Sensible Good Morning Quotes

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Some mornings, she’d wake and vow, Today, I will get it right. I won’t be such an awful mess of a girl. I won’t lose my temper or make unkind remarks. I won’t go too far with a joke and feel the room go quiet with disapproval. I’ll be good and kind and sensible and patient. The sort everyone loves. But by evening, her good intentions would have unraveled. She’d say the wrong thing or talk a little too loudly. She’d take a dare she shouldn’t, just to be noticed. Perhaps Mabel was right, and she was selfish. But what was the point of living so quietly you made no noise at all? “Oh, Evie, you’re too much,” people said, and it wasn’t complimentary. Yes, she was too much. She felt like too much inside all the time. So why wasn’t she ever enough?
Libba Bray (The Diviners (The Diviners, #1))
And so we know the satisfaction of hate. We know the sweet joy of revenge. How it feels good to get even. Oh, that was a nice idea Jesus had. That was a pretty notion, but you can't love people who do evil. It's neither sensible or practical. It's not wise to the world to love people who do such terrible wrong. There is no way on earth we can love our enemies. They'll only do wickedness and hatefulness again. And worse, they'll think they can get away with this wickedness and evil, because they'll think we're weak and afraid. What would the world come to? But I want to say to you here on this hot July morning in Holt, what if Jesus wasn't kidding? What if he wasn't talking about some never-never land? What if he really did mean what he said two thousand years ago? What if he was thoroughly wise to the world and knew firsthand cruelty and wickedness and evil and hate? Knew it all so well from personal firsthand experience? And what if in spite of all that he knew, he still said love your enemies? Turn your cheek. Pray for those who misuse you. What if he meant every word of what he said? What then would the world come to? And what if we tried it? What if we said to our enemies: We are the most powerful nation on earth. We can destroy you. We can kill your children. We can make ruins of your cities and villages and when we're finished you won't even know how to look for the places where they used to be. We have the power to take away your water and to scorch your earth, to rob you of the very fundamentals of life. We can change the actual day into actual night. We can do these things to you. And more. But what if we say, Listen: Instead of any of these, we are going to give willingly and generously to you. We are going to spend the great American national treasure and the will and the human lives that we would have spent on destruction, and instead we are going to turn them all toward creation. We'll mend your roads and highways, expand your schools, modernize your wells and water supplies, save your ancient artifacts and art and culture, preserve your temples and mosques. In fact, we are going to love you. And again we say, no matter what has gone before, no matter what you've done: We are going to love you. We have set our hearts to it. We will treat you like brothers and sisters. We are going to turn our collective national cheek and present it to be stricken a second time, if need be, and offer it to you. Listen, we-- But then he was abruptly halted.
Kent Haruf (Benediction (Plainsong, #3))
She eyed his gorgeous body, and raised a brow. “Doing a little flaunting of your own this morning, huh?” “In deference to your delicate sensibilities, I pulled on jeans. Isn’t that enough?” Enough for what, her peace of mind? Ha. Being around Trace, especially with him like this, half-naked, sent her heart racing like a marathon runner’s. “Maybe it would be,” Priss admitted, “if you don’t look so good.” The compliment sent his right eyebrow arching high. “Oh, come on, Trace. You know what you look like.” She visually devoured him again, more blatantly this time, and noticed a rise behind the fly of his jeans. For her? Well-well-well. Flattering.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)
481 I went into the barbershop as usual, with the pleasant sensation of entering a familiar place, easily and naturally. New things are distressing to my sensibility; I’m at ease only in places where I’ve already been. After I’d sat down in the chair, I happened to ask the young barber, occupied in fastening a clean, cool cloth around my neck, about his older colleague from the chair to the right, a spry fellow who had been sick. I didn’t ask this because I felt obliged to ask something; it was the place and my memory that sparked the question. ‘He passed away yesterday,’ flatly answered the barber’s voice behind me and the linen cloth as his fingers withdrew from the final tuck of the cloth in between my shirt collar and my neck. The whole of my irrational good mood abruptly died, like the eternally missing barber from the adjacent chair. A chill swept over all my thoughts. I said nothing. Nostalgia! I even feel it for people and things that were nothing to me, because time’s fleeing is for me an anguish, and life’s mystery is a torture. Faces I habitually see on my habitual streets – if I stop seeing them I become sad. And they were nothing to me, except perhaps the symbol of all of life. The nondescript old man with dirty gaiters who often crossed my path at nine-thirty in the morning… The crippled seller of lottery tickets who would pester me in vain… The round and ruddy old man smoking a cigar at the door of the tobacco shop… The pale tobacco shop owner… What has happened to them all, who because I regularly saw them were a part of my life? Tomorrow I too will vanish from the Rua da Prata, the Rua dos Douradores, the Rua dos Fanqueiros. Tomorrow I too – I this soul that feels and thinks, this universe I am for myself – yes, tomorrow I too will be the one who no longer walks these streets, whom others will vaguely evoke with a ‘What’s become of him?’. And everything I’ve done, everything I’ve felt and everything I’ve lived will amount merely to one less passer-by on the everyday streets of some city or other.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
Dolly Alderton (Good Material)
The disease I have is loving him. They don’t write articles about it or send camera crews to follow us. The disease I have is called codependency, or sometimes enabling, and it isn’t really a disease, though it can feel like one. It’s more like an ill-defined set of tendencies and behaviors, and depending on how badly it’s flaring, it can manifest as a lot of different things—a disorder, a nuisance, an encumbrance, a curse, or sometimes merely a sensibility, a preference, a cast of mind.
Nina Renata Aron (Good Morning, Destroyer of Men's Souls: A Memoir of Women, Addiction, and Love)
I do not need a ring. I tried marriage before, as many know. Let me state here that Tom Dennis was a good, decent man who treated me gently and, when I asked, he let me go. I do believe he loved me. But my fiancé was no easy roommate, leaving glasses on wood tables (wood tables, dear reader!) and dropping socks and candy wrappers whenever they ceased being of immediate use; he became like those beachgoers who assume their litter will go out with the tide. I should have known from this that my relationship was in some trouble. But I knew all couples had these fights, and I assumed they were not a detour from love but its bumpy path. So imagine my surprise when (Tom Dennis far in the rearview mirror) I moved into the Shack with Less and this new roommate began to exhibit the same tendencies—socks on the floor, underwear behind the bathroom door, unwashed plates—and, reader, I didn’t care at all! I remember making the bed and finding underneath his pillow a mushroom-like profusion of tissues (for his morning nose-blow) and being filled with…not rage, but tenderness! With Tom Dennis, it was a chore I was willing to bear. With Less—I did not care at all. I stared at those tissues, stupefied. I did not care at all. The difference, you see, dear reader, is that I love him. How do I put it? He is not the best, God knows. He is not the best. But he is the best I ever had. Because to love someone ridiculous is to understand something deep and true about the world. That up close it makes no sense. Those of you who choose sensible people may feel secure, but I think you water your wine; the wonder of life is in its small absurdities, so easily overlooked. And if you have not shared somebody’s tilted view of the horizon (which is the actual world), tell me: what have you really seen?
Andrew Sean Greer (Less Is Lost (Arthur Less #2))
His life at the Society was not uninteresting. It was methodical, habitual, but that was a consequence of life in any collective. Self-interest was more exciting—sleeping through the afternoon one day, climbing Olympus to threaten the gods the next— but it scared people, upset them. Tending to every whim made others unnecessarily combative, mistrustful. They preferred the reassurance of customs, little traditions, the more inconsequential the better. Breakfast in the morning, supper at the sound of the gong. It soothed them, normality. Everyone wanted most desperately to be unafraid and numb. Humans were mostly sensible animals. They knew the dangers of erratic behavior. It was a chronic condition, survival. “My intentions are the same as anyone’s,” said Callum after a few moments. “Stand taller. Think smarter. Be better.” “Better than what?” Callum shrugged. “Anyone. Everyone. Does it matter?” He glanced at Tristan over his glass and registered a vibration of malcontent. “Ah,” Callum said. “You’d prefer me to lie to you.” Tristan bristled. “I don’t want you to lie—” “No, you want my truths to be different, which you know they won’t be. The more of my true intentions you know, the guiltier you feel. That’s good, you know,” Callum assured him. “You want so terribly to disassociate, but the truth is you feel more than anyone in this house.” “More?” Tristan echoed doubtfully, recoiling from the prospect. “More,” Callum confirmed. “At higher volumes. At broader spectrums.
Olivie Blake (The Atlas Six (The Atlas, #1))
doesn’t help that Charlotte’s younger than you are, and she’s a damn pretty girl,” Alex said sensibly. “Yes, she is.” Sasha sighed. It was too late to catch a flight that night, but she switched their flight to an earlier one the next morning, and they left the hotel at eight o’clock, and were back in New York at one. She wanted to kiss the ground. “Well, that’s over with,” she said, as they got into a cab at the airport. “We don’t have to see them again till the wedding. Are you ready to back out yet?” she asked him, and he laughed. “Of course not. Just don’t ever leave me alone with your mother. She scares me to death.” “Don’t worry, I won’t. I promise. Don’t leave me alone with her either.” He agreed. They went back to the apartment to drop off their things, and everyone was out, even Morgan, who had hardly left the house recently. Sasha hoped it was a good sign. —
Danielle Steel (The Apartment)
Leaving the Connecticut River March 8, 1704 Temperature 40 degrees They marched until the captives could not take another step. Eben dragged Eliza half the way and Sarah dragged her the rest. Mercy and Joseph took turns hauling Ruth. That night they slept like rocks, and in the morning Mercy understood why bears spent the whole winter sleeping. It sounded good to Mercy. Perhaps it sounded good to the Indians too, because they did not leave camp. Instead, they built two fires, gathering an enormous woodpile. Joseph was stripped of his English clothes. Too torn and filthy to bother with, they were tossed into the woods. He was given a long deerskin shirt and leggings that hung from thigh to ankle, held up by cords strung to a belt. Then came coat, hat and mittens, all Indian. How dark Joseph’s hair was. How tan his skin. Joseph looked like a young brave. In a moment, the Indians did the same with Eben, whose coloring was very English, ruddy cheeks and straw-yellow hair. He did not look at all Indian, but in deerskin, he looked tough and strong and much older. The girls were nervous. They did not want their clothes stripped off their bodies, no matter how torn and filthy. But Eben’s Indian, Thorakwaneken, hoisted a flintlock musket and looked questioningly at each girl. Mercy could not imagine what he was asking of her. Eliza did not notice him or the gun. And Ruth was the last person to whom a sensible Indian would hand a weapon. Sarah, however, nodded. “I’m a good shot.” She took the musket from Thorakwaneken. Food was such a problem that even Joseph and Eben would be armed and sent forth to hunt. The girls would stay by the fire with enough wood to last for days, and Sarah to fend off wolves.
Caroline B. Cooney (The Ransom of Mercy Carter)
The current spirit of our country inclines us to be troubled. It’s a sensible temptation. How can any one person or small group of people make a difference? How can we change and renew things so that our children grow up in a better world? We come back to a question suggested at the start of this book: How can we live in joy, and serve the common good as leaven, in a culture that no longer shares what we believe? The answer to that question springs from a simple historical fact: On a quiet Sunday morning two thousand years ago, God raised Jesus of Nazareth from the dead. This small moment, unseen by any human eye, turned the world upside down and changed history forever. It confirmed Jesus’ victory over death and evil. It liberated those living and dead who lay in bondage to their sins. An anonymous ancient homily for Holy Saturday, speaking in the voice of Jesus Christ, reminds us of the full import of his resurrection: I am your God, who for your sake [has] become your son. Out of love for you and for your descendants, I now by my own authority command all who are held in bondage to come forth, all who are in darkness to be enlightened, all who are sleeping to arise. I order you, O sleeper, to awake. I did not create you to be held a prisoner in hell. Rise from the dead, for I am the life of the dead. Rise up, work of my hands, you who were created in my image. Rise, let us leave this place, for you are in me and I am in you; together we form only one person and we cannot be separated. Jesus rose from the dead so that we could be joined to him and his victory. Believers know that Jesus was not only victorious then, in Jerusalem. He’ll also come in royal glory at the end of time, when he will judge the living and the dead. At Christ’s second coming, his kingdom will fully arrive. His reign will be complete. The time in which we find ourselves is an interim one. We may struggle as we seek to follow Jesus, but we also remember the great victories of our King: the victory in the past and the victory certain to come. And those victories give us hope. Hope
Charles J. Chaput (Strangers in a Strange Land: Living the Catholic Faith in a Post-Christian World)
Cards on the table, girls? Karl has served a sentence at Exeter prison for assault; Antony for theft. Karl was merely sticking up for a friend, you understand, and – hand on heart – would do the same again. His friend was being picked on in a bar and he hates bullying. Me, I am struggling with the paradox – bullying versus assault, and do we really lock people up for minor altercations? – but the girls seem fascinated, and in their sweet and liberal naivety are saying that loyalty is a good thing and they had a bloke from prison who came into their school once and told them how he had completely turned his life around after serving time over drugs. Covered in tattoos, he was. Covered. ‘Wow. Jail. So what was that really like?’ It is at this point I consider my role. Privately I am picturing Anna’s mother toasting her bottom by her Aga, worrying with her husband if their little girl will be all right, and he is telling her not to fuss so. They are growing up fast. Sensible girls. They will be fine, love. And I am thinking that they are not fine at all. For Karl is now thinking that the safest thing for the girls would be to have someone who knows London well chaperoning them during their visit. Karl and Antony are going to stay with friends in Vauxhall and fancy a big night to celebrate their release. How about they meet the girls after the theatre and try the club together? This is when I decide that I need to phone the girls’ parents. They have named their hamlet. Anna lives on a farm. It’s not rocket science. I can phone the post office or local pub; how many farms can there be? But now Anna isn’t sure at all. No. They should probably have an early night so they can hit the shops tomorrow morning. They have this plan, see, to go to Liberty’s first thing because Sarah is determined to try on something by Stella McCartney and get a picture on her phone. Good girl, I am thinking. Sensible girl. Spare me the intervention, Anna. But there is a complication, for Sarah seems suddenly to have taken a shine to Antony. There is a second trip to the buffet and they swap seats on their return – Anna now sitting with Karl and Sarah with Antony, who is telling her about his regrets at stuffing up his life. He only turned to crime out of desperation, he says, because he couldn’t get a job. Couldn’t support his son. Son? It sweeps over me, then. The shadow from the thatched canopy of my chocolate-box life –
Teresa Driscoll (I Am Watching You)
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morphogenicfieldtechnique
Time stilled. The constant need to spin stilled. Yash watched the scene before him, the power of what he was witnessing overtook his body. Every bit of helplessness that had been dragging at him stilled. He'd been obsessively practicing the pranayama India had taught him every morning and meditating through the surya namaskar. He'd become addicted to the escape of centering his mind and body as one. That's how this felt, this letting go, this being fully immersed in something out of his control. It felt good. Like someone had sliced the ropes tying him up with the sharpest blade. One flick, the cut clean and quick. He was unbound.
Sonali Dev (Incense and Sensibility (The Rajes, #3))
I was smiling sunnily as I took up the receiver. Not much good, of course, as she couldn't see me, but it's the spirit that counts. 'Hullo, aged relative.' 'Hullo to you, you young blot. Are you sober?' I felt a natural resentment at being considered capable of falling under the influence of the sauce at ten in the morning, but I reminded myself that aunts will be aunts. Show me an aunt, I've often said, and I will show you someone who doesn't give a hoot how much her obiter dicta may wound a nephew's sensibilities.
P.G. Wodehouse (Jeeves and the Tie That Binds (Jeeves, #14))