When She Rejects You Quotes

We've searched our database for all the quotes and captions related to When She Rejects You. Here they are! All 100 of them:

A part of a healthy conscience is being able to confront consciencelessness. When you teach your daughter, explicitly or by passive rejection, that she must ignore her outrage, that she must be kind and accepting to the point of not defending herself or other people, that she must not rock the boat for any reason, you are NOT strengthening her prosocial sense, you are damaging it--and the first person she will stop protecting is herself.
Martha Stout (The Sociopath Next Door)
Never judge someone's character based on the words of another. Instead, study the motives behind the words of the person casting the bad judgment. An honest woman can sell tangerines all day and remain a good person until she dies, but there will always be naysayers who will try to convince you otherwise. Perhaps this woman did not give them something for free, or at a discount. Perhaps too, that she refused to stand with them when they were wrong — or just stood up for something she felt was right. And also, it could be that some bitter women are envious of her, or that she rejected the advances of some very proud men. Always trust your heart. If the Creator stood before a million men with the light of a million lamps, only a few would truly see him because truth is already alive in their hearts. Truth can only be seen by those with truth in them. He who does not have Truth in his heart, will always be blind to her.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Nobody got me out," Nellie replied. "They just let me go. They think I'm a deranged Jonah Wizard fan. Apparently, the hotel's full of them. A couple of idiots actually jumped off the front balcony. Can you picture that?" "In Technicolor," Amy said bitterly. "That low-down KGB reject!" Dan fumed. "I can't believe she cheated me–right when I was in the middle of cheating her!
Gordon Korman (One False Note (The 39 Clues, #2))
Survivors often develop an exaggerated need for control in their adult relationships. It’s the only way they feel safe. They also struggle with commitment—saying yes in a relationship means being trapped in yet another family situation where abuse might take place. So the survivor panics as her relationship gets closer, certain that something terrible is going to happen. She pulls away, rejects, or tests her partner all the time.
Laura Davis (Allies in Healing: When the Person You Love Was Sexually Abused as a Child)
They won’t tell you fairy tales of how girls can be dangerous and still win. They will only tell you stories where girls are sweet and kind and reject all sin. I guess to them it’s a terrifying thought, a red riding hood who knew exactly what she was doing when she invited the wild in. ~ Nikita Gill ~
S.B. Nova (A Kingdom of Exiles (Outcast #1))
You can’t get hurt when you love someone from the other side of an estuary. All the years she rejected him, she survived because he was somewhere in the marsh, waiting. But now perhaps he would no longer be there.
Delia Owens (Where the Crawdads Sing)
I know, somewhere in me, that it's not her that's being stupid. I understand, on one level, that she doesn't know, that everything's up in the air. But that's no use to me. You know the worst thing about being rejected? The lack of control. If you could only control the when and how of being dumped by somebody, then it wouldn't seem as bad. But then, of course, it wouldn't be rejection, would it? It would be by mutual consent. It would be musical differences. I would be leaving to pursue a solo career. I know how unbelievably and pathetically childish it is to push and push like this for some degree of probability, but it's the only thing I can do to grab any sort of control back from her.
Nick Hornby (High Fidelity)
Anyway, one of the few useful things I learned while I was getting my head shrunk is that when you get rejected a lot, you start to hear rejection all the time, everywhere, even when there hasn't been any rejection. And here's something else she told me that you need to remember. . .after the rejection comes shame. Like how thunder always follows lightning. You don't always hear it, but it's always there, so deal with it or it'll build up and destroy you.
Stephanie Tromly (Trouble Is a Friend of Mine (Trouble, #1))
Advice to friends. Advice to fellow mothers in the same boat. "How do you do it all?" Crack a joke. Make it seem easy. Make everything seem easy. Make life seem easy and parenthood and marriage and freelancing for pennies, writing a novel and smiling after a rejection, keeping the faith after two, reminding oneself that four years of work counted for a lot, counted for everything. Make the bed. Make it nice. Make the people laugh when you sit down to write and if you can't make them laugh make them cry. Make them want to hug you or hold you or punch you in the face. Make them want to kill you or fuck you or be your friend. Make them change. Make them happy. Make the baby smile. Make him laugh. Make him dinner. Make him proud. Hold the phone, someone is on the other line. She says its important. People are dying. Children. Friends. Press mute because there is nothing you can say. Press off because you're running out of minutes. Running out of time. Soon he'll be grown up and you'll regret the time you spent pushing him away for one more paragraph in the manuscript no one will ever read. Put down the book, the computer, the ideas. Remember who you are now. Wait. Remember who you were. Wait. Remember what's important. Make a list. Ten things, no twenty. Twenty thousand things you want to do before you die but what if tomorrow never comes? No one will remember. No one will know. No one will laugh or cry or make the bed. No one will have a clue which songs to sing to the baby. No one will be there for the children. No one will finish the first draft of the novel. No one will publish the one that's been finished for months. No one will remember the thought you had last night, that great idea you forgot to write down.
Rebecca Woolf
When you teach your daughter, explicitly or by passive rejection, that she must ignore her outrage, that she must be kind and accepting to the point of not defending herself or other people, that she must not rock the boat for any reason, you are not strengthening her prosocial sense;you are damaging it--and the first person she will stop protecting is herself.
Martha Stout (The Sociopath Next Door)
What sort of man could you love for a lifetime?" he asked her. She was silent for a while. He guessed that she was considering her answer. "A kind man," she said. "When we are young and foolish we do not realize how essential a component of love kindness is. It is perhaps the most important quality. And an honorable man. Always doing the right thing no matter what." His heart sank-on both account. "And a strong man," she said. "Strong enough to be vulnerable, to take risks, to be honest even when honesty might expose him to ridicule or rejection. And someone who would put himself at the center of my world even before knowing that I would be willing to do the same for him. A man foolish and brave enough to tell me that he loves me even when I have hidden all signs that I love him in return." "Eve-" he said. "He would have to be tall and broad and dark and hook-nosed," she said. "And frowning much of the time, pretending he is tough and impervious to all the finer emotions. And then smiling occasionally to light up my heart and my life." Good God! "He would have to be you," she said. "no one else would do. Which is just as well, considering the fact that I am married to you...
Mary Balogh (Slightly Married (Bedwyn Saga, #1))
Getting dumped is never really about getting dumped.' 'What is it about, then?' I ask. 'It's about every rejection you've ever experienced in your entire life. It's about the kids at school who called you names. And the parent who never came back. And the girls who wouldn't dance with you at the disco. And the school girlfriend who wanted to be single when she went to uni. And any criticism at work. When someone says they don't want to be with you, you feel the pain of every single one of those times in life where you felt like you weren't good enough. You live through all of it again.' 'I don't know how to get over it, Mum,' I say. 'At this point I'm so tired of myself. I don't know how to let go of her.' 'You don't let go once. That's your first mistake. You say goodbye over a lifetime. You might not have thought about her for ten years, then you'll hear a song or you'll walk past somewhere you once went together - something will come to the surface that you'd totally forgotten about. And you say another goodbye. You have to be prepared to let go and let go and let go a thousand times.' 'Does it get easier?' 'Much,' she says.
Dolly Alderton (Good Material)
Dimple could see, flush from the endorphins of a great performance, why actors and performers got addicted to this kind of thing. It had always seemed unfathomable to her, choosing a career where all you did was put yourself out in front of hundreds or thousands of people and risked rejection in real time. But if they felt even half of what she was feeling now when it went well...
Sandhya Menon (When Dimple Met Rishi (Dimple and Rishi, #1))
Another form of neglect occurs when emotionally immature parents give such superficial comfort that they aren’t at all helpful to a scared child. One woman remembered that whenever she was scared as a child, she knew she would have to get through it on her own. When I asked whether she remembered ever getting help with her fears, she said, “That feels like a foreign idea to me. It would be nice to know someone understands, but I never felt that way. I don’t remember anyone being able to help with the fears I was having. They just said generic things, like ‘Oh, you’re going to be fine,’ ‘It’s going to be okay,’ or ‘There’s no need to feel that way; you’ll feel better soon.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
Be nice to her,” she said, low and fast. “My mom keeps a lot of stuff inside, but her thoughts are really loud. I know she’s been scared and lonely. She has a disability, but you probably know that. It’s a barometric-pressure thing. When it rains or snows or gets really hot or really cold too fast, she hurts. But alcohol, stress, loud noises, and weird smells do it, too. You have to learn her triggers. And please, just be patient with her. Sometimes she has to lie down for a long time. You might feel bored or lonely or even rejected, but she can’t help being sick.” Audre rested her hand on Shane’s shoulder. “Mom feels guilty about who she is. Make her feel happy about herself.
Tia Williams (Seven Days in June)
They had been talking about his friend Z. when she announced, "If I hadn't met you, I'd certainly have fallen in love with him." Even then, her words had left Tomas in a strange state of melancholy, and now he realized it was only a matter of chance that Tereza loved him and not his friend Z. Apart from her consummated love for Tomas, there were, in the realm of pos­sibility, an infinite number of unconsummated loves for other men. We all reject out of hand the idea that the love of our life may be something light or weightless; we presume our love is what must be, that without it our life would no longer be the same; we feel that Beethoven himself, gloomy and awe-inspir­ing, is playing the "Es muss sein!" to our own great love. Tomas often thought of Tereza's remark about his friend Z. and came to the conclusion that the love story of his life exemplified not "Es muss sein!" (It must be so), but rather "Es konnte auch anders sein" (It could just as well be otherwise).
Milan Kundera (The Unbearable Lightness of Being)
And so these refined parents rejected their five-year-old girl to all kinds of torture. They beat her, kicked her, flogged her, for no reason that they themselves knew of. The child’s whole body was covered in bruises. Eventually they devised a new refinement. Under the pretext that the child dirtied her bed (as though a five-year-old deep in her angelic sleep could be punished for that), they forced her to eat excrement, smearing it all over her face. And it was the mother that did it! And that woman would lock her daughter up in the outhouse until morning and she did so even on the coldest nights, when it was freezing. Just imagine the woman being able to sleep with the child’s cries coming from that outhouse! Imagine that little creature, unable to even understand what is happening to her, beating her sore little chest with her tiny fist, weeping hot, unresentful, meek tears, and begging ‘gentle Jesus’ to help her… ...let’s assume that you were called upon to build the edifice of human destiny so that men would finally be happy and would find peace and tranquility. If you knew that, only to attain this, you would have to torture just one single creature, let’s say the little girl who beat her chest so desperately in the outhouse, and that on her unavenged tears you could build that edifice, would you agree to do it?
Fyodor Dostoevsky (The Brothers Karamazov)
My eye is still used to searching for her in a crowd. My breath is still used to catching when I see her and the light is angled just right. My body is still used to hers moving next to mine. So the distance—anything short of contact—is a constant rejection. We were together for six months, and in each of those months my desire found new ways to be fueled by her. It’s over can’t kill that. All of the songs I wrote in my head were for her, and now I can’t stop them from playing. This null soundtrack. I’m tired, she’d said, and I told her that I was tired, too, and that I wanted to take some time for us, too. And then she’d said, No, I’m tired of you, and I slipped into the surreal-but-true universe where we were over and I wasn’t over it. She was no longer any kind of here that I could get to
David Levithan (Nick & Norah's Infinite Playlist)
When others repulse you, it’s a definite message from God that "He/She" will pave a way for you even when there seems none.
Jacent Mary Mpalyenkana
Brambleclaw's tail filicked angrily. "Did there have to be so many lies?" He was staring at Squirrelflight. "Couldn't you have told me the truth?" Squirrelflight dipped her head. "It was never my secret to tell. Leafpool had so much to lose". "She lost everything anyway", Brambleclaw snarled. "No, I didn't". Leafpool lifted her muzzle. "I watched my kits grow into fine warrior, and I still serve my Clan with all my heart". Lionblaze felt his heart prick. Perhaps this was the truth that was most important. Leafpool had sacrificed so much and, even though her kits rejected her time and again, she'd never stopped loving them. In his darkest moments, he couldn't deny that. "Brambleclaw, I'm sorry". Squirrelflight moved closer to the ThunderClan deputy. Her voice was stronger now, as if she was tired of being punished for something she had believed to be right. "You have to understand that I never intended to hurt you. I loved you, and was proud to raise these kits with you. You were a wonderful father". "But I wasn't their father!" Brambleclaw hissed. "Yes, you were!" Squirrelflight thrust her muzzle close to Brambleclaw's. Her eyes blazed. "Don't throw away everything just because you are angry with me!" Lionblaze swallowed. "I was so proud to be your son". Brambleclaw looked at him in surprise, as if he'd forgotton Lionblaze was there. Something in the deputy's expression changed. "And I couldn't have asked for a better son. And you Jayfeather. Or a better daughter, Hollyleaf." Hollyleaf opened her mouth as if to protest, but Brambleclaw spoke first. "You played no part in this deception, I know that. Whatever you did, it was because of the lies taht had been told when you were born." "It was my fault alone," Leafpool meowed quietly. "You are wrong to blame Squirrelflight. She was just being loyal to me. And now that we know about the prophecy, surely the only thing that matters is that these kits were accepted by their Clan? It's not about us, after all. It's about them. Their destinies shaped ours, right from the moment they were born." Squirrelflight nodded. "Everything was meant to be". Lionblaze looked down at his paws. If these cats could accept their destinies, then he had enough courage to accept his. I am one of the Four.
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
She will never tell you this, but what she wants is a man who will reject her rejection firmly, ignore her dismissals, embrace her, and affirm her with the loving (or leading) words she desperately needs to hear. For
Bruce Bryans (What Women Want When They Test Men: How to Decode Female Behavior, Pass a Woman’s Tests, and Attract Women Through Authenticity)
Monster stories are powerful. They explore prejudice, rejection, anger and every imaginable negative aspect of living in society. However, only half of society is reflected in the ranks of the people who create these monsters. Almost every single iconic monster in film is male and was designed by a man: the Wolfman, Frankenstein, Dracula, King Kong. The emotions and problems that all of them represent are also experienced by women, but women are more likely to see themselves as merely the victims of these monsters. Women rarely get to explore on-screen what it's like to be a giant pissed-off creature. Those emotions are written off. If a woman is angry or upset, she'll be considered hysterical and too emotional. One of the hardest things about misogyny in the film industry isn't facing it directly, it's having to tamp down your anger about it so that when you speak about the problem, you'll be taken seriously. Women don't get to stomp around like Godzilla. Someone will just ask if you're on your period.
Mallory O'Meara (The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick)
He didn’t even apologize as he sat up, staring down at her. Was he angry? She guessed not when he began to speak to his erection. “I know. I can’t believe she left us like this either. Cruel wench, isn’t she?” After the long, frightening, horrible day she had, this was not remotely how she expected to end it. And, against her will, she smiled. “Look. Now she’s laughing at us.” Desperately fighting a bout of laughter, she ordered, “Stop talking to it.” He shrugged. “Well you won’t talk to him…and he’s feeling awfully lonely. And I think you hurt his feelings.” Then he made it bounce twice in agreement. Talaith covered her face and sighed. What exactly did her mother tell her the seven signs of madness were? Well, a dragon talking to his own shaft had to be one of them.
G.A. Aiken (About a Dragon (Dragon Kin, #2))
But I thought we might get naked, just like Adam and Eve, so natural...” I gasped. I'd forgotten all about that part of my conversation with Scott! Utter humiliation. I curled into a tighter ball. “Oh, come on. You haven't even thanked me yet.” “For what?” I asked, still not looking. “For saving you from snogging that plonker. You didn't really fancy him, did you?” My cheeks burned, and I was glad to be turned away from him. I kept my mouth shut. “So that's it, then?” he asked. I ignored him. “I always wondered what it would feel like.” That made me curious enough to turn to him. “What what would feel like?” I asked. “Rejection.” He seemed in the midst of a revelation. “What are you saying? That no girl has ever told you no?” “Not one.” Well, that explained a lot. “And what about you?” I asked. "Haven't you ever stopped or said no to a girl?” He laughed as if I'd said something ridiculous. "Why would I do that?” “Lots of reasons,” I said. “Never mind, just go to sleep. We have a long day tomorrow.” I turned away from him again, punching the thick pillow and laying my head down. “I suppose I did refuse one, but she doesn't count,” he said. “Why not?” “Because she was Neph.” Discomfort gnawed at me. “This must be the part where I take a cold shower?” he asked. “Good idea.” When he was in the bathroom with the water running, I jumped down and changed into my pajamas. Then I leaped back into bed and chanted to myself, Don't think about the kiss. Don't think about the kiss. Impossible.
Wendy Higgins (Sweet Evil (Sweet, #1))
When she decided to get a job, she rejected a tempting offer from a company that had just been set up in her recently created country in favor of a job at the public library, where you didn’t earn much money but where you were secure. She went to work every day, always keeping to the same timetable, always making sure she wasn’t perceived as a threat by her superiors; she was content; she didn’t struggle, and so she didn’t grow: All she wanted was her salary at the end of the month. She rented the room in the convent because the nuns required all tenants to be back at a certain hour, and then they locked the door: Anyone still outside after that had to sleep on the street. She always had a genuine excuse to give boyfriends, so as not to have to spend the night in hotel rooms or strange beds. When she used to dream of getting married, she imagined herself in a little house outside Ljubljana, with a man quite different from her father—a man who earned enough to support his family, one who would be content just to be with her in a house with an open fire and to look out at the snow-covered mountains. She had taught herself to give men a precise amount of pleasure; never more, never less, only what was necessary. She didn’t get angry with anyone, because that would mean having to react, having to do battle with the enemy and then having to face unforeseen consequences, such as vengeance. When she had achieved almost everything she wanted in life, she had reached the conclusion that her existence had no meaning, because every day was the same. And she had decided to die.
Paulo Coelho (Veronika Decides to Die)
I read and reread and recommended and rarely rejected, became one of those readers who will read trashy stories as long as they're not too terrible--well, even perhaps the truly terrible ones--and will reread something she's already read, even if it's something like a detective novel, when you'd suspect that knowing who had really killed the countess would materially detract from the experience. (It doesn't, and besides, I often can't remember who the murderer was in the first place.)
Anna Quindlen (Imagined London: A Tour of the World's Greatest Fictional City)
To keep the blinders off our life-enhancing seventh sense, as with most improvements in the human condition, we must start with our children. A part of healthy conscience is being able to confront consciencelessness. When you teach your daughter, explicitly or by passive rejection, that she must ignore her outrage, that she must be kind and accepting to the point of not defending herself or other people, that she must not rock the boat for any reason, you are not strengthening her prosocial sense; you are damaging it—and the first person she will stop protecting is herself.
Martha Stout (The Sociopath Next Door)
Hope is not dependent on peace in the land, justice in the world, and success in the business. Hope is willing to leave unanswered questions unanswered and unknown futures unknown. Hope makes you see God’s guiding hand not only in the gentle and pleasant moments but also in the shadows of disappointment and darkness. No one can truly say with certainty where he or she will be ten or twenty years from now. You do not know if you will be free or in captivity, if you will be honored or despised, if you will have many friends or few, if you will be liked or rejected. But when you hold lightly these dreams and fears, you can be open to receive every day as a new day and to live your life as a unique expression of God’s love for humankind. There is an old expression that says, “As long as there is life there is hope.” As Christians we also say, “As long as there is hope there is life.
Henri J.M. Nouwen (Turn My Mourning into Dancing: Finding Hope in Hard Times)
I face Aurae. “It’s been a journey,” I mumble. “I wanted to say thank you. For bringing us here. For giving me The Path to the Vale. I was spiraling. People have saved my life before, but I think you saved my soul.” “And you saved Cassius’s,” she says. “It wasn’t me that did it. I liked him very much. In another life, I might have loved him. But he didn’t need a woman’s love. He needed a brother’s. The way he talked about you. Well…” Her eyes swim with tears. “Lysander was an obligation. You were an aspiration. He was so afraid on our journey to the Core. So nervous to see you and be rejected. But when he saw you respected him, valued him, he shined like a star. His path led back to you, because you made him feel loved. That is all that matters, Darrow. When he died, he knew he was loved. So when you think of him, when you feel sad, remember that.” She kisses me on the cheek. “If we do not meet again, I will see you in the Vale with Cassius. You know the path.
Pierce Brown (Light Bringer (Red Rising Saga, #6))
When a beautiful woman takes an idea firmly into her head, even if the walls are then thousand feet high, she cannot be prevented from carrying it out. But if she rejects it, yet it will be as though a thousand mountains kept you apart
Lanling Xiaoxiao Sheng (Golden Lotus Volume 2: Jin Ping Mei)
Son, you just asked me: how can someone show love over and over again when they're constantly rejected? Caleb, the answer is: you can't love her, because you can't give her what you don't have. I couldn't truly love your mother until I understood what love truly was. It's not because I get some reward out of it. I've now made a decision to love your mother whether she deserves it or not. Son, God loves you, even though you don't deserve it. Even though you've rejected Him. Spat in His face. God sent Jesus to die on the cross for your sin, because He loves you. The cross was offensive to me, until I came to it. But when I did, Jesus Christ changed my life. That's when I truly began to love your mom. Son, I can't settle this for you. This is between you and the Lord. But I love you too much not to tell you the truth. Can't you see that you need Him? Can't you see that you need His forgiveness?
Jennifer Dion (Fireproof Your Marriage: Participant's Guide)
These are lines from my asteroid-impact novel, Regolith: Just because there are no laws against stupidity doesn’t mean it shouldn’t be punished. I haven’t faced rejection this brutal since I was single. He smelled trouble like a fart in the shower. If this was a kiss of gratitude, then she must have been very grateful. Not since Bush and Cheney have so few spent so much so fast for so long for so little. As a nympho for mind-fucks, Lisa took to politics like a pig to mud. She began paying men compliments as if she expected a receipt. Like the Aerosmith song, his get-up-and-go just got-up-and-went. “You couldn’t beat the crap out of a dirty diaper!” He embraced his only daughter as if she was deploying to Iraq. She was hotter than a Class 4 solar flare! If sex was a weapon, then Monique possessed WMD I haven’t felt this alive since I lost my virginity. He once read that 95% of women fake organism, and the rest are gay. Beauty may be in the eyes of the beholder, but ugly is universal. Why do wives fart, but not girlfriends? Adultery is sex that is wrong, but not necessarily bad. The dinosaurs stayed drugged out, drooling like Jonas Brothers fans. Silence filled the room like tear gas. The told him a fraction of the truth and hoped it would take just a fraction of the time. Happiness is the best cosmetic, He was a whale of a catch, and there were a lot of fish in the sea eager to nibble on his bait. Cheap hookers are less buck for the bang, Men cannot fall in love with women they don’t find attractive, and women cannot fall in love with men they do not respect. During sex, men want feedback while women expect mind-reading. Cooper looked like a cow about to be tipped over. His father warned him to never do anything he couldn’t justify on Oprah. The poor are not free -- they’re just not enslaved. Only those with money are free. Sperm wasn’t something he would choose on a menu, but it still tasted better than asparagus. The crater looked alive, like Godzilla was about to leap out and mess up Tokyo. Bush follows the Bible until it gets to Jesus. When Bush talks to God, it’s prayer; when God talks to Bush, it’s policy. Cheney called the new Miss America a traitor – apparently she wished for world peace. Cheney was so unpopular that Bush almost replaced him when running for re-election, changing his campaign slogan to, ‘Ain’t Got Dick.’ Bush fought a war on poverty – and the poor lost. Bush thinks we should strengthen the dollar by making it two-ply. Hurricane Katrina got rid of so many Democratic voters that Republicans have started calling her Kathleen Harris. America and Iraq fought a war and Iran won. Bush hasn’t choked this much since his last pretzel. Some wars are unpopular; the rest are victorious. So many conservatives hate the GOP that they are thinking of changing their name to the Dixie Chicks. If Saddam had any WMD, he would have used them when we invaded. If Bush had any brains, he would have used them when we invaded. It’s hard for Bush to win hearts and minds since he has neither. In Iraq, you are a coward if you leave and a fool if you stay. Bush believes it’s not a sin to kill Muslims since they are going to Hell anyway. And, with Bush’s help, soon. In Iraq, those who make their constitution subservient to their religion are called Muslims. In America they’re called Republicans. With great power comes great responsibility – unless you’re Republican.
Brent Reilly
He's not your type." Peabody's face clouded exactly as it had when Eve had rejected the perfume. "How come - I like looking at his type." "Sure, but try to have a conversation with him." Eve dipped her hands in her pockets and rocked back on her heels. "Guy's in love with himself and figures every woman who gets a load of him has to go moony eyed - just like you're doing. He'd bore you to death in ten minutes because all he'd talk about is himself - how he looks, what he does, what he likes. You'd just be his latest accessory." Peabody considered, watching as the gold-tipped Adonis posed at the check-in counter. "Okay, so we won't bother to talk. We'll just have sex." "He'd be a lousy lay - wouldn't give a damn if you got off or not." "I'm getting off just looking at him." But she sighed when he took out a small silver-backed mirror and examined his face with obvious delight. "It's times like this I hate it when you're right.
J.D. Robb (Holiday in Death (In Death, #7))
They won’t tell you fairy tales of how girls can be dangerous and still win. They will only tell you stories where girls are sweet and kind and reject all sin. I guess to them it’s a terrifying thought, a red riding hood who knew exactly what she was doing when she invited the wild in.
S.B. Nova (A Kingdom of Exiles (Outcast #1))
The nine in our list are based on a longer list in Robert Leahy, Stephen Holland, and Lata McGinn’s book, Treatment Plans and Interventions for Depression and Anxiety Disorders. For more on CBT—how it works, and how to practice it—please see Appendix 1.) EMOTIONAL REASONING: Letting your feelings guide your interpretation of reality. “I feel depressed; therefore, my marriage is not working out.” CATASTROPHIZING: Focusing on the worst possible outcome and seeing it as most likely. “It would be terrible if I failed.” OVERGENERALIZING: Perceiving a global pattern of negatives on the basis of a single incident. “This generally happens to me. I seem to fail at a lot of things.” DICHOTOMOUS THINKING (also known variously as “black-and-white thinking,” “all-or-nothing thinking,” and “binary thinking”): Viewing events or people in all-or-nothing terms. “I get rejected by everyone,” or “It was a complete waste of time.” MIND READING: Assuming that you know what people think without having sufficient evidence of their thoughts. “He thinks I’m a loser.” LABELING: Assigning global negative traits to yourself or others (often in the service of dichotomous thinking). “I’m undesirable,” or “He’s a rotten person.” NEGATIVE FILTERING: You focus almost exclusively on the negatives and seldom notice the positives. “Look at all of the people who don’t like me.” DISCOUNTING POSITIVES: Claiming that the positive things you or others do are trivial, so that you can maintain a negative judgment. “That’s what wives are supposed to do—so it doesn’t count when she’s nice to me,” or “Those successes were easy, so they don’t matter.” BLAMING: Focusing on the other person as the source of your negative feelings; you refuse to take responsibility for changing yourself. “She’s to blame for the way I feel now,” or “My parents caused all my problems.”11
Greg Lukianoff (The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting Up a Generation for Failure)
What had spoken to her in that scoured-out cavity of the granite? What dwelt in the first of the caves? Something very old and very small. Before time, it was before space also. Something snub-nosed, incapable of generosity -- the undying worm itself. Since hearing its voice, she had not entertained one large thought, she was actually envious of Adela. All this fuss over a frightened girl! Nothing had happened, 'and if it had,' she found herself thinking with the cynicism of a withered priestess, 'if it had there are worse evils than love.' The unspeakable attempt presented itself to her as love: in a cave, in a church -- Boum, it amounts to the same. Visions are supposed to entail profundity, but -- Wait till you get one, dear reader! The abyss also may be petty, the serpent of eternity made of maggots; her constant thought was: 'Less attention should be paid to my future daughter-in-law and more to me, there is no sorrow like my sorrow,' although when the attention was paid she rejected it irritably.
E.M. Forster (A Passage to India)
Hypercritical, Shaming Parents Hypercritical and shaming parents send the same message to their children as perfectionistic parents do - that they are never good enough. Parents often deliberately shame their children into minding them without realizing the disruptive impact shame can have on a child's sense of self. Statements such as "You should be ashamed of yourself" or "Shame on you" are obvious examples. Yet these types of overtly shaming statements are actually easier for the child to defend against than are more subtle forms of shaming, such as contempt, humiliation, and public shaming. There are many ways that parents shame their children. These include belittling, blaming, contempt, humiliation, and disabling expectations. -BELITTLING. Comments such as "You're too old to want to be held" or "You're just a cry-baby" are horribly humiliating to a child. When a parent makes a negative comparison between his or her child and another, such as "Why can't you act like Jenny? See how she sits quietly while her mother is talking," it is not only humiliating but teaches a child to always compare himself or herself with peers and find himself or herself deficient by comparison. -BLAMING. When a child makes a mistake, such as breaking a vase while rough-housing, he or she needs to take responsibility. But many parents go way beyond teaching a lesson by blaming and berating the child: "You stupid idiot! Do you think money grows on trees? I don't have money to buy new vases!" The only thing this accomplishes is shaming the child to such an extent that he or she cannot find a way to walk away from the situation with his or her head held high. -CONTEMPT. Expressions of disgust or contempt communicate absolute rejection. The look of contempt (often a sneer or a raised upper lip), especially from someone who is significant to a child, can make him or her feel disgusting or offensive. When I was a child, my mother had an extremely negative attitude toward me. Much of the time she either looked at me with the kind of expectant expression that said, "What are you up to now?" or with a look of disapproval or disgust over what I had already done. These looks were extremely shaming to me, causing me to feel that there was something terribly wrong with me. -HUMILIATION. There are many ways a parent can humiliate a child, such as making him or her wear clothes that have become dirty. But as Gershen Kaufman stated in his book Shame: The Power of Caring, "There is no more humiliating experience than to have another person who is clearly the stronger and more powerful take advantage of that power and give us a beating." I can personally attest to this. In addition to shaming me with her contemptuous looks, my mother often punished me by hitting me with the branch of a tree, and she often did this outside, in front of the neighbors. The humiliation I felt was like a deep wound to my soul. -DISABLING EXPECTATIONS. Parents who have an inordinate need to have their child excel at a particular activity or skill are likely to behave in ways that pressure the child to do more and more. According to Kaufman, when a child becomes aware of the real possibility of failing to meet parental expectations, he or she often experiences a binding self-consciousness. This self-consciousness - the painful watching of oneself - is very disabling. When something is expected of us in this way, attaining the goal is made harder, if not impossible. Yet another way that parents induce shame in their children is by communicating to them that they are a disappointment to them. Such messages as "I can't believe you could do such a thing" or "I am deeply disappointed in you" accompanied by a disapproving tone of voice and facial expression can crush a child's spirit.
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
One reason it is vital to respond to an infant's needs is trhat the baby feels it is the cause of its own neglect, although this is not a conscious thought. Such narcissistic feelings pave the road to an infant's psychological and physical growth; since the baby senses no boundaries between herself and her mother, she "believes" that her cries cause the mother to tend to her. And if the mother does not tend to her, the baby believes that she created her own rejection by not being lovable, not worthy of care. It's a belief that haunts one's life.
Victoria Secunda (When You and Your Mother Can't Be Friends: Resolving the Most Complicated Relationship of Your Life)
NEGLECT AND YOU WILL BE NEGLECTED There are three people you will be judged heavily on how you treat them in this lifetime. For the man, it is his mother for giving him life, his wife for showing him life, and his daughter for teaching her all that he has learned from life. For the woman, it is her father for giving her the seed of life, her husband for showing her life, and her son for teaching him all that she has learned from life. How a person treats their parents is how they show their gratefulness to the Creator for life. How a husband and wife treat each other, is how they show the Creator how well they do with this gift of life, how well they value and honor the sacred oath they made before him, and how well they understand the Lord and his religion, LOVE. A father must be good to his wife and daughter, because from watching this treatment — the son will learn how to treat all women, and his daughter will know what a good man is supposed to act like. And a mother must always remain morally good and faithful to her husband, be attentive to all her children, and be filled with patience, forgiveness, kind words, compassion and love — so her children are raised to respect all mothers, and know what a good woman is supposed to act like. If you neglect your fathers, mothers, sons, daughters, husbands, and wives, then don't be surprised when the Creator is forced to neglect you. Neglect, and you will be neglected. Protect, and you will be protected. Reject, and you will be rejected. Love all, and all that love will be mirrored by the Creator — and reflected back onto YOU.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
The greatest strength you can have is to know your own strengths," she said when Lily was rejected by Tisch, her top choice for college. "You've got to figure out what you're good at and make the most of it.
Cristina Alger (The Darlings)
...cannot possibly know who you are, you imagine that she is suspicious of all young people-as a matter of principle- and therefore what she sees when she looks at you is not you as yourself but you as yet one more querrilla fighter in the war against authority, an unruly insurrectionist who has no business barging into the sanctum of her library and asking for work. Such are the times you live in,the times you both live in. She instructs you to put the cards in order, and you can sense how deeply she wants you to fail, how happy it will make her to reject your application, and because you want the job just as much as she doesn't want you to have it, you make sure that you don't fail.
Paul Auster (Invisible (Rough Cut))
When a beautiful woman takes an idea firmly into her head, even if the walls are then thousand feet high, she cannot be prevented from carrying it out. But if she rejects it, yet it will be as though a thousand mountains kept you apart.
Lanling Xiaoxiao Sheng (Golden Lotus Volume 2: Jin Ping Mei)
Pastor Jón Prímus: Do you remember when Úa shook her curls? Do you remember when she looked at us and laughed? Did she not accept the Creation? Did she reject anything? Did she contradict anything? It was a victory for the Creator, once and for all. Everything that was workaday and ordinary, everything that had limitations, ceased to exist when she came: the world perfect, and nothing mattered anymore. What does Úa mean when she sends people telegrams saying she is dead?
Halldór Laxness (Under the Glacier)
The only time a girl rejects you for who you are is when she has known you for years. When she knows you for a minute, a day, a week, or a month, you’re not getting rejected for who you are—you’re getting rejected for who she thinks you are.
Roosh V. (Bang: The Most Infamous Pickup Book In The World)
Internalizers are always caught off guard when someone shows genuine interest in how they feel. One overwhelmed woman who had just started psychotherapy paused in her story and looked at me oddly. She then said in amazement, “You really see me.” She could tell I understood the underlying pain she was describing despite her exceptionally high functioning in daily life. She acted like this was the last thing she expected, and given that she was an internalizer, it most assuredly was.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
I had no particular problem about getting divorced. For all intents and purposes we already were divorced. And I had no emotional hang up about signing and sealing the official documents. If that's what she wanted, fine. It was a legal formality, nothing more. But when it came to why, and how, things had turned out this way, the sequence of events was beyond me. I understood, of course, that over time, and as circumstances changed, a couple could grow closer, or move apart. Changes in a person's feelings aren't regulated by custom, logic, or the law. They're fluid, unstable, free to spread their wings and fly away. Like migratory birds have no concept of borders between countries. But these were all just generalizations, and I couldn't easily grasp the individual case here-that this woman, Yuzu, refused to love this man, me, and chose instead to be loved by someone else. It felt terribly absurd, a horribly ugly way to be treated. There wasn't any anger involved (I think). I mean, what was I supposed to be angry with? What I was feeling was a fundamental numbness. The numbness your heart automatically activates to lessen the awful pain when you want some-body desperately and they reject you. A kind of emotional morphine.
Haruki Murakami (Killing Commendatore)
The door opened, and it was like an apparition materializing before me, some sort of heavenly messenger descended from above. I’d never been away from her for this long, and after all this time, part of me wondered if I was imagining this. Her hand went to her mouth, and she stared at me wide-eyed. I think she felt the same way-and she hadn’t even had warning of my visit. She’d just been told I was coming “soon.” No doubt I seemed like a phantom to her, too. And with that reunion… it was like I was emerging from a cave-one I’d been in for almost five weeks-into the bright light of day. When Dimitri had turned, I’d felt like I’d lost part of my soul. When I’d left Lissa, another piece had gone. Now, seeing her… I began to think maybe my soul might be able to heal. Maybe I could go on after all. I didn’t feel 100 percent whole yet, but her presence filled up that missing part of me. I felt more like myself than I had in ages. A world of questions and confusion hung in the silence between us. In spite of everything we’d been through with Avery, there was still a lot of unresolved business from when I had first left the school. For the first time since I’d set foot on the Academy’s grounds, I felt afraid. Afraid that Lissa would reject me or scream at me for what I’d done. Instead, she drew me into a giant hug. “I knew it,” she said. She was already choking on her sobs. “I knew you’d come back.
Richelle Mead (Blood Promise (Vampire Academy, #4))
When you get rejected by a girl, there’s only one thought that should be in your head: “It’s her loss.” Even if you said the lamest shit in the world or accidentally spilled your drink on her, it’s still her loss. If you tripped in front of her and she laughed at you, it’s her loss.
Roosh V. (Bang: The Most Infamous Pickup Book In The World)
Some of my favorite songs: 'Only Love Can Break Your Heart' by Neil Young; 'Last Night I Dreamed That Somebody Loved Me' by the Smiths; 'Call Me' by Aretha Franklin; 'I Don't Want to Talk About It' by anybody. And then there's 'Love Hurts' and 'When Love Breaks Down' and 'How Can You Mend a Broken Heart' and 'The Speed of the Sound of Loneliness' and 'She's Gone' and 'I Just Don't Know What to Do with Myself 'and . . . some of these songs I have listened to around once a week, on average (three hundred times in the first month, every now and again thereafter), since I was sixteen or nineteen or twenty-one. How can that not leave you bruised somewhere? How can that not turn you into the sort of person liable to break into little bits when your first love goes all wrong? What came first, the music or the misery? Did I listen to music because I was miserable? Or was I miserable because I listened to music? Do all those records turn you into a melancholy person? People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands, of songs about broken hearts and rejection and pain and misery and loss. The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.
Nick Hornby (High Fidelity)
The list of correlations to that night is as long as the Jersey coast. And so is the list of reasons I shouldn't be looking forward to seeing him at school. But I can't help it. He's already texted me three times this morning: Can I pick you up for school? and Do u want 2 have breakfast? and R u getting my texts? My thumbs want to answer "yes" to all of the above, but my dignity demands that I don't answer at all. He called my his student. He stood there alone with me on the beach and told me he thinks of me as a pupil. That our relationship is platonic. And everyone knows what platonic means-rejected. Well, I might be his student, but I'm about to school, him on a few things. The first lesson of the day is Silent Treatment 101. So when I see him in the hall, I give him a polite nod and brush right by him. The zap from the slight contact never quite fades, which mean he's following me. I make it to my locker before his hand is on my arm. "Emma." The way he whispers my name sends goose bumps all the way to my baby toes. But I'm still in control. I nod to him, dial the combination to my locker, then open it in his face. He moves back before contact. Stepping around me, he leans his hand against the locker door and turns me around to face him. "That's not very nice." I raise my best you-started-this brow. He sighs. "I guess that means you didn't miss me." There are so many things I could pop off right now. Things like, "But at least I had Toraf to keep my company" or "You were gone?" Or "Don't feel bad, I didn't miss my calculus teacher either." But the goal is to say nothing. So I turn around. I transfer books and papers between my locker and backpack. As I stab a pencil into my updo, his breath pushes against my earlobe when he chuckles. "So your phone's not broken; you just didn't respond to my texts." Since rolling my eyes doesn't make a sound, it's still within the boundaries of Silent Treatment 101. So I do this while I shut my locker. As I push past him, he grabs my arm. And I figure if stomping on his toe doesn't make a sound... "My grandmother's dying," he blurts. Commence with the catching-Emma-off-guard crap. How can I continue Silent Treatment 101 after that? He never mentioned his grandmother before, but then again, I never mentioned mine either. "I'm sorry, Galen." I put my hand on his, give it a gentle squeeze. He laughs. Complete jackass. "Conveniently, she lives in a condo in Destin and her dying request is to meet you. Rachel called your mom. We're flying out Saturday afternoon, coming back Sunday night. I already called Dr. Milligan." "Un-freaking-believable.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I HAD TO GO to America for a while to give some talks. Going to America always does me good. It’s where I’m from, after all. There’s baseball on the TV, people are friendly and upbeat, they don’t obsess about the weather except when there is weather worth obsessing about, you can have all the ice cubes you want. Above all, visiting America gives me perspective. Consider two small experiences I had upon arriving at a hotel in downtown Austin, Texas. When I checked in, the clerk needed to record my details, naturally enough, and asked for my home address. Our house doesn’t have a street number, just a name, and I have found in the past that that is more deviance than an American computer can sometimes cope with, so I gave our London address. The girl typed in the building number and street name, then said: “City?” I replied: “London.” “Can you spell that please?” I looked at her and saw that she wasn’t joking. “L-O-N-D-O-N,” I said. “Country?” “England.” “Can you spell that?” I spelled England. She typed for a moment and said: “The computer won’t accept England. Is that a real country?” I assured her it was. “Try Britain,” I suggested. I spelled that, too—twice (we got the wrong number of T’s the first time)—and the computer wouldn’t take that either. So I suggested Great Britain, United Kingdom, UK, and GB, but those were all rejected, too. I couldn’t think of anything else to suggest. “It’ll take France,” the girl said after a minute. “I beg your pardon?” “You can have ‘London, France.’ ” “Seriously?” She nodded. “Well, why not?” So she typed “London, France,” and the system was happy. I finished the check-in process and went with my bag and plastic room key to a bank of elevators a few paces away. When the elevator arrived, a young woman was in it already, which I thought a little strange because the elevator had come from one of the upper floors and now we were going back up there again. About five seconds into the ascent, she said to me in a suddenly alert tone: “Excuse me, was that the lobby back there?” “That big room with a check-in desk and revolving doors to the street? Why, yes, it was.” “Shoot,” she said and looked chagrined. Now I am not for a moment suggesting that these incidents typify Austin, Texas, or America generally or anything like that. But it did get me to thinking that our problems are more serious than I had supposed. When functioning adults can’t identify London, England, or a hotel lobby, I think it is time to be concerned. This is clearly a global problem and it’s spreading. I am not at all sure how we should tackle such a crisis, but on the basis of what we know so far, I would suggest, as a start, quarantining Texas.
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
When a woman has no sexual interest in you, but you have made it obvious that you do have such an interest in her, she will reject you in one way or another. This just means that she is turning down your offer to spend more time together to potentially end up as something besides friends, but it feels a lot worse than that to many males.
W. Anton (The Manual: What Women Want and How to Give It to Them)
Some nights, the wolf inside of me shrinks to nothing, she bares her teeth and runs away. The dragon in my chest rejects me, she's too tired of being slain. There are nights when the lioness cowers, says she can't fight it another day..." "What about the phoenix?" "She sits with me in the darkness. She whispers: we'll rise. Just you wait.
Srwpoetry
I dinna expect your thanks. ’Tis not why I stole ye away from Steafan.” She rolled her eyes, but this time with affection instead of annoyance. “Duh, I know that. You’re so darned honorable you’d never do anything for something as paltry as my thanks. It’s not just about thanks. I love you, you stubborn Highlander.” She cupped her hand over her mouth. The ornery thing had just blurted that which she had yet to fully admit to herself. Considering how much it hurt to have Darcy reject her physical advances, she was in no mood to bear his inevitable rejection of her heart. Mortified, she turned to run away. But his arms went around her. He hadn’t lied when he’d claimed to be quicker. “Do ye mean that, lass?” he asked, bending over her back, holding her. “No,” she lied, trying to pry his arms away. “I’m out of my mind. Don’t listen to a thing I say. Let me go.” “No. I willna. And I think a confession spoken in ire is more trustworthy than one spoken in calm.” He turned her around and lifted her face to his. “I love you, too, lass.” He kissed her.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
Real men are told, “I’m sorry, I’m not interested” or “I have a friend who is single that I would like to introduce you to” when they are rejected. That is pretty much it. No dramatic scenes, no broken hearts, no agonizing pain or suffering to keep them awake at night. It just happens, life goes on, they meet another woman, and she keeps them awake at night.
W. Anton (The Manual: What Women Want and How to Give It to Them)
Shame is not a mirage. It is very real. A sexually violated woman feels contaminated by what has been done to her, and she really is contaminated. A person who has lived with rejection can’t neutralize it with happy thoughts. Shame is like dirt. No matter how it happened, you are a mess and something has to be done about it. When you are dirty, there is no feel-as-if about it.
Edward T. Welch (Shame Interrupted: How God Lifts the Pain of Worthlessness and Rejection)
She needs to think you're still a couple. And you'll need to be convincing about it, too. Lots of kissing and stuff in case your mother tries to spy on you." Emma stops chewing. Galen drops his fork. "Uh, I don't think we need to take it that far-" Emma starts. "Oh, no? Teenagers don't kiss their sweethearts anymore?" Rachel crosses her arms, wagging the spatula to the beat of her tapping foot. "They do, but-" "No buts. Come on, sweetie. You think your mom's going to believe you keep your hands off Galen?" "Probably not, but-" "I said no buts. Look at you two. You're not even sitting next to each other! You need some practice, I'd say. Galen, go sit beside her. Hold her hand." "Rachel," he says, shaking his head, "this can wait-" "Fine," Emma grinds out. They both turn to her. Still frowning, she nods. "We'll make it a point to kiss and hold hands when she's around." Galen almost drops his fork again. No way. Kissing Emma is the last thing I need to do. Especially when her lips turn that red. "Emma, we don't have to kiss. She already knows I want to sleep with you." He cringes as soon as he says it. He doesn't have to look up to know the sizzling sound in the kitchen is from Rachel spitting her pineapple juice into the hot skillet. "What I mean is, I already told her I want to sleep with you. I mean, I told her I wanted to sleep with you because she already thinks I do. Want to, I mean-" If a Syrena could drown, this is what it would feel like. Emma holds up her hand. "I get it, Galen. It's fine. I told her the same thing." Rachel plops down beside Emma, wiping the juice spittle from her face with a napkin. "So you're telling me your mom thinks you two want to sleep with each other, but you don't think she'll be expecting you to kiss." Emma shakes her head and shovels a forkful of omelet into her mouth, then chases it with some juice. She says, "You're right, Rachel. We'll let her catch us making out or something." Rachel nods. "That should work." "What does that mean? Making out?" Galen says between bites. Emma puts her fork down. "It means, Galen, that you'll need to force yourself to kiss me. Like you mean it. For a long time. Think you can do that? Do Syrena kiss?" He tries to swallow the bite he forgot to chew. Force myself? I'll be lucky if I can stop myself. It had never occurred to him to kiss anyone-before he met Emma. These days, it's all he can think about, her lips on his. He decides it was better for both of them when Emma kept rejecting him. Now she's ordering him to kiss her-for a long time. Great. "Yes, they kiss. I mean, we kiss. I mean, I can force myself, if I have to." He doesn't meet Rachel's eyes as she plunks more fish onto his plate, but he can almost feel her smirking down at him. "We'll just have to plan it, that's all. Give you time to prepare," Emma tells him. "Prepare for what?" Rachel scoffs. "Kissing isn't supposed to be planned. That's why it's so fun." "Yeah, but this isn't for fun, remember?" Emma says. "This is just for show." "You don't think kissing Galen would be fun?" Emma sighs, putting her hands on her cheeks. "You know, I appreciate that you're trying to help us, Rachel. But I can't talk about this anymore. Seriously, I'm going to break out into hives. We'll make it work when the time comes." Rachel laughs and removes Emma's plate after she declines a second helping. "If you say so. But I still think you should practice.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Pay careful attention to each situation so you do not deceive yourself into thinking that she is playing hard to get when she is not playing at all. This distinction will be easier to make if you have been clear with your intentions from the beginning, since she then knows what you want from her and will reject you as soon as she has made up her mind about you, unless you have sparked a romantic or sexual interest in her.
W. Anton (The Manual: What Women Want and How to Give It to Them)
If a child or a brother or a sister or a loved one of yours strays from the church in terms of faith practice and morality, as long as you continue to love that person, and hold him or her in union and forgiveness, he or she is touching the hem of the garment, is held to the Body of Christ, and is forgiven by God, irrespective of his or her official external relationship to the church and Christian morality. Your touch is Christ’s touch. When you love someone, unless that someone actively rejects your love and forgiveness, she or he is sustained in salvation. And this is true even beyond death. If someone close to you dies in a state which, externally at least, has her or him at odds ecclesially and morally with the visible church, your love and forgiveness will continue to bind that person to the Body of Christ and continue to forgive that individual, even after death. One
Ronald Rolheiser (The Holy Longing: The Search for a Christian Spirituality)
He fixed her in his gaze and set his jaw, his hands twitching at his sides. "You feel something for me," he said, daring her to try and deny it. There was no point trying to hide it now. She looked away, numb. "You can't feel that way about me." He lowered his voice. "It'll only get you hurt." "Oh, come on! That's so cliche! What's that even supposed to mean?" "It means my life is one that prevents me from the luxury of silly romantic notions. I can't have you look at me the way you just did. I don't care what Agatha's told you, or what she thinks she knows. This isn't going to happen, okay?" Silly romantic notions? Farley's embarrassment quickly moved aside to make room for her anger. "Agatha hasn't told me anything. None of you ever do. You're right, I do feel something for you, but don't worry. From your reaction, it's pretty clear that the feeling's not mutual. I'm not some crazy stalker. I'd appreciate it if you wouldn't flatter yourself into thinking that I'm completely head over heels in love with you. So just go!" she screamed, destroyed by his words and the feelings of rejection that coursed through her. "You don't understand." "I think I do." "No! You don't!" The hard look in his eyes morphed into something more pained and desperate. He stepped forward and grabbed her roughly by the arms, the same way he had done in the silo. "I sat there and watched you for months. Months! I watched you everywhere you went; I watched you when you didn't go anywhere at all! When you were so low you couldn't even leave the house. I watched the most beautiful person I'd ever seen get screwed over by the cops and have her life threatened on a daily basis without her even knowing it." Farley stared up at him-frozen and unblinking-his words barraging her. "How do you think I felt when I found you bleeding and broken on the floor of Aldan's room? I thought you were dead!" He stood, his eyes on fire, with something terrible strewn across his face. His voice dropped to barely more than a whisper. "We've got a war about to be unleashed here-one that I'm going to die for. One where you and I are an impossibility. So I don't get to tell you that I love you. And you don't get to look at me like that.
Frankie Rose
Artists were allowed to do that - to look, to gaze at others and try to find out what it was that they were feeling - but we, who were not artists, were not. If one looked too hard that would be considered voyeurism, or nosienss, which is what Cat, her neice, had accused her of more than once. Jamie - the boyfriend rejected by Cat but kept on by Isabel as a friend - had done the same althought more tactfully. He had said that she needed to draw a line in the world with me written on one side and you on the other. Me would be her business; you would be the business of others, and an invitation would be required to cross the line. She had said to Jamie: "Not a good idea, Jamie. What if people on the other side of the line are in trouble?" That's different," he said. "You help them." By streching a hand across this line of yours?" Of course. Helping people is different." She had said: "But then we have to know what they need, don't we? We have to be aware of others. If we went about concerned with only our own little world, how would we know when there was trouble brewing on the other side of the line?
Alexander McCall Smith (The Right Attitude to Rain (Isabel Dalhousie, #3))
When best-selling author and spiritual teacher Iyanla Vanzant joined me on the show, I told her that I keep the lesson in forgiveness she shared with me in a little book of quotes I’ve collected over the years: “You can accept or reject the way you are treated by other people, but until you heal the wounds of your past, you will continue to bleed. You can bandage the bleeding with food, with alcohol, with drugs, with work, with cigarettes, with sex, but eventually it will ooze through and stain your life. You must find the strength to open the wounds, stick your hands inside, pull out the core of the pain that is holding you in your past, the memories, and make peace with them.” This speaks so clearly to me. Pushing against the need to forgive is like spreading poison in your veins. Surrender to the hurt, loss, resentment, and disappointment. Accept the truth. It did happen and now it’s done. Make a decision to meet the pain as it rises within you and allow it to pass right through. Give yourself permission to let go of the past and step out of your history, into the now. Forgive, and set yourself free. —Oprah
Oprah Winfrey (The Wisdom of Sundays: Life-Changing Insights from Super Soul Conversations)
You have to stop letting me do this,” he bit off, half-angrily. “If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!” He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver. “That’s…new,” she said with a strained attempt at humor. “It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm. It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther. “What Colby gets is none of your business! You get out of my apartment!” she raged at him. She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do. “Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!” “That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.” She stared at him curiously, still shaken. “I don’t understand.” “You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.” He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.” He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.” “Can you?” he said softly. He searched her eyes. “In a weak moment…” “I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.” His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.” “You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
Diana Palmer (Paper Rose (Hutton & Co. #2))
When He Must Hear What I Have to Tell Him Let every man be swift to hear, slow to speak, slow to wrath; for the wrath of man does not produce the righteousness of God. JAMES 1:19-20 OFTEN WE WIVES are tuned in to things our husbands are not. There are times when you see the truth about a situation and your husband doesn’t, and you know he needs to hear your input. For example, if you see your husband about to go over a cliff by making a wrong decision, you must absolutely say something to him. If there are words you need to speak to your husband with regard to what he is doing or not doing, pray first. Ask God to open his ears to hear, his mind to understand, and his heart to receive what you have to say. There is a type of man who refuses to listen to anything his wife says simply because she is a woman and he is convinced he knows better. Sometimes it hurts his ego to think she could be right and he might be wrong. Most men, however, have a healthy self-image and know it doesn’t minimize them to receive input from their wife. In fact, they welcome it. When Sarah realized something was happening in her family that wasn’t right, she knew she had to speak. When she told Abraham about it, what she said was something Abraham did not want to hear. He rejected the idea at first, but then God told him, “Do not let it be displeasing in your sight…whatever Sarah has said to you, listen to her voice…” (see Genesis 21:9-12). Don’t you love that? God told Abraham to listen to his wife because she was right. Pray that God will help your husband see when you are right as well. Ask God to open your husband’s heart to hear from Him, even as you are speaking. My Prayer to God LORD, I pray You will show me the truth about what I need to see regarding my husband. Help me to know if whatever I am sensing in my soul about him or his situation is really a revelation from You. If I am wrong, show me what is right. If I am right about this, prepare my husband’s heart to receive what I have to say to him. Open his ears to hear the truth and keep him from being resistant or defensive. Help me to speak to him with the patience, kindness, humility, and self-control that come from walking with You and being filled with Your Spirit. Sarah knew what was right, yet when she told Abraham about it he wasn’t in agreement with her. But You spoke to him, and he heard Your voice and saw the truth. I pray that whenever I must speak to my husband about a situation I am seeing in my spirit, You will speak the truth to him that he needs to hear. I am not concerned about whether he thinks I am right, but more concerned that he understands Your will for his life and our lives together, and that he does the right thing. Help my husband to be swift to hear Your voice, and slow to say no before he has even heard the matter through. Prepare his heart now and give me the words I need to say. If I should not say anything at all, show me that too. In Jesus’ name I pray.
Stormie Omartian (The Power of a Praying Wife Devotional)
What interested these gnostics far more than past events attributed to the “historical Jesus” was the possibility of encountering the risen Christ in the present.49 The Gospel of Mary illustrates the contrast between orthodox and gnostic viewpoints. The account recalls what Mark relates: Now when he rose early on the first day of the week, he appeared first to Mary Magdalene … She went and told those who had been with him, as they mourned and wept. But when they heard that he was alive and had been seen by her, they would not believe it.50 As the Gospel of Mary opens, the disciples are mourning Jesus’ death and terrified for their own lives. Then Mary Magdalene stands up to encourage them, recalling Christ’s continual presence with them: “Do not weep, and do not grieve, and do not doubt; for his grace will be with you completely, and will protect you.”51 Peter invites Mary to “tell us the words of the Savior which you remember.”52 But to Peter’s surprise, Mary does not tell anecdotes from the past; instead, she explains that she has just seen the Lord in a vision received through the mind, and she goes on to tell what he revealed to her. When Mary finishes, she fell silent, since it was to this point that the Savior had spoken with her. But Andrew answered and said to the brethren, “Say what you will about what she has said. I, at least, do not believe that the Savior has said this. For certainly these teachings are strange ideas!”53 Peter agrees with Andrew, ridiculing the idea that Mary actually saw the Lord in her vision. Then, the story continues, Mary wept and said to Peter, “My brother Peter, what do you think? Do you think that I thought this up myself in my heart? Do you think I am lying about the Savior?” Levi answered and said to Peter, “Peter, you have always been hot-tempered … If the Savior made her worthy, who are you to reject her?”54 Finally Mary, vindicated, joins the other apostles as they go out to preach. Peter, apparently representing the orthodox position, looks to past events, suspicious of those who “see the Lord” in visions: Mary, representing the gnostic, claims to experience his continuing presence.55 These gnostics recognized that their theory, like the orthodox one, bore political implications. It suggests that whoever “sees the Lord” through inner vision can claim that his or her own authority equals, or surpasses, that of the Twelve—and of their successors. Consider the political implications of the Gospel of Mary: Peter and Andrew, here representing the leaders of the orthodox group, accuse Mary—the gnostic—of pretending to have seen the Lord in order to justify the strange ideas, fictions, and lies she invents and attributes to divine inspiration. Mary lacks the proper credentials for leadership, from the orthodox viewpoint: she is not one of the “twelve.” But as Mary stands up to Peter, so the gnostics who take her as their prototype challenge the authority of those priests and bishops who claim to be Peter’s successors.
The Gnostic Gospels (Modern Library 100 Best Nonfiction Books)
Agony ripped her. Finally, after a lifetime, she admitted it was the chance of seeing Tate, the hope of rounding a creek bend and watching him though reeds, that had pulled her into the marsh every day of her life since she was seven. She knew his favorite lagoons and paths trough difficult quagmires; always following him at a safe distance. Sneaking about, stealing love. Never sharing it. You can't get hurt when you love someone from the other side of an estuary. All the years she rejected him, she survived because he was somewhere in the marsh, waiting. But now perhaps he would no longer be there.
Delia Owens (Where the Crawdads Sing)
But to depend on another psychologically — to depend on another emotionally — what does that imply? It means to depend on another human being for my happiness. Think about that. Because if you do, the next thing you will be doing, whether you’re aware of it or not, is demanding that other people contribute to your happiness. Then there will be a next step — fear, fear of loss, fear of alienation, fear of rejection, mutual control. Perfect love casts out fear. Where there is love there are no demands, no expectations, no dependency. I do not demand that you make me happy; my happiness does not lie in you. If you were to leave me, I will not feel sorry for myself; I enjoy your company immensely, but I do not cling. Can you enjoy the relationship on a non-clinging basis, where what you really enjoy is not that person; it’s something that’s greater than both you and the other person. It is a kind of symphony, a kind of orchestra that plays one melody in one person’s presence, but when he or she departs, the orchestra doesn’t stop. When I meet someone else, it plays another melody, which is also very delightful. And when I’m alone, it continues to play. There’s a great repertoire and it never ceases to play.
Anthony de Mello (Awareness: The Perils and Opportunities of Reality)
She climbs a tree And scrapes her knee Her dress has got a tear. She waltzes on her way to mass And whistles on the stair. And underneath her wimple She has curlers in her hair! Maria's not an asset to the abbey. She's always late for chapel, But her penitence is real. She's always late for everything! Except for every meal. I hate to have to say it But I very firmly feel Maria's not an asset to the abbey! I'd like to say a word on her behalf. Maria makes me laugh. How do you solve a problem like Maria? How do you catch a cloud and pin it down? How do you find a word that means Maria? A flibbertigibbet! A will o' the wisp! A clown! Many a thing you know you'd like to tell her, Many a thing she ought to understand. But how do you make her stay And listen to all you say, How do you keep a wave upon the sand? Oh, how do you solve a problem like Maria? How do you hold a moonbeam in your hand? When I'm with her I'm confused Out of focus and bemused, And I never know exactly where I am. Unpredictable as weather, She's as flighty as a feather, She's a darling, She's a demon, She's a lamb. She'd out-pester any pest, Drive a hornet from his nest, She can throw a whirling dervish out of whirl. She is gentle, She is wild, She's a riddle. She's a child. She's a headache! She's an angel! She's a girl. How do you solve a problem like Maria? How do you catch a cloud and pin it down? How do you find a word that means Maria? A flibbertigibbet! A will o' the wisp! A clown! Many a thing you know you'd like to tell her, Many a thing she ought to understand. But how do you make her stay? And listen to all you say? How do you keep a wave upon the sand? Oh, how do you solve a problem like Maria? How do you hold a moonbeam in your hand? "Maria" from The Sound of Music
Rodgers & Hammerstein
When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud. As the Poet introduced the next performer, all I heard was "bang bang," and when Lana returned to the table reserved for all the performers, with the seat next to her left empty by the singer who had replaced her, I told Bon I would be back in ten minutes. I heard him say, Don't do it, you stupid bastard, but without further thought I began my walk across the lounge. The hardest thing to do in talking to a woman was taking the first step, but the most important thing to do was not to think. Not thinking is more difficult than it sounds, and yet, with women, one should never think. Never. It simply won't do. The first few times in approaching girls, during my lycée years, I had thought too much, hesitated, and as a result, flailed and failed. But even so, I discovered that all the childhood bullying directed at me had toughened me, making me believe that being rejected was better than not having the chance to be rejected at all. Thus it was that I approached girls, and now women, with such Zen negation of all doubt and fear the Buddha would approve.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
I can’t marry you,” I finally said. He nodded slowly. “I figured that out.” His mouth opened, then shut quickly, and he went back to waiting. But I couldn’t figure out where to begin, because I couldn’t understand Declan. There was a sadness deep in his eyes, but he didn’t look as if I’d just rejected his proposal. He didn’t look like the girl he’d thought was his fiancée had just told him she couldn’t marry him. He looked as if he had been waiting for this conversation. “Why, Rorie?” he said pleadingly. “Why won’t you?” “I’m sorry, Dec. I’m so sorry. I never wanted to hurt you, but I—” I sucked in a sharp breath, as if my body was rebelling against voicing the truth to him again, then forced out: “I fell in love with Jentry.” He winced in pain. “It was before I ever met you. I just didn’t know who he was. I didn’t know who he was to you, and didn’t think that I would see him again! I’m sorry! I didn’t mean for this to happen, but I couldn’t continue a relationship with you when my heart belonged to someone else. It wasn’t fair to you. You have to understand than I never wanted to hurt you; he never wanted to hurt you.” Declan’s lips formed a sad smile after a few moments. “God, that hurts just as much hearing it the second time.
Molly McAdams (I See You)
Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian’s gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian’s chair. “Have you breakfasted yet, my lord?” she asked. Sebastian shook his head, a smile glinting in his eyes. “Not yet.” “I’ll go to the kitchen and see what is to be had.” “Stay a moment,” he urged. “We’re almost finished.” As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie’s hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam’s gaze over her husband’s downbent head. The boy sent her a glance of mock reproof, like that of a nursemaid who had caught two children playing a kissing game, and he grinned as her blush heightened further. Oblivious to the byplay, Sebastian handed the proposal to Cam, who sobered instantly. “I don’t like the looks of this,” Sebastian commented. “It’s doubtful there will be enough business in the area to sustain an entire bazaar, especially at those rents. I suspect within a year it will turn into a white elephant.” “White elephant?” Evie asked. A new voice came from the doorway, belonging to Lord Westcliff. “A white elephant is a rare animal,” the earl replied, smiling, “that is not only expensive but difficult to maintain. Historically, when an ancient king wished to ruin someone he would gift him with a white elephant.” Stepping into the office, Westcliff bowed over Evie’s hand and spoke to Sebastian. “Your assessment of the proposed bazaar is correct, in my opinion. I was approached with the same investment opportunity not long ago, and I rejected it on the same grounds.” “No doubt we’ll both be proven wrong,” Sebastian said wryly. “One should never try to predict anything regarding women and their shopping.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I'm going to throw some suggestions at you now in rapid succession, assuming you are a father of one or more boys. Here we go: If you speak disparagingly of the opposite sex, or if you refer to females as sex objects, those attitudes will translate directly into dating and marital relationships later on. Remember that your goal is to prepare a boy to lead a family when he's grown and to show him how to earn the respect of those he serves. Tell him it is great to laugh and have fun with his friends, but advise him not to be "goofy." Guys who are goofy are not respected, and people, especially girls and women, do not follow boys and men whom they disrespect. Also, tell your son that he is never to hit a girl under any circumstances. Remind him that she is not as strong as he is and that she is deserving of his respect. Not only should he not hurt her, but he should protect her if she is threatened. When he is strolling along with a girl on the street, he should walk on the outside, nearer the cars. That is symbolic of his responsibility to take care of her. When he is on a date, he should pay for her food and entertainment. Also (and this is simply my opinion), girls should not call boys on the telephone-at least not until a committed relationship has developed. Guys must be the initiators, planning the dates and asking for the girl's company. Teach your son to open doors for girls and to help them with their coats or their chairs in a restaurant. When a guy goes to her house to pick up his date, tell him to get out of the car and knock on the door. Never honk. Teach him to stand, in formal situations, when a woman leaves the room or a table or when she returns. This is a way of showing respect for her. If he treats her like a lady, she will treat him like a man. It's a great plan. Make a concerted effort to teach sexual abstinence to your teenagers, just as you teach them to abstain from drug and alcohol usage and other harmful behavior. Of course you can do it! Young people are fully capable of understanding that irresponsible sex is not in their best interest and that it leads to disease, unwanted pregnancy, rejection, etc. In many cases today, no one is sharing this truth with teenagers. Parents are embarrassed to talk about sex, and, it disturbs me to say, churches are often unwilling to address the issue. That creates a vacuum into which liberal sex counselors have intruded to say, "We know you're going to have sex anyway, so why not do it right?" What a damning message that is. It is why herpes and other sexually transmitted diseases are spreading exponentially through the population and why unwanted pregnancies stalk school campuses. Despite these terrible social consequences, very little support is provided even for young people who are desperately looking for a valid reason to say no. They're told that "safe sex" is fine if they just use the right equipment. You as a father must counterbalance those messages at home. Tell your sons that there is no safety-no place to hide-when one lives in contradiction to the laws of God! Remind them repeatedly and emphatically of the biblical teaching about sexual immorality-and why someone who violates those laws not only hurts himself, but also wounds the girl and cheats the man she will eventually marry. Tell them not to take anything that doesn't belong to them-especially the moral purity of a woman.
James C. Dobson (Bringing Up Boys: Practical Advice and Encouragement for Those Shaping the Next Generation of Men)
But for some of us, a harsh, toxic madwoman is telling us we don’t deserve lower stress or improved mood. She says it’s right that we should suffer; we don’t deserve kindness or compassion or to grow mighty. And so she will punish us forever, no matter what we achieve. This dynamic is not just self-criticism, it’s self-persecution.10 Folks with more history of abuse and neglect, parental rejection and humiliation are more likely to experience harsh self-criticism and react to it with a sense of helplessness and isolation.11 When people with depression try to be self-reassuring, their brains respond with threat activation.12 In fact, fear of compassion for self is linked to fear of compassion from others. That means that somewhere inside them, they believe that if they’re isolated, that’s good; isolation protects others from their real, core badness. And if they’re suffering, that’s good; it prevents them from growing mighty, which might lead to them having power that they would inevitably fail to use effectively, or might even abuse. If that’s you, don’t start with self-compassion; start with lovingkindness toward others. Metta meditations, as they’re known in Buddhism, involve wishing love, compassion, peace, and ease on everyone from the people we care about most to people we hardly know to total strangers to our worst enemies—and even on ourselves. When self-compassion feels out of reach, try lovingkindness for others.
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
The Dying Man" in memoriam W.B. Yeats 1. His words I heard a dying man Say to his gathered kin, “My soul’s hung out to dry, Like a fresh salted skin; I doubt I’ll use it again. “What’s done is yet to come; The flesh deserts the bone, But a kiss widens the rose I know, as the dying know Eternity is Now. “A man sees, as he dies, Death’s possibilities; My heart sways with the world. I am that final thing, A man learning to sing. 2. What Now? Caught in the dying light, I thought myself reborn. My hand turn into hooves. I wear the leaden weight Of what I did not do. Places great with their dead, The mire, the sodden wood, Remind me to stay alive. I am the clumsy man The instant ages on. I burned the flesh away, In love, in lively May. I turn my look upon Another shape than hers Now, as the casement blurs. In the worst night of my will, I dared to question all, And would the same again. What’s beating at the gate? Who’s come can wait. 3. The Wall A ghost comes out of the unconscious mind To grope my sill: It moans to be reborn! The figure at my back is not my friend; The hand upon my shoulder turns to horn. I found my father when I did my work, Only to lose myself in this small dark. Though it reject dry borders of the seen, What sensual eye can keep and image pure, Leaning across a sill to greet the dawn? A slow growth is a hard thing to endure. When figures our of obscure shadow rave, All sensual love’s but dancing on a grave. The wall has entered: I must love the wall, A madman staring at perpetual night, A spirit raging at the visible. I breathe alone until my dark is bright. Dawn’s where the white is. Who would know the dawn When there’s a dazzling dark behind the sun. 4. The Exulting Once I delighted in a single tree; The loose air sent me running like a child– I love the world; I want more than the world, Or after image of the inner eye. Flesh cries to flesh, and bone cries out to bone; I die into this life, alone yet not alone. Was it a god his suffering renewed?– I saw my father shrinking in his skin; He turned his face: there was another man, Walking the edge, loquacious, unafraid. He quivered like a bird in birdless air, Yet dared to fix his vision anywhere. Fish feed on fish, according to their need: My enemies renew me, and my blood Beats slower in my careless solitude. I bare a wound, and dare myself to bleed. I think a bird, and it begins to fly. By dying daily, I have come to be. All exultation is a dangerous thing. I see you, love, I see you in a dream; I hear a noise of bees, a trellis hum, And that slow humming rises into song. A breath is but a breath: I have the earth; I shall undo all dying with my death. 5. They Sing, They Sing All women loved dance in a dying light– The moon’s my mother: how I love the moon! Out of her place she comes, a dolphin one, Then settles back to shade and the long night. A beast cries out as if its flesh were torn, And that cry takes me back where I was born. Who thought love but a motion in the mind? Am I but nothing, leaning towards a thing? I scare myself with sighing, or I’ll sing; Descend O gentlest light, descend, descend. I sweet field far ahead, I hear your birds, They sing, they sing, but still in minor thirds. I’ve the lark’s word for it, who sings alone: What’s seen recededs; Forever’s what we know!– Eternity defined, and strewn with straw, The fury of the slug beneath the stone. The vision moves, and yet remains the same. In heaven’s praise, I dread the thing I am. The edges of the summit still appall When we brood on the dead or the beloved; Nor can imagination do it all In this last place of light: he dares to live Who stops being a bird, yet beats his wings Against the immense immeasurable emptiness of things.
Theodore Roethke (The Collected Poems)
Gabriel was stunned by Pandora's compassion for a man who had caused her such harm. He shook his head in wonder as he stared into her eyes, as dark as cloud-shadow on a field of blue gentian. "That doesn't excuse him," he said thickly. Gabriel would never forgive the bastard. He wanted vengeance. He wanted to strip the flesh from the bastard's corpse and hang up his skeleton to scare the crows. His fingers contained a subtle tremor as he reached out to trace the fine edges of her face, the sweet, high plane of her cheekbone. "What did the doctor say about your ear? What treatment did he give?" "It wasn't necessary to send for a doctor." A fresh flood of rage seared his veins as the words sunk in. "Your eardrum was ruptured. What in God's name do you mean a doctor wasn't necessary?" Although he had managed to keep from shouting, his tone was far from civilized. Pandora quivered uneasily and began to inch backward. He realized the last thing she needed from him was a display of temper. Battening down his rampaging emotions, he used one arm to bring her back against his side. "No, don't pull away. Tell me what happened." "The fever had passed," she said after a long hesitation, "and... well, you have to understand my family. If something unpleasant happened, they ignored it, and it was never spoken of again. Especially if it was something my father had done when he'd lost his temper. After a while, no one remembered what had really happened. Our family history was erased and rewritten a thousand times. But ignoring the problem with my ear didn't make it disappear. Whenever I couldn't hear something, or when I stumbled or fell, it made my mother very angry. She said I'd been clumsy because I was hasty or careless. She wouldn't admit there was anything wrong with my hearing. She refused even to discuss it." Pandora stopped, chewing thoughtfully on her lower lip. "I'm making her sound terrible, and she wasn't. There were times when she was affectionate and kind. No one's all one way or the other." She flicked a glance of dread in his direction. "Oh God, you're not going to pity me, are you?" "No." Gabriel was anguished for her sake, and outraged. It was all he could do to keep his voice calm. "Is that why you keep it a secret? You're afraid of being pitied?" "That, and... it's a shame I'd rather keep private." "Not your shame. Your father's." "It feels like mine. Had I not been eavesdropping, my father wouldn't have disciplined me." "You were a child," he said brusquely. "What he did wasn't bloody discipline, it was brutality." To his surprise, a touch of unrepentant amusement curved Pandora's lips, and she looked distinctly pleased with herself. "It didn't even stop my eavesdropping. I just learned to be more clever about it." She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he'd never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Rach-Uh, my mom says they'll help me blend in better. She says the color would just draw attention to me." Emma snorts. "Oh, she's definitely right. Blue eyes make you look so much more average. In fact, I almost didn't notice you standing there." "That hurts my feelings, Emma." He grins. She giggles. He says, "I'd consider forgiving you-if you come with me to the beach." She sighs. "I can't go with you, Galen." He runs a hand through his hair. "Honestly, Emma, I don't know how much more rejection I can take," he blurts out. In fact, he doesn't remember ever being rejected, except by Emma. Of course, that could be due to the fact that he's a Royal. Or maybe it's because he doesn't spend a lot of time with his kind anyway, let alone the females. Actually, he doesn't spend a lot of time with anyone except Rachel. And Rachel would give him her beating heart if he asked for it. "I'm sorry. It's not about you this time. Well, actually, it kind of is. My mom...well, she thinks we're dating." Her cheeks-and those lips-deepen to red. "Dating?" What is dating again? He tries to remember what Rachel told him...She said it's easy to remember because it's almost the same as...what is the rhyme for it? And then he remembers. "It's easy to remember, because dating rhymes with mating, and they're almost the same," she'd said. He blinks at Emma. "You're mom thinks we're ma-Uh, dating?" She nods biting her lip. For reasons he can't explain, this pleases him. He leans against the passenger door of her car. "Oh. Well. What does it matter if she thinks that?" "I told her we weren't dating, though. Just this morning. Going to the beach with you makes me look like a liar." He scratches the back of his neck. "I don't understand. If you told her we weren't dating, then why does she think we are?" She relaxes against his driver-side door. "Well, this is all actually your fault, not mine." "I'm obviously not asking the right questions-" "The way you acted toward me when I hit my head, Galen. Some people saw that. And they told my mom. She thinks I've been hiding you from her, keeping you a secret. Because she thinks we've been...we've been..." "Dating?" he offers. He can't understand why she'd have a difficult time discussing dating, if it means what he thinks it does-spending time with one human more than others to see if he or she would be a good mate. The Syrena do the same, only they call it sifting-and sifting doesn't take nearly as long as dating. A Syrena can sift out a mate within a few days. He'd laughed when Rachel said some humans date for years. So indecisive. Then an echo of Toraf's voice whispers to him, calling him a hypocrite. You're twenty years old. Why haven't you sifted for a mate? But that doesn't make him indecisive. He just hasn't had time to sift and keep his responsibility watching the humans. If it weren't for that, he'd already be settled down. How can Toraf think Emma's the reason he hasn't sifted yet? Up until three weeks ago, he didn't even know she existed.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
FRIDAY, APRIL 2, 1943 Dearest Kitty, Oh my, another item has been added to my list of sins. Last night I was lying in bed, waiting for Father to tuck me in and say my prayers with me, when Mother came into the room, sat on my bed and asked very gently, “Anne, Daddy isn’t ready. How about if I listen to your prayers tonight?” “No, Momsy,” I replied. Mother got up, stood beside my bed for a moment and then slowly walked toward the door. Suddenly she turned, her face contorted with pain, and said, “I don’t want to be angry with you. I can’t make you love me!” A few tears slid down her cheeks as she went out the door. I lay still, thinking how mean it was of me to reject her so cruelly, but I also knew that I was incapable of answering her any other way. I can’t be a hypocrite and pray with her when I don’t feel like it. It just doesn’t work that way. I felt sorry for Mother—very, very sorry—because for the first time in my life I noticed she wasn’t indifferent to my coldness. I saw the sorrow in her face when she talked about not being able to make me love her. It’s hard to tell the truth, and yet the truth is that she’s the one who’s rejected me. She’s the one whose tactless comments and cruel jokes about matters I don’t think are funny have made me insensitive to any sign of love on her part. Just as my heart sinks every time I hear her harsh words, that’s how her heart sank when she realized there was no more love between us. She cried half the night and didn’t get any sleep. Father has avoided looking at me, and if his eyes do happen to cross mine, I can read his unspoken words: “How can you be so unkind? How dare you make your mother so sad!” Everyone expects me to apologize, but this is not something I can apologize for, because I told the truth, and sooner or later Mother was bound to find out anyway. I seem to be indifferent to Mother’s tears and Father’s glances, and I am, because both of them are now feeling what I’ve always felt. I can only feel sorry for Mother, who will have to figure out what her attitude should be all by herself. For my part, I will continue to remain silent and aloof, and I don’t intend to shrink from the truth, because the longer it’s postponed, the harder it will be for them to accept it when they do hear it! Yours, Anne
Anne Frank (The Diary of a Young Girl)
Some of my favorite songs: 'Only Love Can Break Your Heart' by Neil Young; 'Last Night I Dreamed That Somebody Loved Me' by the Smiths; 'Call Me' by Aretha Franklin; 'I Don't Want to Talk About It' by anybody. And then there's 'Love Hurts' and 'When Love Breaks Down' and 'How Can You Mend a Broken Heart' and 'The Speed of the Sound of Loneliness' and 'She's Gone' and 'I Just Don't Know What to Do with Myself 'and . . . some of these songs I have listened to around once a week, on average (three hundred times in the first month, every now and again thereafter), since I was sixteen or nineteen or twenty-one. How can that not leave you bruised somewhere? How can that not turn you into the sort of person liable to break into little bits when your first love goes all wrong? What came first, the music or the misery? Did I listen to music because I was miserable? Or was I miserable because I listened to music? Do all those records turn you into a melancholy person? People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands, of songs about broken hearts and rejection and pain and misery and loss. The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.
Nick Hornby (High Fidelity)
She broke off again and buried her face in her hands. He wanted to go to her, take her in his arms, but he was afraid that just as he’d rejected her before, so would she reject him now. She yanked her hands down, her face ragged and ravaged by grief, the same grief that was tearing through him. “I should have been able to come to you,” she whispered. “Of all the people in the world, you should have been the one to believe in me. And I just can’t get past that. You should have been the one to hold me and tell me it would be all right. I was so excited that day. I took a pregnancy test that morning and found out I was pregnant. I was so excited and nervous. So worried about how you’d react. But so thrilled that I was pregnant with your child.” She broke off again, sobs tearing from her throat. She buried her face in her hands as her shoulders shook violently. “Kelly, I’m so sorry. I thought… He was my brother. I never considered he would do something like that. He’d never shown any animosity toward you. He’d never been anything but accepting of you. The two of you seemed to get along well. I never dreamed he’d do something that despicable.” She raised her head and stared at him with dull eyes. “But you thought I would.” The sudden silence was damning. He stared at her, completely frozen. He had no defense because at the time he’d believed Jarrod. He’d made his choice and it hadn’t been Kelly. Even when she’d begged him. She’d told him the truth. She’d come to him for protection. She’d come to him hurt and afraid. And he’d thrown her out after making her feel like a whore.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
About two years ago," Cymbra went on, "Wolf conceived the idea of an alliance between Norse and Saxon to stand against the Danes.He thought such an alliance would be best confirmed by a marriage between himself and me.This did he propose in a letter to my brother. With the help of a traitorous house priest, Father Elbert, Daria intercepted that letter and stole Hawk's seal as well. She sent back to Wolf a refusal in Hawk's name and mine that not merely rejected the alliance but also insulted him deeply. His repsonse was all too predictable, although it is certain Daria herself never thought of it." "What did he do?" Rycca asked,trying very hard not to sound breathless. Cymbra smiled in fond memory. "Wolf came to Essex and took me by stealth. We were married as I told you and only then did he send word to Hawk as to where I could be found. Naturally, my brother was very angry and concerned. He came to Sciringesheal, where I did my utmost to convince him that I was happily wed,which certainly was true but unfortunately he did not believe. So are men ever stubborn. One thing led to another and Hawk spirited me back to Essex. Winter set in and it was months before Wolf could follow.During that time, Hawk realized his mistake. Once Wolf arrived, all was settled amicably, which was a good thing because this little one"-she smiled at her drowsy son-"had just been norn and I was in no mood to put up with any more foolishness on the part of bull-headed men. It was while we were at Hawkforte, waiting as I regained strength to return home, that Wolf suggested Hawk and Dragon should also make marriages for the alliance." "Such suggestion I am sure they both heartily welcomed," Rycca said sardonically. Cymbra laughed. "About as much as they would being boiled in oil.Hawk was especially bad. He had been married years ago when he was very young and had no good memories of the experience. But I must say, Krysta brought him round in far shorter time than I would have thought possible." "Do you have any idea how she did it?" Rycca ventured,hoping not to sound too desperately curious. "Oh,I know exactly how." Cymbra looked at her new sister-in-law and smiled. "She loved him." "Loved him? That was all it took?" "Well,to be fair,I think she also maddened, irked, frustrated, and bewildered him. All that certainly helped.But I will leave Krysta to tell her own story,as I am sure she will when opportunity arises.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Be brief, but do not make it painfully obvious that you like to keep things short and sweet. Keep your messages in the four to six sentence range. If a woman does not respond to your email immediately, make her wait an equal amount of time by delaying your response to her email. Doing this will make her think that you are not needy. Also, when she notices that you have read her email but not responded to it for a day or two, she will assume that you have many emails to respond to. In general, avoid complimenting women on their looks. That being said, it is okay to give exactly one superficial compliment as long as it is given in a very non-sexual way. For example, a simple, but effective first message to a woman could begin like this - Hi, you look lovely in your photographs. I noticed that …” Keep things light and fun by throwing in a joke
Strategic Lothario (Become Unrejectable: Know what women want and how to attract them to avoid rejection)
Our society, including the non-religious sector, has accepted the preposterous idea that it is normal and right to indoctrinate tiny children in the religion of their parents, and to slap religious labels on them - 'Catholic child', 'Protestant child', 'Jewish child', 'Muslim child', etc. - although no other comparable labels: no conservative children, no liberal children, no Republican children, no Democrat children. Please, please raise your consciousness about this, and raise the roof whenever you hear it happening. A child is not a Christian child, not a Muslim child, but a child of Christian parents or a child of Muslim parents. This later nomenclature, by the way, would be an excellent pieces of consciousness-raising for the children themselves. A Child who it told she is a 'child of Muslim parents' will immediately realize that religion is something for her to choose - or reject - when she becomes old enough to do so.
Richard Dawkins (The God Delusion)
Why are you doing this? I don’t want you. Is that the problem? Is your ego so big you can’t handle a woman rejecting you?” “Oh, you want me alright, my sexy little witch. Want me so bad it scares you. Well, I’ve got news for you. It scares the fuck out of me, too. But I don’t care. When the options are settling down with you for life and popping out little demonlings or watching you walk away, I know what I choose.” For a moment, she couldn’t answer, could only gape at him as his words penetrated. Surely, she misunderstood. “What did you say?” “I want you as my mate.” No misunderstanding that time. She tamped down her elation by slapping it with the cold, hard truth. “You’ll hurt me.” “Trust me.” He asked too much. “I’m not the right woman.” “You’re all I want.” She shook her head lest his words weave a spell around her and make her believe. Yet despite all the warnings in her head, hope blossomed and love warmed her. How nice it would be to allow herself to love him. To trust him. Sadness entered his expression at her rejection. “I know it’s hard for you, little witch, but I promise you’ve nothing to fear. Unless the thought of too many orgasms in a row freaks you out.” And that quickly, he changed from pensive male to the one she’d grown to love with the mischievous smile. He lunged. She squealed like a little girl and ran. Not far though. With his ridiculously long stride, he quickly caught her and tossed her over his shoulder. He laughed as she beat at his broad back with her fists. “Save some of that energy for the bedroom because you are not leaving until you admit you care for me.” “I’ll kill you first.” “I like a girl who’s kinky.” “You’re impossible.” “No, but I am horny.” “How are we supposed to catch those souls if we’re fooling around here?” “Some things are more important.” “How can having sex with me be more important than ensuring you don’t burst into flame tomorrow?” “I would let someone beat me with a cat-o-nine too, if you’d just admit you like me.” “I hate you.” “Close. I see we’ll need to work on that.” -Ysabel & Remy
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
One of the first unanswerable questions I asked was when I was eight years old. Some cousins of mine always said a prayer before eating: God is kind, God is good, And we thank him For our food. At that time we always heard the children in Europe were starving, therefore we should not waste any food. Two questions arose in my mind. First, what I knew about poetry was that it had to rhyme, and 'food' and 'good' didn't rhyme, so I always said 'Fud' with a silent sneer, and made it rhyme. Second: I once asked my aunt if god is good and we thank him for our Fud, why are the kids in Europe starving? I asked her if the kids in Europe were all bad. I remember her saying, 'Be thankful that you have food,' but, of course, she couldn't deal with the rest of it. I never accepted religion so I had nothing to reject as such. The history of 'Christiansanity' (my own coinage of which I am proud!) is so brutal of mind, emotions, freedom, progress, science, and all that I hold precious, that by any standards of justice its leaders in almost any given period would be incarcerated for life, or worse!
Madison Arnold
My God! You really like her,don't you? I knew you were attracted to the woman, but you really like her.I should have known. From the moment you returned to camp that night, grumbling about how the woman in this area were too damn pretty, I knew a female had finally burrowed underneath that hardened exterior. I just never dreamed you would also get to her." "I hope I'm around when a woman finally lays claim to your sanity. With your impetuous personality,your actions will be far more out of character than mine." Tyr clapped his mug on the table and threw his hands up in the air. "Not me. I swore an oath against women and commitments, and it is an oath I intend to keep.But you,my friend, are not me and do not have my reasons for rejecting happiness.Go to her, a woman like that would forgive a man, she might even find life in a stone. So much so,that she may even consider marrying him. Of course,he might have to grovel a little." Ranulf pushed himself up,wishing Tyr was correct.Unfortunately, Bronwyn wasn't about to marry a man like him, not before and certainly not now. "I'm going to take a walk.
Michele Sinclair (The Christmas Knight)
I’m happy here, Tate. I’ll let you know when the baby comes,” she added quietly. “Certainly, you’ll have access to him any time you like.” Doors were closing. Walls were going up around her. He clenched his teeth together in impotent fury. “I want you,” he said forcefully, which was not at all what he wanted to say. “I don’t want you,” she replied, lying through her teeth. She wasn’t about to become an obligation again. She even smiled. “Thanks for coming to see about me. I’ll phone Leta when she and Matt come home from Nassau.” “They’re already home,” he said flatly. “I’ve been to make peace with them.” “Have you?” She smiled gently. “I’m glad. I’m so glad. It broke Leta’s heart that you wouldn’t speak to her.” “What do you think it’s going to do to her when she hears that you won’t marry the father of your child?” She gaped at him. “She…knows?” “They both know, Cecily,” he returned. “They were looking forward to making a fuss over you.” He turned toward the door, bristling with hurt pride and rejection. “You can call my mother and tell her yourself that you aren’t coming back. Then you can live here alone in the middle of ‘blizzard country,; and I wish you well.” He turned at the door with his black eyes flashing. “As for me, hell will freeze over before I come near you again!” He went out and slammed the door. Cecily stared after him with her heart in her throat. Why was he so angry that she’d relieved him of any obligations about the baby? He couldn’t want her for herself. If he had, if he’d had any real feeling for her, he’d have married her years ago. It was only the baby. She let the tears rush down her face again with pure misery as she heard the four-wheel drive roar out of the driveway and accelerate down the road. She hoped he didn’t run over anybody. Her hand went to her stomach and she remembered with anguish the look on his face when he’d put his big, strong hand over his child. She’d sent him away for the sake of his own happiness, didn’t he know that? She supposed it was just hurt pride that had caused his outburst. But she wished he hadn’t come. It would be so much harder to live here now that she could see him in this house, in these rooms, and be haunted by the memory of him all over again. He wouldn’t come back. She’d burned her bridges. There was no way to rebuild them.
Diana Palmer (Paper Rose (Hutton & Co. #2))
way to respond to such a test is to give an ambiguous answer and then change the topic. For example, you could respond by saying - “It’s hard to know what people mean to say when you cannot see their body language, mannerisms, etc.” Never qualify yourself in your emails. If she mentions in an email that she loves the car that you are standing next to in one of your photographs, get her talking about why she loves it. Ask her about her interest in automobiles. You could even ask her if she has a need for speed. Do not begin talking about how you bought that car last year and it cost you a pretty penny. Do not talk about how it goes from zero to 60 miles per hour in under five seconds or how people always ask you to give them a joyride in it. Do not bite on her bait. A woman will do this to see if a man might slip up and show her exactly how desperate he is to get validation from other people, especially women. Sample questions Which of the following animals do you like? a. Komodo dragon (+5) b. Bonobo (+3) c. Dog (0) d. Cat  (-1) Your friends would describe you as: a. Sweet and supportive (+5) b. Feisty, fun and sassy (+3) c. Strong and independent (0) d. Totally random (-1)
Strategic Lothario (Become Unrejectable: Know what women want and how to attract them to avoid rejection)
The modern holiday of Mother's Day was first celebrated in 1908, when Anna Jarvis held a memorial for her mother at St Andrew's Methodist Church in Grafton, West Virginia.[9] St Andrew's Methodist Church now holds the International Mother's Day Shrine.[10] Her campaign to make Mother's Day a recognized holiday in the United States began in 1905, the year her mother, Ann Reeves Jarvis, died. Ann Jarvis had been a peace activist who cared for wounded soldiers on both sides of the American Civil War, and created Mother's Day Work Clubs to address public health issues. She and another peace activist and suffragette Julia Ward Howe had been urging for the creation of a Mother’s Day dedicated to peace. 40 years before it became an official holiday, Ward Howe had made her Mother’s Day Proclamation in 1870, which called upon mothers of all nationalities to band together to promote the “amicable settlement of international questions, the great and general interests of peace.”[11] Anna Jarvis wanted to honor this and to set aside a day to honor all mothers because she believed a mother is "the person who has done more for you than anyone in the world" Ghb구매,물뽕구입,Ghb 구입방법,물뽕가격,수면제판매,물뽕효능,물뽕구매방법,ghb가격,물뽕판매처,수면제팔아요 카톡【AKR331】라인【SPR331】위커【SPR705】텔레【GEM705】 첫거래하시는분들 실레지만 별로 반갑지않습니다 이유는 단하나 판매도 기본이지만 안전은 더중요하거든요 *물뽕이란 알고싶죠? 액체 상태로 주로 물이나 술 등에 타서 마시기 때문에 속칭 '물뽕'으로 불린다. 다량 복용시 필름이 끊기는 등의 증세가 나타나고 강한 흥분작용을 일으켜 미국에서는 젊은 청소년들속에서 주로 이용해 '데이트시 강간할 때 쓰는 약'이라는 뜻의 '데이트 레이프 드러그(date rape drug)'로 불리기도 한다. 미국 등 일부 국가에서는 GHB가 공식적으로 여성작업용으로 시중에서 밀거래 되고있다 미국에서는 2013년부터 미국FDA에서 발표한데의하면 법적으로 물뽕(GHB)약물을 사용금지하였다 이유는 이약물이 사람이 복용후 30분안에 약효가 발생하는데 6~7시간정도 지나면 바로 몸밖으로 오즘이나 혹은 땀으로 전부 빠져나간다는것이다 한번은 미국에서 어떤여성분이 강간을 당했다면서 미국 경찰청에 신고를 했다 2번의재판끝에 경찰당국과 여성분은 아무런 증거도 얻을수없었다 남성분이나 혹은 여성분이 복용할경우 30분이면 바로 기분이 좋아지면서 평소 남성의 터치나 남성의 시선까지 거부하던 여성분이그녀답지않은 스킨쉽으로 30분이 지나서 약발이 오르면 바로 작업을 걸어도 그대로 바로 빠져들게하는 마성의 약물이다 이러한 제품도 진품을살때만이 효과를 보는것이다. 더궁금한것이 있으시면 카톡【AKR331】라인【SPR331】위커【SPR705】텔레【GEM705】로 문의주세요. In 1908, the U.S. Congress rejected a proposal to make Mother's Day an official holiday, joking that they would also have to proclaim a "Mother-in-law's Day". However, owing to the efforts of Anna Jarvis, by 1911 all U.S. states observed the holiday, with some of them officially recognizing Mother's Day as a local holiday (the first being West Virginia, Jarvis' home state, in 1910). In 1914, Woodrow Wilson signed a proclamation designating Mother's Day, held on the second Sunday in May, as a national holiday to honor mothers.
마법의약물G,H,B정품판매처,카톡【AKR331】라인【SPR331】물,뽕정품으로 판매하고있어요
What in the sodding Dark happened back there on Aarden? What did you find?" He stared at her hand for a long moment. His cheek muscle bunched rhythmically, a tell she had learned meant he was struggling over some internal debate. Sigel's Wives burned down from above; Sherp went on snoring away, and Scow appeared to be giving chase again. Mung, Voth and Rantham hadn't moved from where they lay in some time, either, and Biiko was at his post. This was about as alone as they could ever hope to be. She reached up with her other hand, feather-soft, touched his cheek, his chin. It was rough with stubble, the same fiery copper-and-chestnut as his hair. His jaw stopped twitching and he closed his eyes, but did not resist as she gently turned his head to face her. She could hear the subtle trembling in his breathing and leaned closer, licked her cracked lips. "Triistan, please...tell me what terrible secret you are guarding..." she whispered, barely a breath really, but his eyes snapped open as if she'd struck him. He looked so sad. "I'm sorry," he mumbled. Then he was standing, gently disengaging himself from her, and moving towards Biiko where he stood his watch on the other side of the launch. He paused a moment at the mainmast and she thought he might come back, but he only turned his head, speaking over his shoulder without looking at her. His voice was heavy with sorrow. "Please don't take my journal again." Without bothering to wait for a response, he slipped around the mainmast and left her by herself. Dreysha sat there brooding for a long time. She was angry with him for rejecting her, and with herself for mishandling both him and his Dark-damned journal. Most of all, though, she was angry with herself for what she had felt when he'd looked at her. After awhile Scow snorted himself awake. He groaned and stretched, then grumbled a greeting at her, getting barely a grunt in reply for his trouble. The Mattock stood and stretched some more, his massive frame providing some welcome shade, and she sensed him watching her, could imagine him glancing across the deck at Triistan. He knew his men almost as well as his ship, which is why he stood there silently for awhile. Thunder rumbled again, great boulders of sound rolling across the sea, and this time there could be no doubt it was closer. She rose and leaned over the rail. The southern horizon was lost in a dark shadow beneath towering columns of bruised, sullen clouds. She could smell the rain, though the air was as still as death. Beside her, Scow hawked and spat over the side. "Storm's comin' ". "Aye," she answered softly. "Been coming for some time now." - from the upcoming "RUINE" series.
T.B. Schmid
Ever seen a movie where the hero gets punched right in the face? A gruesome slow-mo close-up, where a spray of sweat and blood flies through the air? Notice how you wince, or flinch, or turn away even though you know it’s only a movie? Even though you know it’s make-believe, you can’t help relating to it on some level. How ironic is it that we can so easily relate to the nonexistent pain of a fictitious movie character, but we often completely forget about the very real pain of the people we love? Humans are social animals. When it comes to affairs of the heart, most of us are pretty similar. We want to be loved, respected, and cared for. We want to get along with others and generally have a good time with them. When we fight with, reject, or distance ourselves from the people we love, we don’t feel good. And when they fight with, reject, or distance themselves from us, we feel even worse. So when you fight with your partner, you both get hurt. Your partner may not reveal his pain to you; he may just get angry, or storm out of the house, or quietly switch on the TV and start drinking, but deep inside he hurts just like you. Your partner may refuse to talk to you, she may criticize you in scathing tones, or go out on the town with her friends, but deep inside, she hurts just as you are. It is so important to recognize and remember this. We tend to get so caught up in
Russ Harris (ACT with Love: Stop Struggling, Reconcile Differences, and Strengthen Your Relationship with Acceptance and Commitment Therapy)
Am I to assume the Valerie I was introduced to earlier was the Valerie of our greenhouse notes?” He realized his mistake the instant her eyes clouded over and she glanced in the direction he’d looked. “Yes.” “Shall I ask Willington to clear his ballroom so you have the requisite twenty paces? Naturally, I’ll stand as your second.” Elizabeth drew a shaky breath, and a smile curved her lips. “Is she wearing a bow?” Ian looked and shook his head. “I’m afraid not.” “Does she have an earring?” He glanced again and frowned. “I think that’s a wart.” Her smile finally reached her eyes. “It’s not a large target, but I suppose-“ “Allow me,” he gravely replied, and she laughed. The last strains of their waltz were dying away, and as they left the dance floor Ian watched Mondevale making his way toward the Townsendes, who’d returned to the ballroom. “Now that you’re a marquess,” Elizabeth asked, “will you live in Scotland or in England?” “I only accepted the title, not the money or the lands,” he replied absently, watching Mondevale. “I’ll explain everything to you tomorrow morning at your house. Mondevale is going to ask you to dance as soon as we reach the Townsendes, so listen closely-I’m going to ask you to dance again later. Turn me down.” She sent him a puzzled look, but she nodded. “Is there anything else?” she asked when he was about to relinquish her to her friends. “There’s a great deal else, but it will have to wait until tomorrow.” Mystified, Elizabeth turned her attention to Viscount Mondevale. Alex watched the byplay between Elizabeth and Ian but her mind was elsewhere. While the couple danced, Alex had told her husband exactly what she thought of Ian Thornton who’d first ruined Elizabeth’s reputation and now deceived her into thinking he was still a man of very modest means. Instead of agreeing that Thornton was completely without principles, Jordan had calmly insisted that Ian intended to set matters aright in the morning, and then he’d made her, and his grandmother, promise not to tell Elizabeth anything until Ian had been given the opportunity to do so himself. Dragging her thoughts back to the ballroom, Alex hoped more than anything that Ian Thornton would do nothing more to hurt her good friend. By the end of the evening a majority of the guests at the Willington ball had drawn several conclusions: first, that Ian Thornton was definitely the natural grandson of the Duke of Stanhope (which everyone claimed to have always believed); second, that Elizabeth Cameron had very probably rebuffed his scandalous advances two years ago (which everyone claimed to have always believed); third, that since she had rejected his second request for a dance tonight, she might actually prefer her former suitor Viscount Mondevale (which hardly anyone could really believe).
Judith McNaught (Almost Heaven (Sequels, #3))
Echad is first mentioned in the garden. It says a man and a woman, when they join together, become echad, or “one.” But that word echad is more explosive with meaning than just one flesh. It can literally mean to fuse together at the deepest part of our beings. Two becoming one, completely glued together, completely meshing. I still remember one of the hardest conversations I have had with Alyssa. We were just starting to date again, and were sitting in the car after a wonderful date night. We knew marriage was a possibility on the horizon, and I felt like I finally had to share things in my past that would affect her if we got married. I was incredibly nervous, as well as terrified of rejection or hurt, but I realized that if intimacy were to grow, I had to get vulnerable. For marriage to be what it truly is—two people becoming one in mind, body, soul, and spirit—I had to be honest. I remember sharing with her many things, but specifically some details of my sexual past. My teenage years were littered with me almost worshiping sexual fulfillment in pornography, partying, and girls. And I say worship, because that was where I got my worth, value, and purpose as well as what I most lived for (which is what the definition of worship is). I had to apologize and ask forgiveness from Alyssa for things I had done before I even knew her because of echad—one form of complete and utter intimacy. Because of that beauty, mystery, and power, God created it to function best in a man and a woman coming together for life and constantly echading or fusing together. I needed forgiveness because I had betrayed echad. I had betrayed oneness. I had betrayed intimacy. And if I wasn’t honest about it, it’d be a little part of my life or heart that Alyssa didn’t know—thus blocking echad. But something really peculiar happened in that moment. With the grace and forgiveness of Jesus, Alyssa forgave me. She heard all that I was and am, and still wanted to walk this journey with me. I still remember the tenderness in her voice as she spoke truth and forgiveness over me. In that moment I was exposed and known, and yet because of Alyssa’s grace, I was at the same time loved. And that is where intimacy is found—to be fully loved and to be fully known. To be fully loved, but not fully known will always allow us to buy the lie that “if they only knew the real me, they wouldn’t want me anymore.” And to be fully known but not fully loved feels sharp, painful, at a level of rejection that hurts so bad. But to be fully known and at the same time fully loved, now that is intimacy. I don’t want to give the wrong impression. Intimacy is certainly romantic in some aspects, but at its deepest level, it’s much more than that. It can be experienced with friends and family, not just spouses and loved ones.
Jefferson Bethke (It's Not What You Think: Why Christianity Is About So Much More Than Going to Heaven When You Die)
It was the same as I remembered it,” she whispered, sounding defeated and puzzled and shattered. It was better than he remembered. Stronger, wilder…And the only reason she didn’t know it was because he hadn’t succumbed to temptation yet and kissed her once more. He had just rejected that idea as complete insanity when a male voice suddenly erupted behind them: “Good God! What’s going on here!” Elizabeth jerked free in mindless panic, her gaze flying to a middle-aged elderly man wearing a clerical collar who was dashing across the yard. Ian put a steadying hand on her waist, and she stood there rigid with shock. “I heart shooting-“ The gray-haired man gasped, sagging against a nearby tree, his hand over his heart, his chest heaving. “I heard it all the way up the valley, and I thought0” He broke off, his alert gaze moving from Elizabeth’s flushed face and tousled hair to Ian’s hand at her waist. “You thought what?” Ian asked in a voice that struck Elizabeth as being amazingly calm, considering they’d just been caught in a lustful embrace by nothing less daunting than a Scottish vicar. The thought had scarcely crossed her battered mind when the man’s expression hardened with understanding. “I thought,” he said ironically, straightening from the tree and coming forward, brushing pieces of bark from his black sleeve, “that you were trying to kill each other. Which,” he continued more mildly as he stopped in front of Elizabeth, “Miss Throckmorton-Jones seemed to think was a distinct possibility when she dispatched me here.” “Lucinda?” Elizabeth gasped, feeling as if the world was turning upside down. “Lucinda sent you here?” “Indeed,” said the vicar, bending a reproachful glance on Ian’s hand, which was resting on Elizabeth’s waist. Mortified to the very depths of her being by the realization she’d remained standing in this near-embrace, Elizabeth hastily shoved Ian’s hand away and stepped sideways. She braced herself for a richly deserved, thundering tirade on the sinfulness of their behavior, but the vicar continued to regard Ian with his bushy gray eyebrows lifted, waiting. Feeling as if she were going to break from the strain of the silence, Elizabeth cast a pleading look at Ian and found him regarding the vicar not with shame or apology, but with irritated amusement. “Well?” demanded the vicar at last, looking at Ian. “What do you have to say to me?” “Good afternoon?” Ian suggested drolly. And then he added, “I didn’t expect to see you until tomorrow, Uncle.” “Obviously,” retorted the vicar with unconcealed irony. “Uncle!” blurted Elizabeth, gaping incredulously at Ian Thornton, who’d been flagrantly defying rules of morality with his passionate kisses and seeking hands from the first night she met him. As if the vicar read her thoughts, he looked at her, his brown eyes amused. “Amazing, is it not, my dear? It quite convinces me that God has a sense of humor.
Judith McNaught (Almost Heaven (Sequels, #3))
When our highest priority is to always make ourselves feel good, or to always make our partner feel good, then nobody ends up feeling good. And our relationship falls apart without our even knowing it. Without conflict, there can be no trust. Conflict exists to show us who is there for us unconditionally and who is just there for the benefits. No one trusts a yes-man. If Disappointment Panda were here, he’d tell you that the pain in our relationship is necessary to cement our trust in each other and produce greater intimacy. For a relationship to be healthy, both people must be willing and able to both say no in here no. Without that negation, without that occasional rejection, boundaries break down and one person’s problems and values come to dominate the other’s. Conflict is not only normal, then; it’s Absolutely necessary for the maintenance of a healthy relationship. If two people who are close are not able to hash out their differences openly and vocally, then the relationship is based on manipulation and misrepresentation, and it will slowly become toxic. Trust is the most important ingredient in any relationship, for the simple reason that without trust, the relationship doesn’t actually mean anything. A person could tell you that she loves you, wants to be with you, I would give up everything for you, but if you don’t trust her, you get no benefit from those statements. You don’t feel loved until you trust that the love being expressed toward you comes without any special conditions or baggage attached to it.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Nice shack," I tell him. "Trade you." "Any day." "Really? You like it?" He seems genuinely pleased. "What's not to like?" He stands back and studies it as if for the first time. He nods. "Huh. Good to know." We climb the three steps on the porch, but I grab his arm as he reaches for the door handle. The contact sends heat through my body, roasting me to the core. "Wait." He pauses mid-motion and stares at my hand. "What? Is something wrong? You're not changing your mind are you?" "No. I just...have to tell you something." "What?" I forced a nervous laugh. "Well, the good news is, you don't have to worry about me rejecting you anymore." He shakes his head. "That is good news. But you say it like it's not." I take a deep breath. Where is a good lightning bolt when you need one? Because even if I take a hundred deep breaths, this will still be humiliating... "Emma?" "I told my mom we were dating," I blurt. There. Doesn't that feel better? Nope. Nope, it doesn't. While his smile surprises me, it mostly mesmerizes me beyond rational thought. "Are you kidding?" he says. I shake my head. "It's the only thing she would believe. So now...now you have to pretend that we're dating if you come to my house. But don't worry, you don't ever have to go over there again. And in a few days, I'll pretend that we broke up." He laughs. "No, you won't. I told her the same thing." "Shut. Up." "Why? What'd I say?" "No, I mean, did you really tell her that? Why would you do that?" He shrugs. "Same reason you did. She wouldn't take no for an answer.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
It happens that in our phase of civility, the novel is the central form of literary art. It lends itself to explanations borrowed from any intellectual system of the universe which seems at the time satisfactory. Its history is an attempt to evade the laws of what Scott called 'the land of fiction'-the stereotypes which ignore reality, and whose remoteness from it we identify as absurd. From Cervantes forward it has been, when it has satisfied us, the poetry which is 'capable,' in the words of Ortega, 'of coping with present reality.' But it is a 'realistic poetry' and its theme is, bluntly, 'the collapse of the poetic' because it has to do with 'the barbarous, brutal, mute, meaningless reality of things.' It cannot work with the old hero, or with the old laws of the land of romance; moreover, such new laws and customs as it creates have themselves to be repeatedly broken under the demands of a changed and no less brutal reality. 'Reality has such a violent temper that it does not tolerate the ideal even when reality itself is idealized.' Nevertheless, the effort continues to be made. The extremest revolt against the customs or laws of fiction--the antinovels of Fielding or Jane Austen or Flaubert or Natalie Sarraute--creates its new laws, in their turn to be broken. Even when there is a profession of complete narrative anarchy, as in some of the works I discussed last week, or in a poem such as Paterson, which rejects as spurious whatever most of us understand as form, it seems that time will always reveal some congruence with a paradigm--provided always that there is in the work that necessary element of the customary which enables it to communicate at all. I shall not spend much time on matters so familiar to you. Whether, with Lukács, you think of the novel as peculiarly the resolution of the problem of the individual in an open society--or as relating to that problem in respect of an utterly contingent world; or express this in terms of the modern French theorists and call its progress a necessary and 'unceasing movement from the known to the unknown'; or simply see the novel as resembling the other arts in that it cannot avoid creating new possibilities for its own future--however you put it, the history of the novel is the history of forms rejected or modified, by parody, manifesto, neglect, as absurd. Nowhere else, perhaps, are we so conscious of the dissidence between inherited forms and our own reality. There is at present some good discussion of the issue not only in French but in English. Here I have in mind Iris Murdoch, a writer whose persistent and radical thinking about the form has not as yet been fully reflected in her own fiction. She contrasts what she calls 'crystalline form' with narrative of the shapeless, quasi-documentary kind, rejecting the first as uncharacteristic of the novel because it does not contain free characters, and the second because it cannot satisfy that need of form which it is easier to assert than to describe; we are at least sure that it exists, and that it is not always illicit. Her argument is important and subtle, and this is not an attempt to restate it; it is enough to say that Miss Murdoch, as a novelist, finds much difficulty in resisting what she calls 'the consolations of form' and in that degree damages the 'opacity,' as she calls it, of character. A novel has this (and more) in common with love, that it is, so to speak, delighted with its own inventions of character, but must respect their uniqueness and their freedom. It must do so without losing the formal qualities that make it a novel. But the truly imaginative novelist has an unshakable 'respect for the contingent'; without it he sinks into fantasy, which is a way of deforming reality. 'Since reality is incomplete, art must not be too afraid of incompleteness,' says Miss Murdoch. We must not falsify it with patterns too neat, too inclusive; there must be dissonance.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
Sitting in a bar for hours on end wouldn’t help matters, but Tristan Archer figured he might as well try it out. It may take him far longer to get drunk than it would if he were human, yet he figured he’d give it a go. After the hellish few months he’d had, he would try anything at this point. He ran a hand through his short, auburn hair that tended to look brown in the bar’s lighting and sighed. He shouldn’t have accepted his friend Levi’s invitation to dinner and drinks at Dante’s Circle in the human realm. He should have rejected the offer and gone back to the thousand other things he had to do within the fae realm and inside the Conclave. Tristan wasn’t just any fae. He was a nine-hundred-year-old fae prince with responsibilities that lay heavily on his shoulders. He was also a Conclave member, where he helped govern every paranormal realm in existence with another fae member and two others from each race. That was how he’d become friends with Levi, a wizard and prince in his own right. So here he was, in Dante’s Circle, a bar owned and named after a royal blue dragon; the meeting place of seven women and their mates with a history he couldn’t immediately comprehend. Of course, it was because one of those women that he’d rather be in the fae realm instead of the dark bar with oak paneling and photos on the walls that spoke of generations of memories and connections. He’d been here a few times in the past, always on the outside of the circle of lightning-struck woman and their mates, but never fully excluded. They’d welcomed Tristan into their fold, even if they didn’t understand why it hurt him so to be that close to what he couldn’t have. Or maybe they understood all too well. After all, one of their own was the reason for his confusion, his torture. The object of his desire. “If you keep glowering at her over in the corner, you’ll end up scaring her more than she already is,” Seth said from his side. Tristan closed his eyes and took a deep breath, immediately regretting the action as soon as he did. The man next to him smelled of the sea. And hope. His heart ached and his dick filled. Seth Oceanus was a merman, a friend, and his mate. His true half. Or at least one of them. Not that he or Seth could do anything about it when the other part of their triad didn’t feel the same way.
Carrie Ann Ryan (An Immortal's Song (Dante's Circle, #6))
It was that very same attitude that had caused the heaviness on her heart right now. The phone calls she had received came from people who had spent all year spending money on the things they wanted: new cars, TVs, clothes and going out to eat and now they had nothing left to give to someone else. "When did it happen?" she wondered, "-- this change in people's thinking." What happened to the times when even a small gift was greatly appreciated because you knew the person had sacrificed so much in order to buy or make it? What happened to the times when parents, spouses and children worked so hard in order to be able to give that special gift to someone they loved? When did it become acceptable to call on your expensive cell phone, from your favorite restaurant, to let others know that you can't buy them a gift this year because you can't afford it? Had she been mistaken all this time in her understanding of gift giving? With a droop in her shoulders she turns and walks toward the little tree. How could it have lost its sparkle in a matter of moments? Why do the presents under it suddenly look less gaily wrapped? With tears gently rolling down her cheeks, she stoops to turn off the tree's lights. As she reaches for the plug, her hand accidentally brushes her Bible laying on the table. She looks up through the blur, her eyes alight upon the passage on the open page. "For God so LOVED the world that he GAVE his one and only Son, that whoever believes in him shall not perish but have eternal life." A sweet peace starts warming her heart. She begins to smile and her tears are flowing even more freely now -- not from sadness, but from joy. The lights on the little tree become brighter and brighter, lighting up the whole room with it's sparkle. The gifts under it look more beautiful than those in the most expensive department stores for, in that moment, she realizes that she wasn't wrong to love, to sacrifice and to want to give gifts to the people she loves. Hadn't God Himself so loved us that He gave, with the greatest of sacrifices, the most wonderful gift, His Son. She was so glad that God hadn't spent His time in heaven selfishly using all His resources for Himself. She was thankful that He hadn't sent her a message saying, "Sorry, but I can't afford to give you a gift this year." In those few moments of heartbreak she had learned something more. She had learned what God must feel like to have the gift that He sacrificed so much to give be rejected and scorned. How hurtful to take away the blessing of giving from someone or to reject their gift. Yes, it seemed to be popular to say, "We can't afford to exchange gifts this year", but it didn't matter. She would continue to love, sacrifice and give, always following her heavenly Father's example.
Tawra Jean Kellam
In order to grasp how exploitation is overcome by sublimation, it is not enough to stay with this standard definition of sublimation as the elevation of an ordinary object to the dignity of a Thing. As Lacan aptly demonstrated apropos courtly love, an ordinary object (woman) is there elevated to the dignity of the Thing, she becomes an “inhuman partner,” dangerous to get too close to, always out of reach, mixing horror and respect. The paradox of desire is here brought to an extreme, turning the experience of love into an endlessly postponed tragedy. In true love, however, comedy enters: while the beloved remains a Thing, it is simultaneously “desublimated,” accepted in all her ridiculous bodily imperfections. A true miracle is thus achieved: I can hold the Thing-jouissance in my hands, making fun of it and playing games with it, enjoying it without restraint – true love doesn’t idealize – or, as Lacan put it in his seminar on anxiety: “Only love-sublimation makes it possible for jouissance to condescend to desire.” This enigmatic proposition was perspicuously interpreted by Alenka Zupančič who demonstrated how, in the comedy of love, sublimation paradoxically comprises its opposite, desublimation – you remain the Thing, but simultaneously I can use you for my enjoyment: “to love the other and to desire my own jouissance. To ‘desire one’s own jouissance’ is probably what is the hardest to obtain and to make work, since the enjoyment has trouble appearing as an object.” One should not shirk from a quite concrete and graphic description of what this amounts to: I love you, and I show this by fucking you just for pleasure, mercilessly objectivizing you – this is how I am no longer exploited by serving the Other’s enjoyment. When I worry all the time whether you also enjoy it, it is not love – “I love you” means: I want to be used as an object for your enjoyment. One should reject here all the Catholic nonsense of preferring the missionary position in sex because lovers can whisper tender words and communicate spiritually, and even Kant was too short here when he reduced the sexual act to reducing my partner to an instrument of my pleasure: self-objectivization is the proof of love, you find being used degrading only if there is no love. This enjoyment of mine should not be constrained even by the tendency to enable my partner to reach orgasm simultaneously with me – Brecht was right when, in his poem “Orges Wunschliste,” he includes in the wish-list of his preferences non-simultaneous orgasms: “Von den Mädchen, die neuen. / Von den Weibern, die ungetreuen. / Von den Orgasmen, die ungleichzeitigen. / Von den Feindschaften, die beiderseitigen.” “Of the girls, the new. / Of the women, the unfaithful. / Of orgasms, the non-simultaneous. / Of the animosities, the mutual.
Slavoj Žižek (Hegel in a Wired Brain)
The "kindness of giving you a body" means that, at first, our bodies are not fully matured nor are our pleasant complexions. We started in the mother's womb as just an oval spot and oblong lump, and from there we developed through the vital essence of the mother's blood and flesh. We grew through the vital essence of her food while she endured embarrassment, pain, and suffering. After we were born, from a small worm until we were fully grown, she developed our body. The "kindness of undergoing hardships for you" means that, at first, we were not wearing any clothes with all their ornamentation, did not possess any wealth, and did not bring any provisions. We just came with a mouth and stomach-empty-handed, without any material things. When we came to this place where we knew no one, she gave food when we were hungry, she gave drink when we were thirsty, she gave clothes when we were cold, she gave wealth when we had nothing. Also, she did not just give us things she did not need. Rather, she has given us what she did not dare use for herself, things she did not dare eat, drink, or wear for herself, things she did not dare employ for the happiness of this life, things she did not dare use for her next life's wealth. In brief, without looking for happiness in this life or next, she nurtured her child. She did not obtain these things easily or with pleasure. She collected them by creating various negative karmas, by sufferings and hardships, and gave them all to the child. For example, creating negative karma: she fed the child through various nonvirtuous actions like fishing, butchering, and so forth. For example, suffering: to give to the child, she accumulated wealth by working at a business or farm and so forth, wearing frost for shoes, wearing stars as a hat, riding on the horse of her legs, her hem like a whip, giving her legs to the dogs and her face to the people. Furthermore, she loved the unknown one much more than her father, mother, and teachers who were very kind to her. She watched the child with eyes of love, and kept it warm in soft cloth. She dandled the child in her ten fingers, and lifted it up in the sky. She called to it in a loving, pleasant voice, saying, "Joyful one, you who delight Mommy. Lu, lu, you happy one," and so forth. The "kindness of giving you life" means that, at first, we were not capable of eating with our mouth and hands nor were we capable of enduring all the different hardships. We were like feeble insects without strength; we were just silly and could not think anything. Again, without rejection, the mother served us, put us on her lap, protected us from fire and water, held us away from precipices, dispelled all harmful things, and performed rituals. Out of fear for our death or fear for our health, she did divinations and consulted astrologers. Through many ritual ceremonies and many other different things, in inconceivable ways, she protected the life of her child. The "kindness of showing you the world" means that, at first, we did not come here knowing various things, seeing broadly, and being talented. We could only cry and move our legs and hands. Other than that, we knew nothing. The mother taught us how to eat when we did not know how. She taught us how to wear clothes when we did not know how. She taught us how to walk when we did not know how. She taught us how to talk when we did not know how to say "Mama," or "Hi," and so forth. She taught us various skills, creative arts, and so forth. She tried to make us equal when we were unequal, and tried to make the uneven even for us. Not only have we had a mother in this lifetime, but from beginningless samsara she served as a mother countless times.
Gampopa (The Jewel Ornament of Liberation: The Wish-Fulfilling Gem of the Noble Teachings)