“
The more I know of the world, the more I am convinced that I shall never see a man whom I can really love. I require so much!
”
”
Jane Austen (Sense and Sensibility)
“
When I fall in love, it will be forever.
”
”
Jane Austen (Sense and Sensibility: The Screenplay)
“
I have something I need to tell you," he says. I run my fingers along the tendons in his hands and look back at him. "I might be in love with you." He smiles a little. "I'm waiting until I'm sure to tell you, though."
"That's sensible of you," I say, smiling too. "We should find some paper so you can make a list or a chart or something."
I feel his laughter against my side, his nose sliding along my jaw, his lips pressing my ear.
"Maybe I'm already sure," he says, "and I just don't want to frighten you."
I laugh a little. "Then you should know better."
"Fine," he says. "Then I love you.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
If I could but know his heart, everything would become easy.
”
”
Jane Austen (Sense and Sensibility)
“
I come here with no expectations, only to profess, now that I am at liberty to do so, that my heart is and always will be...yours.
”
”
Jane Austen (Sense and Sensibility)
“
To wish was to hope, and to hope was to expect
”
”
Jane Austen (Sense and Sensibility)
“
Well, let it pass, he thought; April is over, April is over. There are all kinds of love in the world, but never the same love twice.
--The Sensible Thing
”
”
F. Scott Fitzgerald (The Short Stories)
“
I have loved to the point of madness; that which is called madness, that which to me, is the only sensible way to love.
”
”
Francois Sagon
“
I have loved to the point of madness; that which is called madness, that which to me, is the only sensible way to love.
”
”
Françoise Sagan
“
Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise...
”
”
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
“
Solid character will reflect itself in consistent behavior, while poor character will seek to hide behind deceptive words and actions.
”
”
Myles Munroe (Waiting and Dating: A Sensible Guide to a Fulfilling Love Relationship)
“
Murtagh was right about women. Sassenach, I risked my life for ye, committing theft, arson, assault, and murder into the bargain. In return for which ye call me names, insult my manhood, kick me in the ballocks and claw my face. Then I beat you half to death and tell ye all the most humiliating things have ever happened to me, and ye say ye love me." He laid his head on his knees and laughed some more. Finally he rose and held out a hand to me, wiping his eyes with the other.
"You're no verra sensible, Sassenach, but I like ye fine. Let's go.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Healthy relationships should always begin at the spiritual and intellectual levels - the levels of purpose, motivation, interests, dreams,and personality.
”
”
Myles Munroe (Waiting and Dating: A Sensible Guide to a Fulfilling Love Relationship)
“
...the more I know of the world, the more I am convinced that I shall never see a man whom I can really love.
”
”
Jane Austen (Sense and Sensibility)
“
It is the same way with dating. The time you are most prepared for dating is when you don't need anyone to complete you, fulfill you, or instill in you a sense of worth or purpose.
”
”
Myles Munroe (Waiting and Dating: A Sensible Guide to a Fulfilling Love Relationship)
“
Some mornings, she’d wake and vow, Today, I will get it right. I won’t be such an awful mess of a girl. I won’t lose my temper or make unkind remarks. I won’t go too far with a joke and feel the room go quiet with disapproval. I’ll be good and kind and sensible and patient. The sort everyone loves. But by evening, her good intentions would have unraveled. She’d say the wrong thing or talk a little too loudly. She’d take a dare she shouldn’t, just to be noticed. Perhaps Mabel was right, and she was selfish. But what was the point of living so quietly you made no noise at all? “Oh, Evie, you’re too much,” people said, and it wasn’t complimentary. Yes, she was too much. She felt like too much inside all the time. So why wasn’t she ever enough?
”
”
Libba Bray (The Diviners (The Diviners, #1))
“
Being open to correction means making ourselves vulnerable, and many people are not willing to do that.
”
”
Myles Munroe (Waiting and Dating: A Sensible Guide to a Fulfilling Love Relationship)
“
I shall never have a bath again," I said.
"Just dont have one too often," my grandmother said. "Once a month is quite enough for a sensible child." It was at times like these that I loved my grandmother more than ever.
”
”
Roald Dahl
“
A wedding is and event, but marriage is a life.
”
”
Myles Munroe (Waiting and Dating: A Sensible Guide to a Fulfilling Love Relationship)
“
Friendship is not a gift, but is the result of hard work.
”
”
Myles Munroe (Waiting and Dating: A Sensible Guide to a Fulfilling Love Relationship)
“
A woman may be beautiful but have poor character. A man may be a business genius, making money left and right, but lack common courtesy, sensitivity, and compassion.
”
”
Myles Munroe (Waiting and Dating: A Sensible Guide to a Fulfilling Love Relationship)
“
Mama, the more I know of the world, the more I am convinced that I shall never see a man whom I can really love.
”
”
Jane Austen (Sense and Sensibility)
“
I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone: I just miss you, in a quite simple desperate human way. You, with all your un-dumb letters, would never write so elementary a phrase as that; perhaps you wouldn’t even feel it. And yet I believe you’ll be sensible of a little gap. But you’d clothe it in so exquisite a phrase that it would lose a little of its reality. Whereas with me it is quite stark: I miss you even more than I could have believed; and I was prepared to miss you a good deal. So this letter is just really a squeal of pain. It is incredible how essential to me you have become. I suppose you are accustomed to people saying these things. Damn you, spoilt creature; I shan’t make you love me any the more by giving myself away like this —But oh my dear, I can’t be clever and stand-offish with you: I love you too much for that. Too truly. You have no idea how stand-offish I can be with people I don’t love. I have brought it to a fine art. But you have broken down my defences. And I don’t really resent it.
”
”
Vita Sackville-West (The Letters of Vita Sackville-West and Virginia Woolf)
“
I appeal from your customs. I must be myself. I cannot break myself any longer for you, or you. If you can love me for what I am, we shall be happier. If you cannot, I will still seek to deserve that you should. I must be myself. I will not hide my tastes or aversions. I will so trust that what is deep is holy, that I will do strongly before the sun and moon whatever inly rejoices me and the heart appoints. If you are noble, I will love you; if you are not, I will not hurt you and myself by hypocritical attentions. If you are true, but not in the same truth with me, cleave to your companions; I will seek my own. I do this not selfishly but humbly and truly. It is alike your interest, and mine, and all men’s, however long we have dwelt in lies, to live in truth. Does this sound harsh to-day? You will soon love what is dictated by your nature as well as mine, and if we follow the truth it will bring us out safe at last.—But so may you give these friends pain. Yes, but I cannot sell my liberty and my power, to save their sensibility. Besides, all persons have their moments of reason, when they look out into the region of absolute truth; then will they justify me and do the same thing.
The populace think that your rejection of popular standards is a rejection of all standard, and mere antinomianism; and the bold sensualist will use the name of philosophy to gild his crimes. But the law of consciousness abides.
”
”
Ralph Waldo Emerson (Self-Reliance and Other Essays (Dover Thrift Editions: Philosophy))
“
[G]iving yourself some loving attention is not selfish. It is sensible. If you feel loved and cherished--even if it is only by yourself--then you will have more love to give to others, too. (83)
”
”
Penelope Quest (Reiki for Life: A Complete Guide to Reiki Practice)
“
You may marry Miss Grey for her fifteen pounds but you will always be my Willoughby. My nightmare. My sorrow. My past. My mistake. My regret. My love.
”
”
Shannon L. Alder
“
A person's readiness to date is largely a matter of maturity and environment.
”
”
Myles Munroe (Waiting and Dating: A Sensible Guide to a Fulfilling Love Relationship)
“
She'd even violated the only sensible rule of dieting she'd ever run across, the sage advice of the Muppets' Miss Piggy, who recommended never eating anything bigger than your head.
”
”
Susan Donovan (He Loves Lucy)
“
Feelings aren't sensible. Sometimes you fall in love with people who don't make sense. And the ones who do make sense turn out to be the wrong ones.
”
”
Danielle Steel (Legacy)
“
There is an emotional promiscuity we’ve noticed among many good young men and women. The young man understands something of the journey of the heart. He wants to talk, to “share the journey.” The woman is grateful to be pursued, she opens up. They share the intimacies of their lives - their wounds, their walks with God. But he never commits. He enjoys her... then leaves. And she wonders, What did I do wrong? She failed to see his passivity. He really did not ever commit or offer assurances that he would. Like Willoughby to Marianne in Sense and Sensibility.
Be careful you do not offer too much of yourself to a man until you have good, solid evidence that he is a strong man willing to commit. Look at his track record with other women. Is there anything to be concerned about there? If so, bring it up. Also, does he have any close male friends - and what are they like as men? Can he hold down a job? Is he walking with God in a real and intimate way? Is he facing the wounds of his own life, and is he also demonstrating a desire to repent of Adam’s passivity and/or violence? Is he headed somewhere with his life? A lot of questions, but your heart is a treasure, and we want you to offer it only to a man who is worthy and ready to handle it well.
”
”
Stasi Eldredge (Captivating: Unveiling the Mystery of a Woman's Soul)
“
You start dying slowly
if you do not travel,
if you do not read,
If you do not listen to the sounds of life,
If you do not appreciate yourself.
You start dying slowly
When you kill your self-esteem;
When you do not let others help you.
You start dying slowly
If you become a slave of your habits,
Walking everyday on the same paths…
If you do not change your routine,
If you do not wear different colours
Or you do not speak to those you don’t know.
You start dying slowly
If you avoid to feel passion
And their turbulent emotions;
Those which make your eyes glisten
And your heart beat fast.
You start dying slowly
If you do not change your life when you are not satisfied with your job, or with your love,
If you do not risk what is safe for the uncertain,
If you do not go after a dream,
If you do not allow yourself,
At least once in your lifetime,
To run away from sensible advice.
”
”
Martha Medeiros
“
anyone who expects love to be sensible has perhaps never loved.
”
”
Elif Shafak (The Island of Missing Trees)
“
Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment.
”
”
Jane Austen (Sense and Sensibility)
“
If you don't pray often, you won't gain a love for praying. Prayer is work, and therefore it is not very appealing to our natural sensibilities. But the simple rule for prayer is this: Begin praying and your taste for prayer will increase. The more you pray, the more you will acquire the desire for prayer, the energy for prayer, and the sense of purpose in prayer.
”
”
Leslie Ludy (Wrestling Prayer: A Passionate Communion with God)
“
A day of dappled seaborne clouds.
The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
The "Fatal Female Flaw." It's when ordinarily sensible women fall madly in love with an unattainable man who can't or won't love them back. I also call it the Triple Fucked Factor.
Rosslyn
”
”
Nikki Sex (Bound and Freed Boxed Set (André Chevalier BDSM Stories, #1-5))
“
When certain parts of our bodies are touched, certain enzymes and chemicals that trigger sexual desire are released into our system. The more our bodies are stimulated, the more chemicals are released and the greater our sexual desire grows until it becomes a virtually unstoppable flood.
”
”
Myles Munroe (Waiting and Dating: A Sensible Guide to a Fulfilling Love Relationship)
“
If man merely sat back and thought about his impending termination, and his terrifying insignificance and aloneness in the cosmos, he would surely go mad, or succumb to a numbing sense of futility. Why, he might ask himself, should he bother to write a great symphony, or strive to make a living, or even to love another, when he is no more than a momentary microbe on a dust mote whirling through the unimaginable immensity of space? Those of us who are forced by their own sensibilities to view their lives in this perspective — who recognize that there is no purpose they can comprehend and that amidst a countless myriad of stars their existence goes unknown and unchronicled — can fall prey all too easily to the ultimate anomie. The world's religions, for all their parochialism, did supply a kind of consolation for this great ache.
”
”
Stanley Kubrick
“
Really, there was only one sensible thing to do. Stay the course. Pray it through, day by day, minute by minute. The Lord had an answer and it would surely come. (p. 203)
”
”
Janice Hanna (Love Finds You in Poetry, Texas)
“
She was nothing more than a mere good-tempered, civil and obliging Young Woman; as such we could scarcely dislike her -- she was only an Object of Contempt
”
”
Jane Austen (Love and Friendship and Other Early Works)
“
Is love a fancy or a feeling.... or a Ferrars?
”
”
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
“
Mister Cameron - I have read the unexpurgated Ovid, the love poems of Sappho, the Decameron in the original, and a great many texts in Greek and Latin histories that were not though fit for proper gentlemen to read, much less proper ladies. I know in precise detail what Caligula did to, and with, his sisters, and I can quote it to you in Latin or in my own translation if you wish. I am interested in historical truth, and truth in history is often unpleasant and distasteful to those of fine sensibility. I frankly doubt that you will produce anything to shock me.
”
”
Mercedes Lackey (The Fire Rose (Elemental Masters, #0))
“
Develop and protect a moral sensibility and demonstrate the character to apply it. Dream big. Work hard. Think for yourself. Love everything you love, everyone you love, with all your might. And do so, please, with a sense of urgency, for every tick of the clock subtracts from fewer and fewer.
”
”
David McCullough Jr.
“
Anya looked upon Nin admirably. Having him as a partner-in-crime—if only on this one occasion, which she hoped would only be the start of something more—was more revitalizing than the cheap thrills of a cookie-cutter shallow, superficial romance, where the top priority was how beautiful a person was on the outside.
”
”
Jess C. Scott (The Other Side of Life)
“
We sensible often resist intrusive love and its chaos practically, employing measures to prevent the former for fear of the latter. But for all our wit and work, that desperation for control also prevents the pure, transcendental freedom more often delivered by both.
”
”
Tiffany Madison
“
My life which I dream will be so beautiful, so poetic, so vast, so filled with love will turn out to be like everybody else's - monotonous, sensible, stupid.
”
”
Gustave Flaubert
“
But it is a strange experience, to a man of pride and sensibility, to know that his interests are within the control of individuals who neither love nor understand him
”
”
Nathaniel Hawthorne (The Scarlet Letter)
“
Love isn't sensible, Red. I think that's the point.
”
”
Jasper Fforde (Shades of Grey (Shades of Grey, #1))
“
Humanity is not without answers or solutions regarding how to liberate itself from scenarios that invariably end with mass exterminations. Tools such as compassion, trust, empathy, love, and ethical discernment are already in our possession. The next sensible step would be to use them.
”
”
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
“
I never wanted a quiet, sensible sort of love. I wanted to be devoured.
”
”
Beau Taplin
“
Unless a man is prepared to ask a woman to be his wife, what right has he to claim her exclusive attention? Unless she has been asked to marry him, why would a sensible woman promise any man her exclusive attention? If, when the time has come for a commitment, he is not man enough to ask her to marry him, she should give him no reason to presume that she belongs to him.
”
”
Elisabeth Elliot (Passion and Purity: Learning to Bring Your Love Life Under Christ's Control)
“
Whereas we can say something sensible and polite to any stranger, it is only in the presence of the lover we wholeheartedly believe in that can we date to be extravagantly and boundlessly unreasonable.
”
”
Alain de Botton (The Course of Love)
“
I feel strangely free at such times. To behave properly is to be always courteous, always clever, and subtle and elegant. But now, when I am so alone, I do not have to be any of these things.
For this moment, I am wholly myself, unshaped by the needs of others, by their dreams or expectations or sensibilities.
But I am also lonely. With no one to shape me, who stands here, watching the moon, or the stars, or the clouds?
”
”
Kij Johnson (The Fox Woman (Love/War/Death, #1))
“
Don't expect me to be sane anymore. Don't let's be sensible. It was a marriage at Louveciennes—you can't dispute it. I came away with pieces of you sticking to me; I am walking about, swimming, in an ocean of blood, your Andalusian blood, distilled and poisonous... I can't see how I can go on living away from you—these intermissions are death. How did it seem to you when Hugo came back? Was I still there? I can't picture you moving about with him as you did with me. Legs closed. Frailty. Sweet, treacherous acquiescence. Bird docility. You became a woman with me. I was almost terrified by it. You are not just thirty years old—you are a thousand years old.
Here I am back and still smouldering with passion, like wine smoking. Not a passion any longer for flesh, but a complete hunger for you, a devouring hunger.
”
”
Henry Miller (A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953)
“
If you wish information and improvement from the knowledge of others, and yet at the same time express yourself as firmly fix'd in your present opinions, modest, sensible men, who do not love disputation, will probably leave you undisturbed in the possession of your error.
”
”
Benjamin Franklin (The Autobiography of Benjamin Franklin)
“
Jane. You’ve got to see this!” His voice was full of the honey-baked accent of old Virginia money.
As Blue staggered up the hill, telescope on her shoulder, she mentally tested the danger level: Am I in love with him yet?
Gansey galloped down the hill to snatch he telescope from her.
“This isn’t that heavy,” he told her, and strode back the way he’d come.
She did not think she was in love with him. She hadn’t been in love before, but she was still pretty sure she’d be able to tell. Earlier in the year, she had had a vision of kissing him, and she could still picture that quite easily. But the sensible part of Blue, which was usually the only part of her, thought that had more to do with Richard Campbell Gansey III having a nice mouth than with any blossoming romance.
Anyway, if fate thought it would tell her who to fall for, fate had another thing coming.
Gansey added, “I would’ve thought you had more muscles. Don’t feminists have big muscles?”
Decidedly not in love with him.
“Smiling when you say that doesn’t make it funny,” Blue said.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
I cannot, I cannot,' cried Marianne; 'leave me, leave me, if I distress you; leave me, hate me, forget me! But do not torture me so. Oh! how easy for those who have no sorrow of their own to talk of extertion!
”
”
Jane Austen (Sense and Sensibility)
“
It was told to me, it was in a manner forced on me by the very person herself whose prior engagement ruined all my prospects, and told me, as I thought, with triumph. This person's suspicions, therefore, I have had to oppose by endeavouring to appear indifferent where I have been most deeply interested; and it has not been only once; I have had her hopes and exultations to listen to again and again. I have known myself to be divided from Edward forever, without hearing one circumstance that could make me less desire the connection. Nothing has proved him unworthy; nor has anything declared him indifferent to me. I have had to content against the unkindness of his sister and the insolence of his mother, and have suffered the punishment of an attachment without enjoying its advantages. And all this has been going on at the time when, as you too well know, it has not been my only unhappiness. If you can think me capable of ever feeling, surely you may suppose that I have suffered now.
”
”
Jane Austen (Sense and Sensibility)
“
You are in a melancholy humour, and fancy that any one unlike yourself must be happy. But remember that the pain of parting from friends will be felt by every body at times, whatever be their education or state. Know your own happiness. You want nothing but patience — or give it a more fascinating name, call it hope.
”
”
Jane Austen (Sense and Sensibility)
“
She thought she was a sensible girl. But some kind of love had taken hold of her and refused to let her go, and it wasn't a happy, easy, joyful thing, it had her in a vice-like grip.
”
”
Harriet Evans (A Hopeless Romantic)
“
The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
He hath not eat paper, as it were; he hath not
drunk ink; his intellect is not replenished; he is
only an animal, only sensible in the duller parts.
(Shakespeare, Love's Labor's Lost, IV)
”
”
William Shakespeare (Love's Labour's Lost)
“
We are obliged to love one another. We are not strictly bound to 'like' one another. Love governs the will: 'liking' is a matter of sense and sensibility. Nevertheless, if we really love others it will not be too hard to like them also.
If we wait for some people to become agreeable or attractive before we begin to love them, we will never begin. If we are content to give them a cold impersonal 'charity' that is merely a matter of obligation, we will not trouble to understand them or to sympathize with them at all. And in that case we will not really love them, because love implies an efficacious will not only to do good to others exteriorly but also to find some good in them to which we can respond.
”
”
Thomas Merton (No Man Is an Island)
“
It frightens me that I can't do anything sensible about it."
"Are you scared that you'll wind up with a boring job where you have to see the same people every day and drink instant coffee?"
"I'm more scared that I'll forget the feeling I have now."
"Kind of like how you forgot how it feels to be three years old."
"That surely I'll wind up thinking I was so young, I didn't really understand everything. It bothers me that I know I will be wrong.
”
”
Gunnar Ardelius (I Need You More Than I Love You and I Love You to Bits)
“
Make sure that when you touch the other person, all your five senses are working, because sex has a life of its own. The moment you begin, you’re no longer in control; it takes control of you. And whatever you bring to it, your fears, your desires, your sensibility will remain. That’s why people become impotent. When you have sex, take with you to bed only love and your senses, all five of them. Only then will you experience communion with God.
”
”
Paulo Coelho
“
Thank you, Mom, for the way you managed yourself during the childish, mean, selfish, insensitive, irresponsible, unreasonable, hateful moments I put you through. From your example I learned to be patient, positive, kind, selfless, sympathetic, reliable, sensible, and loving. You have my endless appreciation.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
Through an experience that simultaneously involved my sensibility and intelligence, I realized early on that the imaginative life, however morbid it might seem, is the one that suits temperaments like mine. The fictions of my imagination (as it later developed) may weary me, but they don't hurt or humiliate. Impossible lovers can't cheat on us, or smile at us falsely, or be calculating in their caresses. They never forsake us, and they don't die or disappear.
--The book of Disquiet
”
”
Fernando Pessoa
“
The trick of it, she told herself, is to be courageous and bold and make a different. Not change the world exactly, just the bit around you. Go out there with your double-first, your passion and your new Smith Carona electric typewriter and work hard at ... something. Change lives through art maybe. Write beautifully. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved if at all possible. East sensibly. Stuff like that.
”
”
David Nicholls (One Day)
“
Had I no eyes but ears, my ears would love. That inward beauty and invisible;
Or were I deaf, thy outward parts would move each part in me that were but sensible: Though neither eyes nor ears, to hear nor see, yet should I be in love by touching thee.
'Say, that the sense of feeling were bereft me, and that I could not see, nor hear, nor touch, and nothing but the very smell were left me, yet would my love to thee be still as much; for from the stillitory of thy face excelling comes breath perfum'd that breedeth love by smelling.
”
”
William Shakespeare (Venus and Adonis)
“
As Marcus considered various ways to open the subject of Daisy, Swift surprised him with a blunt statement. “My lord, there is something I would like to discuss with you.”
Marcus adopted a pleasantly encouraging expression. “Very well.”
“It turns out that Miss Bowman and I have reached an…understanding. After considering the logical advantages on both sides, I have made a sensible and pragmatic decision that we should—”
“How long have you been in love with her?” Marcus interrupted, inwardly amused.
Swift let out a tense sigh. “Years,” he admitted.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
We are but skin about a wind, with muscles clenched against mortality. We sleep in a long reproachful dust against ourselves. We are full to the gorge with our own names for misery. Life, the pastures in which the night feeds and prunes the cud that nourishes us to despair. Life, the permission to know death. We were created that the earth might be made sensible of her inhuman taste; and love that the body might be so dear that even the earth should roar with it. Yes, we who are full to the gorge with misery should look well around, doubting everything seen, done, spoken, precisely because we have a word for it, and not its alchemy.
”
”
Djuna Barnes (Nightwood)
“
The language itself, whether you speak it or not, whether you love it or hate it, is like some bewitchment or seduction from the past, drifting across the country down the centuries, subtly affecting the nations sensibilities even when its meaning is forgotten.
”
”
Jan Morris (Wales: The First Place)
“
Cats don’t have dark sides. That’s all a shadow is—and though you might be prejudiced against the dark, you ought to remember that that’s where stars live, and the moon and raccoons and owls and fireflies and mushrooms and cats and enchantments and a rather lot of good, necessary things. Thieving, too, and conspiracies, sneaking, secrets, and desire so strong you might faint dead away with the punch of it. But your light side isn’t a perfectly pretty picture, either, I promise you. You couldn’t dream without the dark. You couldn’t rest. You couldn’t even meet a lover on a balcony by moonlight. And what would the world be worth without that? You need your dark side, because without it, you’re half gone. Cats, on the other hand, have a more sensible setup. We just have the one side, and it’s mostly the sneaking and sleeping side anyway. So the other Iago and I feel very companionable toward each other. Whereas I expect my drowsy mistress Above would loathe this version of herself, who is kind and quiet and lonely and rather dear, all the things the original is not. My love stands for both. This one pets me more; that one let me pounce on anything I wanted.
”
”
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
“
There was no sense to life, to the structure of things. D.H. Lawrence had known that. You needed love, but not the kind of love most people used and were used up by. Old D.H. had known something. His buddy Huxley was just an intellectual fidget, but what a marvelous one. Better than G.B. Shaw with that hard keel of a mind always scraping bottom, his labored wit finally only a task, a burden on himself, preventing him from really feeling anything, his brilliant speech finally a bore, scraping the mind and the sensibilities. It was good to read them all though. It made you realize that thoughts and words could be fascinating, if finally useless.
”
”
Charles Bukowski (Ham on Rye)
“
Without patience or negotiation, there is bitterness: anger that has forgotten where it came from. There is a nagger who wants it done now and can’t be bothered to explain why. And there is a naggee who no longer has the heart to explain that his or her resistance is grounded in some sensible counter-arguments or, alternatively, in some touching and perhaps even forgivable flaws of character.
The two parties just hope the problem – so boring to them both – will simply go away.
”
”
Alain de Botton (The Course of Love)
“
I was only going to say that heaven did not seem to be my home; and I broke my heart with weeping to come back to earth; and the angels were so angry that they flung my out into the middle of the heath on the top of Wuthering Heights; where I woke sobbing for joy. That will do to explain my secret, as well as the other. I've no more business to marry Edgar Linton than I have to be in heaven; and if the wicked man in there had not brought Heathcliff so low, I shouldn't have thought of it. It would degrade me to marry Heathcliff now; so he shall never know how I love him: and that, not because he's handsome, but because he's more myself than I am. What ever our souls are made of, his and mine are the same; and Linton's is as different as a moonbeam from lightning, or frost from fire.'
Ere this speech ended, I became sensible of Heathcliff's presence. Having noticed a slight movement, I turned my head, and saw him rise from the bench, and steal out noiselessly. He had listened till he heard Catherine say it would degrade her to marry him, and then he stayed to hear no further.
”
”
Emily Brontë (Wuthering Heights)
“
Don't expect me to be sane anymore. Don't let's be sensible. It was a marriage at Louveciennes - you can't dispute it. I came away with pieces of you sticking to me; I am walking about, swimming, in an ocean of blood, your Andalusian blood, distilled and poisonous. Everything I do and say and think relates back to the marriage. I saw you as the mistress of your home, a Moor with a heavy face, a negress with a white body, eyes all over your skin, woman, woman, woman. I can't see how I can go on living away from you. [...] You became a woman with me. I was almost terrified by it. You are not just thirty years old - you are a thousand years old. [...]
Anaïs, I only thought I loved you before; it was nothing like this certainty that's in me now. Was all this so wonderful only because it was brief and stolen? Were we acting for each other, to each other? Was I less I, or more I, and you less or more you? Is it madness to believe that this could go on? When and where would the drab moments begin?
”
”
Henry Miller
“
Because to love someone ridiculous is to understand something deep and true about the world. That up close it makes no sense. Those of you who choose sensible people may feel secure, but I think you water your wine; the wonder of life is in its small absurdities, so easily overlooked. And if you have not shared somebody’s tilted view of the horizon (which is the actual world), tell me: what have you really seen?
”
”
Andrew Sean Greer (Less Is Lost (Arthur Less #2))
“
Colonel Brandon was now as happy, as all those who best loved him, believed he deserved to be;—in Marianne he was consoled for every past affliction;—her regard and her society restored his mind to animation, and his spirits to cheerfulness; and that Marianne found her own happiness in forming his, was equally the persuasion and delight of each observing friend. Marianne could never love by halves; and her whole heart became, in time, as much devoted to her husband, as it had once been to Willoughby.
”
”
Jane Austen (Sense and Sensibility)
“
If you will thank me," he replied, "let it be for yourself alone. That the wish of giving happiness to you might add force to the other inducements which led me on, I shall not attempt to deny. But your family owe me nothing. Much as I respect them, I believe I thought only of you."
Elizabeth was too much embarrassed to say a word. After a short pause, her companion added, "You are too generous to trifle with me. If your feelings are still what they were last April, tell me so at once. My affections and wishes are unchanged; but one word from you will silence me on this subject for ever."
Elizabeth, feeling all the more than common awkwardness and anxiety of his situation, now forced herself to speak; and immediately, though not very fluently, gave him to understand that her sentiments had undergone so material a change since the period to which he alluded, as to make her receive with gratitude and pleasure his present assurances.The happiness which this reply produced was such as he had probably never felt before, and he expressed himself on the occasion as sensibly and as warmly as a man violently in love can be supposed to do.
”
”
Jane Austen (Pride and Prejudice)
“
You cannot predict how another person is going to behave in a relationship. You can risk-assess, you can be cautious, you can make sensible decisions about who you choose to trust and invite into your life and heart. But you can’t manage the untruly variables of another living, breathing human. To choose to love is to take a risk. Always. That’s why it’s called falling – no one meanders-with-a-compass-and-Ordnance-Survey-map into love.
”
”
Dolly Alderton (Everything I Know About Love)
“
That distinctive singular stamp of himself is one of the main reasons readers come to love an author. The way you can just tell, often within a couple paragraphs, that something is by Dickens, or Chekhov, or Woolf, or Salinger, or Coetzee, or Ozick. The quality’s almost impossible to describe or account for straight out — it mostly presents as a vibe, a kind of perfume of sensibility — and critics’ attempts to reduce it to questions of “style” are almost universally lame.
”
”
David Foster Wallace (Consider the Lobster and Other Essays)
“
I’m on a side of a road somewhere, stuck in the middle of a very deep hole, with no way of getting out. Never mind how I got in there, it’s not relevant to the story. I’ll invent a back-story… I was walking to get pizza and a chasm opened up in the earth and I fell in, and now I’m at the bottom of this hole, screaming for help. And along comes you. Now, maybe you just keep walking. You know, there’s a strange guy screaming from the center of the Earth. It’s perhaps best to just ignore him. But let’s say that you don’t. Let’s say that you stop. The sensible thing to do in this situation is to call down to me and say “I’m going to look for a ladder. I will be right back.” But you don’t do that. Instead you sit down at the edge of this abyss, and then you push yourself forward, and jump. And when you land at the bottom of the hole and dust yourself off, I’m like “What the hell are you doing?! Now there are two of us in this hole!” And you look at me and say, “Well yeah, but now I’m highly motivated to get you out.” This is what I love about novels, both reading them and writing them. They jump into the abyss to be with you where you are
”
”
John Green
“
Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in."
"Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one.
“Hummingbird,” he whispered, “you don’t have to be nervous with me.”
Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“whatever that is.”
“My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base.
“When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him . . . I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle.
“Yes, love?”
"I would think,” she continued,” ‘Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Live no longer to the expectation of these deceived and deceiving people with whom we converse. Say to them, O father, O mother, O wife, O brother, O friend, I have lived with you after appearances hitherto. Henceforward I am the truth's. Be it known unto you that henceforward I obey no law less than the eternal law. I will have no covenants but proximities. I shall endeavor to nourish my parents, to nourish my family, to be the chaste husband of one wife, - but these relations I must fill after a new and unprecedented way. I appeal from your customs. I must be myself. I cannot break myself any longer for you, or you. If you can love me for what I am, we shall be the happier. If you cannot, I will still seek to deserve that you should. I will not hide my tastes or aversions. I will so trust that what is deep is holy, that I will strongly believe before the sun and moon whatever inly rejoices me, and the heart appoints. If you are noble, I will love you; if you are not, I will not hurt you and myself by hypocritical attentions. If you are true, but not in the same truth with me, cleave to your companions; I will seek my own. I do this not selfishly, but humbly and truly. It is alike your interest, and mine, and all men's, however long we have dwelt in lies, to live in truth. Does this sound harsh to-day? You will soon love what is dictated by your nature as well as mine, and, if we follow the truth, it will bring us out safe at last. --- But so you may give these friends pain. Yes, but I cannot sell my liberty and my power, to save their sensibility.
”
”
Ralph Waldo Emerson
“
In one way we think a great deal too much of the atomic bomb. ‘How are we to live in an atomic age?’ I am tempted to reply: Why, as you would have lived in the sixteenth century when the plague visited London almost every year, or as you would have lived in a Viking age when raiders from Scandinavia might land and cut your throat any night; or indeed, as you are already living in an age of cancer, an age of syphilis, an age of paralysis, an age of air raids, an age of railway accidents, an age of motor accidents.’
In other words, do not let us begin by exaggerating the novelty of our situation. Believe me, dear sir or madam, you and all whom you love were already sentenced to death before the atomic bomb was invented: and quite a high percentage of us were going to die in unpleasant ways.
We had, indeed, one very great advantage over our ancestors—anesthetics; but we have that still. It is perfectly ridiculous to go about whimpering and drawing long faces because the scientists have added one more chance of painful and premature death to a world which already bristled with such chances… and in which death itself was not a chance at all, but a certainty.
This is the first point to be made: and the first action to be taken is to pull ourselves together. If we are all going to be destroyed by an atomic bomb, let that bomb when it comes find us doing sensible and human things—praying, working, teaching, reading, listening to music, bathing the children, playing tennis, chatting to our friends over a pint and a game of darts—not huddled together like frightened sheep and thinking about bombs. They may break our bodies (a microbe can do that) but they need not dominate our minds.
”
”
C.S. Lewis
“
Falling in love is magical, after all, romantic, breathtaking … but falling in love and love are different. Aren’t they? Don’t they have to be? Good grief, no one could cope with being newly infatuated, year after year. When you’re infatuated you can’t think about anything else, you forget about your friends, your work, your lunch. If we were infatuated all the time we’d starve to death. And being in love means being infatuated … from time to time. You have to be sensible. The problem is that everything is relative, happiness is based on expectations, and we have the Internet now. A whole world constantly asking us: ‘But is your life as perfect as this? Well? How about now? Is it as perfect as this? If it isn’t, change it!
”
”
Fredrik Backman (Anxious People)
“
Murtagh was right about women. Sassenach, I risked my life for ye, committing theft, arson, assault, and murder into the bargain. In return for which ye call me names, insult my manhood, kick me in the ballocks and claw my face. Then I beat you half to death and tell ye all the most humiliating things have ever happened to me, and you say ye love me.” He laid his head on his knees and laughed some more. Finally he rose and held out a hand to me, wiping his eyes with the other.
"You're no verra sensible, Sassenach, but I like ye fine. Let's go.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
(Golden Globe acceptance speech in the style of Jane Austen's letters):
"Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport.
P.S. Managed to avoid the hoyden Emily Tomkins who has purloined my creation and added things of her own. Nefarious creature."
"With gratitude and apologies to Miss Austen, thank you.
”
”
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
“
The secret killer of innovation is shame. You can’t measure it, but it is there. Every time someone holds back on a new idea, fails to give their manager much needed feedback, and is afraid to speak up in front of a client you can be sure shame played a part. That deep fear we all have of being wrong, of being belittled and of feeling less than, is what stops us taking the very risks required to move our companies forward. If you want a culture of creativity and innovation, where sensible risks are embraced on both a market and individual level, start by developing the ability of managers to cultivate an openness to vulnerability in their teams. And this, paradoxically perhaps, requires first that they are vulnerable themselves. This notion that the leader needs to be “in charge” and to “know all the answers” is both dated and destructive. Its impact on others is the sense that they know less, and that they are less than. A recipe for risk aversion if ever I have heard it. Shame becomes fear. Fear leads to risk aversion. Risk aversion kills innovation.
”
”
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
“
And so we know the satisfaction of hate. We know the sweet joy of revenge. How it feels good to get even. Oh, that was a nice idea Jesus had. That was a pretty notion, but you can't love people who do evil. It's neither sensible or practical. It's not wise to the world to love people who do such terrible wrong. There is no way on earth we can love our enemies. They'll only do wickedness and hatefulness again. And worse, they'll think they can get away with this wickedness and evil, because they'll think we're weak and afraid. What would the world come to?
But I want to say to you here on this hot July morning in Holt, what if Jesus wasn't kidding? What if he wasn't talking about some never-never land? What if he really did mean what he said two thousand years ago? What if he was thoroughly wise to the world and knew firsthand cruelty and wickedness and evil and hate? Knew it all so well from personal firsthand experience? And what if in spite of all that he knew, he still said love your enemies? Turn your cheek. Pray for those who misuse you. What if he meant every word of what he said? What then would the world come to?
And what if we tried it? What if we said to our enemies: We are the most powerful nation on earth. We can destroy you. We can kill your children. We can make ruins of your cities and villages and when we're finished you won't even know how to look for the places where they used to be. We have the power to take away your water and to scorch your earth, to rob you of the very fundamentals of life. We can change the actual day into actual night. We can do these things to you. And more.
But what if we say, Listen: Instead of any of these, we are going to give willingly and generously to you. We are going to spend the great American national treasure and the will and the human lives that we would have spent on destruction, and instead we are going to turn them all toward creation. We'll mend your roads and highways, expand your schools, modernize your wells and water supplies, save your ancient artifacts and art and culture, preserve your temples and mosques. In fact, we are going to love you. And again we say, no matter what has gone before, no matter what you've done: We are going to love you. We have set our hearts to it. We will treat you like brothers and sisters. We are going to turn our collective national cheek and present it to be stricken a second time, if need be, and offer it to you. Listen, we--
But then he was abruptly halted.
”
”
Kent Haruf (Benediction (Plainsong, #3))
“
But love, first learnèd in a lady's eyes,
Lives not alone immurèd in the brain,
But, with the motion of all elements,
Courses as swift as thought in every power,
And gives to every power a double power,
Above their functions and their offices.
It adds a precious seeing to the eye;
A lover's eyes will gaze an eagle blind;
A lover's ears will hear the lowest sound,
When the suspicious head of theft is stopped:
Love's feeling is more soft and sensible
Than are the tender horns of cockled snails:
Love's tongue proves dainty Baccus gross in taste.
For valour, is not love a Hercules,
Still climbing trees in the Hesperides?
Subtle as Sphinx; as sweet and musical
As bright Apollo's lute, strung with his hair;
And when Love speaks, the voice of all the gods
Makes heaven drowsy with the harmony.
Never durst poet touch a pen to write
Until his ink were tempered with Love's sighs.
”
”
William Shakespeare (Love's Labour's Lost)
“
It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she just began to move in,—glittering like the morning-star, full of life, and splendor, and joy. Oh! what a revolution! and what a heart must I have, to contemplate without emotion that elevation and that fall! Little did I dream that, when she added titles of veneration to those of enthusiastic, distant, respectful love, that she should ever be obliged to carry the sharp antidote against disgrace concealed in that bosom; little did I dream that I should have lived to see such disasters fallen upon her in a nation of gallant men, in a nation of men of honour and of cavaliers. I thought ten thousand swords must have leaped from their scabbards to avenge even a look that threatened her with insult.—But the age of chivalry is gone.—That of sophisters, economists, and calculators, has succeeded; and the glory of Europe is extinguished forever. Never, never more shall we behold that generous loyalty to rank and sex, that proud submission, that dignified obedience, that subordination of the heart which kept alive, even in servitude itself, the spirit of an exalted freedom. The unbought grace of life, the cheap defence of nations, the nurse of manly sentiment and heroic enterprise, is gone! It is gone, that sensibility of principle, that chastity of honour which felt a stain like a wound, which inspired courage whilst it mitigated ferocity, which ennobled whatever it touched, and under which vice itself lost half its evil by losing all its grossness.
”
”
Edmund Burke (Reflections on the Revolution in France)
“
Actually, what does man live for?”
“To think about it. Any other question?”
“Yes. Why does he die just when he has done that and has become a bit more sensible?” “Some people die without having become more sensible.”
“Don’t evade my question. And don’t start talking about the transmigration of souls.”
“I’ll ask you something else first. Lions kill antelopes; spiders flies; foxes chickens; which is the only race in the world that wars on itself uninterruptedly, fighting and killing one another?”
“Those are questions for children. The crown of creation, of course, the human being— who invented the words love, kindness, and mercy.” “Good. And who is the only being in Nature that is capable of committing suicide and does it?” “Again the human being— who invented eternity, God, and resurrection.”
“Excellent,” Ravic said. “You see of how many contradictions we consist. And you want to know why we die?
”
”
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
“
Miss Bingley was very deeply mortified by Darcy's marriage; but as she thought it advisable to retain the right of visiting at Pemberley, she dropt all her resentment; was fonder than ever of Georgiana, almost as attentive to Darcy as heretofore, and paid off every arrear of civility to Elizabeth.
Pemberley was now Georgiana's home; and the attachment of the sisters was exactly what Darcy had hoped to see. They were able to love each other, even as well as they intended. Georgiana had the highest opinion in the world of Elizabeth; though at first she often listened with an astonishment bordering on alarm at her lively, sportive manner of talking to her brother. He, who had always inspired in herself a respect which almost overcame her affection, she now saw the object of open pleasantry. Her mind received knowledge which had never before fallen in her way. By Elizabeth's instructions she began to comprehend that a woman may take liberties with her husband which a brother will not always allow in a sister more than ten years younger than himself.
Lady Catherine was extremely indignant on the marriage of her nephew; and as she gave way to all the genuine frankness of her character, in her reply to the letter which announced its arrangement, she sent him language so very abusive, especially of Elizabeth, that for some time all intercourse was at an end. But at length, by Elizabeth's persuasion, he was prevailed on to overlook the offence, and seek a reconciliation; and, after a little farther resistance on the part of his aunt, her resentment gave way, either to her affection for him, or her curiosity to see how his wife conducted herself: and she condescended to wait on them at Pemberley, in spite of that pollution which its woods had received, not merely from the presence of such a mistress, but the visits of her uncle and aunt from the city.
With the Gardiners they were always on the most intimate terms. Darcy, as well as Elizabeth, really loved them; and they were both ever sensible of the warmest gratitude towards the persons who, by bringing her into Derbyshire, had been the means of uniting them.
”
”
Jane Austen (Pride and Prejudice)
“
Last night I thought I kissed
the loneliness from out your belly button.
I thought I did, but later you sat up,
all bones and restless hands, and told me
there is a knot in your body that I cannot undo.
I never know what to say to these things.
“It’s okay.” “Come back to bed.”
“Please don’t go away again.”
Sometimes you are gone for days at a time
and it is all I can do not to call the police,
file a missing person’s report, even though
you are right there, still sleeping next to me
in bed. But your eyes are like an empty house
in winter: lights left on to scare away intruders.
Except in this case I am the intruder and you
are already locked up so tight that no one
could possibly jimmy their way in.
Last night I thought I gave you a reason
not to be so sad when I held your body like
a high note and we both trembled from the effort.
Some people, though, are sad against all reason,
all sensibility, all love. I know better now.
I know what to say to the things you admit to me
in the dark, all bones and restless hands.
“It’s okay.” “You can stay in bed.”
“Please come back to me again.
”
”
Donna-Marie Riley
“
The world upsets, disappoints, frustrates and hurts us in countless ways at every turn. It delays us, rejects our creative endeavours, overlooks us for promotions, rewards idiots and smashes our ambitions on its bleak, relentless shores. And almost invariably, we can’t complain about any of it. It’s too difficult to tease out who may really be to blame; and too dangerous to complain even when we know for certain (lest we be fired or laughed at). There is only one person to whom we can expose our catalogue of grievances, one person who can be the recipient of all our accumulated rage at the injustices and imperfections of our lives. It is of course the height of absurdity to blame them. But this is to misunderstand the rules under which love operates. It is because we cannot scream at the forces who are really responsible that we get angry with those we are sure will best tolerate us for blaming them. We take it out on the very nicest, most sympathetic, most loyal people in the vicinity, the ones least likely to have harmed us, but the ones most likely to stick around while we pitilessly rant at them. The accusations we direct at our lovers make no particular sense. We would utter such unfair things to no one else on earth. But our wild charges are a peculiar proof of intimacy and trust, a symptom of love itself – and, in their own way, a perverted manifestation of commitment. Whereas we can say something sensible and polite to any stranger, it is only in the presence of the lover we wholeheartedly believe in that we can dare to be extravagantly and boundlessly unreasonable. A
”
”
Alain de Botton (The Course of Love)
“
The idea of humanity becomes more and more of a power in the civilized world, and, owing to the expansion and increasing speed of means of communication, and also owing to the influence, still more material than moral, of civilization upon barbarous peoples, this idea of humanity begins to take hold even of the minds of uncivilized nations. This idea is the invisible power of our century, with which the present powers — the States — must reckon. They cannot submit to it of their own free will because such submission on their part would be equivalent to suicide, since the triumph of humanity can be realized only through the destruction of the States. But the States can no longer deny this idea nor openly rebel against it, for having now grown too strong, it may finally destroy them.
In the face of this fainful alternative there remains only one way out: and that is hypocrisy. The States pay their outward respects to this idea of humanity; they speak and apparently act only in the name of it, but they violate it every day. This, however, should not be held against the States. They cannot act otherwise, their position having become such that they can hold their own only by lying. Diplomacy has no other mission.
Therefore what do we see? Every time a State wants to declare war upon another State, it starts off by launching a manifesto addressed not only to its own subjects but to the whole world. In this manifesto it declares that right and justice are on its side, and it endeavors to prove that it is actuated only by love of peace and humanity and that, imbued with generous and peaceful sentiments, it suffered for a long time in silence until the mounting iniquity of its enemy forced it to bare its sword. At the same time it vows that, disdainful of all material conquest and not seeking any increase in territory, it will put and end to this war as soon as justice is reestablished. And its antagonist answers with a similar manifesto, in which naturally right, justice, humanity, and all the generous sentiments are to be found respectively on its side.
Those mutually opposed manifestos are written with the same eloquence, they breathe the same virtuous indignation, and one is just as sincere as the other; that is to say both of them are equally brazen in their lies, and it is only fools who are deceived by them. Sensible persons, all those who have had some political experience, do not even take the trouble of reading such manifestos. On the contrary, they seek ways to uncover the interests driving both adversaries into this war, and to weigh the respective power of each of them in order to guess the outcome of the struggle. Which only goes to prove that moral issues are not at stake in such wars.
”
”
Mikhail Bakunin
“
What are you saying?”
“I want to try.”
He wanted clarification on that. “You want to try what?”
There it was, that deep flush. “You know.”
Yes, he knew, but he wasn’t going to let her off the hook so easily. She was going to be his. For a brief time, she would belong to him and he would have everything he wanted, and he wanted her to start talking dirty. Yes. He wanted to teach her, to train her to accept pleasure so she would expect it. “No, I don’t know. You’ll have to be plain.”
Avery blushed a little. “I want to be intimate with you.”
So sweet. So polite. So not happening. “That sounds like you want me to get into my pajamas and exchange secrets with you. I’m not your girlfriend, Avery. Tell me what you want. That’s lesson number one. Communication and honesty are the keys to the relationship I want. I need to hear you say plainly what you want.”
She hesitated, but only for a moment. He wasn’t surprised. Deep in her heart, she was a brave girl. She’d faced so much and still was open with her heart. Damn, but he didn’t understand that. “I would like for us to sleep together.”
“I’m not very sleepy.” He wasn’t going to let her get away with anything.
She groaned a little in obvious frustration. “You know that’s not what I’m talking about.”
“Yes. I do. So say what you want.”
“I want to have sex.”
“So clinical. I’ll have to think about that.”
“I want to make love.”
“Sweet, but not what I’m looking for.”
Her face crinkled into the cutest pout. “Damn it, Lee. I want to fuck.”
Just like that he was primed and ready. She’d said fuck with such a sweet little heat, her eyebrows forming a V over her face as though the entire incident had offended her polite sensibilities. She would learn there wasn’t room for politeness between them.
He growled just a little. “I want to fuck, too, baby. I want to fuck all night long.
”
”
Lexi Blake (A Dom is Forever (Masters and Mercenaries, #3))
“
The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.
”
”
Margaret Atwood (Morning In The Burned House: Poems)