Serpent And The Rope Quotes

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This book is dedicated to the Ancient Ones, to the Lord of Abominations, Humwawa, whose face is a mass of entrails, whose breath is the stench of dung and the perfume of death, Dark Angel of all that is excreted and sours, Lord of Decay, Lord of the Future, who rides on a whispering south wind, to Pazuzu, Lord of Fevers and Plagues, Dark Angel of the Four Winds with rotting genitals from which he howls through sharpened teeth over stricken cities, to Kutulu, the Sleeping Serpent who cannot be summoned, to the Akhkharu, who such the blood of men since they desire to become men, to the Lalussu, who haunt the places of men, to Gelal and Lilit, who invade the beds of men and whose children are born in secret places, to Addu, raiser of storms who can fill the night sky with brightness, to Malah, Lord of Courage and Bravery, to Zahgurim, whose number is twenty-three and who kills in an unnatural fashion, to Zahrim, a warrior among warriors, to Itzamna, Spirit of Early Mists and Showers, to Ix Chel, the Spider-Web-that-Catches-the-Dew-of-Morning, to Zuhuy Kak, Virgin Fire, to Ah Dziz, the Master of Cold, to Kak U Pacat, who works in fire, to Ix Tab, Goddess of Ropes and Snares, patroness of those who hang themselves, to Schmuun, the Silent One, twin brother of Ix Tab, to Xolotl the Unformed, Lord of Rebirth, to Aguchi, Master of Ejaculations, to Osiris and Amen in phallic form, to Hex Chun Chan, the Dangerous One, to Ah Pook, the Destroyer, to the Great Old One and the Star Beast, to Pan, God of Panic, to the nameless gods of dispersal and emptiness, to Hassan i Sabbah, Master of Assassins. To all the scribes and artists and practitioners of magic through whom these spirits have been manifested…. NOTHING IS TRUE. EVERYTHING IS PERMITTED.
William S. Burroughs (Cities of the Red Night (The Red Night Trilogy, #1))
A princess had a secret lover who came to her window to see her. She let down her hair for him to climb and reach her, but he refused. He wouldn’t harm a hair on her head, he told her, and he sent for a rope instead. Soraya had revisited that story over and over again through the years, wondering if she would ever look out her window and see someone waiting for her, someone like that young man, who would care more about her safety than his own.
Melissa Bashardoust (Girl, Serpent, Thorn)
Ye that are slaves of the self and toil in its service from morn until night, ye that live in constant fear of birth, old age, sickness, and death, receive the good tidings that your cruel master exists not. Self is an error, an illusion, a dream. Open your eyes and awaken. See things as they are and ye will be comforted. He who is awake will no longer be afraid of nightmares. He who has recognized the nature of the rope that seemed to be a serpent will cease to tremble.
Paul Carus (Buddha : his life and teachings)
The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.
Saul Bellow (The Adventures of Augie March)
The most important thing anyone can know is this: just by existing, by inhabiting this planet and space, we are put into communion with entities we cannot begin to understand, in manners we cannot begin to understand. We float on the surface of an unfathomable ocean, and though we may stick our hands, our feet, our faces beneath, we can never go much farther without drowning. Once made aware of this, a man can no longer see the Earth as a sphere. It is a serpent. It is a length of rope, forever curling around our persons.
B.R. Yeager (Negative Space)
THE INFERNAL NAMES Abaddon - (Hebrew) the destroyer ... Asmodeus - Hebrew devil of sensuality and luxury, originally "creature of judgement" ... Azazel - (Hebrew) taught men to make weapons of war, introduced cosmetics ... Bast - Egyptian goddess of pleasure represented by the cat Beelzebub - (Hebrew) Lord of the Flies, taken from symbolism of the scarab Behemoth - Hebrew personification of Satan in the form of an elephant ... Coyote - American Indian Devil Dagon - Philistine avenging devil of the sea ... Dracula - Romanian name for devil ... Fenriz - Son of Loki, depicted as a wolf ... Hecate - Greek goddess of underworld and witchcraft ... Kali - (Hindu) daughter of Shiva, high priestess of Thuggees ... Lilith - Hebrew female devil, Adam's first wife who taught him the ropes Loki - Teutonic devil ... Mania - Etruscan goddess of Hell ... Midgard - son of Loki, depicted as a serpent ... Pluto - Greek god of the underworld Proserpine - Greek queen of the underworld ... Sammael - (Hebrew) "venom of God" ... Shiva - (Hindu) the destroyer ...
Anton Szandor LaVey (The Satanic Bible)
Correct me if I’m wrong. I’d love to be wrong. Ages ago, Loki had an affair with a giantess. They had three monstrous kids.’ ‘I was not one of them,’ Sam muttered. ‘I’ve heard all the jokes.’ Hearthstone winced, like he’d been wondering about that. ‘One,’ I said, ‘was a huge snake.’ ‘Jormungand,’ Sam said. ‘The World Serpent, which Odin threw into the sea.’ ‘The second was Hel,’ I continued. ‘She became, like, the goddess of the dishonourable dead.’ ‘And the third,’ Blitzen said, ‘was Fenris Wolf.’ His tone was bitter, full of pain. ‘Blitz,’ I said, ‘you sound like you know him.’ ‘Every dwarf knows of Fenris. That was the first time the Aesir came to us for help. Fenris grew so savage he would’ve devoured the gods. They tried to tie him up, but he broke every chain.’ ‘I remember,’ I said. ‘Finally the dwarves made a rope strong enough to hold him.’ ‘Ever since,’ Blitzen said, ‘the children of Fenris have been enemies of the dwarves.’ He looked up, his dark shades reflecting my face. ‘You’re not the only one who’s lost family to wolves, kid.’ I had a strange urge to hug him.
Rick Riordan (Magnus Chase: The Complete Series #1-3)
There is, however, one natural feature of this country, the interest and grandeur of which may be fully appreciated in a single walk: it is the ‘virgin forest’. Here no one who has any feeling of the magnificent and the sublime can be disappointed; the sombre shade, scarce illumined by a single direct ray even of the tropical sun, the enormous size and height of the trees, most of which rise like huge columns a hundred feet or more without throwing out a single branch, the strange buttresses around the base of some, the spiny or furrowed stems of others, the curious and even extraordinary creepers and climbers which wind around them, hanging in long festoons from branch to branch, sometimes curling and twisting on the ground like great serpents, then mounting to the very tops of the trees, thence throwing down roots and fibres which hang waving in the air, or twisting round each other form ropes and cables of every variety of size and often of the most perfect regularity. These, and many other novel features – the parasitic plants growing on the trunks and branches, the wonderful variety of the foliage, the strange fruits and seeds that lie rotting on the ground – taken altogether surpass description, and produce feelings in the beholder of admiration and awe. It is here, too, that the rarest birds, the most lovely insects, and the most interesting mammals and reptiles are to be found. Here lurk the jaguar and the boa-constrictor, and here amid the densest shade the bell-bird tolls his peal.
Alfred Russel Wallace (My Life: A Record of Events and Opinions, Volume 1)
Of course, some adjustments had to be made [to heroic quests]. For example, when a giant sea serpent had been spotted idling in the ocean, no doubt scouting for a pleasant coastline to ravage, they had known it would attack a maiden tied to a rock. The only problem had been getting a maiden to volunteer to be tied to a rock. No one in Bolvudis particularly wanted to end up inside a sea serpent’s stomach. Asvin had been very surprised, until Gaam had explained that it was not always the case that a hero’s mere presence would cast all damsels in the area into perilous predicaments he could rescue them from. Most of the rescues in the legends were, Gaam said, either fictitious or pre-arranged, and hardly ever sheer coincidence or fate. In the end a grumbling Maya had let herself be tied to a rock while Asvin, sword in hand, prowled the beach. The fact that the serpent’s arrival had created a huge wave that had swept Gaam and Asvin far away and Maya had had to burn off her ropes and kill the monster on her own was, they all agreed, best kept secret.
Samit Basu (The Simoqin Prophecies (GameWorld Trilogy, #1))
May Ye All Wail, for the Destroyer of Nations is upon us. Your lands shall they trample and divide with rope. Your cities razed shall be, their dwellers expelled. The bat, owl and raven your homes shall infest, and the serpent will therein make its nest . . . Aen Ithlinnespeath     The
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
With a snarl of pain, she forced herself to sit up, her head spinning with the sudden movement. One hand touched her temple, sticky with dried blood. She winced, feeling a gash along her eyebrow. It was long but shallow, and already scabbing over. She clenched her jaw, teeth grinding, as she surveyed the beach with squinting eyes. The ocean stared back at her, empty and endless, a wall of iron blue. Then she noticed shapes along the beach, some half-buried in the sand, others caught in the rhythmic pull of the tide. She narrowed her eyes and the shapes solidified. A torn length of sail floated, tangled up with rope. A shattered piece of the mast angled out of the sand like a pike. Smashed crates littered the beach, along with other debris from the ship. Bits of hull. Rigging. Oars snapped in half. The bodies moved with the waves. Her steady breathing lost its rhythm, coming in shorter and shorter gasps until she feared her throat might close. Her thoughts scattered, impossible to grasp. All thoughts but one. “DOMACRIDHAN!” Her shout echoed, desperate and ragged. “DOMACRIDHAN!” Only the waves answered, crashing endless against the shore. She forgot her training and forced herself to stand, nearly falling over with dizziness. Her limbs aches but she ignored it, lunging toward the waterline. Her lips moved, her voice shouting his name again, though she couldn’t hear it above the pummel of her own heart. Sorasa Sarn was no stranger to corpses. She splashed into the waves with abandon, even as her head spun. Sailor, sailor, sailor, she noted, her desperation rising with every Tyri uniform and head of black hair. One of them looked ripped in half, missing everything from the waist down. His entrails floated with the rear of him, like a length of bleached rope. She suspected a shark got the best of him. Then her memories returned with a crash like the waves. The Tyri ship. Nightfall. The sea serpent slithering up out of the deep. The breaking of a lantern. Fire across the deck, slick scales running over my hands. The swing of a greatsword, Elder-made. Dom silhouetted against a sky awash with lightning. And then the cold, drowning darkness of the ocean. A wave splashed up against her and Sorasa stumbled back to the shore, shivering. She had not waded more than waist deep, but her face felt wet, water she could not understand streaking her cheeks. Her knees buckled and she fell, exhausted. She heaved a breath, then two. And screamed. Somehow the pain in her head paled in comparison to the pain in her heart. It dismayed and destroyed her in equal measure. The wind blew, stirring salt-crusted hair across her face, sending a chill down to her soul. It was like the wilderness all over again, the bodies of her Amhara kin splayed around her. No, she realized, her throat raw. This is worse. There is not even a body to mourn. She contemplated the emptiness for awhile, the beach and the waves, and the bodies gently pressing into the shore. If she squinted, they could only be debris from the ship, bits of wood instead of bloated flesh and bone. The sun glimmered on the water. Sorasa hated it. Nothing but clouds since Orisi, and now you choose to shine.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
The wind stirred his loose hair and Sorasa assessed him for the first time since her memory failed. Since the deck of the Tyri ship caught fire, and someone seized her around the middle, plunging them both into the dark waves. She did not need to guess to know who. Dom’s clothing was torn but long dry. He still wore the leather jerkin with the undershirt, but his borrowed cloak had been left to feed the sea serpents. The rest of him looked intact. He had only a few fresh cuts across the backs of his hands, like a terrible rope burn. Scales, Sorasa knew. The sea serpent coiled in her head, bigger than the mast, its scales flashing a dark rainbow. Her breath caught when she realized he wore no sword belt, nor sheath. Nor sword. “Dom,” she bit out, reaching between them. Only her instincts caught her, her hand freezing inches above his hip. His brow furrowed again, carving a line of concern. “Your sword.” The line deepened, and Sorasa understood. She mourned her own dagger, earned so many decades ago, now lost to a burning palace. She could not imagine what Dom felt for a blade centuries old. “It is done,” he finally said, fishing into his shirt. The collar pulled, showing a line of white flesh, the planes of hard muscle rippling beneath. Sorasa dropped her eyes, letting him fuss. Only when something soft touched her temple did she look up again. Her heart thumped. Dom did not meet her gaze, focused on his work, cleaning her wound with a length of cloth. It was the fabric that made her breath catch. Little more than a scrap of gray green. Thin but finely made by master hands. Embroidered with silver antlers. It was a piece of Dom’s old cloak, the last remnant of Iona. It survived a kraken, an undead army, a dragon, and the dungeons of a mad queen. But it would not survive Sorasa Sarn. She let him work, her skin aflame beneath his fingers. Until the last bits of blood were gone, and the last piece of his home tossed away. “Thank you,” she finally said to no reply.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
He knew it—this was the rainbow serpent. He felt a strange sense of connection—as if the snake was calling out to him, and he had to return its call and find it, no matter what. It was as if they were both bound to each other by an infinite rope of destiny spread out across every corner of the universe, and finding each other was but a survival instinct—a basic human need.
Greg Kuznetsov (Eyes of the Rainbow Serpent)