a memo to his top aides, Kerr was "no good." Reagan listened intently to Lynum's presentation, but he wanted more--much more. He asked for additional information on Kerr, for reports on liberal members of the Board of Regents who might oppose his policies, and for intelligence reports about any upcoming student protests. Just the week before, he had proposed charging tuition for the first time in the university's history, setting off a new wave of protests up and down the state. He told Lynum he feared subversives and liberals would attempt to misrepresent his efforts to establish fiscal responsibility, and that he hoped the FBI would share information about any upcoming demonstrations against him, whether on campus or at his press conferences. It was Reagan's fear, according to Lynum's subsequent report, "that some of his press conferences could be stacked with 'left wingers' who might make an attempt to embarrass him and the state government." Lynum said he understood his concerns, but following Hoover's instructions he made no promises. Then he and Harter wished the ailing governor a speedy recovery, departed the mansion, slipped into their dark four-door Ford, and drove back to the San Francisco field office, where Lynum sent an urgent report to the director. The bedside meeting was extraordinary, but so was the relationship between Reagan and Hoover. It had begun decades earlier, when the actor became an informer in the FBI's investigation of Hollywood Communists. When Reagan was elected president of the Screen Actors Guild, he secretly continued to help the FBI purge fellow actors from the union's rolls. Reagan's informing proved helpful to the House Un-American Activities Committee as well, since the bureau covertly passed along information that could help HUAC hold the hearings that wracked Hollywood and led to the blacklisting and ruin of many people in the film industry. Reagan took great satisfaction from his work with the FBI, which gave him a sense of security and mission during a period when his marriage to Jane Wyman was failing, his acting career faltering, and his faith in the Democratic Party of his father crumbling. In the following years, Reagan and FBI officials courted each other through a series of confidential contacts. (7-8)

He: "I mean, are you happy and are you fully alive?" I laughed: ''As you can see, you wove witty jokes into the lecture to please your listeners. You heaped up learned expressions to impress them. You were restless and hasty, as if still compelled to snatch up all knowledge. You are not in yourself" Although these words at first seemed laughable to me, they still made an impression on me, and reluctantly I had to / credit the old man, since he was right. Then he said: "Dear Ammonius, I have delightful tidings for you: God has become flesh in his son and has brought us all salvation." ""What are you saying," I called, "you probably mean Osiris, who shall appear in the mortal body?" "No," he replied, "this man lived in Judea and was born from a virgin." I laughed and answered: "I already know about this; a Jewish trader has brought tidings of our virgin queen to Judea, whose image appears on the walls of one of our temples, and reported it as a fairy tale." "No," the old man insisted, "he was the Son of God." "Then you mean Horus the son of Osiris, don't you?" I answered. "No,hewasnotHorus,butarealman,andhewashung from a cross." "Oh, but this must be Seth, surely; whose punishments our old ones have often described." But the old man stood by his conviction and said: "He died and rose up on the third day." "Well, then he must be Osiris," I replied impatiently. "No," he cried, "he is called Jesus the anointed one." ''Ah, you really mean this Jewish God, whom the poor honor at the harbor, and whose unclean mysteries they celebrate in cellars." "He was a man and yet the Son of God," said the old man staring at me intently. "That's nonsense, dear old man," I said, and showed him to the door. But like an echo from distant rock faces the words returned to me: a man and yet the Son of God. It seemed significant to me, and this phrase was what brought me to Christianity. I: "But don't you think that Christianity could ultimately be a transformation ofyour Egyptian teachings?" A: "If you say that our old teachings were less adequate expressions of Christianity, then I'm more likely to agree with you." I: "Yes, but do you then assume that the history of religions is aimed at a final goal?" A: "My father once bought a black slave at the market from the region of the source of the Nile. He came from a country that had heard ofneither Osiris nor the other Gods; he told me many things in a more simple language that said the same as we believed about Osiris and the other Gods. I learned to understand that those uneducated Negroes unknowingly already possessed most of what the religions of the cultured peoples had developed into complete doctrines. Those able to read that language correctly could thus recognize in it not only the pagan doctrines but also the doctrine of Jesus. And it's with this that I now occupy myself I read the gospels and seek their meaning which is yet to come.We know their meaning as it lies before us, but not their hidden meaning which points to the future. It's erroneous to believe that religions differ in their innermost essence. Strictly speaking, it's always one and the same religion. Every subsequent form of religion is the meaning of the antecedent." I: "Have you found out the meaning which is yet to come?" A: "No, not yet; it's very difficult, but I hope I'll succeed. Sometimes it seems to me that I need the stimulation of others, but I realize that those are temptations of Satan." I: "Don't you believe that you'd succeed ifyou were nearer men?" A: "maybeyoureright." He looks at me suddenly as if doubtful and suspicious. "But, I love the desert, do you understand? This yellow, sun-glowing desert. Here you can see the countenance of the sun every day; you are alone, you can see glorious Helios-no, that is - pagan-what's wrong with me? I'm confused-you are Satan- I recognize you-give way; adversary!" He jumps up incensed and wants to lunge at me. But I am far away in the twentieth century.

Seth Godin, author of more than a dozen bestsellers, including Purple Cow and Permission Marketing, understands the importance of frequency and consistency in a book marketing and public relations campaign. He practices these through following these seven steps: Permission marketing. This is a process by which marketers ask permission before sending ads to prospects. Godin pioneered the practice in 1995 with the founding of Yoyodyne, the Web’s first direct mail and promotions company (it used contests, online games, and scavenger hunts to market companies to participating users). He sold it to Yahoo! three years later. Editorial content. Godin was a long-time contributing editor to the popular Fast Company magazine. Blogging. Seth's Blog is one of the most-frequented blogs. Public speaking. Successful Meetings magazine named Godin one of the top 21 speakers of the 21st century. Words used to describe his lectures include "visual," "personal," and "dynamic." Community-building. His latest company, Squidoo.com, ranked among the top 125 sites in the U.S. (by traffic) by Quantcast, allows people to build a page about any topic that inspires them. The site raises money for charity and pays royalties to its million-plus members. E-books. Godin took a step to publish all his books electronically, then worked with Amazon on his own imprint, Domino, which published 12 books. Recently, Godin ended that project – since as he said in a blog, it was a "project" and he is always looking for more and different opportunities. Continuous improvement. Godin is always on the lookout for more ideas, more business opportunities and more engagement with his community.

#1 of 2 Leah munched another chip as she watched a couple on-screen race madly away from men with guns who were intent on killing them. She and Seth sat shoulder to shoulder on the sofa, both slumped down until they were practically lying on their backs. Seth had pulled the matching ottoman up against the sofa, so it really did feel as if they were lying in bed together, watching a movie. She slid him a covert glance. He had donned black cargo pants and a black T-shirt after his shower but had left his big feet bare. He had also left his hair loose. It now spilled over the back of the sofa in a glossy curtain, the thick wavy tresses still drying. He chuckled at something the male protagonist said. Leah smiled. She loved seeing him laugh. She didn’t think he did so as often as he should. Every once in a while, she noticed his gaze would slide to her legs. Her feet were propped on the ottoman close to his. The robe she had borrowed had parted just above her knees and fallen back, leaving most of her legs bare. And that pale flesh repeatedly drew Seth’s attention. She held the bag of chips out to him. Smiling, unaware that the faint golden light of desire illuminated his eyes, he poked his hand in and drew out a couple of chips. She smiled back, then returned her attention to the screen. The protagonists had at last made it to safety. They checked each other over for wounds, something both had miraculously escaped incurring in true Hollywood fashion. Then they fell into each other’s arms, finally giving in to the lust that had sparked between them ever since their first contentious meeting. Leah sighed as she watched them peel each other’s clothes off with eager hands. It made her want to do the same with Seth. Her body even began to respond as her imagination kicked in. “I miss sex.” The words were out of her mouth before she could question the wisdom of speaking them. “I do, too,” Seth confessed. She glanced over at him and found his eyes glued to the screen. More so since I met you. Her eyes widened when his voice sounded in her head. “Really?” “Yes.” The actors on-screen fell naked onto the bed and began to simulate sex, their moans and groans and cries of passion filling the room. “It’s natural to miss it,” he said matter-of-factly. “Nothing to feel guilty about.” “No. I mean, you really miss it more since you met me?” He froze. A look of dismay crossed his features as he cut her a glance. “I said that out loud?” “No. I heard it in my head.” Sh**. She grinned. “I heard that, too.” F**k.

My lips parted to say something, but I forgot what it had been as my gaze fell on the girl who had just stepped into the room. My thumping pulse picked up speed for a wholly different reason as I drank her in. Long, black hair tumbled down her spine, her green eyes turned up towards the curving roof as she drank in the sight of the building she was in. Her lips were full and primed for tasting, but the set of her mouth said she was more used to frowning than smiling. She was without a doubt, the most stunning creature I'd ever laid my eyes upon and I couldn't help but stare at her as she moved deeper into the room with the other students. I felt a silencing bubble closing around me as one of the others tossed it up to allow us to speak freely, but I didn't look away from her. My gaze was riveted to her as I drank in every small movement of her body and each expression crossing her face. I didn't give a fuck about the Vegas showing up tonight anymore. I just wanted to know that girl a whole lot better than I did. "Holy fuck," Caleb murmured beside me and a deep growl rolled through my chest as I got the impression his gaze was fixed where mine was. "Mine," I snarled, the beast in me waking up and my eyes shifting into reptilian slits as if my Dragon was aching for a look at her too. Every muscle in my body tensed and I was filled with the insane urge to get out of my seat and stride straight up to that girl and claim her in front of every fucker here. I didn't even know her name. I didn't know what Order she was or how powerful she was or any of the things like that which should have mattered to me. But I didn't care. Because the only thing about her that mattered in that moment was that I was laying my claim. The Dragon in me demanded it. "Well shit, I didn't consider the fact that they might be hot," Seth cursed and I frowned a little at his words, trying to piece them together. "That'll make things more interesting," Max agreed. "I wanna know how good they taste," Caleb said with a barely stifled groan. I didn't want to listen to any of them, but their words kept pushing in on me while I continued to stare at my mystery girl. ... The second girl looked strikingly like her sister, though for some reason I felt like I'd know which was which in the dark. I wasn't sure what it was. But despite their equally attractive looks, my attention was pulled back towards the first girl like the stars wanted it to be on her. Nova kept prattling on to the twins while my brothers all hissed plans back and forth between each other. Our parents had been more than clear on this. The Vega twins needed to go. We were expected to make sure that happened. That was all that mattered. My dick's interest in getting to know one of them a whole lot more intimately had no bearing on anything. (Darius POV)

Ryan Lilly is a Seth Godin fan, and that says something. Being a Helen Keller fan speaks volumes about me as a person.

I believe, for example, that all creativity and consciousness is born in the quality of play, as opposed to work, in the quickened intuitional spontaneity that I see as a constant through all my own existences, and in the experience of those I know.

Do you think the United States is currently a united or a divided country? If you are like most people, you would say the United States is divided these days due to the high level of political polarization. You might even say the country is about as divided as it has ever been. America, after all, is now color-coded: red states are Republican; blue states are Democratic. But, in Uncharted, Aiden and Michel note one fascinating data point that reveals just how much more divided the United States once was. The data point is the language people use to talk about the country. Note the words I used in the previous paragraph when I discussed how divided the country is. I wrote, “The United States is divided.” I referred to the United States as a singular noun. This is natural; it is proper grammar and standard usage. I am sure you didn’t even notice. However, Americans didn’t always speak this way. In the early days of the country, Americans referred to the United States using the plural form. For example, John Adams, in his 1799 State of the Union address, referred to “the United States in their treaties with his Britanic Majesty.” If my book were written in 1800, I would have said, “The United States are divided.” This little usage difference has long been a fascination for historians, since it suggests there was a point when America stopped thinking of itself as a collection of states and started thinking of itself as one nation.

But as an actual old lady with gray hair and wrinkles, she understood the silences. She didn’t have to talk to Seth about most things, because she had him modeled so well in her mind, she knew what he would say to practically anything she might say to him—and vice versa. They could sit together, not speaking. The silence wasn’t distance, it was closeness. She’d catch him looking and grinning sometimes. She’d grin back.

The assembly-line time and the beliefs that go along with it have given you many benefits as a society, but it should not be forgotten that the entire framework was initially set up to cut down on impulses, creative thought, or any other activities that would lead to anything but the mindless repetition of one act after another (intently). In

we human beings have the blessed creative capacity to do so much better. So why don’t we?” 2.

If any can show just cause why this couple may not be lawfully joined in matrimony, speak now or --- "Reverend Norton halted, looking behind them with raised eyebrows. Before Grace had time to wonder why the minister paused - if someone was, indeed, objecting to their union - the rapid click of toenails on the wooden floor made both of them look back over their shoulders. Frey groaned and made a face. "Gertie!" He released Grace's hand. Who? A brown and black dog trotted up the aisle to them, tail held high. She had soft brown eyes and a thin, dark line down the middle of her forehead that gave her a worried look. She stopped in front of Frey and looked at him, her head cocked as if in expectation. The tips of her ears flopped forward. Seth burst into laughter. "Do you think Gertie's objecting to your marriage?" Obviously aghast at his breach of decorum, Trudy gave Seth an owlish glare. Frey shrugged in apparent chagrin. "I'm sorry. I left her tied up on my porch." She looked from the man to his dog... The dog sniffed her fingers. Seeming to approve, she edged closer. Grace rubbed Gertie's head. "If Reverend Norton doesn't mind," she said to the dog, "I'm fine with you remaining for the rest of the ceremony.

Well, what do you think? Avanti?" "Avanti," cries everyone, and, after a few quick re-tunings of our instruments, and re-initialisings of our hearts, we enter the slow theme-and-variations movement. How good it is to pay this quintet, to play it, not to work at it - to play for our own joy, with no need to convey anything to anyone outside our ring of recreation, with no expectation of a future stage, of the too-immediate sop of applause. The quintet exists without us yet cannot exist without us. It sings to us, we sing into it, and somehow, through these little black and white insects clustering along five thin lines, the man who deafly transfigured what he so many years earlier had hearingly composed speaks into us across land and water and ten generations, and fills us here with sadness, here with amazed delight.

Irritation pricked at my skin, causing the glyphs to agitate restlessly across it. Apollo and I had a history—a very bad history. He couldn’t kill me. I wasn’t sure how any of the Olympian gods could kill me, but I knew they would, eventually. Just not yet— they still needed me. “What do you want?” He tilted his head to the side. “One of these days you will speak to me with respect, Apollyon.” “One of these days you will realize I don’t respect you.” A tight smile appeared on the god’s lips, a hide-your-kids-and-loved-ones kind of smile, but since I had neither of those things, I wasn’t intimidated. “We need to chat.

I have been asked many times what an "outstanding manager" has in his personality? I reflected based on my tenure with some outstanding managers of the country and my sense tells me that he has razor sharp thinking, eloquent speaking ability, free-flow writing ability, quick in calculating/computing (numeric), Tech-savvy, pleasingly interactive, polite conversationalist and agile in navigating in the corridors of office floors/markets based on emerging business needs.

Similarly, some of us have substituted a “relationship” with a book for a relationship with God. God can talk to us any way he wants. After all, he’s God! he chose many different ways to speak to people in Scripture, and he may choose different ways with us as well. He does not tell us in Scripture that he has limited himself and will only speak to us through the Bible.

The main point I want to make in this chapter is that you are already familiar with all conditions you will meet after death, and you can become consciously aware of these to some extent.

you are as much a ghostly phenomenon now as you will be after death. You are simply not aware of the fact.

We don’t want your stupid birth right,” Roxy muttered bitterly before trying to jerk her hand out of my grip. But she was going to have to try harder than that if she expected to break free of a Dragon's strength and I smirked at her before tugging her right back. She gasped as I knocked her off balance in her towering heels and in the next moment, her ass landed in my lap and the beast in me raised its head in contentment as I claimed the treasure I'd been aching for. Mine. Caleb met my gaze with an irritated scowl and I gave him a taunting grin as I wound an arm around her waist and repositioned her so that her ass was firmly seated on my crotch and her side pressed to my chest. I laughed as she gripped my thigh in an attempt to balance herself better and her back arched against me at the sound, giving me even more ideas I shouldn't have been indulging in over her. But that was damn hard with her round ass currently grinding against my cock and giving it plenty of encouragement. “Drink with us,” I insisted, moving my mouth to her ear and feeling her shiver as my stubble grazed her neck. I waved at the bartender through the glass window beside us and the girl who had assigned herself as our personal bartender for the night nodded to show she'd seen me. “I swear we won’t lay a finger on you unless you want us to," I added to Roxy in a low voice, letting my mouth graze against her ear for the briefest moment and loving the way I felt her body react to that despite her trying to hide it. “Well I didn’t want you to drag me into your lap but that didn’t seem to stop you,” she muttered, but she wasn't going anywhere and I wasn't holding her tight enough to force her to stay if she didn't want to. I laughed again and she glanced up at me from beneath dark lashes like she wasn't sure what to make of me when I wasn't scowling and working to intimidate her. I could feel Caleb's attention still on us and I suppressed a growl as he moved closer to us, reaching out to brush his fingers against her arm, despite the fact that I'd clearly beat him to claiming her tonight. Asshole. “I’ll even promise not to bite you tonight if you want?” he offered and I scowled at him while he flipped me off behind her back where no one else could see. I was going to punch him for that later. Roxy looked across the table to her sister, the two of them entering into some kind of silent twin communication and I took the opportunity to slip my Atlas from my pocket and shoot Lance a quick message. Darius: The Vegas just showed up here looking terrified and saying something was chasing them. They said they heard a rattle too. Lance: Stay with them. Keep them safe and I'll scout the area with Francesca. I wasn't going to complain about staying as close as I needed to to the girl currently perched on my ever more solid cock, so I slipped my Atlas back in my pocket and turned my attention back to the girls. “I guess we could stay for one drink,” Gwen said hesitantly as Max stroked her arm, his gifts pushing against all of us as he worked to make them feel amenable to the idea. I shifted Roxy on my lap before she got a really clear idea about how much I wanted her to stay from the feeling of my cock trying to punch a hole in the ass of her jeans and she released a shaky breath as my skin brushed against hers. “One drink then,” she agreed finally and I relaxed as I got what I wanted just as easily as that. The bartender appeared with a smile and a notepad ready to take our order and Seth perked up with a look in his eyes which promised he would be getting utterly shit faced tonight. “Better make it a big one then if you’ll only stay for one,” Seth said as he ordered for all of us. I leaned back in my chair, pulling Roxy closer so that I could steal a moment with her for myself and brushing her hair away from her ear so that I could speak to her alone.(Darius POV)

Generally speaking, my Order didn’t go in for the touchy feely shit the Wolves liked, but I usually didn’t mind it with Seth somehow.

There are seven passions in the universe, Ssrin tells her. Seven patterns which appear again and again, across species, across time and space. There are many ideas about why. She shares none of them. She only names the passions for Anna. Preyjest is the chasing passion, the hunting passion. (Her heads show Anna: one slithering up another’s neck, reaching for it with a forked tongue-tip. At the last instant the other slips away.) Prajna is the lonely passion. The need for truth. One star in the dark, trying to brighten. Caryatasis is the dream of all disciples. The passion that binds students to their teacher. It happens when one soul changes many, and many change toward the one. Geashade hurts in the end, and cannot be ended without the hurt. Hesper is the warmth of a need unexpectedly met. Generosity from a stranger. Love from a friend. It is associated with silence: things said without speaking. Rath is the passion which stole gravity’s strength. Like gravity it draws things together to clash, and leaves scars shaped like the enemy. Serendure is the last and greatest. It is the unbreakable bond which may be trust and may be dependence. It persists whether it is wanted or not. It is like the force which binds quarks together: stronger when it is pulled. Each passion, Ssrin says, is a relationship between souls. Souls are the letters that make these words.

If you identify with your own youth, or beauty, or intellect, or accomplishments, then there is the constant gnawing knowledge that these attributes can and will vanish.

I heard business guru and best-selling author Seth Godin address this in a conference. Someone asked him how many subscribers he had to his blog. He told them he didn’t know. Because if he knew, he’d be tempted to make that number grow and he’d start to create content just to make the number grow. Then he said something that I think is so applicable to closing the gap between a day job and a dream job. “You can’t use analytics to figure out the message.” In other words, you can’t allow your results or the measurement of your progress to control your dream. What you do, the message, so to speak, has to be true and honest and come from the core of what you care about, not be a whim in the whirling winds of analytics. You

More than anything else in the universe, more than the power to dictate law at Taranoke, more than the knowledge of the count of stars in the sky, Baru wanted in that moment to speak the truth. But she had no tongue for it. She had burnt all her truth away. Alloyed it into the machine

it is important that you understand the different ways of relating to reality, and how those ways create the experienced events. You

I’ve eaten about half the carton when a knock sounds on my door. I startle. I don’t go to the door. No one I know would come here. My phone bleeps. Matt: Answer your door. Me: No. Go away. My heart starts to trip. He’s here. Shit. I uncurl my feet from under me and perch my bottom on the edge of the couch. He’ll go away if I wait long enough. He knocks again, and I jerk, dropping my spoon to the floor. I get up and toss it in the sink as I walk past. It clatters loudly. I walk over to the door, press my ear against it, and listen. I don’t hear anything. Matt: I’m not leaving. Me: How did you find me? Matt: Your father felt sorry for me. Me: Traitor. I hear a chuckle through the door. Matt: He loves you. Me: What did you tell him? Matt: I told him that I’m an idiot. I wait. Matt: He agreed. A grin tugs at my lips. Matt: You’re laughing, right? I don’t respond. Matt: Please tell me you’re not crying. Me: Not anymore. You should go home, Matt. Matt: You first. I hear Matt speak softly through the crack in the door. “You should go home, Sky.” I sink down onto my bottom and lay the back of my head against the door. “I can’t go home,” I say. “Why not?” he asks, his voice soft, and I think he is sitting down now, too, just on the other side of the door. “Because you’ll go there.” He chuckles. “I’m here.” I sigh heavily. “Go home, Matt. My feelings are hurt, and I don’t want to see you right now.” “It wasn’t what you thought it was. I thought you knew who she was, and you obviously didn’t. I never meant to hurt you.” “You still love her, Matt,” I say. “No,” he protests. “I don’t. And I made that very clear when you forced me to dance with her tonight.” “You wrote her a fucking letter when you were dying,” I say. “Ugh!” he cries. “That letter will haunt me until the day I die.” “Only because it tells how you really feel.” He chuckles. “It does tell how I really felt when I wrote it.” I bang the back of my head against the door. I want to stop talking about it. “I want you to read it,” he says. “I don’t want to read it.” “Yes, you do.” I hear a rustle, and an envelope slides under my door. It has the word April written across the front. I push it back to him. He laughs and shoves it through again. “I need to tell you something,” he says. “What?” I ask. I don’t touch the letter. I just let it lie there on my carpet. “Seth and Mellie and Joey, they depend on you. They don’t deserve for you to leave them.” That hits me like he just kicked me in the chest. “I didn’t leave them.” “You’re here so you can avoid me, and they’re there.” I don’t say anything because he’s right. I did leave them. “I’ll go away if you’ll go home,” he says. “I won’t like it, but I love you, and I love them enough to give up for tonight so you can go back to them. They need you. And you need them.” Tears burn my eyes, and I blink them back. “Matt,” I say. “Will you read the letter?” he asks. “Maybe,” I grouse. He chuckles, and I hear a sniffle from his side. “Will you call me when you’re ready?” “Maybe,” I say again. “Go home to the kids, Sky. I promise to give you some space. Read the letter, though. It might help.

Yeah? What the fuck is wrong with her? She’s hot as hell but doesn’t talk. Apparently, some bad shit happened to her and now she doesn't speak,” Stitches said. “I don’t know.” Seth cleared his throat. “So…party?

The best way to fight a war is to win without fighting at all, to preserve as much of the enemy’s strength so it can be used to your own benefit. If we were to simply go in and kill the chicken to scare the monkeys, so to speak, we’d be left without a chicken. I’d much rather bide my time and then kill all of the monkeys.

which you are part. It is a field of concentrated action when you consider it in this light — a powerhouse of probabilities or probable actions, seeking to be expressed; a grouping of nonphysical consciousnesses that nevertheless knows itself

Well, technically speaking you did.’ Maddie whirled around to find Seth grinning at her. ‘We did actually sleep together. What we didn’t do is play three rounds of hide the sausage, which is what Agatha here is suggesting, I believe.

What does it mean to have a Courageous Culture? Our favorite definition of culture comes from Seth Godin: “People like us do things like this.”1 It’s that invisible force of mutual understanding and awareness that drives behavior. A Courageous Culture is a place where “people like us” speak up. We share ideas. We solve problems. The default is to contribute. It’s a culture where silence isn’t safe and effort is everything. Courageous Cultures go way beyond employee engagement. People are energized. They bring their whole selves to their work. Innovation isn’t limited to the senior leadership team or R&D. Everyone innovates, every day.

listen, listen, I don’t care if a little fish swims up your latrine and starts a conversation with your asshole, you do not speak to anyone about this prisoner,

You can find out what the soul is now, therefore. It is not something waiting for you at your death, nor is it something you must save or redeem, and it is also something that you cannot lose. The term, “to lose or save your soul”, has been grossly misinterpreted and distorted, for it is the part of you that is indeed indestructible. We will go into this particular matter in a portion of the book dealing with religion and the god concept. Your own personality as you know it, that portion of you that you consider most precious, most uniquely you, will also never be destroyed or lost. It is a portion of the soul. It will not be gobbled by the soul, nor erased by it, nor subjugated by it; nor on the other hand can it ever be separated. It is, nevertheless, only one aspect of your soul. Your individuality, in whatever way you want

Baru thought: What I see of other people is the output of a hashing function. I'll never know anyone's true self, will I? Their thoughts and memories, the *selfness* of someone, the *me*-ness of me: that's like a true name, a person in all their formless awesome grandeur. But we do not see that grandeur. We see each other only in the shapes we are forced to assume. Words constrain us, and also our laws, and our fears and hopes, and the wind, and the rain, and the dog that barks while we're trying to speak, all these things constrain us. We all force our true selves into little hashes and show them like passwords. A smile is a hashing function, and a word, and a cry. The cry is not the grief, the word is not the meaning, the smile is not the joy: we cannot run the hash in reverse, we cannot get from the sign to the absolute truth. Maybe the smile is false. Maybe the grief is a lie. But we can compare the has to a list, and guess at the meaning.

When he sat down, Julien leaned over, brushing my hair aside to speak low into my ear. His warm breath on my skin sent little tremors down my spine. “What the fuck was that?” I turned slightly, my cheek almost pressed to his. “That’s the girl. Seth’s bestie.” “The one he cheated with?” “Mmmhmm.” He breathed a laugh. “And she’s telling you he won’t be happy you’re moving on? What kind of fucked-up relationship do those two have?

What do those two or three hundred members of a club actually do all day? Are they looking to enlighten themselves, in good faith, on important social issues? Do they talk about business and politics? Literature, theatre and fine arts, perhaps? No. They go there to eat well, drink good wines, play and escape the boredom of the household; they come there looking for a shelter from the tribulations of the day, and not to indulge in fatigue sustained by discussion on any topic. Besides, to whom could they chat? They remain unknown to each other; the membership of a club does not entail the obligation to speak to one’s associates, or even to greet them. And so everyone enters the lounges, a hat on his head, neither looking at, nor greeting, anyone. There is nothing more comical than seeing a hundred men gathered together in these large living rooms, as if they were furniture; one, sitting on an armchair, reads a new brochure; another writes on a table, next to an individual he has never spoken to; that one, sprawled across a sofa, sleeps; then there are those walking up and down; and not to disturb this sepulchral silence, there are some who speak low, as if they were in church. ‘What fun can these men find, to be reunited in this way?’, I thought when I saw them.

The intensity of a feeling or thought or mental image is, therefore, the important element in determining its subsequent physical materialization.