Battle Sickness Quotes

We've searched our database for all the quotes and captions related to Battle Sickness. Here they are! All 100 of them:

It's sick and twisted and violent. Other than that it is totally G rated.
Elizabeth Cruickshank
FDR Unmasked is first to present convincing evidence of Roosevelt’s battle with prostate cancer, underpinned by FBI memoranda and reliable firsthand information from multiple physicians - even a shocking admission by Eleanor Roosevelt to actress Veronica Lake that her husband was being treated for the disease.
Steven Lomazow (FDR Unmasked: 73 Years of Medical Cover-ups That Rewrote History)
A part of me genuinely wanted to be the worst because I was so sick of everyone fighting to be the best.
Criss Jami (Killosophy)
When you have an invisible disease, your sickness isn’t your biggest problem. What you end up battling more than anything else, every single day, is other people.
Heidi Cullinan (Carry the Ocean (The Roosevelt, #1))
Stories were power. And whoever controlled the story controlled everything. A story could bring people together, or it could tear them apart. It could spread like a sickness, infecting people. It could lead them into battle or shake them into seeing what they had refused to see before.
Libba Bray (The King of Crows (The Diviners, #4))
Soldiers in the heat of battle; death-row prisoners; explorers stranded in deserts, jungles, on mountaintops; anyone sick or lost or just tired and bewildered: we all wanted our mothers.
Marisa de los Santos (Love Walked In (Love Walked In, #1))
That the sum of a man's life was not where he wound up but in the details that brought him there. That we made mistakes. I closed my eyes, sick of the riddles, and to my surprise all I could see were dandelions-as if they had been painted on the fields of my imagination, a hundred thousand suns. And I remembered something else that makes us human: faith, the only weapon in our arsenal to battle doubt.
Jodi Picoult
Emma: I tried so hard. Jules: In the battle? Emma, you did everything you could ... Emma: Not in the battle. To make you not love me. I tried. Jules: Is it that awful? Having me love you? Emma: It was the best thing in the world. And then it was the worst. And I didn't even have a chance ... Jules: You're going to have to learn to live with it. Even if it horrifies you. Even if it makes you sick. Just like I'm going to have to live with whatever other boyfriend you have, because we are forever no matter how, Emma, no matter what you want to call what we have, we will always be us. Emma: There won't be any other boyfriends. What you said before, about thinking and obsessing and wanting only one thing. That's how I fel you you. Jules, say somethin, please... Jules: Julian. I want you to call me Julian. Only ever that.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
Consider how common illness is, how tremendous the spiritual change that it brings, how astonishing, when the lights of health go down, the undiscovered countries that are then disclosed, what wastes and deserts of the soul a slight attack of influenza brings to view, what precipices and lawns sprinkled with bright flowers a little rise of temperature reveals, what ancient and obdurate oaks are uprooted in us by the act of sickness, how we go down in the pit of death and feel the waters of annihilation close above our heads and wake thinking to find ourselves in the presence of the angels and the harpers when we have a tooth out and come to the surface in the dentist's arm-chair and confuse his "Rinse the mouth-rinse the mouth" with the greeting of the Deity stooping from the floor of Heaven to welcome us - when we think of this, as we are so frequently forced to think of it, it becomes strange indeed that illness has not taken its place with love and battle and jealousy among the prime themes of literature
Virginia Woolf (On Being Ill)
I look at Ryodan and he looks at me and for a second I think we might both kill the kid. Ryodan's more stone-faced than usual, if that's possible without turning to concrete, and his fangs are out. I look down. Ryodan's sick is as big as mine. "Why the bloody hell don't you wear underwear?" To an Unseelie Prince an exposed male dick is a call to battle. "They chafe. Too small and confining." "Fuck you," I say. "Dudes. Get over yourselves," the kid says.
Karen Marie Moning (Iced (Fever, #6))
Some of our parents were always on our side. Some of our parents chose to banish us rather than see us for who we were. And some of our parents, when they found out we were sick, stopped being dragons and became dragonslayers instead. Sometimes that’s what it takes—the final battle. But it should take much, much less than that.
David Levithan (Two Boys Kissing)
Thou mayest rule over sin,’ Lee. That’s it. I do not believe all men are destroyed. I can name you a dozen who were not, and they are the ones the world lives by. It is true of the spirit as it is true of battles—only the winners are remembered. Surely most men are destroyed, but there are others who like pillars of fire guide frightened men through the darkness. ‘Thou mayest, Thou mayest!’ What glory! It is true that we are weak and sick and quarrelsome, but if that is all we ever were, we would, millenniums ago, have disappeared from the face of the earth. A few remnants of fossilized jawbone, some broken teeth in strata of limestone, would be the only mark man would have left of his existence in the world. But the choice, Lee, the choice of winning! I had never understood it or accepted it before. Do you see now why I told Adam tonight? I exercised the choice. Maybe I was wrong, but by telling him I also forced him to live or get off the pot. What is that word, Lee?” “Timshel,” said Lee.
John Steinbeck (East of Eden)
Trippers and askers surround me, People I meet, the effect upon me of my early life or the ward and city I live in, or the nation, The latest dates, discoveries, inventions, societies, authors old and new, My dinner, dress, associates, looks, compliments, dues, The real or fancied indifference of some man or woman I love, The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, or depressions or exaltations, Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; These come to me days and nights and go from me again, But they are not the Me myself. Apart from the pulling and hauling stands what I am, Stands amused, complacent, compassionating, idle, unitary, Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head curious what will come next, Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with linguists and contenders, I have no mockings or arguments, I witness and wait.
Walt Whitman (Song of Myself)
Far from being a pack of baying butchers,critics sometimes have a perverse habit of tending to the sick and wounded on the cinematic field of battle, rushing in where angels fear to tread, even when the patient is clearly without a pulse.
Mark Kermode (Hatchet Job: Love Movies, Hate Critics)
Battling a sickness of the spirit was like standing in a quicksand and beating it with a stick.
Isaac Asimov (The End of Eternity)
You are all soldiers of Christ," he said, "and now is an opportunity given to you to show that you are worthy soldiers. When the troops of a worldly monarch go into battle they do so with head erect, with proud and resolute bearing, with flashing eye, and with high courage, determined to bear aloft his banner and to crown it with victory, even though it cost them their lives. Such is the mien that soldiers of Christ should bear in the mortal strife now raging round us. Let them show the same fearlessness of death, the same high courage, the same unlimited confidence in their Leader. What matter if they die in His service? He has told them what their work should be. He has bidden them visit the sick and comfort the sorrowing. What if there be danger in the work? Did He shrink from the Cross which was to end His work of love, and is it for His followers to do so? 'Though you go down into the pit,' He has said, 'I am there also'; and with His companionship one must be craven indeed to tremble. This is a noble opportunity for holding high the banner of Christ. There is work to be done for all, and as the work is done, men should see by the calm courage, the cheerfulness, and the patience of those that do it, that they know that they are doing His work, and that they are content to leave the issue, whatever it be, in His hands.
G.A. Henty
But the fact is, death is not a confrontation. It is simply an event in the sequence of nature's ongoing rhythms. Not death but disease is the real enemy, disease the malign force that requires confrontation. Death is the surcease that comes when the exhausting battle has been lost. Even the confrontation with disease should be approached with the realization that many of the sicknesses of our species are simply conveyances for the inexorable journey by which each of us is returned to the same state of physical, and perhaps spiritual, nonexistence from which we emerged at conception. Every triumph over some major pathology, no matter how ringing the victory, is only a reprieve from the inevitable end.
Sherwin B. Nuland (How We Die: Reflections of Life's Final Chapter)
Doctors estimate that seventy to eighty percent of their business is non-health-related. People aren’t sick, they’re self-dramatizing. Sometimes the hardest part of a medical job is keeping a straight face.
Steven Pressfield (The War of Art: Winning the Inner Creative Battle)
Fear is the most socially accepted sin in the Church. Fear is a serial killer, the prime suspect in the death of more people on the planet than all other diseases combined. Fear in every form has been linked to heart disease, cancer, autoimmune disorders, mental illness and many other sicknesses. Fear is the welcome mat to demonic activity in our lives.
Kris Vallotton (Spirit Wars: Winning the Invisible Battle Against Sin and the Enemy)
Considering how common illness is, how tremendous the spiritual change it brings, how astonishing, when the lights of health go down, the undiscovered countries that are then disclosed, what wastes and deserts of the soul a slight attack of influenza brings to view, what precipices and lawns sprinkled with bright flowers a little rise of temperature reveals, what ancient and obdurate oaks are uprooted in us by the act of sickness…it is strange indeed that illness has not taken its place with love and battle and jealousy among the prime themes of literature.” from her essay, On Being Ill
Virginia Woolf (Novels by Virginia Woolf (Study Guide): The Years, to the Lighthouse, Mrs Dalloway, Orlando: A Biography, Flush: A Biography, Night and Day)
Every temptation proves a crossroad where we must choose between the high road and the low road. On some occasions it is a trial of agonizing frustration. On other occasions, it is a mere annoyance, a nuisance of minor proportions. but in each case there is some element tot uneasiness, anxiety, and spiritual tugging--ultimately a choosing that forces us to take sides. Neutrality is a nonexistent condition in this life. We are always choosing, always taking sides. That is part of the human experience--facing temptations on a daily, almost moment-by-moment basis--facing them not only on the good days but on the days we are down, the days we are tired, rejected, discouraged, or sick. Every day of our lives we battle temptation--and so did the Savior. It is an integral part of the human experience, faced not only by us but also by him. He drank from the same cup.
Tad R. Callister (The Infinite Atonement)
I managed to find a spot where we had the wind from astern, a steep head sea on our starboard quarter and the tide race through the narrows at the same time. A few hours of that and our fierce horse soldiers were like little lambs—sick little lambs.
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
..."What burden do you have?" "The burden of duty." His voice lowered to an intense whisper. "I led those men into battle. When they were weary and chilled and sick with fear, I pushed them on. I promised they'd see the day when they'd come home to their wives, their sweethearts, their bairns, their lands. Instead, they came home to nothing.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
Battling a sickness of the spirit was like standing in a quickstand and beating it with a stick.
Isaac Asimov (The End of Eternity)
Tolstoi made the writing of Stephen Crane on the Civil War seem like the brilliant imagining of a sick boy who had never seen war but had only read the battles and chronicles and seen the Brady
Ernest Hemingway (A Moveable Feast: The Restored Edition)
I thought you were supposed to be the champion of your people,' I said. I live because I need to do that. For anyone who is left.' Don't you see? No one will be left. Protect them now or there will be no one to protect!' This is a battle that goes on and on. It never ends. You're too young to understand. No! You're too much of a coward to fight.' I was sick of lies and secrets and of battles so old we had to erase who we were to fight back. And still we lost. Still we were tied to posts.
Alice Hoffman (Incantation)
Campaigns are a great bore; they are mostly about either finding enough water for your company, or being up to your knees in mud and all the food’s gone bad. Battles are blessedly brief; but you’re sick with terror before, blind with panic during, and miserable with horror by the results, when you have to bury your friends, or listen to them scream.
Robin McKinley (Deerskin)
I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving. I know a charm that will heal with a touch. I know a charm that will turn aside the weapons of an enemy. I know another charm to free myself from all bonds and locks. A fifth charm: I can catch an arrow in flight and take no harm from it. A sixth: spells sent to hurt me will hurt only the sender. A seventh charm I know: I can quench a fire simply by looking at it. An eighth: if any man hates me, I can win his friendship. A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore. For a tenth charm, I learned to dispel witches, to spin them around in the skies so that they will never find their way back to their own doors again. An eleventh: if I sing it when a battle rages it can take warriors through the tumult unscathed and unhurt, and bring them safely back to their hearths and their homes. A twelfth charm I know: if I see a hanged man I can bring him down from the gallows to whisper to us all he remembers. A thirteenth: if I sprinkle water on a child’s head, that child will not fall in battle. A fourteenth: I know the names of all the gods. Every damned one of them. A fifteenth: I had a dream of power, of glory, and of wisdom, and I can make people believe in my dreams. A sixteenth charm I know: if I need love I can turn the mind and heart of any woman. A seventeenth, that no woman I want will ever want another. And I know an eighteenth charm, and that charm is the greatest of all, and that charm I can tell to no man, for a secret that no one know but you is the most powerful secret there can ever be.
Neil Gaiman (American Gods)
There is a peculiar strength that comes to one who is facing the final battle. That battle is not limited to war, nor the strength to warriors. I've seen this strength in old women with the coughing sickness and heard of it in families that are starving together. It drives one to go on, past hope or despair, past blood loss and gut wounds, past death itself in a final surge to save something that is cherished. It is courage without hope. During the Red-Ship Wars, I saw a man with blood gouting in spurts from where his left arm had once been yet swinging a sword with his right as he stood protecting a fallen comrade. During one encounter with Forged Ones, I saw a mother stumbling over her own entrails as she shrieked and clutched at a Forged man, trying to hold him away from her daughter. The OutIslanders have a word for that courage. "Finblead", they call it, the last blood, and they believe that a special fortitude resides in the final blood that remains in a man or a woman before they fall. According to their tales, only then can one find and use that sort of courage. It is a terrible bravery and at its strongest and worst, it goes on for months when one battles a final illness. Or, I believe, when one moves toward a duty that will result in death but is completely unavoidable. That "finblead" lights everything in one's life with a terrible radiance. All relationships are illuminated for what they are and for what they truly were in the past. All illusions melt away. The false is revealed as starkly as the true.
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
This is why the betrayals of body and mind that threaten to erase our character and memory remain among our most awful tortures. The battle of being mortal is the battle to maintain the integrity of one’s life—to avoid becoming so diminished or dissipated or subjugated that who you are becomes disconnected from who you were or who you want to be. Sickness and old age make the struggle hard enough. The professionals and institutions we turn to should not make it worse. But we have at last entered an era in which an increasing number of them believe their job is not to confine people’s choices, in the name of safety, but to expand them, in the name of living a worthwhile life.
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
But open secret is a lie we like to tell ourselves. It's a lie we often told ourselves, in sickness and in health. It doesn't work, because if you feel you still have a secret, there is no way to be truly open. In the interest of self-preservation, it is sometimes best to keep something back, keep something hidden. But there usually comes a moment - and Neil is hitting his right now - when you don't want self-preservation to define who you are, or who your family is. Truces may stop the battles, but part of you will always feel like you're at war.
David Levithan (Two Boys Kissing)
I can’t sleep,” he says so quietly that only I can hear. “I can’t sleep. I can’t sleep. I can’t sleep.” “Nor I.” “You neither?” “No.” “Truly?” “Yes.” He sighs a deep sigh, as if he is relieved. “Is this love then?” “I suppose so.” “I can’t eat.” “No.” “I can’t think of anything but you. I can’t go on another moment like this; I can’t ride out into battle like this. I am as foolish as a boy. I am mad for you, like a boy. I cannot be without you; I will not be without you. Whatever it costs me.” I can feel my color rising like heat in my cheeks, and for the first time in days I can feel myself smile. “I can’t think of anything but you,” I whisper. “Nothing. I thought I was sick.” The ring like a crown is heavy in my pocket, my headdress is pulling at my hair; but I stand without awareness, seeing nothing but him, feeling nothing but his warm breath on my cheek and scenting the smell of his horse, the leather of his saddle, and the smell of him: spices, rosewater, sweat. “I am mad for you,” he says. I feel my smile turn up my lips as I look into his face at last. “And I for you,” I say quietly. “Truly.
Philippa Gregory
On a distant battlefield, somewhere in the Middle East, Sergeant Jackson is sick of this fucking war and stands up from behind the trench he’s hiding in, ignores the pleas of his squad mates to get down and starts to play the electric guitar he’s insisted he bring into battle with him. He plays a song: his father’s favourite. He’s spent years learning it and he thinks it’s beautiful. The first bullet kills him. Someone takes a picture as he falls. A dying soldier clutching his electric guitar.
pleasefindthis (Intentional Dissonance)
As bad off as we were, as cold as we were, as hungry as we were, as sick as we were, I don't think an American Airborne soldier could throw down his gun.
Edward Heffron (Brothers In Battle, Best of Friends)
Trauma does not always carry big battle wounds. Sometimes it appears in the broad daylight of cold wars fought in silence.
Sofia Ajram (Coup de Grâce)
Thou mayest rule over sin, Lee. That’s it. I do not believe all men are destroyed. I can name you a dozen who were not, and they are the ones the world lives by. It is true of the spirit as it is true of battles--only the winners are remembered. Surely most men are destroyed, but there are others who like pillars of fire guide frightened men through the darkest. ’Thou mayest, thou mayest!’ What glory! It is true that we are weak and sick and quarrelsome, but if that is all we ever were, we would, millenniums ago, have disappeared from the face of the earth. A few remnants of fossilized jawbone, some broken teeth in strata of limestone, would be the only mark man would have left of his existence in the world. But the choice, Lee, the choice of winning!
John Steinbeck (East of Eden)
The desire to know the future gnaws at our bones. That is where it started, and might have ended, years ago. I had cast the stones, seeing their faces flicker and fall: Death, Love, Murder, Treachery, Hope. We are a treacherous people - half of our stones show betrayal and violence and death from those close, death from those far away. It is not so with other peoples. I have seen other sets that show only natural disasters: death from sickness, from age, the pain of a broken heart, loss in childbirth. And those stones are more than half full with pleasure and joy and plain, solid warnings like "You reap what you sow" and "Victory is not the same as satisfaction." Of course, we live in a land taken by force, by battle and murder and invasion. It is not so surprising that our stones reflect our history.
Pamela Freeman (Blood Ties (Castings, #1))
Goddammit to hell, I'm sick of it. Can't I get a place to sleep without dragging it through the courts? I'm goddamn tired of battling every Tom, Dick, and Harry for what everyone else takes for granted. I'm tired!
James Baldwin
The moon fled eastward like a frightened dove, while the stars changed their places in the heavens, like a disbanding army. 'Where are we?' asked Gil Gil. 'In France,' responded the Angel of Death. 'We have now traversed a large portion of the two bellicose nations which waged so sanguinary a war with each other at the beginning of the present century. We have seen the theater of the War of Succession. Conquered and conquerors both lie sleeping at this instant. My apprentice, Sleep, rules over the heroes who did not perish then, in battle, or afterward of sickness or of old age. I do not understand why it is that below on earth all men are not friends? The identity of your misfortunes and your weaknesses, the need you have of each other, the shortness of your life, the spectacle of the grandeur of other worlds, and the comparison between them and your littleness, all this should combine to unite you in brotherhood, like the passengers of a vessel threatened with shipwreck. There, there is neither love, nor hate, nor ambition, no one is debtor or creditor, no one is great or little, no one is handsome or ugly, no one is happy or unfortunate. The same danger surrounds all and my presence makes all equal. Well, then, what is the earth, seen from this height, but a ship which is foundering, a city delivered up to an epidemic or a conflagration?' 'What are those ignes fatui which I can see shining in certain places on the terrestrial globe, ever since the moon veiled her light?' asked the young man. 'They are cemeteries. We are now above Paris. Side by side with every city, every town, every village of the living there is always a city, a town, or a village of the dead, as the shadow is always beside the body. Geography, then, is of two kinds, although mortals only speak of the kind which is agreeable to them. A map of all the cemeteries which there are on the earth would be sufficient indication of the political geography of your world. You would miscalculate, however, in regard to the population; the dead cities are much more densely populated than the living; in the latter there are hardly three generations at one time, while, in the former, hundreds of generations are often crowded together. As for the lights you see shining, they are phosphorescent gleams from dead bodies, or rather they are the expiring gleams of thousands of vanished lives; they are the twilight glow of love, ambition, anger, genius, mercy; they are, in short, the last glow of a dying light, of the individuality which is disappearing, of the being yielding back his elements to mother earth. They are - and now it is that I have found the true word - the foam made by the river when it mingles its waters with those of the ocean.' The Angel of Death paused. ("The Friend of Death")
Pedro Antonio de Alarcón (Ghostly By Gaslight)
Michael staggered to his feet and turned to face his worst nightmare. Baal stood before him, a smirk on his face. He wore his signature grey, pinstripe, three-piece suit, and casually twisted his pinky ring on his long and slender well-manicured finger. As it rotated Michael caught a glimpse of the rubies in the skull’s eye sockets. His black hair was slicked back, the sight of his false appearance made Michael sick to his stomach.
Wendy Owens (The Guardians Crown Parts One and Two (The Sacred Guardians #4))
It was there in that green forest that we ran into the most frightening weapon of the war, the one that made us almost sick with fear: antipersonnel mines. By now I had gone through aerial bombing, artillery and mortar shelling, open combat, direct rifle and machine gun firing, night patrolling, and ambush. Against all of this we had some kind of chance; against mines we had none. They were vicious, deadly, inhuman. They churned our guts.
George Wilson (If You Survive: From Normandy to the Battle of the Bulge to the End of World War II, One American Officer's Riveting True Story)
My belief is that one of the primary battles Satan wages is his attempt to keep us from a full revelation of that. Called the Accuser, he works to keep us in poverty when it comes to knowing God’s love and walking in the authority God has given us. Satan wants us to keep our prayers in survival mode, focused on begging God for small withdrawals to cover our basic sustenance. He doesn’t want us to realize that we’ve been entrusted with the Kingdom itself.
Robby Dawkins (Do What Jesus Did: A Real-Life Field Guide to Healing the Sick, Routing Demons and Changing Lives Forever)
All peoples think they are forever," he growled softly. "They do not believe they will ever not be. The Sinnissippi were that way. They did not think they would be eradicated. But that is what happened. Your people, Nest, believe this of themselves. They will survive forever, they think. Nothing can destroy them, can wipe them so completely from the earth and from history that all that will remain is their name and not even that will be known with certainty. They have such faith in their invulnerability. Yet already their destruction begins. It comes upon them gradually, in little ways. Bit by bit their belief in themselves erodes. A growing cynicism pervades their lives. Small acts of kindness and charity are abandoned as pointless and somehow indicative of weakness. Little failures of behavior lead to bigger ones. It is not enough to ignore the discourtesies of others; discourtesies must be repaid in kind. Men are intolerant and judgmental . They are without grace. If one man proclaims that God has spoken to him, another quickly proclaims that his God is false. If the homeless cannot find shelter, then surely they are to blame for their condition. If the poor do not have jobs, then surely it is because they will not work. If sickness strikes down those whose lifestyle differs from our own, then surely they have brought it on themselves. Look at your people, Nest Freemark. They abandon their old. They shun their sick. They cast off their children. They decry any who are different. They commit acts of unfaithfulness, betrayal, and depravity every day. They foster lies that undermine beliefs. Each small darkness breeds another. Each small incident of anger, bitterness, pettiness, and greed breeds others. A sense of futility consumes them. They feel helpless to effect even the smallest change. Their madness is of their own making, and yet they are powerless against it because they refuse to acknowledge its source. They are at war with themselves, but they do not begin to understand the nature of the battle being fought." -pages 96-97
Terry Brooks (Running with the Demon (Word & Void, #1))
Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
Riding at full gallop for three days--combined with less than three hours of sleep for every twelve spent in the saddle--had left him frighteningly weak. I might as well be going into battle drunk, sick, and beaten half out of my senses.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
That excepted, what can one not endure in the way of need, privation, bad weather, sickness, toil, solitude? In point of fact, one manages to get over everything, born as one is to a burrowing and battling existence; one always returns once again to the light, one always lives again one’s golden hour of victory – and then one stands as one was born, unbreakable, tense, ready for something more difficult, for something more distant, like a bow stretched but the tauter by every strain.
Friedrich Nietzsche (On the Genealogy of Morals)
These records, however much or however little of real life may lie at the back of them, are not an attempt to disguise or to palliate this widespread sickness of our times. They are an attempt to present the sickness itself in its actual manifestation. They mean, literally, a journey through hell, a sometimes fearful, sometimes courageous journey through the chaos of a world whose souls dwell in darkness, a journey undertaken with the determination to go through hell from one end to the other, to give battle to chaos, and to suffer torture to the full.
Hermann Hesse (Steppenwolf)
During the forty-five months of World War II, the United States lost just under 1 percent of its adult male population; during the Civil War the casualty rate was somewhere between 4 and 5 percent; during the fourteen months of King Philip’s War, Plymouth Colony lost close to 8 percent of its men. But the English losses appear almost inconsequential when compared to those of the Indians. Of a total Native population of approximately 20,000, at least 2,000 had been killed in battle or died of their injuries; 3,000 had died of sickness and starvation, 1,000 had been shipped out of the country as slaves, while an estimated 2,000 eventually fled to either the Iroquois to the west or the Abenakis to the north. Overall, the Native American population of southern New England had sustained a loss of somewhere between 60 and 80 percent.
Nathaniel Philbrick (Mayflower: A Story of Courage, Community, and War)
Although I am cursed by dreams, I still cannot stop myself sleeping. I drop into darkness every night and dream that Richard has come to me, laughing. He tells me that the battle went his way and we are to be married. He holds my hands as I protest that they came and told me that Henry had won, and he kisses me and calls me a fool, a little darling fool. I wake believing it to be true, and feel a sudden sick realization when I look at the walls of the second-best bedroom, and Cecily sharing my bed, and remember that my love lies dead and cold in an unmarked grave, while his country sweats in the heat.
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
Can I cuddle up with you when you sleep?” Sma stopped, detached the creature from her shoulder with one hand and stared it in the face. “What?” “Just for chumminess’ sake,” the little thing said, yawning wide and blinking. “I’m not being rude; it’s a good bonding procedure.” Sma was aware of Skaffen-Amtiskaw glowing red just behind her. She brought the yellow and brown device closer to her face. “Listen, Xenophobe—” “Xeny.” “Xeny. You are a million-ton starship. A Torturer class Rapid Offensive Unit. Even—” “But I’m demilitarized!” “Even without your principle armament, I bet you could waste planets if you wanted to—” “Aw, come on; any silly GCU can do that!” “So what’s all this shit for?” She shook the furry little remote drone, quite hard. Its teeth chattered. “It’s for a laugh!” it cried. “Sma, don’t you appreciate a joke?” “I don’t know. Do you appreciate being drop-kicked back to the accommodation area?” “Ooh! What’s your problem, lady? Have you got something against small furry animals, or what?” Look Ms. Sma, I know very well I’m a ship, and I do everything I’m asked to do—including taking you to this frankly rather fuzzily specified destination—and do it very efficiently, too. If there was the slightest sniff of any real action, and I had to start acting like a warship, this construct in your hands would go lifeless and limp immediately, and I’d battle as ferociously and decisively as I’ve been trained to. Meanwhile, like my human colleagues, I amuse myself harmlessly. If you really hate my current appearance, all right; I’ll change it; I’ll be an ordinary drone, or just a disembodied voice, or talk to you through Skaffen-Amtiskaw here, or through your personal terminal. The last thing I want is to offend a guest.” Sma pursed her lips. She patted the thing on its head and sighed. “Fair enough.” “I can keep this shape?” “By all means.” “Oh goody!” It squirmed with pleasure, then opened its big eyes wide and looked hopefully at her. “Cuddle?” “Cuddle.” Sma cuddled it, patted its back. She turned to see Skaffen-Amtiskaw lying dramatically on its back in midair, its aura field flashing the lurid orange that was used to signal Sick Drone in Extreme Distress.
Iain M. Banks (Use of Weapons (Culture, #3))
I'll keep in touch, says Lige, ain't going to let you go. This makes John Coke very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.
Sebastian Barry (Days Without End (Days Without End, #1))
Over the years I have read many, many books about the future, my ‘we’re all doomed’ books, as Connie liked to call them. ‘All the books you read are either about how grim the past was or how gruesome the future will be. It might not be that way, Douglas. Things might turn out all right.’ But these were well-researched, plausible studies, their conclusions highly persuasive, and I could become quite voluble on the subject. Take, for instance, the fate of the middle-class, into which Albie and I were born and to which Connie now belongs, albeit with some protest. In book after book I read that the middle-class are doomed. Globalisation and technology have already cut a swathe through previously secure professions, and 3D printing technology will soon wipe out the last of the manufacturing industries. The internet won’t replace those jobs, and what place for the middle-classes if twelve people can run a giant corporation? I’m no communist firebrand, but even the most rabid free-marketeer would concede that market-forces capitalism, instead of spreading wealth and security throughout the population, has grotesquely magnified the gulf between rich and poor, forcing a global workforce into dangerous, unregulated, insecure low-paid labour while rewarding only a tiny elite of businessmen and technocrats. So-called ‘secure’ professions seem less and less so; first it was the miners and the ship- and steel-workers, soon it will be the bank clerks, the librarians, the teachers, the shop-owners, the supermarket check-out staff. The scientists might survive if it’s the right type of science, but where do all the taxi-drivers in the world go when the taxis drive themselves? How do they feed their children or heat their homes and what happens when frustration turns to anger? Throw in terrorism, the seemingly insoluble problem of religious fundamentalism, the rise of the extreme right-wing, under-employed youth and the under-pensioned elderly, fragile and corrupt banking systems, the inadequacy of the health and care systems to cope with vast numbers of the sick and old, the environmental repercussions of unprecedented factory-farming, the battle for finite resources of food, water, gas and oil, the changing course of the Gulf Stream, destruction of the biosphere and the statistical probability of a global pandemic, and there really is no reason why anyone should sleep soundly ever again. By the time Albie is my age I will be long gone, or, best-case scenario, barricaded into my living module with enough rations to see out my days. But outside, I imagine vast, unregulated factories where workers count themselves lucky to toil through eighteen-hour days for less than a living wage before pulling on their gas masks to fight their way through the unemployed masses who are bartering with the mutated chickens and old tin-cans that they use for currency, those lucky workers returning to tiny, overcrowded shacks in a vast megalopolis where a tree is never seen, the air is thick with police drones, where car-bomb explosions, typhoons and freak hailstorms are so commonplace as to barely be remarked upon. Meanwhile, in literally gilded towers miles above the carcinogenic smog, the privileged 1 per cent of businessmen, celebrities and entrepreneurs look down through bullet-proof windows, accept cocktails in strange glasses from the robot waiters hovering nearby and laugh their tinkling laughs and somewhere, down there in that hellish, stewing mess of violence, poverty and desperation, is my son, Albie Petersen, a wandering minstrel with his guitar and his keen interest in photography, still refusing to wear a decent coat.
David Nicholls (Us)
As I said, healing involves a spiritual battle, so don’t give up. Doubts, fears, uncertainties and mysteries are a normal part of the Christian life. It’s part of the tension of the Kingdom, which is “here, but not yet.” We can’t allow things we don’t know or understand to hold us back or rob us of the wonderful things God is doing.
Robby Dawkins (Do What Jesus Did: A Real-Life Field Guide to Healing the Sick, Routing Demons and Changing Lives Forever)
Bill was good to my daughter while I was sick. I was lying in a hospital bed for almost a year, and the doctors didn't expect me to walk again. Bill took care of us. He came to see me every day. (Bill adds: 'You owe me for parking. Sixteen dollars a day for a year! He was on so many drugs, he was nuttier than a fruitcake. Coco loco!
Edward Heffron (Brothers In Battle, Best of Friends)
What do you learn at school, then?" "We learn about the Prophet and his three hundred authenticated miracles,and about Abraham and Isaac and Jonah and Omar and Ali and Hind and Fatima and the saints, and sometimes the big battles of Saladin against the barbarians. And we recite the Holy Koran because we have to learn al-Fatihah by heart." "What's that?" "It's the beginning." "What's it like?" Karatavuk closed his eyes and recited:'Bismillah al-rahman al-rahim...' When he's finished he opened his eyes, and mopped his forehead. "It's difficult" he observed. "I didn't understand any of it" complained Mehmetcik. " It sounds nice though. was it language?" "Of course it was language, stupid. It's Arabic." "What's that then?" "It's what Arabs speak. And it's what God speaks, and that's why we have to learn to recite it. It's something about being merciful and the Day of Judgement and showing us the right path, and if anything is going wrong, or you're worried, or someone's sick, you just have to say al-Fatihah and everything will probably be all right." "I didn't know that God spoke language." observed Mehmetcik. Father Kristoforos speaks to him in Greek, but we don't understand that either." "What do you learn, then." "We learn more than you," answered Mehmetcik self-importantly. "We learn about Jesus Son of Mary and his miracles and St Nicholas and St Dmitri and St Menas and the saints and Abraham and Isaac and Jonah and Emperor Constantine and Alexander the Great and the Marble Emperor, and the great battles against barbarians, and the War of Independence, and we learn reading and writing and adding up and taking away and multiplication and division." "Don't you learn al-Fatihah,then?" "When things go wrong we say 'Kyrie elesion'. and we've got a proper prayer as well." "What's that like?" Mehmetcik screwed up his eyes in unconcious imitation of his friend, and recited: 'Pater imon, o en tois ouranis, agiasthito to onoma sou, eltheto i vasileia sou..' When Mehmetcik has finished, Karatavuk asked, "What's that about, then? is that some kind of language?" "It's Greek. It's what we speak to God.I don't know exactly what it means, it's something about our father who is in heaven and forgive us our daily bread, and led us not into temptation, but it doesn't matter if we don't understand it, because God does" "Maybe," pondered Karatavuk, " Greek and Arabic are actually the same language, and that's how God understands us, like sometimes I'm Abdul and sometimes I'm Karatavuk, and sometimes you're Nico and sometimes you're Mehmetcik, but it's two names and there's only one me and there's only one you, so it might be all one language that's called Greek sometimes and Arabic sometimes.
Louis de Bernières (Birds Without Wings)
patients who are quick to claim that their pain and “battle scars” are worse than those of other patients are an unfortunate reality in waiting rooms, support groups, and Internet forums. Both scenarios create internal divisions that weaken one of the greatest assets patients have in a healthy world: the solidarity of the illness experience.
Laurie Edwards (In the Kingdom of the Sick: A Social History of Chronic Illness in America)
I can’t sleep,” he says so quietly that only I can hear. “I can’t sleep. I can’t sleep. I can’t sleep.” “Nor I.” “You neither?” “No.” “Truly?” “Yes.” He sighs a deep sigh, as if he is relieved. “Is this love then?” “I suppose so.” “I can’t eat.” “No.” “I can’t think of anything but you. I can’t go on another moment like this; I can’t ride out into battle like this. I am as foolish as a boy. I am mad for you, like a boy. I cannot be without you; I will not be without you. Whatever it costs me.” I can feel my color rising like heat in my cheeks, and for the first time in days I can feel myself smile. “I can’t think of anything but you,” I whisper. “Nothing. I thought I was sick.” The ring like a crown is heavy in my pocket, my headdress is pulling at my hair; but I stand without awareness, seeing nothing but him, feeling nothing but his warm breath on my cheek and scenting the smell of his horse, the leather of his saddle, and the smell of him: spices, rosewater, sweat. “I am mad for you,” he says. I feel my smile turn up my lips as I look into his face at last. “And I for you,” I say quietly. “Truly.” “Well then, marry me.” “What?” “Marry me. There is nothing else for it.” I give a nervous little laugh. “You are joking with me.” “I mean it. I think I will die if I don’t have you. Will you marry me?” “Yes,” I breathe. “Tomorrow morning, I will ride in early. Marry me tomorrow morning at your little chapel. I will bring my chaplain, you bring witnesses. Choose someone you can trust. It will have to be a secret for a while. Do you want to?” “Yes.” For the first time he smiles, a warm beam that spreads across his fair broad face. “Good God, I could take you in my arms right now,” he says. “Tomorrow,” I whisper. “At nine in the morning,” he says.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
Hush, Sonia! I am not laughing. I know myself that it was the devil leading me. Hush, Sonia, hush!” he repeated with gloomy insistence. “I know it all, I have thought it all over and over and whispered it all over to myself, lying there in the dark.… I've argued it all over with myself, every point of it, and I know it all, all! And how sick, how sick I was then of going over it all! I kept wanting to forget it and make a new beginning, Sonia, and leave off thinking. And you don’t suppose that I went into it headlong like a fool? I went into it like a wise man, and that was just my destruction. And you mustn't suppose that I didn't know, for instance, that if I began to question myself whether I had the right to gain power—I certainly hadn't the right—or that if I asked myself whether a human being is a louse it proved that it wasn't so for me, though it might be for a man who would go straight to his goal without asking questions.… If I worried myself all those days, wondering whether Napoleon would have done it or not, I felt clearly of course that I wasn't Napoleon. I had to endure all the agony of that battle of ideas, Sonia, and I longed to throw it off: I wanted to murder without casuistry, to murder for my own sake, for myself alone! I didn't want to lie about it even to myself. It wasn't to help my mother I did the murder—that’s nonsense—I didn't do the murder to gain wealth and power and to become a benefactor of mankind. Nonsense! I simply did it; I did the murder for myself, for myself alone, and whether I became a benefactor to others, or spent my life like a spider, catching men in my web and sucking the life out of men, I couldn't have cared at that moment.… And it was not the money I wanted, Sonia, when I did it. It was not so much the money I wanted, but something else.… I know it all now.… Understand me! Perhaps I should never have committed a murder again. I wanted to find out something else; it was something else led me on. I wanted to find out then and quickly whether I was a louse like everybody else or a man. Whether I can step over barriers or not, whether I dare stoop to pick up or not, whether I am a trembling creature or whether I have the right …” “To kill? Have the right to kill?” Sonia clasped her hands. “Ach, Sonia!” he cried irritably and seemed about to make some retort, but was contemptuously silent. “Don’t interrupt me, Sonia. I want to prove one thing only, that the devil led me on then and he has shown me since that I had not the right to take that path, because I am just such a louse as all the rest. He was mocking me and here I've come to you now! Welcome your guest! If I were not a louse, should I have come to you? Listen: when I went then to the old woman’s I only went to try. … You may be sure of that!” “And you murdered her!” “But how did I murder her? Is that how men do murders? Do men go to commit a murder as I went then? I will tell you some day how I went! Did I murder the old woman? I murdered myself, not her! I crushed myself once for all, for ever.… But it was the devil that killed that old woman, not I. Enough, enough, Sonia, enough! Let me be!” he cried in a sudden spasm of agony, “let me be!
Fyodor Dostoevsky (Crime and Punishment)
Being tempted to masturbate is probably the most common illegitimate physical expression of this spiritual battle. But that temptation will not end simply because you have a legitimate physical sexual outlet in the person of your wife. The physical battle is not the core issue. It’s an outward expression of how well you have been fighting the inner, spiritual battle.
Tim Challies (Sexual Detox: A Guide for Guys Who Are Sick of Porn)
In joy or sadness, flowers are our constant friends. We eat, drink, sing, dance, and flirt with them. We wed and christen with flowers. We dare not die without them. We have worshipped with the lily, we have meditated with the lotus, we have charged in battle array with the rose and chrysanthemum. We have even attempted to speak in the language of flowers. How could we live without them? It frightens one to conceive of a world bereft of their presence. What solace do they not bring to the bedside of the sick, what a light of bliss to the darkness of weary spirits? Their serene tenderness restores to us our waning confidence in the universe even as the intent gaze of a beautiful child recalls our lost hopes. When we are laid low in the dust it is they who linger in sorrow over our graves.
Kakuzō Okakura (The Book of Tea)
Violence is as much a part of what is means to be poor as being hungry, sick, homeless, or jobless. In fact, as we shall see, violence is frequently the problem that poor people are most concerned about. It is one of the core reasons they are poor in the first place, and one of the primary reasons they stay poor. Indeed, we will simply never be able to win the battle against extreme poverty unless we address it.
Gary A. Haugen (The Locust Effect: Why the End of Poverty Requires the End of Violence)
Damen said, ‘You haven’t told him.’ ‘You don’t even deny it?’ said Jord. A harsh laugh, when Damen was silent. ‘You hated us so much, all this time? It wasn’t enough to invade, to take our land? You had to play this—sick game as well?’ Damen said, ‘If you tell him, I can’t serve him.’ ‘Tell him?’ said Jord. ‘Tell him the man he trusts has lied, and lied again, has deceived him into the worst humiliation?’ ‘I wouldn’t hurt him,’ said Damen, and heard the words drop like lead. ‘You killed his brother, then got him under you in bed.’ Put like that, it was monstrous. It’s not that way between us, he ought to have said, and didn’t, couldn’t. He felt hot, then cold. He thought of Laurent’s delicate, needling talk that froze into icy rebuff if Damen pushed at it, but if he didn’t—if he matched himself to its subtle pulses and undercurrents—continued, sweetly deepening, until he could only wonder if he knew, if they both knew, what they were doing. ‘I’m going to leave,’ he said. ‘I was always going to leave. I stayed only because—’ ‘That’s right, you’ll leave. I won’t allow you to wreck us. You’ll command us to Ravenel, you’ll say nothing to him, and when the fort is won, you’ll get on a horse and go. He’ll mourn your loss, and never know.’ It was what he had planned. It was what, from the beginning, he had planned. In his chest, the beats of his heart were like sword thrusts. ‘In the morning,’ said Damen. ‘I’ll give him the fort, and leave him in the morning. It’s what I promised.’ ‘You’re gone by the time the sun hits the middle of the sky, or I tell him,’ said Jord. ‘And what he did to you in the palace will seem like a lover’s kiss compared with what will happen to you then.’ Jord was loyal. Damen had always liked that about him, the steadfast nature that reminded him of home. Strewn around them was the end of the battle, victory marked by silence and churned grass. ‘He’ll know,’ Damen heard himself say. ‘When word of my return to Akielos reaches him. He’ll know. I wish you would tell him then that I—’ ‘You fill me with horror,’ said Jord. His hands were tight on his knife. Both his hands, now. ‘Captain,
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
But south of the forest, well, that is an entirely different story.” Well that is an entirely different story. What a dedicated actor he is, his voice so crisp and dramatic. Next, he’ll tell me winter is coming and we need to battle the gray walkers, or the red riders, or whatever the blazes they’re called. I’m sick of this ridiculous farce. “So, tell me, Jon Snow, who lives south of the forest, then? Is it Goldilocks and the three bears?
Juno Heart (Prince of Never (Black Blood Fae, #1))
In his ministry to the sick Luther recommended physicians, barbers, and apothecaries. Resort to medicine is desirable, he said, and it is well that physicians and nurses do what they can. However, Luther went beyond most of these physicians in pointing to the mental and emotional origin of some physical ailments. “Our physical health depends in large measure on the thoughts of our minds. This is in accord with the saying, ‘Good cheer is half the battle.’”{18}
Martin Luther (Luther: Letters of Spiritual Counsel)
Uri was turned, looking at him, shouting something, but at that point, Gabe couldn’t hear him. A moment later, Gabe felt like the car was spinning uncontrollably. The nausea overcame him and he seriously thought he might be sick. He looked down at Sophie to make sure she was still all right. His hands were holding her head gently, but they no longer seemed like his hands. There was a glowing, blue light coming from his palms. He began to hyperventilate. Everything went black.
Wendy Owens (Sacred Bloodlines (The Sacred Guardians, #1))
As long as you are forced to be a woman first instead of a person, by default, you need to be a feminist. That’s it. Men are people, women are women? Screw that. Screw that. I am sick of having words aimed to shut me up. I am sick of having to be anything other than a person first. Zounds! I enjoy being a girl, whatever that means. For me, that meant Star Wars figurines, mounds of books, skirts and flats. It meant Civil War reenacting and best girlfriends I’d give a kidney to and best guy friends I’d ruin a liver with and making messes and cleaning up some of them and still not knowing how to apply eye shadow. That’s being a girl. That’s being a person. It’s the same damn thing. I wish Rush had just called me an idiot. I’m happy to be called an idiot! On the day when someone on the Internet calls me an idiot first and ugly second, I will set down my feminist battle flag and heave a great sigh. Then I will pick it back up and keep climbing. There are many more mountains to overcome.
Alexandra Petri (A Field Guide to Awkward Silences)
It was too much for Adolf Hitler. In the summer of 1944, he began to vent his anger at the Luftwaffe for its failures from the Battle of Britain to Stalingrad and now Normandy. ‘Goering! The Luftwaffe’s doing nothing,’ he railed at the Reichsmarschall during one conference. ‘It’s no longer worthy to be an independent service. And that’s your fault. You’re lazy.’ Tears rolled down the Reichsmarschall’s cheeks. He reported himself ‘sick’ for future conferences and ordered his generals to deputize.
Richard Hargreaves (The Germans in Normandy)
Your mother gives birth to you only once and only once do you die,' the witcher said calmly. 'An appropriate philosophy for a louse, don't you agree? And your longevity? I pity you, Filavandrel.' The elf raised his eyebrows. 'Why?' 'You're pathetic, with your little stolen sacks of seeds on pack horses, with your handful of grain, that tiny crumb thanks to which you plan to survive. And with that mission of yours which is supposed to turn your thoughts from imminent annihilation. Because you know this is the end. Nothing will sprout or yield crops on the plateaux, nothing will save you now. But you live long, and you will live very long in arrogant isolation, fewer and fewer of you, growing weaker and weaker, more and more bitter. And you know what'll happen then, Filavandrel. You know that desperate young men with the eyes of hundred-year-old men and withered, barren and sick girls like Toruviel will lead those who can still hold a sword and bow in their hands, down into the valleys. You'll come down into the blossoming valleys to meet death, wanting to die honourably, in battle, and not in sick beds of misery, where anaemia, tuberculosis and scurvy will send you. Then, long-living Aen Seidhe, you'll remember me. You'll remember that I pitied you. And you'll understand that I was right.' 'Time will tell who was right,' said the elf quietly. 'And herein lies the advantage of longevity. I've got a chance of finding out, if only because of that stolen handful of grain. You won't have a chance like that. You'll die shortly.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
She had humor and common sense and she soon knew what she must do. She must have done with her dream world, laugh at the ridiculous Mary who had lived in it and get to know the Mary whom she did not want to know, find out what she was like and what her prospects were. It sounded an easy program but she found it a grueling one. The phantasy world, she discovered, had tentacles like an octopus and cannot be escaped without mortal combat, and when at last her strong will had won the battle it seemed as though she were living in a vacuum, so little had the real world to offer the shy, frustrated, unattractive girl who was the Mary she must live with until she died. But free of the tentacles she was able now to sum up the situation with accuracy. She would not marry and being a gentlewoman no other career was open to her. She was not gifted in any way and she would never be strong and probably never free from pain. She was not a favorite with either of her parents, both of whom were vaguely ashamed of having produced so unattractive a child, and yet she was the one who would have to stay at home with them. The prospect was one of lifelong boredom and seemed to her as bleak as the cold winds that swept across the fens, even at times as terrible as the great Cathedral in whose shadow she must live and die. For at that time she did not love the Cathedral and in her phantasy life the city had merely been the hub from which her radiant dreams stretched out to the wide wheel of the world. What should she do? Her question was not a cry of despair but a genuine and honest with to know. She never knew what put it into her head that she, unloved, should love. Religion for her parents, and therefore for their children, was not much more than a formality and it had not occurred to her to pray about her problem, and yet from somewhere the idea came as though in answer to her question, and sitting in Blanche's Bower with the cat she dispassionately considered it. Could mere loving be a life's work? Could it be a career like marriage or nursing the sick or going on the stage? Could it be adventure?
Elizabeth Goudge (The Dean's Watch)
I have fought the good fight, I have finished the race, I have kept the faith. 2 TIMOTHY 4:7 SEPTEMBER 24 God makes you strong enough by His supportive presence. That is what He is: supportive. By His power He makes you strong enough to stand against anything. Unfairness, injustice, hate, pain, sickness, weakness, infidelity—such are the enemies of human beings. Time and time again, a person falters under the onslaught of all this. Sometimes, after you have battled long and been thrown back many times and so many difficulties lie in your path, life throws the whole book at you, and you feel like giving up. Have you ever felt like giving up? I have. I’d hate to tell you how many times I’ve felt like giving up. But do you know something? You must never give up. Never. You must do like Paul: You must fight the good fight. You must finish the course. You must keep the faith. No, as a Christian you must never give up. As a human being you must never give up. And if you know this fact, this truth, that He whom they call Emmanuel is with you, you never will give up.
Norman Vincent Peale (Positive Living Day by Day)
I'll keep in touch, says Lige, ain't going to let you go. This makes John Cole very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.
Sebastian Barry (Days Without End (Days Without End, #1))
Illness is a story we tell about ourselves. The narrative is the connective tissue that joins together the symptoms and perceptions and makes sense of them. It's how impenetrable concepts like death and life become something that can be incorporated comfortably into day-to-day existence. A serious illness is much easier to cope with if it can be slotted into a familiar structure with a beginning, middle, and end. It's also why metaphors of battle or struggle are so popular for describing sickness. It draws the line between them and us, good and evil.
Caroline Crampton (A Body Made of Glass: A Cultural History of Hypochondria)
People I meet, the effect upon me of my early life or the ward and city I live in, or the nation, The latest dates, discoveries, inventions, societies, authors old and new, My dinner, dress, associates, looks, compliments, dues, The real or fancied indifference of some man or woman I love, The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, or depressions or exaltations, Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; These come to me days and nights and go from me again, But they are not the Me myself.
Walt Whitman (Leaves of Grass)
Hippocrates, after curing many diseases, himself fell sick and died. The Chaldaei foretold the deaths of many, and then fate caught them too. Alexander and Pompeius and Caius Caesar, after so often completely destroying whole cities, and in battle cutting to pieces many ten thousands of cavalry and infantry, themselves too at last departed from life. Heraclitus, after so many speculations on the conflagration of the universe, was filled with water internally and died smeared all over with mud. And lice destroyed Democritus; and other lice killed Socrates. What means all this?
Marcus Aurelius (Thoughts of Marcus Aurelius)
The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, or depressions or exaltations, Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; These come to me days and nights and go from me again, But they are not the Me myself. Apart from the pulling and hauling stands what I am, Stands amused, complacent, compassionating, idle, unitary, Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head curious what will come next, Both in and out of the game and watching and wondering at it.
Walt Whitman (The Complete Walt Whitman)
Countries measured their success by the size of their territory, the increase in their population and the growth of their GDP – not by the happiness of their citizens. Industrialised nations such as Germany, France and Japan established gigantic systems of education, health and welfare, yet these systems were aimed to strengthen the nation rather than ensure individual well-being. Schools were founded to produce skilful and obedient citizens who would serve the nation loyally. At eighteen, youths needed to be not only patriotic but also literate, so that they could read the brigadier’s order of the day and draw up tomorrow’s battle plans. They had to know mathematics in order to calculate the shell’s trajectory or crack the enemy’s secret code. They needed a reasonable command of electrics, mechanics and medicine in order to operate wireless sets, drive tanks and take care of wounded comrades. When they left the army they were expected to serve the nation as clerks, teachers and engineers, building a modern economy and paying lots of taxes. The same went for the health system. At the end of the nineteenth century countries such as France, Germany and Japan began providing free health care for the masses. They financed vaccinations for infants, balanced diets for children and physical education for teenagers. They drained festering swamps, exterminated mosquitoes and built centralised sewage systems. The aim wasn’t to make people happy, but to make the nation stronger. The country needed sturdy soldiers and workers, healthy women who would give birth to more soldiers and workers, and bureaucrats who came to the office punctually at 8 a.m. instead of lying sick at home. Even the welfare system was originally planned in the interest of the nation rather than of needy individuals. When Otto von Bismarck pioneered state pensions and social security in late nineteenth-century Germany, his chief aim was to ensure the loyalty of the citizens rather than to increase their well-being. You fought for your country when you were eighteen, and paid your taxes when you were forty, because you counted on the state to take care of you when you were seventy.30 In 1776 the Founding Fathers of the United States established the right to the pursuit of happiness as one of three unalienable human rights, alongside the right to life and the right to liberty. It’s important to note, however, that the American Declaration of Independence guaranteed the right to the pursuit of happiness, not the right to happiness itself. Crucially, Thomas Jefferson did not make the state responsible for its citizens’ happiness. Rather, he sought only to limit the power of the state.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Life sometimes is like tossing a coin in the air calling heads or tails, but it doesn’t matter what side it lands on; life goes on. It is hard when you’ve lost the will to fight because you’ve been fighting for so long. You are smothered by the pain. Mentally, you are drained. Physically, you are weak. Emotionally, you are weighed down. Spiritually, you do not have one tiny mustard seed of faith. The common denominator is that other people’s problems have clouded your mind with all of their negativity. You cannot feel anything; you are numb. You do not have the energy to surrender, and you choose not to escape because you feel safe when you are closed in. As you move throughout the day, you do just enough to get by. Your mindset has changed from giving it your all to—well, something is better than nothing. You move in slow motion like a zombie, and there isn’t any color, just black and white, with every now and then a shade of gray. You’ve shut everyone out and crawled back into the rabbit hole. Life passes you by as you feel like you cannot go on. You look around for help; for someone to take the pain away and to share your suffering, but no one is there. You feel alone, you drift away when you glance ahead and see that there are more uphill battles ahead of you. You do not have the option to turn around because all of the roads are blocked. You stand exactly where you are without making a step. You try to think of something, but you are emotionally bankrupt. Where do you go from here? You do not have a clue. Standing still isn’t helping because you’ve welcomed unwanted visitors; voices are in your head, asking, “What are you waiting for? Take the leap. Jump.” They go on to say, “You’ve had enough. Your burdens are too heavy.” You walk towards the cliff; you turn your head and look at the steep hill towards the mountain. The view isn’t helping; not only do you have to climb the steep hill, but you have to climb up the mountain too. You take a step; rocks and dust fall off the cliff. You stumble and you move forward. The voices in your head call you a coward. You are beginning to second-guess yourself because you want to throw in the towel. You close your eyes; a tear falls and travels to your chin. As your eyes are closed the Great Divine’s voice is louder; yet, calmer, soothing; and you feel peace instantly. Your mind feels light, and your body feels balanced. The Great Divine whispers gently and softly in your ear: “Fallen Warrior, I know you have given everything you’ve got, and you feel like you have nothing left to give. Fallen Warrior, I know it’s been a while since you smiled. Fallen Warrior, I see that you are hurting, and I feel your pain. Fallen Warrior, this is not the end. This is the start of your new beginning. Fallen Warrior, do not doubt My or your abilities; you have more going for you than you have going against you. Fallen Warrior, keep moving, you have what it takes; perseverance is your middle name. Fallen Warrior, you are not the victim! You are the victor! You step back because you know why you are here. You know why you are alive. Sometimes you have to be your own Shero. As a fallen warrior, you are human; and you have your moments. There are days when you have more ups than downs, and some days you have more downs than ups. I most definitely can relate. I was floating through life, but I had to change my mindset. During my worst days, I felt horrible, and when I started to think negatively I felt like I was dishonoring myself. I felt sick, I felt afraid, fear began to control my every move. I felt like demons were trying to break in and take over my life.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
The First Amendment was never going to lose this battle on Kennedy’s desk. But the way Kennedy decided to make it win solved nothing. Kennedy refused to decide whether Phillips had a constitutional right to bigotry under the free exercise clause. Instead, he ruled that the Colorado Civil Rights Commission, which punished Phillips under the CADA, was insufficiently respectful of Phillips’s religious objections. That’s right: Kennedy wouldn’t call Phillips illegally bigoted against gay couples; instead he called the Colorado board illegally bigoted against religious people. It was a punk move, done by a man who was sick of history having its eyes on him. Kennedy peaced out less than two months later and gave Brett Kavanaugh his job.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
The sick and feeble all strive instinctively for a social organization, the comfort of the group, the herd, the congregation, out of a desire to shake off their feeling to apathy and weakness; the ascetic priest divines this instinct and promotes it; wherever congregations have arisen they have been demanded by the instinct of weakness, and organized by the shrewdness of the priests. It is important to note in this connection that the strong instinctively strive for ISOLATION just as the weak drive for ALLIANCE; when the strong unite, it is only for concerted aggressive action and satisfaction of their desire for power and they do so only with reluctance; the weak, on the contrary, delight in such a muster and preparation for battle.
Friedrich Nietzsche (On the Genealogy of Morals)
Thou mayest rule over sin,' Lee. That's it. I do not believe all men are destroyed. I can name you a dozen who were not, and they are the ones the world lives by. It is true of the spirit as it is true of battles--only the winners are remembered. Surely most men are destroyed, but there are others who like pillars of fire guide frightened men through the darkness. 'Thou mayst, Thou mayest!' What glory! It is true that we are weak and sick and quarrelsome, but if that is all we ever were, we would, millenniums ago, have disappeared from the face of the earth. A few remnants of fossilized jawbone, some broken teeth in strata of limestone, would be the only mark man would have left of his existence in the world. But the choice, Lee, the choice of winning!
John Steinbeck
- Yeah, this is it. This is war... it takes you away from your loved ones, takes you to places you had no idea about, takes you through suffering and deprivation, hunger, thirst, sickness and wounds. It forces you to see, do and live through terrible experiences that you wish you had never known, and once you have, to forget them as soon as possible. It takes your friends and comrades and, if it doesn't kill them, then it turns them into something they don't even know what they are. And in the end, if you get to live those moments, when peace is announced and you begin to believe that you will return home, to your life, to the family and community you left behind, to the state of normality you dreamed of when it was harder on the front, you will find that it is not like that at all. - Why, Sarge? College Boy asked... - Because, you see, College Boy, after the end of the war not only you changed, but also those back home. They too had their struggles, their deprivations, sufferings, illnesses, injuries. Whether you got hot food today depends only on the conditions at the front and how much the quartermaster and subsistence services cared. But, back home, they have to search, they have to struggle without being guaranteed that they will succeed in finding something to put on the table for their children, or their elders. And so, they can go for days on end, starving. You, if you are sick or wounded, the military hospital will treat you as best they can. But they, at home, a visit to the family doctor is an expense that most can't afford and so they end up in the hospital, which is overcrowded, when it's too late, often. So they are changed too, not just you. You, however, have something more than them. You, you've known the chaos of frontline combat, the cruelty of taking the lives of others like yourself. And, like the sheepdog who fights the wolf, when it returns to the fold it carries both it's own blood and the wolf's. And the sheep, they don't see the wolf anymore, but they don't see the dog that was guarding them either. They only see the fangs showing through the open, blood-stained snout. They smell the scent of the wolf that has been impregnated into the dog's fur in battle and then, at that very moment, they no longer recognize the one who stood by them, no matter what the weather. It's the same with you. They fear you, and no matter how much they smile at you or say words that make you think you are welcome, you actually see fear and distrust in their eyes.
Costi Boșneag
There were three voices, weaving together, telling a tale of stonemasons. One stonemason was kind, and he created creatures who could care for the sick, the very young, and the very old. One stonemason was strong, and she created creatures who could build homes, plow fields, and dig graves. One stonemason was clever, and she created creatures who could study the stars, measure the mountains, and solve the mysteries of life and death and immortality. Each one claimed that their creations added more to the world and were more important than the others, and so they fell to arguing, and then challenged one another to battle, with their stone creatures as soldiers. But when it came time to meet on the field, the creatures refused to fight. Fighting would hurt the sick. Fighting would destroy the homes. Fighting would bring only death.
Sarah Beth Durst (The Stone Girl's Story)
Death is an asshole. Regardless of illness or circumstance or gut feelings, you are never ready to accept never seeing someone again, to have nothing left but last conversations and memories. You are never ready to be left with how sick somebody looked, or the way they stood up and hugged you despite how dizzy and feverish they were. You are never ready to exist without a person you loved and still need. Death is a constant, but you are never ready… But while it’s scary and awful and exhausting and terrible, it’s also comforting to have accepted that death will always be there and will always rip out your heart. It doesn’t get easy, and it will find surprising new ways of debilitating you. But what does get simpler is your awareness of it – the reminder that you have gotten through it before, and you will get through it again, and it will never, ever be as bad as it is in the moment you are battling through. It will never hurt the way it did when you found out, and the ache will never be as painful as when you realize those were your last words to them. It won’t be as painful forever… So, no, we can’t control death. But we can control how we breathe, how we act, the type of work we do. We can control what we say yes or no to, control who we choose to surround ourselves with, control the way we make the people we love feel. We can decide to be kind, to try our best, and to be honest. Those are the things that outlive us. When we’re faced with the harshness of how quickly someone can be taken away, we also see how we’ll likely be remembered: as human beings who are far more than the successes and failures we tend to define ourselves by. After we’re dead, we just get to be people.
Anne T. Donahue (Nobody Cares)
Recognizing Muhammad Before Muhammad appeared in form, there were scriptural references. People imagined how he would be and called on his presence in battle and sickness. They had thoughts and language about Muhammad. What good was that? Not everyone recognizes Muhammad. Many have a conception of him they can stand to live with. They don't know that if the shadow of Muhammad's true form falls across a wall, the wall will bleed! And it will no longer have two sides! What a blessing to be one thing. When others saw Muhammad, their awe evaporated, as counterfeit coins turn black in the flame. There are false coins who claim they want to be tested, all bravado. And there are touchstones that do not reveal impostors. There are mirrors that hide your flaws. Avoid hypocritical praise, and keep away from flattering mirrors, if you possibly can.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
Goddamit to hell, I’m sick of it. Can’t I get a place to sleep without dragging it through the courts? I’m goddamn tired of battling every Tom, Dick, and Harry for what everybody else takes for granted. I’m tired, man, tired! Have you ever been sick to death of something? Well, I’m sick to death. And I’m scared. I’ve been fighting so goddamn long I’m not a person any more. I’m not Booker T. Washington. I’ve got no vision of emancipating anybody. I want to emancipate myself. If this goes on much longer, they’ll send me to Bellevue, I’ll blow my top, I’ll break somebody’s head. I’m not worried about that miserable little room. I’m worried about what’s happening to me, to me, inside. I don’t walk the streets, I crawl. I’ve never been like this before. Now when I go to a strange place I wonder what will happen, will I be accepted, if I’m accepted, can I accept?
James Baldwin (Going to Meet the Man: Stories)
The big problem here is that getting any young person with a short attention span to spend ten thousand hours doing something can be an uphill battle. That’s never been more true than these days when whatever kids do has to compete with so many attractive options. It can be surfing the Web, playing video games, tweeting, or Facebook. Back in my day, I confess that I played my fair share of Donkey Kong, but even than there was no Web for me to surf and I didn’t have a status. Well, yes I did, it just wasn’t posted anywhere yet. Whatever you want to do in this life, I’m here to encourage you not to lose hope or give up during the first hundred or so of those ten thousand hours that it takes to get good. You should know that in my case it took me a while to “get the bug” for guitar, as my grandpa used to call it. He always said it would happen, almost like a slow sickness. And he knew it would take time.
Brad Paisley
For many of us, culturally dominant definitions of happy and healthy are out of reach. For people with mental illnesses, happiness can be more a battle than a point of arrival. For chronically ill people, health may feel forever out of reach, all stick and no carrot. And for any of us, regardless of ability or mental health, happiness and health are never static states. All of us fall ill, all of us experience emotions beyond some point of arrival called “happiness.” And when those things happen—when we get sick, when we get sad—they shouldn’t impinge on our perceived right to embrace and care for our own bodies. Ultimately, “as long as you’re happy and healthy” just moves the goalposts from a beauty standard to equally finicky and unattainable standards of health and happiness. All of us deserve peaceful relationships with our own bodies, regardless of whether or not others perceive us as happy or healthy.
Aubrey Gordon (“You Just Need to Lose Weight”: And 19 Other Myths About Fat People)
A righteous politician will make all his citizens leaders. He will know all the lives of his countrymen. He will know each family by name, when they were born, their problems and anxieties and he will wipe away all pain. He will know what his citizens have eaten, where they have slept and he will know all grazing and hunting animals. He will not have privileges and he will govern alongside his cittizens. He will not govern on the basis of death because he is a leader of life. He will not allow death to occur or appear in his country. He will not lead his country to battle and no sickness will prevail under his rule. In his country there will be neither poor nor rich. He will know the fish in the sea, the birds of the air in number and will know all wildlife. He will know all particles of dust in formation. He will know all seasons and foretell a million years to come. He will have no blood on his hands and will not suffer from guilt. His citizens will suffer from no want.
David Ssembajjo
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
We got dressed, and walked downstairs and into the parlor. Everyone was clean in the clean parlor, and waiting for supper, sitting patiently but unrelaxed; with labor past, with hands unbusied, with mind unmolested, they sat very tired waiting for their food and for their few hours of quiet and for their few hours of sleep; and for the next morning, and for the next evening, and for a Sunday, and for another week and Sunday; for autumn and for winter, for spring and for summer; for another year, for another ten; for the slow chemistry of change and age; for the loss of pigments and tissues, of senses and wits, of faculties and perceptions; for the silencing of all clamor and the sealing of all sight; for the final levelling of all desire, of all despair, of all joy, of all tribulations; for the final quelling of all fear and pride and love and disaffection; for the final dissolution of the flesh and of all that flesh must suffer, sickness of soul and body, fast-withering delight and clouded love, unkindness and grief and wrong beyond reckoning; for the final resolution of all the good they had wrought, and all the ill; they sat resting after battle, with quiet hands and unperceiving eyes, without emotion to receive once more the deliberate edge of evening.
James Agee (Let Us Now Praise Famous Men / A Death in the Family / Shorter Fiction)
When I look at this age with the eye of a distant future, I find nothing so remarkable in the man of the present day as his peculiar virtue and sickness called "the historical sense." It is a tendency to something quite new and foreign in history: if this embryo were given several centuries and more, there might finally evolve out of it a marvellous plant, with a smell equally marvellous, on account of which our old earth might be more pleasant to live in than it has been hitherto. We moderns are just beginning to form the chain of a very powerful, future sentiment, link by link, we hardly know what we are doing. It almost seems to us as if it were not the question of a new sentiment, but of the decline of all old sentiments: the historical sense is still something so poor and cold, and many are attacked by it as by a frost, and are made poorer and colder by it. To others it appears as the indication of stealthily approaching age, and our planet is regarded by them as a melancholy invalid, who, in order to forget his present condition, writes the history of his youth. In fact, this is one aspect of the new sentiment He who knows how to regard the history of man in its entirety as his own history, feels in the immense generalisation all the grief of the invalid who thinks of health, of the old man who thinks of the dream of his youth, of the lover who is robbed of his beloved, of the martyr whose ideal is destroyed, of the hero on the evening of the indecisive battle which has brought him wounds and the loss of a friend. But to bear this immense sum of grief of all kinds, to be able to bear it, and yet still be the hero who at the commencement of a second day of battle greets the dawn and his happiness, as one who has an horizon of centuries before and behind him, as the heir of all nobility, of all past intellect, and the obligatory heir (as the noblest) of all the old nobles; while at the same time the first of a new nobility, the equal of which has never been seen nor even dreamt of: to take all this upon his soul, the oldest, the newest, the losses, hopes, conquests, and victories of mankind: to have all this at last in one soul, and to comprise it in one feeling: this would necessarily furnish a happiness which man has not hitherto known, a God's happiness, full of power and love, full of tears and laughter, a happiness which, like the sun in the evening, continually gives of its inexhaustible riches and empties into the sea, and like the sun, too, feels itself richest when even the poorest fisherman rows with golden oars! This divine feeling might then be called humanity!
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
One had heard and read a great deal about death, and even seen a little of it, and knew by heart the thousand commonplaces of religion and poetry which seemed to deaden one's senses and veil the horror. Society being immortal, could put on immortality at will. Adams being mortal, felt only the mortality. Death took features altogether new to him, in these rich and sensuous surroundings. Nature enjoyed it, played with it, the horror added to her charm, she liked the torture, and smothered her victim with caresses. Never had one seen her so winning. The hot Italian summer brooded outside, over the market-place and the picturesque peasants, and, in the singular color of the Tuscan atmosphere, the hills and vineyards of the Apennines seemed bursting with mid-summer blood. The sick-room itself glowed with the Italian joy of life; friends filled it; no harsh northern lights pierced the soft shadows; even the dying women shared the sense of the Italian summer, the soft, velvet air, the humor, the courage, the sensual fulness of Nature and man. She faced death, as women mostly do, bravely and even gaily, racked slowly to unconsciousness, but yielding only to violence, as a soldier sabred in battle. For many thousands of years, on these hills and plains, Nature had gone on sabring men and women with the same air of sensual pleasure.
Henry Adams (The Education of Henry Adams)
Heterosexual people, conforming to conventional dictate, are pillars of the society with which they are identified. Bisexuals and homosexuals, on the other hand, make valiant efforts to free themselves from the fetters of its conditioning power, and therefore come nearer to authentic behaviour. By reason of their rebellion, they are inclined to reject secondhand living as laid down by social conventions. It is not surprising that one finds many of them in the forefront of the fight for a new society, a society when authenticity is the guiding principle. But others are so much caught up in defensive behaviour that they neglect the pursuit of individual freedom in preference for a collective regimentation, which ensures a more successful battle against the cruel and subtle persecution by ‘normal people’. Nevertheless, they are, by virtue of their still precarious position, well endowed to realize that the assignment of roles which rules every aspect of behaviour, permeates society like an infectious disease, that there is a social sickness about which leads via hypocrisy and falsity to alienation. Their own fringe position makes them particularly sensitive to the schizoid shortcomings of our society where nobody knows what the other thinks, or feels, and where relationships lose their essential qualities—solidarity and trust.
Charlotte Wolff, M.D.
Meanwhile, Captain Crozier took to his Private Cabin yesterday and is terribly sick. I can hear his stifled moans since the late Peddie’s compartment borders the captain’s here on the starboard stern side of the ship. I think Captain Crozier is biting down on something hard—perhaps a Strip of Leather—to keep those moans from being heard. But I have always been Blessed (or Cursed) with good hearing. The Captain turned over the handling of the Ship’s and Expedition’s affairs to Lieutenant Little yesterday—thus quietly but Firmly giving Command to Little rather than to Captain Fitzjames—and explained to me that he, Captain Crozier, was battling a recurrence of Malaria. This is a lie. It is not just the symptoms of Malaria which I hear Captain Crozier suffering—and almost certainly will continue to hear through the walls until I head back to Erebus on Friday morning. Because of my uncle’s and my father’s weaknesses, I know the Demons the Captain is battling tonight. Captain Crozier is a man addicted to Hard Spirits, and either those Spirits on board have been used up or he has decided to go off them of his own Volition during this Crisis. Either way, he is suffering the Torments of Hell and shall continue to do so for many days more. His sanity may not survive. In the meantime, this ship and this Expedition are without their True Leader. His stifled moans, in a ship descending into Sickness and Despair, are Pitiable to the extreme.
Dan Simmons (The Terror)
Would anyone else like to leave? Applefur?” Brokenstar challenged the ShadowClan she-cat. “Do you want to return to your Clan?” “N-no.” Applefur shifted her paws. Ivypool could see her thoughts racing as she met Brokenstar’s gaze. Ivypool pressed against her reassuringly. Every Clan cat must understand now. This place was evil. They had to get out! “Breezepelt?” Brokenstar turned to the WindClan warrior, who was peering at Beetlewhisker’s body through narrowed eyes. “Did you hear me?” Brokenstar growled quietly. “Why would I leave the strongest Clan?” Breezepelt lifted his head. “My Clan wastes too much time looking after the sick and old. If you led us, we’d never have to beg another Clan for help again.” Ivypool’s chest tightened. How could he sympathize with these murderers? Brokenstar stepped over Beetlewhisker’s body. Ivypool held her ground as he strode back into the circle, though every muscle begged her to run. “You will all stay here,” Brokenstar told them. “You will all be loyal to me. Or I will kill every one of you.” He thrust his muzzle into Applefur’s face. “Starting with you.” Applefur swallowed. “Say nothing to any cat,” Brokenstar ordered. “You will fight alongside us. And if I hear of any one of you spreading rumors and lies among your Dark Forest Clanmates, you will suffer beyond anything you have ever known.” He turned his back and pushed his way between Tigerstar and Hawkfrost. “Go,” he growled, disappearing into the shadow. “Train my warriors. The final battle is near.
Erin Hunter (The Last Hope (Warriors:Omen of the Stars #6))
Mr. Edwards and the Spider" I saw the spiders marching through the air, Swimming from tree to tree that mildewed day In latter August when the hay Came creaking to the barn. But where The wind is westerly, Where gnarled November makes the spiders fly Into the apparitions of the sky, They purpose nothing but their ease and die Urgently beating east to sunrise and the sea; What are we in the hands of the great God? It was in vain you set up thorn and briar In battle array against the fire And treason crackling in your blood; For the wild thorns grow tame And will do nothing to oppose the flame; Your lacerations tell the losing game You play against a sickness past your cure. How will the hands be strong? How will the heart endure? A very little thing, a little worm, Or hourglass-blazoned spider, it is said, Can kill a tiger. Will the dead Hold up his mirror and affirm To the four winds the smell And flash of his authority? It’s well If God who holds you to the pit of hell, Much as one holds a spider, will destroy, Baffle and dissipate your soul. As a small boy On Windsor Marsh, I saw the spider die When thrown into the bowels of fierce fire: There’s no long struggle, no desire To get up on its feet and fly It stretches out its feet And dies. This is the sinner’s last retreat; Yes, and no strength exerted on the heat Then sinews the abolished will, when sick And full of burning, it will whistle on a brick. But who can plumb the sinking of that soul? Josiah Hawley, picture yourself cast Into a brick-kiln where the blast Fans your quick vitals to a coal— If measured by a glass, How long would it seem burning! Let there pass A minute, ten, ten trillion; but the blaze Is infinite, eternal: this is death, To die and know it. This is the Black Widow, death.
Robert Lowell (Collected Poems)
She looked down at the man. His face appeared different than the first time she had seen him, as if he'd fought some battle and won. A peacefulness stole over her, causing her to take a deep breath. She closed her eyes, breathing deeply. His scent filled her mind and her fingers began to glide through his hair, exploring the shape of his head, then his temples, then down to the sharp plain of his cheekbones. "Come back, my duke," she whispered. "I have need to see thee fattened up and shouting orders." Suddenly she felt a touch on her cheek. Caught in the dreamlike spell, she turned into the hand without opening her eyes. As she had done, he caressed her cheek. Now his thumb ran along the line of her jaw. When fingers touched her lips, her eyes fluttered open. "Your voice saved me." His own was raspy and deep, but gratitude glowed in the dark pools that were his eyes. And he was even more devastatingly attractive with them open. Serena drew a sharp breath, wanting to get up, both trapped beneath his weight and that of his words. "Thou hast been very sick." She strained to right her senses. When she started to slide out from under his head, he grasped her hand with surprising strength. "Stay." "I must not. My father will be back soon." "Have we reached Philadelphia then?" "Yes. The others have already been sold. 'Tis fortunate thee wert so ill and escaped the soul-drivers, sir." As she spoke, she slid out from beneath his head and refilled his cup. "Here, have another drink, and thou wilt hear the tale." He smiled at her with such a look that she thought she might melt into the wood f the floor. "A long story, I hope. I would listen to your voice forever." Heat surged to her cheeks, her gaze dropping to the floor. Her mind told her how inappropriate it was to behave like this with a complete stranger. And yet, it was as if other parts of her- her heart, her soul, her very skin- knew him as deeply as she knew herself.
Jamie Carie (The Duchess and the Dragon)
Just what do you think you’re doing, Arin?” He looked up at Sarsine, blearily rubbing his eyes. He had fallen asleep in a chair. It was full morning. “I couldn’t sleep in my old rooms. At least here, in Etta’s suite--” “I’m not talking about your choice of bedchamber, though I can’t help but notice how conveniently close it is to the east wing.” Arin winced. There was usually only one reason why a man kept a conquered woman prisoner after a battle. “This isn’t what it seems.” “Oh, no? Too many people heard you call her a spoil of war.” “It’s not true.” Sarsine threw her hands up in the air. “Then why did you say it?” “Because I couldn’t think of any other way to save her!” Sarsine stood still. Then she leaned over him and shook his shoulder as if waking him from a nightmare. “You? Save a Valorian?” Arin captured her hand. “Please listen to me.” “I will when you say something I can understand.” “I did your lessons for you, when we were children.” “So?” “I told Anireh to shut up when she made fun of your nose. Do you remember? She pushed me down.” “Your sister was too beautiful for her own good. But all this was long ago. What’s your point?” Arin held both her hands now. “We share something, and probably not for very long. The Valorians will come. There will be a siege.” He groped for what to say. “By the gods, just listen.” “Oh, Arin. Haven’t you learned? The gods won’t hear you.” She sighed. “But I will.” He told her about the day he had been sold to Kestrel, and every day since. He held nothing back. When he finished, Sarsine’s expression had changed. “You’re still a fool,” she said, but gently. “I am,” he whispered. “What do you plan to do with her?” Arin tilted his head helplessly against the carved back of his father’s chair. “I don’t know.” “She demanded to see a sick friend. Said you made her a promise.” “Yes, but I can’t do it.” “Why not?” “Kestrel hates me, but she still speaks to me. Once she sees Jess…she’ll never do that again.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving. “I know a charm that will heal with a touch. “I know a charm that will turn aside the weapons of an enemy. “I know another charm to free myself from all bonds and locks. “A fifth charm: I can catch a bullet in flight and take no harm from it.” His words were quiet, urgent. Gone was the hectoring tone, gone was the grin. Wednesday spoke as if he were reciting the words of a religious ritual, as if he were speaking something dark and painful. “A sixth: spells sent to hurt me will hurt only the sender. “A seventh charm I know: I can quench a fire simply by looking at it. “An eighth: if any man hates me, I can win his friendship. “A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore. “Those were the first nine charms I learned. Nine nights I hung on the bare tree, my side pierced with a spear’s point. I swayed and blew in the cold winds and the hot winds, without food, without water, a sacrifice of myself to myself, and the worlds opened to me. “For a tenth charm, I learned to dispel witches, to spin them around in the skies so that they will never find their way back to their own doors again. “An eleventh: if I sing it when a battle rages it can take warriors through the tumult unscathed and unhurt, and bring them safely back to their hearth and their home. “A twelfth charm I know: if I see a hanged man I can bring him down from the gallows to whisper to us all he remembers. “A thirteenth: if I sprinkle water on a child’s head, that child will not fall in battle. “A fourteenth: I know the names of all the gods. Every damned one of them. “A fifteenth: I have a dream of power, of glory, and of wisdom, and I can make people believe my dreams.” His voice was so low now that Shadow had to strain to hear it over the plane’s engine noise. “A sixteenth charm I know: if I need love I can turn the mind and heart of any woman. “A seventeenth, that no woman I want will ever want another. “And I know an eighteenth charm, and that charm is the greatest of all, and that charm I can tell to no man, for a secret that no one knows but you is the most powerful secret there can ever be.” He sighed, and then stopped talking. Shadow could feel his skin crawl. It was as if he had just seen a door open to another place, somewhere worlds away where hanged men blew in the wind at every crossroads, where witches shrieked overhead in the night.
Neil Gaiman (American Gods)
Charles Bean, the official historian of Australia’s part in World War I, was unusual in dealing closely with the deeds of the soldiers on the front line, and not just the plans and orders of their leaders. At the end of his account of the Gallipoli landing in the Official History, he asked what made the soldiers fight on. What motive sustained them? At the end of the second or third day of the Landing, when they had fought without sleep until the whole world seemed a dream, and they scarcely knew whether it was a world of reality or of delirium – and often, no doubt, it held something of both; when half of each battalion had been annihilated, and there seemed no prospect before any man except that of wounds or death in the most vile surroundings; when the dead lay three deep in the rifle-pits under the blue sky and the place was filled with stench and sickness, and reason had almost vanished – what was it then that carried each man on? It was not love of a fight. The Australian loved fighting better than most, but it is an occupation from which the glamour quickly wears. It was not hatred of the Turk. It is true that the men at this time hated their enemy for his supposed ill-treatment of the wounded – and the fact that, of the hundreds who lay out, only one wounded man survived in Turkish hands has justified their suspicions. But hatred was not the motive which inspired them. Nor was it purely patriotism, as it would have been had they fought on Australian soil. The love of country in Australians and New Zealanders was intense – how strong, they did not realise until they were far away from their home. Nor, in most cases was the motive their loyalty to the tie between Australia and Great Britain. Although, singly or combined, all these were powerful influences, they were not the chief. Nor was it the desire for fame that made them steer their course so straight in the hour of crucial trial. They knew too well the chance that their families, possibly even the men beside them, would never know how they died. Doubtless the weaker were swept on by the stronger. In every army which enters into battle there is a part which is dependent for its resolution upon the nearest strong man. If he endures, those around him will endure; if he turns, they turn; if he falls, they may become confused. But the Australian force contained more than its share of men who were masters of their own minds and decisions. What was the dominant motive that impelled them? It lay in the mettle of the men themselves. To be the sort of man who would give way when his mates were trusting to his firmness; to be the sort of man who would fail when the line, the whole force, and the allied cause required his endurance; to have made it necessary for another unit to do his own unit’s work; to live the rest of his life haunted by the knowledge that he had set his hand to a soldier’s task and had lacked the grit to carry it through – that was the prospect which these men could not face. Life was very dear, but life was not worth living unless they could be true to their idea of Australian manhood.
John Hirst (The Australians: Insiders and Outsiders on the National Character since 1770)