Sending Postcards Quotes

His eyes were the same colour as the sea in a postcard someone sends you when they love you, but not enough to stay.

You rarely know, in the moment, when it's the last time you'll do something. Most of the time, the whole thing just sneaks away in the night, never to be seen or heard from again, not even sending back so much as a postcard to say hello.

On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.

Well, the thing is, I don't think Indians are nomadic anymore. Most indians anyway.' No, we're not,' I said I'm not nomadic,' Rowdy said. 'Hardly anybody on this rez is nomadic. Except for you. You're the nomadic one.' Whatever.' No. I'm serious. I always knew you were going to leave. I always knew you were going to leave us behind and travel the world. I had this dream about you a few months ago. You were standing on the Great Wall of China. You looked happy. And I was happy for you.' Rowdy didn't cry. But I did. You're an old-time nomad,' Rowdy said. 'You're going to keep moving all over the world in search of food and water and grazing land. That's pretty cool.' I could barely talk. Thank you,' I said. Yeah,' Rowdy said. 'Just make sure you send me postcards, you asshole.' From everywhere,' I said. I would always love Rowdy. And I would always miss him, too. Just as I would always love and miss my grandmother, my big sister, and Eugene. Just as I would always love and miss my reservation and my tribe. I hoped and prayed that they would someday forgive me for leaving them. I hoped and prayed that I would someday forgive myself for leaving them.

When you are the woman upstairs, nobody thinks of you first. Nobody calls you before anyone else, or sends you the first postcard. Once your mother dies, nobody loves you “best of all.” It’s a small thing, you might think, and maybe it depends on your temperament, maybe for some people it’s a small thing, but for me […]

I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.

As ever, the original inhabitants of Turtle Island are entirely overlooked. Mysteriously, the only time indigenous people are guaranteed a mainstream Amerikkan mention is on Thanksgiving. Again, to contextualize, this would be be kinda like someone busting into your house and robbing you blind, then sending you postcards once a year to remind you how much they are enjoying all of your stuff, and getting annoyed with you if you don't respond with appreciation for their thoughtfulness.

He looked so strange without his guns. So wrong. 'Okay? Now that the numb-fuck apprentices have the guns and the master's unarmed, can we please go? If something big comes out of the bush at us, Roland, you can always throw your knife at it.' 'Oh, that,' he murmured. 'I almost forgot.' He took the knife from his purse and held it out, hilt first, to Eddie. 'This is ridiculous!' Eddie shouted. 'Life is ridiculous.' 'Yeah, put it on a postcard and send it to the fucking Reader's Digest.' Eddie jammed the knife into his belt and then looked defiantly at Roland. 'Now can we go?' 'There is one more thing,' Roland said. 'Weeping, creeping Jesus!' The smile touched Roland's mouth again. 'Just joking,' he said Eddie's mouth dropped open. Beside him, Susannah began to laugh again. The sound rose, as musical as bells, in the morning stillness.

As a prayer popper, I stay in touch with God. I send lots of spiritual postcards. Little bits and bytes of adoration, supplication, and information attached prayer darts speed in God's direction all day long.

Of course we will send postcards to Nutsawoo. And we shall bring him back a present as well. In fact,' she went on, with the instinctive knack every good governess has for turning something enjoyable into a lesson, and vice versa, 'I will expect all three of you to practice your writing by keeping a journal of our trip so that Nutsawoo may know how we spend our days. Why, by the time we return, he will think he has been to London himself! He will be the envy of all his little squirrel friends,' she declared. Penelope had no way of knowing if this last statement was true. Could squirrels feel envy? Would they give two figs about London? Did Nutsawoo even have friends?

After my fight with the kunoichi, I thought I'd never hear from Whitley again, but he seemed to get a kick out of sending me Wish You Were Here postcards from around the world.

We’ll send you a postcard!

I made her promise to write, but artists are artists, not writers. She did send postcards, though: a lot of postcards—sometimes

I'd send them both letters wishing them safe travels. Maybe they'd send me a postcard. Maybe they'd call when they got back, or when they settled in at college. Maybe they wouldn't, and they'd end up in the book. It was uncertain, like life. I was starting to be okay with that.

on the continent I'm soft. I dream too. I let myself dream. I dream of being famous. I dream of walking the streets of London and Paris. I dream of sitting in cafes drinking fine wines and taking a taxi back to a good hotel. I dream of meeting beautiful ladies in the hall and turning them away because I have a sonnet in mind that I want to write before sunrise. at sunrise I will be asleep and there will be a strange cat curled up on the windowsill. I think we all feel like this now and then. I'd even like to visit Andernach, Germany, the place where I began, then I'd like to fly on to Moscow to check out their mass transit system so I'd have something faintly lewd to whisper into the ear of the mayor of Los Angeles upon to my return to this fucking place. it could happen. I'm ready. I've watched snails crawl over ten foot walls and vanish. you mustn't confuse this with ambition. I would be able to laugh at my good turn of the cards - and I won't forget you. I'll send postcards and snapshots, and the finished sonnet.

A month after this, another postcard arrived from Rome, giving no address: 'Am writing in a day or two,' it said. That was six years ago. So now I am writing to her. When you read this, Sally - if you ever do - please accept it as a tribute, the sincerest I can pay, to yourself and to our friendship. And send me another postcard.

There is a difference between arrival and entrance. Arrival is physical and happens all at once. The train pulls in, the plan touches down, you get out of the taxi with all your luggage. You can arrive a place and never really enter it; you get there, look around, take a few pictures, make a few notes, send postcards home. When you travel like this, you think you know where you are, but, in fact, you have never left home. Entering takes longer. You cross over, slowly, in bits and pieces. […] It is like awakening slowly, over a period of weeks. And then one morning, you open your eyes and you are finally here, really and truly here. You are just beginning to know where you are.

No, there wouldn't be," Holden said. "It'd be entirely different." Sally looked at him; he had contradicted her so quietly. "It wouldn't be the same at all. We'd have to go downstairs in elevators with suitcases and stuff. We'd have to call up everyone and tell 'em goodbye and send 'em postcards. And I'd have to work at my father's and ride in Madison Avenue buses and read newspapers. We'd have to go to the Seventy-second Street all the time and see newsreels. Newsreels! There's always a dumb horse race and some dame breaking a bottle over a ship. You don't see what I mean at all." "Maybe I don't. Maybe you don't, either," Sally said. Holden stood up, with his skates swung over one shoulder. "You give me a royal pain," he announced quite dispassionately.

The most splendid thing about the Amish is the names they give their towns. Everywhere else in America towns are named either after the first white person to get there or the last Indian to leave. But the Amish obviously gave the matter of town names some thought and graced their communities with intriguing, not to say provocative, appellations: Blue Ball, Bird in Hand, and Intercourse, to name but three. Intercourse makes a good living by attracting passers-by such as me who think it the height of hilarity to send their friends and colleagues postcards with an Intercourse postal mark and some droll sentiment scribbled on the back.

Time is not an enemy as such, but a missing person, sending cryptic postcards from the past.

Only the young are allowed to suffer openly.

When you’re the Woman Upstairs, nobody thinks of you first. Nobody calls you before anyone else, or sends you the first postcard. Once your mother dies, nobody loves you best of all.

I've never heard of anybody getting rid of their prized Exile postcards, much less actually writing on them and sending them through the mail to a girl. I watched these two, laughing over this story at the same kitchen table they've shared for thirty years. I realize that I will never fully understand the millions of bizarre ways that music brings people together.

Dr. Ben-Judah gave what Rayford considered a brilliant example of how to easily identify someone with just a few marks. “Despite the billions of people who still populate this planet, you can put a postcard in the mail with just a few distinctions on it, and I will be the only person to receive it. You eliminate much of the world when you send it to Israel. You narrow it more when it comes to Jerusalem. You cut the potential recipients to a tiny fraction when it goes to a certain street, a certain number, a certain apartment. And then, with my first and last name on it, you have singled me out of billions. That, I believe, is what these prophecies of Messiah do. They eliminate, eliminate, eliminate, until only one person could ever fulfill them.” Dr.

He didn't have time more often than that during the hockey season, but everything that happens in childhood is a postcard that parents send themselves. Things are never quite the way we remember them.

When you’re the Woman Upstairs, nobody thinks of you first. Nobody calls you before anyone else, or sends you the first postcard. Once your mother dies, nobody loves you best of all. It’s a small thing, you might think; and maybe it depends upon your temperament; maybe for some people it’s a small thing. But for me, in that cul-de-sac outside Aunt Baby’s, with my father and aunt done dissecting death and shuffling off to bed behind the crimson farmhouse door, preparing for morning mass as blameless as lambs and as lifeless as the slaughtered—I felt forsaken by hope. I felt I’d been seen, and seen clearly, and discarded, dropped back into the undiscriminated pile like a shell upon the shore.

Last fall, I was sitting at the kitchen table of two friends who have been together since 1972. They tell me a story about how they got together. She couldn't decide between two suitors, so she left New York City to spend the summer in an ashram. (Did I mention was 1972?) One of the suitors sent her postcards while she was gone, the famous postcards that came inside the sleeve of the Rolling Stones' Exile on Main Street. Needless to say, he was the suitor that won her hand. They tell me this story, laughing and interrupting each other, as their teenage daughter walks through the kitchen on her way out to a Halloween party. I've heard of these postcards - over the years, I've heard plenty of record-collector guys boast that they own the original vinyl Exile on Main Street with the original postcards, intact and pristine in the virgin sleeve. I've never heard of anybody getting rid of their prized Exile postcards, much less actually writing on them and sending them through the mail to a girl. I watch these two, laughing over this story at the same kitchen table they've shared for thirty years. I realize that I will never fully understand the millions of bizarre ways that music brings people together.

Don’t obsess about the failures. Instead, investigate and clone the successes. Next, give direction to the Rider—both a start and a finish. Send him a destination postcard (“You’ll be a third grader soon!”), and script his critical moves (“Buy 1% milk”).

Of course some will ask, what about the white horse rider in the book of Revelation? In the end doesn’t Jesus resort to the ways of war? No! If God’s final solution for violence is simply a more gruesome version of the Nazi Final Solution, then we might as well throw away our Bibles away and roll out the TNT. And those caissons go rolling along. For that matter, if the world is to be shaped by violent power and not by co-suffering love, we should stop quoting Jesus and start quoting Nietzsche. If God’s solution for evil is to kill people who are evil, God didn’t need to send his Son—he  could have just sent in the tanks. Reading the end of the Bible as though Jesus ultimately renounces the Sermon on the Mount and resorts to catastrophic violence is a reckless and irresponsible reading of the apocalyptic text.

Some of the most unrecognized ministries are my favorite kind. Like the ministry of playing video games with awkward adolescent boys. The ministry of bringing takeout food to people whose baby is very sick in the hospital. The ministry of picking up empty chip wrappers at the park. The ministry of sending postcards. The ministry of sitting in silence with someone in the psych ward. The ministry of sending hilarious and inspirational text messages. The ministry of washing dishes without being asked. The ministry of flower gardening. The ministry of not laughing at teenagers when they talk about their relationship crises. The ministry of making an excellent cup of coffee. The ministry of drinking a terrible cup of coffee with a bright smile. The ministry of noticing beauty everywhere - in fabrics, in art, and in the wilderness.

I've always found old bookstores exciting. Whenever I'm in a city that's new to me, I immedicately look through the telephone directory for BOOKS, USED AND RARE. Book dealers send me their catalogs, and I read them as carefully as I would a letter from an old friend, never knowing what treasure I might find. Sometimes the catalogs contain printed material other than books, such as old photographs, newspapers, pamphlets, postcards, and letters.

I need to buy some postcards to send to Mom and Dad,' said Ian, heading up the steas to the Captain's Quill Bookshop. 'I also want to send some funny ones to Jackson and some of my other friends.' 'I'll get one for my mom,' said Zoe. But as she sorted through the postcards, she remembered her mom was travling all summer without a fixed address, and email was a no-go because Granddad didn't own a computer. She didn't have the addresses of any of her friends with her, either-not that she had many friends.

The Sydney of this time was a different place to the honeymoon city I'd visited with Damien. That one was the crescent of the bridge, the rolling waves beneath the ferry, the shaded streets in The Rocks where we'd bought touristy postcards to send home. Everywhere was so lush, everything blue and green. This Sydney was more or less the space between Campsie and Dulwich Hill. Suburban streets, 7-Eleven hot chocolate, stream, car fumes, perc in my nose and throat, light dancing across the scratched Perspex of train window.

Psychoanalysis: An Elegy" What are you thinking about? I am thinking of an early summer. I am thinking of wet hills in the rain Pouring water. Shedding it Down empty acres of oak and manzanita Down to the old green brush tangled in the sun, Greasewood, sage, and spring mustard. Or the hot wind coming down from Santa Ana Driving the hills crazy, A fast wind with a bit of dust in it Bruising everything and making the seed sweet. Or down in the city where the peach trees Are awkward as young horses, And there are kites caught on the wires Up above the street lamps, And the storm drains are all choked with dead branches. What are you thinking? I think that I would like to write a poem that is slow as a summer As slow getting started As 4th of July somewhere around the middle of the second stanza After a lot of unusual rain California seems long in the summer. I would like to write a poem as long as California And as slow as a summer. Do you get me, Doctor? It would have to be as slow As the very tip of summer. As slow as the summer seems On a hot day drinking beer outside Riverside Or standing in the middle of a white-hot road Between Bakersfield and Hell Waiting for Santa Claus. What are you thinking now? I’m thinking that she is very much like California. When she is still her dress is like a roadmap. Highways Traveling up and down her skin Long empty highways With the moon chasing jackrabbits across them On hot summer nights. I am thinking that her body could be California And I a rich Eastern tourist Lost somewhere between Hell and Texas Looking at a map of a long, wet, dancing California That I have never seen. Send me some penny picture-postcards, lady, Send them. One of each breast photographed looking Like curious national monuments, One of your body sweeping like a three-lane highway Twenty-seven miles from a night’s lodging In the world’s oldest hotel. What are you thinking? I am thinking of how many times this poem Will be repeated. How many summers Will torture California Until the damned maps burn Until the mad cartographer Falls to the ground and possesses The sweet thick earth from which he has been hiding. What are you thinking now? I am thinking that a poem could go on forever.

The nurse brought out some knitting, and clicked her needles sharply. She turned to me, very bright, very cheerful. “How are you liking Manderley, Mrs. de Winter?” “Very much, thank you,” I said. “It’s a beautiful spot, isn’t it?” she said, the needles jabbing one another. “Of course we don’t get over there now, she’s not up to it. I am sorry, I used to love our days at Manderley.” “You must come over yourself sometime,” I said. “Thank you, I should love to. Mr. de Winter is well, I suppose?” “Yes, very well.” “You spent your honeymoon in Italy, didn’t you? We were so pleased with the picture-postcard Mr. de Winter sent.” I wondered whether she used “we” in the royal sense, or if she meant that Maxim’s grandmother and herself were one. “Did he send one? I can’t remember.” “Oh, yes, it was quite an excitement. We love anything like that. We keep a scrapbook you know, and paste anything to do with the family inside it. Anything pleasant, that is.

Well,that all worked out nicely," Edward said from my hand. "Yup." I sat down and propped the postcard upright against my books. "Thanks." "Whatever for?" "Being real,I guess. I'm pretty sure this paper about your life will get me into NYU.Which,when you think about it, is a pretty great gift from a guy I've never met who's been dead for a hundred years." Edward smiled. It was nice to see. "My pleasure,darling girl. I must say, I like this spark of confidence in you." "About time,huh?" "Yes,well.Have you forgiven the Bainbridge boy?" "For...?" "For hiding you." "He wasn't.I was hiding me." I gave Edward a look before he could gloat. "Yeah,yeah. You've always been very wise. But this isn't really about my forgiving Alex,is it?" He had the grace to look a little embarrassed. "I suppose not. So?" "So.I think you were a good guy, Edward. I think you probably would have told everyone exactly how you felt about Marina of you could have.If she hadn't been married, maybe, or if you'd lived longer. I think maybe all the pictures of you did of her were your public delcaration. Whaddya think? Can I write that? Is it the truth?" "Oh,Ella." His face was sad again, just the way he'd cast it in bronze. But it was kinda bittersweet now, not as heartbroken. "I would give my right arm to be able to answer that for you.You know I would." "You don't have a right arm,Mr. Willing. Left,either." I picked up the card again. "Fuhgeddaboudit," I said to it. "I got this one covered." I tucked my Ravaged Man inside Collected Works. It would be there if I wanted it.Who knows. Maybe Edward Willing will come back into fashion someday,and maybe I'll fall for him all over again. In the meantime, I had another guy to deal with.I sat down in front of my computer.It took me thirty seconds to write the e-mail to Alex. Then it took a couple of hours-some staring, some pacing,an endless rehearsal dinner at Ralph's, and a TiVo'd Christmas special produced by Simon Cowell and Nigel Lythgoe with Nonna and popcorn-for me to hit Send.

Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper. Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut.

I barely remember drawing this." Daniel sounded disappointed in himself. "I don't know what it is any more than you do." "I'm sure that once you get there, you'll be able to figure it out," Gabbe said, trying hard to be encouraging. "We will," Luce said. "I'm sure we will." Gabbe blinked, smile, and went on. "Roland, Annabelle, and Arriane-you three will go to Vienna. That leaves-" Her mouth twitched as she realized what she was about to say, but she put on a brave face anyway. "Molly, Cam, and I will take Avalon." Cam rolled back his shoulders and let out his astoundingly golden wings with a great rush, slamming into Molly's face with his right wing tip and sending her lunging back five feet. "Do that again and I will wreck you," Molly spat, glaring at a carpet burn on her elbow. "In fact-" She started to go for Cam with her fist raised but Gabbe intervened. She wrenched Cam and Molly apart with a put-upon sigh. "Speaking of wrecking, I would really rather not have to wreck the next one of you who provokes the other"-she smiled sweetly at her two demon companions-"but I will. This is going to be a very long nine days." "Let's hope its long," Daniel muttered under his breath. Luce turned to him. The Venice in her mind was out of a guidebook: postcard of boats jostling down canals, sunsets over tall cathedral spires, and dark-haired girls licking gelato. That wasn't the trip they were about to take. Not with the end of the world reaching out for them with razor claws. "And once we find all three of the relics?" Luce said. "We'll meet at Mount Sinai," Daniel said, "unite the relics-" "And say a little prayer that they shed any light whatsoever on where we landed when we fell," Cam muttered darkly, rubbing his forehead. "At which point, all that's left is somehow coaxing the psychopathic hellhound holding our entire existence in his jaw that he should just abandon his silly scheme for universal domination. What could be simpler? I think we have every reason to feel optimistic.

While the phone was handy, I also called Wendy and got her mother again. She said that Wendy had a sore throat and couldn’t talk. I wasn’t about to quit that easily. “Can she listen?” I asked. “I’ll do the talking, and she can tap once for yes and twice for no.” Mrs. Westfall laughed. “I’m serious. Can she do that?” “Only for a minute. I’ll get her.” The next thing I heard was a whispered, “Hi.” “No talking,” Mrs. Westfall called out. “Hi, Wendy. Did your mom tell you the code? One tap for yes, two for no, three if you’re being held prisoner against your will.” Three quick taps from her. “That’s what I figured. Well, you haven’t missed much at school. Same old stuff. Somebody tried to assassinate Mr. Crowell, but he was wearing a bulletproof vest. And then when the cops came, they found marijuana growing in the teacher’s lounge. But all the evidence was destroyed in the fire. I guess you heard that the whole junior class was trapped in the auditorium and got wiped out. All except for Delbert Markusson. He was out in the parking lot, sneaking a smoke. So Delbert’s now junior class president. He’s also vice-president and secretary. He says the junior prom may be canceled, or he may have it over at his house—if he can find a date.” “Wind it up,” Mrs. Westfall said. “Are you going to be back tomorrow?” Two taps. “How about Monday?” One loud tap. “I’m going to San Francisco this weekend. Shall I send you a postcard?” Tap. “I’ll see you on Monday.” She tapped, then hung up. “Are you in love with Eddie Carter?” I said into the dead phone. I gave the receiver a loud slap.

OK, Finlay, let’s get it done,” I said. “I don’t have an address because I don’t live anywhere. Maybe one day I’ll live somewhere and then I’ll have an address and I’ll send you a picture postcard and you can put it in your damn address book, since you seem so damn concerned about it.” Finlay

I recently heard of a real estate professional who LOVES to cook. So, her niche market? Foodies. She attends local restaurant events and cooking classes and turns strangers into friends and clients. Her closing gift to new homeowners? A recipe box. Then she sends new recipe postcards every month to tuck inside. Isn’t that a smart way to stay connected in a meaningful way?

Don't forget to send me a postcard from Sri Lanka, that murky river, that olive skin, may something very beautiful happen to you, I wish you a lot of faith, in anything, it doesn't matter what, like that faith we once had, wish me something very beautiful too, anything wonderful, anything that makes me believe in anything again, that makes us believe in everyone again, that takes away this rotten taste of failure from my mouth, of defeat with no grandeur, there's no way, companheiro, we got lost in the middle of the road and we never had a map, no one gives rides anymore and the night is about to fall.

Later that same week a second postcard arrives in the mailbox. She’s been waiting for another card ever since she left the hospital. Two years have passed, so she’d just about given up. Now here it is. It’s a photograph of Shelby’s house that has been laminated onto a blank card. The message on the back is Do something. Her mom brings it down to the basement. It’s addressed to Shelby, but there’s no stamp, no return address. “Who would send this?” her mother asks.

So that’s why we’ve been swapping postcards about this for the past two weeks. To anyone else, it would have seemed like we were talking about sports and the weather and my mom’s weird baby sculptures. But that’s why Emile stayed at the Viper Queen’s for so long. Sending postcards back and forth isn’t the fastest method of communication.” “But it’s one of the more brilliant ones.” Hunt kissed her brow, wings curling around them. “I love you. You’re crazy and shady as Hel, but I love you.

Soon we began to collect a little group of odd people who would drink with us every cocktail hour. Brigitte, who was a 22-year-old German, very beautiful, could have been on the cover of Stern magazine. Her boyfriend Volker was one of the most beautiful men I'd ever met - people said he looked like James Hunt, the English racecar driver. He was like Billy Budd. He was from Germany and had been a cowboy in Wyoming. Then there was Elford Elliot from England, who had something to do with producing garden gnomes. He was tripping on acid all the time and going out to Delos, this little island off Mykonos, chipping little pieces off the ancient ruins, which he then brought back in the pocket of his jumpsuit. Then there was Bryan, an IBM operator from Australia, who fancied himself as a kind of Oscar Wilde figure. I don't know why. The only story of his I remember was about some Australians who stole a garden gnome from the front lawn of a very elegant mansion and took it for a trip around the world. They would send postcards back to the owner saying things like, 'Having a lovely time in the Fiji Islands' and sign it, 'The Garden Gnome.' After six weeks, they brought the garden gnome back and left it on the lawn with little suitcases full of tiny clothing they'd knitted for it.

You'll mail me your new address, Dick?" she called back. "I'll be sending you picture post-cards from Cocos Island. I hope you'll like that, Dick." A smile of understanding passed between the two.

Close Button That quote has been saved. Van Dine S.S > Quotes > Quotable Quote (?) “You'll mail me your new address, Dick?" she called back. "I'll be sending you picture post-cards from Cocos Island. I hope you'll like that, Dick." A smile of understanding passed between the two.

You'll mail me your new address, Dick?" she called back. "I'll be sending you picture post-cards from Cocos Island. I hope you'll like that, Dick." A smile of understanding passed between the two.

want you to think about it. I’m not in a hurry. The best would be: we give Adolf a boot in the ass, you come back here, and we’ll call this the first payment on a new project.” Casson handed the check to Fleischer, who looked at it, then put it in the inside pocket of his jacket. He stood and extended a hand. “Jean-Claude,” he said. That was Casson’s affectionate nickname, in fact his first and middle names. “Send a postcard.” Fleischer was suddenly close to tears—didn’t trust himself to speak. He nodded, tight-lipped, and left the office. “Good luck, Harry,” Casson said. Gabriella stuck her head around the doorway. “James Templeton is calling from London.” Casson grabbed the phone with one hand while the other dug through a pile of dossiers on his desk, eventually coming up with

Zoe's mom liked to send silly postcards that made her laugh, but they usually dwindled as the summer wore on.

I’d like to share with you a parable: the parable of Bob the Angel. A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!” The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her. She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins. There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand. “You probably shouldn’t be walking through here this late at night,” was all he said as he turned away. “Wait! What’s your name?” she asked, still stunned half sitting up on the ground. All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .” An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered. Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that. If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God.

Even annoyed, as she was now, she vibrated the kind of barely restrained energy that made every part of him spark to life. Some parts more enthusiastically than others. He shifted his weight and sidestepped slightly in an effort to keep that reality as unnoticeable as possible. He’d become a master of that particular skill during the last few months she’d been on the station. He needn’t have worried. She didn’t so much as glance at him. Her irritation was focused solely on her big brother. “Did you really just perp walk Cooper down the harbor?” Logan’s eyebrows lifted along with his hands, which he held up at his sides, palms out. “Hold up, I didn’t--” “Save it,” Kerry said. She turned to Cooper. “I apologize. He forgets I’m an adult woman who can handle her own affairs.” She glared at her brother during that last part. “She’s right, you know.” This came from a little spitfire brunette who, given Kerry’s descriptions of her family, must be the middle McCrae sister, Fiona. Fists planted on her hips, managing to somehow look down her cute little nose at her much taller and much bigger brother, she added, “We’re trying to plan my wedding and grill her about Mr. Hot and Aussie here. I’d think by now you’d know that we’ve got this covered.” She made a brief gesture to the other women standing alongside her. “If we thought he was a danger to society, we would have called.” Cooper watched the ricocheting dialogue like a spectator at a cricket match, unable to squelch a grin. It was like watching his own sister, all grown up and in triplicate. As Kerry and Fiona closed in on a somehow now hapless-looking lumberjack of a police chief, Cooper stepped forward and stuck out his hand toward the taller, willowy young woman who stood just behind Fiona. Where Kerry was Amazonian and Fiona a little firebrand, their oldest sister was the epitome of cool, calm, and collected. “Hannah Blue, I presume? I’m Cooper Jax. Sorry for the disruption of your sister’s wedding plans. I didn’t know.” This had Fiona turning his way. “And how could you, given Kerry couldn’t be bothered to so much as send you a postcard?” “Hey,” Kerry said, looking at her sister now. “Whose side are you on?” Fiona looked back at her. “The side that keeps this guy here and you looking all pent up and googly-eyed.” “Googly-eyed?” Kerry shot back. Cooper, grinning unrepentantly now, turned his attention back to Hannah and continued, as if her sisters weren’t getting all up in each other’s personal space. “I understand congratulations are in order on your recent nuptials as well.” Hannah gave him a swift, all-encompassing once-over as only a former defense attorney could. Then, in the face of his unrelenting goodwill, she took his hand, her mouth curving up in the barest hint of a smile as she gave it a firm, quick shake. “You’re a charmer, Mr. Jax, I’ll give you that.” “Go with your strength,” he replied.

Did you ever think maybe you’d just stay, ride it out, see what happened? Was that an option for you?” He didn’t ask defensively, though it took a bit to keep the edge from his voice. He was all but grilling her so he couldn’t go and get upset if he didn’t like the answers he got. But he was human, and this wasn’t any easier on him than it was on her. “It might have been.” “If?” He heard her take a steadying breath and felt himself bracing for her response. “If I’d felt about you the way I felt about the rest of your family. Like you were a brother or something.” “But?” “Looking for a little ego stroke?” She swatted at him then, tried for a playful laugh, but the serious undertone remained. “But I had feelings for you. Well, lust and feelings. We had a friendship, then I had lust. And I really didn’t think, even if you were interested in me, that was something you’d pursue, given your position as employer and me being temporary. So…I don’t know…” “But when you came back here to Maine you didn’t head out again.” “I didn’t go back to Australia either,” she reminded him. When he didn’t say anything for some time, she said, “What are you thinking? I’ve been pretty frank so go ahead, be honest with me.” “Okay,” he said. “I guess I can’t help but think that you didn’t head back out on the road, you didn’t come back to Australia either--but you also didn’t write, keep in touch. And not because you were out in the jungle somewhere, unable to drop a postcard in the mail. You were right here, with all the modern technological conveniences at your fingertips. But you didn’t send a single e-mail. Not even to Sadie. And I can’t help but think that maybe that means we were all a lot more important to you than you wanted to admit or keeping in touch, at least with her, would have been no big deal. You also haven’t even mentioned us to anyone here, as far as I know, other than your uncle. Which, given how long you stayed and how much we’d come to mean to you, seems odd to me, too. So…maybe the only way you thought you could get over us was to put us firmly in your rearview mirror. Only then…you never started looking ahead again either.” She said nothing, and a quick glance showed she was staring out the side window of the car, her hands in her lap, fingers twisting and untwisting. “Or maybe we really were easily left in the past, and the change in you is more because you got home and your entire family was living here, all together, for the first time in your adult life,” he said, giving her an out. “And it makes you want to stay, even though you don’t know what, precisely, you want to do here yourself.” He paused, then said the rest of what he was thinking, what he was feeling. “And maybe you stay because it’s the closest thing you can have to what you had started building with us, and remain safe while having it.

extras, in case you want to send some.” “Irma,” M.J. said. “Who am I going to write a postcard to? You’re the

Hal particularly enjoyed drawing and painting as he traveled. He took postcard-sized art paper and, while waiting in an airport or taking a private moment in the home of a generous host, would capture a scene of an intriguing place or person. On a long trip, Kathy and the children might receive one of these original postcards in the mail. Upon his return home, Hal would send a similar custom-made thank-you note to his host. He found drawing and painting not only diverting but spiritually uplifting and even revelatory.

I’d like to share with you a parable: the parable of Bob the Angel. A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!” The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her. She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins. There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand. “You probably shouldn’t be walking through here this late at night,” was all he said as he turned away. “Wait! What’s your name?” she asked, still stunned half sitting up on the ground. All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .” An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered. Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that. If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God. God is very objective; He wants to make us think, to engage the faculties we have been given, and to learn from the messengers he sends us. He wants us in the ark before the flood; he could come himself—or send a Noah—but most of the time he sends Bob. Bob is in you, Bob is in me, Bob is in the emotionalized, sarcastic, mocking, patronizing, proud or foolish person which points out meaningful things to us in the worst possible moments, or in the worst possible way.

Another federal law makes it a felony for any person “knowingly to deliver or cause to be delivered for transmission through the mails or interstate commerce by telegraph, telephone, wireless, or other means of communication false or misleading or knowingly inaccurate reports concerning crop or market information or conditions that affect or tend to affect the price of any commodity in interstate commerce.”21 For this “crime,” you can be fined up to one million dollars and imprisoned for up to ten years. If you are ever prosecuted for a violation of this law, the way it is written, all the government needs to do to put you behind bars is to prove that you sent anybody a single bit of inaccurate information that somehow concerned crop or commodity market information or conditions. It does not matter whether you sent that message by telephone or mail or telegraph. It does not matter who you sent that letter to. It does not matter whether the information was actually false, or merely misleading. It does not matter whether your note actually had any effect on market prices anywhere, or even whether you intended for it to have that effect. The way this law was written by the morons in Congress, you are guilty of a felony if you send a postcard to your grandmother in a nursing home, trying to make her feel better by lying about how nice the weather has been in Florida, or how low the gas prices have been. And you will not find this law in Title 18 either; this one is buried in the bowels of Title 7 (sec. 13), which lists the laws supposedly regulating “Agriculture”.

Go on, you crazy bastard! Send me a postcard from China!

I kept reading and realized that Toby had never meant to send these messages. He was writing to her, but for himself. The postcards made it clear that he was staying away from her on purpose. The only other thing that was clear was that they were in love. Epic, incomplete-without-the-other, once-in-a-lifetime love. The kind of love that I’d never believed in.

it's like trying to tame a lion by sending it a postcard

Postcard" Honey, now that your shackles are gone And you're out there on your own Won't you let me know If things get hard Honey, now that your shackle's been lifted You're a sweet young thing and you're oh so gifted Will you let me know If things turn bad I wasn't looking for trouble but trouble came I wasn't looking to change, I'll never be the same But life's not what you make it, baby Send me a postcard When you get to where you're going Send me a line To everything you've left behind Honey, now that I've found my way And I miss you more than I can say Won't you promise to Say a prayer for me Honey, now that the morning's come We're both still out on the run Won't you let me know If you feel free We were looking to mend it but we tore it apart And I went and broke my own goddamned heart See, life's not what you make it, baby Send me a postcard When you get to where you're going Send me a line To everything you've left behind Pick it for me, James I was just a kid when I fell for you I'm not much older now but even then I knew That the road was steep and full of stride I never knew what to say, could never get it right And I'm alone again at the end of night But life's not what you make it, baby Send me a postcard When you get to where you're going Send me a line To everything you've left behind First Aid Kit, Ruins (2018)

Once you're gone, we still have to live in that postcard you send home.

Postcards, in their infinite variety, are the easiest, most particular way to quickly check in. Hello! This is where I am. This is what I did, and I’m thinking about you. I suppose there is social media or sending a picture on a phone—or even just making a telephone call, but then you don’t have the physical object in your hand. You can’t see the person’s handwriting; you can’t carry it around or use it as a bookmark.

Because there is a growing belief among the community of thinking beings that by 2050 men and women will be marrying human like robots. At that point, how Craig Raine will describe his experiences will be fascinating to know. And in my imagination I have already travelled with the Green Man into the future called 2075 and witnessed How humans will experience love in 2075. Because this science fiction novel navigates through the possibility of men and women falling in love with machines, without knowing they are robots imitating human emotions. Will you still dare to fall in love in 2075 or will you strive to tell the difference between a human lover and a robotic lover? Now it is your turn to join the Green Man on this exciting journey into 2075, where he will reveal to you what the world would look like in 2075, and take you on an excitingly epic journey with the protagonist, Saabir, who criss crosses the highways and all by ways of emotional trajectory in the midst of synthetic emotions and feelings that engulf him. To know more, travel with the Green Man via the science fiction titled, They Loved in 2075. With this anticipation I shall dream of you tonight and hope that you will be able to unlock the alien imagination within you, to realise the part of you that is from Heaven. If you have any doubts, here is the poem by ​​Craig Raine to make you a dreamer who while asleep is always awake in his/her subconscious state too. Because he/she has learned the art of having a rendezvous with the light that radiates through the universe, to eventually settle in a dreamer's eyes who dares to dream beyond the ordinary and the 3 dimensional reality. "A Martian Sends A Postcard Home” Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut. Dedicated to you, the Green Man and Saabir who hails from 2075 and dares to love a real woman in 2075 because he loves her a lot!

See you later!” Carl yelled at them. “We’ll send you a postcard!

I Love Postcards – It means someone’s thinking enough about me to want to share something with me. Above that, it says they’re willing to put those words out in public by sending them through a postal service where everyone gets to read them on their journey. They’re intensely personal

At the time Carrie was living at the edge but hadn’t yet begun to send any postcards.

Six months into our correspondence, he asked me to send him a picture. Eight months in his postcard read, ‘The very first moment I beheld you, my heart was irrevocably gone.’ ​It wasn’t until just a few years ago that Shari informed me this was actually a phrase he stole from Jane Austen’s Love and Friendship. I think the fact that he quoted Jane Austen may have made me fall a little bit more in love with him—even all these years later.

Calling students on the first day of school and praying for them. Sending students photos taken of them at youth group events. (Always get double prints.) Dropping by their workplaces just to say hi. Attending the last quarter, inning, or set of their games. (Although you can drop by earlier, coming at the end affords the opportunity to interact with your students after-ward.) Mailing favorite snacks to arrive on their birthdays. Calling students' parents just to brag on them. (e.g.,“Mrs. Gates, your son Billy is doing some amazing things with computer graphics for our small groups!”) Taping notes of encouragement to the front door during exams or other stressful periods. (Ring the doorbell and disappear.) Actually taping notes of encouragement directly on students. Inviting students over for dinner. Letting a group of (same-sex) students spend the night. Following up a few days after a student shares a prayer request. Using your students as positive illustrations in your message or Bible study. (It's always a good idea to get permission first.) Mailing goofy postcards for no reason. Dropping off brain food (a double cheeseburger) the night before a big test. Asking students—on a one-to-one basis—to pray for you. Remembering students’ names

My task was nothing less than the moulding of the cultural sense of the nation, and it had two main heads. I had to guide taste into the right channels and I had to see that no one else guided it into the wrong. Thus it was just as important to discourage bad influence as to encourage good. To send a promising and impecunious young painter to an Art School with a Government grant was in itself a praiseworthy act ; but it was useless from the national point of view if it was not accompanied by drastic measures to keep the most suggestive sorts of French literature from entering our ports. To help a young genius to Valhalla was one thing. But it was almost as important, from the national point of view, to see that our youth was not brought into contacts with those packets of French postcards which are labelled, “Très rare, très curieux. Discrétion.” I take a good deal of credit to myself—though, of course, Pettinger got the kudos at the time—for tightening up the administration of the Customs so that such authors as Joyce, whose name was either James or John—I forget which—Stein, Baudelaire, Louÿs, Anatole France, Proust, Freud, Jung, Rolland, and others, were intercepted at the ports by the special Pornographie section of the Constabulary which I created with men borrowed from the uniformed branch of the Metropolitan Police. These men, ail of whom could read and write English fluently, performed admirable service in the détection of immoral literature. Art Exhibitions also came within the scope of my department, and I closed at least a dozen objection-able ones which contained nudes and other suggestive subjects. It was always a matter of regret to me that I was unable to take strong action about Epstein’s “Genesis.” But the Marchioness of Risborough—a leader of taste and fashion, who was not only persona gratissima in exalted circles, but also the daughter of a millionaire steelmaker—had publicly declared her admiration of it, and so there was nothing for me to do except to déclaré mine. And now, looking back on it, I realize how right I was to choose Lady Risborough’s opinion rather than the small advantages to be obtained from Epstein’s gratitude. Small tradesmen who tried to sell miniature replicas of the “Genesis” were ruthlessly prosecuted, however, by my department on the charge of exhibiting, or causing to be exhibited, indécent figures.

I was late to meet them. I had arrived early but walked into the small market town, not to check if I was being followed or anything professional, but to send a postcard to my mum, telling her I was out of London.

I'll send you a postcard, partner.

E-mail is too public, for one thing—it’s more like sending a postcard than sealing a letter into an envelope.

Doer work can be everything and anything. Turning on lights, sending emails, answering the phones, opening mail, placing ads, licking stamps, putting postcards in mailboxes—whatever work has to be done to get the deal made. I did everything from ordering Twizzlers in bulk to showing apartments, to painting apartments, staging apartments, and measuring apartments to make sure a couch would fit, and taking out the garbage when a seller forgot to. For you it might mean paperwork and contracts—whatever work it takes to support the deal.

If you make a big sale, you’re one step closer to being the salesperson you want to be. Let everyone know about it. Send out postcards, post on social media, talk about it every chance you get.

OK, Finlay, let’s get it done,” I said. “I don’t have an address because I don’t live anywhere. Maybe one day I’ll live somewhere and then I’ll have an address and I’ll send you a picture postcard and you can put it in your damn address book, since you seem so damn concerned about it.

One of the most famous men in America constantly sends himself post-cards, and occasionally notes. He explained the card-sending as being his way of relieving his memory of unnecessary details. In his pocket he carries a few postals addressed to his office. I was with him one threatening day when he looked out the restaurant window, drew a card from his pocket and wrote on it. Then he threw it across the table to me with a grin. It was addressed to himself at his office, and said “Put your raincoat with your hat.” At the office he had other cards addressed to himself at home.

Psychoanalysis: An Elegy" What are you thinking? I think that I would like to write a poem that is slow as a summer As slow getting started As 4th of July somewhere around the middle of the second stanza After a lot of unusual rain California seems long in the summer. I would like to write a poem as long as California And as slow as a summer. Do you get me, Doctor? It would have to be as slow As the very tip of summer. As slow as the summer seems On a hot day drinking beer outside Riverside Or standing in the middle of a white-hot road Between Bakersfield and Hell Waiting for Santa Claus. What are you thinking now? I’m thinking that she is very much like California. When she is still her dress is like a roadmap. Highways Traveling up and down her skin Long empty highways With the moon chasing jackrabbits across them On hot summer nights. I am thinking that her body could be California And I a rich Eastern tourist Lost somewhere between Hell and Texas Looking at a map of a long, wet, dancing California That I have never seen. Send me some penny picture-postcards, lady, Send them. One of each breast photographed looking Like curious national monuments, One of your body sweeping like a three-lane highway Twenty-seven miles from a night’s lodging In the world’s oldest hotel. What are you thinking? I am thinking of how many times this poem Will be repeated. How many summers Will torture California Until the damned maps burn Until the mad cartographer Falls to the ground and possesses The sweet thick earth from which he has been hiding. What are you thinking now? I am thinking that a poem could go on forever.

But something had changed in the world that Johnny and I knew. The innocence was lost, and nothing would ever be the same. I heard the words tumbling over and over in my mind. Nothing is ever gonna be the same...Nothing is ever gonna be the same... And a vision, the kind of postcard that fate sends you, flashed before my eyes. There was death in that vision. There was madness. There was fear. But it was blurred. I couldn't see it clearly. I couldn't see the detail. I didn't know if the death and madness were happening to me, or happening around me. And in a sense, I didn't care. In too many ways of shame and angry regret, I didn't care.

Perhaps you could send useful “how to” tips. You could clip news items out of the paper and send them to your customers with a little note that just says, “Hi John, thought this might interest you. Joe Girard.” Some salesmen send expensive personalized calendars. This keeps their name in front of the customer all year long. Another salesman I know keeps postcards in his briefcase and jots off a personal note to his good customers while waiting for an appointment or a plane. Watch the ways in which the giant companies spend millions just to keep their name in front of the public. I have learned from them, and you should too, because we have businesses just like them, only maybe not so big.

There’s salt in my nose and salt between my toes, and I can’t wait to send a postcard from my new, beautiful, briny life.

I think I was hoping we’d have a lovely time together and I’d send you a gloating postcard about how much better off I am without you. But . . . I cannot do it. Even now, when I am trying, Carrie is not half the woman you are.