“
She had something that is gone from the world, from the female world. A sweetness without sentimentality, a limpidity without naivety. She was so easy to hurt, to tease. And when she teased, it was like a caress.
”
”
John Fowles (The Magus)
“
With some break-ups, all you can think about afterwards is how badly it ended and how much the other person hurt you. With others, you become sentimental for the good times and lose track of what went wrong.
”
”
David Levithan (Boy Meets Boy)
“
When you are deeply in love,. even the smallest thing can hurt u like hell and break u into pieces...
”
”
BHARAT SHARMA
“
Frankie raised an eyebrow. Look at you getting all sentimental. You know where to find me.
Delaney nodded. That doesn’t mean you want to be found. Come on. One drink.
”
”
Holly Hood
“
Inside me there was everything I had believed was outside. There was, in particular, the sun, light, and all colors. There were even the shapes of objects and the distance between objects. Everything was there and movement as well… Light is an element that we carry inside us and which can grow there with as much abundance, variety, and intensity as it can outside of us…I could light myself…that is, I could create a light inside of me so alive, so large, and so near that my eyes, my physical eyes, or what remained of them, vibrated, almost to the point of hurting… God is there under a form that has the good luck to be neither religious, not intellectual, nor sentimental, but quite simply alive.
”
”
Jacques Lusseyran (And There Was Light: Autobiography of Jacques Lusseyran, Blind Hero of the French Revolution)
“
He could no longer pretend not to have been brought to his knees by her blows, and he could no longer avoid the sentiments that his heart forced him to feel.
”
”
Mirella Muffarotto (Soccer Sweetheart)
“
Here at our ministry we refuse to present a picture of “gentle Jesus, meek and mild,” a portrait that tugs at your sentiments or pulls at your heartstrings. That’s because we deal with so many people who suffer, and when you’re hurting hard, you’re neither helped nor inspired by a syrupy picture of the Lord, like those sugary, sentimental images many of us grew up with. You know what I mean? Jesus with His hair parted down the middle, surrounded by cherubic children and bluebirds.
Come on. Admit it: When your heart is being wrung out like a sponge, when you feel like Morton’s salt is being poured into your wounded soul, you don’t want a thin, pale, emotional Jesus who relates only to lambs and birds and babies.
You want a warrior Jesus.
You want a battlefield Jesus. You want his rigorous and robust gospel to command your sensibilities to stand at attention.
To be honest, many of the sentimental hymns and gospel songs of our heritage don’t do much to hone that image. One of the favorite words of hymn writers in days gone by was sweet. It’s a term that down’t have the edge on it that it once did. When you’re in a dark place, when lions surround you, when you need strong help to rescue you from impossibility, you don’t want “sweet.” You don’t want faded pastels and honeyed softness.
You want mighty. You want the strong arm an unshakable grip of God who will not let you go — no matter what.
”
”
Joni Eareckson Tada (A Place of Healing: Wrestling with the Mysteries of Suffering, Pain, and God's Sovereignty)
“
I do have a heart, you see. I’ve got plenty of heart. I’m a fucking sentimental guy – once you get to know me. Show me a hurt puppy, or a long-distance telephone service commercial, or a film retrospective of Ali fights or Lou Gehrig’s last speech and I’ll weep real tears. I am a bastard, when crossed, though, no question.
”
”
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
“
What can the love in my soul be compared to another wonderful soul which is so far and yet so close of my self? What can this symbiosis between two souls can be? What can love be when you feel you cannot sleep at night, that every drop of dew becomes a crystal in your heart, when every breeze of wind has magical meanings? What can love be when you feel that you want nothing more in this world that to be with the soul you love? But what can love be in other transcendental realities? What about our souls? Are our souls a waterfall, a true Niagara or a smile, a flirt of an angel? Are our souls a mere mood of a fairy or a lightening in a summer rain? Our souls could be all of this and much more. But what really happens in that transcendental reality when we feel we are truly in love, that we love so much that it hurts? That the air in the room is unbreathable, that the sentimental, spiritual or physical distances kill us? What happens when dawn find us sadder than ever, looking for an excuse or an argument for the person we love so much, our Great Love? What are all thses? What are the looks lost in the desert horizons of unfulfilment or those in the eyes that deeply loose each other in the others inside the souls?
”
”
Sorin Cerin
“
The hearts of women are like little pieces of furniture wherein things are secreted, full of drawers fitted into each other; one hurts himself, breaks his nails in opening them, and then finds within only some withered flower, a few grains of dust - or emptiness! And then perhaps he felt afraid of learning too much about the matter.
”
”
Gustave Flaubert (Sentimental Education)
“
I tell you this, my friend; all men are cowards. They dislike a fact except when it is so wrapped up in lies and sentiments that the sharp edge of it cannot hurt them. When a man tells the truth he his, depend upon it, a dangerous man.
”
”
Eric Ambler (Epitaph for a Spy)
“
Love is not first a feeling. Though the feelings come later and grow thick in the basic loam of love, they don't constitute the sum and substance of love. Love is doing whatever good God says you must do for another, to please God, whether (at first) it pleases you or not. You must do so because He says so; and you don't wait until you feel like doing so. Love begins with obedience toward God in which one gives to another whatever the other needs. Love is not a gooey, sticky sentimental thing; it is hard to love. Often it hurts to love. Love meant going to the cross through the garden of Gethsemane. Christ did not feel like dying for your sins, Christian, but He did so nonetheless. The Scriptures teach that he endured the cross while focusing on the subsequent joy that it would bring.
”
”
Jay E. Adams (How to Overcome Evil)
“
We find human faces in the moon, armies in the clouds; and by a natural propensity, if not corrected by experience and reflection, ascribe malice or good-will to every thing, that hurts or pleases us. Hence … in poetry … trees, mountains, and streams are personified, and the inanimate parts of nature acquire sentiment and passion.
”
”
David Livingstone Smith (Less Than Human: Why We Demean, Enslave, and Exterminate Others)
“
Cry For Those Who Cares For You And Not For Them Those Who Makes You Cry
”
”
Jay Patel
“
But I must admit that my motives were no entirely noble; there were in me at least some elements of the anger and hurt vanity that characterize a spurned lover, and these unworthy sentiments helped me to keep my distance.
”
”
Mohsin Hamid (The Reluctant Fundamentalist)
“
It's okay," he says, eyes closed. He's not even awake. "It's okay." He says these words even in his sleep, like he has said them so often that it's his mouths default sentiment. All this pain in his life, all this care he doles out to everyone else. And yet he still cracks his broken heart open even wider-wide enough to fit me, too. I wonder how much this must hurt him, the toll it must take to give more of himself to me when he already has so little left to give.
”
”
Emery Lord (When We Collided)
“
Aren't we all agreed about those things--in theory?'
In theory, yes,' said Bobby. 'But not in reality. If every one really wanted to abolish the difference of rich and poor it would be as easy as pie to find a way. There's always a way to everything if you want to do it enough. But nobody really wants to do these things. Not as we want meals. All sorts of other things people want, but wanting to have no rich and poor any more isn't real wanting; it is just a matter of pious sentiment. And so it is about war. We don't want to be poor and we don't want to be hurt or worried by war, but that's not wanting to end those things.
”
”
H.G. Wells (Christina Alberta's Father)
“
religious ideas about death can be profoundly upsetting to people who don’t believe them. Sentiments that many believers find comforting — such as Heaven and Hell, or God’s plan for life and death — are, for many non-believers, more than just ideas they don’t agree with. They are ideas they find distressing, hurtful, and repugnant.
”
”
Greta Christina (Comforting Thoughts About Death That Have Nothing to Do with God)
“
I want my mommy,” she whispered. I understood the sentiment better than I’d ever thought I would as an adult. I wanted my own mommy so badly that it hurt.
”
”
Seanan McGuire (Tricks for Free (InCryptid #7))
“
I tell you this, my friend; all men are cowards. They dislike a fact except when it is so wrapped up in lies and sentiments that the sharp edge of it cannot hurt them. When a man tells the truth he his, depend upon it, a dangerous man.
”
”
Eric Ambler (Epitaph for a Spy)
“
A little poison now and then: that maketh pleasant dreams. And much
poison at last for a pleasant death.
One still worketh, for work is a pastime. But one is careful lest the
pastime should hurt one.
One no longer becometh poor or rich; both are too burdensome. Who still
wanteth to rule? Who still wanteth to obey? Both are too burdensome.
No shepherd, and one herd! Every one wanteth the same; every one is equal:
he who hath other sentiments goeth voluntarily into the madhouse
”
”
Friedrich Nietzsche (Thus Spoke Zarathustra)
“
And then there was the sad sign that a young woman working at a Tim Hortons in Lethbridge, Alberta, taped to the drive-through window in 2007. It read, “No Drunk Natives.”
Accusations of racism erupted, Tim Hortons assured everyone that their coffee shops were not centres for bigotry, but what was most interesting was the public response. For as many people who called in to radio shows or wrote letters to the Lethbridge Herald to voice their outrage over the sign, there were almost as many who expressed their support for the sentiment. The young woman who posted the sign said it had just been a joke.
Now, I’ll be the first to say that drunks are a problem. But I lived in Lethbridge for ten years, and I can tell you with as much neutrality as I can muster that there were many more White drunks stumbling out of the bars on Friday and Saturday nights than there were Native drunks. It’s just that in North America, White drunks tend to be invisible, whereas people of colour who drink to excess are not.
Actually, White drunks are not just invisible, they can also be amusing. Remember how much fun it was to watch Dean Martin, Red Skelton, W. C. Fields, John Wayne, John Barrymore, Ernie Kovacs, James Stewart, and Marilyn Monroe play drunks on the screen and sometimes in real life? Or Jodie Marsh, Paris Hilton, Cheryl Tweedy, Britney Spears, and the late Anna Nicole Smith, just to mention a few from my daughter’s generation. And let’s not forget some of our politicians and persons of power who control the fates of nations: Winston Churchill, John A. Macdonald, Boris Yeltsin, George Bush, Daniel Patrick Moynihan. Hard drinkers, every one.
The somewhat uncomfortable point I’m making is that we don’t seem to mind our White drunks.
They’re no big deal so long as they’re not driving. But if they are driving drunk, as have Canada’s coffee king Tim Horton, the ex-premier of Alberta Ralph Klein, actors Kiefer Sutherland and Mel Gibson, Super Bowl star Lawyer Milloy, or the Toronto Maple Leafs’ Mark Bell, we just hope that they don’t hurt themselves. Or others.
More to the point, they get to make their mistakes as individuals and not as representatives of an entire race.
”
”
Thomas King (The Inconvenient Indian: A Curious Account of Native People in North America)
“
...Not yet dry behind the ears, not old enough to buy a beer, but old enough to die for his country.
He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively if he must.
He digs foxholes and latrines and can apply first aid like a professional.
He can march until he is told to stop, or stop until he is told to march.
He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient.
...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cook his own meals, mend his own clothes, and fix his own hurts.
If you're thirsty, he'll share his water with you; if you are hungry, food. He'll even split his ammunition with you in the midst of battle when you run low.
He has learned to use his hands like weapons and weapons like they were his hands.
He can save your life-or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed.
He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking.
...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years.
He has asked nothing in return, except our friendship and understanding.
Remember him, always, for he has earned our respect and admiration with his blood.
And now we have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so.
As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.
”
”
Sarah Palin (America by Heart: Reflections on Family, Faith, and Flag)
“
It felt like a form of surrender, and for a few minutes at least, it seemed like I could give everything over to him—not just the path I walked, not just my body, but these stupid tangled up sentiments dwelling inside of me. I could give him my anger. I could give him my embarrassment. I could give him my hurt. And maybe he didn’t know any better what to do with them than I did, but for however long he held them, I wouldn’t have to feel them. And what an amazing gift that could be. That alone would be worth staying for.
”
”
Laurelin Paige (Dirty Filthy Rich Men (Dirty Duet, #1))
“
I only feel, rightly or wrongly, that there is something underneath everything. When one person kills or harms another person, then there is 'something'--isn't there? Not simply atoms flying around in various configurations through empty space. I don't know how to explain myself, really. But I feel that it does matter--not to hurt other people, even in one's own self-interest. Felix of course agrees with this sentiment as far as it goes, and he points out (quite reasonably) that nobody goes around committing mass murders just because they don't believe in God. But increasingly I think it's because, in one way or another, they do believe in God--they believe in the God that is the deep buried principle of goodness and love underneath everything. Goodness regardless of reward, regardless of our own desires, regardless of whether anyone is watching or anyone will know. If that's God, then Felix says fine, it's just a word, it means nothing. And of course it doesn't mean heaven and angels and the resurrection of Christ--but maybe those things can help in some way to put us in touch with what it does mean. That most of our attempts throughout human history to describe the difference between right and wrong have been feeble and cruel and unjust, but that the difference still remains--beyond ourselves, beyond each specific culture, beyond every individual person who has ever lived or died. And we spend our lives trying to know that difference and to live by it, trying to love other people instead of hating them, and there is nothing else that matters on the earth.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
I still want to believe that breathtaking literary work necessitates American men sentimentally naming the hurt we've done, sourcing that hurt to one trauma, and getting congratulated, often by women, for "our honesty" at reckoning with that trauma while neglecting the suffering we cause
”
”
Michele Filgate (What My Mother and I Don't Talk About: Fifteen Writers Break the Silence (1) (What We Don't Talk About))
“
As the person who is principally interested in any event is pleased with our sympathy, and hurt by the want of it, so we, too, seem to be pleased when we are able to sympathize with him, and to be hurt when we are unable to do so. We run not only to congratulate the successful, but to condole with the afflicted; and the pleasure which we find in the conversation of one whom in all the passions of his heart we can entirely sympathize with, seems to do more than compensate the painfulness of that sorrow with which the view of his situation affects us. On the contrary, it is always disagreeable to feel that we cannot sympathize with him, and instead of being pleased with this exemption from sympathetic pain, it hurts us to find that we cannot share his uneasiness. If we hear a person loudly lamenting his misfortunes, which, however, upon bringing the case home to ourselves, we feel, can produce no such violent effect upon us, we are shocked at his grief; and, because we cannot enter into it, call it pusillanimity and weakness. It gives us the spleen, on the other hand, to see another too happy or too much elevated, as we call it, with any little piece of good fortune. We are disobliged even with his joy; and, because we cannot go along with it, call it levity and folly. We are even put out of humour if our companion laughs louder or longer at a joke than we think it deserves; that is, than we feel that we ourselves could laugh at it.
”
”
Adam Smith (The Theory of Moral Sentiments (Illustrated))
“
Let us conclude that savage man, wandering about in the forests, without industry, without speech, without any fixed residence, an equal stranger to war and every social connection, without standing in any shape in need of his fellows, as well as without any desire of hurting them, and perhaps even without ever distinguishing them individually one from the other, subject to few passions, and finding in himself all he wants, let us, I say, conclude that savage man thus circumstanced had no knowledge or sentiment but such as are proper to that condition, that he was alone sensible of his real necessities, took notice of nothing but what it was his interest to see, and that his understanding made as little progress as his vanity. If he happened to make any discovery, he could the less communicate it as he did not even know his children. The art perished with the inventor; there was neither education nor improvement; generations succeeded generations to no purpose; and as all constantly set out from the same point, whole centuries rolled on in the rudeness and barbarity of the first age; the species was grown old, while the individual still remained in a state of childhood.
”
”
Jean-Jacques Rousseau
“
Instead of feeling sidelined by the sucker punches of post-Christianity, Christians are called to practice radically ordinary hospitality to renew their resolve in Christ. Too many of us are sidelined by fears. We fear that people will hurt us. We fear that people will negatively influence our children. We fear that we do not even understand the language of this new world order, least of all its people. We long for days gone by. Our sentimentality makes us stupid. We need to snap ourselves out of this self-pitying reverie. The best days are ahead. Jesus advances from the front of the line.
”
”
Rosaria Champagne Butterfield (The Gospel Comes with a House Key: Practicing Radically Ordinary Hospitality in Our Post-Christian World)
“
There is an universal tendency amongst mankind to conceive all beings like themselves, and to transfer to every object those qualities, with which they are familiarly acquainted, and of which they are intimately conscious. We find human faces in the moon, armies in the clouds; and by a natural propensity, if not corrected by experience and reflection, ascribe malice and good-will to every thing, that hurts or pleases us. Hence the frequency and beauty of the prosopopoeia in poetry, where trees, mountains and streams are personified, and the inanimate parts of nature acquire sentiment and passion. (Section 3, paragraph 2).
”
”
David Hume (The Natural History of Religion)
“
I didn’t know you involved yourself in political issues.”
She glanced at him wryly. “Of course you didn’t. You don’t know a lot about me.”
He scowled as he turned his attention to the circle and watched his mother dance, resplendent in her beautiful buckskins. No, he didn’t know a lot about Cecily, but he did know how devastated she’d been to discover he’d paid her way through college, absorbed all her expenses out of pity for her situation. He was sorry for how much that had hurt her. But over the past two years, he’d deliberately distanced himself from her. He wondered why…
“I had dinner with Senator Holden last week,” she said conversationally, deliberately trying to irritate him. “He wanted to point me toward some special collections for the museum.”
He stared at his mother in the circle, but he was frowning, deep in thought. “I don’t like Holden,” he said curtly.
“Yes, I know. You’ll be delighted to hear that he returned your sentiment,” she said with a chuckle at his scowl.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
This experience had given her sentimental nature an incurable hurt. Something withered away in her. Her head had a downward droop; her step was soft and apologetic, even in her mother's house, and her smile had the sickly, uncertain flicker that so often comes from a secret humiliation. She was affable and yet shrinking, like one who has come down in the world, who has known better clothes, better carpets, better people, brighter hopes.
”
”
Willa Cather (The Song of the Lark)
“
Oh, Gray. You did this to yourself?”
He blew out a sigh. “Never underestimate the power of liquor and maudlin sentiment on an adolescent boy. I was so stupid. Botched the whole business. It had to be my chest, since I couldn’t very well reach my own shoulder. Didn’t heat the iron long enough, and of course my hand shook like a palm frond in a hurricane.” He pushed her hand aside and traced the blurred, irregular pattern with his own fingertips. “God, did it hurt. Hurt all the way to England.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
She began spending days on end in bed. She ate too little and then too much. Her stomach hurt, her head ached, her heart fluttered inside her. She was cross and absentminded and began crying like a crocodile over the most sentimental stories--because of course she went on reading. What else was there for her to do? She read and read and read, but she was stuffing herself with the letters on the page like an unhappy child stuffing itself with chocolate. They didn't taste bad, but she was still unhappy.
”
”
Cornelia Funke (Inkdeath (Inkworld, #3))
“
Many people experience hatred of something in their lives but hatred & hurt are things which are toxic. It's easier said than done because some people cannot relate to you as they lack experience or have never been hurt to understand what it's like to have those sentiments. Thought for the day- try to finally let go of the hatred and hurt that lives in your heart because by doing that, eventually a spirit of serenity would take over your mind and you will realize that whoever caused you pain, was never worth it.
”
”
Krystal Volney
“
He reached out and took her hand, wrapping it tightly in both of his. “Look, Vi, I don’t know exactly how to say this, but I don’t want anything bad to happen to you. I don’t think I could handle it if something, or someone, hurt you.” The tone of his voice was still immovable and stubborn, despite the sweet sentiment lurking behind it. He squeezed her hand, though . . . firmly, as if emphasizing his point. “I know it’s selfish, and I don’t really care if it is, but I’m not gonna stand by and let you put yourself in danger, even if it is to catch a killer.” He eased up on her throbbing fingers, and his voice got all husky and rough again. “I can’t lose you,” he explained, shrugging as if those weren’t the most wonderful words she’d ever heard before. “Not now that I finally have you.”
She felt years pricking in her eyes, and she blinked hard to try to stop them from coming. She was completely overwhelmed by what she’d just figured out . . . she’d realized it even before he finished talked. She knew what it was that he wasn’t saying while he lectured her about safety.
He loved her.
Jay Heaton, her best friend since childhood, was in love with her. He didn’t say it, but she knew that it was true.
And the part that really freaked her out, the part of it that caught her completely off guard, was that he wasn’t in it alone. Because even though she’d been denying it for a long, long time, it had always been there . . . waiting just beneath the surface of their friendship. And now that it was out, there was no going back.
And it was so weird to even be thinking it, but . . .
. . . she was in love with him too.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
In our love for our church and our holy regard for those who lead us in the things of God, we forget the nature of humanity. We are not surprised by the evil pressing in from without, but we are blind to the potential for wickedness that slumbers in our own souls. We forget that humans are a combination of greatness and grief, of righteous might and disgusting sin. In our sentimentality about our church and those we love in it, we forget to stand guard against the natural failings of humanity. We turn off our deflector shields and cast aside our filters and begin to ignore the signals our inner radar may be sending.
”
”
Stephen Mansfield
“
She was suddenly self-conscious of the fact that she and Jay were on the bed together, even though they'd been there, together like that, hundreds, maybe even thousands, of times before. And it had never bothered her then, when they were still just friends; but somehow with her father just a few feet away, especially right after they'd been making out, she felt like they were doing something wrong.
"We're fine, Dad!" she called back, trying to sound cool and composed. And then she glared at Jay for his part in making her shout to begin with.
They listened to the sound of her father walking away, and Violet noticed that even his footsteps were soft and unobtrusive.
There was a long silence once they were alone again. Words that needed to be said, and maybe some that didn't, were like invisible fireworks exploding in the empty space between them.
Jay was the first to give in.
He reached out and took her hand, wrapping it tightly in both of his. "Look, Vi, I don't know exactly how to say this, but I don't want anything bad to happen to you. I don't think I could handle it if something, or someone, hurt you." The tone of his voice was still immovable and stubborn, despite the sweet sentiment lurking behind it. He squeezed her hand, though...firmly, as if emphasizing his point. "I know it's selfish, and I don't really care if it is, but I'm not gonna stand by and let you put yourself in danger, even if it is to catch a killer." He eased up on her throbbing fingers, and his voice got all husky and rough again. "I can't lose you," he explained, shrugging as if those weren't the most wonderful words she'd ever heard before. "Not now that I finally have you."
She felt tears prickling in her eyes, and she blinked hard to try to stop them from coming. She was completely overwhelmed by what she'd just figured out...she'd realized it even before he'd finished talking. She knew what it was that he wasn't saying while he lectured her about safety.
He loved her.
Jay Heaton, her best friend since childhood, was in love with her. He didn't say it, but she knew that it was true.
And the part that really freaked her out, the part of it that caught her completely off guard, was that he wasn't in it alone. Because even though she'd been denying it for a long long time, it had always been there...waiting just beneath the surface of their friendship. And now that it was out, there was no going back.
And it was so weird to even be thinking it, but...
...she was in love with him too.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
thus it is that egoists have always the last word; having laid down at the start that their determination is unshakeable, the more the sentiment in them to which one appeals to make them abandon it is touched, the more fault they find, not with themselves who resist the appeal but with those persons who put them under the necessity of resisting it, with the result that their own firmness may be carried to the utmost degree of cruelty, which only aggravates all the more in their eyes the culpability of the person who is so indelicate as to be hurt, to be in the right, and to cause them thus treacherously the pain of acting against their natural instinct of pity. But
”
”
Marcel Proust (The Guermantes Way (Marcel Proust's "In Search of Lost Time" Collection Book 3))
“
It's okay,' he says, eyes closed. He's not even awake. 'It's okay.'
He says these words even in his sleep, like he has said them so often that it's his mouth's default sentiment. All this pain in his life, all this care he doles out to everyone else. And yet he still cracks his broken heart open even wider - wide enough to fit me, too. I wonder how much this must hurt him, the toll it just take to give more of himself to me when he already has so little left to give.
In slumber, his arm stays wrapped around me, encasing me for safekeeping. He would protect me even in his unconscious state, as we lie beneath my ceiling's half-painted sky.
This thought is enough to swell my heart - to swell, and to break.
”
”
Emery Lord (When We Collided)
“
Can she be sure of that?” Her laugh was ugly. “Eyewitnesses are usually pretty positive. It happened back in June. Kids are so idealistic. How can I explain to her that it really didn’t mean very much, that it was an old friend, sort of sentimental, unplanned, old-times-sake sort of thing. I don’t make a habit of that sort of thing. But ever since I heard the door open and turned my head and saw her there, pale as death before she slammed the door and ran, I’ve felt cheap and sick about it. We were getting fond of each other up until then. Now she thinks I’m a monster. Tonight she was trying to hurt me by hurting herself. I just hope George has forgotten what she said. His judgment is bad enough lately without something like that to cloud it.
”
”
John D. MacDonald (The Deep Blue Good-By)
“
Such gratitude! It hurt me to see you lose your professional standing, McGee. Like you were going soft and sentimental. So, through my own account, I put us into Fletcher and rode it up nicely and took us out, and split the bonus right down the middle. It's short-term. It's a check. Pay your taxes. Live a little. It's a longer retirement this time. We can gather up a throng and go blundering around on this licentious craft and get the remorses for saying foolish things while in our cups. We had a salvage contract, idiot, and the fee is comparatively small but fair."
"And you are comparatively large but fair."
"I think of myself that way. Where did the check go? Into the pocket so fast? Good." he looked at his watch. "I am taking a lady to lunch. Make a nice neat deck there, Captain." And away he went, humming.
”
”
John D. MacDonald (Pale Gray for Guilt (Travis McGee #9))
“
I kind of conned you into believing you were falling in love with a healthy person,” he said. I shrugged. “I’d have done the same to you.” “No, you wouldn’t’ve, but we can’t all be as awesome as you.” He kissed me, then grimaced. “Does it hurt?” I asked. “No. Just.” He stared at the ceiling for a long time before saying, “I like this world. I like drinking champagne. I like not smoking. I like the sound of Dutch people speaking Dutch. And now…I don’t even get a battle. I don’t get a fight.” “You get to battle cancer,” I said. “That is your battle. And you’ll keep fighting,” I told him. I hated it when people tried to build me up to prepare for battle, but I did it to him, anyway. “You’ll…you’ll…live your best life today. This is your war now.” I despised myself for the cheesy sentiment, but what else did I have? “Some war,” he said dismissively. “What am I at war with? My cancer. And what is my cancer? My cancer is me. The tumors are made of me. They’re made of me as surely as my brain and my heart are made of me. It is a civil war, Hazel Grace, with a predetermined winner.” “Gus,” I said. I couldn’t say anything else. He was too smart for the kinds of solace I could offer. “Okay,” he said. But it wasn’t. After a moment, he said, “If you go to the Rijksmuseum, which I really wanted to do—but who are we kidding, neither of us can walk through a museum. But anyway, I looked at the collection online before we left. If you were to go, and hopefully someday you will, you would see a lot of paintings of dead people. You’d see Jesus on the cross, and you’d see a dude getting stabbed in the neck, and you’d see people dying at sea and in battle and a parade of martyrs. But Not. One. Single. Cancer. Kid. Nobody biting it from the plague or smallpox or yellow fever or whatever, because there is no glory in illness. There is no meaning to it. There is no honor in
”
”
John Green (The Fault in Our Stars)
“
One young man asked how to behave should he encounter a homosexual. “Point out that this is a new experience for you,” Dr. Song said, “as there are no such individuals where you are from. Then treat him as you would any visiting Juche scholar from foreign lands like Burma or Ukraine or Cuba.” Dr. Song then got practical. He said it was okay to wear shoes indoors. Women were free to smoke in America and should not be confronted. Disciplining other people’s children in America was not okay. He drew for them on a piece of paper the shape of a football. With great discomfort, Dr. Song touched on American standards of personal hygiene, and then he delivered a mini-lecture on the subject of smiling. He concluded with dogs, noting how Americans were very sentimental, with a particular softness toward canines. You must never hurt a dog in America, he said. They are considered part of the family and are given names, just like people. Dogs also have their own beds and toys and doctors and houses, which should not be referred to as warrens.
”
”
Adam Johnson (The Orphan Master's Son)
“
Am I bothering you?”
“Yes.” Samuel lifted his chin as he said this, jutting it at me, like he said the word purposely to hurt me and make me angry.
“What am I doing that’s bothering you?” I again fought the wet that threatened to undermine my dignity. I spoke each word distinctly, focusing on the shape and sound instead of the sentiment.
“You are so.....” His smooth voice was layered with turbulence and frustration. Samuel rarely raised his voice, and didn’t do so now, but the threat was there. “You are so… calm, and accepting, and NAIVE that sometimes…I just want to shake you!”
I wondered what in the world had brought on this vehement attack and sat in stunned silence for several heartbeats.
“I bother you because I’m calm...and accepting?” I said, my voice an incredulous squeak. “Do you want me to be hyper and, well, intolerant?”
“It would be nice if you questioned something, sometime.” Samuel was revving up to his argument; I could see the animation in his face. “You live in your own happy little world. You don’t know how it feels to not belong anywhere! I don’t belong anywhere!”
“Why do you think I created my own happy little world?” I shot back. “I fit in perfectly there!
”
”
Amy Harmon (Running Barefoot)
“
A letter from John Pearl asking for news of Chicago. As if I had any to give him. I know no more about it than he does. He wanted to go to New York but now sounds nostalgic and writes with deep distaste about his "peeling environment." "Peeling furniture, peeling walls, posters, bridges, everything is peeling and scaling in South Brooklyn. We moved here to save money, but I'm afraid we'd better start saving ourselves and move out again. It's the treelessness, as much as anything, that hurts me. The unnatural, too human deadness." I'm sorry for him. I know what he feels, the kind of terror, and the danger he sees of the lack of the human in the too-human. We find it, as others before us have found it in the last two hundred years, and we bolt for "Nature." It happens in all cities. And cities are "natural," too. He thinks he would be safer in Chicago, where he grew up. Sentimentality! He doesn't mean Chicago. It is no less inhuman. He means his father's house and the few blocks adjacent. Away from these and a few other islands, he would be just as unsafe. But even such a letter buoys me up. It gives me a sense of someone else's recognition of the difficult, the sorrowful, what to others is merely neutral, the environment.
”
”
Saul Bellow (Dangling Man)
“
This is from Elizabeth,” it said. “She has sold Havenhurst.” A pang of guilt and shock sent Ian to his feet as he read the rest of the note: “I am to tell you that this is payment in full, plus appropriate interest, for the emeralds she sold, which, she feels, rightfully belonged to you.”
Swallowing audibly, Ian picked up the bank draft and the small scrap of paper with it. On it Elizabeth herself had shown her calculation of the interest due him for the exact number of days since she’d sold the gems, until the date of her bank draft a week ago.
His eyes ached with unshed tears while his shoulders began to rock with silent laughter-Elizabeth had paid him half a percent less than the usual interest rate.
Thirty minutes later Ian presented himself to Jordan’s butler and asked to see Alexandra. She walked into the room with accusation and ire shooting from her blue eyes as she said scornfully, “I wondered if that note would bring you here. Do you have any notion how much Havenhurst means-meant-to her?”
“I’ll get it back for her,” he promised with a somber smile. “Where is she?”
Alexandra’s mouth fell open at the tenderness in his eyes and voice.
“Where is she?” he repeated with calm determination.
“I cannot tell you,” Alex said with a twinge of regret.
“You know I cannot. I gave my word.”
“Would it have the slightest effect,” Ian countered smoothly, “if I were to ask Jordan to exert his husbandly influence to persuade you to tell me anyway?”
“I’m afraid not,” Alexandra assured him. She expected him to challenge that; instead a reluctant smile drifted across his handsome face. When he spoke, his voice was gentle. “You’re very like Elizabeth. You remind me of her.”
Still slightly mistrustful of his apparent change of heart, Alex said primly, “I deem that a great compliment, my lord.”
To her utter disbelief, Ian Thornton reached out and chucked her under the chin. “I meant it as one,” he informed her with a grin.
Turning, Ian started for the door, then stopped at the sight of Jordan, who was lounging in the doorway, an amused, knowing smile on his face. “If you’d keep track of your own wife, Ian, you would not have to search for similarities in mine.” When their unexpected guest had left, Jordan asked Alex, “Are you going to send Elizabeth a message to let her know he’s coming for her?”
Alex started to nod, then she hesitated. “I-I don’t think so. I’ll tell her that he asked where she is, which is all he really did.”
“He’ll go to her as soon as he figures it out.”
“Perhaps.”
“You still don’t trust him, do you?” Jordan said with a surprised smile.
“I do after this last visit-to a certain extent-but not with Elizabeth’s heart. He’s hurt her terribly, and I won’t give her false hopes and, in doing so, help him hurt her again.”
Reaching out, Jordan chucked her under the chin as his cousin had done, then he pulled her into his arms. “She’s hurt him, too, you know.”
“Perhaps,” Alex admitted reluctantly.
Jordan smiled against her hair. “You were more forgiving when I trampled your heart, my love,” he teased.
“That’s because I loved you,” she replied as she laid her cheek against his chest, her arms stealing around his waist.
“And will you love my cousin just a little if he makes amends to Elizabeth?”
“I might find it in my heart,” she admitted, “if he gets Havenhurst back for her.”
“It’ll cost him a fortune if he tries,” Jordan chuckled. “Do you know who bought it?”
“No, do you?”
He nodded. “Philip Demarcus.”
She giggled against his chest. “Isn’t he that dreadful man who told the prince he’d have to pay to ride in his new yacht up the Thames?”
“The very same.”
“Do you suppose Mr. Demarcus cheated Elizabeth?”
“Not our Elizabeth,” Jordan laughed. “But I wouldn’t like to be in Ian’s place if Demarcus realizes the place has sentimental value to Ian. The price will soar.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
...He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively is he must.
He digs foxholes and latrines and can apply first aid like a professional.
He can march until he is told to stop, or stop until he is told to march.
He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient.
...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cool his own meals, mend his own clothes, and fix his own hurts.
...He'll even split his ammunition with you in the midst of battle when you run low.
He has learned to use his hands like weapons and weapons like they were his hands.
He can save your life- or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed.
He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking.
...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years.
He has asked nothing in return, except our friendship and understanding.
Remember him, always, for he has earned our respect and admiration with his blood.
And now we even have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so.
As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.
”
”
Sarah Palin (America by Heart: Reflections on Family, Faith, and Flag)
“
When church becomes for us an anointed have, when the grace is flowing and all is well we become sentimental...we remake people into what we need them to be. We are not wise in our love, prudent in our commitments, knowing in our fellowship. And so the evil comes and we are first amazed and then destroyed and then knocked off our axis as if never to return.
”
”
Stephen Mansfield (Healing Your Church Hurt: What To Do When You Still Love God But Have Been Wounded by His People)
“
But now, where the spirit of the Western civilisation prevails, the whole people is being taught from boyhood, to foster hatreds and ambitions by all kinds of means,—by the manufacture of half-truths and untruths in history, by persistent misrepresentation of other races and the culture of unfavourable sentiments towards them, by setting up memorials of events, very often false, which for the sake of humanity should be speedily forgotten, thus continually brewing evil menace towards neighbours and nations other than their own. This is poisoning the very fountain-head of humanity. It is discrediting the ideals, which were born of the lives of men, who were our greatest and best. It is holding up gigantic selfishness as the one universal religion for all nations of the world. We can take anything else from the hands of science, but not this elixir of moral death. Never think for a moment, that the hurts you inflict upon other races will not infect you, and the enmities you sow around your homes will be a wall of protection to you for all time to come. To imbue the minds of a whole people with an abnormal vanity of its own superiority, to teach it to take pride in its moral callousness and ill-begotten wealth, to perpetuate humiliation of defeated nations by exhibiting trophies won from war, and using these in schools in order to breed in children's minds contempt for others, is imitating the West where she has a festering sore, whose swelling is a swelling of disease eating into its vitality.
”
”
Rabindranath Tagore (The Spirit of Japan)
“
There are no easy ways to speak these words. No way to honor love and truth without something getting lost in translation. It is made even more complex when one party is dead, silent to this world. And how do you tell a story that is commonplace and felt by all without giving in to sentimentality? But the thing is that, in the end, we each must decide how comfortable we are with how much we hurt other people.
”
”
Chris Abani (The Face: Cartography of the Void)
“
You can repeat lies of others without hesitation
Because, you don’t have to give justification
But, saying truth you have to be fearless and courageous
Because, you have to defend your views
You can not say truth without hurting sentiments of many people
”
”
Sammy Toora
“
Collecting sentimental possessions would anchor me to my surroundings. If I let myself get attached, when I inevitably need to leave, it will only hurt more for every item I leave behind.
”
”
Loretta Lost (The Fireproof Girl (Sophie Shields, #1))
“
Millennial Tales" is a collection of short stories that portray our society and its happenings. Every person reacts to circumstances in a unique way and it is this display of emotions that has been the foundation for spinning yarns to weave my stories. Each of these stories is the result of my desire to reflect and comment in an interesting manner on whatever I have seen, heard, or read. All characters featured in the stories are a product of my imagination, and therefore, fictional. Any resemblance to people in real life is purely coincidental. My apologies if some sentiments have been hurt in the process. Happy reading!
”
”
Viswanathan M
“
From the Introduction by the author:
Uncle Remus...is the archetypal good father. He jokes, he teases, he pretends to be annoyed, he feigns anger and hurt when offended. But we know the truth of the man is his dignity, his self-respect, and above all, his love.
It is a love that is difficult to describe, especially in a time when love is sentimentalized in an unceasing effluvium of popular music, television drams, and films. Thus, we forget or never learn that love is tough, that loves has the brilliant hardness of diamonds, the cutting clarity of the most rational thought.
”
”
Julius Lester (The Last Tales of Uncle Remus)
“
P29 " Même si elle était partie depuis longtemps, même si j'étais seul depuis longtemps, je n'ai pas oublié ce que c'est quand le prénom de l'autre devient un sentiment".
”
”
Isabelle Aupy (L'Homme qui n'aimait plus les chats)
“
Regret. It’s a toxic word. It can tear a person up, twist them inside out, and break them into so many scattered pieces, they may never be whole again. It’s a dangerous sentiment because there’s no cure for regret. No one can go back in time and change their actions, or erase their hurtful words, or alter their past into something… better. Regret can eat us alive if we let it.
”
”
Jennifer Hartmann (The Thorns Remain)
“
Gregg: What is self-interest, properly understood?
Smith: Well, it means that the individual peers more to less. In terms of traditional kind of utility theory, it means that the subjective value, say, of something like money is monotone increasing. You are worse off if you get less of it, better off if you get more of it. Now, Adam Smith in Theory of Moral Sentiments says that we are all self-loving. [...] His point is that although we are all self-loving, in the process of maturation, of growing up in a social world, we are led to modify our decisions to take into account others, so that, as he says, we humble that self-interest and bring it down to what other people will go along with. So there is never a denial of the self-interest. If in an experiment in which I can take an action in which you are better off—you get more money and I get less—how do we now that more is better for someone else and less is worse? It’s because we have common knowledge of that. So in other words, being self-interested is necessary in order to know that when you take an action it can be hurtful to someone else. If you didn’t have that, then you wouldn’t know whether a particular action was hurtful or beneficial.
”
”
Vernon L. Smith (The Evidence of Things Not Seen: Reflections on Faith, Science, and Economics)
“
He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire.
“Your hands are cold,” he said, looking at her fingers.
She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands.
“So…” she said.
“I suppose we know our scene, more or less,” he said.
Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt.
“We should probably return. Curtain, or bedsheet, I should say, is in two hours.”
“Right. Of course,” he said, though he seemed a little sorry.
The evening had pulled down over them, laying chill like morning dew on her arms, right through her clothes and into her bones. Though she was wearing her wool pelisse, she shivered as they walked back to the house. He gave her his jacket.
“This theatrical hasn’t been as bad as you expected,” Jane said.
“Not so bad. No worse than idle novel reading or croquet.”
“You make any entertainment sound like taking cod liver oil.”
“Maybe I am growing weary of this place.” He hesitated, as though he’d said too much, which made Jane wonder if the real mad had spoken. He cleared his throat. “Of the country, I mean. I will return to London soon for the season, and the renovations on my estate will be completed by summer. It will be good to be home, to feel something permanent. I tire of the guests who come and go in the country, their only goal to find some kind of amusement, their sentiments shallow. It wears on a person.” He met her eyes. “I may not return to Pembrook Park. Will you?”
“No, I’m pretty sure I won’t.”
Another ending. Jane’s chest tightened, and she surprised herself to identify the feeling as panic. It was already the night of the play. The ball was two days away. Her departure came in three. Not so soon! Clearly she was swimming much deeper in Austenland waters than she’d anticipated. And loving it. She was growing used to slippers and empire waists, she felt naked outside without a bonnet, during drawing room evenings her mouth felt natural exploring the kinds of words that Austen might’ve written. And when this man entered the room, she had more fun than she had in four years of college combined. It was all feeling…perfect.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
You’ve always kept your guard up around me,” Ryan said without any inflection in his voice.
“And I never noticed.”
James winced. “I had to. Or I’d be molesting you at every turn.”
Ryan was silent, his warm breath brushing James’s ear. God. When Ryan was so close, all he wanted was to crawl into Ryan’s lap, tear their clothes off and— Fuck, he must get a grip. He wasn’t drunk now. He had no excuse now.
“Jamie,” Ryan said. “I don’t give a shit. Molest me—I don’t fucking care. I’d take that over you being constantly on guard around me.”
A short laugh left James’s lips. “I appreciate the sentiment, but you have no idea what you’re talking about.”
It was Ryan’s turn to laugh. “No idea? Please. I’m not the one who’s kissed three people in my life.”
“You still don’t get it.”
“I do, you tosser.”
With a frustrated sigh, James turned his head and slammed their lips together. It was meant to be a lesson for Ryan, but he wasn’t prepared for how much it would shake him. A broken, desperate moan tore out of his throat and he plunged his tongue into Ryan’s mouth, found Ryan’s tongue and sucked on it, greedy, hungry, so hungry. It felt like he’d been thirsty for centuries, for eons, and God, God— He whimpered, sucking Ryan’s tongue deeper into his mouth, shaking with want—literally shaking. When Ryan’s arms wrapped tightly around him, Jamie completely lost it, all but crawling into Ryan’s lap and rubbing against him like a horny cat. A small, distant part of him was horrified—
Ryan must be disgusted—but he couldn’t stop. He needed this, needed him; he’d been starved for him for years and years and years. It hurt. It actually hurt, his balls aching and painful, his cock so stiff he couldn’t think straight, all the years of repressed desire finally out, like a dam broken, unleashed and unstoppable. A half-moan, half-sob of frustration broke from him as he willed himself to stop and breathe. He was shaking in Ryan’s arms, literally shaking, unable to calm down. He wanted. God, he wanted.
“Jesus, Jamie,” Ryan said, holding him close with one arm while the other—
The other hand pressed between James’s legs. James flinched with his entire body, his glazed eyes going wide as he tried to focus them on Ryan’s face. “What are you doing—
”
”
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
“
Now, stop being so sentimental and let's enjoy our final day in Venice. What would you like to do?" Just then, we were passing a chocolatier and I was drawn to the arrays of goodies on display. I suddenly had a voracious appetite for chocolate, which I later would realize was transference from my sexual desire for the Count. I suggested we go into the chocolate shop. Since Ramiz and Ubaid couldn’t eat during daylight hours, they continued browsing the antiques market while we ventured into the store. There were so many temptingly delicious chocolates; I couldn't squelch the urge to try as many varieties as possible. I was using chocolates to drown my sorrows for being stupid enough to fall in love with an Italian Casanova. Why was I missing this ‘man-izer,’ when I already had a fabulous lover standing by my side? I sat at a corner table drinking latte and eating choc olates, gobbling the delicious sweets, my comfort food. "Young, I'm worried about you. You’re behaving very strangely today. I've never seen you eat like a mad person. Tell me what's wrong. I want to help." Tears began flowing again as I continued to stuff chocolate after chocolate in my mouth. How could I tell my beloved what was happening inside my head when I myself didn’t know what was wrong with me? The more I cried, the more I ate. I consumed dozens of chocolates. "I don't know what’s wrong with me. I'm a silly stupid boy!" I started banging my head against the wall where I was leaning. Andy looked very concerned and commanded, "Young! Stop it! You are hurting yourself. Stop this nonsense at once!" I blurted out, in the midst of sobs, "Is parting always such a difficult thing to do?" Andy, not realizing I was grieving over Mario, caught hold of my hands and whispered into my ears, "My sweet darling boy! I'm here, aren’t I? And I'm not leaving you anytime soon." Wiping my tears I said between sobs, "I know, I know! You are the kindest person in the world and I love you very much." "Well then, stop this silly crying.
”
”
Young (Initiation (A Harem Boy's Saga Book 1))
“
Bouteflika: Your position was one of principle, it was very clear. Your press—Newsweek, the New York Times—were very objective on the problem. And we find that the U.S. could have stopped the Green March. The U.S. could have stopped it, or favored it.
Kissinger: That’s not true.
Bouteflika: We think on the contrary that France played a crude role. There was no delicacy, no subtlety. Bourguiba, Senghor—they tried to use what influence remained for France. Bongo. No finesse, no research.
I don’t know if this corresponds to your situation. But there are sentiments, and we were very affected because we thought it was an anti-Algerian position.
Kissinger: We don’t have an anti-Algerian position. The only question was how much to invest. To prevent the Green March would have meant hurting our relations completely with Morocco, in effect an embargo.
Bouteflika: You could have done it. You could stop economic aid and military aid.
Kissinger: But that would have meant ruining our relations with Morocco completely.
Bouteflika: No. The King of Morocco would not have gone to the Soviets.
Kissinger: But we don’t have that much interest in the Sahara.
Bouteflika: But you have interests in Spain, and in Morocco.
Kissinger: And in Algeria.
Bouteflika: And you favored one.
[FOREIGN RELATIONS OF THE UNITED STATES, 1969-1976, VOLUME E-9, PART 1, DOCUMENTS ON NORTH AFRICA, 1973-1976
110. Memorandum of Conversation - Paris, December 17, 1975, 8:05–9:25 a.m.]
”
”
Henry Kissinger
“
They had their Christmas-gift exchange right before he left town, and when she opened her gift and saw the boots, she wept. No one had ever given her a gift like that in her life and he enjoyed success when she kissed all over him. He took her into his arms, laughing sentimentally. “I’ve never seen you cry,” he said, holding her close, rocking her back and forth gently. “Oh, you’d have seen way too much of that a year ago….” “But these are happy tears. That’s different. That means I did good.” “You did very good,” she said. “They’re just amazing. Exactly what I would have had made for myself. Like my own skin. I could sleep in them.” “But someone could get hurt,” he reminded her with a laugh. She
”
”
Robyn Carr (Temptation Ridge)
“
Sentimental Humanitarianism: A Dangerous Temptation Gregg argues that sentimental humanitarianism: Reduces most debates to exchanges of feelings. Common responses to disagreements are “you can’t say that” or “that’s hurtful” or “that offends me.” But in quoting British novelist Ian McEwan, Gregg says there is nothing virtuous about being offended. Is naive of human nature. It assumes everyone is of good will. Rather, Gregg says we have to acknowledge that there are some groups of people in which rational conversation is not possible. Doesn’t take free choice seriously. It claims all evil emanates from bad education and unjust structures, but this is hardly the full story. Evil is a free choice of each individual, and Gregg says it’s not something that can be explained away by the fact that someone is wealthier than
”
”
Anonymous
“
Some people really like to talk about honoring the past for what it did to make us. And while I basically understand what they mean by that and why they need to say it, I still think the sentiment is an overflowing bucket of bullshit. Sure, it may be perfectly fine for folks with pristine memories, but it leaves the rest of us dealing with the implication that all of the pain or trauma or damage we suffered along the way was somehow essential to who we eventually became. That the hurt made us stronger, or that the loss gave as much as it took. That we are who we are because of our damage and not in spite of it. And that just sucks as a philosophy. It’s a kind of societal shrug at the worst tragedies, as if to say we can’t do anything about them so we might as well attach some ephemeral pride to having survived. I don’t know. Do whatever works for you, I guess. But I for one don’t feel born from my past so much as resurrected from it. So while I might visit the grave of that life now and then, I’m certainly not wasting any money on flowers.
”
”
Josh Erikson (Dawn Razed (Ethereal Earth, #4))
“
A noble sentiment. But you owe no one unconditional love. Take it from someone who knows - when a person brings you more hurt than happiness, you're allowed to let them go. You do not have to follow them into the dark.
”
”
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
“
A noble sentiment. But you owe no one uncondiditonal love. Take it from someone who knows-when a person brings you more hurt than happiness, you're allowed to let them go. You do not have to follow them into the dark.
”
”
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
“
He lifted his chin and terror coursed through her like a paralytic. He was so much larger than Kenna. Stronger. It would’ve been nothing for him to curl his hands around her frail neck and demonstrate that strength until a final gasp of breath departed her lungs.
She didn’t believe Dr. Merino was a violent man, but she believed passion inspired irrationality.
Rather than strangling her, he gently tipped her chin, forcing her to meet his gaze. “I hurt people. It’s a pattern.”
“What about what you said after the funeral? That you’d never do anything like that to me. You wouldn’t hurt me.”
The sentiment was laced with delicate desperation. A prayer whispered in the dark.
“I wish that were true.
”
”
Leighann Hart (Darling Descent (Confessional, #1))
“
real love wasn’t flowers, sing song sentiments and sunset walks. It was red raw, tears flowing, heart achingly brutal. It burned. It terrified. It hurt beyond all else. And then, when finally it was yours, it twisted all of these things into something so profound, so real, that you asked yourself how you ever survived without it. That was what true love was.
”
”
Stephanie Hudson (Map of Sorrows (Transfusion Saga #5))
“
I remind my readers that I am addressing white people at the societal level. I have friends who are black and whom I love deeply. I do not have to suppress feelings of hatred and contempt as I sit with them; I see their humanity. But on the macro level, I also recognize the deep anti-black feelings that have been inculcated in me since childhood. These feelings surface immediately—in fact, before I can even think—when I conceptualize black people in general. The sentiments arise when I pass black strangers on the street, see stereotypical depictions of black people in the media, and hear the thinly veiled warnings and jokes passed between white people. These are the deeper feelings that I need to be willing to examine, for these feelings can and do seep out without my awareness and hurt those whom I love.
”
”
Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
“
Did you like Zosime?” The question stuns Tryphosa. It astonishes her. It appals her. It is faintly disgusting, uncouth. A queen asking not merely about a maid, but the sentiment of a maid? The affection one maid may have for another, the relationship between two women who are no better than slaves? Queens do not care for such things. It would be undignified, inconvenient for them to do so. It implies that the woman Penelope addresses has feelings. Feels hurt. Knows pain. Is indeed human. And Tryphosa has worked so hard, for so long, to be anything but human.
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Claire North (House of Odysseus (The Songs of Penelope, #2))
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Why write for a dead person?”
“Why write for anyone? Whether a person is alive or dead, it doesn’t change how they should be remembered, even as their legacy loses its luster. What matters here is that you all will witness the story of the life he lived. As I have said before, the most sentimental masterpieces are those that can only be revisited in the mind.”
“What a wonderfully worded way to put it— it almost sounds like you are describing memories, rather than a masterpiece.”
“The memories we create are one of the greatest expressions of free will we have, but they are misinterpreted as events that only served to humble us, as a result of how often we tend to remember what hurt us. Those types of memories make the ones worth cherishing, seem like a subtle moment when we were just happy. Perhaps if those moments became iterations of time we could overtly value the hidden treasure of what it means to live. But for now, I think the best we can do is appreciate how strange and brief these masterpieces are.”
The breathing in the room stilled, even the pen on the notepad resting in the transcriber's lap stopped scribbling.
“...I see well…
Do you have any plans moving forward from the industry?”
“Nothing remarkable… I might visit the Brooklyn Bridge and admire the sun sinking into the horizon before I return home.”
“Taking time to alleviate grief is a good thing, I hope we will get the chance to cross paths in the future, even if it is a mere coincidence.”
“Maybe, but likely not, I will not be in New York tomorrow.
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FinPoet
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Most people only ever understand one world: their own. You need to learn that every person feels things much like you. That isn’t meant to be sentiment, my dear. I am not a saint, asking you to bleed with those who hurt. Imagine the world is like a machine. To use it properly you must understand how it works. Our world is other people. Understand them, and you will begin to know how you can move the world.
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Jackie French (Miss Lily's Lovely Ladies (Miss Lily, #1))
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But I’m not great at talking, at explaining deep sentiments. I’ll probably end up hurting her more.
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Eva Marks (Primal)
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Other alleged microaggressions include uttering such hurtful words as “I believe the most qualified person should get the job” or “America is the land of opportunity.” Someone who has been through the “Fostering Inclusive Excellence” seminar may call you out for giving voice to such ideas. Why, exactly, saying that the most qualified person should get the job is a microaggression is a puzzle. Either such a statement is regarded simply as code for alleged antiblack sentiment, or the diversocrats are secretly aware that meritocracy is incompatible with “diversity.” Equally “hostile” and “derogatory,” according to the “Tool,” is the phrase “Everyone can succeed in this society, if they work hard enough.” Such a statement is obviously an insult to all those career victims whose primary occupation is proclaiming their own helplessness and inability to accomplish anything without government assistance.
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Heather Mac Donald (The Diversity Delusion: How Race and Gender Pandering Corrupt the University and Undermine Our Culture)
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I don’t care. That’s not what I’m talking about. I mean, the Banner is becoming a kind of liability. It hurts business. One’s got to be so careful nowadays. You get tied up with the wrong people and first thing you know there’s a smear campaign going on and you get splashed too. I can’t afford that sort of thing.” “It’s not entirely an unjustified smear.” “I don’t care. I don’t give a damn whether it’s true or not. Who am I to stick my neck out for Gail Wynand? If there’s a public sentiment against him, my job is to get as far away as I can, pronto. And I’m not the only one. There’s a bunch of us who’re thinking the same. Jim Ferris of Ferris & Symes, Billy Shultz of Vimo Flakes, Bud Harper of Toddler Togs, and ... hell, you know them all, they’re all your friends, our bunch, the liberal businessmen. We all want to yank our ads out of the Banner.
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Ayn Rand (The Fountainhead)
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Carnegie believed that he could not pay workers well, could not be sentimental about how many hours of work were too many, for that would hurt the public interest. But he could give back to the workers.
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Anand Giridharadas (Winners Take All: The Elite Charade of Changing the World)
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A noble sentiment. But you owe no one unconditional love. Take it from someone who knows—when a person brings you more hurt than happiness, you’re allowed to let them go. You do not have to follow them into the dark.
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Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
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Being afraid of building bonds because of the hurt you felt from those who betrayed your trust before, is a foolish sentiment. If you want to discover the truth hidden in the shadows of your mind, then you'll need to use the strength of powerful bonds to do so.
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Imania Margria (The Pacemaker (The Pacemaker, #1))
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If my freedom of speech hurts your sentiment, no doubt you are SentiMental
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P.S. Jagadeesh Kumar
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Without realizing it, those in America who called the police “pigs,” who evaded the draft, who rioted and protested, were subtly being prompted by a gigantic clandestine propaganda machine organized by agents of Moscow and funded to the tune of a billion dollars by the Soviet General Staff and KGB. As Col. Lunev says in his book, “it was a hugely successful campaign and well worth the cost. The antiwar sentiment created an incredible momentum that greatly weakened the U.S. military. Quite naturally, knowing about the history of communist subversion and propaganda in America, I tend to react negatively to accusations against America’s police and armed forces. Whenever someone calls America an “empire” or a “fascist state,” I listen closely to the entire diatribe and consider who really benefits from this kind of talk. I listen for certain code words borrowed from Soviet or Chinese propaganda. I listen for concepts lifted from Marx and Lenin. It doesn’t matter whether the anti-police or anti-military sentiment is expressed from the left or the right. The question always remains: Does this sort of talk hurt America and help its enemies?
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J.R. Nyquist
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More than anything else, we must understand that our voices have great power. We can use words to build bridges and ships and crews and families, or we can use them to oppress one another, or to rip each other to shreds. Whoever said, "Sticks and stones can break my bones, but words can never hurt me," obviously never had a drink with the person who said, "The pen is mightier than the sword." I side with the latter sentiment. Civilizations rise and fall by the written word. The United States certainly rose by these ones: "We hold these truths to be self-evident, that all men are created equal," and if we truly believe the spirit of those words, we as Americans will work together until we have achieved them in their fullness.
Use your words to liberate, not subjugate.
Do what is right, even when they tell you to "stop."
Build a better history for tomorrow, today.
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Courtney Alameda (Pitch Dark)
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But on the macro level, I also recognize the deep anti-black feelings that have been inculcated in me since childhood. These feelings surface immediately—in fact, before I can even think—when I conceptualize black people in general. The sentiments arise when I pass black strangers on the street, see stereotypical depictions of black people in the media, and hear the thinly veiled warnings and jokes passed between white people. These are the deeper feelings that I need to be willing to examine, for these feelings can and do seep out without my awareness and hurt those whom I love.
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Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
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The moment his lips hit mine I felt my insides turn to mush. I wanted to pull away, but couldn't. All the anger and sadness was gone the moment his lips molded with mine. I still wanted to be mad at him, but I no longer had the strength. I felt everything in that kiss. I felt how much he loved me, how much it hurt him to leave me. Every agonizing day he spent without me by his side. He loved me still through it all. And I loved him too, no matter how much it hurt. He pulled back enough to place his forehead on mine. “Ella, I made a mistake, I was an idiot, please forgive me.” Through the flood of our tears I no longer knew who's were who's hitting my cheeks. “I know you love me too...I can feel it, I felt it when we kissed.” I pulled back wiping the tears from his cheeks. “Ella, you are the piece to the puzzle I've been missing all these years. When I'm with you I feel complete.” My heart broke at the sentiment and I felt like I was falling apart into a million pieces. I fell into his arms wanting him to hold me, cradle me, and never let go. I pressed my head against his body listening to the rise and fall of his chest. The warmth of his skin, his scent, everything about him I loved so much. I pulled back and looked into his eyes ready to tell him I loved him too.
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Jessica Miller (The Wanderers)
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Let us conclude that savage man, wandering about in the forests, without industry, without speech, without any fixed residence, an equal stranger to war and every social connection, without standing in any shape in need of his fellows, as well as without any desire of hurting them, and perhaps even without ever distinguishing them individually one from the other, subject to few passions, and finding in himself all he wants, let us, I say, conclude that savage man thus circumstanced had no knowledge or sentiment but such as are proper to that condition, that he was alone sensible of his real necessities, took notice of nothing but what it was his interest to see, and that his understanding made as little progress as his vanity. If he happened to make any discovery, he could the less communicate it as he did not even know his children. The art perished with the inventor; there was neither education nor improvement; generations succeeded generations to no purpose; and as all constantly set out from the same point, whole centuries rolled on in the rudeness and barbarity of the first age; the species was grown old, while the individual still remained in a state of childhood.
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null
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If anger is overcome, and a nasty and short temper is avoided, there is scope for the attainment of a balanced condition of the mind. The greater the control over anger, the freer and more bounteous is the celestial gift. It is a pity that this important and essential principle of the use of the tongue in the inevitable and constant activity of people is often overlooked and neglected. It is no doubt very difficult to control the mind. To free oneself from anger, we should think of ourselves to be polite and humble. A cool and calm disposition alone is required for spirituality. The heart is so tender that it begins to droop even by the slightest circulation of the wind. The technique of developing softness is to create extreme humility in temperament, so that it is filled up with such a sentiment of love, as to have no inclination to cause any hurt to anyone’s heart, and the words are also such as not to hurt anyone’s heart in the least.
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Kamlesh Patel (The Wisdom Bridge)