Cheap Carpet Quotes

We've searched our database for all the quotes and captions related to Cheap Carpet. Here they are! All 17 of them:

The room stank of semen and smoke and sweat and whiskey, of old carpet and sour hay, saddle leather, shit and cheap soap.
Annie Proulx (Brokeback Mountain)
But, if you've decided to go out on a limb and kill one, for goodness' sake, be prepared. We all read, with dismay, the sad story of a good woman wronged in south Mississippi who took that option and made a complete mess of the entire thing. See, first she shot him. Well, she saw right off the bat that that was a mistake because then she had this enormous dead body to deal with. He was every bit as much trouble to her dead as he ever had been alive, and was getting more so all the time. So then, she made another snap decision to cut him up in pieces and dispose of him a hunk at a time. More poor planning. First, she didn't have the proper carving utensils on hand and hacking him up proved to be just a major chore, plus it made just this colossal mess on her off-white shag living room carpet. It's getting to be like the Cat in the Hat now, only Thing Two ain't showing up to help with the clean-up. She finally gets him into portable-size portions, and wouldn't you know it? Cheap trash bags. Can anything else possible go wrong for this poor woman? So, the lesson here is obvious--for want of a small chain saw, a roll of Visqueen and some genuine Hefty bags, she is in Parchman Penitentiary today instead of New Orleans, where she'd planned to go with her new boyfriend. Preparation is everything.
Jill Conner Browne (The Sweet Potato Queens' Book of Love: A Fallen Southern Belle's Look at Love, Life, Men, Marriage, and Being Prepared)
We live in a world in which the only utopian visions arrive in commercial breaks: magical visions of an impossibly hospitable world, peopled by bright-eyed attractive men, women, children...Where nobody dies...Where all it takes is cheap, easily available product -- a packet of salted peanuts or a new type of carpet cleaner -- to bring immediate, undiluted joy.
Neil Gaiman (Signal to Noise)
Harriet had been saved by her refusal to drink cheap whisky and her determination not to go without it. Or, as she liked to describe it, by her high standards and a steadfast refusal to compromise.
Justin Lee Anderson (Carpet Diem)
The snow would just melt, the green Ukrainian grass would grow again and weave its carpet over the earth . . . The gorgeous sunrises would come again . . . The air would shimmer with heat above the fields and no more traces of blood would remain. Blood is cheap on those red fields and no one would redeem it.
Mikhail Bulgakov (The White Guard)
How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment. Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
Claire Robson (Love in Good Time: A Memoir)
the building. The Regency Hotel was shaped like a wedge and the bingo hall was at the thin end. Connor climbed up the steps to the bingo hall and peered in through the porthole windows of the main entrance. Inside the place was as dark as could be, but when he tugged the door handle, it gave way. Surprised, Connor looked back over his shoulder before he risked anything further. There were a couple of seafront workers heading down the hill, but they seemed more than willing to ignore him. Connor walked into the darkness, and pulled the door shut behind him. He found himself in a dark lobby which stank of cheap carpet cleaner and cigarette smoke. Connor held his breath and walked through another set of double doors. As he pushed the doors, keys jangled on the other
Solomon Carter (The Final Trick (The Final Trick, #1))
rough, cheap carpet, a lesson in physics and friction. I couldn’t tell how many shooters were left inside the
James Patterson (Manhunt (Michael Bennett, #10.5))
looked more like one of those co-working hangouts that urban hipsters liked than an actual police station. It had annoyed the boys and girls in blue who had taken pride in their moldy, crumbling bunker with its flickering fluorescent lights and carpet stained from decades of criminals. Their annoyance at the bright paint and slick new office furniture was the only thing I didn’t hate about it. The Knockemout PD did their best to rediscover their roots, piling precious towers of case folders on top of adjustable-height bamboo desks and brewing too cheap, too strong coffee 24/7. There was a box of stale donuts open on the counter and powdered sugar fingerprints everywhere. But so far nothing had taken the shine off the newness of the fucking Knox Morgan Building. Sergeant Grave Hopper was behind his desk stirring half a pound of sugar into his coffee. A reformed motorcycle club member, he now spent his weeknights coaching his daughter’s softball team and his weekends mowing lawns. His and his mother-in-law’s. But once a year, he’d pack up his wife on the back of his bike, and off they’d go to relive their glory days on the open road. He spotted me and my guest and nearly upended the entire mug all over himself. “What’s goin’ on, Knox?” Grave asked, now
Lucy Score (Things We Never Got Over (Knockemout, #1))
cheap, pea-green carpet looming up at him all
Joe DeRouen (Small Things)
Your source for cheap, basic PCs could be mainstream businesses, which discard perfectly useful but outdated IT systems and phone systems (not to mention office furniture, carpets, and curtains) all the time.
Marcus Gibson (Bootstrapping Your Business: Start and Grow a Successful Company with Almost No Money)
The place was as dim as a church. Roller coasters of tarnished brass and swelling seas of en­ crusted red velvet spread out in pe ersions of opu­ lence before him. Gold thread traced rococo patterns in the purple felt walls. The theater's logo - a cupid with a clutch of arrows in one hand and a severed head in the other - was sewn in embossed pink at regular intervals across the walls and carpets. Vicious, greasy teenagers prowled the lobby, pumped up on cheap violence, gore, and clinically depicted scenes of sexual denigration and mutilation. They loitered, coiled like springs anticipating release. They'd later spill out into the primordial chaos of the streets in an orgy of drive-bys, carjackings, murders and rapes, unleashed on the world like a marauding legion of rampaging demons escaped from a sewage hole lead­ ing up from hell, squirting hot hormonal juice out their pores, laboring and defiling the polluted night, Los Angeles laying there with its legs spread wide with tinsel tangled in its hair, bleeding from its gash like a freshly gang-raped transvestite weeping on the piss-soaked concrete floor of the L.A. County Jail.
Michael Gira (The Consumer)
Tile and Grout Cleaning Richardson TX (972) 454-9815 We have a Cheap Tile Cleaning service that brightens your floor and gives your home a clean look if you've been putting off cleaning your tiles because of the cost. Carpet cleaning in Richardson, Texas, doesn't just clean carpets. We cover everything when it comes to cleaning your home, from your ducts and vents to your tile and grout.
Tile and Grout Cleaning Richardson TX
…Most of the merchants sold sham papier-mâché, cheap walnut carvings, machine-spun shawls, and Persian carpets made in Kidderminster. “That is your fault,” said Profit David. “By your own greed you tourists have debased the very things you want.” Sophie did not like “you tourists.” “I am not a tourist,” she said with asperity. “You are a different kind of tourist, “ said Profit David in a voice of honey and oil. “You at least, lady sahib, are prepared to pay genuine prices for genuine things.” That sounded so expensive that it silenced even Sophie The whole summer was expensive. She bought a desk, trays, a shawl, and a lamp from Profit David; and she could not resist those merchant boats.
Rumer Godden (Kingfishers Catch Fire)
I can’t move. My shoes stick to the thin, cheap carpet in my bedroom. The smell of death invades my nose like an enemy, and my heart trills in my chest, hammering a rapid beat. My breath wheezes from my throat, and my head spins. I grasp for consciousness, searching for the words that calmed me moments ago. Moments before a bullet split our world right down the middle. I mumble the final lines of “Harlem,” even though I’m the only one listening, and I reach the same conclusion Hughes does. So here in these streets, in my neighborhood, what happens to a dream deferred? It explodes.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
Retirement homes are never lovely places. The food is usually overcooked, the carpet stained from overactive bowels, and the smell of hand lotion, cheap perfume, and urine never really leaves the place, no matter how many times the beds are washed and the walls are scrubbed. They are a place of holding, a purgatory to the not-yet-dead.
Jennifer Arnett (It's Always Sunny at the Golden Palms: A Short Story)
Married officers with a family often bought a place, often near their first service base or near some other location they imagined was going to be central to their lives, like West Point. They bought the place and usually left it empty while they lived overseas. The point was to have an anchor, somewhere identifiable they knew they would come back to when it was all over. Or somewhere their families could live if the overseas posting was unsuitable, or if their children’s education demanded consistency. Reacher’s parents had not taken that route. They had never bought a place. Reacher had never lived in a house. Grim service bungalows and army bunkhouses were where he had lived, and since then, cheap motels. And he was pretty sure he never wanted anything different. He was pretty sure he didn’t want to live in a house. The desire just passed him by. The necessary involvement intimidated him. It was a physical weight, exactly like the suitcase in his hand. The bills, the property taxes, the insurance, the warranties, the repairs, the maintenance, the decisions, new roof or new stove, carpeting or rugs, the budgets. The yard work. He stepped over and looked out of the window at the lawn. Yard work summed up the whole futile procedure. First you spend a lot of time and money making the grass grow, just so you can spend a lot of time and money cutting it down again a little while later. You curse about it getting too long, and then you worry about it staying too short and you sprinkle expensive water on it all summer, and expensive chemicals all fall.
Lee Child (Tripwire (Jack Reacher, #3))