Serpent's Shadow Quotes

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If we shadows have offended, Think but this, and all is mended, That you have but slumbered here While these visions did appear. And this weak and idle theme, No more yielding but a dream, Gentles, do not reprehend: If you pardon, we will mend: And, as I am an honest Puck, If we have unearned luck Now to 'scape the serpent's tongue, We will make amends ere long; Else the Puck a liar call; So, good night unto you all. Give me your hands, if we be friends, And Robin shall restore amends.
William Shakespeare (A Midsummer Night’s Dream)
Met them. Killed them. Got the T-shirt.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
There’s my baby!” I cried, quite carried away. “There’s my Poochiekins!” Ammit ran at me and leaped into my arms, nuzzling me with his rough snout. “My lord Osiris!” Disturber lost the bottom of his scroll again, which unraveled around his legs. “This is an outrage!” “Sadie,” Dad said firmly, “please do not refer to the Devourer of Souls as Poochiekins.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
We speak with one voice,” Walt said. “Especially on this matter. No one hurts Sadie Kane.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
For what it’s worth: trust your feelings. I can’t promise that you’ll never get hurt again, but I can promise you the risk is worth it.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
A weapon, I told Horus. I need a weapon. I reached into the Duat and pulled out an ostrich feather. “Really?” I yelled. Horus didn’t answer
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
dealing with any man means dealing with multiple personalities.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Knowledge of any value can't be given. It must be sought and earned
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Lacy had warned me about Drew the first day of school. Apparently the two of them had gone to some summer camp together––blah, blah, I didn't really listen to teh details––and Drew had been just as much a tyrant there. ~Sadie Kane, about Lacy and Drew of Aphrodite cabin.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Our problems started in Dallas, when the fire-breathing sheep destroyed the King Tut exhibit.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Besides, you're a cat. It's your nature to think you're the center of the universe.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
A person's shadow stood for his legacy, his impact on the world. Some people cast hardly any shadow at all. Some cast long, deep shadows that endured for centuries.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
How do I defeat Apophis?” “I’m so glad you asked!” Thoth beamed at me with his multicolored eyes. “Unfortunately, I can’t tell you.” I glanced at Walt. “Do you want to kill him, or should I?
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
If you’re listening to this, congratulations! You survived Doomsday. I’d like to apologize straightaway for any inconvenience the end of the world may have caused you. The earthquakes, rebellions, riots,tornadoes, floods, tsunamis, and of course the giant snake who swallowed the sun—I’m afraid most of that was our fault. Carter and I decided we should at least explain how it happened.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
In the Duat, Anubis looked as he always had, with his tousled dark hair and lovely brown eyes, but I’d never seen him filled with such rage. I realized that anyone who dared to hurt me would suffer his full wrath, and Walt wasn’t going to hold him back.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
If I were a flowerpot, I would've checked my hair. ~Carter Kane
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
So let me get this straight,” Carter said. “The two guys you liked—one who was dying and one who was off-limits because he’s a god—are now one guy, who isn’t dying and isn’t off-limits. And you’re complaining.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Somewhere behind me, Zia yelled, "Hippo!" Which I thought was a little late. ~Carter Kane
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
All [Sadie’s] previous attempts [of making a shabti (an Egyptian avatar of one’s self)] had exploded or gone haywire, terrorizing Khufu and the initiates. Last week she’d created a magical Thermos with googly eyes that levitated around the room, yelling, “Exterminate! Exterminate!” until it smacked me in the head.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Maybe—just maybe—Sadie had my best interests at heart. (I just caught her making faces at me, so maybe not.)
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
If anyone asks you if you’re taken,” I said, “the answer is yes.” “I think I can live with that,” he promised. “Good,” I said. “Because you don’t want to see me be cross.” “Too late.” “Shut up and dance, Walt.” “Shut up and dance, Walt.” We did—with the music of a psychotic griffin screaming behind us, and the sirens and horns of Brooklyn wailing below. It was quite romantic.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
What colors are the eyes of Anubis?" "Brown...Duh.
Rick Riordan
They're not so bad. They just need some attention. ...Like pets. Or my brother.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
I see murky visions of other gods and rival magic." That REALLY didn't sound good. "What do you mean?" I asked. "what OTHER GODS?" "I don't know, Sadie. But Egypt has always faced challenges from outside –– magicians from elsewhere, even gods from elsewhere. Just be vigilant." ~Ruby & Sadie Kane about...? Possibly Greeks?
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
For an absurd moment, I wondered if Ammit devoured the hearts of wicked cows, and if he liked the beefy taste. - Carter Kane
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Oh...my...god,"Drew whimpered."Who..." Anubis ignored her (bless him for that) and held out his elbow for me - a sweet old-fashioned gesture. " May I have this dance?" "I suppose," I said,as non committally as I could. I looped my arm through his, and we left the Plastic Bags behind us, all of them muttering,"Oh my god! Oh my god!" No ,actually, I wanted to say. He's my amazingly hot boy god. Find your own.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
If somebody offers you Hapi pills, just say no!
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Everybody loves to show up at the party once all the hard work is done.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Stop smiling!” she ordered. “I can see you, Carter. Oh…and, uh, hullo, Walt.” The pot monster made squeaky grinding noises as it stood up straight. One clunky arm rose and tried to fix Sadie’s nonexistent hair. Leave it to Sadie to be self-conscious around boys, even when she’s made out of pots and duct tape.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
I lifted my wand, hoping she would see this as a dramatic move, not a threat. “Why once, in my bunker at Charing Cross Station, I stalked the deadly prey known as Jelly Babies.” Neith’s eyes widened. “They are dangerous?” “Horrible,” I agreed. “Oh, they seem small alone, but they always appear in great numbers. Sticky, fattening—quite deadly. There I was, alone with only two quid and a Tube pass, beset by Jelly Babies, when…Ah, but never mind. When the Jelly Babies come for you…you will find out on your own.” She lowered her bow. “Tell me. I must know how to hunt Jelly Babies.” I looked at Walt gravely. “How many months have I trained you, Walt?” “Seven,” he said. “Almost eight.” “And have I ever deemed you worthy of hunting Jelly Babies with me?” “Uh…no.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Don't Worry, Be Hapi.
Rick Riordan
I’m a cat. I respect the sanctity of sleep.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Of course, most mortals can't see magic clearly, so I'm not sure what they thought they saw as we passed overhead. No doubt it caused many of them to adjust their medication.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Eating next to a twenty-foot-long crocodile took some getting used to, but Philip was well trained. He only ate bacon, stray waterfowl, and the occasional invading monster.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Imitation is flattery
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
And now, Anubis, I find you in this den of iniquity, this morass of questionable behavior, this...this--' 'School?
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
You might not think a hippo could inspire terror. Screaming “Hippo!” doesn’t have the same impact as screaming “Shark!” But I’m telling you—as the Egyptian Queen careened to one side, its paddle wheel lifting completely out of the water, and I saw that monster emerge from the deep, I nearly discovered the hieroglyphs for accident in my pants.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
I wondered if I would appear on a temple wall painting someday. A blonde Egyptian girl with purple highlights running sideways through the palm trees, screaming "Yikes!" in hieroglyphics as Neith chased after me. The thought of some poor archaeologist trying to figure that out almost lifted my spirits.
Rick Riordan
There's my baby!" I cried, quite carried away, "There's my poochiekins!" ... "Sadie," My dad said firmly, "Please do not refer to the devourer of souls as 'poochiekins'.
Rick Riordan
You never know!” Neith snapped. “The point is, I’ll survive the apocalypse. I can live off the land!” She jabbed a finger at me. “Did you know the palm tree has six different edible parts?” “Um—” “And I’ll never be bored,” Neith continued, “since I’m also the goddess of weaving. I have enough twine for a millennium of macramé!” I had no reply, as I wasn’t sure what macramé was.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
What’s the point of being a magician if you can’t wave your wand and make the people you care about feel better?
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
I would've hit the water hard, but at the last second I changed into a falcon. ~Carter Kane
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Sadie Kane here. If you're listening to this, congratulations, you survived doomsday.
Rick Riordan
No doubt Carter would describe the underground city in excruciating detail, with exact measurements of each room, boring history on every statue and hieroglyph, and background notes on the construction of the magical headquarters of the House of Life. I will spare you that pain. It's big. It's full of magic. It's underground. There. Sorted.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Oh, lord. I was beginning to think like Neith. Soon I'd be huddled in an underground bunker eating army rations and cackling as I sewed together the pockets of all the boys who'd jilted me.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Disturber shuffled his scroll. 'You have used magi for evil purposes, including twenty-three murders--' 'Self-defense!' Setne tried to spread his hands, but the ribbons restrained him. '--including one incident where you were paid to kill with magic,' Disturber said. Setne shrugged. 'That was self-defense for my employer.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
I knew there was a reason I didnt turn you into a banana slug." Leonid'd eyes widened. "No banana slug! Please!" "It was a compliement, silly. Forbidden is good! Sadie likes forbidden!
Rick Riordan
I may be biased, but I think jackals are cute and cuddly, even if they were known for digging up graves in Ancient Egypt.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Americans are an odd bunch, but they grow on you.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Her perfume was a mixture of roses and tear gas.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
She was so warm, her drenched clothes had almost dried. Her eyes were rolled back in her head. She started muttering, and I could’ve sworn she said, “Dung balls. Time to roll the dung balls.” It might’ve been funny—except for the fact that she was dying. “That’s Khepri talking,” Setne explained. “He’s the divine dung beetle, rolling the sun across the sky.” I didn’t want to process that—the idea that the girl I liked had been possessed by a dung beetle and was now having dreams about pushing a giant sphere of flaming poo across the sky.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
We are servants of Ma’at—order and justice. We don’t kill our enemies for things they might do in the future.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
The afterlife looks different to every soul," he said, "depending on whatthey believe. For that guy, Egypt must've made a strong impression when he was young , maybe." "And if someone doesn't believe in any afterlife?" i asked. Walt gave me a sad look. "Then that's what they experience.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Besides, your a cat.Its your nature to think your the center of the universe." She stared at him blankly. "But I am the center of the universe.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Bloated!" he cried. The corresponding hieroglyph flew through the air, bursting against a demon's chest in a spray of light. Instantly, the demon swelled like a water balloon and rolled screaming down the pyramid. "Flat!" Thoth blasted another demon, who collapsed and shriveled into a monster-shaped doormat. "Intestinal problems!" Thoth yelled. The poor demon who got zapped with that one turned green and doubled over.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Suddenly his expression turned to alarm. He sprinted toward us. For a moment I had an absurd vision of myself on the cover of one of Gran’s old romance novels, where the damsel wilts into the arms of one half-dressed beefy guy while another stands by,casting her longing looks. Oh, the horrible choices a girl must make! I wished I’d had a moment to clean up. I was still covered in dried river muck, twine, and grass, like I’d been tarred and feathered. Then Anubis pushed past me and gripped Walt’s shoulders. Well…that was unexpected.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
but I felt as if I’d just been Photoshopped out of my own book cover. And if there was one thing I wasn’t used to, it was being ignored
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
But this plan of yous!' Tawaret shuddered, causing a tsunami of jiggling hippo flesh.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
In a dark time, the eye begins to see, I meet my shadow in the deepening shade; I hear my echo in the echoing wood-- A lord of nature weeping to a tree. I live between the heron and the wren, Beasts of the hill and serpents of the den. What's madness but nobility of soul At odds with circumstance? The day's on fire! I know the purity of pure despair, My shadow pinned against a sweating wall. That place among the rocks--is it a cave, Or winding path? The edge is what I have. A steady storm of correspondences! A night flowing with birds, a ragged moon, And in broad day the midnight comes again! A man goes far to find out what he is-- Death of the self in a long, tearless night, All natural shapes blazing unnatural light. Dark, dark my light, and darker my desire. My soul, like some heat-maddened summer fly, Keeps buzzing at the sill. Which I is I? A fallen man, I climb out of my fear. The mind enters itself, and God the mind, And one is One, free in the tearing wind.
Theodore Roethke
I realized that anyone who dared to hurt me would suffer his full wrath, and Walt wasn’t going to hold him back.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
The vulture Nekhbet, who'd one possessed my gran (long story); the crocodile Sobek, who'd tried to kill my cat (longer story); and the lion goddess Sekhmet, whom we'd once vanished in hot sauce ( don't even ask) - page 9
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
If a person cast no shadow at all, he couldn't be alive. His existence became meaningless.Execrating Apophis by destroying his shadow would cut his connection to the mortal world completely. He'd never be able to rise again. I finally understood why he'd been so anxious to burn Setne's scrolls, and he was afraid of this spell. (Carter Kane)
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
She wore a pendent - a glittering D - possibly her initial, or her grade average.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Sometimes she teased me that she’d eventually catch up to me in age and be my older sibling. Looking at her now, with that determined glint in her eyes and the confidence in her voice, I could almost believe her
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
I felt a strange pang of jealousy. Walt and Anubis seemed to have spent more time talking with each other than with me. Walt was suddenly an expert on all things deathly. Meanwhile, I couldn’t even be near Anubis without invoking the wrath of his chaperone—Shu, the god of hot air. It wasn’t bloody fair!
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
As they are now also your enemies, I must offer a piece of advice: 'tis dangerous to meddle in the affairs of witches. Forget your vengeance. Forget everything you've learned about this world of shadows and magic. You are wildly outmatched and woefully inadequate in the face of these women. Death is the kindest of their torments - a gift bestowed only to those who earned it.
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
Maybe, standing next to the obelisk of Ma’at, surrounded by the Sea of Chaos, we both realized that restraining ourselves from vengeance is what made us different from Apophis. Rules had their place. They kept us from unraveling.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
I am the Messenger, Gabriel, she who is set over all the powers," I called out. "I evoke thee, Sammael, the Lord of Souls and Fallen angels of death. I am the Will of God and you shall come forth, incubus, the serpent with the lion's face, the Venom of God-" "That is enough name calling... I heard you the first time.
Courtney Allison Moulton (Shadows in the Silence (Angelfire, #3))
Yes, an actual full-sized camel. If you find that confusing, just think how the criosphinx must have felt. Where did the camel come from, you ask? I may have mentioned Walt’s collection of amulets. Two of them summoned disgusting camels. I’d met them before, so I was less than excited when a ton of dromedary flesh flew across my line of sight, plowed into the sphinx, and collapsed on top of it. The sphinx growled in outrage as it tried to free itself. The camel grunted and farted. “Hindenburg,” I said. Only one camel could possibly fart that badly. “Walt, why in the world—?” “Sorry!” he yelled. “Wrong amulet!” The technique worked, at any rate. The camel wasn’t much of a fighter, but it was quite heavy and clumsy. The criosphinx snarled and clawed at the floor, trying unsuccessfully to push the camel off; but Hindenburg just splayed his legs, made alarmed honking sounds, and let loose gas. I moved to Walt’s side and tried to get my bearings.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Cold as winter, strong as stone; She faced the darkness all alone. A silver goddess; a reflection. A mirage; a recollection. No return; no turning back. The past is gone, the future, black. Serpents gather in their nest, And she stands above the rest. Shadows hunt; she hunts the shadow. The moon is risen; she stands below. She views her world through the eyes of others. Black and white; there are no colors, As she looks down upon a shattered youth. A shattered mirror shows a shattered truth.
Amelia Atwater-Rhodes
And if someone doesn’t believe in any afterlife?” I asked. Walt gave me a sad look. “Then that’s what they experience.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
I took the liberty of designing your pennant,” said Rhy, resting his elbows on the gallery’s marble banister. “I hope you don’t mind.” Kell cringed. “Do I even want to know what’s on it?” Rhy tugged the folded piece of fabric from his pocket, and handed it over. The cloth was red, and when he unfolded it, he saw the image of a rose in black and white. The rose had been mirrored, folded along the center axis and reflected, so the design was actually two flowers, surrounded by a coil of thorns. “How subtle,” said Kell tonelessly. “You could at least pretend to be grateful.” “And you couldn’t have picked something a little more … I don’t know … imposing? A serpent? A great beast? A bird of prey?” “A bloody handprint?” retorted Rhy. “Oh, what about a glowing black eye?” Kell glowered. “You’re right,” continued Rhy, “I should have just drawn a frowning face. But then everyone would know it’s you. I thought this was rather fitting.
V.E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
The king tut masks flew off the penguins, revealing them to be -gasp- penguins.
serpent's shadow Rick Riordan
Somewhere behind me, Zia yelled, "Hippo!" Which I thought was a little late. She stumbled toward me over the rocking deck, the tip of her staff on fire. Our ghostly pal Setne floated behind her, grinning with delight. "There is it!" Setne shook his diamond pink rings. "Told ya Apophis would send a monster to kill you." "You're so smart!" I shouted. "Now, how do we stop it?
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Sadie, please do not refer to the Devourer of Souls as Poochiekins
Lord Osiris
so if you go to a King Tut exhibit someday and notice cracks or burn marks on the artifacts, or maybe a statue with its head glued on backward-well, sorry. that was probably our fault
serpent's shadow Rick Riordan
red cross donation, baby!" the ghost yelled.
serpent's shadow Rick Riordan
you're kidding," i said. "i'm thinking about plans for doomsday, and you're worried about being late to a dance?
serpent's shadow Rick Riordan
the locals would just have to assume there'd been gas explosion. (we tented to cause a lot of those)
serpent's shadow Rick Riordan
You heard the low, snaky serpent,” said Matthew. “Come away, Tom.
Cassandra Clare
Shreiking, slithering, torrential shadows of red viscous madness chasing one another through endless, ensanguinated condors of purple fulgurous sky... formless phantasms and kalaidoscopic mutations of a ghoulish, remembered scene; forests of monstrous over-nourished oaks with serpent roots twisting and sucking unnamable juices from an earth verminous with millions of cannibal devils; mound-like tentacles groping from underground nuclei of polypous perversion... insane lightning over malignant ivied walls and demon arcades choked with fungous vegetation...
H.P. Lovecraft (The Lurking Fear)
The patriarch had grabbed the girls too dark to be visible in the world’s eyes; whose languages fell on deaf ears; whose very homes at the edge of society pushed them too far into the shadows for notice.
Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
A person’s shadow stood for his legacy, his impact on the world. Some people cast hardly any shadow at all. Some cast long, deep shadows that endured for centuries. I thought about what the ghost Setne had said—how he and I had each grown up in the shadow of a famous father. I realized now that he hadn’t just meant it as a figure of speech. My dad cast a powerful shadow that still affected me and the whole world. If a person cast no shadow at all, he couldn’t be alive. His existence became meaningless. Execrating Apophis by destroying his shadow would cut his connection to the mortal world completely. He’d never be able to rise again. I finally understood why he’d been so anxious to burn Setne’s scrolls, and why he was afraid of this spell.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
possibly, mrs. laird...i'd say. except he's dead, you see. well, not completely dead. he's more of a resurrected god. he judges mortal spirits and feeds the hearts of the wicked to his pet monster.oh, and he has blue skin. i'm sure he'd make quite an impression on career day, for all those students aspiring to grow up and become ancient egyptian deities
serpent's shadow Rick Riordan
...besides, i'm a cat. i respect the sanctity of sleep.
serpent's shadow Rick Riordan
We crossed one of the subterranean rivers, then wound our wag through the library quarter and the Chamber of Birds. (Carter says I should tell you why it's called that. It's a cave full of all sorts of birds. Again--duh. [Carter, why are you banging your head against the table?])
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Not that I'm an expert myself, but there is one rule that I insist on." "Yes?" "If anyone asks if you're taken," I said, "the answer is yes." "I think I can live with that," he promised. "Good," I said. "Because you don't want to see me cross." "Too late." "Shut up and dance, Walt.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Setne laughed. “Nice try, dol. You guys sit tight. If you make it through the big shake-up, I’ll come back and get you. Maybe you can be my jesters or something. You two crack me up! But in the meantime, I’m afraid we’re done here. No miracle’s gonna drop from the sky and save you.” A rectangle of darkness appeared in the air just above the ghost’s head. Sadie dropped out of it. I’ll say this for my sister: she has great timing, and she’s quick on the draw. She crashed into the ghost and sent him sprawling.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
As if, with beasts' eyes, angels led The way, I slip back to your bed, Quiet as a hooded light, Hushed by the shadows of the night. And then, my dark one, you shall soon Embrace the cold beams of the moon, Around a fresh grave, the chilling hiss Of serpent coiled shall be my kiss. When morning shows his livid face Your bed shall feel my empty place, As cold as death, till fall of night. Others take tenderness to wife: Dread gives away your youth and life To me, to be the bride of fright.
Charles Baudelaire
Let me sing the beauty of my Maggie. Legs:--the knees attached to the thighs, knees shiny, thighs like milk. Arms:--the levers of my content, the serpents of my joy. Back:--the sight of that in a strange street of dreams in the middle of Heaven would make me fall sitting from glad recognition. Ribs?--she had some melted and round like a well formed apple, from her thigh bones to waist I saw the earth roll. In her neck I hid myself like a lost snow goose of Australia, seeking the perfume of her breast. . . . She didn't let me, she was a good girl. The poor big alley cat, though almost a year younger, had black ideas about her legs that he hid from himself, also in his prayers didn't mention . . . the dog. Across the big world darkness I've come, in boat, in bus, in airplane, in train standing my shadow immense traversing the fields and the redness of engine boilers behind me making me omnipotent upon the earth of the night, like God--but I have never made love with a little finger that has won me since. I gnawed her face with my eyes; she loved that; and that was bastardly I didn't know she loved me--I didn't understand.
Jack Kerouac (Maggie Cassidy)
He had murdered any illlusion of Alex Remington. The golden pendant had been replaced by a spiked dog collar, and he was wearing a black T-shirt that hugged his form and showed off the many designs on his arms: Fenris on the right wrist, and Echidna, the greek mother of monsters, high on his left arm. The norse world serpent was wrapped around his left wrist, and a new design had recently been added: Cerberus, the three-headed dog who guarded the gates of Hades. The world serpent was partially obscurred by a black leather knife sheath, which held a silver knife Aubrey had taken from a vampire hunter a few thousand years earlier. His hair was slightly touseled, as if he'd been running, and a few strands fell across his face. Looking at him now, Jessica couldn't imagine how she had ever mistaken him for a human. But illusion was Aubrey's art. And it was simple to fool people who expected nothing else. For the moment, Aubrey appeared to be exactly what he was: stunning, michievous, and completely deadly all at once
Amelia Atwater-Rhodes (Demon in My View (Den of Shadows, #2))
The Lurking Fear: Shrieking, slithering, torrential shadows of red viscous madness chasing one another through endless, ensanguined condors of purple fulgurous sky... formless phantasms and kaleidoscopic mutations of a ghoulish, remembered scene; forests of monstrous over-nourished oaks with serpent roots twisting and sucking unnamable juices from an earth verminous with millions of cannibal devils; mound-like tentacles groping from underground nuclei of polypous perversion... insane lightning over malignant ivied walls and demon arcades choked with fungous vegetation... Heaven be thanked for the instinct which led me unconscious to places where men dwell; to the peaceful village that slept under the calm stars of clearing skies.
H.P. Lovecraft (The Transition of H. P. Lovecraft: The Road to Madness)
I sense that the thing I am seeking is higher than love and higher than the joy of life and higher than science and glory and higher even than starts. Don’t keep my wings tied in Your embrace. You are only a shadow and only a smile in the great journey of my soul. Your eyes are the two clear springs where my thoughts came to drink and rest for a moment. And between Your breasts hides the soft pillow where I slept for a moment in order to waken again. Don’t hold me bound. The enigma is not hidden in Your Lions nor in Your enormous eyes. And Your arms are small and weak and do not embrace my entire soul. There is a magnet above the stars that pulls me. And my entire body shudders, magnetized by the Great Nostalgia and the Great Longing. Someone is pulling at me from the stars. Do not hold me bound. The thing I am seeking is higher than love and higher than the joy of life.
Nikos Kazantzakis (Serpent and Lily: A Novella with a Manifesto: The Sickness of the Age)
Conan looked about him curiously. He had never before visited the temple of Asura, had not certainly known that there was such a temple in Tarantia. The priests of the religion had a habit of hiding their temples in a remarkable fashion. The worship of Mitra was overwhelmingly predominant in the Hyborian nations, but the cult of Asura persisted, in spite of official ban and popular antagonism. Conan had been told dark tales of hidden temples where intense smoke drifted up incessantly from black altars where kidnaped humans were sacrificed before a great coiled serpent, whose fearsome head swayed for ever in the haunted shadows.
Robert E. Howard (Conan: The Definitive Collection)
The power of life causes the snake to shed its skin, just as the moon sheds its shadow. The serpent sheds its skin to be born again, as the moon its shadow to be born again. They are equivalent symbols. Sometimes the serpent is represented as a circle eating its own tail. That’s an image of life. Life sheds one generation after another, to be born again. The serpent represents immortal energy and consciousness engaged in the field of time, constantly throwing off death and being born again. There is something tremendously terrifying about life when you look at it that way. And so the serpent carries in itself the sense of both the fascination and the terror of life.
Joseph Campbell (The Power of Myth)
Also by Rick Riordan PERCY JACKSON AND THE OLYMPIANS Book One: The Lightning Thief Book Two: The Sea of Monsters Book Three: The Titan’s Curse Book Four: The Battle of the Labyrinth Book Five: The Last Olympian The Demigod Files The Lightning Thief: The Graphic Novel The Sea of Monsters: The Graphic Novel The Titan’s Curse: The Graphic Novel Percy Jackson’s Greek Gods Percy Jackson’s Greek Heroes From Percy Jackson: Camp Half-Blood Confidential THE KANE CHRONICLES Book One: The Red Pyramid Book Two: The Throne of Fire Book Three: The Serpent’s Shadow The Red Pyramid: The Graphic Novel The Throne of Fire: The Graphic Novel THE HEROES OF OLYMPUS Book One: The Lost Hero Book Two: The Son of Neptune Book Three: The Mark of Athena Book Four: The House of Hades Book Five: The Blood of Olympus The Demigod Diaries The Lost Hero: The Graphic Novel The Son of Neptune: The Graphic Novel Demigods & Magicians MAGNUS CHASE AND THE GODS OF ASGARD Book One: The Sword of Summer Book Two: The Hammer of Thor For Magnus Chase: Hotel Valhalla Guide to the Norse Worlds THE TRIALS OF APOLLO Book One: The Hidden Oracle
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.
Alexandre Dumas (The Count of Monte Cristo)
Night fell. The full moon shone sweetly and tremulously, bewitching and foreboding with rays which were cold and funereally silent. The heart of the Youth was filled with an apprehensive fear as he went up to his window. His hand, clutching the edge of the yellow curtain, hesitated and vacillated for a long time before he resolved to draw the curtain slowly aside. The yellow linen rustled as it slowly gathered, and its rustle was like the barely audible hissing of a serpent in the forest's undergrowth; and the thin brass rings jingled and scraped against the brass curtain rod. The Beauty stood beneath the window and looked at the window and waited. And the heart of the Youth shuddered, and he could not make out whether his heart was seized by ecstasy or terror. The black braids of the Beauty were undone and fell on her naked shoulders. A sharply outlined shadow lay on the ground beside her. Illuminated from the side by the moon, she stood like some distinct and well-defined spectre. That half of her face which was illuminated by the moon, as well as her shoulders and her arms, were deathly white, as white as her robe. The folds of her white robe were severe and dark. Dark was the azure of her eyes, mysterious her frozen smile. A smooth, burnished clasp, fastened at the shoulder, gleamed dully against the strange tranquility of her body and garments. She began to speak softly, and her words, ringing like the fine silver chains of a lighted censer, gave forth a fragrance of ambergris, musk and lily. ("The Poison Garden
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
PSALM 91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge [2]— 10     p no evil shall be allowed to befall you,          q no plague come near your tent.     11  r For he will command his  s angels concerning you         to  t guard you in all your ways. 12    On their hands they will bear you up,         lest you  u strike your foot against a stone. 13    You will tread on  v the lion and the  w adder;         the young lion and  x the serpent you will  y trample underfoot.     14 “Because he  z holds fast to me in love, I will deliver him;         I will protect him, because he  a knows my name. 15    When he  b calls to me, I will answer him;         I will be with him in trouble;         I will rescue him and  c honor him. 16    With  d long life I will satisfy him         and  e show him my salvation.
Anonymous (The Holy Bible: English Standard Version)
The old God, wholly “spirit,” wholly the high-priest, wholly perfect, is promenading his garden: he is bored and trying to kill time. Against boredom even gods struggle in vain.[21] What does he do? He creates man—man is entertaining.... But then he notices that man is also bored. God’s pity for the only form of distress that invades all paradises knows no bounds: so he forthwith creates other animals. God’s first mistake: to man these other animals were not entertaining—he sought dominion over them; he did not want to be an “animal” himself.—So God created woman. In the act he brought boredom to an end—and also many other things! Woman was the second mistake of God.—“Woman, at bottom, is a serpent, Heva”—every priest knows that; “from woman comes every evil in the world”— every priest knows that, too. Ergo, she is also to blame for science.... It was through woman that man learned to taste of the tree of knowledge.—What happened? The old God was seized by mortal terror. Man himself had been his greatest blunder; he had created a rival to himself; science makes men godlike—it is all up with priests and gods when man becomes scientific!—Moral: science is the forbidden per se; it alone is forbidden. Science is the first of sins, the germ of all sins, the original sin. This is all there is of morality.—“Thou shall not know”:—the rest follows from that.—God’s mortal terror, however, did not hinder him from being shrewd. How is one to protect one’s self against science? For a long while this was the capital problem. Answer: Out of paradise with man! Happiness, leisure, foster thought—and all thoughts are bad thoughts!—Man must not think.—And so the priest invents distress, death, the mortal dangers of childbirth, all sorts of misery, old age, decrepitude, above all, sickness—nothing but devices for making war on science! The troubles of man don’t allow him to think.... Nevertheless—how terrible!—, the edifice of knowledge begins to tower aloft, invading heaven, shadowing the gods—what is to be done?—The old God invents war; he separates the peoples; he makes men destroy one another (—the priests have always had need of war....). War—among other things, a great disturber of science!—Incredible! Knowledge, deliverance from the priests, prospers in spite of war.—So the old God comes to his final resolution: “Man has become scientific—there is no help for it: he must be drowned!”...
Friedrich Nietzsche