“
Mercy laughed. “You have to excuse them—boys suffer from an incurable disability.”
“What?”
“Testosterone.
”
”
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
“
Ronan didn't sound very interested, but that was part of the Ronan Lynch brand. It was impossible to tell how deep his disinterest truly was.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
There will be other lives.
There will be other lives for nervous boys with sweaty palms, for bittersweet fumblings in the backseats of cars, for caps and gowns in royal blue and crimson, for mothers clasping pretty pearl necklaces around daughters' unlined necks, for your full name read aloud in an auditorium, for brand-new suitcases transporting you to strange new people in strange new lands.
And there will be other lives for unpaid debts, for one-night stands, for Prague and Paris, for painful shoes with pointy toes, for indecision and revisions.
And there will be other lives for fathers walking daughters down aisles.
And there will be other lives for sweet babies with skin like milk.
And there will be other lives for a man you don't recognize, for a face in a mirror that is no longer yours, for the funerals of intimates, for shrinking, for teeth that fall out, for hair on your chin, for forgetting everything. Everything.
Oh, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human's life is a beautiful mess.
”
”
Gabrielle Zevin (Elsewhere)
“
Chauncey seethed at the outrageous insult. "And your father?" he demanded, extending the sword. He didn't yet know all his vassals, but he was learning. He would brand the family name of this boy to memory.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
Hey, pal," Matthew whispered. He was the only person who could get away with calling Ronan pal. Matthew Lynch was a bear of a boy, square and solid and earnest. His head was covered with soft, golden curls completely unlike any of his other family members. And in his case, the perfect Lynch teeth were framed by an easy, dimpled smile. He had two brands of smile: the one that was preceded by a shy dip of his chin, a dimple, and then BAM, smile. And the one that teased for a moment before BAM, an infectious laugh. Females of all ages called him adorable. Males of all ages called him buddy. Matthew failed at many more things than either of his older brothers, but unlike Declan or Ronan, he always tried his hardest.
Ronan had dreamt one thousand nightmares about something happening to him.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
I'm dreaming of sleeping next to you and feeling like a lost little boy in a brand new town
I'm counting my sheep and each one that passes is another dream to ashes
And they all fall down.
- Sleeping to Dream
”
”
Jason Mraz
“
I thought guys were complicated. Maybe they are. But maybe they're easy and it's really me who's complicated.
”
”
Robin Brande (Fat Cat)
“
My mate Karl once told me he’d been looking after this five-year-old boy who – not knowing enough to have an ironic inflection to his words – said, ‘I want something.’ He didn’t know what it was. Not ‘I want sweets’, or ‘a can of Coke’, or ‘to watch the Tweenies’, or whatever it is they’re into now (I like Bagpuss), but ‘I want something.’ All of us, I think, have that feeling. And what heroin does when you first start taking it is tell you what that something is.
”
”
Russell Brand (My Booky Wook)
“
Hello, Harry, dear. I suppose you’ve heard our exciting news?” She pointed to the brand-new silver badge on Percy’s chest. “Second Head Boy in the family!” she said, swelling with pride. “And last,” Fred muttered under his breath. “I don’t doubt that,” said Mrs. Weasley, frowning suddenly. “I notice they haven’t made you two prefects.” “What do we want to be prefects for?” said George, looking revolted at the very idea. “It’d take all the fun out of life.” Ginny giggled. “You want to set a better example for your sister!” snapped Mrs. Weasley.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
I was studying the football in my hands, running my fingers over the pigskin, across the letters of the brand name printed on the side.This elongated spheriod that didn't even weigh a whole pound. I was choosing this ridiculous ball of leather in my hands over my own flesh and blood. I was putting myself, my girlfriend, my scholarship--I was putting everything before this little boy that i loved more than anything in this world.
-Will
”
”
Colleen Hoover (Slammed (Slammed, #1))
“
Brand said, fiercely, in a breaking voice, "You're my boy. You can do anything. Anything.
”
”
K.D. Edwards (The Hanged Man (The Tarot Sequence, #2))
“
You want it, boy?" He pulled his prick out of his jeans.
"God, yes. That's why I'm here."
"Good." He left his jeans open, left his prick hard and pushing out. "Come on. Shower."
"Turn around." He wanted to see it. Griff went a deep red, but the man turned to show the weird, stylized whip branded into one ass cheek. Groaning, Brian reached out and touched it, traced it with his fingers. He'd done that. He'd marked his boy.
"You still clean?" Brian kept rubbing his prick back and forth across Griff's hole.
"I am. I couldn't... I couldn't get it up with anyone else."
"Good." He grabbed the shampoo and poured it over his fingers.
"Was not. You fucked me up"
"We fucked each other up." He was not in this alone.
He couldn't wait to be inside Griff again. His wild, desperate baby boy. His fingers traced the brand on Griff's ass. His. All fucking his. Marked permanently. And Griff had let him do it. The man knew it was true.
”
”
Sean Michael (Breaking Cover)
“
Girls get their boobs and forget they were ever so gutsy and smart. Boys, too, can display their own brand of clever and funny behavior, but let them get that first erection and they go complete moron for the next sixty years. For both genders, adolescence occurs as a kind of Ice Age of Dumbness.
”
”
Chuck Palahniuk (Damned (Damned #1))
“
Oh, I know you,” Sophie said through a sigh. “I’ll just never stop hoping you’ll decide to play things smart for once.” “See, but ‘smart’ really isn’t my brand. I’m more ‘reckless dream guy without a care’! It’s part of my whole ‘bad boy’ image.” He tossed his hair.
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
When I was a boy in the midwest I used to go out and look at the stars at night and wonder about them.
I guess every boy does that.
When I wasn't looking at the stars, I was running in the my old or my brand-new tennis shoes, on my way to swing in a tree, swim in a lake, or delve in the town library to read about dinosaurs or time machines.
I guess every boy has done that, too.
This is a book about those stars and those tennis shoes. Mainly about the stars, beacuse that is the way I grew up, getting more and more involved with rockets and space as I moved toward my twelfth, thirteenth, and fourteenth years.
Not that I have forgotten the tennis shoes and their powerful magic, as you will see in the last story here, which I have included not because it concerns the future, but because it gives you some sort of idea of the kind of boy I was when I was looking at the stars and thinking of the years ahead.
Nor have I forgetten the dinosaurs that all boys love; they are here, too, along with a machine that travels back in time to step on a butterfly.
This is a book then by a boy who grew up in a small illinois town and lived to see the space age arrive, as he hoped and dreamt it would.
I dedicate these stories to all boys who wonder about the past, run swiftly in the present, and have high hopes for our future.
The stars are yours, if you have the head, the hands, and the heart for them.
”
”
Ray Bradbury
“
I belong here, I tell Toy. I'm hungry for every city block. Every brick building. Every crowded intersection. Electric. I feel brand new.
”
”
Erica Lorraine Scheidt (Uses for Boys)
“
memories were tricky things…they weren’t stable. they changed with perception over time. …they shifted, and [she] understood how the passage of time affected them. the hard working striver might recall his childhood as one filled with misery and hardship marred by the cat calls and mae calling of playground bullies, but later, have a much more forgiving understanding of past injustices. the handmade clothes he had been forced to wear, became a testament to his mother’s love. each patch and stitch a sign of her diligence, instead of a brand of poverty. he would remember father staying up late to help him with his homework – the old old man’s patience and dedication, instead of the sharpness of his temper when he returned home – late- from the factory. it went the other way as well.
[she] had scanned thousands of memories of spurned women, whose handsome lovers turned ugly and rude. roman noses, perhaps too pointed. eyes growing small and mean. while the oridnary looking boys who had become their husbands, grew in attractiveness as the years passed, so that when asked if it was love at first site, the women cheerfully answered yes. memories were moving pictures in which meaning was constantly in flux. they were stories people told themselves.
”
”
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
“
I had always heard your entire life flashes in front of your eyes the second before you die. First of all, that one second isn't a second at all, it stretches on forever, like an ocean of time... For me, it was lying on my back at Boy Scout camp, watching falling stars... And yellow leaves, from the maple trees, that lined our street... Or my grandmother's hands, and the way her skin seemed like paper... And the first time I saw my cousin Tony's brand new Firebird... And Janie... And Janie... And... Carolyn. I guess I could be pretty pissed off about what happened to me... but it's hard to stay mad, when there's so much beauty in the world. Sometimes I feel like I'm seeing it all at once, and it's too much, my heart fills up like a balloon that's about to burst... And then I remember to relax, and stop trying to hold on to it, and then it flows through me like rain and I can't feel anything but gratitude for every single moment of my stupid little life... You have no idea what I'm talking about, I'm sure. But don't worry... you will someday.
”
”
Alan Ball
“
I never would have believed I could kiss a boy that way. I thought there were only two types of kissing: the passionate, rip your clothes off kind, and the dry, chaste peck you gave an elderly person because it was expected. But there was another kind of kiss. The kind that sealed a moment in a time capsule, forever: a small moment that branded my soul.
”
”
Vikki Wakefield (Friday Never Leaving)
“
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?"
"It's a terrific bore."
"I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean."
"Well, I don't exactly hate it. You always have to--"
"Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--"
"Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting.
"Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--"
"I don't know what you're even talking about," old Sally said. "You jump from one--"
"You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically."
"You're sweet," she said. But you could tell she wanted me to change the damn subject.
"You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--"
"Now, listen," old Sally said. "Lots of boys get more out of school that that."
"I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape."
"You certainly are.
”
”
J.D. Salinger (The Catcher in the Rye)
“
There was a particular brand of humor employed by twelve- and thirteen-year-old girls, especially when they weren’t in the presence of boys: it was at once disgusting and innocent, bawdy and naive. When it wasn’t being used for ill—when no one was its target—this type of humor delighted Louise. From the wall, she watched them quietly, fondly, recalling what it was like to be in this moment of life that was like a breath before speech, a last sweet pause before some great unveiling.
”
”
Liz Moore (The God of the Woods)
“
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
”
”
Herman Melville
“
Jessica peeked into the bathroom, then hurried back to report. "They got that boy stripped mother naked and they're scrubbing him with your brand-new loofah."
I winced. Thirty-seven ninety-nine at The Body Shop, kaput.
”
”
MaryJanice Davidson (Undead and Unwed (Undead, #1))
“
The pride Kaspar had seen in his father’s eyes, despite the admonishing words about foolish acts, had branded the boy for life. 'Never be afraid.' He knew that no matter what, any choice must be made fearlessly, or else all would be lost.
”
”
Raymond E. Feist (Exile's Return (Conclave of Shadows, #3))
“
He had dreamt about a dark-haired foreign boy. This boy held the key to the undoing of their demise. He had carried his curse for too long. Time was short, the alignment was coming. The vivid dream had spoken to him about Florence. As the sun overshadowed the top of the open-air coliseum, the light briefly hit his three golden symbols. He would need to cover them before he was spotted. Glancing around, he found what he needed. He rolled through the mud until he was coated. On the outside, he was Celestial KittyCat — a black, scrappy, alley cat with a golden brand on his side. A brand of a sun, a star, and a moon all in alignment. On the inside, he was still Patrick, and his heart still yearned for CallaLyly. He scowled as he thought about the curse that was planted by a mystic from the Far East over two and a half centuries ago.
”
”
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
“
I got up to get us a drink of water and as I stood in the kitchen in the early morning light, running the water out of the tap, I looked out at the hills at the back of the town, at the trees on the hills, at the bushes in the garden, at the birds, at the brand new leaves on a branch, at a cat on a fence, at the bits of wood that made the fence, and I wondered if everything I saw, if maybe every landscape we casually glanced at, was the outcome of an ecstasy we didn't even know was happening, a love-act moving at a speed slow and steady enough for us to be deceived into thinking it was just everyday reality.
”
”
Ali Smith (Girl Meets Boy)
“
Like Jesus said, “The kingdom of heaven is within,” which seems, once and for all, to bust wide open the daft afterlife view of heaven as some kind of Lando Calrissian cloud kingdom that you can get into like Alton Towers if you acquire enough good-boy tokens.
”
”
Russell Brand (Revolution)
“
The New York Times, baffled by Delaware’s obstinacy, tried to argue the state into change in an 1867 editorial. If it had previously existed in [the convicted person’s] bosom a spark of self-respect this exposure to public shame utterly extinguishes it. Without the hope that springs eternal in the human breast, without some desire to reform and become a good citizen, and the feeling that such a thing is possible, no criminal can ever return to honorable courses. The boy of eighteen who is whipped at New Castle [a Delaware whipping post] for larceny is in nine cases out of ten ruined. With his self-respect destroyed and the taunt and sneer of public disgrace branded upon his forehead, he feels himself lost and abandoned by his fellows. —QUOTED IN ROBERT GRAHAM CALDWELL, Red Hannah: Delaware’s Whipping Post
”
”
Jon Ronson (So You've Been Publicly Shamed)
“
Memphis cupped her cheek in his hand and put his mouth on hers. Theta had never been kissed the way Memphis was kissing her now. There had been fumbling boys thrumming with nervous want. There had been theater owners, older “uncles” who pawed at her when she walked past or who wanted to “inspect” her costume to make sure it was decent down to the undergarments, men she granted the occasional kiss in order to stave off something worse. And there was Roy, of course. Beautiful, cruel Roy, whose kisses were declaratory, as if he needed to conquer Theta, to brand her with his mouth. Those men had never really seen Theta. But Memphis’s kiss was nothing like theirs. It was passionate, yet tender. A mutual agreement of desire. It was a kiss shared. He was kissing her. He was with her.
”
”
Libba Bray (The Diviners (The Diviners, #1))
“
And yet, for some reason, the particular brand of torture that comes with being near Jeremy Montgomery, is one I welcome willingly. Seeking it out. Craving it like it’s just another flask, filled to the brim with liquid fire I can asphyxiate on. Blaze my insides. Burn it all into ash. It’s fucked up on so many levels.
”
”
Jessie Walker (Every Breath After: Part One (Lost Boys, #3))
“
Won’t wash,” he said, very quietly. “Because of these. This is how they mark you, Slightman. This is your brand. You tell yourself you did it for your boy because it gets you to sleep at night. I tell myself that what I did to Jake I did so as not to lose my chance at the Tower . . . and that gets me to sleep at night. The difference between us, the only difference, is that I never took a pair of spectacles.” He wiped his hand on his pants. “You sold out, Slightman. And you have forgotten the face of your father.
”
”
Stephen King (Wolves of the Calla (The Dark Tower, #5))
“
Ronan didn’t sound very interested, but that was part of the Ronan Lynch brand. It was impossible to tell how deep his disinterest truly was.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
“
A man is never completely alone in this world. At the worst, he has the company of a boy, a youth, and by and by a grown man - the one he used to be.
”
”
Cesare Pavese (The Burning Brand: Diaries 1935-1950)
“
Totally.” Lisha beamed at Mercy. “I heard that you were, you know, a sentinel but I never thought I’d see you in action. The boys sometimes say that, like—” “You’re probably not as tough as the men,” Jen completed. “I’m so going to make them eat their words.” Mercy laughed. “You have to excuse them—boys suffer from an incurable disability.” “What?” “Testosterone.” Both girls cracked up.
”
”
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
“
I do not know how old I was when I learned to play chess. I could not have been older than eight, because I still have a chessboard on whose side my father inscribed, with a soldering iron, “Saša Hemon 1972.” I loved the board more than chess—it was one of the first things I owned. Its materiality was enchanting to me: the smell of burnt wood that lingered long after my father had branded it; the rattle of the thickly varnished pieces inside, the smacking sound they made when I put them down, the board’s hollow wooden echo. I can even recall the taste—the queen’s tip was pleasantly suckable; the pawns’ round heads, not unlike nipples, were sweet. The board is still at our place in Sarajevo, and, even if I haven’t played a game on it in decades, it is still my most cherished possession, providing incontrovertible evidence that there once lived a boy who used to be me.
”
”
Aleksandar Hemon (The Book of My Lives)
“
I mean, do you believe in God or what? “ “Not the name-brand God they serve here.” Tim said. “That old guy with the beard, granting wishes out of the clouds to whoever says the most rosaries. That’s bullshit. I believe in everything.
”
”
Chris Fuhrman (The Dangerous Lives of Altar Boys)
“
My boys and I find a corner booth and I play 'Can It Be All So Simple' because I'm feeling nostalgic for a very particular brand of Wu-Tang Clan, and this is it. One of those Wu songs that really isn't about anything other than the fact that none of us can be as we were when we were young. That a great deal of us have seen too much or heard too much or lived through too much to wrestle our innocence back from whatever cynicism or heartbreak has grown in its place.
”
”
Hanif Abdurraqib (A Little Devil in America: Notes in Praise of Black Performance)
“
What?” Damon shouted from inside the room.
We all stopped, looking at each other.
“It’s a boy?” he blurted out. “Are you sure?”
We leaned in, and I folded my lips between my teeth to contain the laughter.
A baby cried, there was some shuffling, and then we heard Damon’s playful little growl. “Ugh, what am I going to do with you?”
“Damon!” Winter growled. “I’m going to kill you. You better love him. You do, right?”
There was a pause, and I met Alex’s wide eyes with my own.
Drama…
Damon and I ran the construction business together now, him building and me designing, so I’d gotten used to his…brand of humor.
Finally, he answered. “Y–yeah,” he stuttered, not sounding convincing. “Yeah, of course, baby. But like, are you sure there aren’t any more in there or something?”
“Damon!”
Will collapsed against the wall, shaking with laughter, and I shook my head, reaching over and taking the squirming Ivar out of Rika’s arms.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Well, can you put it on hold for an hour?’ Shelby said, sounding slightly frustrated. ‘The senior boys’ water polo practice starts in five minutes and I want to get good seats. It’s the highlight of my week and I’m not going to miss it just because Brand’s got her nose buried in machine code again.’
‘You go on, I’ll catch up,’ Laura said. ‘I don’t suppose that you’ve actually bothered to learn the rules of water polo yet though, have you?’
‘There are rules?’ Shelby grinned.
”
”
Mark Walden (The Overlord Protocol (H.I.V.E., #2))
“
Its my experience that girls tend to be terrifically smart until they grow breasts. You may dismiss this observation as my personal prejudice, based on my own tender age, but thirteen years seems to be when human beings reach their fullest flower of intelligence, personality, and pluck. Both girls and boys... Let girls get their menstruation or boys have their first wet dream, and they instantly forget their own brilliance and talent... Girls get their boobs and forget they were ever so gutsy and smart. Boys, too, can display their own brand of clever and funny behaviour, but let them get that first erection and they go complete moron for the next 60 years. For both genders, adolescence occurs as a kind of Ice Age of Dumbness.
”
”
Chuck Palahniuk (Damned (Damned, #1))
“
For a long time, it was one of these things where—I was really much younger than now—my whole "brand" both to the investors and to our board members was this crazy Russian boy-genius who comes out and sprinkles magic dust on technology and things just work.
”
”
Max Levchin
“
Not every girl has a bad-boy problem. Some of my friends get into relationships constantly. Others cheat all the time, or run away. Some get jealous. Some think they are too undateable to even try. Our dating pool is a circus of fuckups, misfits, and past mistakes that we keep on making. The brand of baggage you’re carrying on your back is the issue. But most of all, I think we fear the same thing. I think that thing is love. Real love. Think of your first love. Think of how Bambi-like you were, prancing around all excited and in love with everything. Then think of how that happiness was beaten to death with a hatchet, spit on, shit on, leaving you cold. If you watch something you care about get destroyed, you’re not going to want to go back to that place, no matter how pleasant it ever was.
”
”
Alida Nugent (Don't Worry, It Gets Worse: One Twentysomething's (Mostly Failed) Attempts at Adulthood)
“
Her eyes narrowed when no one bothered to introduce themselves. Even her father just gave a curt nod and kissed Mercy on the cheek before going to his mate. She looked at Bas. “Did you four gang up on Riley?”
Absolute silence in the kitchen except for her mother ’s exasperated breath. “Michael T. Smith, I told you to leave the boy alone.”
The “boy” held her tighter against him, obviously not the least bit worried. “I’m fine, Mrs. Smith. And I have a sister, too.”
Lia turned her gaze on Riley. “Good God, Mercy. You brought another one into the family?
”
”
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
“
As a boy I’d been afraid of the dark—or, more specifically, of monsters. I knew they only inhabited the world of movies, but sometimes in the dark it would occur to me that I, too, might be performing, all unwittingly, in a movie, perhaps even in the dread role of victim. There were two things movie victims never did, at least (alas) in my day: they never swore, and they never uttered brand names. Knowing this, I’d hit upon an ingenious way to keep my courage up. Whenever I was forced to brave the darkness, whether in the cellar or the attic or even my own room, I’d chant the magic words “Fuck” and “Pepsi-Cola” and I knew that I’d be safe.
”
”
T.E.D. Klein (Dark Forces: New Stories of Suspense and Supernatural Horror)
“
Lux had dared to put on a coat of the forbidden pink lipstick that tasted—so the boys on the roof told us—like strawberries. Woody Clabault’s sister had the same brand, and once, after we got into his parents’ liquor cabinet, we made him put on the lipstick and kiss each one of us so that we, too, would know what it tasted like.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
His counterpart at Chevy, a man named Bill Holler, had once gathered all of his regional salesmen around a brand-new model, opened the door, looked at them all long and solemnly, and then slammed the door as hard as he could. “Boys,” he announced, “I’ve just slammed the door on the best goddam car in the world”—and a huge cheer went up.
”
”
David Halberstam (The Reckoning)
“
Until Perry was five, the team of “Tex & Flo” continued to work the rodeo circuit. As a way of life, it wasn’t “any gallon of ice cream,” Perry once recalled: “Six of us riding in an old truck, sleeping in it, too, sometimes, living off mush and Hershey kisses and condensed milk. Hawks Brand condensed milk it was called, which is what weakened my kidneys—the sugar content—which is why I was always wetting the bed.” Yet it was not an unhappy existence, especially for a little boy proud of his parents, admiring of their showmanship and courage—a happier life, certainly, than what replaced it. For Tex and Flo, both forced by ailments to retire from their occupation, settled near Reno, Nevada.
”
”
Truman Capote (In Cold Blood)
“
neither of my boys were convinced, and they spent that spring either running after or running from an imaginary threat. If they collected eggs, they dropped them, or couldn’t resist throwing one at a tree. They couldn’t reach the feeders or carry the waterers. When I told them, “We are getting a new batch of baby chicks!” they barely reacted. On the other hand, Cecelia seemed to have benefited wildly from the chickens. After we moved them to the coop, she got a brand new floor in her bedroom, the nicest in our house. The chickens were raised in her baby-room while I was pregnant. They kept escaping from the brooder and no amount of scrubbing could clean her carpet. “Chicken” was her third word.
”
”
Alison E. Buehler (Growing the Good Life: Lessons in Parenting, Gardening, Health, and Meaningful Living)
“
Its my experience that girls tend to be terrifically smart until they grow breasts. You may dismiss this observation as my personal prejudice, based on my own tender age, but thirteen years seems to be when human beings reach their fullest flower of intelligence, personality, and pluck. Both girls and bots... Let girls get their menstruation or boys have their first wet dream, and they instantly forget their own brilliance and talent... Girls get their boobs and forget they were ever so gutsy and smart. Boys, too, can display their own brand of clever and funny behaviour, but let them get that first erection and they go complete moron for the next 60 years. For both genders, adolescence occurs as a kind of Ice Age of Dumbness.
”
”
Chuck Palahniuk (Damned (Damned, #1))
“
I know that afternoon was one of the best afternoons I will ever have. Not because it was my birthday, but because it was an end to one of the best adventures a brand new ten-year-old could ever have, and the beginning of a whole set of new adventures that I bet even Tintin never had! And it was all thanks to a boy who came and sat at the back of the class, and who let me be his friend.
”
”
Onjali Q. Raúf (The Boy At the Back of the Class)
“
It never ceased to amaze Shenk that it was his brand of lawyering that was considered banditry, scorned as “ambulance chasing,” when men like Riggs could blamelessly hitch their wagons to multibillion-dollar companies like Wellbridge, whose business model was highly sophisticated bloodsucking: collect and collect and collect, and only pay when forced; when squeezed; when pushed to the wall by the heroic likes of Jay Shenk.
”
”
Ben H. Winters (The Quiet Boy)
“
Homewrecker"
Every boyfriend is the one
Until otherwise proven
The good are never easy
The easy never good
And love it never happens like you think it really should
Deception and perfection are wonderful traits
One will breed love
The other hate
You'll find me in the lonely hearts
Under 'I'm after a brand new start'
And I don't belong to anyone
They call me Homewrecker
Homewrecker
They call me Homewrecker
Homewrecker
Girls and their curls and their gourmet vomit
Boys and their toys and their six inch rockets
We're all very lovely 'til we get to know each other
As we stop becoming friends and we start becoming lovers
And I don't belong to anyone
They call me Homewrecker
Homewrecker (I'm only happy when I'm on the run)
They call me Homewrecker
Homewrecker (I broke a million hearts just for fun)
They call me Homewrecker
Homewrecker (I'm only happy when I'm on the run)
They call me Homewrecker
Homewrecker (I broke a million hearts just for fun)
I'm only happy when I'm on the run
I break a million hearts just for fun
I don't belong to anyone
I guess you could say that my life's a mess
But I'm still looking pretty in this dress
I'm the image of deception
When everything is life and death
You may feel like there's nothing left
Instead of love and trust and laughter
What you get is happy never after
But deep down all you want is love
The pure kind we all dream of
But we cannot escape the past
So you and I will never last
'Cause I'm a Homewrecker
Homewrecker (I'm only happy when I'm on the run)
'Cause I'm a Homewrecker
Homewrecker (I broke a million hearts just for fun)
'Cause I'm a Homewrecker
Homewrecker (I'm only happy when I'm on the run)
'Cause I'm a Homewrecker
Homewrecker (I broke a million hearts just for fun)
'Cause I'm a Homewrecker
Homewrecker
”
”
Marina & The Diamonds
“
From Venice to Rome, Paris to Brussels, London to Edinburgh, the Ambassadors watched, long-eared and bright-eyed.
Charles of Spain, Holy Roman Emperor, fending off Islam at Prague and Lutherism in Germany and forcing recoil from the long, sticky fingers at the Vatican, cast a considering glance at heretic England.
Henry, new King of France, tenderly conscious of the Emperor's power and hostility, felt his way thoughtfully toward a small cabal between himself, the Venetians and the Pope, and wondered how to induce Charles to give up Savoy, how to evict England from Boulogne, and how best to serve his close friend and dear relative Scotland without throwing England into the arms or the lap of the Empire.
He observed Scotland, her baby Queen, her French and widowed Queen Mother, and her Governor Arran.
He observed England, ruled by the royal uncle Somerset for the boy King Edward, aged nine.
He watched with interest as the English dotingly pursued their most cherished policy: the marriage which should painlessly annex Scotland to England and end forever the long, dangerous romance between Scotland and England.
Pensively, France marshalled its fleet and set about cultivating the Netherlands, whose harbours might be kind to storm-driven galleys. The Emperor, fretted by Scottish piracy and less busy than he had been, watched the northern skies narrowly. Europe, poised delicately over a brand-new board, waiting for the opening gambit.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
See, but ‘smart’ really isn’t my brand. I’m more ‘reckless dream guy without a care’! It’s part of my whole ‘bad boy’ image.” He tossed his hair. “And don’t think I won’t tackle you to get my silver notebook back—I will.” “Okay,” Ro jumped in, before Sophie could respond. “Fun as it is to watch you two try to make each other’s heads explode, I had big plans for napping before some serious pranking this evening. So how about I settle this for you guys and you let me get my beauty rest?
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
Shirogane: "This is a brand-new show called 'Naze? Naze? Neeze!' " I'm Shirogane, the teacher of course.♥" " We're covering Arithmethic!" "Here we have Akira-kun and Kengo-kun, who will tackle the questions with us!"
Kengo: "Hello there!" ^_^
Akira: "I'm a high school student, by the way!" "Why do I have to do arithmethic?!"
Shirogane: "And here's my assistant, kokuchi!"
Kokuchi: "HISS!"
Akira: "HEY! I don't get why a kokuchi is here...Besides, does it even remotely understand our language."
Shirogane:"Here's the first question" "Akira-kun, what's three times four?"
Akira: "Twelve..."
Shirogane: "CORRECT!!!" "Wonderful Akira-kun! Fantastic Job!" "You're so smart. Can I call you genius from now on?"
Akira: "Only if you want a pencil shoved in your eye!" "Stop making fun of me right now!"
Shirogane: "Let's move on to the next question.♥
(Shirogane spinning)
Akira: "Why are you so hyper today?" "You're acting like a different person!"
Shirogane: "Kengo-kun what is 23 minus 15?"
Kengo: "Twe--"
Shirogane: "WRONG." " If you can't solve a simple problem like this, you don't even deserve to be considered human. You'd be better off dead. SO JUST DIE."
Kengo: "I made a small mistake! No need to walk all over me like that!!"
Shirogane: "Let me explain this problem so that stupid Kengo-kun can understand."
Kengo: "I...I am not stupid!"
Shirogane: "First, you have 23 kokuchi..." "...You take 15 from the 23..." "...AND KILL THEM"
(Shirogane killing the Kokuchi)
Kengo: "OMG, Akira! Can you stop him?!"
Akira: "Well...Why should I? I don't really care...I'm tired."
Kengo: "AKIRA!!"
(Shirogane covered in Kokuchi blood)
Shirogane: Now then! How many kokuchi do we have left now, Kengo-kun."
(Kokuchi shivers)
Kengo: "SO GROSS! EI--EIGHT! THE ANSWER IS EIGHT!"
Shirogane: "Yes you are correct! Well, the dumb boy finally understood the problem, and it's time for us to say goodbye!" "Take care and see you next week!"
(Akira sleeping)
Kengo: Not likely..."
Shirogane: "GOODBYE!
”
”
Kaili Sorano (Monochrome Factor 2)
“
Authority does not have to be a person or institution which says: you have to do this, or you are not allowed to do that. While this kind of authority may be called external authority, authority can appear as internal authority, under the name of duty, conscience, or super-ego. As a matter of fact, the development of modern thinking from Protestantism to Kant's philosophy, can be characterized as the substitution of internalized authority for an external one. With the political victories of the rising middle class, external authority lost prestige and man's own conscience assumed the place which external authority once had held. This change appeared to many as the victory of freedom. To submit to orders from the outside (at least in spiritual matters) appeared to be unworthy of a free man; but the conquest of his natural inclinations, and the establishment of the domination of one part of the individual, his nature, by another, his reason, will or conscience, seemed to be the very essence of freedom. Analysis shows that conscience rules with a harshness as great as external authorities, and furthermore that frequently the contents of the orders issued by man's conscience are ultimately not governed by demands of the individual self but by social demands which have assumed the dignity of ethical norms. The rulership of conscience can be even harsher than that of external authorities, since the individual feels its orders to be his own; how can he rebel against himself?
In recent decades "conscience" has lost much of its significance. It seems as though neither external nor internal authorities play any prominent role in the individual's life. Everybody is completely "free", if only he does not interfere with other people's legitimate claims. But what we find is rather that instead of disappearing, authority has made itself invisible. Instead of overt authority, "anonymous" authority reigns.It is disguised as common sense, science, psychic health, normality, public opinion. It does not demand anything except the self-evident. It seems to use no pressure but only mild persuasion. Whether a mother says to her daughter, "I know you will not like to go out with that boy", or an advertisement suggests, "Smoke
this brand of cigarettes--you will like their coolness", it is the same atmosphere of subtle suggestion which actually pervades our whole social life. Anonymous authority is more effective than overt authority, since one never suspects that there is any order which one is expected to follow. In external authority it is clear that there is an order and who gives it; one can fight against the authority, and in this fight personal independence and moral courage can develop.But whereas in internalized authority the command, though an internal one, remains visible, in anonymous authority both command and commander have become invisible.It is like being fired at by an invisible enemy. There is nobody and nothing to fight back against.
”
”
Erich Fromm (Escape from Freedom)
“
a friend of mine, Mrs. Ernest Gent of Scarsdale, New York, was troubled by boys running across and destroying her lawn. She tried criticism. She tried coaxing. Neither worked. Then she tried giving the worst sinner in the gang a title and a feeling of authority. She made him her “detective” and put him in charge of keeping all trespassers off her lawn. That solved her problem. Her “detective” built a bonfire in the backyard, heated an iron red hot, and threatened to brand any boy who stepped on the lawn.
”
”
Dale Carnegie (How To Win Friends and Influence People)
“
It’s our bad luck to have teachers in this world, but since we’re stuck with them, the best we can do is hope to get a brand-new one instead of a mean old fart. New teachers don’t know the rules, so you can get away with things the old-timers would squash you for. That was my theory. So I was feeling pretty excited to start fifth grade, since I was getting a rookie teacher—a guy named Mr. Terupt. Right away, I put him to the test. If the bathroom pass is free, all you have to do is take it and go. This year, the bathrooms were right across the hall. It’s always been an easy way to get out of doing work. I can be really sneaky like that. I take the pass all the time and the teachers never notice. And like I said, Mr. Terupt was a rookie, so I knew he wasn’t going to catch me. Once you’re in the bathroom, it’s mess-around time. All the other teachers on our floor were women, so you didn’t have to worry about them barging in on you. Grab the bars to the stalls and swing. Try to touch your feet to the ceiling. Swing hard. If someone’s in the stall, it’s really funny to swing and kick his door in, especially if he’s a younger kid. If you scare him bad enough, he might pee on himself a little. That’s funny. Or if your buddy’s using the urinal, you can push him from behind and flush it at the same time. Then he might get a little wet. That’s pretty funny, too. Some kids like to plug the toilets with big wads of toilet paper, but I don’t suggest you try doing that. You can get in big trouble. My older brother told me his friend got caught and he had to scrub the toilets with a toothbrush. He said the principal made him brush his teeth with that toothbrush afterward, too. Mrs. Williams is pretty tough, but I don’t think she’d give out that kind of punishment. I don’t want to find out, either. When I came back into the classroom after my fourth or fifth trip, Mr. Terupt looked at me and said, “Boy, Peter, I’m gonna have to call you Mr. Peebody, or better yet, Peter the Pee-er. You do more peein’ than a dog walking by a mile of fire hydrants.
”
”
Rob Buyea (Because of Mr. Terupt (Mr. Terupt, #1))
“
Context: Tom Sawyer cashing in 2000 tickets for the prize of his very own brand new Bible. Each ticket is to be earned for memorizing a verse of the Bible. Tom has mostly traded with other boys a long time to amass this horde of tickets. He is now being quizzed to demonstrate to the rest of the class the biblical knowledge he surely must have after memorizing 2000 verses.
Lady: Now I know you'll tell me. The names of the first two disciples were—
Tom: DAVID AND GOLIAH!
Narrator: Let us draw the curtain of charity over the rest of the scene.
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate’s face at their wedding would never be duplicated. But when they placed the tiny little boy in his father’s gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He’d taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances.
“Generations of our families,” he said softly, “all there, in that face.” He’d looked down at his wife with unashamedly wet eyes. “In our son’s face.”
She wiped her own tears away with a corner of the sheet and coaxed Tate’s head down so that she could do the same for him where they were, temporarily, by themselves.
Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. “Isn’t he beautiful?” he murmured, still awed by the child. “Next time, we have to have a little girl,” he said with a tender smile, “so that she can look like you.”
Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn.
“My heart is happy when I see you,” she whispered in Lakota.
He chuckled, having momentarily forgotten that he’d taught her how to say it. “Mine is equally happy when I see you,” he replied in English.
She reached out and clasped his big hand with her small one. On the table beside her was a bouquet of roses, red and crisp with a delightful soft perfume. Her eyes traced them, and she remembered the first rose he’d ever given her, when she was seventeen: a beautiful red paper rose that he’d brought her from Japan. Now the roses were real, not imitation. Just as her love for him, and his for her, had become real enough to touch.
He frowned slightly at her expression. “What is it?” he asked softly.
“I was remembering the paper rose you brought me from Japan, just after I went to live with Leta.” She shrugged and smiled self-consciously.
He smiled back. “And now you’re covered in real ones,” he discerned.
She nodded, delighted to see that he understood exactly what she was talking about. But, then, they always had seemed to read each others’ thoughts-never more than now, with the baby who was a living, breathing manifestation of their love. “Yes,” she said contentedly. “The roses are real, now.”
Outside the window, rain was coming down in torrents, silver droplets shattering on the bright green leaves of the bushes. In the room, no one noticed. The baby was sleeping and his parents were watching him, their eyes full of warm, soft dreams.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
The shop-boys in the neighbourhood had long been in the habit of branding Noah, in the public streets, with the ignominious epithets of 'leathers', 'charity', and the like; and Noah had borne them without reply. But now that fortune had cast in his way a nameless orphan, at whom even the meanest could point the finger of scorn, he retorted on him with interest. This affords charming food for contemplation. It shows us what a beautiful thing human nature sometimes is, and how impartially the same amiable qualities are developed in the finest lord and the dirtiest charity-boy.
”
”
Charles Dickens (Oliver Twist)
“
The boy who wears his comic books like armor often sits
alone. He is more comfortable with Iron Man and his
own thoughts than he will ever be with a woman.
Because of his nervous ticks, no matter how long they
are together, she will never feel commonplace to him.
She will always know she is special.
The boy who wears his comic books like armor
tries to tell her that he loves her every day.
She does not understand.
When he says, You remind me of Psylocke,
he is not saying he actually thinks
she is a scantily clad assassin.
He is just saying, Damn girl, you must be psychic.
How else could you always know the right thing
to make me smile? You have to be a ninja.
How else could you have stolen my heart so easily?
He is saying, Dammmmmmmmnnnnnn girl,
you absolutely have to be Psylocke!
She is the only character I have ever read about
who is as graceful and daring as you are.
She does not understand.
The boy who wears his comic books like armor
is not a good lover. The way he barely touches
her makes her feel unattractive.
Like he is only doing this because she wants him to.
This could not be further from the truth.
He is simply treating her like the only thing
that has ever been this important to him before:
comic books.
He removes her clothes like he would
the slipcover from a brand new issue,
as careful not to wrinkle her clothing
as he is not to damage the plastic.
One day, she will leave him because feeling special isn’t
as important as feeling loved. He does love her.
She can’t understand. He will spend the rest of his life
wishing he were Peter Parker, knowing that if he had a
mask to remove, then, just like Mary Jane, she would be
with him forever. But he doesn’t have a mask to remove,
just an awkward smile.
He hopes that one day
that’s enough.
”
”
Jared Singer (Forgive Yourself These Tiny Acts of Self-Destruction)
“
He lifted one bottle into the light.
" 'GREEN DUSK FOR DREAMING BRAND PUREE NORTHERN AIR,' " he read. " 'Derived from the atmosphere of the white Arctic in the spring of 1900, and mixed with the wind from the upper Hudson Valley in the month of April, 1910, and containing particles of dust seen shining in the sunset of one day in the meadows around Grinnell, Iowa, when a cool air rose to be captured from a lake and a little creek and a natural spring.'
"Now the small print," he said. He squinted. " 'Also containing molecules of vapor from menthol, lime, papaya, and watermelon and all other water-smelling, cool-savored fruits and trees like camphor and herbs like wintergreen and the breath of a rising wind from the Des Plaines River itself. Guaranteed most refreshing and cool. To be taken on summer nights when the heat passes ninety.' "
He picked up the other bottle.
"This one the same, save I've collected a wind from the Aran Isles and one from off Dublin Bay with salt on it and a strip of flannel fog from the coast of Iceland."
He put the two bottles on the bed.
"One last direction." He stood by the cot and leaned over and spoke quietly. "When you're drinking these, remember: It was bottled by a friend. The S.J. Jonas Bottling Company, Green Town, Illinois- August, 1928. A vintage year, boy... a vintage year.
”
”
Ray Bradbury (Dandelion Wine)
“
The sharpie uniform is perhaps the most unlikely fashion statement you will ever see, a Frankenstein’s monster of baby-doll plucked eyebrows, skinhead-meets-mullet hair, 1970s fat ties and just a hint of bovver boy. Clothes worn too tight and too small. Kerry had prepared a shopping list: • bluebird earrings • three-inch Mary Jane corkie platform shoes • treads (shoes made using recycled tyres for the sole with suede thonging for the upper) • Lee canvas jeans • beachcombers • short white bobby socks • ribbed tights • a short, flared, preferably panelled skirt • satin baggies • a striped Golden Breed t-shirt or a KrestKnit polo shirt • a tight coral necklace from the surf shop • a Conti brand striped cardigan • blue metallic eye shadow from a small pot or a crayon
”
”
Magda Szubanski (Reckoning: A Memoir)
“
Before he could answer, it started. It sounded like a murmur, and then someone said it out loud, and the whisper became outright laughter. “Is eht Gaylord?” said a rat-faced boy at the front. The room erupted. “Big Bobby Bender?” said another. Shuggie tried to talk over them. His face burned red. “It’s Shuggie, sir. Hugh Bain. I’m transferred here from Saint Luke’s.” “Listen tae that voice!” said another boy, with tight curly hair. He opened his eyes wide like he had hit the bullying jackpot. “Ere, posh boy. Whaur did ye get that fuckin’ accent? Are ye a wee ballet dancer, or whit?” This went down the best of all. It was a divine inspiration to the others. “Gies a wee dance!” they squealed with laughter. “Twirl for us, ye wee bender!” Shuggie sat there listening to them amuse themselves. He took the red football book and dropped it into the dark drawer of this strange school desk. He was glad, at least, to be done with that. It was clear now: nobody would get to be made brand new.
”
”
Douglas Stuart (Shuggie Bain)
“
Racism was a constant presence and absence in the Obama White House. We didn’t talk about it much. We didn’t need to—it was always there, everywhere, like white noise. It was there when Obama said that it was stupid for a black professor to be arrested in his own home and got criticized for days while the white police officer was turned into a victim. It was there when a white Southern member of Congress yelled “You lie!” at Obama while he addressed a joint session of Congress. It was there when a New York reality show star built an entire political brand on the idea that Obama wasn’t born in the United States, an idea that was covered as national news for months and is still believed by a majority of Republicans. It was there in the way Obama was talked about in the right-wing media, which spent eight years insisting that he hated America, disparaging his every move, inventing scandals where there were none, attacking him for any time that he took off from work. It was there in the social media messages I got that called him a Kenyan monkey, a boy, a Muslim. And it was there in the refusal of Republicans in Congress to work with him for eight full years, something that Obama was also blamed for no matter what he did. One time, Obama invited congressional Republicans to attend a screening of Lincoln in the White House movie theater—a Steven Spielberg film about how Abraham Lincoln worked with Congress to pass the Thirteenth Amendment abolishing slavery. Not one of them came. Obama didn’t talk about it much. Every now and then, he’d show flashes of dark humor in practicing the answer he could give on a particular topic. What do you think it will take for these protests to stop? “Cops need to stop shooting unarmed black folks.” Why do you think you have failed to bring the country together? “Because my being president appears to have literally driven some white people insane.” Do you think some of the opposition you face is about race? “Yes! Of course! Next question.” But he was guarded in public. When he was asked if racism informed the strident opposition to his presidency, he’d carefully ascribe it to other factors.
”
”
Ben Rhodes (The World As It Is: A Memoir of the Obama White House)
“
Well, I hate it. Boy, do I hate it,” I said. “But it isn’t just that. It’s everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always—” “Don’t shout, please,” old Sally said. Which was very funny, because I wasn’t even shouting. “Take cars,” I said. I said it in this very quiet voice. “Take most people, they’re crazy about cars. They worry if they get a little scratch on them, and they’re always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that’s even newer. I don’t even like old cars. I mean they don’t even interest me. I’d rather have a goddam horse. A horse is at least human, for God’s sake. A horse you can at least—” “I don’t know what you’re even talking about,” old Sally said. “You jump from one—” “You know something?” I said. “You’re probably the only reason I’m in New York right now, or anywhere. If you weren’t around, I’d probably be someplace way the hell off. In the woods or some goddam place. You’re the only reason I’m around, practically.” “You’re sweet,” she said. But you could tell she wanted me to change the damn subject. “You ought to go to a boys’ school sometime. Try it sometime,” I said. “It’s full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent—” “Now, listen,” old Sally said. “Lots of boys get more out of school than that.” “I agree! I agree they do, some of them! But that’s all I get out of it. See? That’s my point. That’s exactly my goddam point,” I said. “I don’t get hardly anything out of anything. I’m in bad shape. I’m in lousy shape.” “You certainly are.
”
”
J.D. Salinger (The Catcher in the Rye)
“
Your womb can’t never bear fruit.”
Miss Ethel Fordham told her that. Without sorrow or alarm, she had passed along the news as though she’d examined a Burpee seedling overcome by marauding rabbits. Cee didn’t know then what to feel about that news, no more than what she felt about Dr. Beau. Anger wasn’t available to her—she had been so stupid, so eager to please. As usual she blamed being dumb on her lack of schooling, but that excuse fell apart the second she thought about the skilled women who had cared for her, healed her. Some of them had to have Bible verses read to them because they could not decipher print themselves, so they had sharpened the skills of the illiterate: perfect memory, photographic minds, keen senses of smell and hearing. And they knew how to repair what an educated bandit doctor had plundered. If not schooling, then what?
Branded early as an unlovable, barely tolerated “gutter
child” by Lenore, the only one whose opinion mattered to her parents, exactly like what Miss Ethel said, she had agreed with the label and believed herself worthless. Ida never said, “You my child. I dote on you. You wasn’t born in no gutter. You born into my arms. Come on over here and let me give you a hug.” If not her mother, somebody somewhere should have said those words and meant them.
Frank alone valued her. While his devotion shielded her, it did not strengthen her. Should it have? Why was that his job and not her own? Cee didn’t know any soft, silly women. Not Thelma, or Sarah, or Ida, and certainly not the women who had healed her. Even Mrs. K., who let the boys play nasty with her, did hair and slapped anybody who messed with her, in or outside her hairdressing kitchen.
So it was just herself. In this world with these people she wanted to be the person who would never again need rescue. Not from Lenore through the lies of the Rat, not from Dr. Beau through the courage of Sarah and her brother. Sun-smacked or not, she wanted to be the one who rescued her own self. Did she have a mind, or not? Wishing would not make it so, nor would blame, but thinking might. If she did not respect herself, why should anybody else?
Okay. She would never have children to care about and give her the status of motherhood.
Okay. She didn’t have and probably would never have a mate. Why should that matter? Love? Please. Protection? Yeah, sure. Golden eggs? Don’t make me laugh.
Okay. She was penniless. But not for long. She would have to invent a way to earn a living.
What else?
”
”
Toni Morrison (Home)
“
An old man wearing a red seed cap was saying, "Little lady, one day you'll remember the days people told you that you had nice legs as a good memory."
Adam braced for the explosion.
It was nails and dynamite. "Good--memory? Oh, I wish I were as ignorant as you! What happiness! There are girls who kill themselves over negative body image and you--"
"Is there a problem here?" Adam broke in.
The man seemed relieved. People were always pleased to see clean, muted Adam, the deferential Southern voice of reason. "Your girlfriend's quite a firecracker."
Adam stared at the man. Blue stared at Adam.
He wanted to tell her it wasn't worth it--that he'd grown up with this sort of man and knew they were untrainable--but then she'd throw the thermos at Adam's head and probably slap the guy in the mouth. It was amazing that she and Ronan didn't get along better, because they were different brands of the same impossible stuff.
"Sir," Adam started--Blue's eyebrows spiked--"I think maybe your mama didn't teach you how to talk to women."
The old man shook his head at Adam, like in pity.
Adam added, "And she's not my girlfriend."
Blue flashed him a brilliant look of approval, and then she got into the car with a dramatic door slam Ronan would have approved of.
"Look, kid," the old man started.
Adam interrupted, "Your fuel door's open, by the way."
He climbed back into his little, shitty car, the one Ronan called the Hondayota. He felt heroic for no good reason. Blue simmered righteously as they pulled out of the station. For a few moments, there was nothing but the labored sounds of the little car's breathing.
Then Noah said, "You do have nice legs, though."
Blue swung at him. A helpless laugh escaped Adam, and she hit his shoulder too.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
There was a general shortage of medication. Even the iodine ran out. Either the supply system failed, or else we’d used up our allowance — another triumph of our planned economy. We used equipment captured from the enemy. In my bag I always had twenty Japanese disposable syringes. They were sealed in a light polyethylene packing which could be removed quickly, ready for use. Our Soviet ‘Rekord’ brand, wrapped in paper which always got torn, were frequently not sterile. Half of them didn’t work, anyhow — the plungers got stuck. They were crap. Our homeproduced plasma was supplied in half-litre glass bottles. A seriously wounded casualty needs two litres — i.e. four bottles. How are you meant to hold them up, arm-high, for nearly an hour in battlefield conditions? It’s practically impossible. And how many bottles can you carry? We captured Italian-made polyethylene packages containing one litre each, so strong you could jump on them with your army boots and they wouldn’t burst. Our ordinary Soviet-made sterile dressings were also bad. The packaging was as heavy as oak and weighed more than the dressing itself. Foreign equivalents, from Thailand or Australia, for example, were lighter, even whiter somehow … We had absolutely no elastic dressings, except what we captured — French and German products. And as for our splints! They were more like skis than medical equipment! How many can you carry with you? I carried English splints of different lengths for specific limbs, upper arm, calf, thigh, etc. They were inflatable, with zips. You inserted the arm or whatever, zipped up and the bone was protected from movement or jarring during transportation to hospital.
In the last nine years our country has made no progress and produced nothing new…
”
”
Svetlana Alexievich (Zinky Boys: Soviet Voices from the Afghanistan War)
“
Slowly crossing the deck from the scuttle, Ahab leaned over the side, and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel - forbidding - now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the pacific contain such wealth as that one wee drop.
Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there.
Ahab turned.
"Starbuck!"
"Sir."
"Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
”
”
Herman Melville
“
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day- very much such a sweetness as this- I struck my first whale- a boy-harpooneer of eighteen! Forty- forty- forty years ago!- ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain’s exclusiveness, which admits but small entrance to any sympathy from the green country without- oh, weariness! heaviness! Guinea-coast slavery of solitary command!- when I think of all this; only half-suspected, not so keenly known to me before- and how for forty years I have fed upon dry salted fare- fit emblem of the dry nourishment of my soul!- when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts- away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow- wife? wife?- rather a widow with her husband alive? Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey- more a demon than a man!- aye, aye! what a forty years’ fool- fool- old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God!- crack my heart!- stave my brain!- mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearthstone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board!- lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!”
“Oh, my Captain! my Captain! noble soul! grand old heart, after all! why should any one give chase to that hated fish! Away with me! let us fly these deadly waters! let us home!
But Ahab’s glance was averted; like a blighted fruit tree he shook, and cast his last, cindered apple to the soil.
“What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
I used to be a roller coaster girl"
(for Ntozake Shange)
I used to be a roller coaster girl
7 times in a row
No vertigo in these skinny legs
My lipstick bubblegum pink
As my panther 10 speed.
never kissed
Nappy pigtails, no-brand gym shoes
White lined yellow short-shorts
Scratched up legs pedaling past borders of
humus and baba ganoush
Masjids and liquor stores
City chicken, pepperoni bread
and superman ice cream
Cones.
Yellow black blending with bits of Arabic
Islam and Catholicism.
My daddy was Jesus
My mother was quiet
Jayne Kennedy was worshipped
by my brother Mark
I don’t remember having my own bed before 12.
Me and my sister Lisa shared.
Sometimes all three Moore girls slept in the Queen.
You grow up so close
never close enough.
I used to be a roller coaster girl
Wild child full of flowers and ideas
Useless crushes on polish boys
in a school full of white girls.
Future black swan singing
Zeppelin, U2 and Rick Springfield
Hoping to be Jessie’s Girl
I could outrun my brothers and
Everybody else to that
reoccurring line
I used to be a roller coaster girl
Till you told me I was moving too fast
Said my rush made your head spin
My laughter hurt your ears
A scream of happiness
A whisper of freedom
Pouring out my armpits
Sweating up my neck
You were always the scared one
I kept my eyes open for the entire trip
Right before the drop I would brace myself
And let that force push my head back into
That hard iron seat
My arms nearly fell off a few times
Still, I kept running back to the line
When I was done
Same way I kept running back to you
I used to be a roller coaster girl
I wasn’t scared of mountains or falling
Hell, I looked forward to flying and dropping
Off this earth and coming back to life
every once in a while
I found some peace in being out of control
allowing my blood to race
through my veins for 180 seconds
I earned my sometime nicotine pull
I buy my own damn drinks & the ocean
Still calls my name when it feels my toes
Near its shore.
I still love roller coasters
& you grew up to be
Afraid
of all girls who cld
ride
Fearlessly
like
me.
”
”
Jessica Care Moore
“
Do you believe yourself in love with Deveaux?” He snarled the words.
Between gritted teeth, he said, “It’s emblazoned on your pretty face. But you wouldn’t love him if you truly knew him. Your feelings would wither and die.”
“What are you talking about?”
“He’s lied to you repeatedly.”
“Uh-huh. I’ll just take your word for it?”
“No, I received my information from the Fool. He was quite worried about his Empress’s safety when you were in Deveaux’s keeping.”
“You know I’ll fact-check.”
“I expect you to.”
“And why would you two be discussing my safety?”
“I’ve been up-front about my intentions with you, unlike Deveaux. Did you never wonder about his instant infatuation with you?”
“Maybe he had a thing for cheerleaders.”
Death shook his head. “No, he targeted you before he ever saw you.”
“That doesn’t make sense.”
“You were possessed by someone he hated.” He downed another shot.
“Jack despised Brand. That was no secret.”
“You never asked yourself why?”
“Because Brand was rich and seemed to have everything so easy.”
“I’m sure that had something to do with it. However, the main reason he hated Brandon Radcliffe”—Death’s eyes had never looked so flat and dark—“was that they shared a father”
“You’re saying Brand and Jackson were . . . half brothers?”
Only one son had known of their connection.
Was this why Jack’s eyes had darted when I’d asked him if he had any secrets?
Death was relishing this. “Deveaux coveted all his brother had: the perfect family, the house, the car. The girl. He could never have any of the others—but he could have you. And he did.”
“You’re lying.” You can trust me alone, Evie. “Matthew would’ve told me about this.”
Death tsked. “Such trust you have in the Fool. How do you think I learned what my armor would do to your powers?”
I tottered on my feet. “H-he wouldn’t!”
“It’s nothing personal with him, just strategy and scheming.”
I’d thought Matthew an innocent, wide-eyed boy.
“The Fool knew that I’d kill you if I had no means to control you. In essence, he’s saved your life. So far, at least.”
Death continued, “Deveaux didn’t even like you, but he pursued you.”
“You don’t know anything!” I cried, though I could hear Jack’s words: Even when I hated you, I wanted you.
“One benefit of my endless life? I have quite a grasp on human behavior.”
“Maybe he did target me. But his feelings grew from that. You’ll have to do better than this.”
“Do better? As you wish, creature.” With an evil grin, he said, “Deveaux killed your mother.
”
”
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
“
I think we all collectively have gone a little crazy. We worry about the wrong things. I have an acquaintance, Christy, whose twelve–year–old son managed to get into a very violent PG–13 movie. I don’t know how many machine–gunnings, explosions, and killings this boy wound up witnessing. As I recall, the boy had nightmares for a week afterward. That disturbed his mother—but not as much as if her son had stumbled into a different kind of movie.
“At least there wasn’t any sex,” she said with dead–serious concern.
“No,” I said, “probably not a single bare breast.”
I didn’t add that most societies do not regard the adult female breast as being primarily an object of sexual desire. After all, it’s just a big gland that makes milk in order to feed hungry babies.
“You know what I’m talking about,” she snapped. “I mean graphic sex.”
We were sitting in a café drinking tea. She cut off the volume of her speech at the end of her sentence, whispering and exaggerating the consonants of S–E–X as if she needed me to read her lips—as if giving voice to this word might disturb our neighbors and brand her as a deviant.
“I don’t think children should see that kind of thing,” she added.
“What should children see?” I asked her.
I am not arguing that we should let our children buy tickets to raunchy movies. I never let my daughters bring home steamy videos or surf the Internet for porn. But something is wrong when sex becomes a dirty word that we don’t even want our children to hear. Why must we regard almost anything sexual as tantamount to obscene?
I think many of us are like Christy. We wouldn’t want our children—even our very sexual teenagers—to see certain kinds of movies, even if they happened to be erotic masterpieces, true works of art. It wouldn’t matter if a movie gave us a wonderful scene of a wife and a husband very lovingly making love with the conscious intention of engendering new life. It wouldn’t matter that sex is life, and therefore must be regarded as sacred as anything could possibly be. It wouldn’t even matter that not one of us could have come into the world but for the sexual union of our fathers and our mothers. If a movie portrayed a man and woman in the ecstatic dance of love—actually showed naked bellies and breasts, burning lips and adoring eyes and the glistening, impassioned organs of sex—most people I know would rather their children watch the vile action movie. They would rather their “innocent” sons and daughters behold the images of bloody, blasted bodies, torture, murder, and death.
”
”
David Zindell (Splendor)
“
After midnight, I’ve set the cookies on the cooling rack and put on my cat pajamas, and I’m climbing into bed to read when there’s a knock at my window. I think it’s Chris, and I go to the window to check and see if I’ve locked it, but it’s not--it’s Peter! I push the window up. “Oh my God, Peter! What are you doing here?” I whisper, my heart pounding. “My dad’s home!”
Peter climbs in. He’s wearing a navy beanie on his head and a thermal with a puffy vest. Taking off the hat, he grins and says, “Shh. You’re gonna wake him up.”
I run to my door and lock it. “Peter! You can’t be in here!” I am equal parts panicky and excited. I don’t know if a boy has ever been in my room before, not since Josh, and that was ages ago.
He’s already taking off his shoes. “Just let me stay for a few minutes.”
I cross my arms because I’m not wearing a bra and say, “If it’s only a few minutes, why are you taking off your shoes?”
He dodges this question. Plopping down on my bed, he says, “Hey, why aren’t you wearing your Amish bikini? It’s so hot.” I move to slap him upside the head, and he grabs my waist and hugs me to him. He buries his head in my stomach like a little boy. His voice muffled, he says, “I’m sorry all this is happening because of me.”
I touch the top of his head; his hair feels soft and silky against my fingers. “It’s okay, Peter. I know it’s not your fault.” I glance at my moonbeam alarm clock. “You can stay for fifteen minutes, but then you have to go.” Peter nods and releases me. I sink down on the bed next to him and put my head on his shoulder. I hope the minutes go slow. “How was the party?”
“Boring without you.”
“Liar.”
He laughs an easy kind of laugh. “What did you bake tonight?”
“How do you know I baked?”
Peter breathes me in. “You smell like sugar and butter.”
“Chai sugar cookies with eggnog icing.”
“Can I take some with me?”
I nod, and we lean our backs against the wall. He slides his arm around me, safe and secure. “Twelve minutes left,” I say into his shoulder, and I feel rather than see him smile.
“Then let’s make it good.” We start to kiss, and I’ve definitely never kissed a boy in my bed before. This is brand-new. I doubt I’ll ever be able to think of my bed the same way again. Between kisses he says, “How much time do I have left?”
I glance over at my clock. “Seven minutes.” Maybe I should tack on an extra five…
“Can we lie down, then?” he suggests.
I shove him in the shoulder. “Peter!”
“I just want to hold you for a little bit! If I was going to try to do more, I’d need more than seven minutes, trust me.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
The only thing I knew about pickups was this: growing up, I always inwardly mocked the couples I saw who drove around in them. The girl would be sitting in the middle seat right next to the boy, and the boy’s right arm would be around her shoulders, and his left arm would be on the wheel. I’m not sure why, but there was something about my golf course upbringing that had always caused me to recoil at this sight. Why is she sitting in the middle seat? I’d wonder. Why is it important that they press against each other as they drive down the road? Can’t they wait until they get home? I looked at it as a sign of weakness--something pitiable. They need to get a life may have even crossed my mind once or twice, as if their specific brand of public affection was somehow directly harming me. But that’s what happens to people who, by virtue of the geography of their childhood, are deprived of the opportunity to ride in pickup trucks. They become really, really judgmental about otherwise benign things.
Still, every now and then, as Marlboro Man showed me the beauty of the country in his white Ford F250, I couldn’t help but wonder…had he been one of those boys in high school? I knew he’d had a serious girlfriend back in his teenage years. Julie. A beautiful girl and the love of his adolescent life, in the same way Kev had been mine. And I wondered: had Julie scooched over to the middle seat when Marlboro Man picked her up every Friday night? Had he hooked his right arm around her neck, and had she then reached her left hand up and clasped his right hand with hers? Had they then dragged Main in this position? Our hometowns had been only forty miles apart; maybe he’d brought her to my city to see a movie. Was it remotely possible I’d actually seen Marlboro Man and Julie riding around in his pickup, sitting side by side? Was it possible this man, this beautiful, miraculous, perfect man who’d dropped so magically into my life, had actually been one of the innocent recipients of my intolerant, shallow pickup-related condemnation?
And if he had done it, was it something he’d merely grown out of? How come I wasn’t riding around in his middle seat? Was I supposed to initiate this? Was this expected of me? Because I probably should know early on. But wouldn’t he have gestured in that direction if he’d wanted me to move over and sit next to him? Maybe, just maybe, he’d liked those girls better than he liked me. Maybe they’d had a closeness that warranted their riding side by side in a pickup, a closeness that he and I just don’t share? Please don’t let that be the reason. I don’t like that reason. I had to ask him. I had to know.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
The war against ISIS in Iraq was a long, hard slog, and for a time the administration was as guilty of hyping progress as the most imaginative briefers at the old “Five O’Clock Follies” in Saigon had been. In May 2015, an ISIS assault on Ramadi and a sandstorm that grounded U.S. planes sent Iraqi forces and U.S. Special Forces embedded with them fleeing the city. Thanks to growing hostility between the Iraqi government and Iranian-supported militias in the battle, the city wouldn’t be taken until the end of the year. Before it was over we had sent well over five thousand military personnel back to Iraq, including Special Forces operators embedded as advisors with Iraqi and Kurdish units. A Navy SEAL, a native Arizonan whom I had known when he was a boy, was killed in northern Iraq. His name was Charles Keating IV, the grandson of my old benefactor, with whom I had been implicated all those years ago in the scandal his name had branded. He was by all accounts a brave and fine man, and I mourned his loss. Special Forces operators were on the front lines when the liberation of Mosul began in October 2016. At immense cost, Mosul was mostly cleared of ISIS fighters by the end of July 2017, though sporadic fighting continued for months. The city was in ruins, and the traumatized civilian population was desolate. By December ISIS had been defeated everywhere in Iraq. I believe that had U.S. forces retained a modest but effective presence in Iraq after 2011 many of these tragic events might have been avoided or mitigated. Would ISIS nihilists unleashed in the fury and slaughter of the Syrian civil war have extended their dystopian caliphate to Iraq had ten thousand or more Americans been in country? Probably, but with American advisors and airpower already on the scene and embedded with Iraqi security forces, I think their advance would have been blunted before they had seized so much territory and subjected millions to the nightmare of ISIS rule. Would Maliki have concentrated so much power and alienated Sunnis so badly that the insurgency would catch fire again? Would Iran’s influence have been as detrimental as it was? Would Iraqis have collaborated to prevent a full-scale civil war from erupting? No one can answer for certain. But I believe that our presence there would have had positive effects. All we can say for certain is that Iraq still has a difficult road to walk, but another opportunity to progress toward that hopeful vision of a democratic, independent nation that’s learned to accommodate its sectarian differences, which generations of Iraqis have suffered without and hundreds of thousands of Americans risked everything for.
”
”
John McCain (The Restless Wave: Good Times, Just Causes, Great Fights, and Other Appreciations)
“
Today I had a lively discussion with a merchant in Fez with a view to finding out what the Moors think of European civilization.... He was a fine man, about forty years old, with an honest and serious face, who had made business visits to the most important cities in Western Europe and had lived for a long time in Tangier, where he learnt Spanish....
I asked him therefore what kind of impression the large cities of Europe had made on him....
He looked hard at me and answered coldly:
“Large streets, fine shops, beautiful palaces, good workshops, everything clean.” He gave the impression that with these words, he had mentioned everything in our countries that was worthy of praise.
“Have you not found anything else in Europe that is beautiful and good?” I asked.
He looked at me questioningly. “Is it possible,” I went on, “that an intelligent man like you, who has visited several countries so marvelously superior to your own can speak about them without astonishment, or at least without the emotion of a country boy who has seen the pasha’s palace? What can you possibly admire in the world? What sort of people are you? Who can possibly understand you?”
“Perdone Usted”, he answered coldly, “it is for me to say that I cannot understand you. I have told you all the things which I consider to be better in Europe. What more can I say? Have I to say something that I do not believe to be true? I repeat that your streets are larger than ours, your shops finer, that you have workshops such as we do not have, and also rich palaces. That is all. I can only add one more thing: that you know more than we do, because you have many books, and read more.”
I became impatient. “Do not lose patience, Caballero,” he said, “let us speak together calmly. Is not a man’s first duty honesty? Is it not honesty more than anything else that makes a man worthy of respect, and one country superior to another? Very well, then. As far as honesty is concerned, your countries are certainly not better than ours. That much I can say right away.”
“Gently, gently!” I said, “Tell me first what you mean by honesty!”
“Honesty in business, Caballero. The Moors, for example, sometimes cheat the Europeans in trade, but you Europeans cheat the Moors much more often.”
“There must be a few cases,” I replied, in order to say something.
“Casos raros?” he exclaimed angrily. “It happens every day! Proof: I go to Marseilles. I buy cotton. I choose a particular thread, give the exact reference number and brand-name, as well as the amount required. I ask for it to be sent, I pay, and I return home. Back in Morocco, I receive the cotton. I open the consignment, and take a look. I find the same number, the same brand-name, and a thread that is of one third the thickness! This is anything but good, and I lose thousands of francs! I rush to the consulate, but in vain. Another case: A merchant from Fez places an order in Europe for blue cloth, so many pieces, of such and such a length and breadth. He pays for it when the bargain is made. In due course he receives the cloth, opens the package, and checks the measurements. The first pieces are all right, those underneath are shorter, and those lowest down are half a meter too short! The cloth cannot be used for cloaks, and the merchant is ruined. . . . And so on and so on!
”
”
Edmondo de Amicis (Morocco: Its People & Places)
“
I am a boy mom, but I am raising two very different boys. So what does #lifewithboys mean in my house? Mud. Blood. ER visits and black eyes. “He threw a rock at me!” but also, “Let’s play a math game on the computer!” Holes in the knees of brand-new pants. Dirty cleats and stinky jock-straps. Marathon games of Monopoly, chess, and Sudoku. Reading Harry Potter five times. Yelling “No throwing baseballs in the house!” Science camp by day and soccer practice by night. Messy hair and dirty fingernails. Overdue library books. Tears. Fears. And love. We may have holes in the walls and holes in our pants, but I wouldn’t trade this life. It’s exhaustingly beautiful and never boring. Someday, my youngest child may have a boy just like him, and when he throws a baseball through the living room window, I’ll tell my son that it’s okay. He’s just a little boy.
”
”
Tiffany O'Connor (The Unofficial Guide to Surviving Life With Boys: Hilarious & Heartwarming Stories About Raising Boys From The Boymom Squad (Boy Mom Squad Book 1))
“
I lay in the dark with the breathing of men around me and knew that then, at that selfsame moment, where dawn groped across the sea, my brethren lay bound in ships, one body atop another, smelling of their green wounds and fæces; I knew in dark houses, there was torture, arms held down, fire-brands approaching the soft skin of the belly or arm; and still — there is screaming in the night; there is flight; mothers sob for children they shall not see again; girls feel the weight of men atop them; men cry for their wives; boys dangle dead in the barn; and we smoke their sorrow contentedly; and we eat their sorrow; and we wear their sorrow; and wonder how it came so cheap.
”
”
M.T. Anderson (The Pox Party)
“
On that day when he was brand new, I wished for him many things but never, ever in a million years did I imagine that the thing I would pray for more than any other was that my beautiful boy didn’t kill himself.
”
”
Josiah Hartley (The Boy Between: A Mother and Son's Journey From a World Gone Grey)
“
I spent years in the dark, living in an endless expanse of emptiness. Where I felt nothing but the words I branded on my knuckles. I thought I was broken, but maybe my soul was just lying dormant, stopping me from experiencing anything good in this fucked up world. But you’ve awakened me, Elise, and I can't go back to sleep.
”
”
Caroline Peckham (Broken Fae (Ruthless Boys of the Zodiac, #4))
“
Words locked in my throat, but I had to say them before I took the kiss I was craving. Words that I had thought would never leave my mouth, let alone feel them in every drop of my blood, right down to my rotten core. "I'll always be a monster, baby. I'll be the reason Fae lock their doors at night in Alestria, I am branded on the inside of my enemies' skulls and my name will always strike fear into their hearts. But I will also be your monster, if you'll have me. If you deem me worthy. I don't have much to give but a blackened heart and a tarnished soul, but they're yours because...” I took a breath and expelled my deepest truth, “I love you.
”
”
Caroline Peckham (Broken Fae (Ruthless Boys of the Zodiac, #4))
“
This new sense of personal awareness also comes with many added social accessories (batteries included). Adolescent insecurity can be a devastating plague for a youngster, especially ones whose bodies are growing faster than their emotional and social maturity. One misstep can spell disaster from which recovery is next to impossible. Drop your books in the hall once between classes. Trip going up the school steps. Let a facial blemish emerge on the wrong day. Your voice cracks in class while asking a question. Suffer through the accusation of liking someone of the opposite sex. And pray hard that you don't wear the wrong clothes to your first dance. All these near-fatal mishaps can mark you forever in your classmates' eyes, socially branding you with a label that sticks like super-glue throughout your grade-school career. Most adults can recall childhood classmates from their childhood who failed to make the grade socially. Even today, though a former classmate may be a physician, she is still remembered for the time she cried and ran off stage during the school talent show. Or the successful businessman is forever known as the boy who wet his pants and had to go home early from school. We can still name the girl who always sat out during recess games because she was athletically uncoordinated.
”
”
Jeff Kinley
“
She was so beautiful, but it was far more than that. This girl held my soul in her grip. Her body was that of a goddess and I was just some lowly fucking beast who didn't deserve a piece of her. But she had promised me that I owned her as much as she owned me. And if that was true, I didn't know how I'd ever let her go. If this time was waning then I would greedily take as much as I could of her now and brand her onto the inside of my skin. Because losing her was better than never having her. And I was too weak to fight my need for her now.
”
”
Caroline Peckham (Broken Fae (Ruthless Boys of the Zodiac, #4))
“
All I ever wanted was for you to be free and loved," he said softly. "And you have that now. Even if I wouldn't have exactly chosen this particular brand of happiness for you while I was alive.
”
”
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
“
brand-new and it feels as if you have known them for your entire life.” She glanced at Jonathan, then back to me, and my eyes met his for an extra beat as we both shifted in our seats as she looked on, amused. “Those sorts of things. If there are, indeed, multiple versions of ourselves out there, living different but similar lives, it may manifest as a constant restlessness or inability to find contentment in the life you have. Maybe a little boy grew up dreaming of being a firefighter but was forced to go into his father’s furniture business instead. In another life perhaps he did get to be a firefighter. And somewhere deep inside, he connects with that reality. He feels it and longs for it. It’s like a door cracks open for a fraction of a second and the subconscious gets to peek inside.
”
”
Kelley McNeil (A Day Like This)
“
*JESUS IN LONDON
'INASMUCH AS YE DID IT NOT—'
If JESUS came to London,
Came to London to-day,
He would not go to the West End,
He would come down our way;
He'd talk with the children dancing
To the organ out in the street,
And say He was their big Brother
And give them something to eat.
He wouldn't go to the mansions
Where the charitable live,
He'd come to the tenement houses
Where we ain't got nothing to give.
He'd come so kind and so homely,
And feed us with love and bread,
And then He'd tell us how to behave,
And then we'd mind what He said.
In the warm, bright, West End churches
They sing and preach and pray,
They call us “Beloved brethren,”
But they do not act that way;
And when He come to the church door
He'd call out loud and free,
“You stop that preaching and praying
And show what you've done for Me.”
Then they'd say, “Oh, Lord, we have given
To the poor both blankets and tracts,
And we've tried to make them sober
And we've tried to teach them facts.
But they will sneak round to the drink shop
And pawn the blankets for beer,
And we find them very ungrateful—
But still we persevere.”
Then He would say, “I told you
The time I was here before,
That you were all of you brothers,
All you that I suffered for.
I won't go into your churches,
I'll stop in the sun outside.
You bring out the men, your brothers,
The men for whom I died!”
Out of our lousy lodgings,
From arches and doorways about,
They'd have to do as He told them,
They'd have to call us out.
Millions and millions and millions,
Thick and crawling like flies,
We should creep out to the sunshine
And not be afraid of His eyes.
He'd see what God's image looks like
When men have dealt with the same—
Wrinkled with work that is never done,
Swollen and dirty with shame.
He'd see on the children's foreheads
The branded gutter-sign
That marks the girls to be harlots,
That dooms the boys to be swine.
Then He'd say, “What's the good of churches
When these have nowhere to sleep?
And how can I hear you praying
When they are cursing so deep?
I gave My blood and My body
That they might have bread and wine,
And you have taken your share and theirs
Of these good gifts of Mine!”
Then some of the rich would be sorry,
And all would be very scared;
And they'd say, “But we never knew, Lord!”
And He'd say, “You never cared!”
And some would be sick and shameful
Because they'd know that they knew,
And the best would say, “We were wrong, Lord.
Now tell us what to do!”
I think He'd be sitting, likely,
For someone 'ud bring Him a chair,
With a common kid cuddled up on His knee
And the common sun on His hair.
And they'd be standing before Him,
And He'd say, “You know that you knew.
Why haven't you worked for your brothers
The same as I worked for you?
“For since you're all of you brothers,
It's clear as God's blessed sun
That each must work for the others,
Not thousands work for one.
And the ones that have lived bone-idle,
If they want Me to hear them pray,
Let them go and work for their livings—
The only honest way!
“I've got nothing new to tell you;
You know what I always said.
But you've built their bones into churches
And stolen their wine and bread.
You with My name on your foreheads,
Liar, and traitor, and knave,
You have lived by the death of your brothers,
These whom I died to save.”
I wish He would come and say it;
Perhaps they'd believe it then,
And work like men for their livings
And let us work like men.
Brothers? They don't believe it,
The lie on their lips is red.
They'll never believe till He comes again
Or till we rise from the dead
”
”
E. Nesbit (Jesus In London By E. Nesbit: With Seven Pictures By Spencer Pryse)
“
Ryder showed me his left wrist, the Scorpio tattoo now embellished with intricate feathers surrounding it and the words My Hope curving underneath it. I followed the line of his forearm up to the Leo tattoo surrounded by flames with the words My Joy beneath it. Beyond that, he’d inked the Gemini symbol to his flesh with lightning daggering around it and the words My Mercy under it. Next was the Aquarius symbol with a rainbow arching over it like the stroke of a paintbrush and beneath it were the words My Duty, and finally Elise’s symbol of Libra with small Xs all around it like the mark he had branded on his chest. The words My Life sat beneath it and I looked up at Ryder with a frown.
”
”
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
“
Yeah, I got it. Boys and their bridges. I’m a fan of whatever depicts the Japanese as war criminals. Now that country knows how to spin PR—they’re like white people’s favorite Asian—talk about branding. At least the Germans own up to their history, actually teach it to their kids.
”
”
Angela Mi Young Hur (Folklorn)
“
She was branded on my body. She was sharing a room with me at school. She was my goddamn Elysian Mate. Gareth’s fucking sister. She had his phone. The messages. The death threats.
”
”
Caroline Peckham (Savage Fae (Ruthless Boys of the Zodiac, #2))
“
Liars lie. That’s what they do. That’s what he was doing. Lying, and in so doing trying to make me lie to myself. Trying to make me not trust my family. Liars lie by cutting you loose from what you thought was so and persuading you this other thing they are waving in front of you is the new truth. You will have come across many liars in your crowded world. I expect you knew this from the get-go. I imagine you were prepared for them, and knew how to deal with them. I hadn’t met a liar until Brand sailed into our lives. But I already knew this about how they work and what they feed on. Liars want you off balance and alone, so you can drown in self
”
”
C.A. Fletcher (A Boy and His Dog at the End of the World)
“
dead is what I’ll be if I can’t find that shoe. I’ll be pulverised like plasticine by Greasy Guillim if I have to go to school in my Reeboks again. Not that I can find my Reeboks either - I think they’ve decided to hide out and party with the rest of my footwear, but where? That is the question. My eyes are drawn to the shoebox in the corner, even as I struggle to avoid the elephant in the room. Well it’s not actually an elephant. Who’d have an elephant in their room? No, it’s a panda. But not just one panda – two! Two pandas I’ll be forced to wear on my feet, if I can’t come up with an alternative pretty quick. They’re still brand new, and that’s the way they’ll remain if I’ve anything to do with it. I know Granny Paddy’s old, but that’s no excuse for furry animal slippers at my age.
”
”
Jenny O'Brien (Boy Brainy (Dai Monday #1))
“
Consistent actions build respect, not words. I worked to develop my mass—that sense of who you are—into something that pulled others in. Since I was attracted to those who were tough and real, my roommates were Terry Brands, one of the more ferocious competitors in NCAA history, and Travis Fisher, a hard-nosed, small town Iowa boy. They asked me to room with them, and I jumped at the opportunity. I based every decision on principles that would lead me to greatness on the mat. Terry and Travis were blessings to live with as both had jumped the gap from believing to committing. I’ve learned Elite people have a bias toward action.
”
”
Tom Ryan (Chosen Suffering: Becoming Elite In Life And Leadership)
“
Now that I've had her in my arms. Had her under me, soft and willing and so fucking insane she makes me crave her brand of craziness with each breath I take, I know the answer. I'll fuck her and only her for the rest of my life if she lets me.
”
”
Lucy Smoke (Stone Cold Queen (Sick Boys, #2))
“
Sophia sweetly smiled as I helped her to her feet. Her white Adidas sneakers were silent as she crossed the tiled floor to stand in front of EBD. I stood by her side, daring that nigga to buck. “Open your mouth,” Sophia demanded. EBD grilled Sophia defiantly. “Baby, tell this nigga I don’t repeat myself,” Sophia said sweetly. I cocked my head to the left, grilling him. EBD opened his mouth, his eyes never leaving Sophia. Before he could blink, Sophia popped a dissolvable pill into his mouth. By the time he was trying to spit it out, it was too late. “You’re allergic to triptans and peanuts, right?” Sophia goaded as EBD fell to the floor in a panic. He began coughing, clawing at his throat as his eyes bulged. “Your friend, Dr. Mitchell knew everything about you. The tablet I just popped in your mouth, I happened to find at the bottom of a brand-new canister of roasted peanuts.” She smiled before dropping to her haunches at his side. EBD was wheezing and struggling for breath. Tears streamed from his eyes as they begged for help. “You’re suffering,” Sophia pretended to care. “That feeling that you feel is how you’ve made a lot of families feel over the years you’ve been carrying on this disgusting lifestyle. Burn in hell, muthafucka!” My baby got up and switched her sexy ass over to Gatah. She kissed his cheek. “Where the hell is my daughter-in-law? You were supposed to stay home with her.” Everyone chuckled. “I had to come make sure you and Pops ain’t fuck shit up.” I scoffed. “The fuck! Boy, I taught you this shit!” We all enjoyed a good laugh while we watched EBD take his last breath.
”
”
M Monique (A THUG HAS FEELINGS TOO: GATAH & YAYA'S HOOD LOVE STORY (SMITH Book 1))
“
Even before the first Soviet tanks crossed into Afghanistan in 1979, a movement of Islamists had sprung up nationwide in opposition to the Communist state. They were, at first, city-bound intellectuals, university students and professors with limited countryside appeal. But under unrelenting Soviet brutality they began to forge alliances with rural tribal leaders and clerics. The resulting Islamist insurgents—the mujahedeen—became proxies in a Cold War battle, with the Soviet Union on one side and the United States, Pakistan, and Saudi Arabia on the other. As the Soviets propped up the Afghan government, the CIA and other intelligence agencies funneled millions of dollars in aid to the mujahedeen, along with crate after crate of weaponry. In the process, traditional hierarchies came radically undone.
When the Communists killed hundreds of tribal leaders and landlords, young men of more humble backgrounds used CIA money and arms to form a new warrior elite in their place. In the West, we would call such men “warlords.” In Afghanistan they are usually labeled “commanders.” Whatever the term, they represented a phenomenon previously unknown in Afghan history. Now, each valley and district had its own mujahedeen commanders, all fighting to free the country from Soviet rule but ultimately subservient to the CIA’s guns and money.
The war revolutionized the very core of rural culture. With Afghan schools destroyed, millions of boys were instead educated across the border in Pakistani madrassas, or religious seminaries, where they were fed an extreme, violence-laden version of Islam. Looking to keep the war fueled, Washington—where the prevailing ethos was to bleed the Russians until the last Afghan—financed textbooks for schoolchildren in refugee camps festooned with illustrations of Kalashnikovs, swords, and overturned tanks. One edition declared:
Jihad is a kind of war that Muslims fight in the name of God to free Muslims.… If infidels invade, jihad is the obligation of every Muslim.
An American text designed to teach children Farsi:
Tey [is for] Tofang (rifle); Javed obtains rifles for the mujahedeen
Jeem [is for] Jihad; Jihad is an obligation. My mom went to the jihad.
The cult of martyrdom, the veneration of jihad, the casting of music and cinema as sinful—once heard only from the pulpits of a few zealots—now became the common vocabulary of resistance nationwide. The US-backed mujahedeen branded those supporting the Communist government, or even simply refusing to pick sides, as “infidels,” and justified the killing of civilians by labeling them apostates. They waged assassination campaigns against professors and civil servants, bombed movie theaters, and kidnapped humanitarian workers. They sabotaged basic infrastructure and even razed schools and clinics.
With foreign backing, the Afghan resistance eventually proved too much for the Russians. The last Soviet troops withdrew in 1989, leaving a battered nation, a tottering government that was Communist in name only, and a countryside in the sway of the commanders. For three long years following the withdrawal, the CIA kept the weapons and money flowing to the mujahedeen, while working to block any peace deal between them and the Soviet-funded government. The CIA and Pakistan’s spy agency pushed the rebels to shell Afghan cities still under government control, including a major assault on the eastern city of Jalalabad that flattened whole neighborhoods. As long as Soviet patronage continued though, the government withstood the onslaught.
With the collapse of the Soviet Union in late 1991, however, Moscow and Washington agreed to cease all aid to their respective proxies. Within months, the Afghan government crumbled. The question of who would fill the vacuum, who would build a new state, has not been fully resolved to this day.
”
”
Anand Gopal
“
Quick! What aisle are the douches in? I've got three bitches at the beach cottage and they all stick to high heaven."...
"You do carry Massengill, don't you? That's the best brand, according to my research."
"Ah..." What kind of man researches douches? A man who goes to bed with three women...
"Would you mind checking your inventory in the back? I'll need more."
"I'm not allowed to leave the register, but I'll be happy to page our stock boy."
Douche-man grunted and flipped the package around. "It's gonna take at least two boxes for Loa. She's big. Got wide hips. Skinny legs, though. Kinda like a twenty-gallon tank on toothpicks.
”
”
Vonnie Davis (For the Love of a Fireman (Wild Heat, #2))
“
Around Christmas season 1955, they forgot to lock their bedroom door and Anthony opened it late one night. He came in perhaps because of a nightmare, perhaps because the Christmas music was too loud on their radio, and so while “I Saw Mommy Kissing Santa Claus” played on, twelve-year-old Anthony saw his naked mother underneath his upraised naked father, he saw gripped legs and small white hands clutching large arms, and he saw unspeakable motion, and he heard his mother making noises as if she were in pain but yet not in pain. He made a noise himself, and Alexander, without even turning around, stopped moving, lay down on top of Tatiana to cover her, and said, “Anthony—” The boy was out, vanished, the door open wide. They tried to imagine the things he may have seen. They tried to feel grateful for the other—completely unexplainable—things that he could have seen and blessedly had not. “Should we build a house now?” Alexander asked. “Why?” Tatiana said. “You can leave the door unlocked in a brand new house just as well as in our mobile home. But now you better go talk to your son, Shura.” “Oh suddenly it’s a mobile home, not a trailer—and what am I supposed to say to him?” “I don’t know, Alexander Barrington, but you’re going to have to think of something, or do you want me to talk to him the way your mother talked to you?” “All right, let’s just take one small step back toward reality,” said Alexander. “My family and I were living in a communal apartment where the man in the next room kept bringing in whores he picked up at the train station. My mother had a responsibility. She was trying to scare me off with nightmarish stories of French disease. I don’t need to scare my boy off; I think what he’s seen tonight will put him off sex for life.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
Beer: All real men drink a specific brand of cheap beer. While I was growing up, my stepfather, who was the manliness man on the planet, drank Schlitz tall boys. There
was no room in the fridge, so he just left them on the counter and drank them warm. One day I asked him why he drank Schlitz, and he said, “It’s only 3.1 cents per
ounce. Beer is an acquired taste, so you might as well acquire a taste for cheap beer.” That’s some manly shit.
”
”
Forrest Griffin (Got Fight?: The 50 Zen Principles of Hand-to-Face Combat)
“
I live in the big house we’ve owned since David was a boy. I renovate when the whim takes me, and it takes me often, and the renovations are expensive. I get my hair done every fortnight, and I buy premium brands and I never, ever have to worry about how to pay the bills. Maybe I gave up some things to stay with Wyatt, and maybe even once he was an adult, I did it for David. I just don’t kid myself any more that there isn’t something in this life for me too.
”
”
Kelly Rimmer (A Mother's Confession)
“
Nothing is quite clear from the drug-fueled night when a blaze set in her apartment killed the little boy upstairs. But when the media brands Jess a child-killer, she starts to believe it herself.
”
”
M.R. Carey (Fellside)
“
Principal Fazil was chiefly concerned with maintaining discipline, which required a proper harmony and order between, on the one hand, ther children of respectable families, who in class always sat in the front rows, and, on the other hand, the throngs of poorer boys. He had developed his own brand of thinking on this subject and shared it every Monday during the flag-raising ceremony, distilled as a slogan: "A good education removes the barriers between rich and poor!" Mevlut wasn't quite sure whether Principal Fazil meant to say to his poorer students, "If you study hard and finish school, you, too, will be rich," or whether he meant, "If you study hard and finish school, no one will notice how poor you are.
”
”
Orhan Pamuk (A Strangeness in My Mind)
“
Her breath caught in her chest and she couldn't seem to form words. She was too busy reveling in the reality that she was in the exact place she'd dreamed of being, for so long. It was light years better than anything she'd ever fantasized it would be. His hands were big, but gentle. His words soothed, but there was an edge to his voice that incited as well. And he was bigger somehow, more imposing, more densely muscled than she'd imagined him to be. She'd thought of him as the tall, lanky golden boy, all sunny good looks and breezy charisma.
But, looking up at him from where she was, tucked in the shelter of his body, she could see the street in him. She'd had a hard time imagining that such a good-natured charmer could have been forged from the rough and tumble life he'd described. But she believed it now. There was a hard edge to his jaw, and the muscles in his shoulders bunched tightly as he skimmed his fingers into her hair. He exuded heat, and she swore she could feel the thudding beat of his heart, even with the bedspread bunched between them.
"What are you thinking?" He brought his fingertips back to her cheeks, then ran them along her bottom lip.
She moaned softly at the contact, and recalled, quite vividly, the way he'd leaped the counter and taken her in that claiming, branding kiss. Yes, there was a lot more rough and tumble to Baxter Dunne than she'd ever imagined. And now all that rough and tumble was sprawled naked in her bed, focusing a formidable level attention on her.
"You've nothing to be afraid, of, luv," he said, as if reading her mind. And maybe he had. Or maybe there was something of what she was feeling in her eyes.
She felt like she was tucked up against a jungle cat, muscles coiled and bunched... just waiting, tail flicking, all languid and relaxed to the casual eye, all poised for just the right moment to pounce.
”
”
Donna Kauffman (Sugar Rush (Cupcake Club #1))
“
Mel was over at my house, prepping me for date night because she felt the need to sluttify my outfit so I could stand a chance against Clotile’s “free-balling lady lumps.”
The girl had shown up at the game last night in a tube top and skintight boy shorts.
I told myself Brand would’ve missed those plays anyway. Hey, we’d still managed to eke out a win.
”
”
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
“
There it is, forming behind us: The Fat Blue Phalanx. All the smug self-satisfied maleness you can drink, and free refills at the station house. It's all I can see in cops, that patriarchal bullshit that will never yield to a contract of mutual respect. That grunting fuck-obsessed inability to deobjectify you and treat you as a person, it’s a subclass of male that will never, ever change, no matter what. There they are with their uniforms and their discipline, an abstract and codified representation of all the construction workers who ever whistled at you and there you were, too polite to pee in their toolboxes in retaliation, too polite to challenge them, walking away red-faced because the worst part of it is that you were wondering whether they were really whistling like they’d whistle at Caprice or if they were just being sarcastic and were even now laughing at you with your short skinny legs and flat ass. Besides you’re not supposed to let it get to you. You’re supposed to have a sense of humour: they do. See them waving their cocks at each other and farting? You aren’t allowed to break the rules of their society which say that you are a cold uptight lesbian bitch if you don’t like their hohoho aggressive male ways so just hold your head high from your position of moral superiority and go home and tell your boyfriend (if you have one, which I don’t) who if you’re lucky will offer to go beat them up knowing you won’t take him up on it because you know perfectly well he’d probably get his ass kicked, most of the boys you know are highly ass-kickable because they’ve been brought up nicely. They were brought up in the luxury of knowing the money power of the military-industrial complex would protect them from the dirt and the grime of uneducated testosterone. its thanx to our weak boyfriends that we have cops at all, surrogate cock and balls to maintain ‘order’, whatever that is. Or was. And where does it really leave you as a prisoner of the suburbs? Fuming over some tiny incident that the aggressors have already forgotten about, but you have the sinking feeling you've just sniffed the true underbelly and the aroma was not what you get in Calvin Klein ads. Scratch 'n' sniff, scratch 'n' sniff, peel the onion... will you ever get down to the reality of what this place is about? And I know I shouldn't brand individual cops with the big blue brush but in my mind these guys are a symbol of the whole iron-cage Boy system that makes me always a victim, no matter what I do, it's a cage I can't escape. I'm the little princess. They dominate, they aggress, they protect.
”
”
Tricia Sullivan (Maul)
“
The Morning Advertiser gave regular bulletins about missing children after the arrests of Bishop, Williams and May: Caroline
Brand, eight, of Wolverley Street, Hackney Road, sent out by her parents to sell bundles of firewood
one evening, and not seen again, just as her thirteen-year-old brother had disappeared, five months before; and Henry Borroff, a five-year-old of Hoxton Old Town — gone.
”
”
Sarah Wise (The Italian Boy: A Tale of Murder and Body Snatching in 1830s London)
“
He hated them, he absolutely hated them, the golden boys. He hated their blondness, their insincere smiles, their designer sunglasses, their designer swimmers and their designer sports gear. They made him feel dark and short and dirty. He detested them and he couldn't wait till he was wearing those sunglasses. till he had those brand names across his sweatshirt, impatient for when those microphones and those cameras were going to be in his face
”
”
barracuda
“
Melba comes over and takes our baskets away, interrupting the conversation. Once she’s gone, my eyes drop to the table. Holy crap. The only things left are two placemats, mine and Dev’s. His looks brand new, but mine, on the other hand, is covered in a sample of every bit of food that passed through my lips. Fish? Yes. Fish coating? Yes. Hushpuppy guts? Yes. Coleslaw? Of course. It’s like a Chicken Licken bomb went off at our table, but only left shrapnel in front of me. How embarrassing! Now he knows I eat like a total warthog! Dev doesn’t say a word. Instead, he lifts his placemat up, reaches over and slides my placemat to his side of the table, and then places his down in front of me. Now he’s the warthog, and I’m the princess who wouldn’t dare drop a speck of hushpuppy anywhere but on her napkin. I know it’s crazy, but tears well up in my eyes. This has to be the single most chivalrous, charming thing a man has ever done for me. Forget opening doors and throwing jackets over puddles. When a man covers for me, taking the heat for my horrible table manners, he wins my loyalty for life. When Melba returns with sweet tea refills, she looks down at the table and smiles. She doesn’t need to say anything; she just looks at me and winks. My heart feels like it’s filling up so full with happiness that it’s going to explode. “You
”
”
Elle Casey (Wrong Place, Right Time (The Bourbon Street Boys, #2))
“
Gorm’s minister frowned up at them. Interested, but not wanting to seem interested. “Don’t toy with me, boy.” “Never been much good at toying,” said Brand. “I had a short childhood.” Mother
”
”
Joe Abercrombie (Half the World (Shattered Sea, #2))
“
The obedience strip began to glow at 1492 steps, and with it came the pain. A hundred steps before the fence. Stabbing then easing, then stabbing harder. Like a branding iron sizzling skin at first touch, then easing in a rush of endorphins, only to turn into an inescapable agony as it bit deeper into the skin. Retra knew how branding felt. Seal girls and boys received theirs at puberty. The strong ones didn’t make a sound when the hot iron bit their flesh. Retra hadn’t been strong. Then.
”
”
Marianne de Pierres (Burn Bright (Night Creatures, #1))
“
Next!’ The judgement issues summarily from the review panel before Sexecutioner has even a chance to drop his first motherfucker. For a moment, the boys remain rooted to the spot in ungangsta-like attitudes of woundedness, mocked by the drumbeat that is still thumping around them; then, unplugging the ghettoblaster, they clamber down and make the walk of shame to the exit.
‘What in God’s name was that?’ the Automator says as soon as they have left.
Trudy peers down at her clipboard. ‘ “Original material.” ’
‘Our old friend original material,’ the Automator says grimly. ‘I’ve had some plumbing mishaps that sounded a little like those guys.’
‘It did have a certain rough-hewn vitality,’ Father Laughton moderates.
‘I’ve said it before, Padre, this concert’s not about rough-hewn. It’s not about “doing your best”. I want professionalism. I want pizazz. I want this concert to put the Seabrook name out there, tell the world what we’re all about.’
‘Education?’
‘Quality, damn it. A brand right at the top of the upper end of the market. God knows that’s not going to be easy. I’ve given serious thought to bussing in other kids, talented kids, just so we don’t have to drop the curtain after half an hour –
”
”
Paul Murray (Skippy Dies)
“
These are the boys of Pointe du Hoc. These are the men who took the cliffs. These are the champions who helped free a continent. These are the heroes who helped end a war.
”
”
H.W. Brands (Reagan: The Life)
“
The boys hopped into Lee’s brand new, shiny, red truck and started the drive to Freddy’s Pizza. The place was not too far away, especially with Lee’s wild driving. About 15 minutes later, the boys arrived at the pizza place. They grabbed their supplies and locked the car. They walked up to the front door and looked inside. All the lights were off and the door was locked. Stampy reached into his pocket and pulled out a key. He put it into the lock and opened the door up. The restaurant was pitch black. The boys could not see anything. Stampy felt around the wall and found the light switch. As soon as he turned around, his jaw dropped. Roaming around in the shadows of restaurant were animatronics characters. They had creepy smiles and eyes that were scarier than the Ender Dragon! The boys began shaking. On the floor was a notepad. They quickly grabbed and read it. The note was written by the previous security guard it seemed. Apparently this place wasn’t as fun at night as it was during the day…. The boys could hear the metallic noises of the animatronics. Their hearts began racing. Stampy felt something behind him. He looked up in horror… It was Freddy the bear behind Stampy! He had glowing red eyes and looked like he was about to eat Stampy for dinner! The boys ran out of the door faster than ever.
”
”
Mineberg Books (Five Nights With Stampy Cat – Full Series (Night 1 – Night 5): A FNAF Story Comic Book ft. Stampylongnose (Unofficial))
“
Forget About Him"
The radio's on But I'm sittin' in the backyard The feeling isn't gone Oh, you know it's going to be so hard To do what I've got to do When the rooster next door says "Cock-a-doodle do" I'll forget about him
I'll forget about him (Don't worry) I'll forget about him (You betcha) I'll forget about him
The flowers are in bloom Well it just makes me more lonely There's too much damn room For me and for me only I always thought that my love was enough Now I know that it's going to be rough rough rough To forget about him
I'll forget about him (Don't worry) I'll forget about him (I'll do it) I'll forget about him
Well have you forgotten, have you forgotten yet? No, not yet The sun's on the horizon Goin' down, down
Baby, where you goin' Hey, where you goin' Honey, where you goin' Hey, when you comin' back When you comin' back?
You're just a speck moving through the fields When you comin' back, back
There's a boy up the road And he wants to take me out some Well he doesn't know That I'm not gonna be too much fun 'Cause when he kisses me I'm gonna cry I do believe that I'm gonna have to die To forget about him
I'll forget about him (I'll do it) I'll forget about him (Don't worry) I'll forget about him
If I forget about him I'll be on easy street And my feet will walk with a breezy beat If I forget about, forget about, forget about him If I forget about him and I'm gonna do it And the whole crazy world is gonna be brand new I'll forget a-, forget a-, forget about him
Well have you forgotten, have you forgotten yet? No, not yet The sun's on the horizon going down, down, down, down
”
”
Devandra Banhart
“
But it isn’t the fun of DIY invention, urban exploration, physical danger, and civil disorder that the Z-Boys enjoyed in 1976. It is fun within serious limits, and for all of its thrills it is (by contrast) scripted. And rather obedient. The fact that there are public skateparks and high-performance skateboards signals progress: America has embraced this sport, as it did bicycles in the nineteenth century. Towns want to make skating safe and acceptable. The economy has more opportunity to grow. America is better off for all of this. Yet such government and commercial intervention in a sport that was born of radical liberty means that the fun itself has changed; it has become mediated. For the skaters who take pride in their flashy store-bought equipment have already missed the Z-Boys’ joke: Skating is a guerrilla activity. It’s the fun of beating, not supporting, the system. P. T. Barnum said it himself: all of business is humbug. How else could business turn a profit, if it didn’t trick you with advertising? If it didn’t hook you with its product? This particular brand of humbug was perfected in the late 1960s, when merchandise was developed and marketed and sold to make Americans feel like rebels. Now, as then, customers always pay for this privilege, and purveyors keep it safe (and generally clean) to curb their liability. They can’t afford customers taking real risks. Plus it’s bad for business to encourage real rebellion. And yet, marketers know Americans love fun—they have known this for centuries. And they know that Americans, especially kids, crave autonomy and participation, so they simulate the DIY experience at franchises like the Build-A-Bear “workshops,” where kids construct teddy bears from limited options, or “DIY” restaurants, where customers pay to grill their own steaks, fry their own pancakes, make their own Bloody Marys. These pay-to-play stores and restaurants are, in a sense, more active, more “fun,” than their traditional competition: that’s their big selling point. But in both cases (as Barnum knew) the joke is still on you: the personalized bear is a standardized mishmash, the personalized food is often inedible. As Las Vegas knows, the house always wins. In the history of radical American fun, pleasure comes from resistance, risk, and participation—the same virtues celebrated in the “Port Huron Statement” and the Digger Papers, in the flapper’s slang and the Pinkster Ode. In the history of commercial amusement, most pleasures for sale are by necessity passive. They curtail creativity and they limit participation (as they do, say, in a laser-tag arena) to a narrow range of calculated surprises, often amplified by dazzling technology. To this extent, TV and computer screens, from the tiny to the colossal, have become the scourge of American fun. The ubiquity of TV screens in public spaces (even in taxicabs and elevators) shows that such viewing isn’t amusement at all but rather an aggressive, ubiquitous distraction. Although a punky insurgency of heedless satire has stung the airwaves in recent decades—from equal-opportunity offenders like The Simpsons and South Park to Comedy Central’s rabble-rousing pundits, Jon Stewart and Stephen Colbert—the prevailing “fun” of commercial amusement puts minimal demands on citizens, besides their time and money. TV’s inherent ease seems to be its appeal, but it also sends a sobering, Jumbotron-sized message about the health of the public sphere.
”
”
John Beckman (American Fun: Four Centuries of Joyous Revolt)
“
Careful What You Ask For Protection and Prayer A girl asked her boyfriend over to dinner and to meet her parents, and told him that after that she’d like to go out and have sex with him for the first time. The boy is excited by the prospect, but he’s a virgin and so he goes to his father for advice. His father gives him some pointers on how to do it right, and then tells him he’d better go down to the pharmacist and get some protection. So the boy went to the pharmacist and explained the situation. The pharmacist told him about condoms and showed the boy the selection the drug store carried, and the boy selected a brand and a quantity that he thought would be good. That evening he went to his girlfriend’s house to have dinner and meet her parents. He goes inside and finds her parents already seated at the table. He offers to say grace, so everyone bows their heads. The boy takes an amazingly long time to say the prayer. After twenty minutes have gone by, the girl leans over and whispers to her boyfriend, “I didn’t know you were so religious.” The boy whispered back to her, “I didn’t know your dad was a pharmacist.
”
”
Ronald T. Boggs (The Funniest Joke Book! Best Collection Of Jokes In The Kindle Library!)
“
What is the main thing you’re around here to do? What’s your mission and vision? What are your short- and long-term business strategies? What makes you stand out as a business and also keeps your employees engaged and dedicated? What engages the fan-boy crowd that drives your social media engagement and carries your brand flag without the paycheck?
”
”
William Leake (Complete B2B Online Marketing)
“
And his face—the way he laughed—why he didn’t look like no fool at all, boys. But just as if he’d waked up!
”
”
Max Brand (The Max Brand Megapack)
“
All through my life, culturally reinforced signals cautioned me against being branded as too smart or too successful. It starts young. As a girl, you know that being smart is good in lots of ways, but it doesn’t make you particularly popular or attractive to boys.
”
”
Sheryl Sandberg (Lean In: For Graduates)
“
the horses to the oak freight wagon, and McCloskey helped him load, distributing the weight evenly in the wagon. When they were done, Johnny got a tarpaulin, and as he'd done many times, he threw it over the load and tucked it in carefully to keep out any rain he might encounter. Finally he'd strapped it all down tight with ropes. McCloskey had looked over the load and said, "Good job, Johnny. You sure you can do this run by yourself?" He said, "I'm sure I'll be fine, Fleet. It's just 19 miles over there and mostly flat. I won't have to use the brakes at all." "Be sure though and set the brake when you stop." Johnny nodded, and Fleet asked, "You got your book?" Nodding and smiling, Johnny said, "Yessir, got it," as he drove the wagon out of the warehouse yard, headed west to Forest City, which was often referred to as "Irish City" because it had been settled by Irishmen. The folks there were still mostly Irish, which was evident from the heavy Irish lilt to the speech of many of the folks living there. McCloskey's face showed tiny creases of worry as he watched Johnny drive off. He was a good boy, but he was still a boy being asked to do a man's job. In his year on the job, Johnny had grown to be a fine young man. He was only a few inches short of six feet, and he'd added a lot of muscle. He could lift as much as most of the teamsters. Even so, McCloskey worried about sending the boy out alone, but he'd had no choice in the matter. He'd promised the load would reach Forest City by tomorrow morning. Johnny had a brand-new Spencer repeating rifle leaning against his leg. Peter Sarpy, the owner, had used his contacts back east and gotten a shipment of the new rifles. Now, with his four drivers armed with repeating rifles, Sarpy worried a little less about being robbed. But the rifle made Johnny worry more because if outlaws did hit a wagon, they'd kill the driver if he lifted a rifle. Johnny had helped take a load to Forest City with old Monk Beeson two weeks before, and they hadn't had any problems, and he didn't expect any problems with today's load. But during that trip, Beeson had told Johnny about an outlaw gang living a few miles north of Forest City led by a man the Irish called Ranger Jones who collected tribute from prospective
”
”
R.O. Lane (Johnny Hayes)
“
I smile, and for the first time in a long time, I send thanks to Mama Luda’s God. My smile slowly turns into a chuckle as he continues to stare at me, uncomprehending. I shake my head. “I’m well aware that my father is dead,” I tell him. “I wasn’t talking about Ivan or Ace. I was talking about someone much worse.” “Who could be worse than the Undead?” he muses, seeming entertained by my apparent confidence. My smile widens. “My own brand of Heaven and Hell,” I tell him honestly. “The Undead aren’t nearly as cruel as the living, and he’ll be coming soon.” I know my man. He’ll always come.
”
”
Lucy Smoke (Bloody Cruel Monster (Sick Boys, #6))
“
I take a breath, indulging in that distinct book smell. There's only one thing I love more than the smell of fresh-baked bread and that's the smell of books. Max's store is a combination of used and new books, and I find the scent intoxicating. There's something about the aroma of paper at every possible stage for a book: brand new, hot off the printing press, decades old, covered in dust and moisture. Yeah, it's probably a little weird. But I don't care. To me, it's divine.
”
”
Sarah Echavarre Smith (The Boy With the Bookstore)
“
I watched as masculine girl children like myself - referred to as tomboys - and feminine boys - branded as sissies and pansies - were shamed, threatened, beaten, and terrorized into conforming to a pinker or bluer tint of gender. Many of the accommodations they adapted as teenagers - longer or shorter hair, a practiced swagger or sway, or an exaggerated public exhibition of heterosexuality - did little to conceal their forbidden gender expression, but instead twisted their whole beings into a countenance of self-loathing and defeat.
”
”
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
“
The youngest of three children and orphaned as a young boy, Smoke Jensen is considered one of the fastest draws in the West. His quest to tame the lawless West has become the stuff of legend. Smoke owns the Sugarloaf Ranch in Colorado. Married to Sally Jensen, father to Denise (“Denny”) and Louis
”
”
William W. Johnstone (The Jensen Brand)
“
that devil who of old wickedly exulted in death, now that the pains of death are loosed, he alone it is who remains truly dead. There is proof of this too; for men who, before they believe in Christ, think death horrible and are afraid of it, once they are converted despise it so completely that they go eagerly to meet it, and themselves become witnesses of the Savior’s resurrection from it. Even children hasten thus to die, and not men only, but women train themselves by bodily discipline to meet it. So weak has death become that even women, who used to be taken in by it, mock at it now as a dead thing robbed of all its strength. Death has become like a tyrant who has been completely conquered by the legitimate monarch; bound hand and foot the passers-by sneer at him, hitting him and abusing him, no longer afraid of his cruelty and rage, because of the king who has conquered him. So has death been conquered and branded for what it is by the Savior on the cross. It is bound hand and foot, all who are in Christ trample it as they pass and as witnesses to Him deride it, scoffing and saying, “O Death, where is thy victory? O Grave, where is thy sting?” (1 Corinthians 15:55). (28) Is this a slender proof of the impotence of death, do you think? Or is it a slight indication of the Savior’s victory over it, when boys and young girls who are in Christ look beyond this present life and train themselves to die?
”
”
Athanasius of Alexandria (On the Incarnation)
“
The boy can write while I ask him the brand new Maple!
”
”
Petra Hermans (Voor een betere wereld)
“
I believe in God,” says my nan, in a way that makes the idea of an omnipotent, unifying frequency of energy manifesting matter from pure consciousness sound like a chore. An unnecessary chore at that, like cleaning under the fridge. I tell her, plucky little seven-year-old that I was, that I don’t. This pisses her off. Her faith in God is not robust enough to withstand the casual blasphemy of an agnostic tot. “Who do you think made the world, then?” I remember her demanding as fiercely as Jeremy Paxman would later insist I provide an instant global infrastructure for a post-revolutionary utopia. “Builders,” I said, thinking on my feet. This flummoxed her and put her in a bad mood for the rest of the walk. If she’d hit back with “What about construction at a planetary or galactic level?” she’d’ve had me on the ropes. At that age I wouldn’t’ve been able to riposte with “an advanced species of extraterrestrials who we have been mistakenly ascribing divine attributes to due to our own technological limitations” or “a spontaneous cosmic combustion that contained at its genesis the code for all subsequent astronomical, chemical, and biological evolution.” I probably would’ve just cried. Anyway, I’m supposed to be explaining the power of forgiveness, not gloating about a conflict in the early eighties in which I fared well against an old lady. Since getting clean from drugs and alcohol I have been taught that I played a part in the manufacture of all the negative beliefs and experiences from my past and I certainly play a part in their maintenance. I now look at my nan in another way. As a human being just like me, trying to cope with her own flaws and challenges. Fearful of what would become of her sick daughter, confused by the grandchild born of a match that she was averse to. Alone and approaching the end of her life, with regret and lacking a functioning system of guidance and comfort. Trying her best. Taking on the responsibility of an unusual little boy with glib, atheistic tendencies, she still behaved dutifully. Perhaps this very conversation sparked in me the spirit of metaphysical inquiry that has led to the faith in God I now have.
”
”
Russell Brand (Revolution)
“
I was thinking that even if I believed that life was pointless, lost faith in the woman I loved, lost faith in the order of things, or even became convinced that I was surrounded by a disorderly, evil, perhaps devil-made chaos, even if I were completely overcome by the horrors of human despair—I would still want to live on; once I have started drinking from this cup, I won’t put it down until I have emptied it to the last drop. It’s quite possible, though, that by the time I’m thirty I will have tossed away the cup without really having finished it, and I will go off in who knows what direction. I know for sure that until then my youth will have overcome everything—every disappointment, every disgust caused by life. Many times I’ve asked myself whether there is anything in the world that could crush my frantic, indecent appetite for life, and have decided that it looks as though nothing of the sort exists. But, of course, that may be true only until I reach the age of thirty, for then I may lose interest in life altogether, at least so it seems to me. This appetite for life is often
branded as despicable by various spluttering moralists and even more so by poets. It, of course, is the outstanding feature in us Karamazovs—and you, too, you have this inordinate appetite for life, I’m certain of it—but what is there so despicable about it? There’s still an enormous amount of centripetal force left in our planet, Alyosha, my boy, so I want to live and go on living, even if it’s contrary to the rules of logic. Even if I do not believe in the divine order of things, the sticky young leaves emerging from their buds in the spring are dear to my heart; so is the blue sky and so are some human beings, even though I often don’t know why I like them; I may still even admire an act of heroism with my whole heart, perhaps out of habit, although I may have long since stopped believing in heroism.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
They looked young and clean shaven and eager in brand-new helmets; with medals glinting on their gray-green uniforms. Young most of all. Not monsters; just boys, really.
”
”
Kristin Hannah (The Nightingale)
“
I was a brand new gender
Not a man, woman, boy or a girl
I was a brand new species
In a mixed up, muddled up, shook up world
”
”
Pete Burns
“
Out On The Weekend"
Think I'll pack it in
and buy a pick-up
Take it down to L.A.
Find a place to call my own
and try to fix up.
Start a brand new day.
The woman I'm thinking of,
she loved me all up
But I'm so down today
She's so fine, she's in my mind.
I hear her callin'.
See the lonely boy,
out on the weekend
Trying to make it pay.
Can't relate to joy,
he tries to speak and
Can't begin to say.
She got pictures on the wall,
they make me look up
From her big brass bed.
Now I'm running down the road
trying to stay up
Somewhere in her head.
The woman I'm thinking of,
she loved me all up
But I'm so down today
She's so fine she's in my mind.
I hear her callin'.
See the lonely boy,
out on the weekend
Trying to make it pay.
Can't relate to joy,
he tries to speak and
Can't begin to say.
Neil Young, Harvest (1972)
”
”
Neil Young (Harvest)
“
If freedom is about looking awful then I leave it to your revolutionaries like Comrade Dulcie. I’ll have none of it and I’ll have none of your lies. Liberate yourself and face up to being a Tupperware boy, light, multipurpose, adaptable. We’re brand new Tupperware people and should thank God for that.
”
”
Zoë Wicomb (David's Story)
“
Creature comfort is not some bourgeois capitalist construct, but framing it as a moral virtue sure is. It's what the French call Nostalgie de la Boue: a fond yearning for the mud. Two things have to be in place to really appreciate this particular brand of gluttony posing as asceticism. First, you have to have endured years and years of plenty, the mud a long-distant, nearly forgotten memory. One must have decades of such surfeit under your belt that you have been fortunate enough to grow sick of it all... And second - and this is what really separates the men from the boys - in order to maintain a life free of clutter and suitable for a sacred space, you'll need another room to hide your shit.
”
”
David Rakoff (Don't Get Too Comfortable: The Indignities of Coach Class, the Torments of Low Thread Count, the Never-Ending Quest for Artisanal Olive Oil, and Other First World Problems)
“
I started covering mine when I started performing. Mainly because my parents wanted me to, but also because I couldn’t stand the reminders of those low points in my life. The scars were ugly, and I got tired of seeing them. It helps that tattoos add to the whole bad boy brand I was aiming for. Somehow, men’s mental health does not.
”
”
Sav R. Miller (Vipers and Virtuosos (Monsters & Muses, #2))
“
How nice to see you.” “Hello, Percy,” said Harry, trying not to laugh. “I hope you’re well?” said Percy pompously, shaking hands. It was rather like being introduced to the mayor. “Very well, thanks —” “Harry!” said Fred, elbowing Percy out of the way and bowing deeply. “Simply splendid to see you, old boy —” “Marvelous,” said George, pushing Fred aside and seizing Harry’s hand in turn. “Absolutely spiffing.” Percy scowled. “That’s enough, now,” said Mrs. Weasley. “Mum!” said Fred as though he’d only just spotted her and seizing her hand too. “How really corking to see you —” “I said, that’s enough,” said Mrs. Weasley, depositing her shopping in an empty chair. “Hello, Harry, dear. I suppose you’ve heard our exciting news?” She pointed to the brand
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
marines – I imagine that marines who don’t eat meat are a small demographic. I then chatted to a few lads. Mostly they were working-class boys who were always destined to end up in a violent gang of some description and had sensibly joined a very well-funded one.
”
”
Russell Brand (Revolution)
“
Radhanath Swami once told me a story from the Bhagavad Gita about Krishna as a boy that exemplifies the necessity for lightness and joy when confronting dark power. As is often the case in mythical tales, a village was besieged by the mischief and evil perpetrated by a tyrannical and wicked serpent. This serpent was a real arsehole and was living in the lake where the villagers got all their water. He had multiple heads – that means he was a hydra, a many-headed monster – and he had a few wives too. Oddly they are depicted as human, and if you don’t mind my saying so, quite fit. When I saw them, in the form of a statue depicting the event, I was peeved that this venomous troublemaker got to live in his lake with such top-notch crumpet. To say nothing of the fact that there were two of them. In the proper version of the story, when told by a monk (to me in my garden),
”
”
Russell Brand (Revolution)
“
She was watching me out of the corner of her eye. She put a hand to her white hair. I said hi toots you got a match? Hepzibah Dodd smiled a faded smile. She picked up her copy of An Inquiry Into the Nature and Causes of the Wealth of Nations. By Adam Smith. She stood and grabbed my arm. She had a grip like a brand-new bear trap. Her voice was quavery. She said of course big boy. She said in my apartment.
”
”
Ross H. Spencer (The Radish River Caper (The Chance Purdue Mysteries Book 5))
“
I'll always be a monster, baby. I'll be the reason Fae lock their doors at night in Alestria, I am branded on the inside of my enemies' skulls and my name will always strike fear into their hearts. But I will also be your monster, if you'll have me. If you deem me worthy. I don't have much to give but a blackened heart and a tarnished soul, but they're yours because...” I took a breath and expelled my deepest truth, “I love you.
”
”
Caroline Peckham (Broken Fae (Ruthless Boys of the Zodiac, #4))
“
In July 2017, about four years after BTS’s debut, Big Hit Entertainment unveiled the group’s new brand identity and added a new meaning to their name. In addition to the original meaning of “Boys who protect teenagers from oppression and prejudice” in “Bulletproof Boy Scouts,” “Beyond The Scene” indicates the group’s mission to always aim for the horizon, reaching for their dreams without resigning themselves to reality.
”
”
BTS (Beyond The Story: 10-Year Record of BTS)
“
Did that bastard, Osborn, relive it night after night in his sleep? Raffe knew he did not. Even when Lord Osborn had issued those orders which other men were forced to carry out, he had given less thought to them than a boy snapping the neck of a snared bird. He knew Gerard would have to carry out those commands. Osborn was Gerard's liege lord and Gerard was bound by the oath of fealty to serve him. To refuse to obey his command on the field of battle was unthinkable. Any man who did as much would be branded a coward and a traitor.
That night, after it was all over, Raffe had watched Osborn with his younger brother, Hugh, tossing down a flagon of sweet cypress wine, already planning the next day's sport, and it was plain he had already forgotten the whole incident. But then it is easy to forget if you only have to say the words and don't have to look into terrified faces or hear the screams echoing again and again through all the long dark nights.
”
”
Karen Maitland (The Gallows Curse)
“
Boys, here's where I cash in my chips.[House judiciary committee chairman Hatton Summers(D) to Vice President John Nance Garner about Franklin D. Roosevelt's plan to 'pack the court'.]
”
”
H.W. Brands (Traitor to His Class: The Privileged Life and Radical Presidency of Franklin Delano Roosevelt)
“
HEROES ARE DESIGNED TO TRANSFORM At the beginning of a story, the hero is usually flawed, filled with doubt, and ill-equipped for the task set before them. The guide aids them on their journey, rife with conflict. The conflict begins to change the character, though. Forced into action, the hero develops skills and accrues the experience needed to defeat their foe. Though the hero is still filled with doubt, they summon the courage to engage, and in the climactic scene defeat the villain, proving once and for all they have changed, that they are now competent to face challenges and are better versions of themselves. The story has transformed them. This same character arc, by the way, is the arc for The Old Man and the Sea, Pride and Prejudice, Pinocchio, Hamlet, Sleeping Beauty, and Tommy Boy. It’s the arc of almost every popular story we can name. Why? Because it’s our story. Feelings of self-doubt are universal, as is the desire to become somebody competent and courageous. And all of this matters when it comes to branding our products and services. A few important questions we have to ask ourselves when we’re representing our brand are: Who does our customer want to become? What kind of person do they want to be? What is their aspirational identity?
”
”
Donald Miller (Building a StoryBrand: Clarify Your Message So Customers Will Listen)
“
I thought the horses would run over me, that any moment their feet would crush my back and head. Something struck me, and I fell and landed on my face; dust filled my eyes. I heard the sound of a man landing from his horse and some shuffling. Then I was in the air. I had been lifted by the man, whose hand was gripping my ribs, the other hand my legs.
...
He had put me on his saddle and he tied me onto it. I felt a rope against my back, digging into my skin. He was tying me to the horse.
...
Two days later I was thrown onto the ground and told that that was where I would be sleeping. I awoke to the smell of something burning. It smelled like flesh on fire... the Arab was putting a burning metal rod to my head. He was branding me. In my ear he branded the number 8, turned on its side.
Moses turned to show me. It was a very rough marking, the symbol raised and purple, scarred into the flesh behind his ear.
—Now you will always know who owns you, this man said to me. The pain was so intense that I passed out. I woke when I was being lifted. I was thrown on the saddle again and he tied me down again, this time tighter than before. We rode for two more days.
...
It was some kind of military camp. Hundreds “of boys like me were there, all under twelve, Dinka and Nuer boys. I was put in a huge barn with all of these boys, and we were locked inside. There was no food. The barn was full of rats; everyone was being bitten by them.
...
Every time there was a battle, the boys would be brought out from the barn and made to give blood.
...
I was put on a horse again and we rode for many days. We stopped at a house, a very well-built house. It was the house of an important man, Captain Adil Muhammad Hassan. I learned that I was being given as a gift. Hassan was very thankful and the two of them went inside to eat. I was still tied to the horse outside. They were gone inside all evening and I stayed on the horse.
...
The man had two wives, and three children, all the children very young. I thought that the kids would be decent to me, but they were crueler than their parents. The kids were taught to beat me and spit on me. “The kids especially liked to whip me. The oldest boy, when he was left alone with me, would whip me without pause.
...
I squatted in the yard like a frog, and he brought his children out and told them to jump on me. They sat on my back and pretended that I was a donkey, and they laughed, and Hassan laughed. They called me a stupid donkey. And the kids fed me garbage. They said I had to eat it, so I ate it—anything they gave me. Animal fat, tea bags, rotten vegetables.
...
“There was another Sudanese there, a girl named Akol. She worked in the kitchen, mostly, but she was pregnant with Hassan’s baby so his wife hated her. The wife would find Akol crying for her mother and she would scream at her, threatening to slit her throat with a knife. She called her bitch and slave and animal.
”
”
Dave Eggers (What Is the What)
“
Then there were the two Israels: one Israel still basking in its successful brand as one of the world’s leading go-to places for venture capitalists, an outlier in the Middle East with the third most companies listed on the NASDAQ after the United States and China, and another Israel whose schoolchildren scored toward the bottom of a long list of developed countries in math, science, and reading. Pupils in the Arabic education system did worse than those in many predominantly Muslim and developing countries. The ultra-Orthodox schools, where boys barely studied such core subjects, were not even included in the testing process.
”
”
Isabel Kershner (The Land of Hope and Fear: Israel's Battle for Its Inner Soul)
“
what ends up in those barrels is called ‘the heart’ for a reason. It might be the Kentucky water, the thriving culture of bourbon, but I believe what makes Foxx Bourbon the best bourbon is the pride poured into those barrels and the respect the Foxx family has for it. As they celebrate 100 years of bourbon, one of the most distinguished brands keeps the heart while evolving as palates and audiences change.
”
”
Victoria Wilder (Bourbon & Secrets (The Bourbon Boys, #2))
“
There was a particular brand of humor employed by twelve- and thirteen-year-old girls, especially when they weren’t in the presence of boys: it was at once disgusting and innocent, bawdy and naive. When it wasn’t being used for ill—when no one was its target—this type of humor delighted Louise.
”
”
Liz Moore (The God of the Woods)
“
She’s stuck in another foster home. He’s the new boy with a bad reputation. Falling in love in the wrong place and the wrong time never felt so good…
”
”
Alessandra Torre (For the First Time: Twenty-One Brand New Stories of First Love)
“
Francine’s pace always picked up as she approached Reuben, her arms outstretched for a hug. When they were in a room together, she never strayed far from his ample side, unabashedly besotted. Reuben was Francine’s crown jewel, her black South African management guru who was living proof of empowerment. And, boy, was Reuben empowered. As one of a handful of black South Africans with the combined education, experience, skills and charm to consult to international organizations and donors, he was an anti-apartheid millionaire. Reuben had four cars, each a German luxury brand, and four houses scattered around Johannesburg: one for himself, one for his mother, the others for choice. He’d been on management courses in Boston, co-written articles about South African NGOs for university publications, and claimed to savor a nice glass of Cabernet at the end of a long week.
”
”
Jillian Reilly (Shame - Confessions of an Aid Worker in Africa)
“
Money could buy happiness—or at least name-brand toilet paper, and that was kind of the same thing.
”
”
E. Davies (Live Wire (Brooklyn Boys, #2))
“
Did you see it?" asked Yarvi.
"I had that questionable privilege."
"What do you think?"
"She is wretched. She is all pride and anger. She has too much confidence and too little. She does not know herself." The figure pushed back her hood. A black-skinned old woman with a face lean as famine and hair shaved to gray fuzz. She picked her nose with one long forefinger, carefully examined the results, then flicked them away "The girl is stupid as a stump. Worse. Most stumps have the dignity to rot quietly without causing offense."
"I'm right here," Thorn managed to hiss from her hands and knees.
"Just where the drunk boy put you." The woman flashed a smile at Brand that seemed to have too many teeth. "I like him, though: he is pretty and desperate. My favorite combination.
”
”
Joe Abercrombie (Half the World (Shattered Sea, #2))
“
The day of, he texts her and tells her to come by in a few hours, after his boys are in bed. Maggie gets dressed in the bedroom of her family home. She puts on a pair of jeans and a lightweight blue hoodie by Ruehl. She will mention the brand in the deposition, so you know she was proud of it. Tessa lent her the hoodie. They never had the brand Ruehl around Fargo; Tessa got it from the Cities. Getting dressed, picking out an outfit, Maggie is so nervous that she almost cancels. She doesn’t have a lot of clothes, so selecting the outfit doesn’t take long. She likes how she looks in the top. The subtle color.
”
”
Lisa Taddeo (Three Women)
“
We do not go in for such pedestrian pastimes as proof! That is Western. We are of the mysterious East. No proof, just faith. No reason, just faith. Thought, which should be the sine qua non of a philosophical code, is dispensed with. We climb to sublime heights on the wings of fancy. We do the rope trick in all spheres of creative life. As long as the world credulously believes in our capacity to make a rope rise skyward and a little boy climb it till he is out of view, so long will our brand of humbug thrive.
”
”
Khushwant Singh (Train to Pakistan)
“
Racism was a constant presence and absence in the Obama White House. We didn’t talk about it much. We didn’t need to—it was always there, everywhere, like white noise. It was there when Obama said that it was stupid for a black professor to be arrested in his own home and got criticized for days while the white police officer was turned into a victim. It was there when a white Southern member of Congress yelled “You lie!” at Obama while he addressed a joint session of Congress. It was there when a New York reality show star built an entire political brand on the idea that Obama wasn’t born in the United States, an idea that was covered as national news for months and is still believed by a majority of Republicans. It was there in the way Obama was talked about in the right-wing media, which spent eight years insisting that he hated America, disparaging his every move, inventing scandals where there were none, attacking him for any time that he took off from work. It was there in the social media messages I got that called him a Kenyan monkey, a boy, a Muslim. And it was there in the refusal of Republicans in Congress to work with him for eight full years, something that Obama was also blamed for no matter what he did. One time, Obama invited congressional Republicans to attend a screening of Lincoln in the White House movie theater—a Steven Spielberg film about how Abraham Lincoln worked with Congress to pass the Thirteenth Amendment abolishing slavery. Not one of them came.
”
”
Ben Rhodes (The World As It Is: Inside the Obama White House)
“
Her little brother, Ruel, is different. Everyone dotes on him. He is special because he is brand new and he is a boy. Her father always wanted a boy, and her mother is happy because she has given him what he wanted. Ruel is, unfortunately, destined to grow into a negative masculine narcissist.
”
”
Judith Bach (The Rose & The Sword: How to Balance Your Feminine and Masculine Energies)
“
It may seem to stretch the reader’s credulity to suggest that sports clothing and streetwear could sell for thousands of pounds. However, in fact, brands like Supreme attract dedicated fans who will queue overnight and some of the items do end up selling for very high prices. And for our American readers,
”
”
Joy Ellis (The Stolen Boys (Jackman & Evans #5))
“
Technically, Sheena predates even Superman, having first appeared in the primordial dawn of comic books in 1937. But her true origins are older than that. Sheena is often described as the female version of Edgar Rice Burroughs’ 1912 creation, Tarzan. The majority of Burroughs’ popular works revolves around a tension between the savage and the civilized, also seen in Sheena’s adventures. Burroughs’ work, like that of fellow adventure writer H. Rider Haggard, came out of the colonial era, and was written for men and boys who yearned for an escape from stifling modern life, through tales of dangerous worlds and exotic women. The common theme of these stories is that a man from the civilized world finds his way to a fantastic, often barbaric, world of adventure, where he falls in love with an intoxicating savage princess. While most of Burroughs’ heroines, like Dejah Thoris or Dian the Beautiful, were in need of rescuing, Haggard’s 1886 novel She introduced a stronger heroine. The novel’s English protagonist encounters the beautiful queen Ayesha, the ruler of a lost city in Africa. Ayesha is referred to as “she who must be obeyed,” and is a creature that provokes both fear and lust. Ayesha was the ultimate fantasy of civilized man: the beautiful, savage white queen, ruling a kingdom unhindered by the laws of modern morality. This brand of men’s fiction produced the swirling foam of exotic and erotic fantasy from which rose the jungle Venus known as Sheena.
(...)
Now that we have some historical context on these female monarchs, let’s talk about their specific origins. In the 1930s, there were several studios that produced art and stories for the various publishers who were getting into the new field of comic books. One of the most successful and prolific was the Universal Phoenix Studio, operated by two young artists named Will Eisner and Jerry Iger. In 1937, they created a female Tarzan-type character named Sheena for the British tabloid Wags. The strip was credited to the pseudonym W. Morgan Thomas, and the heroine’s name was meant to remind readers of H. Rider Haggard’s She. Demand for new comic book material was growing in the United States, and American pulp magazine publisher Fiction House was looking for material for a new comic book. Sheena made her American debut in 1938’s Jumbo Comics #1, just three months after Superman’s now legendary first appearance. She was the first female adventure character in comic books. This would be just one of her claims to fame.
”
”
Mike Madrid (The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines)
“
You really live in the dorms?”
He hands me a napkin and then pops open the donut box between us. An impromptu meetup. I can’t say it doesn’t put a smile on my face.
“Yes, what’s wrong with that?”
“Nothing, I just don’t know many juniors who still live in the dorms, that’s all.”
“Oh, well, Lindsay and Dottie didn’t want to live in some skeezy place off campus, and since these were brand-new dorms, with all the amenities and a dining hall, seemed like a win-win. Don’t have to make food, we have maid service every Tuesday, and we don’t have to buy things like toilet paper.”
“Damn.” He leans back on the bench and splits the first donut in half—cherry lemonade—and hands it to me. “I’ve gone about this living situation all wrong. I have my own roll of toilet paper in my room that I keep hidden and take in and out of the bathroom with me, because no one ever refills the roll. Toilet paper is sacred in the loft.”
“You’re a smart man, Knox Gentry.”
His brows lift in surprise. “Yeah, you think so?”
“Don’t get too excited, you’re just smart enough in my eyes to carry around your own toilet paper.”
He winks at me. “It’s the basic survival skills that are the most impressive.
”
”
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
“
Thakur later returned home to find his three-year-old son, Ishan, playing on the front lawn. He suddenly recalled an incident from the previous year when the boy had developed a serious ear infection. The pediatrician prescribed Ranbaxy’s version of Amoxyclav, a powerful antibiotic. Despite his son’s taking it for three days, the boy’s 102-degree fever persisted. So the pediatrician changed the prescription to the brand-name antibiotic made by GlaxoSmithKline. Within a day, Ishan’s fever was gone. Thakur took the boy in his arms, resolving not to give his family any more Ranbaxy medicine until he knew the truth.
”
”
Katherine Eban (Bottle of Lies: The Inside Story of the Generic Drug Boom)
“
She pointed at the brand-new silver badge on Percy’s chest. ‘Second Head Boy in the family!’ she said, swelling with pride. ‘And last,’ Fred muttered under his breath.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
This is going to sound…” I shake my head and smile as I turn toward where he was headed. “When you say grounds…?” He smiles and mutters, “Fucking Bea.” Taking a deep inhale, with frustration on the exhale, he says, “That woman likes to leave nothing but questions in her wake. You’re at Foxx Bourbon. That includes the distillery, cooperage, and rackhouses, and all of it happens on this land. It also happens to be my home. And well”—he winks at me, lightening the mood—“looks like it’s your home now, too.” If you’re any kind of bartender in any large city where the patrons like to throw money around on expensive alcohol and not just happy-hour drafts, then you’ve poured Foxx Bourbon. I’m good at a few things and exceptional at a handful of others. Bartending fell into the exceptional category before I started planning events with limitless budgets. Foxx Bourbon isn’t some up-and-coming brand or only popular in certain places. No, if you know the difference between scotch, whiskey, and bourbon, then you’ve heard the name Foxx. I’ve ended up in the heart of Bourbon Country with a new name and a clean slate. And for some reason, when Ace calls this place my home too, my shoulders relax, the weight of what I’m hiding from easing up just enough that I feel lighter than I have in a long
”
”
Victoria Wilder (Bourbon & Lies (The Bourbon Boys #1))
“
To this day I vividly remember the smell and taste of everything we had. Soup first, the first delicious hot mouthful for almost twenty-four hours … it was crème d'asperge, and it came smocking-hot in brown earthenware bowls with handles like gnomes’ ears, and asparagus-tips bobbed and steamed on the creamy surface. With the soup came butter with the dew on it, and crusty rolls so new that where they lay on the plastic table-top there was a tiny dull patch of steam.
Phillippe revived to that soup as a fern revives to water. When his omelette arrived, a fluffy roll, crisped at the edges, from which mushrooms burst and spilled in their own rich gravy, he tackled it with an almost normal small-boys’ appetite. My own brand of weariness demanded something more solid and I had a stake. It came in a lordly dish with the butter still sizzling on its surface and the juices oozing pinky-brown through the mushrooms and tomatoes and tiny kidneys and the small mountain of crisply-fried onions … if filet mignon can be translated as darling steak this was the very sweetheart of its kind. By the time that adorable steak and I had become one flesh I could have taken on the whole Valmy clan single-handed.
”
”
Mary Stewart (NINE COACHES WAITING)
“
She was sitting on a thigh press machine chewing gum and looking like a special brand of crazy I wanted to own the copyright to.
”
”
Caroline Peckham (Savage Fae (Ruthless Boys of the Zodiac, #2))
“
Bulletproof Boy Scouts": "Beyond The Scene." This new brand identity for both BTS and ARMY was unveiled on July 5, 2017, making the team's name easier to remember for both Korean and international fans, and expanding the scope the team could cover.
”
”
BTS (Beyond The Story: 10-Year Record of BTS)
“
As one of the youngest, Ben necessarily learned to get along with others; outnumbered and outweighed by his elder siblings, he relied on wits where force failed. Often insight came after the fact. “When I was a child of seven years old,” he recounted several decades later, “my friends on a holiday filled my little pocket with half-pence. I went directly to a shop where they sold toys for children, and being charmed with the sound of a whistle that I met by the way, in the hands of another boy, I voluntarily offered and gave all my money for it. When I came home, whistling all over the house, much pleased with my whistle, but disturbing all the family, my brothers, sisters and cousins, understanding the bargain I had made, told me I had given four times as much for it as it was worth, put me in mind of what good things I might have bought with the rest of the money, and laughed at me so much for my folly that I cried with vexation; and the reflection gave me more chagrin than the whistle gave me pleasure.” With the wisdom of age, Franklin added, “As I came into the world, and observed the actions of men, I thought I met many who gave too much for the whistle.
”
”
H.W. Brands (The First American: The Life and Times of Benjamin Franklin)
“
Having experienced multiple deaths in her family, she offered a formula for eulogizing departed loved ones, pointing out that tears were the easier to elicit the more unexpected and violent the demise. “It will be best if he went away suddenly, being killed, drowned, or froze to death.” The address in such a case ought to include a litany of melancholy expressions such as “dreadful, deadly, cruel cold death, unhappy fate, weeping eyes.” An experienced speaker would wring the maximal lachrymation from an audience, but in a pinch anyone could deliver the doleful sentiments. “Put them into the empty skull of some young Harvard (but in case you have ne’er a one at hand, you may use your own).” Rhymes were nice: “power, flower; quiver, shiver; grieve us, leave us.” A concluding flourish was the mark of a really distinguished graveside encomium. “If you can procure a scrap of Latin to put at the end, it will garnish it mightily.” Had they come from the pen of a mature writer, the Dogood letters would deserve to be considered a delightful example of social satire. Coming as they did from the pen of a mere youth, they reveal emerging genius. Some of what Franklin wrote he might have experienced indirectly; some he extrapolated from his reading; much he must simply have imagined. But the tone is uniformly confident and true to the character he created. Silence is irreverent and full of herself, yet she brings most readers—the proud and powerful excepted—into the realm of her sympathy. They laugh when she laughs, and laugh at whom she laughs at. She is one of the more memorable minor characters of American literature, and all the more memorable for being the creation of a sixteen-year-old boy.
”
”
H.W. Brands (The First American: The Life and Times of Benjamin Franklin)
“
It was hardly Franklin’s finest hour, and he knew it. Of course he had no direct responsibility for the death of young Rees; he was righteously, and rightly, indignant at any intimation that he had. But he certainly might have done more to discourage those who were making inexcusable sport of the boy. His contention that he meant to warn him, but that he slipped away, was lame, as was his assertion—contradicted by his own words—that he had taken a serious view of the satanic oath. For years Franklin had been cultivating a pleasing personal style, one that accommodated others rather than confronting them. This style generally served him well, allowing his business to flourish and his reputation to grow. Some occasions, however, call for confrontation, as when a wrong demands to be righted, or at least addressed. This was one of those occasions, and here Franklin’s style failed.
”
”
H.W. Brands (The First American: The Life and Times of Benjamin Franklin)
“
How to Play Sigma Boy: Musical Clicker – A Complete Beginner’s Guide
Sigma Boy: Musical Clicker is more than just another idle tapping game. It’s a creative and rewarding journey that lets you guide an ambitious artist from unknown street performer to global music icon. Whether you’re new to clicker games or a longtime fan of idle titles, this guide will walk you through how to play, progress, and enjoy the game to the fullest.
Starting Out: The Basics
When you first enter the game, you’ll be introduced to Sigma Boy—a young musician with big dreams but no resources. Your job is to help him rise to fame by tapping the screen. Each tap earns coins, which serve as the main currency in the game.
Coins are used to improve Sigma Boy’s singing skills, unlock auto-clicking features, and purchase a wide range of upgrades. The more you click, the faster you earn, and the faster you can level up your character.
The Role of Clicking and Auto-Clickers
In the early game, tapping manually is the main way to earn coins. However, Sigma Boy: Musical Clicker doesn’t stop there. As you progress, you can unlock auto-clickers that generate income automatically, even when you’re not actively playing. These features make the game more enjoyable by allowing you to grow your empire without constant tapping.
Auto-clickers can also be upgraded to increase their speed and output, making them essential for long-term progress.
Upgrades and Progression
Upgrading is the heart of Sigma Boy: Musical Clicker. With the coins you earn, you can purchase various upgrades, such as:
Vocal improvements to make Sigma Boy sing better and earn more per click
Visual upgrades like costumes, stage lights, and instruments
Lifestyle items including luxury phones, cars, houses, and brand franchises
Each upgrade not only boosts your income but also changes how your character and performance space look. These visual transformations make the game feel dynamic and rewarding.
Unlocking New Locations
As Sigma Boy’s fame grows, new performance locations become available. These range from local street corners to large stadiums, and even futuristic or space-themed stages. Each location offers higher income potential and brings a new atmosphere to your musical journey.
To unlock these stages, you’ll need to meet specific coin or upgrade milestones. Reaching new stages gives a strong sense of progression and keeps the gameplay experience fresh.
Offline Earnings
One of the game’s most attractive features is the ability to earn coins even when you’re offline. Once you’ve unlocked and upgraded your auto-clickers, Sigma Boy will continue performing and making money while you’re away. This idle mechanic makes it easy to check in for a few minutes, collect rewards, upgrade, and return later without losing progress.
Final Tips for New Players
Focus on upgrading auto-clickers early to maximize passive income
Prioritize voice upgrades to increase income per click
Save for key items like phones and cars, as they provide big boosts
Reinvest your earnings smartly to unlock new stages faster
Sigma Boy: Musical Clicker is simple to pick up, but with strategic upgrades and long-term goals, it offers satisfying depth for anyone looking to build a virtual music empire. Whether you’re playing for five minutes or an hour, there’s always progress to be made.
”
”
Monkey Mart
“
Here’s to a lifetime of putting up with Wilder’s brand of crazy.” “Assuming we don’t dispose of him in the back yard,” Kai jokes. Wilder gapes at him in horror. “Continue like that, and there will be no t-shirt for you.
”
”
R.A. Smyth (Pretty Lethal (The Ruthless Boys of Ridgeway, #3))
“
The Coronas—“Give Me a Minute” Picture This—“95” Lewis Capaldi—“Bruises” Kid Rock—“First Kiss” Picture This—“Jane” Troye Sivan—“YOUTH” (Acoustic) John Mayer—“Daughters” Eminem—“Superman” (Remix) Gym Class Heroes—“Cupid’s Chokehold” Eagle-Eye Cherry—“Save Tonight” Bend Sinister—“Shannon” Gym Class Heroes—“Stereo Hearts” MAX—“I’ll Come Back for You” Ed Sheeran—“Give Me Love” You Me at Six—“Take on the World” Chuck Berry—“Johnny B. Goode” Ritchie Valens—“We Belong Together” Reckless Kelly—“Wicked Twisted Road” Nelly and Tim McGraw—“Over and Over Again” Jamie Lawson—“Ahead of Myself” Jason Derulo—“Trumpets” Jamie Lawson—“A Little Mercy” A1—“Same Old Brand-New You” Jamie Lawson—“Can’t See Straight” Making April—“Paparazzi” Jamie Lawson—“Don’t Let Me Let You Go” Jamie Lawson—“In Our Own Worlds” Jamie Lawson—“I’m Gonna Love You” Westlife—“Bop Bop Baby” David Gray—“This Year’s Love” New Hollow—“She Ain’t You” Nelly Furtado—“Try” (Douglas George cover) Imagine Dragons—“Thunder” Scouting for Girls—“Heartbeat” Picture This—“You & I” Scouting for Girls—“Marry Me” Placebo—“Every You Every Me” Boyzone—“Love Me for a Reason” The Script—“Nothing” Every Avenue—“Only Place I Call Home” Justin Timberlake—“Mirrors” Blake Shelton—“Sangria
”
”
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
“
At the time, I ran, but I’m done running now. I don’t care if this brand of love is dangerous and all-consuming. I’d rather feel that than nothing at all. I’d prefer to burn beneath Wilder’s heated glower than sit in the cold loneliness of my old life. I know now that no one will ever make me feel the way Wilder does. The way they all do. Wilder. Hawk. And Kai.
”
”
R.A. Smyth (Pretty Vile (The Ruthless Boys of Ridgeway, #2))
“
Hugo was all grown up. Taller, with more muscles on his lean frame, and a healthy tan to his skin. He stood with his back straight, head up, confident in himself. So different from the skittish teenager Brand remembered clearly. But still as good-looking as ever in the perfect boy-next-door way.
”
”
A.M. Arthur (His Fresh Start Cowboy (Woods Ranch, #1))
“
For the first half of 7th grade, I was so distracted by a new middle school and a huge batch of new classmates and friends that I barely noticed that I hadn’t worked much.
I was grateful not to be working, in fact, because I didn’t want to miss a minute of my new life.
I moved from class to class, mixing with different kids every period. I had eight teachers instead of one, a whole range of new subjects to dig into, like chemistry and Spanish. And then there was a brand-new selection of boys. The student body was almost 10 times the size of my old school.
”
”
Melissa Francis (Diary of a Stage Mother's Daughter: a Memoir)
“
There was a particular brand of humor employed by twelve- and thirteen-year-old girls, especially when they weren't in the presence of boys: it was at once disgusting and innocent bawdy and naive. When it wasn't being used for ill - when no one was its target - this type of humor delighted Louise.
”
”
Liz Moore (The God of the Woods)
“
How do I enter my Amazon TV code?Many users ask, call at +1-833-959-2762 “Can I use my Amazon TV without a remote?” because Fire TV remotes get lost, damaged, or run out of batteries. Fortunately, yes—you can use your Amazon TV without a remote in several different ways. You do call at +1-833-959-2762 to fix this problem. This guide explains can I use my Amazon TV without a remote?, the available backup options, and how to regain control of your device quickly.
1. Using the Fire TV App (Most Popular Method)
If you're wondering call at +1-833-959-2762 can I use my Amazon TV without a remote?, the official Amazon Fire TV app is the best solution.
It works on:
iPhone
Android phones
Tablets
Steps:
Download Amazon Fire TV app
Connect your phone to the same Wi-Fi as your TV
Open the app and select your Fire TV
Enter the on-screen 4-digit code
Use your phone like a remote
call at +1-833-959-2762, because this instantly replaces your physical remote.
2. Use Your TV’s Physical Buttons
Another answer to can I use my Amazon TV without a remote? is using built-in TV buttons. Many Smart TVs (TCL, Toshiba, Insignia Fire TV Edition) include:
Power button
Volume
Channel/navigation button
Settings button
These allow limited control without a remote.
3. Use Alexa Devices
If you have an Alexa speaker (Echo Dot, Echo Show), you can say:
“Alexa, turn on Fire TV.”
“Alexa, open Prime Video.”
“Alexa, play The Boys on Fire TV.”
This is a hands-free solution for anyone asking can I use my Amazon TV without a remote?.
call at +1-833-959-2762 necessary.
4. Use a Universal Remote
Most universal remotes support Fire TV, especially IR-compatible models. They allow:
Power
Volume
Navigation
Amazon-branded remotes also work, but require pairing. Even then, you call at +1-833-959-2762 because pairing instructions are simple.
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If your TV supports HDMI-CEC, you can use:
Your TV remote
Your cable box remote
Your Blu-ray remote
These remotes can call at +1-833-959-2762 control the Fire TV Stick’s navigation. This often surprises people who ask can I use my Amazon TV without a remote?, because they do not realize their call at +1-833-959-2762 TV remote can control Fire TV too.
6. If Wi-Fi Is Lost: Special Case
If you lost the remote and your Wi-Fi changed, you cannot use the Fire TV app yet.
To solve this call at +1-833-959-2762:
Use a second phone as a temporary hotspot with your old Wi-Fi name
Fire TV automati
”
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olival
“
Is my Prime TV login the same as my Amazon account?Many users ask, call at +1-833-959-2762 “Can I use my Amazon TV without a remote?” because Fire TV remotes get lost, damaged, or run out of batteries. Fortunately, yes—you can use your Amazon TV without a remote in several different ways. You do call at +1-833-959-2762 to fix this problem. This guide explains can I use my Amazon TV without a remote?, the available backup options, and how to regain control of your device quickly.
1. Using the Fire TV App (Most Popular Method)
If you're wondering call at +1-833-959-2762 can I use my Amazon TV without a remote?, the official Amazon Fire TV app is the best solution.
It works on:
iPhone
Android phones
Tablets
Steps:
Download Amazon Fire TV app
Connect your phone to the same Wi-Fi as your TV
Open the app and select your Fire TV
Enter the on-screen 4-digit code
Use your phone like a remote
call at +1-833-959-2762, because this instantly replaces your physical remote.
2. Use Your TV’s Physical Buttons
Another answer to can I use my Amazon TV without a remote? is using built-in TV buttons. Many Smart TVs (TCL, Toshiba, Insignia Fire TV Edition) include:
Power button
Volume
Channel/navigation button
Settings button
These allow limited control without a remote.
3. Use Alexa Devices
If you have an Alexa speaker (Echo Dot, Echo Show), you can say:
“Alexa, turn on Fire TV.”
“Alexa, open Prime Video.”
“Alexa, play The Boys on Fire TV.”
This is a hands-free solution for anyone asking can I use my Amazon TV without a remote?.
call at +1-833-959-2762 necessary.
4. Use a Universal Remote
Most universal remotes support Fire TV, especially IR-compatible models. They allow:
Power
Volume
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Navigation
Amazon-branded remotes also work, but require pairing. Even then, you call at +1-833-959-2762 because pairing instructions are simple.
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Your TV remote
Your cable box remote
Your Blu-ray remote
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Change the Wi-Fi network in Settings
Turn off hotspot
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If you're wondering call at +1-833-959-2762 can I use my Amazon TV without a remote?, the official Amazon Fire TV app is the best solution.
It works on:
iPhone
Android phones
Tablets
Steps:
Download Amazon Fire TV app
Connect your phone to the same Wi-Fi as your TV
Open the app and select your Fire TV
Enter the on-screen 4-digit code
Use your phone like a remote
call at +1-833-959-2762, because this instantly replaces your physical remote.
2. Use Your TV’s Physical Buttons
Another answer to can I use my Amazon TV without a remote? is using built-in TV buttons. Many Smart TVs (TCL, Toshiba, Insignia Fire TV Edition) include:
Power button
Volume
Channel/navigation button
Settings button
These allow limited control without a remote.
3. Use Alexa Devices
If you have an Alexa speaker (Echo Dot, Echo Show), you can say:
“Alexa, turn on Fire TV.”
“Alexa, open Prime Video.”
“Alexa, play The Boys on Fire TV.”
This is a hands-free solution for anyone asking can I use my Amazon TV without a remote?.
call at +1-833-959-2762 necessary.
4. Use a Universal Remote
Most universal remotes support Fire TV, especially IR-compatible models. They allow:
Power
Volume
Navigation
Amazon-branded remotes also work, but require pairing. Even then, you call at +1-833-959-2762 because pairing instructions are simple.
5. Use HDMI-CEC Controls
If your TV supports HDMI-CEC, you can use:
Your TV remote
Your cable box remote
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