Aztec Art Quotes

Societies may die a violent death, like the Inca and Aztec societies which the Spaniards destroyed with gunpowder in the sixteenth century; and it is sometimes thought by people who have been reading historical thrillers that the Roman Empire died in the same way, at the hands of barbarian invaders. That theory is amusing but untrue. It died of disease, not of violence, and the disease was a long-growing and deep-seated conviction that its own way of life was not worth preserving.

The Aztecs invented the wheel, but didn't know how to use it except as a children's toy. Even though they built roads that to us scream out to have a wheel put on them, nonetheless they continued to drag things around. The society itself was blind to the possibilities.

It is interesting to note that, as historians and archeologists discover art and writings from ancient civilizations, there are certain patterns that show up in each civilization’s mythology. For example: Chinese, Europeans, and ancient central and south Americans all have art depicting large, winged lizards, most of which could breathe fire. While it is possible that the idea of these creatures were shared between the Chinese and Europeans, there is no historical evidence suggesting that they had done so. Besides that, it is near impossible that they could have shared this idea with, say, the Aztecs, as exploration into the new world didn’t happen until centuries after the first carvings of the Quetzalcoatl. Each culture portrayed these beings differently, ranging in size, shape, and purpose, but the defining physical traits are still, undeniably and bizarrely, too similar to be a coincidence. While there are some modern theories for this phenomenon, and no physical evidence suggesting that they existed, it still raises the question: is it possible that dragons were real? Another example: every civilization in the Common Era has at one point in their history sustained superstitions that, either through ritual or through improper burial, a corpse can rise from the dead and take the life force of living humans to gain great power. Each culture had their own name for these monsters, but as time has progressed society has been satisfied to call them the same thing. Vampires.

At the collective level, pride is expressed in the conviction of being superior to others as a nation or a race, of being the guardian of the true values of civilization, and of the need to impose this dominant “model” on “ignorant” peoples by any means available. This attitude often serves as a pretext for “developing” the resources of underdeveloped countries. The conquistadors and their bishops burned the vast Mayan and Aztec libraries of Mexico, of which barely a dozen volumes survive. Chinese textbooks and media continue to describe Tibetans as backward barbarians and the Dalai Lama as a monster. It was pride, above all, that allowed the Chinese to ignore the hundreds of thousands of volumes of philosophy housed in Tibetan monasteries before they demolished six thousand of those centers of learning.

The Aztecs, impressed by the wealth and culture of some of the tribes they conquered, labored to perfect their own state. By the time of Cortés’s arrival, their achievements had equaled and in some cases surpassed all other Indian civilizations of the New World. In the realm of government, the Aztecs developed their own system of tribunals to administer justice. They had their own viceroys to rule their provinces that spread across the land from the Atlantic to the Pacific - and to communicate between their states they set up a messenger service as efficient as any in Europe. In science, they had knowledge of medicine and had begun to experiment with herbs, classifying them along with the diseases they cured. In art, their architecture was impressive, and their sculpture brilliant. And of all their accomplishments, the art of war was the one the Aztecs had developed most highly. Their aptitude for military matters and their emphasis on training and discipline impressed the Spanish conquistadors and was even respected by them.

Fractal shapes were being expressed intuitively by artists long before they were recognized in science. Self-similar patterns appear in Celtic artefacts, like the spirals and circles within circles of the exquisitely crafted illuminated pages of the early 9th-century Book of Kells and the Densborough mirror made in the 1st century A.C. Mathematical awareness, particularly fractal awareness, reveals itself in the art of the Romans and the Egyptians, and in the work of the Aztec, Inca and Mayan civilizations of Central and South America. Shapes highly reminiscent of the Koch curve were used to depict waves by the Hellenic artist in a frieze in the ancient Greek town of Akrotiri.

Aztec religion practiced human sacrifice, understanding it to be both a form of oblation to the gods and a means of deification for the victims. The crucifixion therefore made a certain kind of sense by analogy and the cross was thus incorporated into this sacrificial narrative. Nahua (Aztec) converts could comprehend a crucified god, self-offered to a yet-higher deity.

For example, Henry the Navigator, the brother of the head of the Portuguese royal family, sponsored some of the earliest voyages and established a trading empire in Africa and Asia. Spain followed suit, swiftly conquering and colonizing significant portions of the Western Hemisphere, including the precious-metal-rich Aztec and Incan empires. Though Portugal and Spain were rivals, the unexplored world was huge, and when they had disputes, they were successfully mediated. Spain’s integration into the Habsburg Empire and its control over highly profitable silver mines made it stronger than Portugal in the 1500s, and for a roughly 60-year period starting in the late 1500s the Habsburg king ruled Portugal as well. Both translated their wealth into golden ages of art and technology. The Spanish Empire grew so large it became known as “the empire on which the sun never sets”—an expression that would later be used to describe the British Empire.

In the official story of the sixteenth-century conquest of Mexico, the one that all Mexicans learn at school, Mohtecutzoma, the tlahtoani, the spokesman and leader of the Aztecs, was a traitor who surrendered to the conquistadores from Spain without a fight and was killed by them. But the oral tradition of Mexico gives a different account, one in which the world of dreams is extremely important. According to this tradition, Mohtecutzoma was a master of the art of dreams and prophecies, as all governors and warriors were expected to be, and in a lucid and prophetic dream he saw the future of Mexico. He knew it would be conquered and a great mingling of races would take place — and there was nothing he could do about it. It was the dream of Centeotl, the creative principle of the universe. That was why he decided to give his land to its new owners without a fight, to avoid pain and bloodshed.